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DANCE MUSIC PLAYS | 0:00:02 | 0:00:05 | |
Pride Day is Brighton at its best. | 0:00:05 | 0:00:09 | |
Diverse, colourful, inclusive. | 0:00:09 | 0:00:12 | |
My officers and I will do everything in our power | 0:00:12 | 0:00:14 | |
to make sure everyone has a great day. | 0:00:14 | 0:00:16 | |
CHEERING AND WHOOPING | 0:00:16 | 0:00:19 | |
'That was Chief Superintendent Robert Vickers | 0:00:22 | 0:00:25 | |
'of South Sussex Police...' | 0:00:25 | 0:00:26 | |
I think today's the day I should be on foot patrol. | 0:00:26 | 0:00:29 | |
Listen, don't get too excited. | 0:00:29 | 0:00:31 | |
-Remember you've got to finish your list. -What? | 0:00:31 | 0:00:35 | |
If you want to pass out on time, | 0:00:35 | 0:00:36 | |
finish your probation, you got to complete your Nozzes. You know that. | 0:00:36 | 0:00:41 | |
You've ticked everything else off the list - | 0:00:41 | 0:00:43 | |
arrests, interviews, conflict management - | 0:00:43 | 0:00:46 | |
apart from one last job. | 0:00:46 | 0:00:48 | |
'Every rookie has to pass reception duty.' | 0:00:56 | 0:00:59 | |
I can't do it. | 0:01:44 | 0:01:45 | |
Please, don't ask me to. | 0:01:45 | 0:01:47 | |
It's all right, Stacey. | 0:01:47 | 0:01:49 | |
I can't make a statement against Reece. | 0:01:50 | 0:01:53 | |
-It's his baby. -I know. | 0:01:53 | 0:01:56 | |
But I also know that as long as Reece is in your house, | 0:01:57 | 0:02:00 | |
it isn't safe. | 0:02:00 | 0:02:01 | |
They said they're going to take him away. | 0:02:04 | 0:02:06 | |
Foster parents. | 0:02:06 | 0:02:08 | |
I understand how hard this is for you, I really do. | 0:02:09 | 0:02:12 | |
But there might be another way. | 0:02:14 | 0:02:16 | |
There must be a witness that saw Reece beating you up | 0:02:16 | 0:02:19 | |
on the street, Stacey, because someone dialled 999. | 0:02:19 | 0:02:22 | |
This is Detective Sergeant Jo Moffat from South Sussex Police. | 0:02:24 | 0:02:28 | |
I understand the owner of this phone witnessed a serious assault | 0:02:28 | 0:02:31 | |
on a young woman and phoned an ambulance from this number. | 0:02:31 | 0:02:34 | |
'I'd be grateful if you could get back to me as soon as you can | 0:02:34 | 0:02:37 | |
'and we can have a chat about what you saw. Thank you.' | 0:02:37 | 0:02:40 | |
Hello, Leslie. Nice to see you're settling in. | 0:03:57 | 0:04:00 | |
I'm Colette. | 0:04:00 | 0:04:01 | |
I'm one of the nurses that work here. | 0:04:01 | 0:04:04 | |
I'm going to make you a cup of tea, | 0:04:07 | 0:04:09 | |
and then the occupational therapist's going to pop in, OK? | 0:04:09 | 0:04:13 | |
I have to go now, Dad. | 0:04:20 | 0:04:21 | |
Thank you, Colette. | 0:04:32 | 0:04:34 | |
Come on, Butterflies, lunchtime! | 0:04:39 | 0:04:42 | |
No pushing. | 0:04:42 | 0:04:44 | |
Here we go, Ethan. | 0:04:44 | 0:04:45 | |
let's see what Mummy's put in for you today... | 0:04:45 | 0:04:48 | |
Hi, I'm Misha, one of the neighbourhood officers. | 0:05:05 | 0:05:07 | |
And I'm Jo, I'm leading the investigation. | 0:05:07 | 0:05:10 | |
We're here today to ask if you would be a formal witness | 0:05:13 | 0:05:16 | |
to the attack you saw. | 0:05:16 | 0:05:18 | |
It's just a chat, there's nothing for you to worry about. | 0:05:18 | 0:05:21 | |
-I don't want to interfere... -I understand, | 0:05:21 | 0:05:24 | |
and no-one is asking you to do that. | 0:05:24 | 0:05:27 | |
What happens between a husband and his wife, it's private. | 0:05:27 | 0:05:30 | |
It's their business. | 0:05:30 | 0:05:31 | |
Look, whatever you tell us today, | 0:05:34 | 0:05:36 | |
you're not breaking up a sacred, happy marriage. | 0:05:36 | 0:05:38 | |
That man you saw - it's not the first time he's attacked her. | 0:05:38 | 0:05:41 | |
He's hit her and he's hurt her many, many times, | 0:05:41 | 0:05:44 | |
and she's living with that every day. | 0:05:44 | 0:05:47 | |
They've already taken her children into care, | 0:05:47 | 0:05:50 | |
but if you can help me, | 0:05:50 | 0:05:52 | |
then there is every chance that we can help her. | 0:05:52 | 0:05:54 | |
Um, the man - he was blonde, | 0:06:00 | 0:06:03 | |
scruffy... | 0:06:03 | 0:06:05 | |
He seemed very angry, drunk. | 0:06:05 | 0:06:08 | |
He had his hands round her throat and he kept hitting her | 0:06:08 | 0:06:10 | |
and hitting her, again and again, shouting. | 0:06:10 | 0:06:13 | |
The girl, she dropped to the ground, | 0:06:13 | 0:06:16 | |
and he kicked her in the stomach. | 0:06:16 | 0:06:19 | |
I could see the tattoo on his hand when he punched her. | 0:06:19 | 0:06:21 | |
It was a grenade. | 0:06:21 | 0:06:22 | |
Thank you. | 0:06:25 | 0:06:27 | |
Hang on, so you already gave the drugs to one of my colleagues, yeah? | 0:06:30 | 0:06:33 | |
-Which colleague? -He said he was a policeman. | 0:06:33 | 0:06:36 | |
Undercover. Mind you, I did think he was a bit... | 0:06:36 | 0:06:39 | |
Greasy? | 0:06:39 | 0:06:40 | |
-Who's this? -This is Ethan's mum, Tanya. | 0:06:40 | 0:06:44 | |
It was Ethan's lunch box that had the... | 0:06:44 | 0:06:46 | |
Had the drugs in it. And you know who that fake cop was? Terry. | 0:06:46 | 0:06:50 | |
Who's Terry? | 0:06:50 | 0:06:52 | |
My boyfriend. | 0:06:52 | 0:06:53 | |
Conned you into giving him his stash back. | 0:06:53 | 0:06:55 | |
So you were already knew that your boyfriend was a drug dealer? | 0:06:55 | 0:06:59 | |
Do you know how hard it is to do this on your own? | 0:06:59 | 0:07:01 | |
How dare he put my boy at risk? | 0:07:03 | 0:07:05 | |
-I swear to God, if he comes near us again... -Listen. | 0:07:05 | 0:07:08 | |
Let me help you. | 0:07:08 | 0:07:10 | |
Where is Terry now? | 0:07:10 | 0:07:12 | |
