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In the name of Sivis Lau, | 0:00:03 | 0:00:05 | |
I command the Spirit Bondeah speak to me! | 0:00:05 | 0:00:09 | |
There's truth in the bones. | 0:00:13 | 0:00:17 | |
Ki moun ki la? | 0:00:17 | 0:00:19 | |
He's coming! A scarred man, | 0:00:19 | 0:00:23 | |
and Kisa ou vle? | 0:00:23 | 0:00:24 | |
No! He's a killer. He's killed before! | 0:00:24 | 0:00:30 | |
He will silence me! | 0:00:31 | 0:00:33 | |
Aksion tch kont la lawa! | 0:00:34 | 0:00:39 | |
Assassin! | 0:00:39 | 0:00:42 | |
I am to be murdered! I'm to be murdered. | 0:00:42 | 0:00:48 | |
I understand. | 0:01:09 | 0:01:11 | |
No-one is to touch anything. I want the room locked until we get there. | 0:01:12 | 0:01:16 | |
-Have we got any ice cubes? -Sir? -To go in front of the fans. | 0:01:16 | 0:01:20 | |
They're just pushing warm air around. | 0:01:20 | 0:01:21 | |
-We should go. -Yep, good, good. | 0:01:21 | 0:01:25 | |
-What's going on? -A body's been found. | 0:01:30 | 0:01:33 | |
-Where? -Notre Dame School. | 0:01:33 | 0:01:36 | |
The school's closed, but I've left a message for the headmaster. | 0:01:44 | 0:01:48 | |
-Where is he? -I don't know. He must have gone out. | 0:01:48 | 0:01:50 | |
Signs of rictus, | 0:01:54 | 0:01:56 | |
blood around the lips. | 0:01:56 | 0:01:59 | |
She's been poisoned. | 0:01:59 | 0:02:01 | |
I'm to be murdered. I'm...to be murdered. | 0:02:03 | 0:02:08 | |
Ah, Dr Hudson, my old school science teacher. | 0:02:46 | 0:02:48 | |
The years have improved him if anything. | 0:02:48 | 0:02:51 | |
So what was she drinking? | 0:02:51 | 0:02:53 | |
-Rum. -So what's an old lady doing drinking rum in a school classroom? | 0:02:53 | 0:02:57 | |
Who was she drinking with? And where's the bottle? | 0:02:57 | 0:03:00 | |
If Mr Dunham hasn't changed, there might be one here. | 0:03:00 | 0:03:03 | |
-Mr Dunham? -The school headmaster. | 0:03:03 | 0:03:05 | |
He used to take a quick shot while we were writing. | 0:03:05 | 0:03:08 | |
He thought we didn't see him. Here it is. | 0:03:08 | 0:03:10 | |
You went to this school? | 0:03:10 | 0:03:12 | |
Yes, If you want to commit the perfect murder, can't do better than a school science lab. | 0:03:12 | 0:03:16 | |
Poisons in that cupboard there and reference books and equipment here for mixing up recipes. | 0:03:16 | 0:03:21 | |
That's how you spent time at school, is it? | 0:03:21 | 0:03:23 | |
Planning the perfect murder? | 0:03:23 | 0:03:26 | |
Quite right too. So, what happened here? | 0:03:26 | 0:03:30 | |
-She was murdered. -Well, you can have a point for stating the blindingly obvious, Dwayne, | 0:03:30 | 0:03:35 | |
but to bring someone to justice, we may need a little more. | 0:03:35 | 0:03:37 | |
She was murdered by a scarred man who's killed before and wanted to silence her. | 0:03:37 | 0:03:43 | |
-Voodoo? -She said it, chief. I swear. | 0:03:47 | 0:03:50 | |
-Last night? -After you'd been drinking? | 0:03:50 | 0:03:52 | |
I wasn't the only one there. She said she'd be murdered and that she saw it in the bones. | 0:03:52 | 0:03:57 | |
Well, that would be a first. | 0:03:57 | 0:03:58 | |
A victim that actually predicted her own murder. | 0:03:58 | 0:04:01 | |
Well, you know, there's more to life than life. | 0:04:01 | 0:04:05 | |
That doesn't even mean anything. | 0:04:05 | 0:04:07 | |
Did she say anything else? | 0:04:07 | 0:04:09 | |
-Just what I told you. -That she'd be killed by a scarred man? | 0:04:09 | 0:04:12 | |
Would someone tell me what's going on? | 0:04:12 | 0:04:14 | |
I'm Nicholas Dunham, the headmaster here. | 0:04:14 | 0:04:18 | |
Good morning, Fidel. | 0:04:18 | 0:04:20 | |
Good morning, sir. | 0:04:20 | 0:04:22 | |
Angelique Morel. She was...is my mother-in-law. I'm widowed now. | 0:04:30 | 0:04:37 | |
-Do we know how she died? -Well, we're really just beginning... | 0:04:37 | 0:04:39 | |
-She's been poisoned. -What? | 0:04:39 | 0:04:42 | |
-Is this your rum? -It's usually in my desk drawer. | 0:04:42 | 0:04:45 | |
Did you drink any of it with Angelique this morning? | 0:04:45 | 0:04:47 | |
-Don't be absurd. -Well, it seems she was drinking with someone. | 0:04:47 | 0:04:51 | |
Well, she came to see me earlier, we talked briefly and then I left. | 0:04:51 | 0:04:55 | |
And when I did, that bottle was most definitely still in my desk. | 0:04:55 | 0:04:58 | |
-Sir? -Yes? | 0:04:58 | 0:05:00 | |
-No, sorry, sir, not you, sir, but that sir, sir. -Yes? | 0:05:00 | 0:05:04 | |
This glass, I can smell almonds. | 0:05:04 | 0:05:07 | |
Do you keep cyanide in your poisons cupboard? | 0:05:07 | 0:05:10 | |
Yes, but all dangerous chemicals and poisons are kept under lock and key here, | 0:05:10 | 0:05:16 | |
away from the children. | 0:05:16 | 0:05:17 | |
-How many keys are there? -Just the one. | 0:05:17 | 0:05:20 | |
Mine. | 0:05:20 | 0:05:21 | |
So as you'll see, all the chemicals are here. | 0:05:21 | 0:05:30 | |
And yes. Here's the cyanide. | 0:05:30 | 0:05:32 | |
Don't touch! Dwayne, | 0:05:32 | 0:05:34 | |
-bag this bottle of cyanide, would you? -Sir. | 0:05:34 | 0:05:36 | |
There's no way she could have been poisoned with that cyanide. | 0:05:36 | 0:05:39 | |
Well, let's find out, shall we? | 0:05:39 | 0:05:41 | |
After all, this is a school science lab. You're a scientist. | 0:05:41 | 0:05:44 | |
I'm sure you've heard of the Prussian blue test. | 0:05:44 | 0:05:47 | |
Of course. | 0:05:49 | 0:05:50 | |
Then perhaps you could find me the necessary chemicals. | 0:05:50 | 0:05:54 | |
Prussian blue is a colour discovered in the 18th century, and you only get it when you mix three... | 0:05:54 | 0:06:00 | |
-Who else has been in school today? -Erm, Molly Kerr, my secretary, | 0:06:00 | 0:06:03 | |
Tom Hilton, the, er, the school handyman, and Father Charles Dean. | 0:06:03 | 0:06:08 | |
We first add iron sulphate... | 0:06:08 | 0:06:11 | |
-And who discovered the body? -Father Charles. | 0:06:11 | 0:06:13 | |
We'll need to talk to them all. | 0:06:13 | 0:06:15 | |
-Of course. -Because if there's any cyanide present, once we add the nitric acid... | 0:06:15 | 0:06:21 | |
..the liquid will turn... | 0:06:24 | 0:06:26 | |
Prussian blue. There was cyanide in this glass, headmaster. | 0:06:31 | 0:06:36 | |
Any idea how that might have happened? | 0:06:36 | 0:06:38 | |
Angelique just wanted to borrow some books from me. | 0:06:41 | 0:06:44 | |
Something to do with herbal remedies. | 0:06:44 | 0:06:46 | |
Did you know she practised voodoo? | 0:06:46 | 0:06:47 | |
Yes, well, we, we rarely discussed it, this is a Roman Catholic school, after all. | 0:06:47 | 0:06:52 | |
-How long did you talk to her for? -Ten minutes, no longer. | 0:06:52 | 0:06:56 | |
Then I left her to it and went off to run some errands. | 0:06:56 | 0:06:59 | |
-You left her alone in your classroom? -Well, I didn't know she was about to be murdered, did I? | 0:06:59 | 0:07:04 | |
And, er, these errands? What were they? | 0:07:04 | 0:07:06 | |
Well, I went to buy some fruit from the market. | 0:07:07 | 0:07:11 | |
And did you? | 0:07:11 | 0:07:12 | |
Well, I'd just arrived there when I got Molly's message to come back. | 0:07:12 | 0:07:16 | |
