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This programme contains some violent scenes. | 0:00:02 | 0:00:10 | |
I can't stop looking at it! | 0:00:20 | 0:00:21 | |
It's gorgeous. | 0:00:21 | 0:00:22 | |
And this place - everything I've ever dreamed of. | 0:00:22 | 0:00:26 | |
Oi! You're marrying me, Darren Moore. | 0:00:29 | 0:00:32 | |
You're mine now, forever! | 0:00:32 | 0:00:35 | |
MUSIC: 'Duettino Sull'aria' from 'The Marriage Of Figaro' | 0:00:44 | 0:00:48 | |
Coconut? | 0:01:56 | 0:01:58 | |
No, thank you. I've got a coconut... | 0:01:58 | 0:02:01 | |
No, sorry, not really a chilli man myself. | 0:02:01 | 0:02:04 | |
Yes, it looks absolutely delicious, yes... | 0:02:04 | 0:02:07 | |
Not my size, I don't think, no. | 0:02:08 | 0:02:10 | |
Yeah, yeah, perhaps on the way back. | 0:02:10 | 0:02:14 | |
Am I too late? | 0:02:30 | 0:02:32 | |
For afternoon tea? | 0:02:32 | 0:02:33 | |
I'm sorry, sir. | 0:02:33 | 0:02:35 | |
I'm a police officer. | 0:02:35 | 0:02:37 | |
I'm a police officer, and I want a cup of tea. | 0:02:37 | 0:02:40 | |
Well, welcome to the family, Darren. | 0:02:40 | 0:02:42 | |
Cheers. Thanks, Mike. | 0:02:42 | 0:02:43 | |
-And don't worry, we'll look after her. -You'd better. | 0:02:43 | 0:02:47 | |
-To Darren and Lisa. -To Darren and Lisa. | 0:02:47 | 0:02:49 | |
-Now, everybody back down here in an hour for cocktails. -Good idea, come on. | 0:02:49 | 0:02:53 | |
Hurry up. | 0:02:53 | 0:02:55 | |
Come on, let's go. | 0:02:55 | 0:02:57 | |
Ahhh. | 0:02:58 | 0:03:00 | |
Urgh! | 0:03:32 | 0:03:34 | |
Hi. | 0:03:34 | 0:03:36 | |
OK, so, um... | 0:03:38 | 0:03:41 | |
Your biggest cocktail. | 0:03:41 | 0:03:43 | |
You know, umbrellas, swizzle sticks, rum, tequila - | 0:03:43 | 0:03:46 | |
whatever you've got, just chuck it in, | 0:03:46 | 0:03:48 | |
set fire to the thing if you want and bring it to the table, | 0:03:48 | 0:03:51 | |
because I - I am so loving this place. | 0:03:51 | 0:03:53 | |
You've been looking at your watch every five minutes since lunch - | 0:03:54 | 0:03:59 | |
-so I followed you. -That is totally underhand. | 0:03:59 | 0:04:01 | |
Excuse me, sir, I didn't sneak away from work. | 0:04:01 | 0:04:04 | |
I just wanted a decent cup of tea. | 0:04:05 | 0:04:08 | |
-Alone. -You think I'm happy with this? | 0:04:08 | 0:04:10 | |
I'm stuck with you, you with me. | 0:04:10 | 0:04:12 | |
-Thanks for reminding me. -The way I see it, we may as well make the best of it. | 0:04:12 | 0:04:16 | |
Starting with, erm... | 0:04:16 | 0:04:17 | |
Oh! That! | 0:04:17 | 0:04:19 | |
SCREAMING | 0:04:23 | 0:04:26 | |
Did you see that? | 0:04:32 | 0:04:33 | |
Yes. | 0:04:33 | 0:04:36 | |
RADIO: Please report current situation. Can you confirm ETA? Over. | 0:05:16 | 0:05:21 | |
Body bagged and on gurney, estimated arrival... | 0:05:21 | 0:05:24 | |
SOBBING | 0:05:32 | 0:05:34 | |
Victim fell from the fifth floor, the VIP suites. | 0:05:37 | 0:05:39 | |
On her wedding day. | 0:05:39 | 0:05:41 | |
We need statements from the staff and witnesses | 0:05:41 | 0:05:43 | |
and a forensics and scene of crime team assembled. | 0:05:43 | 0:05:46 | |
Then there's the family. | 0:05:46 | 0:05:48 | |
Well, that's the forensics and crime scene team assembled. | 0:05:48 | 0:05:52 | |
-Is that CCTV camera recording? -Yes, sir. | 0:06:01 | 0:06:06 | |
Hang on. | 0:06:10 | 0:06:12 | |
Good afternoon, my name is William and I'm the butler for this floor. | 0:06:14 | 0:06:17 | |
May I show you to Suite 502? | 0:06:17 | 0:06:19 | |
SECURITY LOCK BEEPS | 0:06:26 | 0:06:28 | |
You reckon they give special rates to cops? | 0:06:28 | 0:06:32 | |
Dwayne, I don't think I could afford even the special rates. | 0:06:32 | 0:06:35 | |
-So, what do we... -Ah-ah! | 0:06:35 | 0:06:37 | |
Ah, right. | 0:06:47 | 0:06:50 | |
So, if the victim was shot and fell from the balcony... | 0:06:50 | 0:06:53 | |
What was that sticking out of her, a, erm, harpoon? | 0:06:53 | 0:06:56 | |
It was probably a bolt fired from a Predator 4500 spear gun - | 0:06:56 | 0:07:00 | |
the yellow striped model. | 0:07:00 | 0:07:02 | |
-You can tell that, can you? -Yes. | 0:07:02 | 0:07:05 | |
Because you snorkel? | 0:07:05 | 0:07:07 | |
No, because it is what it says down the side. | 0:07:07 | 0:07:10 | |
Right, everyone, start bagging evidence, | 0:07:17 | 0:07:19 | |
I want it logged and back to the station pronto. | 0:07:19 | 0:07:23 | |
OK, so that was the victim's room, was it? | 0:07:23 | 0:07:26 | |
No, sir. The bridal suite is over there. | 0:07:26 | 0:07:29 | |
-So whose room's this? -That was vacated this morning. | 0:07:30 | 0:07:33 | |
The maid had cleaned it - it was empty. | 0:07:33 | 0:07:35 | |
Then how did the victim get into it? | 0:07:35 | 0:07:37 | |
I wouldn't know, sir. | 0:07:37 | 0:07:38 | |
Right, so if she was murdered in there | 0:07:40 | 0:07:43 | |
and this is the bridal suite, what else have we got? | 0:07:43 | 0:07:46 | |
This is the best man, Mr Adam Fairs. | 0:07:46 | 0:07:49 | |
And here? | 0:07:49 | 0:07:50 | |
This is Sally Watson, Lisa Watson's sister and chief bridesmaid. | 0:07:50 | 0:07:56 | |
And the mother and father of the bride, Mr and Mrs Watson. | 0:07:56 | 0:07:59 | |
-How long have...? -Could anyone have used these stairs? | 0:07:59 | 0:08:02 | |
-No, sir, those doors are alarmed. -But are they? | 0:08:02 | 0:08:05 | |
-Yes. -And yet... | 0:08:05 | 0:08:07 | |
ALARM BELL RINGS LOUDLY | 0:08:12 | 0:08:17 | |
Yes. | 0:08:17 | 0:08:18 | |
So, the killer couldn't have got in that way - or out that way. | 0:08:18 | 0:08:22 | |
But the question still remains... | 0:08:22 | 0:08:25 | |
..how did the victim get into a room she didn't have a key to? | 0:08:26 | 0:08:29 | |
-I thought you said this room had been cleaned? -Yes, sir. | 0:08:36 | 0:08:38 | |
-This is a "cleaning in progress" label, why hasn't it been removed? -I wouldn't know. | 0:08:38 | 0:08:42 | |
-Do you think that's important? -I wouldn't ask otherwise, would I? | 0:08:42 | 0:08:46 | |
OK. Could you excuse us just for a moment? | 0:08:48 | 0:08:50 | |
SNAPS FINGERS | 0:08:50 | 0:08:51 | |
I am a detective sergeant in the Sainte-Marie Police Force. | 0:08:58 | 0:09:01 | |
I graduated top of my year, | 0:09:01 | 0:09:03 | |
I have three commendations for bravery, I have been shot twice, | 0:09:03 | 0:09:07 | |
and I could almost certainly beat you in a fist fight. | 0:09:07 | 0:09:10 | |
Whereas you - you are a rude man, you are ignorant, full of your own self-importance, | 0:09:10 | 0:09:14 | |
expecting everyone to follow you around and hang on your every word. | 0:09:14 | 0:09:17 | |
From now on you'll treat me with a little more respect, | 0:09:17 | 0:09:20 | |
or I'll be forced to forget I'm a police officer, OK? | 0:09:20 | 0:09:23 | |
After you. | 0:09:26 | 0:09:28 | |
First question - where on Earth would the killer get a spear gun from? | 0:09:35 | 0:09:39 | |
In the Caribbean? | 0:09:40 | 0:09:43 | |