Middle Street. He'll be hanging round the bars. | 0:07:12 | 0:07:15 | |
You can't miss him. He's a weasel. | 0:07:15 | 0:07:18 | |
No class. All he cares about is cash. | 0:07:18 | 0:07:21 | |
And the police have obtained a statement from an impartial witness | 0:07:28 | 0:07:32 | |
who can place you at the scene. | 0:07:32 | 0:07:34 | |
How can they? I wasn't there. | 0:07:35 | 0:07:36 | |
This witness claims to have seen you attacking Stacey. | 0:07:38 | 0:07:40 | |
Well, they're lying, yeah? Whoever they are. | 0:07:40 | 0:07:43 | |
If that's what you're saying to me, | 0:07:43 | 0:07:45 | |
my best advice is to go "no comment" in the interview. | 0:07:45 | 0:07:48 | |
Then we'll deal with the outcome of the ID parade when we get to it. | 0:07:48 | 0:07:51 | |
ID parade? | 0:07:51 | 0:07:53 | |
I'm not doing one of them, mate. | 0:07:53 | 0:07:55 | |
Again, my advice - it always looks better if you co-operate. | 0:07:55 | 0:08:00 | |
Plus, chances are, the witness may not pick you out anyway. | 0:08:00 | 0:08:03 | |
I want more than chances, mate. | 0:08:03 | 0:08:05 | |
You better sort this out, cos I'm not going back inside. | 0:08:05 | 0:08:08 | |
Good afternoon. | 0:08:09 | 0:08:11 | |
Let's start, shall we? | 0:08:11 | 0:08:13 | |
There you go. | 0:08:18 | 0:08:19 | |
Right, have a good 'un. Have a good'un. | 0:08:19 | 0:08:22 | |
Control, this is Kilo 230. I'm on Providence Place. | 0:08:25 | 0:08:27 | |
Just confirming there have been no signs | 0:08:27 | 0:08:30 | |
of any suspected drug dealers as of yet. | 0:08:30 | 0:08:32 | |
Control, can I just have the description of our target again? | 0:08:39 | 0:08:42 | |
-Over. -'IC1 male, 5'10", skinny set, light top and jeans.' | 0:08:42 | 0:08:46 | |
Sorry, mate, sorry. You all right? | 0:08:49 | 0:08:52 | |
Received that. I can confirm that is the target, | 0:08:53 | 0:08:56 | |
and he's heading off from me on foot on Ann Street. | 0:08:56 | 0:08:58 | |
I've lost sight of the suspect | 0:09:08 | 0:09:10 | |
outside the entrance to Ann Street car park. | 0:09:10 | 0:09:12 | |
Yeah, got that, Lino. | 0:09:12 | 0:09:14 | |
Control and all units, | 0:09:14 | 0:09:16 | |
this is Kilo 220. | 0:09:16 | 0:09:18 | |
I have eyeballs on the suspect. | 0:09:18 | 0:09:20 | |
I'm in pursuit heading south on York Hill. | 0:09:20 | 0:09:22 | |
Oi! | 0:09:24 | 0:09:25 | |
-HE GROANS -Get off me! Get off! -Stop resisting. | 0:09:36 | 0:09:39 | |
If you stop resisting you won't get hurt, all right? | 0:09:39 | 0:09:41 | |
-Give us your left arm now. -Control, this is Kilo 220. | 0:09:41 | 0:09:44 | |
We have the suspect in custody. | 0:09:44 | 0:09:46 | |
'Any patrol, a member of the public has reported seeing | 0:09:46 | 0:09:48 | |
'a disturbed man in Hove Lagoon. Your call sign, please.' | 0:09:48 | 0:09:50 | |
This is Kilo 220. Show me State Five to the Lagoon, over. | 0:09:50 | 0:09:54 | |
Yeah, yeah. Come on. | 0:09:56 | 0:09:58 | |
Excuse me. | 0:10:06 | 0:10:08 | |
I'm...here for an ID parade. | 0:10:08 | 0:10:10 | |
I'm a witness. I just wondered if you knew how long it's going to be? | 0:10:10 | 0:10:13 | |
I'm not sure, but someone from CID will come | 0:10:13 | 0:10:16 | |
and get you soon as they're ready, OK? | 0:10:16 | 0:10:18 | |
Shouldn't be too long. If you just want to take a seat. | 0:10:18 | 0:10:21 | |
DISTANT CHEERING | 0:10:27 | 0:10:29 | |
Can you believe it? The whole city partying, | 0:10:29 | 0:10:32 | |
and we're stuck here. | 0:10:32 | 0:10:33 | |
-The glamour. -Hey. | 0:10:35 | 0:10:37 | |
These are my people now. | 0:10:37 | 0:10:39 | |
You know the worse thing about CID? | 0:10:39 | 0:10:41 | |
They're the perfect storm. | 0:10:41 | 0:10:42 | |
Equal amounts of arrogance and incompetence. | 0:10:42 | 0:10:45 | |
Yeah, well, you should hear what they say about you. | 0:10:45 | 0:10:47 | |
I don't care what they say. At least I know how to do my job. | 0:10:47 | 0:10:51 | |
How long does it take to organise an ID Parade? | 0:10:51 | 0:10:53 | |
Erm, actually, I don't think you should be down here. | 0:10:56 | 0:11:00 | |
Why? Is it too exciting for me? | 0:11:00 | 0:11:02 | |
Erm... | 0:11:02 | 0:11:03 | |
I was just speaking to my colleague and I think it might be a while, | 0:11:17 | 0:11:20 | |
so if you want to follow me | 0:11:20 | 0:11:22 | |
and we can find you somewhere a bit more private, is that all right? | 0:11:22 | 0:11:25 | |
EXPLOSION | 0:11:32 | 0:11:35 | |
Michael. | 0:11:36 | 0:11:37 | |
You remember me? | 0:11:40 | 0:11:42 | |
GUNFIRE | 0:11:42 | 0:11:45 | |
Compound 24. Prepare. | 0:11:45 | 0:11:47 | |
I'm pushing east towards one five. | 0:11:47 | 0:11:49 | |
What's your Sitrep? | 0:11:49 | 0:11:51 | |
-Got live rounds coming in... -EXPLOSION | 0:11:51 | 0:11:53 | |
Here we go! Shots fired in from the right-hand side to the east. | 0:11:53 | 0:11:57 | |
We're sitting in their ambush. | 0:11:57 | 0:11:59 | |
I've located the enemy. We've closed down the area. | 0:11:59 | 0:12:02 | |
We're OK. | 0:12:02 | 0:12:03 | |
PLANE ENGINES OVERHEAD | 0:12:03 | 0:12:05 | |
We've got air support, medics. We're OK. | 0:12:05 | 0:12:09 | |
-HE PANTS -Michael. We're all right. | 0:12:09 | 0:12:12 | |
What's that? | 0:12:19 | 0:12:20 | |
I'll take that knife. Don't want you to hurt yourself. Come on. | 0:12:20 | 0:12:25 | |
Mind your head. | 0:12:28 | 0:12:30 | |
There you go. | 0:12:30 | 0:12:31 | |
Just put this seat belt on you. | 0:12:33 | 0:12:35 | |
Control, this is Kilo 220. | 0:12:46 | 0:12:49 | |
Show me State Nine with one in for possession of an offensive weapon. | 0:12:49 | 0:12:52 | |
I think we're also going to need | 0:12:52 | 0:12:54 | |
the mental health crisis team at custody. Over. | 0:12:54 | 0:12:57 | |