-Isn't that right, Miss Kerr? -Yes. | 0:07:16 | 0:07:18 | |
-Molly Kerr. -Sorry, er... | 0:07:18 | 0:07:21 | |
I've been the secretary for 20 years. | 0:07:21 | 0:07:23 | |
Did you see Angelique at all today, Miss Kerr? | 0:07:23 | 0:07:26 | |
Oh, yes, er, I let her in. | 0:07:26 | 0:07:27 | |
I took her straight to the headmaster's classroom, just as she requested. | 0:07:29 | 0:07:34 | |
Then I went to the office. | 0:07:38 | 0:07:39 | |
Which is where I was 20 minutes later. when Father Charles came to tell me he'd found her body. | 0:07:39 | 0:07:44 | |
So that's when I rang for an ambulance and called the police. | 0:07:44 | 0:07:48 | |
-I hope I did the right thing. -No, that's a very thorough account. | 0:07:49 | 0:07:54 | |
Thank you. | 0:07:54 | 0:07:55 | |
So Angelique arrived just after 10.30. | 0:07:58 | 0:08:00 | |
The headmaster said he'd left her by 10.45 | 0:08:00 | 0:08:03 | |
and she was found dead by 11. | 0:08:03 | 0:08:05 | |
It has to be the headmaster. | 0:08:05 | 0:08:06 | |
-He's got a scar. -Oh, don't do this. | 0:08:06 | 0:08:09 | |
-But the prophecy... -All right, that's enough! | 0:08:09 | 0:08:11 | |
No-one is to mention this prophecy again. We're detectives, | 0:08:11 | 0:08:14 | |
we deal in physical evidence and forensic science, | 0:08:14 | 0:08:17 | |
we do not stick pins into dolls and dance naked around a camp fire. | 0:08:17 | 0:08:20 | |
-That I'd like to see. -Not going to happen. | 0:08:20 | 0:08:22 | |
-But it came true. -No, it didn't! | 0:08:22 | 0:08:25 | |
The reason she's dead will contain means, motive and opportunity, | 0:08:27 | 0:08:30 | |
will have a killer who wanted her dead | 0:08:30 | 0:08:32 | |
and it will contain scientific fact and evidence | 0:08:32 | 0:08:34 | |
that will conform to known precedents. | 0:08:34 | 0:08:36 | |
It will not, I repeat not have anything to do with spirits or crystal balls. | 0:08:36 | 0:08:40 | |
Is that perfectly understood? Nobody, and I mean nobody, is to mention that word again. | 0:08:40 | 0:08:45 | |
-Which word? -Voodoo. -Oh. | 0:08:45 | 0:08:47 | |
You can't come here and dismiss a whole religion. | 0:08:47 | 0:08:51 | |
Creole beliefs have been part of the island for hundreds of years. | 0:08:51 | 0:08:54 | |
So were cholera and TB and the French, | 0:08:54 | 0:08:56 | |
but you managed to get rid of them in the end. | 0:08:56 | 0:08:58 | |
-I'm half French. -There's no such thing as half French. | 0:08:58 | 0:09:01 | |
I want full statements detailing where everybody was between 10.30 and 11.30 this morning. | 0:09:01 | 0:09:07 | |
The headmaster said he went to market, find out if anybody saw him. | 0:09:07 | 0:09:10 | |
What about Father Charles? | 0:09:10 | 0:09:12 | |
-He found the body? -No. | 0:09:12 | 0:09:15 | |
First I want to see what kind of woman predicts her own murder. | 0:09:15 | 0:09:18 | |
That's not strictly correct procedure. | 0:09:18 | 0:09:22 | |
Never had you down as a stickler, Camille. | 0:09:22 | 0:09:24 | |
Definitely the headmaster. | 0:09:30 | 0:09:32 | |
Hell, yes. | 0:09:32 | 0:09:33 | |
The headmaster has a link to the victim, | 0:09:52 | 0:09:54 | |
he has access to the poison cupboard. | 0:09:54 | 0:09:57 | |
It was his room, and he seems to be the only one with the opportunity. | 0:09:57 | 0:10:00 | |
Exactly, it's too easy. | 0:10:00 | 0:10:02 | |
Oh! Oh, that's what this is about, isn't it? | 0:10:02 | 0:10:05 | |
You don't like things to be easy, do you? | 0:10:05 | 0:10:07 | |
You want them to be difficult so we can all see how brilliant you are. | 0:10:07 | 0:10:10 | |
When even the murder victim gives me a description of the killer | 0:10:10 | 0:10:14 | |
and all the evidence also points at him, I feel like I'm being manipulated. | 0:10:14 | 0:10:17 | |
-So you ignore the truth? -I don't know what the truth is yet. | 0:10:17 | 0:10:20 | |
Nicholas Dunham is a killer. | 0:10:20 | 0:10:22 | |
You can't possibly know that. | 0:10:22 | 0:10:23 | |
-Well, I do. -How? | 0:10:23 | 0:10:25 | |
-Intuition. -Oh, great. | 0:10:25 | 0:10:27 | |
Why don't we just go the whole hog, you know, I'll take my clothes off, you light the fire! | 0:10:27 | 0:10:32 | |
Oh, he's English. | 0:10:32 | 0:10:35 | |
-Good grief. -Yeah. | 0:10:45 | 0:10:49 | |
Is that a lizard? | 0:10:53 | 0:10:55 | |
Don't get any ideas. | 0:10:57 | 0:10:59 | |
RUMBLING | 0:11:00 | 0:11:03 | |
Was that your stomach? | 0:11:03 | 0:11:04 | |
Why would Angelique go to the school for a book on herbal remedies | 0:11:27 | 0:11:30 | |
when she's got her own library? | 0:11:30 | 0:11:33 | |
This must be Angelique's daughter, Delilah. | 0:11:36 | 0:11:39 | |
Nicholas's dead wife. | 0:11:39 | 0:11:41 | |
These are pretty hardcore. | 0:11:46 | 0:11:48 | |
It's so sad. | 0:11:48 | 0:11:51 | |
Camille... | 0:11:54 | 0:11:56 | |
If she hated Nicholas Dunham enough to burn his photograph... | 0:12:04 | 0:12:07 | |
-Then why stop by for a chat? -Exactly. | 0:12:07 | 0:12:09 | |
Then we need to talk to him again. | 0:12:09 | 0:12:11 | |
No. Now we talk to Father Charles. He found the body, Camille. | 0:12:11 | 0:12:15 | |
It's correct procedure, you'll appreciate that. | 0:12:15 | 0:12:18 | |
-I'll come with you. -No, you stay here and process the evidence. | 0:12:28 | 0:12:32 | |
And make a start lifting the fingerprints. | 0:12:32 | 0:12:34 | |
I'll go down to the market | 0:12:34 | 0:12:35 | |
and see if anyone remembers seeing the headmaster. Then I suppose I'd better get after Tom Hilton. | 0:12:35 | 0:12:41 | |
Why do I always have to stay here while you have fun? | 0:12:41 | 0:12:43 | |
Because I'm the only person round here that looks this cool on a bike. | 0:12:43 | 0:12:47 | |
And there's no-one better at processing evidence than you. | 0:12:48 | 0:12:51 | |
No, seriously, Fidel, you never make a mistake, you're brilliant, but me? | 0:12:51 | 0:12:58 | |
I'm all fingers and thumbs, which is not good when you're lifting prints. | 0:12:58 | 0:13:02 | |
Is this about your headmaster? | 0:13:05 | 0:13:06 | |
He taught you for all those years and now it turns out he's a murderer. | 0:13:06 | 0:13:10 | |
OK, so putting aside the fact that it looks like it's him and the prophecy says it's him, | 0:13:14 | 0:13:18 | |
it doesn't necessarily have to be him. | 0:13:18 | 0:13:21 | |
-It could be Father Charles for all we know. -Ah, but that's the thing. | 0:13:21 | 0:13:25 | |
Father Charles taught me RE for seven years. | 0:13:25 | 0:13:27 | |
He's one of the nicest people I know. | 0:13:27 | 0:13:29 | |
OK, then it's Molly Kerr. | 0:13:29 | 0:13:32 | |
OK, when I was at school, you'd go to Molly if you cut your knee or if you had a headache. | 0:13:32 | 0:13:36 | |
She's one of the nicest people I know. | 0:13:36 | 0:13:38 | |
I see a pattern here. | 0:13:38 | 0:13:40 | |
-All I can think is it must be Tom Hilton. -Which is a bit of a problem. | 0:13:40 | 0:13:44 | |
-How come? -Because Tom Hilton is one of the nicest people I know. | 0:13:44 | 0:13:48 | |
Look. | 0:13:48 | 0:13:49 | |
Whoever it is, Fidel, we'll catch them, | 0:13:49 | 0:13:52 | |
because that's what we do. | 0:13:52 | 0:13:54 | |