Do you have a diving school? | 0:09:43 | 0:09:45 | |
Yes, ma'am. | 0:09:45 | 0:09:47 | |
PHONE RINGING | 0:10:03 | 0:10:05 | |
SWITCHES PHONE OFF | 0:10:07 | 0:10:09 | |
How could anyone do such a thing? | 0:10:13 | 0:10:15 | |
Darren! | 0:10:18 | 0:10:19 | |
It's OK, I'll go. | 0:10:19 | 0:10:21 | |
Diving's a popular activity with your guests, is it? | 0:10:23 | 0:10:26 | |
Yes, sir. Particularly with the female guests. | 0:10:26 | 0:10:29 | |
Why's that? | 0:10:29 | 0:10:31 | |
William, I've told you, | 0:10:31 | 0:10:32 | |
if you want the ladies you've got to get a new look. | 0:10:32 | 0:10:35 | |
I wouldn't know, sir. | 0:10:35 | 0:10:37 | |
Stefan, I presume? | 0:10:40 | 0:10:42 | |
Yes. | 0:10:42 | 0:10:43 | |
Detective Inspector Richard Poole. | 0:10:45 | 0:10:47 | |
The hotel has 15 spear guns. | 0:10:48 | 0:10:50 | |
-Are they all there? -I'll let you know tomorrow. | 0:10:50 | 0:10:53 | |
-Can't you just count them now? -Some might be in the hotel workshop. | 0:10:53 | 0:10:56 | |
I'll let you know in the morning when they open. | 0:10:56 | 0:10:59 | |
-Did you take Lisa Moore out diving? -Or Lisa Watson, as she was? | 0:10:59 | 0:11:02 | |
-I don't think so, I'll check the hotel booking form. -Tomorrow? | 0:11:02 | 0:11:06 | |
I understand your diving school's very popular with the hotel's female guests. | 0:11:08 | 0:11:13 | |
The coral is beautiful - women appreciate beauty. | 0:11:13 | 0:11:16 | |
Must be very distracting for you, teaching women to dive, in their bikinis, all day. | 0:11:16 | 0:11:21 | |
-Ever had a relationship with one of the female guests? -Womanising diving instructor? | 0:11:21 | 0:11:25 | |
-It's a little cliched, don't you think? -Did you carve all these? | 0:11:25 | 0:11:28 | |
Yeah, you like them? | 0:11:28 | 0:11:29 | |
Very much. | 0:11:29 | 0:11:31 | |
So! | 0:11:33 | 0:11:35 | |
That's the inventory for the spear guns and the booking forms, | 0:11:35 | 0:11:38 | |
and all by first thing tomorrow, if you would, thank you. | 0:11:38 | 0:11:41 | |
-Here. -SHE MUMBLES | 0:11:43 | 0:11:46 | |
So, here is the bridal party returning from the beach. | 0:11:58 | 0:12:02 | |
Oh, hey, hey, pause that! Go back a few seconds. | 0:12:05 | 0:12:08 | |
There, look. | 0:12:11 | 0:12:13 | |
The bride just said something to the best man. | 0:12:13 | 0:12:16 | |
-What's his name? -Adam Fairs. | 0:12:16 | 0:12:18 | |
Play it again, would you? | 0:12:19 | 0:12:22 | |
Run it on. | 0:12:25 | 0:12:27 | |
OK, so the bridal party are all on the floor, what happens next? | 0:12:28 | 0:12:32 | |
No-one comes or goes for five minutes. | 0:12:32 | 0:12:35 | |
WHISPERS: What? | 0:12:37 | 0:12:39 | |
WHISPERS: Your behaviour with Jacques Cousteau back there. | 0:12:42 | 0:12:46 | |
-Did you give him your number? -Oh, no. I gave him yours. | 0:12:46 | 0:12:49 | |
-Look you can't just go picking up... -Just relax, OK? | 0:12:51 | 0:12:56 | |
Oh, who's that? | 0:12:56 | 0:12:58 | |
The maid, Margaret Du Bois. | 0:12:58 | 0:13:00 | |
She's already on the VIP floor but this is her leaving. | 0:13:00 | 0:13:03 | |
And no-one uses the lift either to go up to the VIP suites or to leave until 15:10. | 0:13:03 | 0:13:09 | |
Lisa Moore is killed about now, so watch. | 0:13:09 | 0:13:14 | |
OK then, pause that. | 0:13:20 | 0:13:21 | |
That's everyone, isn't it? | 0:13:21 | 0:13:23 | |
-How do you mean? -Well, no-one could have used the stairs, no-one came up in the lift, | 0:13:23 | 0:13:28 | |
so, one of those six people killed Lisa Moore. | 0:13:28 | 0:13:31 | |
OK, things that don't make sense - why a spear gun? | 0:13:37 | 0:13:41 | |
It's not the easiest weapon to get in and out of a room, is it? | 0:13:41 | 0:13:44 | |
And why was a "cleaning in progress" label left on the handle of the room? | 0:13:44 | 0:13:47 | |
-Can't that just have been a mistake? -A mistake? | 0:13:47 | 0:13:50 | |
-Yeah. -Bit of a coincidence, don't you think? -Why not? | 0:13:50 | 0:13:53 | |
I don't believe in coincidences. | 0:13:53 | 0:13:55 | |
These are the names of the wedding party, | 0:13:55 | 0:13:57 | |
I'd like you to get onto DCI Roy Halliwell in London. | 0:13:57 | 0:14:00 | |
Tell him I'd consider it a personal favour if he'd run them through the computer. | 0:14:00 | 0:14:04 | |
Thanks, Fidel. | 0:14:05 | 0:14:07 | |
So what are we doing? | 0:14:07 | 0:14:08 | |
Right, yes. Well, I think first 'we' should go and talk to the family. | 0:14:11 | 0:14:16 | |
We're very sorry for your loss, | 0:14:18 | 0:14:21 | |
but we have a few questions we need to ask. | 0:14:21 | 0:14:24 | |
Surely you're not saying any of us are under suspicion? | 0:14:24 | 0:14:26 | |
At this stage we're simply trying to establish the facts of the case. | 0:14:26 | 0:14:30 | |
Do you know anyone who'd want to harm your daughter? | 0:14:30 | 0:14:32 | |
It was obviously a madman or disgruntled hotel employee. | 0:14:32 | 0:14:36 | |
Nonetheless, in order to do our job we need to establish | 0:14:36 | 0:14:39 | |
where everyone was at the time of your daughter's death. | 0:14:39 | 0:14:42 | |
Of course. We'll do everything we can to help. | 0:14:42 | 0:14:45 | |
So, Mr Watson. | 0:14:46 | 0:14:49 | |
Well, we all just came back up to change after the wedding. | 0:14:49 | 0:14:53 | |
SECURITY LOCKS BEEP | 0:14:53 | 0:14:57 | |
May I take your leis? | 0:14:57 | 0:15:00 | |
Can I offer you a cocktail? | 0:15:00 | 0:15:02 | |
Thank you. | 0:15:02 | 0:15:04 | |
And where were you, Mrs Watson? | 0:15:09 | 0:15:11 | |
I was out on the balcony. | 0:15:11 | 0:15:13 | |
-Did you see your daughter fall from the balcony? -She's not her daughter. | 0:15:16 | 0:15:19 | |
-I am, though. -Sally, please. Not now. | 0:15:19 | 0:15:23 | |
Lisa's mother died when she was young. | 0:15:27 | 0:15:29 | |
When I met Diana, she already had Sally. | 0:15:29 | 0:15:32 | |
So Lisa was your step-daughter? | 0:15:32 | 0:15:34 | |
When I saw her...lying on the rocks like that I... | 0:15:35 | 0:15:39 | |
..I started to scream and I couldn't stop. | 0:15:40 | 0:15:43 | |
SCREAMING | 0:15:43 | 0:15:46 | |
-And, William? You heard the scream? -Yes, sir. | 0:15:48 | 0:15:53 | |
I was making cocktails when I heard Mrs Watson. | 0:15:53 | 0:15:57 | |
I believe Mr Watson came from the bedroom as I came from the kitchen. | 0:16:00 | 0:16:04 | |
Darren, this is the police. | 0:16:06 | 0:16:08 | |
If you're not up to it, then I am sure they will understand... This is a complete waste of time, | 0:16:08 | 0:16:13 | |
we were all in our rooms, OK? | 0:16:13 | 0:16:14 | |
-Sweetheart, please... -Dad, they're going round one by one! | 0:16:14 | 0:16:17 | |
I was in my room, Adam was in his room, Darren... | 0:16:17 | 0:16:21 | |
I don't know, but you should be out there looking for Lisa's killer, not standing around chatting! | 0:16:21 | 0:16:26 | |
PHONE RINGS | 0:16:26 | 0:16:29 | |
Well, answer it! | 0:16:29 | 0:16:32 | |