Michael! Michael. | 0:12:58 | 0:13:00 | |
Michael. Michael, don't. | 0:13:00 | 0:13:03 | |
Don't. All right? | 0:13:03 | 0:13:04 | |
Come on, let's sit down. | 0:13:04 | 0:13:07 | |
Whoa, whoa, whoa. | 0:13:12 | 0:13:14 | |
Whoa, whoa, come on. | 0:13:14 | 0:13:16 | |
HE SOBS | 0:13:16 | 0:13:18 | |
I was there too, you know. | 0:13:18 | 0:13:19 | |
Kosovo. | 0:13:22 | 0:13:24 | |
Iraq. | 0:13:24 | 0:13:26 | |
Afghanistan. | 0:13:26 | 0:13:27 | |
I get it. | 0:13:28 | 0:13:30 | |
All right? | 0:13:30 | 0:13:31 | |
I understand. | 0:13:31 | 0:13:33 | |
HE CRIES OUT | 0:13:33 | 0:13:36 | |
All right, come on. It's all right. | 0:13:36 | 0:13:38 | |
Let's go. | 0:13:38 | 0:13:40 | |
Third time this month you've been in to see us, Michael. | 0:13:43 | 0:13:47 | |
I'm sorry you're having a rough time. | 0:13:48 | 0:13:50 | |
The custody nurse is going to take care of you, all right? | 0:13:53 | 0:13:56 | |
You're going to stay with us overnight | 0:13:56 | 0:13:58 | |
and we're going to get someone from the crisis team | 0:13:58 | 0:14:01 | |
to come and have a chat. | 0:14:01 | 0:14:02 | |
Can you put Michael in five? | 0:14:02 | 0:14:04 | |
He's for constant supervision. | 0:14:04 | 0:14:06 | |
-He shouldn't be in here. -You got a spare psych bed? | 0:14:12 | 0:14:15 | |
Do you know, his wife finally chucked him out. | 0:14:15 | 0:14:19 | |
She won't even take my call to say he's back in here again. | 0:14:19 | 0:14:21 | |
-Harsh. -Is it? | 0:14:21 | 0:14:23 | |
It's not his fault, but... | 0:14:25 | 0:14:27 | |
blew apart his family. | 0:14:27 | 0:14:29 | |
She thought she was getting a war hero when he came back. | 0:14:29 | 0:14:32 | |
Instead she gets a husband who screams at their kid | 0:14:32 | 0:14:35 | |
cos he thinks they're in the Taliban | 0:14:35 | 0:14:37 | |
and cries when he hears a firework go off. | 0:14:37 | 0:14:39 | |
What every toddler needs, eh? | 0:14:52 | 0:14:54 | |
MDMA instead of marmite sandwiches. What a world, eh? | 0:14:55 | 0:14:59 | |
Sand, it's me. Please take my calls. | 0:15:01 | 0:15:04 | |
I miss you. I miss Maddie. | 0:15:04 | 0:15:07 | |
How can I fix this if you won't take my calls? | 0:15:09 | 0:15:11 | |
-Can I ask you something, mate? -Go on. -How old's Carmen? | 0:15:18 | 0:15:22 | |
-11. -What she's into? | 0:15:22 | 0:15:25 | |
Being sarcastic. | 0:15:25 | 0:15:27 | |
What else? | 0:15:27 | 0:15:29 | |
-Losing her phone. -Right. | 0:15:29 | 0:15:31 | |
Just I'm meeting Orla's daughter tonight. First time, you know. | 0:15:33 | 0:15:37 | |
Bit anxious. Just want to make a good impression. | 0:15:37 | 0:15:39 | |
You want parenting advice? | 0:15:42 | 0:15:44 | |
You're asking the wrong man, mate. | 0:15:44 | 0:15:46 | |
No, I'm not, Superdad! Come on. | 0:15:46 | 0:15:49 | |
Give me some words of wisdom. | 0:15:49 | 0:15:51 | |
I don't have any answers. | 0:15:51 | 0:15:53 | |
All I wanted was the best for him. | 0:15:55 | 0:15:58 | |
Maybe that's where I went wrong. | 0:15:59 | 0:16:01 | |
Pushing too hard | 0:16:03 | 0:16:05 | |
instead of just letting him be who he wanted to be. | 0:16:05 | 0:16:08 | |
I don't know what you're on about, | 0:16:12 | 0:16:14 | |
but I think you're a good dad. | 0:16:14 | 0:16:16 | |
-So, I thought we'd start off at Club Revenge. -Mm-hm. | 0:16:33 | 0:16:38 | |
And then move on to Charles Street. | 0:16:38 | 0:16:41 | |
Ooh, not too rowdy for you? | 0:16:41 | 0:16:43 | |
What you trying to say? | 0:16:43 | 0:16:45 | |
Nothing. Just you'll be the oldest person there. | 0:16:45 | 0:16:48 | |
A sad old queen propping up the bar. | 0:16:48 | 0:16:51 | |
-You know what? I'm going to get this ID parade out the way... -Yeah? | 0:16:51 | 0:16:55 | |
-..and then I'm going to make you pay for that. -Oh, yeah? | 0:16:55 | 0:16:58 | |
Oh, dear. | 0:17:00 | 0:17:01 | |
Rookie error. | 0:17:04 | 0:17:05 | |
No, no, no. Please, please don't say anything. | 0:17:11 | 0:17:14 | |
Oh, shi... | 0:17:16 | 0:17:17 | |
You have agreed to take part in a video ID procedure. | 0:17:35 | 0:17:39 | |
You will be shown nine video clips. | 0:17:39 | 0:17:42 | |
The person you saw may or may not be present. | 0:17:42 | 0:17:44 | |
You will be shown these clips twice. | 0:17:44 | 0:17:46 | |
You will then be asked if you recognise the person | 0:17:46 | 0:17:49 | |
you are here to identify. OK? | 0:17:49 | 0:17:51 | |
Yeah, that's him. | 0:18:16 | 0:18:18 | |
That's the man I saw attacking the pregnant woman. | 0:18:18 | 0:18:20 | |
-Yeah, I'm sure of it. -OK. | 0:18:20 | 0:18:23 | |
Yeah, hi. This is Jo Moffat from South Sussex CID. | 0:18:38 | 0:18:41 | |
I'm ringing to inform you that we've just carried out | 0:18:41 | 0:18:43 | |
an emergency ID parade and the witness has picked out the suspect. | 0:18:43 | 0:18:48 | |
Yeah. | 0:18:48 | 0:18:49 | |
Thank you, that's what I wanted to hear. Yeah, charge and remand. | 0:18:52 | 0:18:55 | |
Brilliant. Thank you. All right, bye-bye. | 0:18:55 | 0:18:58 | |
Thank you so much. | 0:18:59 | 0:19:01 | |
Lino, this is Blathnaid. | 0:19:19 | 0:19:21 | |
Blathnaid, this is Lino, Mummy's friend. | 0:19:21 | 0:19:24 | |
-How are you? You good? -Shake hands. | 0:19:24 | 0:19:27 | |
Shake hands, yeah? Bit formal, isn't it? | 0:19:27 | 0:19:29 | |
HE LAUGHS You all right? | 0:19:29 | 0:19:31 | |
-I'll get you a drink. -Cheers. | 0:19:31 | 0:19:33 | |
Right. | 0:19:35 | 0:19:37 | |
How's school, then? | 0:19:40 | 0:19:42 | |
You like school? | 0:19:42 | 0:19:44 | |
Eh? What's your favourite subject at school? | 0:19:47 | 0:19:51 | |
I like maths. | 0:19:51 | 0:19:53 | |
You know, I think it's cos, like, you do the work and... Ah. | 0:19:53 | 0:19:56 | |
-Here you are. -Thank you. | 0:20:03 | 0:20:05 | |