We catch killers. | 0:13:54 | 0:13:56 | |
And I look cool on bikes. | 0:13:56 | 0:13:59 | |
Father Charles? | 0:14:11 | 0:14:12 | |
Yes. I presume you want to ask me about Angelique. | 0:14:19 | 0:14:25 | |
Detective Inspector Richard Poole. We understand you found the body. | 0:14:25 | 0:14:28 | |
Yes. Poor woman. But she was old | 0:14:28 | 0:14:30 | |
and I think it's no secret to say her health was deteriorating. | 0:14:30 | 0:14:33 | |
You believe she died of natural causes? | 0:14:33 | 0:14:35 | |
-Didn't she? -She was poisoned. | 0:14:35 | 0:14:38 | |
We're still trying to establish the, erm... | 0:14:38 | 0:14:41 | |
Can you tell us your movements today? | 0:14:41 | 0:14:43 | |
Well, I was in my office this morning writing a sermon. | 0:14:43 | 0:14:46 | |
And I sometimes join the Headmaster for coffee, | 0:14:46 | 0:14:49 | |
so just before 11 I headed towards his classroom. | 0:14:49 | 0:14:52 | |
Did you see anyone else? | 0:14:55 | 0:14:56 | |
I passed Tom Hilton, the caretaker, in the top corridor. | 0:14:56 | 0:14:59 | |
-Morning, Father. -But when I got to the headmaster's classroom... | 0:14:59 | 0:15:04 | |
Yes? | 0:15:04 | 0:15:06 | |
Well, that's when I saw the body, just lying there. | 0:15:06 | 0:15:10 | |
I didn't know what to do. So I went and told Molly at once that I'd found the body. | 0:15:13 | 0:15:18 | |
Did you see where the caretaker was coming from? | 0:15:18 | 0:15:21 | |
-No. -Could he have been coming from the science room? | 0:15:21 | 0:15:25 | |
I suppose so. | 0:15:25 | 0:15:27 | |
How well did you know Angelique, Father? | 0:15:28 | 0:15:30 | |
I think you can say we moved in different circles. | 0:15:30 | 0:15:34 | |
-But you knew she was Mr Dunham's mother-in-law? -Yes. | 0:15:34 | 0:15:37 | |
-He's widowed now? -Yes. | 0:15:37 | 0:15:39 | |
His wife passed some while ago. | 0:15:39 | 0:15:41 | |
-Do you know how she died? -Yes, I believe it was suicide. | 0:15:41 | 0:15:46 | |
Very sad. | 0:15:46 | 0:15:47 | |
Is there anything else I can help you with? | 0:15:49 | 0:15:51 | |
Sure. And we're going to need a preliminary autopsy report as soon as you've got it, OK? Thank you. | 0:15:53 | 0:16:01 | |
Well, if I'm not arrested, then this is kidnapping. | 0:16:01 | 0:16:04 | |
Tom, how you doing? | 0:16:04 | 0:16:05 | |
Fidel? Boy, you've done some growing. | 0:16:05 | 0:16:08 | |
-Yes, sir. -You hear that? "Sir!" | 0:16:08 | 0:16:11 | |
That's respect, which you might have had if you'd gone to school. | 0:16:11 | 0:16:15 | |
I went to school. | 0:16:15 | 0:16:17 | |
-Sometimes. Where's the chief? -They've gone back to Notre Dame. | 0:16:17 | 0:16:21 | |
Fidel, he dragged me out of Juliana's, still half a drink on the bar. | 0:16:21 | 0:16:25 | |
-You shouldn't go running off, should you? -I know my rights. -And what are they? | 0:16:25 | 0:16:29 | |
That I'm allowed a phone call. | 0:16:29 | 0:16:32 | |
And a beer. | 0:16:32 | 0:16:33 | |
You know what I'm thinking? | 0:16:39 | 0:16:41 | |
-No. -How can you say that? | 0:16:41 | 0:16:42 | |
Because I have never, at any time while I've been with you, known what you're thinking. | 0:16:42 | 0:16:46 | |
-Hmm. OK, first, Angelique must have known her killer. -Agreed. | 0:16:46 | 0:16:52 | |
-Secondly, to predict her own murder, she either managed to be in contact with the spirit world... -Or? | 0:16:52 | 0:16:59 | |
Or she feared her life was in danger somehow and this was her way of telling us. | 0:16:59 | 0:17:02 | |
Thank you. Finally a sensible explanation. Of course. | 0:17:02 | 0:17:05 | |
And thirdly, we should speak to my mother. | 0:17:05 | 0:17:08 | |
-OK, now you've lost me. -I'm pretty sure she knew Angelique. | 0:17:09 | 0:17:13 | |
You must have heard the story? | 0:17:23 | 0:17:25 | |
-What story? -It was a huge scandal. | 0:17:25 | 0:17:28 | |
Nicholas Dunham found out his wife Delilah was having an affair. | 0:17:28 | 0:17:32 | |
I think you need to hear this. | 0:17:32 | 0:17:34 | |
Must be 15 years ago now. | 0:17:39 | 0:17:41 | |
Nicholas discovered the affair and confronted her. | 0:17:42 | 0:17:45 | |
He begged her not to leave. | 0:17:45 | 0:17:46 | |
And did she? | 0:17:46 | 0:17:48 | |
No-one knows what really happened, but Delilah was such a sweet girl. | 0:17:48 | 0:17:54 | |
People say she was torn between Nicholas and her lover. | 0:17:54 | 0:17:57 | |
Both pulling her in different directions, until she couldn't cope any more. | 0:17:57 | 0:18:02 | |
Then one night, she went for a walk across the cliffs | 0:18:02 | 0:18:07 | |
and threw herself into the sea. | 0:18:07 | 0:18:09 | |
-Was her body ever found? -No. -RUMBLING | 0:18:10 | 0:18:13 | |
-Sorry. -Was that your stomach again? | 0:18:13 | 0:18:16 | |
There's only so much mango and sweet potato a man can eat. | 0:18:16 | 0:18:18 | |
-Can I cook you something? -Oh, well... | 0:18:18 | 0:18:21 | |
A crab salad? Squid? | 0:18:21 | 0:18:24 | |
Pouding? | 0:18:24 | 0:18:25 | |
-Er, I'm fine. -Poor Angelique. | 0:18:25 | 0:18:29 | |
Dwayne saw her last night, he said she predicted her own murder. | 0:18:29 | 0:18:34 | |
-Voodoo? -Please. -You don't believe? | 0:18:34 | 0:18:37 | |
In people foretelling the future using chicken bones? | 0:18:37 | 0:18:40 | |
-I'm more Church of England. -Because God is English? | 0:18:40 | 0:18:42 | |
Mmm, almost certainly. | 0:18:42 | 0:18:44 | |
Do you know anything about voodoo? | 0:18:44 | 0:18:47 | |
Yes! | 0:18:47 | 0:18:48 | |
It's all witch doctors and wild hair, you know, | 0:18:51 | 0:18:54 | |
sort of staring eyes. | 0:18:54 | 0:18:56 | |
It was born from slavery and colonisation, | 0:18:56 | 0:18:59 | |
but based on Christianity. | 0:18:59 | 0:19:03 | |
In voodoo, the prayers are Catholic. | 0:19:03 | 0:19:05 | |
They even worship the Catholic saints. Papa Legba holding the keys to the afterlife, | 0:19:05 | 0:19:10 | |
only because St Peter does. | 0:19:10 | 0:19:12 | |
Well, there you are. You learn something new every day. | 0:19:12 | 0:19:14 | |
Thanks for your help. | 0:19:14 | 0:19:16 | |
Come on, Camille. Lots to do. | 0:19:16 | 0:19:17 | |
-Bye, Maman. -Bye. | 0:19:20 | 0:19:22 | |
-Oh, Delilah Dunham's lover, do you know who he was? -Yes. | 0:19:22 | 0:19:26 | |
His name was Charlie Dean. | 0:19:26 | 0:19:28 | |
So Father Charles was having an affair with Delilah. | 0:19:31 | 0:19:35 | |
I wonder why he didn't tell us that. | 0:19:35 | 0:19:37 | |
Sir? If her body was never found, | 0:19:37 | 0:19:40 | |
wouldn't it be natural for Angelique to think that her daughter was maybe murdered? | 0:19:40 | 0:19:44 | |
You mean by Nicholas? | 0:19:44 | 0:19:46 | |
Well, that would explain why she was burning photographs of him. | 0:19:46 | 0:19:49 | |
And what if she could prove it, finally, | 0:19:49 | 0:19:52 | |
and she went to see him today to accuse him of murder? | 0:19:52 | 0:19:54 | |
-Oh, that's why she made the prophecy. -Go on. -It was her insurance policy. | 0:19:54 | 0:19:58 | |
If he killed her next we were to look for a scarred man who might have failed to silence her. | 0:19:58 | 0:20:02 | |
It's Nicholas. He's our killer. | 0:20:02 | 0:20:05 | |