I'm sorry. | 0:16:32 | 0:16:33 | |
-PHONE: Adam, are you there? -Hang on. | 0:16:33 | 0:16:36 | |
Sally's right, I was in my room, we were all in our rooms. | 0:16:36 | 0:16:41 | |
I've got to take this. | 0:16:41 | 0:16:43 | |
-Darren, you were in the bridal suite? -Yeah. | 0:16:44 | 0:16:47 | |
Lisa said she was going for a drink with her dad | 0:16:47 | 0:16:49 | |
and I was going to change my shirt and join them. | 0:16:49 | 0:16:52 | |
And that's when it happened. | 0:16:52 | 0:16:55 | |
SCREAMING | 0:16:55 | 0:16:59 | |
-What was that? -It's Lisa! | 0:16:59 | 0:17:03 | |
So you were all in your rooms? | 0:17:03 | 0:17:05 | |
It would seem so. | 0:17:05 | 0:17:07 | |
Does anyone know why Mrs Moore went into Suite 502? | 0:17:08 | 0:17:13 | |
Or know how she got into the room? | 0:17:13 | 0:17:15 | |
Have any of you taken a hotel diving lesson? | 0:17:18 | 0:17:21 | |
Yes, Lisa did. | 0:17:21 | 0:17:23 | |
Just Lisa? | 0:17:23 | 0:17:26 | |
Yeah. Why? | 0:17:26 | 0:17:28 | |
Thank you for your time. Our condolences for your loss. | 0:17:29 | 0:17:33 | |
So, it turns out the victim went diving with Stefan after all? | 0:17:45 | 0:17:49 | |
Yes, well done for that. | 0:17:51 | 0:17:52 | |
Ah, DCI Halliwell, hello, this is police officer Fidel Best | 0:18:02 | 0:18:06 | |
calling from Honore Police Station in Sainte-Marie... | 0:18:06 | 0:18:10 | |
It's an island in the Caribbean. | 0:18:10 | 0:18:13 | |
Now, DI Richard Poole asked us to call you... | 0:18:13 | 0:18:16 | |
Well, of course, sir, it's just gone 6pm... | 0:18:18 | 0:18:20 | |
Margaret? | 0:18:37 | 0:18:38 | |
The hotel manager says you are the maid who cleaned the VIP suites this afternoon. | 0:18:40 | 0:18:45 | |
Did you see anything out of place at all or odd while you were on the fifth floor? | 0:18:45 | 0:18:49 | |
Uh-uh. | 0:18:49 | 0:18:51 | |
Perhaps you can tell us why you left a "cleaning in progress" label on Suite 502? | 0:18:51 | 0:18:54 | |
I must have forgotten to take it off. | 0:18:54 | 0:18:57 | |
So you've been cleaning the rooms on this floor since the wedding party arrived? | 0:18:57 | 0:19:02 | |
Is there anything at all you think we should know? | 0:19:02 | 0:19:05 | |
Well, there was one thing... | 0:19:08 | 0:19:09 | |
I'd just finished my work and I went back to room 502. | 0:19:09 | 0:19:13 | |
'I opened the door and that's when she came out...' | 0:19:13 | 0:19:16 | |
-Margaret! Can I use your room key? -Oh, no... | 0:19:16 | 0:19:18 | |
Please? Please, I'll be really quick. | 0:19:18 | 0:19:21 | |
Thank you so much. Thank you. | 0:19:21 | 0:19:23 | |
So, you let her in? | 0:19:24 | 0:19:27 | |
Pease don't tell anyone, I've been in trouble before. | 0:19:27 | 0:19:31 | |
-The butler on that floor, William - he's always on my case. -Your secret's safe with us. | 0:19:31 | 0:19:35 | |
He's so stiff and uptight you have no idea what it's like working for someone like that. | 0:19:35 | 0:19:39 | |
So, why did Lisa want to go into Suite 502, do you think? | 0:19:41 | 0:19:45 | |
Well, she was excited, you know? | 0:19:45 | 0:19:48 | |
If you ask me, she was meeting someone. | 0:19:48 | 0:19:50 | |
Are you sure? | 0:19:50 | 0:19:52 | |
I've worked in hotels a long time, I know the look. | 0:19:52 | 0:19:55 | |
So, in lieu of any kind of database with which to coordinate the case, | 0:20:13 | 0:20:18 | |
we'll have to do this the old-fashioned way. | 0:20:18 | 0:20:20 | |
Suspect...means... | 0:20:20 | 0:20:23 | |
..motive...and opportunity. | 0:20:23 | 0:20:27 | |
Now, as far as I can see, anyone on the fifth floor | 0:20:27 | 0:20:30 | |
could have killed Lisa, then got back to their room unseen | 0:20:30 | 0:20:33 | |
before Diana started screaming. | 0:20:33 | 0:20:36 | |
They all had opportunity. | 0:20:36 | 0:20:38 | |
But not the parents, sir - | 0:20:38 | 0:20:41 | |
-they'd have had to get past William in the kitchen. -But is that so? | 0:20:41 | 0:20:44 | |
You see, William was whizzing up a cocktail in the blender. | 0:20:44 | 0:20:47 | |
He'd have had his back to the door, it would have been noisy as hell. | 0:20:47 | 0:20:51 | |
I'm sure either Mike or Diana could have slipped out and back | 0:20:51 | 0:20:54 | |
unnoticed, if they were daring enough. | 0:20:54 | 0:20:56 | |
No, they all remain as suspects. | 0:20:56 | 0:20:59 | |
So, means? | 0:21:01 | 0:21:03 | |
I guess any one of them could have stolen a spear gun from the hotel. | 0:21:03 | 0:21:06 | |
Good. | 0:21:06 | 0:21:08 | |
It's motive, that's what we're missing. | 0:21:10 | 0:21:13 | |
Who'd want Lisa dead on her wedding day? | 0:21:13 | 0:21:16 | |
And who'd want to kill her with a spear gun? | 0:21:16 | 0:21:19 | |
-Well... -Yes?! | 0:21:19 | 0:21:21 | |
-None of them. -That's very helpful, thank you. | 0:21:21 | 0:21:23 | |
But that's it, I can't see any parent wanting to kill their daughter on her wedding day. | 0:21:23 | 0:21:28 | |
-Diana's only her step-mother, remember. -But even so. | 0:21:28 | 0:21:31 | |
And Darren? | 0:21:31 | 0:21:33 | |
What kind of person would kill their wife minutes after marrying her? | 0:21:33 | 0:21:37 | |
Uh, a murderer? | 0:21:37 | 0:21:38 | |
He's right, Chief. Who'd kill a bride? | 0:21:38 | 0:21:41 | |
One of this lot! OK?! | 0:21:41 | 0:21:43 | |
And it's our job to find them and bring them to justice. | 0:21:43 | 0:21:46 | |
Now, leads! Come on, what have we got? | 0:21:46 | 0:21:49 | |
Oh, gosh, still me, is it? | 0:21:50 | 0:21:52 | |
OK, right, how about this? | 0:21:52 | 0:21:54 | |
The maid said that Lisa was meeting someone in Suite 502. | 0:21:54 | 0:21:58 | |
Who? | 0:21:58 | 0:21:59 | |
Anyone? | 0:21:59 | 0:22:01 | |
Adam could be the obvious choice as she was whispering to him in the lift. | 0:22:01 | 0:22:05 | |
But Lisa can't have known a maid was going to leave | 0:22:05 | 0:22:07 | |
a suite free at that moment, so how did she arrange a meeting? | 0:22:07 | 0:22:11 | |
-Did she have a mobile phone on her when she was killed? -No, sir. | 0:22:11 | 0:22:14 | |
Use the phone in the suite? | 0:22:14 | 0:22:16 | |
OK, so she uses an internal phone to make the call - and then? | 0:22:16 | 0:22:19 | |
Her murderer arrives. | 0:22:19 | 0:22:21 | |
But who? | 0:22:24 | 0:22:25 | |
Have we heard back from DCI Halliwell? | 0:22:30 | 0:22:32 | |
He said he'd ring back. When the office opened. | 0:22:32 | 0:22:35 | |
Oh, it's late, maybe we should pick up again in the morning. | 0:22:38 | 0:22:42 | |
Thanks, Chief! | 0:22:42 | 0:22:43 | |
You know, back in London we'd have a second team | 0:22:48 | 0:22:51 | |
working throughout the night, | 0:22:51 | 0:22:53 | |
getting exclusion prints from all the suspects. | 0:22:53 | 0:22:56 | |
It's what we need but, erm, it's not what we've got, is it? | 0:22:56 | 0:23:00 | |
You've got me, sir! | 0:23:00 | 0:23:02 | |
Yeah, I know, Fidel. | 0:23:04 | 0:23:05 | |
Go home - we'll start again tomorrow. | 0:23:07 | 0:23:10 | |