You telling him all about school? | 0:20:05 | 0:20:07 | |
-I'm not going. -Why not? | 0:20:23 | 0:20:26 | |
Why do you think? | 0:20:26 | 0:20:27 | |
I can't go out, enjoy myself with this hanging over me. | 0:20:27 | 0:20:31 | |
I need you to tell me | 0:20:31 | 0:20:32 | |
you're not going to tell anyone about the witness. | 0:20:32 | 0:20:35 | |
You know I can't give you that assurance. | 0:20:35 | 0:20:37 | |
So we're not even going to discuss it? | 0:20:37 | 0:20:40 | |
You're just going to drop me in it? | 0:20:40 | 0:20:42 | |
You put a witness in front of a photo of the suspect. | 0:20:44 | 0:20:47 | |
-It was a mistake! -Or a deliberate attempt to contaminate | 0:20:47 | 0:20:49 | |
-the memory of that witness? -No, no. You don't believe that. | 0:20:49 | 0:20:52 | |
You don't believe I did it on purpose! | 0:20:52 | 0:20:54 | |
Look, I messed up. I'm not corrupt! | 0:20:54 | 0:20:56 | |
The result's the same. You've contaminated the case. | 0:20:56 | 0:20:59 | |
She's no longer impartial. | 0:20:59 | 0:21:00 | |
-I can't believe you're doing this to me. -I'm not doing anything to you. | 0:21:00 | 0:21:04 | |
I have a professional obligation to my client. | 0:21:04 | 0:21:06 | |
I would not be doing my job properly if I did not report the police | 0:21:06 | 0:21:09 | |
for failing to correctly follow procedures. | 0:21:09 | 0:21:12 | |
Argh, stop! Stop! | 0:21:12 | 0:21:13 | |
Stop talking like that! You're not in court. | 0:21:13 | 0:21:16 | |
This bloke you're trying so hard to get off is a wife beater. | 0:21:20 | 0:21:24 | |
My client has never been charged with domestic violence. | 0:21:24 | 0:21:26 | |
That's cos he always gets away with it! | 0:21:26 | 0:21:28 | |
Look, I've been to his house, Simon, | 0:21:28 | 0:21:30 | |
and I've seen the holes in the walls. | 0:21:30 | 0:21:32 | |
The onus is on the police, | 0:21:32 | 0:21:34 | |
the CPS, to prove his guilt, which they have failed to do. | 0:21:34 | 0:21:37 | |
And due to procedural errors, they'll be unsuccessful again. | 0:21:37 | 0:21:41 | |
So that's it? You've made your decision. | 0:21:41 | 0:21:44 | |
You're putting some violent scum before me. | 0:21:44 | 0:21:48 | |
Before our relationship. | 0:21:48 | 0:21:51 | |
I'm sorry. You're the one making this personal. | 0:21:51 | 0:21:54 | |
That's cos it is personal. You're screwing me over. | 0:21:54 | 0:21:58 | |
Please. | 0:22:00 | 0:22:02 | |
Don't do this to me. | 0:22:02 | 0:22:03 | |
To us. | 0:22:04 | 0:22:06 | |
THUMPING DANCE MUSIC | 0:22:26 | 0:22:29 | |
INDISTINCT VOICE THROUGH PHONE | 0:23:31 | 0:23:34 | |
'Maddie needs a dad she can rely on, and I need a husband I can trust. | 0:23:37 | 0:23:40 | |
'And you need to be honest. Nothing but the truth from now on. | 0:23:40 | 0:23:43 | |
'And I know you don't like the idea of counselling, therapy, | 0:23:43 | 0:23:47 | |
'but marriage guidance is the only way we're going to live together. | 0:23:47 | 0:23:50 | |
'I need to know you're in this for the long haul, | 0:23:50 | 0:23:53 | |
'that you want to be part of this family. | 0:23:53 | 0:23:55 | |
'Just grow up, Carl.' | 0:23:55 | 0:23:57 | |
Woo! | 0:24:35 | 0:24:36 | |
INAUDIBLE | 0:25:20 | 0:25:21 | |
You all right? | 0:25:39 | 0:25:41 | |
-Tania? -What? | 0:25:41 | 0:25:43 | |
It's Carl. DC Hawkins. I met you at the nursery, | 0:25:43 | 0:25:46 | |
helped get Terry arrested? | 0:25:46 | 0:25:48 | |
PUNCHING AND KICKING | 0:26:03 | 0:26:06 | |
GROANING AND CHEERING | 0:26:06 | 0:26:08 | |
All right, Mum. I'll see you both later, yeah? | 0:26:14 | 0:26:17 | |
Bye, then. | 0:26:19 | 0:26:20 | |
Corey wants to see me tonight. | 0:26:21 | 0:26:23 | |
What's going on? | 0:26:28 | 0:26:29 | |
I've messed up. | 0:26:32 | 0:26:34 | |
Messed up what? | 0:26:37 | 0:26:39 | |
Everything. | 0:26:41 | 0:26:43 | |
Going to fail my probation. | 0:26:43 | 0:26:45 | |
My last day and I'm probably going to get sacked. | 0:26:45 | 0:26:48 | |
No-one's going to sack you. | 0:26:48 | 0:26:49 | |
They will. They will when they find out what I've done. I've... | 0:26:49 | 0:26:53 | |
I've blown it for everyone. | 0:26:55 | 0:26:58 | |
Oi, oi, out. Now. | 0:26:58 | 0:26:59 | |
HE SOBS | 0:27:03 | 0:27:04 | |
Look...you have to pull yourself together, all right? | 0:27:05 | 0:27:10 | |
You can't go out there like that. | 0:27:12 | 0:27:14 | |
Undo all my good work, innit? | 0:27:15 | 0:27:17 | |
Come on, stop it. | 0:27:19 | 0:27:21 | |
Look at me. Look at me. | 0:27:21 | 0:27:24 | |
What have you done? | 0:27:25 | 0:27:27 | |
I've let you down. | 0:27:29 | 0:27:30 | |
-I just... I don't deserve to be here. -That's not true. | 0:27:34 | 0:27:38 | |
You're a good cop and you'll get better, | 0:27:39 | 0:27:43 | |
otherwise I wouldn't have wasted my time on you. | 0:27:43 | 0:27:46 | |
Come on, just talk to me, yeah? | 0:27:46 | 0:27:49 | |
We can sort it out. | 0:27:49 | 0:27:50 | |
You were right all along. | 0:27:56 | 0:27:58 | |
About what? | 0:27:58 | 0:27:59 | |
Sleeping with the enemy. | 0:28:01 | 0:28:03 | |
Thanks...for coming with me. | 0:28:10 | 0:28:12 | |
It's all right, mate. | 0:28:13 | 0:28:15 | |
Can't quite believe what you've done. Honestly, I can't. | 0:28:34 | 0:28:38 | |
So stupid and careless. | 0:28:38 | 0:28:40 | |
Yeah, and he came to face the music. He didn't do it on purpose did he? | 0:28:40 | 0:28:44 | |
It's a rookie's mistake and that solicitor took advantage of... | 0:28:44 | 0:28:47 | |
-A solicitor who just happens to be his boyfriend. -Not any more. | 0:28:47 | 0:28:50 | |
Oh, really? Oh, so you've suddenly realised whose side you're on? | 0:28:50 | 0:28:53 | |
-Sarge, I said I was sorry. -Not good enough. | 0:28:53 | 0:28:56 | |