Camille? | 0:20:07 | 0:20:09 | |
See if you can find the file on the disappearance of Delilah Dunham. | 0:20:09 | 0:20:12 | |
Who are you? | 0:20:12 | 0:20:14 | |
That's Tom Hilton, chief, the school caretaker. | 0:20:14 | 0:20:17 | |
-Afternoon. -He's sitting in my chair. | 0:20:17 | 0:20:19 | |
-Out of the chief's chair. -Why is he drinking beer? | 0:20:19 | 0:20:22 | |
-It's hot. -Oh, really? Take him to an interview room. | 0:20:22 | 0:20:26 | |
Thanks. Oh, any news on the autopsy? | 0:20:28 | 0:20:30 | |
It's scheduled for 5pm this afternoon, they'll send a report. | 0:20:30 | 0:20:33 | |
-Background checks on the staff? -Clean except Tom, he's been arrested for almost everything. | 0:20:33 | 0:20:37 | |
-Including murder, by any chance? -No, sir. | 0:20:37 | 0:20:40 | |
Just, erm, theft, drunken behaviour, | 0:20:40 | 0:20:43 | |
receiving stolen goods, driving without a license and goat rustling. | 0:20:43 | 0:20:47 | |
Take his statement. Concentrate on who he saw at the school, | 0:20:47 | 0:20:50 | |
-particularly around the science lab. -Yes, sir. | 0:20:50 | 0:20:53 | |
Er, chief, I asked around the market, | 0:20:55 | 0:20:57 | |
and no-one remembers Mr Dunham being there this morning. | 0:20:57 | 0:21:00 | |
He's a well-known figure. If he was there like he said he was, | 0:21:00 | 0:21:04 | |
someone should have seen him. | 0:21:04 | 0:21:05 | |
So he lied about his movements? | 0:21:05 | 0:21:08 | |
Oh, and look, my mother was right. | 0:21:08 | 0:21:11 | |
Delilah's body was never found. | 0:21:11 | 0:21:15 | |
Print it out, would you? Fidel. | 0:21:15 | 0:21:17 | |
What kind of headmaster was Mr Dunham? | 0:21:17 | 0:21:19 | |
Very strict. When he passed you, | 0:21:19 | 0:21:21 | |
it was "Stand up straight, hands behind your back." | 0:21:21 | 0:21:23 | |
Pompous? A stickler? Always had to have the last word? | 0:21:23 | 0:21:26 | |
-He loved putting people in detention. -He's a killer. | 0:21:26 | 0:21:30 | |
Let's bring him in. | 0:21:30 | 0:21:32 | |
Mr Dunham, would you accompany us to the station? | 0:21:40 | 0:21:44 | |
-We've got a few questions we'd like to ask you. -No, I wouldn't. | 0:21:44 | 0:21:47 | |
Well, we're asking politely, but we can do this the hard way. | 0:21:47 | 0:21:50 | |
Oh, don't be so melodramatic. If you'll excuse me, I have things to do. | 0:21:50 | 0:21:53 | |
In that case I'm arresting you for the murder of Angelique Morel. | 0:21:53 | 0:21:57 | |
-What? -You do not have to say anything but it may harm your defence | 0:21:57 | 0:22:00 | |
if you do not mention something you later rely on in court. | 0:22:00 | 0:22:03 | |
You're making a serious mistake, young lady. | 0:22:03 | 0:22:06 | |
I'm innocent. Now take these things off. | 0:22:06 | 0:22:08 | |
Don't you know who I am? | 0:22:08 | 0:22:10 | |
-What? -I was hoping to make it a bit less official. | 0:22:13 | 0:22:16 | |
-He wasn't co-operating. -I'm glad you're not armed. | 0:22:16 | 0:22:19 | |
You'll regret this, young lady. | 0:22:37 | 0:22:39 | |
I believe I'm allowed a phone call. | 0:22:39 | 0:22:42 | |
OK, well, thank you. | 0:22:48 | 0:22:50 | |
That was the pathologist. | 0:22:51 | 0:22:53 | |
The preliminary report's in and Angelique definitely died of cyanide poisoning. | 0:22:53 | 0:22:58 | |
We've got the right man. | 0:22:58 | 0:23:00 | |
Can you prove to me that Nicholas killed Angelique Morel without using the words scarred, man or voodoo? | 0:23:00 | 0:23:05 | |
OK, what evidence did you recover from the scene? | 0:23:05 | 0:23:09 | |
Cyanide. what are these? | 0:23:09 | 0:23:12 | |
Fidel found them in the bin by the door of the lab. | 0:23:12 | 0:23:15 | |
Shard of glass from the sink in the lab. | 0:23:17 | 0:23:19 | |
If you wanted to kill someone, would you do it in your place of work? | 0:23:19 | 0:23:22 | |
The thought's crossed my mind. | 0:23:22 | 0:23:25 | |
Nicholas may well not have been honest with us, | 0:23:27 | 0:23:29 | |
which is why I was happy to bring him in, | 0:23:29 | 0:23:31 | |
but is he really stupid enough to carry out a murder in his own classroom, | 0:23:31 | 0:23:35 | |
-using poison from a cupboard only he has a key to? -No, he isn't. | 0:23:35 | 0:23:39 | |
I've just got a phone call from Nicholas Dunham | 0:23:42 | 0:23:45 | |
saying that you've just arrested him for murder. | 0:23:45 | 0:23:48 | |
Please tell me that isn't true. | 0:23:48 | 0:23:49 | |
He carries a lot of influence on the island. | 0:23:53 | 0:23:56 | |
I hope any case you have against him is completely watertight. | 0:23:56 | 0:24:01 | |
The investigation's ongoing, sir. | 0:24:01 | 0:24:03 | |
You weren't at the market. We've asked. No-one remembers seeing you. | 0:24:06 | 0:24:10 | |
That's because I wasn't there. | 0:24:14 | 0:24:17 | |
-So you admit you lied? -Yes. | 0:24:17 | 0:24:20 | |
And I'll show the commissioner where I was. | 0:24:20 | 0:24:23 | |
Thank you. If you were here, why did you lie? | 0:24:34 | 0:24:37 | |
What I was doing here was illegal, | 0:24:37 | 0:24:39 | |
and if you want, you can re-arrest me for theft but, er, | 0:24:39 | 0:24:42 | |
my duty is to my community | 0:24:42 | 0:24:45 | |
and I'll help them in whatever way I can. | 0:24:45 | 0:24:47 | |
What on earth were you doing in a nunnery that could count as theft? | 0:24:47 | 0:24:51 | |
It's not a nunnery. | 0:24:51 | 0:24:53 | |
Continue, mes enfants. | 0:24:53 | 0:24:55 | |
It's an orphanage. | 0:24:55 | 0:24:57 | |
The school board paid for some new computers | 0:24:57 | 0:25:00 | |
but the old ones work perfectly well, it's an over-indulgence. | 0:25:00 | 0:25:03 | |
So you brought the new ones here instead? | 0:25:03 | 0:25:06 | |
Yes. Though Tom did most of the donkey work. | 0:25:06 | 0:25:09 | |
What time was Angelique killed, Camille? | 0:25:09 | 0:25:11 | |
Just before 11, sir. | 0:25:11 | 0:25:13 | |
I'm sure the sisters will confirm that, er, I was here at least ten minutes before that. | 0:25:13 | 0:25:19 | |
In time for morning tea. | 0:25:19 | 0:25:20 | |
So to be clear, your alibi for the time of the murder | 0:25:20 | 0:25:23 | |
is that you were doing charity work in an orphanage, surrounded by nuns? | 0:25:23 | 0:25:28 | |
Yes. | 0:25:28 | 0:25:30 | |
That was humiliating. | 0:25:34 | 0:25:36 | |
I'm sorry, sir. Arresting Nicholas was my idea. | 0:25:36 | 0:25:39 | |
He brought it on himself by lying about where he was. | 0:25:39 | 0:25:42 | |
He's a very difficult man, he likes to play games. | 0:25:42 | 0:25:46 | |
I suggest you try not to get on the wrong side of him. | 0:25:46 | 0:25:49 | |
I was the investigating officer for his wife's disappearance many years ago. | 0:25:49 | 0:25:53 | |
And you concluded it was suicide? | 0:25:53 | 0:25:55 | |
We had little choice, the body was never found. | 0:25:55 | 0:25:57 | |
-You knew about the affair with Charles? -Of course. | 0:25:57 | 0:26:00 | |
You didn't suspect foul play? | 0:26:00 | 0:26:02 | |
She vanished into thin air. | 0:26:02 | 0:26:04 | |
I even dug up Nicholas Dunham's patio. | 0:26:04 | 0:26:07 | |
He was building it just after his wife disappeared. | 0:26:07 | 0:26:10 | |