Night! | 0:23:21 | 0:23:23 | |
If we're looking for a motive, it has to be love, or hate. | 0:23:36 | 0:23:41 | |
It's a crime passionnel - a woman killed on her wedding day? | 0:23:41 | 0:23:44 | |
That "cleaning in progress" label's still bothering me. | 0:23:44 | 0:23:47 | |
-Because it's a mad, passionate, reckless murder... -As clerical errors go it's inexcusable. | 0:23:47 | 0:23:52 | |
Look can we please forget about the label? You're obsessed. | 0:23:52 | 0:23:56 | |
One thing's always puzzled me about weddings. | 0:23:57 | 0:24:00 | |
Just one? | 0:24:00 | 0:24:01 | |
The whole cride throwing the bouquet thing, I just don't get it. | 0:24:01 | 0:24:04 | |
What's to get? | 0:24:04 | 0:24:06 | |
-She just throws a bouquet... -Yeah, I understand the mechanics, it's just, | 0:24:06 | 0:24:10 | |
who'd come up with a system of matrimony based on the random distribution of flowers? | 0:24:10 | 0:24:15 | |
-OK, so the murder - you know who I think did it? -Who? | 0:24:15 | 0:24:18 | |
The butler, of course! It's always the butler. | 0:24:18 | 0:24:21 | |
But how did William kill her? And why? How does he benefit? | 0:24:21 | 0:24:24 | |
He only met Lisa for the first time three days ago - | 0:24:24 | 0:24:27 | |
-what possible motive could he have to kill her? -You don't really do banter, do you? | 0:24:27 | 0:24:31 | |
PHONE RINGS | 0:24:32 | 0:24:35 | |
Oh, hello? | 0:24:36 | 0:24:38 | |
OK. | 0:24:39 | 0:24:41 | |
OK, you're on. | 0:24:42 | 0:24:45 | |
What? | 0:24:47 | 0:24:49 | |
I've got a date. | 0:24:49 | 0:24:51 | |
Hey. Want a drink? | 0:24:56 | 0:24:58 | |
So, you're a cliche after all. | 0:24:58 | 0:25:00 | |
The womanising diving instructor. | 0:25:00 | 0:25:03 | |
Ah, so you're still on duty. | 0:25:03 | 0:25:05 | |
I'm always on duty. | 0:25:05 | 0:25:07 | |
So, you gave me your number to see if I'd call? | 0:25:07 | 0:25:09 | |
And you did. | 0:25:09 | 0:25:11 | |
Yes, but you don't know why I called. | 0:25:11 | 0:25:13 | |
I think I can guess. | 0:25:13 | 0:25:14 | |
I checked the logs - it turns out I gave Lisa Moore a diving lesson two days ago. | 0:25:15 | 0:25:19 | |
And you called me just to tell me that? | 0:25:19 | 0:25:21 | |
And I contacted the workshop - there's a missing spear gun. | 0:25:21 | 0:25:24 | |
Yellow Predator 4500. | 0:25:24 | 0:25:27 | |
Thought it might be important. | 0:25:27 | 0:25:30 | |
Oh and, er, I've got a girlfriend. | 0:25:30 | 0:25:32 | |
Why would I be interested in you? | 0:25:32 | 0:25:35 | |
Just trying to help the police with their enquiries. | 0:25:35 | 0:25:38 | |
So that's why you were flirting with him earlier? | 0:25:52 | 0:25:55 | |
You were, um, testing him, | 0:25:55 | 0:25:57 | |
using your, um, feminine...you know. | 0:25:57 | 0:26:01 | |
Do you really think if it was a real date | 0:26:01 | 0:26:04 | |
that I'd bring you along to sit in the car park? | 0:26:04 | 0:26:06 | |
A woman's mind is a complete mystery to me. | 0:26:06 | 0:26:09 | |
I know what I'm doing. | 0:26:11 | 0:26:12 | |
He's lying about something. | 0:26:12 | 0:26:15 | |
ENGINE STARTS | 0:26:15 | 0:26:16 | |
Home? | 0:26:16 | 0:26:17 | |
No way, I need a drink. | 0:26:17 | 0:26:19 | |
Oh, you know where we should go? | 0:26:19 | 0:26:22 | |
Oh, God, where? | 0:26:22 | 0:26:24 | |
Well, I appreciate the gesture, | 0:26:28 | 0:26:30 | |
but there's no way this is going to be a decent cup of tea. | 0:26:30 | 0:26:34 | |
HE MOUTHS | 0:26:36 | 0:26:38 | |
-Why did you bring him here? -I'm sorry, Maman, but... | 0:26:39 | 0:26:42 | |
-Whoa, whoa, Maman? -Yes. | 0:26:42 | 0:26:45 | |
This is your mother? | 0:26:45 | 0:26:46 | |
I'm so sorry, I would of course love, er... | 0:26:46 | 0:26:50 | |
Madame Bordey, how do you do? | 0:26:50 | 0:26:52 | |
Thank you so much for the tea. | 0:26:52 | 0:26:54 | |
Sorry, Camille, could you pass the sugar? Actually, it's fine, I'll do without... | 0:26:54 | 0:26:59 | |
Wow, fantastic. | 0:26:59 | 0:27:01 | |
Oh, look at that. | 0:27:01 | 0:27:04 | |
REGGAE MUSIC PLAYS | 0:27:04 | 0:27:06 | |
Mmmm! | 0:27:06 | 0:27:08 | |
Mmm. | 0:27:14 | 0:27:17 | |
-Delicious! -Ah! | 0:27:20 | 0:27:22 | |
Doesn't your mother dance? | 0:27:30 | 0:27:32 | |
Not like that. | 0:27:32 | 0:27:34 | |
-Come on. -No, no, no, I'm fine. | 0:27:36 | 0:27:39 | |
-Come on! -No, no, I'm enjoying my beverage. | 0:27:39 | 0:27:41 | |
ALARM BEEPING | 0:28:17 | 0:28:19 | |
Shoo. | 0:28:19 | 0:28:20 | |
Shoo, shoo! | 0:28:20 | 0:28:22 | |
Hello? | 0:28:49 | 0:28:50 | |
Anyone? | 0:28:52 | 0:28:53 | |
-What's he doing? -Shh! He's asleep. | 0:28:55 | 0:28:57 | |
And? He's supposed to be on duty. | 0:28:57 | 0:28:59 | |
OK, first things first - we've got news from DCI Halliwell, Dwayne? | 0:28:59 | 0:29:04 | |
Ah! He came through, did he? Good. | 0:29:04 | 0:29:06 | |
Both Darren Moore and Adam Fairs have minor convictions for affray - | 0:29:06 | 0:29:10 | |
nothing serious, Michael Watson runs an investment company, | 0:29:10 | 0:29:13 | |
took a battering during something called the credit crunch. | 0:29:13 | 0:29:16 | |
Yes, the total global financial melt-down. You have heard of it? | 0:29:16 | 0:29:19 | |
Oh, sure, yes...that. | 0:29:19 | 0:29:22 | |
Anyway, he had creditors at his house and the police were called in to keep the peace. | 0:29:22 | 0:29:27 | |
Nothing on Diana Watson or her daughter Sally. | 0:29:27 | 0:29:29 | |
Finally! Been keeping you up, have we? | 0:29:32 | 0:29:35 | |
-Well, as a matter of fact... -No, let's hear it. | 0:29:35 | 0:29:37 | |
How do you explain being asleep on the job? | 0:29:37 | 0:29:40 | |
You said you needed a second team working through the night? | 0:29:40 | 0:29:43 | |
Well, Fidel took you at your word, | 0:29:43 | 0:29:45 | |
going to the hotel and fingerprinting everyone | 0:29:45 | 0:29:47 | |
-who could have touched the spear gun. -Oh, well, that's... | 0:29:47 | 0:29:50 | |
And dusting the murder weapon, getting eight clear prints from it. | 0:29:50 | 0:29:54 | |
And he's identified every last one of them. | 0:29:54 | 0:29:57 | |
You're kidding me. How? | 0:29:57 | 0:29:58 | |
I mean, without a digital scanner or a live scan, | 0:29:58 | 0:30:00 | |
how did you process the fingerprints and cross-reference them? | 0:30:00 | 0:30:03 | |
Well, sir, I... | 0:30:03 | 0:30:05 | |
-Don't tell me you helped him? -Hey, no way. This is all Fidel's work. | 0:30:05 | 0:30:09 | |
Then how did you do it? | 0:30:09 | 0:30:11 | |
No! Fidel! You're a genius! Thank you! | 0:30:14 | 0:30:17 | |
Then whose fingerprints were on the speargun? | 0:30:17 | 0:30:20 | |
That's the thing. All eight prints on the speargun belong to one person. | 0:30:20 | 0:30:24 | |
Who? | 0:30:24 | 0:30:25 | |
Stefan, sir. The diving instructor. | 0:30:25 | 0:30:28 | |
Oh, God, this sunshine! | 0:30:37 | 0:30:40 | |
How do you cope? | 0:30:42 | 0:30:43 | |
You spend a lot of time complaining, you know that? | 0:30:43 | 0:30:47 | |