Do you have any idea how long I've tried to nail that scumbag? | 0:28:56 | 0:28:59 | |
I mean, you've been there. You've seen the bruises on her face. | 0:28:59 | 0:29:02 | |
He punched her in her pregnant stomach! | 0:29:02 | 0:29:05 | |
Jo, come on. He feels bad enough as it is. | 0:29:05 | 0:29:08 | |
And how's Stacey going to feel | 0:29:08 | 0:29:09 | |
when they take away her baby away from her, yeah? | 0:29:09 | 0:29:11 | |
I can't make this stick if I don't have an ID parade. | 0:29:11 | 0:29:13 | |
-Sarge, what can I do? -You can't do anything else. You've done enough. | 0:29:13 | 0:29:16 | |
-What's going on? -You've blown the case! | 0:29:16 | 0:29:19 | |
-I said I'm sorry! -Jake? -Robert, I'm dealing with it! | 0:29:19 | 0:29:22 | |
-Go on. -HE SIGHS | 0:29:34 | 0:29:36 | |
I'm sorry you had to see that. I've embarrassed you, | 0:29:43 | 0:29:45 | |
-I've embarrassed myself... -That's what you're so worried about? | 0:29:45 | 0:29:48 | |
This is a highly personal situation that I didn't want exposed at work. | 0:29:48 | 0:29:51 | |
Christ knows what they're going to think. | 0:29:51 | 0:29:53 | |
They hate you anyway, Dad. | 0:29:53 | 0:29:55 | |
-It doesn't make much difference. -Jake, please. I'm sorry. | 0:29:55 | 0:29:58 | |
Sorry? Sorry that you got found out | 0:29:58 | 0:30:00 | |
or sorry you did it in the first place? | 0:30:00 | 0:30:02 | |
You know they all know that Mum's sick. | 0:30:02 | 0:30:04 | |
And now they know what you are. | 0:30:04 | 0:30:05 | |
The kind of man you are - | 0:30:05 | 0:30:07 | |
someone who cheats on his wife while she's fighting cancer... | 0:30:07 | 0:30:10 | |
-I love your mother. -Really?! | 0:30:10 | 0:30:11 | |
That's not what I see, | 0:30:11 | 0:30:12 | |
I see you caring more about your image | 0:30:12 | 0:30:14 | |
than the fact you hurt her, betrayed her. | 0:30:14 | 0:30:17 | |
I love your mother, and that was a mistake, and now it's over. | 0:30:17 | 0:30:21 | |
Then go home... | 0:30:25 | 0:30:28 | |
talk to her. | 0:30:28 | 0:30:29 | |
Cos all this...work... | 0:30:30 | 0:30:34 | |
who knows what. | 0:30:34 | 0:30:36 | |
I don't care. | 0:30:41 | 0:30:42 | |
I don't. | 0:30:44 | 0:30:45 | |
But I do care about Mum and about you making it right with her. | 0:30:47 | 0:30:51 | |
Have you got that statement on McClaren? | 0:31:06 | 0:31:08 | |
-There you go. -Thank you. | 0:31:14 | 0:31:15 | |
Is there something you want to say to me, Carl? | 0:31:20 | 0:31:23 | |
Robert? Seriously? | 0:31:23 | 0:31:26 | |
Yeah, well, now you know why I couldn't tell you. | 0:31:28 | 0:31:30 | |
Yeah, well, I wouldn't have been able to hear, would I, | 0:31:30 | 0:31:32 | |
over the sound of you scraping the bottom of the barrel? | 0:31:32 | 0:31:35 | |
I can do without the judgey looks and snidey comments, all right? | 0:31:35 | 0:31:37 | |
I made a mistake, I've knocked it on the head and, actually, | 0:31:37 | 0:31:40 | |
I've got more important things to worry about. | 0:31:40 | 0:31:42 | |
I'm not going to take relationship advice | 0:31:42 | 0:31:44 | |
from a man who's sleeping on my sofa. | 0:31:44 | 0:31:45 | |
-I'm dealing with it, you know that. -Right. -We're going for counselling. | 0:31:45 | 0:31:48 | |
And that's how you're going to win Sandy back, is it? | 0:31:48 | 0:31:51 | |
One hour in a little room with a woman who's paid to listen to you? | 0:31:51 | 0:31:54 | |
The trouble with you, Carl, is you talk too much | 0:31:54 | 0:31:56 | |
-and change too little. -That's nice, isn't it, eh? | 0:31:56 | 0:31:59 | |
I'll admit I made a very, very poor choice. | 0:32:01 | 0:32:03 | |
-You're telling me. -But at least I know who I am, | 0:32:03 | 0:32:05 | |
and at least I know I deserve better, | 0:32:05 | 0:32:07 | |
but you keep making mistakes left, right and centre, don't you? | 0:32:07 | 0:32:10 | |
I mean, two wives, four kids, another one on the way. | 0:32:10 | 0:32:12 | |
You don't fix relationships, Carl, | 0:32:12 | 0:32:16 | |
you just mess up and you move on. | 0:32:16 | 0:32:18 | |
Excuse me. | 0:32:18 | 0:32:19 | |
The video of the attack was posted on social media... | 0:32:28 | 0:32:32 | |
..and it corresponded to the crime report from the beach, | 0:32:34 | 0:32:38 | |
which is why we opened the investigation. | 0:32:38 | 0:32:40 | |
We currently have officers tracing the IP address, | 0:32:44 | 0:32:47 | |
which should help us identify | 0:32:47 | 0:32:49 | |
the names and whereabouts of the suspects. | 0:32:49 | 0:32:52 | |
Can I see it? | 0:32:52 | 0:32:53 | |
The video? | 0:32:55 | 0:32:56 | |
I wouldn't advise it. | 0:32:57 | 0:32:59 | |
It's just... | 0:32:59 | 0:33:01 | |
..I can't remember anything apart from the...club. | 0:33:02 | 0:33:06 | |
I was...off my face. | 0:33:08 | 0:33:12 | |
It's all right. | 0:33:12 | 0:33:14 | |
I thought he liked me. | 0:33:17 | 0:33:18 | |
Should've known. | 0:33:21 | 0:33:22 | |
Place like that, I'm never the one that gets picked up. | 0:33:23 | 0:33:27 | |
But he was young. | 0:33:28 | 0:33:30 | |
Cute. | 0:33:31 | 0:33:33 | |
And I was flattered. | 0:33:34 | 0:33:36 | |
I need to know...what happened to me. | 0:33:38 | 0:33:42 | |
HE SOBS | 0:34:02 | 0:34:04 | |
They're just kids... | 0:34:07 | 0:34:09 | |
And although I did find the witness who called the ambulance for you, | 0:34:18 | 0:34:22 | |
unfortunately it... | 0:34:22 | 0:34:23 | |
..it's not going to be enough to make the charges stick. | 0:34:25 | 0:34:28 | |
I'm so sorry. | 0:34:28 | 0:34:29 | |
Do you understand what I'm telling you, Stacey? | 0:34:33 | 0:34:36 | |
Please...please do something. Don't let them take him. | 0:34:40 | 0:34:42 | |