It's all in the file. In the end, the only thing that made sense | 0:26:10 | 0:26:14 | |
was that she'd carried out her threat | 0:26:14 | 0:26:16 | |
and threw herself into the sea. | 0:26:16 | 0:26:18 | |
So what was this headmaster like when you was there? | 0:26:28 | 0:26:31 | |
-Mr Dunham? -Hmm. -He was OK one minute, | 0:26:31 | 0:26:34 | |
but then he could turn, you know. | 0:26:34 | 0:26:36 | |
I remember I got a new pair of football boots. | 0:26:36 | 0:26:39 | |
It was my birthday, 14, I think. | 0:26:39 | 0:26:41 | |
I shined those boots. | 0:26:41 | 0:26:43 | |
Don't think I've ever been so proud of anything in my entire life. | 0:26:43 | 0:26:47 | |
When we had our first school match, | 0:26:48 | 0:26:50 | |
Mr Dunham came into the dressing room | 0:26:50 | 0:26:52 | |
and he saw everyone gathered around admiring my new boots. | 0:26:52 | 0:26:56 | |
Mr Dunham told me that I was being boastful and that was a bad thing. | 0:26:56 | 0:27:00 | |
And so he took my boots away from me. | 0:27:00 | 0:27:02 | |
-No! -Yeah. | 0:27:02 | 0:27:04 | |
It's a shame we won't be locking him up any time soon. | 0:27:04 | 0:27:07 | |
Seems his alibi checked out, and get this, | 0:27:07 | 0:27:11 | |
he was with a bunch of nuns. | 0:27:11 | 0:27:13 | |
-Nuns? -I know. | 0:27:13 | 0:27:15 | |
Don't ask. | 0:27:15 | 0:27:16 | |
You know they say poison is a woman's weapon? | 0:27:20 | 0:27:22 | |
Molly, the school secretary? | 0:27:23 | 0:27:25 | |
Could be. | 0:27:25 | 0:27:27 | |
I thought she was the nicest person you knew. | 0:27:27 | 0:27:31 | |
She... | 0:27:31 | 0:27:33 | |
THEY LAUGH | 0:27:33 | 0:27:35 | |
Why didn't you tell us about your relationship with Delilah Dunham, Father? | 0:27:40 | 0:27:47 | |
Well, it was 15 years ago now. | 0:27:47 | 0:27:49 | |
Delilah was a keen cyclist. | 0:27:49 | 0:27:52 | |
I was a younger member of the staff. | 0:27:52 | 0:27:53 | |
And one day I was at a junction in my car | 0:27:53 | 0:27:56 | |
and she slammed into me and she and she broke her arm in two places. | 0:27:56 | 0:28:00 | |
I visited her in hospital as often as I could | 0:28:00 | 0:28:03 | |
and we started having an affair. | 0:28:03 | 0:28:05 | |
When did her husband find out? | 0:28:05 | 0:28:07 | |
Oh, she couldn't bear the deception. | 0:28:07 | 0:28:09 | |
So one night she told him that she was leaving him. | 0:28:09 | 0:28:12 | |
He was heartbroken, well, of course, he had every right to be. | 0:28:12 | 0:28:15 | |
He begged her to stay. | 0:28:15 | 0:28:17 | |
And I am ashamed to say | 0:28:17 | 0:28:19 | |
that I put so much pressure on her. | 0:28:19 | 0:28:21 | |
I told her she had to leave him. | 0:28:21 | 0:28:23 | |
I gave her no way out. | 0:28:23 | 0:28:26 | |
Before she disappeared, did you know what she'd decided? | 0:28:26 | 0:28:30 | |
No, but she did say at one point that she felt like ending it all. | 0:28:30 | 0:28:34 | |
You believe she committed suicide? | 0:28:34 | 0:28:36 | |
The day after she vanished, I resigned my post and joined the seminary. | 0:28:38 | 0:28:43 | |
Now my life is my penance. | 0:28:46 | 0:28:48 | |
Your, erm... | 0:28:54 | 0:28:57 | |
friendship with Nicholas Dunham. | 0:28:57 | 0:29:00 | |
Isn't that a bit odd? | 0:29:00 | 0:29:02 | |
Well, we made our peace a long time ago. | 0:29:02 | 0:29:06 | |
He was destroyed by losing her, | 0:29:06 | 0:29:08 | |
we both were. | 0:29:08 | 0:29:11 | |
Did Angelique believe that Nicholas killed her daughter? | 0:29:11 | 0:29:14 | |
Yes, yes, she made no secret about it. | 0:29:14 | 0:29:17 | |
But you didn't. | 0:29:17 | 0:29:19 | |
-No. -Can I ask why? | 0:29:19 | 0:29:21 | |
Nicholas is no killer. | 0:29:21 | 0:29:23 | |
Ah, yes, of course. As school Priest, you hear the Headmaster's confession, don't you? | 0:29:25 | 0:29:30 | |
I couldn't possibly say. | 0:29:32 | 0:29:33 | |
Erm, what are you doing? | 0:29:43 | 0:29:46 | |
I'm doing what it looks like. | 0:29:46 | 0:29:48 | |
I'm taking a break! | 0:29:48 | 0:29:50 | |
But we're so close to finishing. | 0:29:50 | 0:29:52 | |
Fidel, you've got to remember. | 0:29:52 | 0:29:55 | |
According to every time and efficiency study there's ever been, | 0:29:55 | 0:29:58 | |
five minute breaks every hour | 0:29:58 | 0:30:00 | |
can improve productivity within the workforce by up to 20 per cent! | 0:30:00 | 0:30:03 | |
Is that true? | 0:30:03 | 0:30:05 | |
I have no idea. Sounds good, though, doesn't it? | 0:30:05 | 0:30:09 | |
-You always do that. -Do what? | 0:30:11 | 0:30:13 | |
That quick answer thing. | 0:30:13 | 0:30:16 | |
I've never been very good at that. | 0:30:16 | 0:30:18 | |
Sometimes the Inspector asks me a question and I just freeze. | 0:30:18 | 0:30:21 | |
It's like my brain refuses to give up any words. | 0:30:21 | 0:30:24 | |
And I know it might only be a second, but for me it feels like an hour. | 0:30:24 | 0:30:28 | |
Just standing there with my mouth open like... | 0:30:28 | 0:30:31 | |
How many times have I told you? | 0:30:31 | 0:30:32 | |
You need to loosen up a bit, man. | 0:30:32 | 0:30:35 | |
-That's what Juliette says. -OK! | 0:30:35 | 0:30:37 | |
So if even your wife is telling you to loosen up, | 0:30:37 | 0:30:40 | |
you're in big trouble man. | 0:30:40 | 0:30:41 | |
Just relax, don't worry about things so much. | 0:30:41 | 0:30:45 | |
Life has a way of making things work out. Just trust in that. | 0:30:45 | 0:30:49 | |
Yeah. | 0:30:52 | 0:30:54 | |
-You're right. -I know. | 0:30:54 | 0:30:56 | |
That's exactly what I'm gonna do. | 0:30:58 | 0:31:00 | |
Good. | 0:31:00 | 0:31:02 | |
-You know something. -Hm? | 0:31:06 | 0:31:09 | |
-I don't think I put the lid back on the powder. -Oh! | 0:31:09 | 0:31:11 | |
DOOR BUZZES | 0:31:13 | 0:31:14 | |
-What a sad story. -I know. | 0:31:16 | 0:31:19 | |
You know, I'm surprised they had to dig up Nicholas's patio, | 0:31:19 | 0:31:22 | |
-it would have fallen apart anyway. -What? | 0:31:22 | 0:31:24 | |
I've got a copy of his building supplies in the original file. | 0:31:24 | 0:31:28 | |
He's got the ratio all wrong, see? | 0:31:28 | 0:31:30 | |
Too much lime and not enough sand and cement. | 0:31:30 | 0:31:32 | |
-You're incredible, you know that? -Thank you. I know. | 0:31:32 | 0:31:36 | |
He may be a Scientist, but he knows next to nothing about grouting. | 0:31:36 | 0:31:41 | |
-Why involve the Commissioner? -What's that got to do with this? | 0:31:42 | 0:31:45 | |
He could've just taken us to the orphanage, | 0:31:45 | 0:31:48 | |
or phoned a solicitor or a lawyer like a normal person, but no... | 0:31:48 | 0:31:50 | |
Nicholas wanted us humiliated. | 0:31:50 | 0:31:53 | |
Why? To make us back off? | 0:31:53 | 0:31:56 | |
But he's got an alibi for the time of the murder, | 0:31:56 | 0:31:59 | |
what's he frightened of? | 0:31:59 | 0:32:00 | |
-What if he really is the murderer? -Oh, great! | 0:32:02 | 0:32:04 | |
So when I think Nicholas is guilty and arrest him, you're not interested | 0:32:04 | 0:32:08 | |
but, the moment he proves he's innocent, | 0:32:08 | 0:32:11 | |
suddenly you're convinced he's guilty? | 0:32:11 | 0:32:13 | |
-Problem? -Yes. | 0:32:13 | 0:32:15 | |