-Oh, hang on. -What? | 0:30:47 | 0:30:49 | |
-Eyes down. -Why? | 0:30:49 | 0:30:51 | |
-(Germans.) -Huh? | 0:30:51 | 0:30:53 | |
(I bet they're Germans.) | 0:30:53 | 0:30:54 | |
-THEY TALK IN GERMAN -Ein Englander! | 0:30:56 | 0:31:01 | |
Where exactly were you when Lisa was killed yesterday? | 0:31:03 | 0:31:08 | |
-In the groves collecting driftwood to carve. -Was anyone with you? | 0:31:08 | 0:31:11 | |
No, I was on my own. | 0:31:11 | 0:31:12 | |
So, you don't have an alibi for the time of Lisa's murder? | 0:31:12 | 0:31:15 | |
-What is this? I came to you last night. -Why were only your fingerprints on the weapon? | 0:31:15 | 0:31:20 | |
The speargun was stolen from my diving hut. | 0:31:20 | 0:31:22 | |
You're missing the point. The only fingerprints we found on the murder weapon were yours. | 0:31:22 | 0:31:26 | |
No-one else touched it. | 0:31:26 | 0:31:28 | |
This is crazy. I met her once. What reason could I have to kill her? | 0:31:28 | 0:31:32 | |
If it was Stefan, | 0:31:37 | 0:31:38 | |
how did he get himself and his speargun up to the fifth floor? | 0:31:38 | 0:31:42 | |
And like he said, why would he kill a bride he'd only met once? | 0:31:42 | 0:31:46 | |
Ah, thank you. Look, Stefan's involved, you mark my words. We just have to find out how. | 0:31:48 | 0:31:52 | |
The autopsy report's in. The bolt ruptured Lisa's heart. | 0:31:52 | 0:31:57 | |
-She was dead before she hit the rocks. -Inspector... | 0:31:57 | 0:32:00 | |
Ah, good. I want you two to watch Stefan, | 0:32:00 | 0:32:04 | |
see if he has contact with anyone in the wedding party. Looks like you were right, Dwayne. | 0:32:04 | 0:32:08 | |
-Before she was killed, Lisa made a phone call from the murder room. -Who did she call? -Room 503. | 0:32:08 | 0:32:13 | |
Adam Fairs. | 0:32:13 | 0:32:15 | |
OK. What now? | 0:32:36 | 0:32:38 | |
Oh, just a few more questions, Mr Fairs. | 0:32:38 | 0:32:40 | |
We've seen the CCTV footage from the lift just after the wedding. | 0:32:40 | 0:32:43 | |
What was Lisa whispering to you as you returned to your rooms? | 0:32:43 | 0:32:47 | |
I don't remember any, er, whispering. | 0:32:47 | 0:32:49 | |
-But you were planning to meet her in secret? -What? | 0:32:49 | 0:32:53 | |
-Lisa rang your room, shortly after the ceremony. -No. | 0:32:53 | 0:32:56 | |
Are you denying Lisa phoned your room just before she was killed? | 0:32:56 | 0:33:00 | |
Well, if she did, I...I didn't hear it. | 0:33:00 | 0:33:02 | |
Were you having an affair? | 0:33:02 | 0:33:04 | |
What!? She'd just married my best mate! What's wrong with you people? | 0:33:04 | 0:33:08 | |
Would you rather we showed the CCTV footage to your best mate, | 0:33:08 | 0:33:12 | |
see what he thinks about it? | 0:33:12 | 0:33:14 | |
Do what you like. | 0:33:14 | 0:33:16 | |
OK. | 0:33:16 | 0:33:19 | |
Four, three, two... | 0:33:21 | 0:33:25 | |
Wait! | 0:33:25 | 0:33:26 | |
OK, all right. I was... | 0:33:28 | 0:33:30 | |
I was arranging to meet with Lisa. | 0:33:30 | 0:33:33 | |
So why were you arranging to meet her in secret? | 0:33:33 | 0:33:37 | |
I, er, wanted to borrow some money, and her stepmum's a control freak | 0:33:37 | 0:33:42 | |
and Darren had already warned me off, | 0:33:42 | 0:33:44 | |
so we had to do it without any of them knowing. | 0:33:44 | 0:33:47 | |
She was telling me in the lift that she'd meet me when she could get away, but it never happened. | 0:33:47 | 0:33:52 | |
What did you need the money for? | 0:33:52 | 0:33:53 | |
I've got a car business, but I need to find 50 grand by the end of the month or... | 0:33:53 | 0:33:57 | |
Or what? | 0:33:57 | 0:33:59 | |
I won't have a car business. | 0:33:59 | 0:34:01 | |
And where did you think she was going to get that kind of money? | 0:34:01 | 0:34:04 | |
-Lise? She's loaded. -What? | 0:34:04 | 0:34:07 | |
Or at least, her mum was loaded. When she died, she left it all in trust to Lisa. | 0:34:07 | 0:34:11 | |
And when did Lisa get control of the trust fund? | 0:34:11 | 0:34:14 | |
Her parents always controlled it. | 0:34:14 | 0:34:16 | |
She inherited everything on her wedding day. | 0:34:16 | 0:34:18 | |
Looks like we have our motive. Money. | 0:34:21 | 0:34:25 | |
But for whom? The parents who lost everything? | 0:34:25 | 0:34:28 | |
The best man about to lose his business? | 0:34:28 | 0:34:30 | |
Or the new husband? | 0:34:30 | 0:34:33 | |
Who gets her cash now she's dead? | 0:34:33 | 0:34:36 | |
We're sorry to intrude but, er, we need to ask a few more questions. | 0:34:40 | 0:34:44 | |
We'll do anything we can to help. | 0:34:44 | 0:34:46 | |
Thank you. Was your wife going to lend Adam Fairs the money he needed? | 0:34:46 | 0:34:49 | |
I beg your pardon? | 0:34:49 | 0:34:51 | |
-You've been speaking to Adam. -He'd asked to borrow £50,000, hadn't he? | 0:34:51 | 0:34:56 | |
Darren? | 0:34:56 | 0:34:58 | |
Don't worry, she wasn't going to lend it to him. | 0:34:58 | 0:35:01 | |
We...we argued about it the night before the wedding. | 0:35:04 | 0:35:07 | |
You know, I've known Adam since I was a kid. | 0:35:07 | 0:35:10 | |
He's great, but you don't lend him money, not if you want to see it again. | 0:35:10 | 0:35:13 | |
-Everybody gets written off if they don't have any money. -No! -Or have to work for a living. -Sally! | 0:35:13 | 0:35:19 | |
-This is neither the time nor the place. -It's all we talk about! Lisa and her money! And her beauty. | 0:35:19 | 0:35:24 | |
Oh, and HER wedding goes without a hitch, | 0:35:24 | 0:35:27 | |
and now she's dead, she's all we're ever gonna to talk about, isn't she? | 0:35:27 | 0:35:32 | |
And we're gonna get older and she's gonna stay young and perfect... | 0:35:32 | 0:35:35 | |
and married! | 0:35:35 | 0:35:36 | |
Sally! | 0:35:36 | 0:35:38 | |
I'm sorry, Darren, but I still need to ask. | 0:35:41 | 0:35:45 | |
In the event of Lisa's death, do you inherit her fortune? | 0:35:45 | 0:35:48 | |
Why did you tell the chief I worked through the night on my own? | 0:35:51 | 0:35:56 | |
Don't you want to be in with him? | 0:35:56 | 0:35:59 | |
Of course, yes! But it's not true. | 0:35:59 | 0:36:02 | |
It was you and me, Dwayne, we did it all together. | 0:36:02 | 0:36:05 | |
I don't understand. Why don't you want your boss to know? | 0:36:05 | 0:36:08 | |
Once they know you're willing to help... | 0:36:08 | 0:36:11 | |
Um... | 0:36:13 | 0:36:16 | |
Stefan is over there. | 0:36:16 | 0:36:18 | |
I know. | 0:36:19 | 0:36:22 | |
Sally's right, you know. Lisa's money, it distorts everything in this family. | 0:36:27 | 0:36:32 | |
That's why we signed this. | 0:36:32 | 0:36:33 | |
-What is it? -It's a pre-nuptial agreement. | 0:36:33 | 0:36:36 | |
We signed it the night before our wedding. | 0:36:36 | 0:36:39 | |
If Lisa and I were to divorce, or if she died, even if she left me for another man, | 0:36:39 | 0:36:43 | |
it makes no difference. I get nothing. | 0:36:43 | 0:36:45 | |