Stacey, listen to me. Only you can stop all this. Only you. | 0:34:42 | 0:34:46 | |
Now you come to me, | 0:34:48 | 0:34:50 | |
you make a statement, | 0:34:50 | 0:34:51 | |
all this will go away. | 0:34:51 | 0:34:54 | |
You can do it. | 0:34:55 | 0:34:57 | |
You can. | 0:34:58 | 0:35:00 | |
Afternoon. | 0:35:24 | 0:35:26 | |
What's this? | 0:35:26 | 0:35:27 | |
Suspended from work, now you're Breaking Bad? | 0:35:27 | 0:35:29 | |
Baking Bad. | 0:35:29 | 0:35:31 | |
We're baking, Lino. | 0:35:31 | 0:35:33 | |
-HE LAUGHS -All right? -All right. | 0:35:33 | 0:35:36 | |
Keeping her out of trouble? | 0:35:36 | 0:35:37 | |
I like having her at home, tied to the kitchen sink. | 0:35:37 | 0:35:40 | |
Oof - look, what you girls get up to is your own business. | 0:35:40 | 0:35:42 | |
THEY LAUGH | 0:35:42 | 0:35:44 | |
So, you're dragging her back to work? | 0:35:47 | 0:35:49 | |
Well, I've had, er...I've had a word with the boss on the QT, and, er... | 0:35:52 | 0:35:57 | |
you're being reinstated. | 0:35:57 | 0:36:00 | |
Oh, my God. Are you serious? | 0:36:00 | 0:36:02 | |
Yes! | 0:36:02 | 0:36:03 | |
Oh, my God! Thank you so much! | 0:36:03 | 0:36:05 | |
Thank you! | 0:36:05 | 0:36:06 | |
You're happy, I'm happy. | 0:36:10 | 0:36:12 | |
I'm so happy. | 0:36:12 | 0:36:13 | |
He said he'd phone you a bit later on, | 0:36:13 | 0:36:15 | |
so you'll be back by my side before you know it. | 0:36:15 | 0:36:18 | |
Go on. | 0:36:18 | 0:36:20 | |
So, did you miss me? | 0:36:21 | 0:36:23 | |
Hm...I missed your advice, actually. | 0:36:23 | 0:36:27 | |
Yeah... (Met Orla's daughter last night. Didn't go too well.) | 0:36:27 | 0:36:31 | |
Did you make her cry, Lino? | 0:36:31 | 0:36:32 | |
She made ME cry...almost. She's just...taken against me. | 0:36:32 | 0:36:36 | |
How old is she? | 0:36:36 | 0:36:38 | |
11. | 0:36:38 | 0:36:39 | |
SHE LAUGHS A psycho in pigtails. Don't... | 0:36:39 | 0:36:43 | |
-RADIO: -'All units, this is control. DI Kane has requested all available | 0:36:43 | 0:36:46 | |
'units to the Turner Estate for an immediate operation.' | 0:36:46 | 0:36:48 | |
-Right, I'd better go. -I'll be right behind you! -Yes, you will! Yes! | 0:36:48 | 0:36:52 | |
The gang we're attempting to arrest are suspected of a hate crime. | 0:36:55 | 0:36:59 | |
Intelligence suggests we're looking at four or five suspects, | 0:36:59 | 0:37:02 | |
several of them juvenile, and we know from the homophobic attack | 0:37:02 | 0:37:05 | |
that they're capable of violence. | 0:37:05 | 0:37:06 | |
DC Hawkins and I will take the front entrance. | 0:37:06 | 0:37:09 | |
Response - cover the back. You two with us. | 0:37:09 | 0:37:13 | |
Heard you had a bit of a morning, mate? | 0:37:15 | 0:37:17 | |
-He's fine, aren't ya? -Uh-uh. | 0:37:17 | 0:37:19 | |
Good. Keep your head on the job. | 0:37:19 | 0:37:21 | |
No time for gossip, let's get these bastards. | 0:37:22 | 0:37:25 | |
Like it when he talks tough! | 0:37:25 | 0:37:27 | |
-CRASHING -Police! | 0:37:29 | 0:37:31 | |
Police! OVERLAPPING SHOUTING | 0:37:31 | 0:37:34 | |
-Get up! -On your feet. | 0:37:42 | 0:37:44 | |
On your feet! Put that down. | 0:37:46 | 0:37:48 | |
Like touching boys up, do you? | 0:37:48 | 0:37:50 | |
No. I like nicking scum like you. Now, come on. | 0:37:50 | 0:37:52 | |
Let's clear this. Get everyone out the front. | 0:37:52 | 0:37:55 | |
'As I told you on the phone,' | 0:37:56 | 0:37:58 | |
you're reinstated as of now. | 0:37:58 | 0:38:00 | |
Later this week I'll need to speak to you about the failed search which | 0:38:00 | 0:38:03 | |
led to the incident in custody and you will be given an action plan. | 0:38:03 | 0:38:06 | |
-Boss. -But right now, I need you to search | 0:38:06 | 0:38:09 | |
and transport a couple of female juveniles. | 0:38:09 | 0:38:12 | |
Carl. | 0:38:19 | 0:38:21 | |
Can I have a word, please? | 0:38:21 | 0:38:23 | |
I just wanted to say... | 0:38:23 | 0:38:25 | |
..thank you. | 0:38:26 | 0:38:28 | |
I put my father in a nursing home yesterday. | 0:38:28 | 0:38:31 | |
It was probably for the best, Boss. | 0:38:31 | 0:38:33 | |
I think so. | 0:38:33 | 0:38:35 | |
INDISTINCT CONVERSATION | 0:38:44 | 0:38:48 | |
We need to get some background on McKenzie | 0:38:48 | 0:38:50 | |
and the gang's movements last night. | 0:38:50 | 0:38:52 | |
I want you to conduct house-to-house enquiries. | 0:38:52 | 0:38:54 | |
Specifically ask about the bike. I need it for forensics. | 0:38:54 | 0:38:57 | |
-OK. Cool. -Sure. | 0:38:57 | 0:38:59 | |
We're investigating a serious assault last night | 0:39:01 | 0:39:04 | |
at 12:30 on the beach. | 0:39:04 | 0:39:06 | |
As you can see, we've made some arrests of people | 0:39:06 | 0:39:08 | |
who we think might be responsible. | 0:39:08 | 0:39:09 | |
Can you tell me if you saw or heard anything suspicious last night? | 0:39:09 | 0:39:13 | |
HEARING AID WHISTLES | 0:39:13 | 0:39:16 | |
OK, thank you. | 0:39:18 | 0:39:19 | |
And we believe that one of the gang probably owns a motorbike. | 0:39:22 | 0:39:25 | |
Can you tell me if you heard a bike coming | 0:39:25 | 0:39:27 | |
on to the street last night about one in the morning? | 0:39:27 | 0:39:30 | |
Yeah, I heard it. Like I do every night. | 0:39:30 | 0:39:32 | |
Racing up and down the lane, the back of the estate. | 0:39:32 | 0:39:35 | |
Right. Where's that, then? | 0:39:35 | 0:39:37 | |
Round there. By the old house. | 0:39:37 | 0:39:40 | |
They're at all the time. Right bloody pain in the arse. | 0:39:40 | 0:39:42 | |
Right, well, thanks for that. | 0:39:42 | 0:39:45 | |
Don't thank me, just lock them kids up. Throw away the key. | 0:39:45 | 0:39:48 | |
It's like Lord Of The bloody Dance next door. | 0:39:48 | 0:39:51 | |