You are the most annoying man I've ever met. | 0:32:15 | 0:32:18 | |
Well, it's a very small island. | 0:32:18 | 0:32:21 | |
SHE SIGHS | 0:32:21 | 0:32:22 | |
Right, I need a hardware store, with a pet section if possible. | 0:32:22 | 0:32:26 | |
-Excuse me? -Our headmaster is not the only one who can play games. | 0:32:26 | 0:32:30 | |
OK, Fidel, I'll pass it on. | 0:32:37 | 0:32:40 | |
What about Tom Hilton's statements? | 0:32:40 | 0:32:42 | |
Ah, OK. | 0:32:44 | 0:32:46 | |
OK, thanks. | 0:32:46 | 0:32:48 | |
You know, of all the things I thought we might need to solve this case, | 0:32:48 | 0:32:51 | |
a fish tank was not one of them. | 0:32:51 | 0:32:53 | |
Who was that? | 0:32:53 | 0:32:54 | |
-Fidel has finished dusting the available evidence for prints. -Hang on, don't tell me. | 0:32:54 | 0:32:59 | |
The cyanide bottle from Nicholas' cupboard was covered in prints, but only his. | 0:32:59 | 0:33:02 | |
The same is true of the rum bottle and one of the shot glasses. | 0:33:02 | 0:33:05 | |
The other had his and Angelique's fingerprints. Step back. | 0:33:05 | 0:33:09 | |
Was there any point in checking? | 0:33:09 | 0:33:11 | |
Of course, but there's no surprise in it pointing towards Nicholas Dunham being the killer. | 0:33:11 | 0:33:15 | |
-What about Tom Hilton? What did he say? -That he heard and saw nothing, | 0:33:15 | 0:33:19 | |
but he reckons he saw Angelique alive in Nicholas's classroom | 0:33:19 | 0:33:22 | |
-after Nicholas left for the orphanage. -How very convenient for Nicholas. | 0:33:22 | 0:33:26 | |
So, did he kill her or not? | 0:33:26 | 0:33:28 | |
I'm hoping this fish tank will tell us. | 0:33:28 | 0:33:30 | |
-Gin and tonic. -Thank you. | 0:33:57 | 0:33:59 | |
It's not for you. | 0:34:11 | 0:34:13 | |
What do you think? | 0:34:56 | 0:34:58 | |
I'm trying to work here, so you can stop looking at me like that. | 0:35:32 | 0:35:36 | |
You look like, | 0:35:36 | 0:35:38 | |
my mother, that is exactly how my mother looks at me. | 0:35:38 | 0:35:41 | |
Yes, I'm taking my vitamins. | 0:35:44 | 0:35:46 | |
Yes, I'm wrapping up warm. | 0:35:46 | 0:35:50 | |
Look, Mum, I'm fine, it's not as if I'm on the other side of the... | 0:35:50 | 0:35:54 | |
Oh, God, I'm on the other side of the world. | 0:35:54 | 0:35:56 | |
Oh, there's my car, yeah, I'm late for work. | 0:35:56 | 0:35:59 | |
What if there's been a murder or... | 0:35:59 | 0:36:02 | |
Yeah, got to go. | 0:36:02 | 0:36:04 | |
Yeah, sure. Yeah, yeah, till next time. | 0:36:04 | 0:36:07 | |
Bye. | 0:36:09 | 0:36:10 | |
PHONE HANGS UP | 0:36:10 | 0:36:12 | |
SHE KNOCKS | 0:36:15 | 0:36:16 | |
I heard voices. | 0:36:19 | 0:36:20 | |
You're early. | 0:36:20 | 0:36:22 | |
-Don't you get hot at night wearing all that? -Yes. | 0:36:25 | 0:36:29 | |
Then you should sleep naked. | 0:36:29 | 0:36:32 | |
I do. | 0:36:32 | 0:36:34 | |
Oh? Shouldn't your lizard be on the inside? | 0:36:38 | 0:36:41 | |
It's not my lizard. | 0:36:41 | 0:36:42 | |
Then whose is it? | 0:36:42 | 0:36:44 | |
And what's this? | 0:36:44 | 0:36:46 | |
Oh. | 0:36:46 | 0:36:47 | |
It's a cyanoacrylate fumigation tank. | 0:36:47 | 0:36:50 | |
Oh, funny, cause it looks like a light bulb in a fish tank to me. | 0:36:50 | 0:36:53 | |
Well, that's where you're wrong - cos it's a light bulb in a fish tank, with superglue. | 0:36:53 | 0:36:57 | |
Or cyanoacrylate to give it it's proper name. | 0:36:57 | 0:37:01 | |
Still looks like a light-bulb in a fish tank. | 0:37:01 | 0:37:05 | |
The light-bulb heats the foil | 0:37:05 | 0:37:07 | |
which heats the superglue which evaporates. | 0:37:07 | 0:37:09 | |
And here's the clever bit once it becomes a gas, | 0:37:09 | 0:37:12 | |
the fumes will only stick to the fatty acids, amino acids | 0:37:12 | 0:37:15 | |
and proteins that you find in fingerprints. | 0:37:15 | 0:37:18 | |
Seriously? | 0:37:18 | 0:37:20 | |
Allowing you to reveal fingerprints on difficult surfaces, | 0:37:20 | 0:37:23 | |
such as the inside of latex gloves. | 0:37:23 | 0:37:26 | |
Fidel! | 0:37:39 | 0:37:41 | |
There are prints on the fingertips of these gloves. | 0:37:41 | 0:37:46 | |
See if you can find a match, will you? | 0:37:46 | 0:37:48 | |
Yes, sir. | 0:37:48 | 0:37:50 | |
OK, so our headmaster has an alibi | 0:38:02 | 0:38:05 | |
that includes orphans and nuns. | 0:38:05 | 0:38:09 | |
We have a heartbroken priest, | 0:38:09 | 0:38:13 | |
a caretaker with criminal tendencies | 0:38:13 | 0:38:16 | |
and a school secretary whose loyalty knows no bounds. | 0:38:16 | 0:38:18 | |
Yes, and don't forget the voodoo proph... | 0:38:18 | 0:38:21 | |
And then there's Delilah... | 0:38:24 | 0:38:27 | |
HE SIGHS | 0:38:27 | 0:38:28 | |
..the daughter, wife and lover who vanished into thin air. | 0:38:28 | 0:38:31 | |
But everything always leads back to our headmaster. | 0:38:31 | 0:38:35 | |
Do we arrest him again? | 0:38:35 | 0:38:36 | |
His call to the Commissioner was to intimidate us, get us to back off. | 0:38:36 | 0:38:41 | |
So...? | 0:38:42 | 0:38:44 | |
So, let's show him it hasn't worked. | 0:38:47 | 0:38:50 | |
Ah, yes, the patio. | 0:39:12 | 0:39:15 | |
Hello?! | 0:39:17 | 0:39:18 | |
What are you doing here?! | 0:39:23 | 0:39:25 | |
-We have some more questions. -You dare to come here after yesterday? | 0:39:25 | 0:39:30 | |
I'm intrigued you never mentioned your wife's disappearance. | 0:39:30 | 0:39:33 | |
It was 15 years ago, it's irrelevant. | 0:39:33 | 0:39:35 | |
Surely we should be the judge of that. | 0:39:35 | 0:39:38 | |
We spoke to Father Charles yesterday, he told us what happened. | 0:39:38 | 0:39:42 | |
Oh, but you already knew that, didn't you? | 0:39:42 | 0:39:44 | |
It's very hot isn't it. Er, Perhaps Miss Kerr could bring us refreshments. | 0:39:46 | 0:39:51 | |
Lemonade would be fine. | 0:39:51 | 0:39:52 | |
Er, Molly and I... | 0:39:56 | 0:39:58 | |
No need to explain, really. | 0:39:58 | 0:40:01 | |
You have a beautiful view here. | 0:40:02 | 0:40:05 | |
-Yes, I have. -Did you build that patio yourself? -No. | 0:40:05 | 0:40:08 | |
-Oh, but it says in your file... -No, the patio I built when my wife disappeared was, | 0:40:08 | 0:40:12 | |
as you know, dug up by the police shortly afterwards, and they found nothing. | 0:40:12 | 0:40:16 | |
When you were ordering your building supplies... | 0:40:16 | 0:40:19 | |
Don't play games with me, Inspector. | 0:40:19 | 0:40:21 | |
I think you'll find I'm slightly better at them than you are. | 0:40:21 | 0:40:24 | |
-Lemonade. -Thank you, Miss Kerr. -Thank you. | 0:40:24 | 0:40:28 | |
Why did Angelique come and see you yesterday? | 0:40:30 | 0:40:33 | |
-I told you, to borrow some books. -We didn't find any reference books out in the classroom. | 0:40:33 | 0:40:37 | |
Then she must have put them away. | 0:40:37 | 0:40:39 | |
Or any evidence to suggest you're telling the truth. | 0:40:39 | 0:40:42 | |
-I beg your pardon? -Angelique believed you murdered her daughter. | 0:40:42 | 0:40:45 | |
Yes, the ramblings of a mad old woman, no-one took her seriously. | 0:40:45 | 0:40:49 | |
-You believe your wife committed suicide. -Obvious to anyone with half a brain. | 0:40:49 | 0:40:54 | |