When my wife died, I lost everything. | 0:36:45 | 0:36:48 | |
And I'm not talking about money. | 0:36:48 | 0:36:50 | |
Why don't you talk them through it, Diana? | 0:36:52 | 0:36:55 | |
-I don't know what he's talking about. -It was our idea. | 0:36:58 | 0:37:01 | |
Yes, and we did the right thing. | 0:37:01 | 0:37:03 | |
And don't you judge us. Darren's reputation is that he beds any girl with a pulse. | 0:37:05 | 0:37:09 | |
We had to make sure that he wasn't after Lisa's money, | 0:37:09 | 0:37:14 | |
so we merely suggested... | 0:37:14 | 0:37:16 | |
We didn't just suggest. | 0:37:16 | 0:37:17 | |
We got our lawyers to draw up a contract, didn't we, dear? | 0:37:17 | 0:37:23 | |
Does Stefan only teach women in bikinis? | 0:37:26 | 0:37:30 | |
I hope so. | 0:37:31 | 0:37:33 | |
You know, if it'd been up to Lisa, | 0:37:44 | 0:37:46 | |
she'd have given every penny of her money away. | 0:37:46 | 0:37:48 | |
She was scared it was going to come between us. | 0:37:48 | 0:37:51 | |
Hm. So with a pre-nuptial agreement in place, | 0:37:51 | 0:37:56 | |
next of kin would be... | 0:37:56 | 0:37:57 | |
It's what Lisa wanted. | 0:37:57 | 0:38:00 | |
-Is that so? -Excuse me? | 0:38:00 | 0:38:02 | |
Oh, she hasn't signed it. | 0:38:02 | 0:38:03 | |
But we watched her! | 0:38:03 | 0:38:04 | |
In the signature box, she's written, "I'm not signing this, Darren. When are you going to get it? | 0:38:04 | 0:38:10 | |
"I love you. Till death do us part." | 0:38:10 | 0:38:12 | |
I think you've just inherited your wife's fortune after all. | 0:38:19 | 0:38:22 | |
-So you've been manipulating us from the start. -No! I... -Liar! | 0:38:23 | 0:38:27 | |
-Diana! -He's tricked us! -Not here. Not now. | 0:38:27 | 0:38:30 | |
Terrified of losing their lifestyle, | 0:38:36 | 0:38:39 | |
Mr and Mrs Watson murdered their daughter to steal her inheritance? | 0:38:39 | 0:38:43 | |
Realising she'd failed to sign the pre-nuptial, | 0:38:43 | 0:38:46 | |
so it's Darren who inherits after all. | 0:38:46 | 0:38:50 | |
What are we missing? | 0:38:51 | 0:38:53 | |
How do you mean? This is a major breakthrough. The money, the contract. | 0:38:53 | 0:38:57 | |
Yeah, but why kill Lisa on her wedding day? | 0:38:57 | 0:38:59 | |
Why not wait, and why with a speargun? | 0:38:59 | 0:39:02 | |
Ah, William! Just the man. | 0:39:02 | 0:39:05 | |
Sir? | 0:39:05 | 0:39:06 | |
I understand the bride and groom had an argument the night before the wedding. | 0:39:06 | 0:39:10 | |
I bet nothing happens on this floor you don't know about. | 0:39:10 | 0:39:13 | |
Now you come to mention it, I think I did hear raised voices. | 0:39:13 | 0:39:17 | |
And did you hear what the argument was about? | 0:39:17 | 0:39:19 | |
It was, er, difficult to make out, | 0:39:20 | 0:39:24 | |
but it may have been something to do with Margaret, the maid, sir. | 0:39:24 | 0:39:28 | |
It wasn't very clear, but I'm sure I heard her name. | 0:39:28 | 0:39:31 | |
Hm, what was it Diana said? | 0:39:31 | 0:39:33 | |
"Darren beds any girl with a pulse." | 0:39:33 | 0:39:35 | |
-Is that what you're suggesting? That Darren and Margaret were..? -I wouldn't know, sir. | 0:39:35 | 0:39:40 | |
Isn't anyone in this family honest about anything? | 0:39:43 | 0:39:47 | |
Sex and money, the root of all evil. | 0:39:47 | 0:39:50 | |
You must think we're a right bunch. | 0:40:06 | 0:40:09 | |
Families are notoriously, er, complicated. | 0:40:09 | 0:40:14 | |
Could I ask you something? | 0:40:19 | 0:40:21 | |
Sally said that Lisa's wedding had gone off without a hitch, | 0:40:21 | 0:40:25 | |
with the emphasis on the word, "Lisa's." | 0:40:25 | 0:40:27 | |
An odd phrase, no? What exactly did she mean by it? | 0:40:27 | 0:40:29 | |
About a year ago, Sally got engaged to, er, well... | 0:40:32 | 0:40:35 | |
Diana reckoned he was after the family money. | 0:40:35 | 0:40:40 | |
Lisa's money? | 0:40:40 | 0:40:41 | |
What happened to him? | 0:40:41 | 0:40:43 | |
I'm ashamed to say we offered him money to disappear. | 0:40:43 | 0:40:46 | |
I did it expecting him to refuse, to prove to Diana that it wasn't true. | 0:40:46 | 0:40:52 | |
But he took it? | 0:40:52 | 0:40:53 | |
So you used Lisa's money to drive her sister's fiancee away? Does she know? | 0:40:53 | 0:40:58 | |
Diana couldn't wait to tell her. | 0:40:58 | 0:41:01 | |
The truth is, she's never forgiven us. | 0:41:01 | 0:41:04 | |
OK, so yesterday I asked for motive. | 0:41:09 | 0:41:13 | |
Mike and Diana? | 0:41:13 | 0:41:16 | |
I don't believe it was the father, but the wife! | 0:41:16 | 0:41:18 | |
She's obsessed with money that she lost control of the moment Lisa got married. | 0:41:18 | 0:41:23 | |
-What if Darren knew she hadn't signed the pre-nup? -Actually, that's my personal... | 0:41:23 | 0:41:27 | |
Maybe it's to do with the argument he and Lisa had about Margaret the maid? | 0:41:27 | 0:41:31 | |
I brought it all the way from England. | 0:41:31 | 0:41:34 | |
And what about Adam? | 0:41:34 | 0:41:35 | |
He needs Lisa's money. What if she refused to help him? | 0:41:35 | 0:41:39 | |
-Which leaves us Sally, who doesn't have the motive of money. -Any of these... | 0:41:39 | 0:41:43 | |
But, if we're looking for a desperate and sick murderer, | 0:41:43 | 0:41:46 | |
who better than the jilted step-sister | 0:41:46 | 0:41:48 | |
who waits until Lisa's wedding day and then...strikes! | 0:41:48 | 0:41:53 | |
Mind you, don't forget about Stefan. | 0:41:53 | 0:41:55 | |
This isn't working. Stefan... | 0:41:55 | 0:41:58 | |
Yes, Stefan has to be involved. | 0:41:58 | 0:42:00 | |
It's the only thing that explains the speargun. | 0:42:00 | 0:42:02 | |
Yes, and Stefan, he, likes the ladies, but... | 0:42:02 | 0:42:04 | |
PHONE RINGS | 0:42:04 | 0:42:06 | |
Honore Police Station. | 0:42:06 | 0:42:07 | |
He didn't go anywhere near the wedding party. | 0:42:07 | 0:42:10 | |
Hm. Sorry, do you mind? | 0:42:10 | 0:42:12 | |
It's the hotel. There's been another murder. | 0:42:12 | 0:42:15 | |
Er, could we have some light, please? | 0:42:26 | 0:42:29 | |
An English bride is killed on her wedding day, | 0:42:44 | 0:42:47 | |
then the maid that cleaned the room is herself killed. Why? | 0:42:47 | 0:42:50 | |
Did you carve all these? | 0:43:07 | 0:43:09 | |
Yeah, you like 'em? | 0:43:09 | 0:43:11 | |
Margaret said something, about having been in trouble before. | 0:43:13 | 0:43:16 | |
Is that right? What sort of trouble has she been in? | 0:43:16 | 0:43:20 | |
Well, it was never proven, but at one time William suspected | 0:43:20 | 0:43:23 | |
that Margaret was using spare VIP suites for romantic assignations. | 0:43:23 | 0:43:29 | |
-Of course. -And he thought that she used a "cleaning in progress" label | 0:43:29 | 0:43:32 | |
on the door as a sign for the person she was meeting. | 0:43:32 | 0:43:36 | |
You think she was using the room to have sex with guests? | 0:43:38 | 0:43:42 | |