-Flies. -What? | 0:39:51 | 0:39:53 | |
It's Lord of the Flies, isn't it? | 0:39:53 | 0:39:56 | |
DOOR SLAMS | 0:39:59 | 0:40:01 | |
BIRDSONG | 0:40:05 | 0:40:07 | |
Hello? | 0:40:52 | 0:40:53 | |
Anybody home? | 0:40:57 | 0:40:59 | |
It's the police. | 0:41:01 | 0:41:03 | |
Just want to ask a few questions. | 0:41:03 | 0:41:05 | |
Hello? | 0:41:11 | 0:41:12 | |
Can I have a word about something, please? | 0:41:13 | 0:41:15 | |
Don't move. Don't move. Don't move. | 0:41:33 | 0:41:35 | |
It's OK, mate! I'll do what you want. OK? | 0:41:35 | 0:41:38 | |
-I have engaged with the target. -It's all right, mate. | 0:41:38 | 0:41:40 | |
I've heard the noises. I've seen the sky raining with fire. | 0:41:40 | 0:41:43 | |
Get on your knees! Get on your knees! | 0:41:43 | 0:41:45 | |
Get your cuffs out. Get your gear out now. | 0:41:45 | 0:41:47 | |
OK, OK, OK, go! | 0:41:47 | 0:41:49 | |
Put your hand out, hand by the stove. | 0:41:50 | 0:41:53 | |
Mate, please... | 0:41:53 | 0:41:54 | |
Give me your hand. Move. Move. | 0:41:54 | 0:41:58 | |
I can't move, mate. | 0:41:58 | 0:41:59 | |
I have engaged the target. Enemy located. | 0:41:59 | 0:42:02 | |
We are closing down the area. | 0:42:02 | 0:42:04 | |
And have you got anything on you, something sharp, | 0:42:08 | 0:42:11 | |
that could hurt either me or yourself? | 0:42:11 | 0:42:14 | |
No? | 0:42:14 | 0:42:15 | |
Into the car for me, please, girls. | 0:42:17 | 0:42:20 | |
That's the female prisoners, sir. All searched. | 0:42:24 | 0:42:27 | |
Properly. | 0:42:27 | 0:42:29 | |
Thank you. | 0:42:29 | 0:42:31 | |
Boss, I am going to book this lot in | 0:42:31 | 0:42:33 | |
and then I am going to head off, if that is all right. | 0:42:33 | 0:42:36 | |
I've got a thing I need to...to do. | 0:42:36 | 0:42:37 | |
Have a good night, Carl. | 0:42:38 | 0:42:40 | |
CAR DRIVES OFF | 0:42:45 | 0:42:48 | |
Where's Lino? | 0:42:49 | 0:42:51 | |
Reload. Aim. Engage. Reload. Aim. Engage! | 0:42:53 | 0:42:56 | |
Mate, you need to let me go. | 0:42:56 | 0:42:59 | |
I-I can't hurt you. If you let me go... | 0:43:01 | 0:43:05 | |
we can have a chat. | 0:43:05 | 0:43:06 | |
The thing is, my colleagues... my colleagues will be missing me... | 0:43:08 | 0:43:11 | |
They are going to be wondering ...wondering where I am. | 0:43:11 | 0:43:14 | |
'This is Control. Kilo Two Two Three, welfare check, over.' | 0:43:14 | 0:43:18 | |
-It's my colleagues. -Who's that? What do they want? | 0:43:18 | 0:43:20 | |
-It's what I was saying. -SHUT UP! SHUT UP! | 0:43:20 | 0:43:22 | |
'Kilo Two Two Three, please respond, over.' | 0:43:26 | 0:43:30 | |
-My reception's fine. -He was definitely doing house-to-house. | 0:43:36 | 0:43:39 | |
-Saw him talking to the neighbours. -I'll call him on his job mobile. | 0:43:39 | 0:43:42 | |
You know what he's like, he'll have turned his radio down, | 0:43:42 | 0:43:44 | |
chatting to some old dear, mouth full of biscuits. | 0:43:44 | 0:43:46 | |
PHONE RINGS | 0:43:46 | 0:43:50 | |
GET THAT PHONE OUT NOW! GET IT OUT NOW! | 0:43:51 | 0:43:55 | |
I can't reach it. It's in my pocket. My right pocket. | 0:43:55 | 0:43:58 | |
I DON'T LIKE NOISE! NOISE! | 0:44:00 | 0:44:04 | |
OK, received, thank you. If you could run that address through PNC | 0:44:06 | 0:44:09 | |
and the local system, please. | 0:44:09 | 0:44:11 | |
Lino's radio's been disabled but they have his last position. | 0:44:11 | 0:44:14 | |
The Old Rectory, Wells Lane, to the rear of the estate. | 0:44:14 | 0:44:17 | |
OK, thank you. | 0:44:17 | 0:44:18 | |
No markers on that address. | 0:44:18 | 0:44:20 | |
OK, Boss. We'll go and check it out. | 0:44:20 | 0:44:23 | |
You're with me, let's go. | 0:44:23 | 0:44:25 | |
It's a nice house, mate. It's... | 0:44:32 | 0:44:34 | |
massive...massive kitchen. I've.. | 0:44:34 | 0:44:38 | |
I've just got a little place. | 0:44:38 | 0:44:40 | |
I've just got... I'm just renting, you know. | 0:44:40 | 0:44:42 | |
Not for long, though, hopefully. I've... | 0:44:42 | 0:44:44 | |
I've got a girlfriend. Got a new girlfriend. | 0:44:47 | 0:44:49 | |
She's....She's got a daughter. | 0:44:49 | 0:44:51 | |
Not mine, but you know... | 0:44:51 | 0:44:53 | |
She doesn't even like me, so what do you do about that, mate? | 0:44:53 | 0:44:56 | |
Maybe... Maybe you could help me. | 0:44:59 | 0:45:02 | |
You got any kids? | 0:45:02 | 0:45:04 | |
They won't let me see her. | 0:45:05 | 0:45:07 | |
Let you see who? Who won't they let you see? | 0:45:09 | 0:45:12 | |
My daughter. My girl. Maisie. My girl. | 0:45:12 | 0:45:15 | |
I saw men in the desert... guts hanging out..ripped apart... | 0:45:15 | 0:45:21 | |
And now they're doing it to ME. | 0:45:22 | 0:45:24 | |
-They're doing it to... -HE GRUNTS | 0:45:24 | 0:45:26 | |
Hello? Anyone at home? | 0:45:26 | 0:45:29 | |
HAMMERING ON DOOR | 0:45:29 | 0:45:31 | |
Anyone in there? | 0:45:31 | 0:45:32 | |
Shhhhh! | 0:45:32 | 0:45:34 | |
Control, this is Kilo Two Two Zero, priority. | 0:45:41 | 0:45:44 | |
Get yourself out of those cuffs now. Go, go! | 0:45:44 | 0:45:46 | |
We're looking for PC Moretti. I believe he's being held hostage. | 0:45:46 | 0:45:51 | |
The hostage taker is Michael Whylie. | 0:45:51 | 0:45:53 | |
'Did have a knife but I did not see any firearms.' | 0:45:54 | 0:45:58 | |
I have dealt with the male previously. | 0:45:58 | 0:46:00 | |
He has displayed signs of paranoid and psychotic behaviour | 0:46:00 | 0:46:04 | |
and is also believed to be suffering from PTSD. | 0:46:04 | 0:46:07 | |
He has numerous warning signs including "Officer Safety". | 0:46:07 | 0:46:10 | |
Move forward. Go, go, go! | 0:46:13 | 0:46:15 | |
I no longer have eyes on PC Moretti. | 0:46:16 | 0:46:18 | |
AAAAGH! | 0:46:24 | 0:46:25 | |