We've been to Angelique Morel's house now. | 0:40:54 | 0:40:58 | |
We know exactly what she thought of you. | 0:40:58 | 0:41:00 | |
Yes, her popping by to borrow a book and share a glass of rum just doesn't ring true. | 0:41:00 | 0:41:04 | |
So we're going to be asking you the same questions, | 0:41:04 | 0:41:07 | |
over and over again... | 0:41:07 | 0:41:09 | |
..until you tell us the truth. | 0:41:10 | 0:41:12 | |
Very well. | 0:41:18 | 0:41:19 | |
She visited me yesterday to accuse me of murder. | 0:41:19 | 0:41:22 | |
Of killing my wife. | 0:41:22 | 0:41:24 | |
The spirits have spoken, murderer! Murderer! Confess! | 0:41:26 | 0:41:30 | |
'She said, I had to confess.' | 0:41:30 | 0:41:33 | |
Or I'd have a voodoo curse put on me that I'd never be able to break. | 0:41:33 | 0:41:37 | |
-Confess! -Vielle. | 0:41:39 | 0:41:41 | |
You lost your temper with her? | 0:41:44 | 0:41:45 | |
I'm a headmaster, it was in my school, I think that should afford me some respect, don't you? | 0:41:45 | 0:41:50 | |
Surely she's accused you before. What was different about this time? | 0:41:50 | 0:41:54 | |
-I have no idea. -Then what about evidence? | 0:41:54 | 0:41:56 | |
Did she have any proof to back up her claims? | 0:41:56 | 0:41:58 | |
Of course she didn't! | 0:41:58 | 0:42:01 | |
My Nicholas couldn't hurt anyone. He's not a killer. | 0:42:01 | 0:42:04 | |
What are we missing? | 0:42:06 | 0:42:08 | |
-He doesn't look very happy. -The case isn't going very well. | 0:42:08 | 0:42:11 | |
I'm not invisible. I can hear you. Actually, maybe that's the problem. I'm invisible. | 0:42:11 | 0:42:15 | |
Why can't we find a motive? It shouldn't be hard. An old woman is killed, who benefits? | 0:42:15 | 0:42:20 | |
There's got to be, there's something we're not getting, | 0:42:20 | 0:42:22 | |
there's some key which if we could only identify it would unlock the whole case, I'm sure of it. | 0:42:22 | 0:42:27 | |
You know what my father used to say? | 0:42:27 | 0:42:30 | |
Oh, please let it not be homespun in any way. | 0:42:30 | 0:42:32 | |
If you can't find the right answer, | 0:42:32 | 0:42:34 | |
you've probably been asking the wrong question. | 0:42:34 | 0:42:37 | |
It's as if all the wonders of the universe were suddenly revealed. | 0:42:37 | 0:42:41 | |
Is he really not eating? | 0:42:42 | 0:42:45 | |
I haven't seen him eat since he got here. | 0:42:45 | 0:42:47 | |
Of course I eat, it's just there's a lot of Caribbean food in the Caribbean. | 0:42:47 | 0:42:51 | |
You can't solve crime on an empty stomach. | 0:42:51 | 0:42:53 | |
Fine then I'll... | 0:42:53 | 0:42:56 | |
HE CHOKES AND SPLUTTERS | 0:42:56 | 0:42:59 | |
HE COUGHS | 0:42:59 | 0:43:02 | |
-What the hell was that?! -Rum, lime and ice, but mostly rum. | 0:43:02 | 0:43:06 | |
Lime?! I hate lime! | 0:43:06 | 0:43:08 | |
Oh, oh! | 0:43:11 | 0:43:13 | |
Nobody move! | 0:43:13 | 0:43:14 | |
No, it can't be. | 0:43:16 | 0:43:19 | |
Of course. | 0:43:24 | 0:43:25 | |
Sir! I have... | 0:43:32 | 0:43:33 | |
..I have the results of the latex gloves I found in the bin. | 0:43:35 | 0:43:39 | |
-I know who was wearing them. -I haven't told you. | 0:43:39 | 0:43:41 | |
-I know. You don't need to. -Oh, you know who the murderer is? | 0:43:41 | 0:43:44 | |
Gather everyone in Nicholas's classroom. | 0:43:44 | 0:43:46 | |
Oh, and the Commissioner, he's going to want to see this. Good work, team. | 0:43:46 | 0:43:51 | |
Thanks, Catherine, your father was right. | 0:43:51 | 0:43:53 | |
A rum cocktail was the answer. | 0:43:53 | 0:43:55 | |
I'd just been asking the wrong question. | 0:43:55 | 0:43:59 | |
This case has been impossible from the start. | 0:44:06 | 0:44:08 | |
A voodoo prediction that couldn't be true, evidence that pointed at only one man | 0:44:08 | 0:44:13 | |
and all this time this nagging sense that I was missing something. | 0:44:13 | 0:44:16 | |
Tom. My team have never believed you were a credible murder suspect and they were right. | 0:44:16 | 0:44:21 | |
You may have stolen a few computers, for charity, | 0:44:21 | 0:44:23 | |
-but you didn't kill Angelique, did you? -No! | 0:44:23 | 0:44:27 | |
Any more than you, Father Charles. You discovered the body, but you're not a murderer, either. | 0:44:27 | 0:44:31 | |
But you did give us one crucial piece of information. | 0:44:31 | 0:44:34 | |
It's no secret to say her health was deteriorating. | 0:44:34 | 0:44:38 | |
You talked about Angelique as though she were already dying, | 0:44:38 | 0:44:41 | |
plenty of evidence of which could be found at her house. | 0:44:41 | 0:44:44 | |
'These are pretty hard core.' Isn't that right, father? | 0:44:44 | 0:44:48 | |
-I can't break the seal of the confessional. -She came to confession? | 0:44:48 | 0:44:51 | |
She's dead, father. You'll be helping catch her killer. | 0:44:51 | 0:44:55 | |
She had severe heart disease. | 0:44:55 | 0:44:57 | |
The way she put it, she said she was dying of a broken heart. | 0:44:57 | 0:45:00 | |
So when I found the body, I just thought she'd had a coronary. | 0:45:00 | 0:45:04 | |
But when you told me, that she was murdered? | 0:45:04 | 0:45:06 | |
This was no coronary. | 0:45:06 | 0:45:08 | |
The pathologist's report is clear. | 0:45:08 | 0:45:10 | |
Angelique died from a fatal dose of cyanide. | 0:45:10 | 0:45:15 | |
Which leaves us only two suspects. | 0:45:15 | 0:45:18 | |
Let's take a moment to consider Angelique's voodoo prophecy. | 0:45:18 | 0:45:21 | |
Oh, you don't believe that claptrap, do you? | 0:45:21 | 0:45:23 | |
Her warning pointed the finger of suspicion at you, Nicholas, the scarred man. | 0:45:23 | 0:45:27 | |
It's obvious when you think, this is your classroom, | 0:45:27 | 0:45:30 | |
your poisons, only you could have killed her. | 0:45:30 | 0:45:32 | |
But you know where I was! | 0:45:32 | 0:45:34 | |
The dream alibi, orphans and nuns no less. | 0:45:34 | 0:45:38 | |
You could have killed her before you left, then begged Tom to lie about seeing her alone. | 0:45:38 | 0:45:42 | |
Cos that's what you do, Headmaster. You demand the loyalty and the respect of others. | 0:45:42 | 0:45:46 | |
-Just a minute! -Then it struck me. | 0:45:46 | 0:45:48 | |
Everything about Angelique's death was constructed to frame you for her murder. | 0:45:48 | 0:45:52 | |
You've been set up, Mr Dunham, from the start. | 0:45:52 | 0:45:54 | |
You didn't kill Angelique Morel. | 0:45:54 | 0:45:56 | |
And seeing as we know that Tom didn't kill her | 0:45:56 | 0:45:59 | |
and Father Charles didn't kill her and now you didn't kill her | 0:45:59 | 0:46:03 | |
that leaves only you, Miss Kerr. | 0:46:03 | 0:46:05 | |
The perfect secretary. | 0:46:05 | 0:46:06 | |
The person who's always there to pick up the pieces. | 0:46:06 | 0:46:09 | |
I'm sure you could have acquired the key to the poison cupboard at any time | 0:46:09 | 0:46:13 | |
-and you knew where he kept his stash of rum. -Why would I kill Angelique? | 0:46:13 | 0:46:16 | |
And there we have it again - why? | 0:46:16 | 0:46:19 | |
-Don't worry, Miss Kerr, you didn't kill Angelique any more than the other three did. -Then who? | 0:46:19 | 0:46:24 | |