I don't know, these are just William's suspicions. | 0:43:42 | 0:43:44 | |
Margaret was very popular | 0:43:44 | 0:43:46 | |
and I never found any evidence. | 0:43:46 | 0:43:49 | |
Darren? | 0:43:49 | 0:43:50 | |
What are you doing? | 0:44:22 | 0:44:24 | |
How quickly do those lift doors open? | 0:44:33 | 0:44:36 | |
Er, pretty quickly. | 0:44:40 | 0:44:41 | |
Could you open Suite 502, please? | 0:44:41 | 0:44:44 | |
'I'd just finished my work and I went back to room 502. | 0:44:44 | 0:44:46 | |
'I opened the door and that's when she came out.' | 0:44:46 | 0:44:49 | |
Margaret! Margaret! | 0:44:49 | 0:44:52 | |
And now the phone rings. | 0:44:52 | 0:44:53 | |
RINGING | 0:44:53 | 0:44:57 | |
SCREAMING | 0:45:04 | 0:45:06 | |
-Who was that? -It's Lisa! | 0:45:06 | 0:45:07 | |
'I was making cocktails when I heard Mrs Watson. | 0:45:07 | 0:45:11 | |
'I was... I was arranging to meet with Lisa. | 0:45:11 | 0:45:14 | |
'I met her once. What reason could I have to kill her? | 0:45:14 | 0:45:16 | |
'We offered him money. | 0:45:16 | 0:45:18 | |
'We argued about it the night before the wedding.' | 0:45:18 | 0:45:22 | |
Ah! | 0:45:22 | 0:45:23 | |
Of course! | 0:45:24 | 0:45:26 | |
-Of course what? -I want you to gather everyone, Stefan included. -Where? | 0:45:26 | 0:45:29 | |
Er, the veranda to begin with, I think. | 0:45:29 | 0:45:33 | |
In precisely 11 minutes. | 0:45:33 | 0:45:35 | |
You're coming with us. | 0:45:45 | 0:45:46 | |
Er, there's been another murder. | 0:45:56 | 0:45:59 | |
The maid, Margaret, who cleaned the room where the murder took place. | 0:45:59 | 0:46:04 | |
She's been found dead. Strangled. | 0:46:05 | 0:46:07 | |
Surely you're not suggesting... | 0:46:07 | 0:46:09 | |
First, let's return to the death of Lisa Moore. | 0:46:09 | 0:46:13 | |
Adam, you wanted to borrow money from her. | 0:46:13 | 0:46:16 | |
-Yeah, but I didn't know if she was going to... -Ah, yes. Well, I do. | 0:46:16 | 0:46:19 | |
-What? -It's obvious, isn't it? | 0:46:19 | 0:46:21 | |
She was going to give you every penny you needed. | 0:46:21 | 0:46:24 | |
Darren here told her it was a bad idea | 0:46:24 | 0:46:27 | |
and she was wise enough | 0:46:27 | 0:46:29 | |
to keep the whole enterprise a secret from her parents, | 0:46:29 | 0:46:31 | |
particularly her stepmother. | 0:46:31 | 0:46:33 | |
But I think, as Lisa came into her money when she married, | 0:46:33 | 0:46:37 | |
she couldn't wait finally to show who was boss. | 0:46:37 | 0:46:39 | |
She'd said that she'd meet you when she got the chance... | 0:46:39 | 0:46:42 | |
That's what she was telling me in the lift, that she'd call | 0:46:42 | 0:46:45 | |
when she could get away, but it never happened. | 0:46:45 | 0:46:48 | |
So when she came across an empty room, it was too good an opportunity to miss. | 0:46:48 | 0:46:51 | |
How do you know it was me she wanted to meet? | 0:46:51 | 0:46:53 | |
-Just before Lisa was killed, a call was placed from the suite she was in to yours. -Bu... | 0:46:53 | 0:46:58 | |
I know, a phone call you say you never got. | 0:46:58 | 0:47:00 | |
-I didn't, I... -That puzzled me, too. Then I remembered. You didn't tell us where you were. Sally did. | 0:47:00 | 0:47:05 | |
I was in my room, Adam was in his room, Darren... I don't know, | 0:47:05 | 0:47:08 | |
but you should be out looking for Lisa's killer, not standing around chatting! | 0:47:08 | 0:47:12 | |
And having done so, she then apologised. | 0:47:12 | 0:47:14 | |
Well, answer it! | 0:47:14 | 0:47:15 | |
I'm sorry. | 0:47:17 | 0:47:18 | |
I thought she was apologising to the room in general, but she was actually just apologising to you. | 0:47:18 | 0:47:23 | |
Because she'd just lied about your whereabouts. | 0:47:23 | 0:47:26 | |
Why would she lie about his whereabouts? | 0:47:26 | 0:47:29 | |
Because Adam was in Sally's room. | 0:47:29 | 0:47:31 | |
I saw you, Adam, comforting Sally by the pool. | 0:47:32 | 0:47:37 | |
You're lovers, aren't you? | 0:47:37 | 0:47:40 | |
And Adam wasn't allowed to tell anyone, under any circumstances. | 0:47:40 | 0:47:44 | |
How do you know all this? | 0:47:44 | 0:47:46 | |
The last time Sally was in a relationship, engaged to be married, | 0:47:46 | 0:47:49 | |
you thought her fiancee was a gold-digger and gave him money to leave. | 0:47:49 | 0:47:52 | |
What would you have thought of Sally's relationship with Adam? Because he really needs money. | 0:47:52 | 0:47:57 | |
-But if these two were together, then... -Precisely! | 0:47:57 | 0:48:00 | |
If Sally and Adam were together, then they have an alibi after all. | 0:48:00 | 0:48:04 | |
And as Mr and Mrs Watson and William were all in their suite, | 0:48:04 | 0:48:08 | |
that leaves only you without an alibi. | 0:48:08 | 0:48:10 | |
-You said you argued with Lisa the night before you got married. -Yes. | 0:48:10 | 0:48:15 | |
-You said it was about lending money to Adam Fairs. -Or was it something else? | 0:48:15 | 0:48:19 | |
What? | 0:48:19 | 0:48:20 | |
Are your philandering days really over, Mr Moore? | 0:48:20 | 0:48:23 | |
Yes! | 0:48:23 | 0:48:24 | |
When I met Lisa, there never was anyone else. | 0:48:24 | 0:48:27 | |
There never will be anyone else. | 0:48:27 | 0:48:29 | |
Ah! | 0:48:33 | 0:48:35 | |
Stefan! | 0:48:35 | 0:48:37 | |
Now we're all here, perhaps you'd like to join me in suite 502. | 0:48:39 | 0:48:44 | |
Please! Enough of this. Who killed my daughter? | 0:48:50 | 0:48:54 | |
Your daughter was killed by the only person here with the means, | 0:48:54 | 0:48:58 | |
motive and opportunity. Mrs Watson? | 0:48:58 | 0:49:01 | |
If you were on your balcony, as you said you were, | 0:49:01 | 0:49:04 | |
-looking at the view when your step-daughter was killed... -I was! -Did you have your back to the room? | 0:49:04 | 0:49:08 | |
I don't know. I mean, I... Maybe. | 0:49:09 | 0:49:12 | |
-Then you couldn't have seen who came or went from the room, could you? -Um, no, I suppose not. | 0:49:12 | 0:49:19 | |
That leaves you, Mr Watson. You claimed you were in your bedroom. | 0:49:19 | 0:49:22 | |
What? Well, yes, I was! | 0:49:22 | 0:49:24 | |
-You have to believe me. -Why? | 0:49:24 | 0:49:27 | |
William, you tell him. You were in the kitchen, you would have seen me if I'd left the suite. | 0:49:27 | 0:49:32 | |
But would he? You see, this is what I finally realised. | 0:49:32 | 0:49:35 | |
We've been looking at this case the wrong way round from the start. | 0:49:35 | 0:49:39 | |
Because when you flip everything, then, and only then, | 0:49:39 | 0:49:42 | |
does it makes sense, starting with the ending and working back to the beginning. | 0:49:42 | 0:49:46 | |
I mean, take the alibis. | 0:49:46 | 0:49:48 | |
William says that he can alibi you, he didn't see you leave the suite. | 0:49:48 | 0:49:52 | |
Well, fair enough, maybe he didn't, | 0:49:52 | 0:49:54 | |
but um, whether or not he can alibi you, in what way can you alibi him? | 0:49:54 | 0:49:59 | |