BODY THUDS | 0:46:25 | 0:46:28 | |
SIRENS WAIL | 0:46:34 | 0:46:37 | |
Control, this is Inspector Webb. We have a confirmed hostage situation. | 0:46:37 | 0:46:41 | |
I need all available firearms units to that address. | 0:46:41 | 0:46:44 | |
INDISTINCT RADIO | 0:46:44 | 0:46:46 | |
PHONE RINGS | 0:46:59 | 0:47:00 | |
What are you doing? | 0:47:20 | 0:47:22 | |
It's spread. | 0:47:24 | 0:47:25 | |
-Donna, you cover the front door with TASER. Donna! -Yeah. | 0:47:30 | 0:47:34 | |
Jake, you go round the back. | 0:47:34 | 0:47:36 | |
We'll cover the side perimeter. | 0:47:36 | 0:47:37 | |
Ryan, I'm eyes on. | 0:47:55 | 0:47:56 | |
First floor, bedroom window. | 0:47:57 | 0:47:59 | |
HE BREATHES HEAVILY | 0:47:59 | 0:48:01 | |
ELECTRICITY FIZZES | 0:48:05 | 0:48:07 | |
Uhhhh... | 0:48:10 | 0:48:12 | |
HE MUTTERS MANICALLY | 0:48:12 | 0:48:14 | |
HE MUTTERS | 0:48:25 | 0:48:27 | |
Lino! Over here! | 0:48:36 | 0:48:39 | |
EXPLOSION | 0:48:42 | 0:48:44 | |
LINO! | 0:48:44 | 0:48:45 | |
-Aaagh... -Look at me. You're all right, buddy. I'm with you. | 0:48:49 | 0:48:51 | |
Yeah, that's it. | 0:48:51 | 0:48:53 | |
Is it Lino? | 0:48:57 | 0:48:59 | |
Stay where you are! Keep the door covered! | 0:48:59 | 0:49:01 | |
Control, there has been an explosion. | 0:49:01 | 0:49:03 | |
The officer is out of the house and injured. | 0:49:03 | 0:49:05 | |
We need an ambulance. Stand by. | 0:49:05 | 0:49:07 | |
HE MUTTERS AND BREATHES HEAVILY | 0:49:12 | 0:49:14 | |
Lino. Lino, is there anyone else in the house? | 0:49:27 | 0:49:30 | |
-Uhhh... -Is there anyone else in the house? | 0:49:30 | 0:49:32 | |
No... No... | 0:49:32 | 0:49:35 | |
Drop your weapon! | 0:49:40 | 0:49:42 | |
-You got this? -Yeah. | 0:49:42 | 0:49:45 | |
Drop your weapon! | 0:49:46 | 0:49:48 | |
We don't want anyone else to get hurt, Michael. | 0:49:52 | 0:49:55 | |
You don't want that, do you? | 0:49:55 | 0:49:57 | |
There's no-one else in the house. Donna, first aid kit. | 0:49:59 | 0:50:01 | |
-Is he OK? -NOW! | 0:50:01 | 0:50:03 | |
Let me see your hands, please Michael. | 0:50:05 | 0:50:07 | |
Look at me, mate. Lino. | 0:50:17 | 0:50:20 | |
It's all right, he's going to be OK. | 0:50:20 | 0:50:22 | |
Got the A-Team working on you, Lino, all right? | 0:50:22 | 0:50:24 | |
Look at you! Stupid bugger. | 0:50:24 | 0:50:26 | |
Do anything to get a medal, wouldn't you? | 0:50:26 | 0:50:28 | |
Come over to me, Michael, all right? | 0:50:30 | 0:50:34 | |
Come on. Come on. | 0:50:34 | 0:50:35 | |
Let's go and sit down. | 0:50:37 | 0:50:39 | |
Hold it tight, Donna. | 0:50:39 | 0:50:41 | |
-DONNA SOBS -Just hold it tight. Donna! Donna! | 0:50:41 | 0:50:44 | |
I'm here, right? | 0:50:44 | 0:50:47 | |
-Right, yeah? We got this. -Yeah. -Hold it tight. OK. | 0:50:47 | 0:50:51 | |
Have you got any more weapons on you? | 0:50:51 | 0:50:53 | |
No. | 0:50:53 | 0:50:55 | |
-Any more explosives? -No. | 0:50:55 | 0:50:57 | |
Control, this is DI Kane. | 0:50:57 | 0:50:59 | |
The hostage taker has come out the house and dropped his weapon. | 0:50:59 | 0:51:02 | |
He's now in custody. There are no other injuries. | 0:51:02 | 0:51:05 | |
He's good. | 0:51:08 | 0:51:10 | |
Yeah. | 0:51:10 | 0:51:12 | |
A good teacher. | 0:51:12 | 0:51:13 | |
-I'm sorry... -I know you are. | 0:51:18 | 0:51:22 | |
I didn't mean... I didn't mean to... | 0:51:22 | 0:51:24 | |
I know you didn't. You just... | 0:51:24 | 0:51:26 | |
-HE SOBS -You just... You just lost your way. | 0:51:26 | 0:51:29 | |
HE SOBS | 0:51:29 | 0:51:31 | |
Debbie, please. | 0:51:40 | 0:51:42 | |
You know when I first took these up? When Jake was born. | 0:51:47 | 0:51:52 | |
When he was colicky... | 0:51:52 | 0:51:55 | |
screaming...wouldn't feed...sleep... | 0:51:55 | 0:51:59 | |
And I used to... | 0:51:59 | 0:52:01 | |
sit on the kitchen step... | 0:52:01 | 0:52:04 | |
-SHE CHUCKLES -..and smoke. | 0:52:04 | 0:52:07 | |
And then you'd ring, tell me you were on your way home. | 0:52:10 | 0:52:14 | |
And I used to try and hide the smell. | 0:52:15 | 0:52:18 | |
Mouthwash... | 0:52:19 | 0:52:21 | |
clean my teeth... | 0:52:21 | 0:52:22 | |
But you never did. | 0:52:25 | 0:52:26 | |
You used to come home, tell me what a busy shift you'd had... | 0:52:31 | 0:52:36 | |
always some story, some crazy prisoner. | 0:52:36 | 0:52:39 | |
But you'd smell of someone else. | 0:52:44 | 0:52:46 | |
I always knew then and I know now. | 0:52:49 | 0:52:52 | |
And...I don't care... | 0:52:52 | 0:52:55 | |
..who she is, what you do, where you do it. | 0:52:56 | 0:53:01 | |
None of it matters. | 0:53:04 | 0:53:05 | |
Not any more. | 0:53:07 | 0:53:08 | |
It's over. I'm sorry. | 0:53:13 | 0:53:15 | |
HE SOBS QUIETLY | 0:53:35 | 0:53:36 | |
SHE SOBS QUIETLY | 0:53:36 | 0:53:38 | |
I'm frightened of who I am without you... | 0:53:39 | 0:53:42 | |
I am just an empty uniform... a fraud... | 0:53:44 | 0:53:48 | |
I can't do this on my own... | 0:53:51 | 0:53:54 | |
SHE SOBS | 0:53:57 | 0:54:00 | |
Come on. | 0:54:18 | 0:54:20 | |
Oh, that's...that's not good. | 0:54:33 | 0:54:37 | |
Lucky for you, mate... | 0:54:38 | 0:54:40 | |
-Oh, my... -Ta-da! | 0:54:45 | 0:54:47 | |
SHE LAUGHS | 0:54:47 | 0:54:49 | |
-Do you want a jam one? -Yeah. | 0:54:49 | 0:54:52 | |
Mmmm... | 0:54:52 | 0:54:54 | |
All right! | 0:54:54 | 0:54:55 | |
Ow! | 0:54:55 | 0:54:57 | |
Yeah, yeah. | 0:54:57 | 0:54:59 | |
Hi. | 0:55:51 | 0:55:52 | |
I thought Ethan might need his lunch box. | 0:55:54 | 0:55:56 | |
Do you want to come in? | 0:56:00 | 0:56:01 | |
No. No, thank you, Colette. | 0:56:14 | 0:56:17 | |
RADIO CHATTER: 'Control, this is Kilo Two Two Zero. | 0:57:29 | 0:57:31 | |
'Show me State Five to that call, please. | 0:57:31 | 0:57:33 |