That's right, isn't it, William? You murdered Lisa and then you murdered Margaret the maid. | 0:49:59 | 0:50:04 | |
I'm sorry, sir? | 0:50:07 | 0:50:09 | |
We've always presumed this case was about Lisa, because... | 0:50:09 | 0:50:13 | |
well, it's impossible to ignore the drama of a bride killed on her wedding day. | 0:50:13 | 0:50:18 | |
But this has never been about Lisa. This has been about you and your obsession with Margaret. | 0:50:18 | 0:50:22 | |
She even told us as much when we interviewed her. | 0:50:22 | 0:50:25 | |
The butler on that floor, William, he's always on my case. | 0:50:25 | 0:50:29 | |
But Margaret already had a boyfriend. | 0:50:29 | 0:50:31 | |
That's why, when she was given a lucky rose from the bride's bouquet, she kept it. | 0:50:31 | 0:50:37 | |
And the man Margaret was in love with was you, Stefan, wasn't it? | 0:50:37 | 0:50:41 | |
Margaret was the girlfriend you referred to? I'm sorry for your loss. | 0:50:41 | 0:50:46 | |
So you, William, decided if you couldn't have Margaret to yourself, | 0:50:46 | 0:50:50 | |
you'd kill her and frame her boyfriend for her murder, | 0:50:50 | 0:50:53 | |
which finally answers the question, why a speargun? | 0:50:53 | 0:50:56 | |
It's the one thing that would incriminate Stefan. | 0:50:56 | 0:50:59 | |
It's the advantage of your job. | 0:50:59 | 0:51:01 | |
You're essentially invisible and you always wear white gloves so you never leave any fingerprints. | 0:51:01 | 0:51:06 | |
You knew the significance of Margaret's "cleaning in progress" label, | 0:51:06 | 0:51:09 | |
so why did you say that you didn't? | 0:51:09 | 0:51:11 | |
-There's a cleaning in progress label here, why hasn't it been removed? -I wouldn't know, sir. | 0:51:11 | 0:51:16 | |
When everyone returned from the wedding, | 0:51:16 | 0:51:20 | |
you saw Margaret and her calling card and put your plan into action. | 0:51:20 | 0:51:24 | |
I think you made cocktails because you knew it would involve an unholy amount of noise from a blender. | 0:51:24 | 0:51:29 | |
The only problem being, | 0:51:32 | 0:51:35 | |
that although Margaret planned to use this room, Lisa got here first. | 0:51:35 | 0:51:38 | |
Margaret! Margaret... | 0:51:38 | 0:51:39 | |
Oh, no. | 0:51:39 | 0:51:41 | |
Please, I won't be long. | 0:51:41 | 0:51:42 | |
With the blender providing you with an alibi, | 0:51:46 | 0:51:51 | |
you took the speargun from the room, left the suite | 0:51:51 | 0:51:53 | |
and headed across the hallway, and used your key to enter. | 0:51:53 | 0:51:58 | |
Now, which is why I wanted you all up here, | 0:51:59 | 0:52:03 | |
in the room where Lisa was murdered at 15.10, | 0:52:03 | 0:52:07 | |
the exact time she was killed. | 0:52:07 | 0:52:09 | |
Because, er, there's one thing I've noticed about the Caribbean, | 0:52:09 | 0:52:12 | |
it's sunny, isn't it? | 0:52:12 | 0:52:13 | |
And when William came in here to commit murder, | 0:52:13 | 0:52:16 | |
he was running from a dark corridor to a room lit by the blinding Caribbean sun. | 0:52:16 | 0:52:22 | |
William didn't see who was on the balcony. | 0:52:22 | 0:52:24 | |
He just saw a figure and fired. Didn't you? | 0:52:24 | 0:52:28 | |
You are mistaken, sir. | 0:52:35 | 0:52:38 | |
It was a crime passionel. As Camille said all along. | 0:52:38 | 0:52:42 | |
Of love and of hate, not of Lisa... of Margaret. | 0:52:42 | 0:52:47 | |
You dropped the speargun. | 0:52:48 | 0:52:51 | |
Then you returned to the kitchen... | 0:52:51 | 0:52:53 | |
..switching off the blender... | 0:52:56 | 0:53:00 | |
SCREAMING | 0:53:00 | 0:53:01 | |
Just in time to re-emerge the concerned hotel employee a few seconds later. | 0:53:01 | 0:53:06 | |
What has happened, sir? | 0:53:06 | 0:53:07 | |
If you'd left it with Lisa's murder, I... | 0:53:07 | 0:53:10 | |
I don't see how we could have caught you. | 0:53:10 | 0:53:12 | |
But once you killed Margaret, I finally understood. | 0:53:12 | 0:53:16 | |
And the fact that you strangled her. | 0:53:16 | 0:53:20 | |
It could only be a murder driven by rage! | 0:53:20 | 0:53:22 | |
You're not the perfect butler you claim to be. | 0:53:29 | 0:53:34 | |
Your calm facade is just that, a facade. | 0:53:34 | 0:53:39 | |
Because there's a passion in your heart, isn't there, William? | 0:53:39 | 0:53:42 | |
And like all uptight men, when you release that pent-up passion, | 0:53:42 | 0:53:46 | |
-it's overwhelming, isn't it? -Camille... | 0:53:46 | 0:53:48 | |
Why isn't the world ordered like you'd wish it? | 0:53:48 | 0:53:53 | |
Why doesn't it understand you? Why don't women want you? | 0:53:53 | 0:53:56 | |
Because they don't, do they? They've never wanted you. | 0:53:56 | 0:53:59 | |
-You OK? -Thanks. | 0:54:10 | 0:54:12 | |
Read him his rights and dump him in the cells. | 0:54:12 | 0:54:16 | |
Good work, team. | 0:54:16 | 0:54:18 | |
Ah, the modern family. | 0:54:52 | 0:54:54 | |
Scratch the surface and they're just festering pits of betrayal, disappointment and deceit. | 0:54:54 | 0:54:59 | |
-Happy upbringing, was it? -I was sent to boarding school, so, er, yes. | 0:54:59 | 0:55:04 | |
So, I solved the case, then. | 0:55:08 | 0:55:11 | |
You solved the case? | 0:55:12 | 0:55:14 | |
Like I said, the butler did it. | 0:55:14 | 0:55:16 | |
Oh. | 0:55:16 | 0:55:17 | |
Oh, stop being so grumpy! | 0:55:17 | 0:55:20 | |
I'm not grumpy. | 0:55:20 | 0:55:22 | |
OK. Prove it! | 0:55:22 | 0:55:25 | |
What are you doing? We're on duty! | 0:55:25 | 0:55:28 | |
But we've just caught a double murderer. Come on in. | 0:55:28 | 0:55:31 | |
What about...sharks? | 0:55:31 | 0:55:33 | |
-It's about six inches of water. -I'll step on a sea urchin or something. | 0:55:33 | 0:55:37 | |
We are in one of the most beautiful spots on God's Earth! Come on! | 0:55:37 | 0:55:41 | |
Take those shoes off! | 0:55:41 | 0:55:42 | |
Yeah, but those crime reports won't write themselves, will they? | 0:55:42 | 0:55:46 | |
I'd better get on with, um...yup. | 0:55:46 | 0:55:49 | |
See you tomorrow. Er, good work, though, Camille. | 0:55:49 | 0:55:53 | |
Ow! Ow! | 0:56:45 | 0:56:47 | |
Argh! Ow! | 0:56:47 | 0:56:50 | |
Help! | 0:56:52 | 0:56:54 | |
I'm to be murdered. | 0:57:00 | 0:57:01 | |
-Voodoo? -Please. | 0:57:01 | 0:57:03 | |
-She's been poisoned. -She was murdered by a scarred man. | 0:57:05 | 0:57:08 | |
-Nicholas Dunham is a killer. -He's not a killer. | 0:57:08 | 0:57:11 | |
-So you ignore the truth? -I don't know what the truth is yet. | 0:57:11 | 0:57:14 | |
-I'm arresting you... -What? | 0:57:14 | 0:57:16 | |
We're detectives. | 0:57:17 | 0:57:19 | |
-We do not stick pins into dolls and dance naked around a camp fire. -Now, that I'd like to see. | 0:57:19 | 0:57:23 | |
You are the most annoying man I've ever met. | 0:57:25 | 0:57:27 | |
Well, it's a very small island. | 0:57:27 | 0:57:29 | |
Subtitles by Red Bee Media Ltd | 0:57:49 | 0:57:52 | |
E-mail [email protected] | 0:57:52 | 0:57:54 |