The voodoo prophecy was the key after all. | 0:46:24 | 0:46:27 | |
There is only one way that Angelique could have known | 0:46:27 | 0:46:30 | |
she'd be murdered within 24 hours of her prophecy | 0:46:30 | 0:46:32 | |
and that all the evidence would point at Mr Dunham. | 0:46:32 | 0:46:36 | |
It's clever, isn't it? | 0:46:39 | 0:46:41 | |
Who killed her? | 0:46:41 | 0:46:44 | |
Camille? | 0:46:44 | 0:46:45 | |
-It was Angelique. -What? | 0:46:48 | 0:46:50 | |
She killed herself, to frame Nicholas for her murder from beyond the grave. | 0:46:50 | 0:46:54 | |
It's like Father Charles said, Angelique knew she was dying. | 0:46:54 | 0:46:59 | |
At least this way her death would have some meaning. | 0:46:59 | 0:47:02 | |
'She knew Dwayne was a police officer. | 0:47:02 | 0:47:05 | |
'And she knew that when she made her prediction, | 0:47:05 | 0:47:08 | |
'she was telling the Police who to suspect.' | 0:47:08 | 0:47:11 | |
Yes, but luckily I didn't fall for it. | 0:47:11 | 0:47:14 | |
But seeing as she couldn't get into the poisons cupboard, | 0:47:17 | 0:47:20 | |
how did she get hold of the cyanide that killed her? | 0:47:20 | 0:47:22 | |
You were right, Headmaster, about there being no poisons missing from the cupboard. | 0:47:22 | 0:47:26 | |
You see she brought her own. | 0:47:26 | 0:47:28 | |
Angelique studied herbal remedies, there wasn't a plant on the island | 0:47:30 | 0:47:34 | |
she didn't know and understand the properties of, including one specific variety found at her house. | 0:47:34 | 0:47:41 | |
Cassava. | 0:47:47 | 0:47:48 | |
-Which if you boil and drain off the liquid... -Gives you cyanide. | 0:47:48 | 0:47:51 | |
Her plan was simple. She laced her own rum with cyanide | 0:47:55 | 0:47:59 | |
then replaced the bottle in the drawer knowing that Nicholas' prints would be on everything. | 0:47:59 | 0:48:03 | |
That's why we found a shard of glass in the sink | 0:48:03 | 0:48:06 | |
cos that's how she disposed of the vial. | 0:48:06 | 0:48:08 | |
Can you prove any of this? | 0:48:10 | 0:48:12 | |
Fidel found some latex gloves in the waste bin there | 0:48:12 | 0:48:14 | |
-with only Angelique's fingerprints inside them. Is that right? -Yes. | 0:48:14 | 0:48:18 | |
So, with the scene set to look like murder, all she had to do now was provide a corpse. | 0:48:21 | 0:48:25 | |
Her own. | 0:48:27 | 0:48:28 | |
Then, Angelique wasn't murdered? | 0:49:01 | 0:49:03 | |
No. Her death was tragic, | 0:49:03 | 0:49:05 | |
criminal intent, but it was suicide, that's all. | 0:49:05 | 0:49:08 | |
-Poor woman. -So that's it, that's what you're saying? | 0:49:08 | 0:49:12 | |
-We're free to go? -Absolutely, you're free to go. Thank you for your co-operation. | 0:49:12 | 0:49:16 | |
No, thank you, Detective Inspector - thank you for your discretion. | 0:49:16 | 0:49:19 | |
Apart from you, Headmaster. I'm arresting you for murder. | 0:49:19 | 0:49:22 | |
But you just said that she committed suicide! | 0:49:22 | 0:49:25 | |
Not of Angelique, of your wife, Delilah. | 0:49:25 | 0:49:27 | |
-You can't... -She believed you'd murdered her daughter. | 0:49:27 | 0:49:29 | |
-She was mad! -Driven mad, she knew you killed her daughter but couldn't prove it. | 0:49:29 | 0:49:33 | |
But I'm innocent! Take these damn things off! | 0:49:33 | 0:49:36 | |
Leave him alone, he went through this - | 0:49:36 | 0:49:37 | |
you'll never prove anybody killed that stupid woman! | 0:49:37 | 0:49:40 | |
Ah! But that's just the thing, I can. | 0:49:40 | 0:49:42 | |
You see anybody can commit murder, | 0:49:42 | 0:49:44 | |
murder's the easy part. | 0:49:44 | 0:49:46 | |
But how to dispose of the body? | 0:49:46 | 0:49:49 | |
That's where most murderers fail - how they get caught. | 0:49:49 | 0:49:51 | |
You see the breakthrough came when I was drinking a local cocktail. | 0:49:51 | 0:49:54 | |
Just rum, lime and ice, but it tasted like paint-stripper. | 0:49:54 | 0:49:58 | |
Maybe the recipe was wrong but, er, how can it be? | 0:49:58 | 0:50:01 | |
The ingredients are so simple. | 0:50:01 | 0:50:02 | |
Just as they were for that patio you built all those years ago. | 0:50:02 | 0:50:05 | |
You see sand and cement, | 0:50:05 | 0:50:07 | |
they were fine, but there was something you'd ordered much too much of, wasn't there? Lime. | 0:50:07 | 0:50:11 | |
So what did you do with all those kilograms of lime you had spare? | 0:50:11 | 0:50:15 | |
Because it's a powdered alkaline metal, isn't it? | 0:50:15 | 0:50:18 | |
If you add water to it you get calcium-hydroxide... | 0:50:18 | 0:50:20 | |
better known as slaked lime or quicklime. | 0:50:20 | 0:50:23 | |
And quicklime is capable of dissolving the flesh | 0:50:23 | 0:50:26 | |
off human bones in a matter of days. | 0:50:26 | 0:50:29 | |
I return to my original question - | 0:50:29 | 0:50:31 | |
how do you dispose of a human body? | 0:50:31 | 0:50:33 | |
Well, if you're a Science teacher. A headmaster who demands loyalty, demands respect. | 0:50:33 | 0:50:38 | |
Someone who likes humiliating police officers in front of their superiors? | 0:50:38 | 0:50:42 | |
Then maybe you don't dispose of it... | 0:50:42 | 0:50:46 | |
maybe you display it. | 0:50:46 | 0:50:48 | |
Pride of place... | 0:50:48 | 0:50:50 | |
in your classroom. | 0:50:50 | 0:50:52 | |
You've been teaching in this room gloating over her, for the last 15 years. | 0:50:54 | 0:50:58 | |
-But I didn't kill her! -Lies! | 0:50:58 | 0:51:00 | |
Molly, Molly, believe me. | 0:51:00 | 0:51:02 | |
I'm going to make a prophecy now, | 0:51:02 | 0:51:04 | |
like poor, sweet, deluded Angelique. | 0:51:04 | 0:51:07 | |
But mine will come true, because it's not based on faith, | 0:51:07 | 0:51:10 | |
it's based on your subject, Science. | 0:51:10 | 0:51:13 | |
Look Father, I'm sorry to do this to you, but all those years ago, when Delilah had her bicycle accident, | 0:51:13 | 0:51:19 | |
she broke her arm in two places. | 0:51:19 | 0:51:20 | |
Do you remember which bones? | 0:51:20 | 0:51:23 | |
It was the humerus and the radius. | 0:51:23 | 0:51:27 | |
Angelique hoped that her death would put her daughter's killer behind bars | 0:51:35 | 0:51:39 | |
and here's my prediction, it will. | 0:51:39 | 0:51:42 | |
Because we'll be able to use Angelique's DNA to prove that these | 0:51:42 | 0:51:45 | |
are the mortal remains of her daughter, Delilah. | 0:51:45 | 0:51:48 | |
I told you she'd never leave me for you. | 0:51:48 | 0:51:51 | |
All right, that's enough! | 0:51:52 | 0:51:54 | |
Fidel, perhaps you'd like to take Mr Dunham into detention? | 0:51:54 | 0:51:58 | |
Yes, sir. | 0:51:58 | 0:52:00 | |
Well, the prophecy was right in one respect. | 0:52:09 | 0:52:12 | |
The truth was in the bones after all. | 0:52:12 | 0:52:14 | |
-So seeing as you're now into prophecies, how about I make one I know will come true? -Go on. | 0:52:21 | 0:52:26 | |
If I ask you out for a drink with me and the team tonight, you'll refuse to come. | 0:52:26 | 0:52:30 | |
Well, you're wrong. I'd love to do that. | 0:52:30 | 0:52:33 | |
Unfortunately I've got an errand to run. | 0:52:33 | 0:52:36 | |
You know, er, sorry, a dinner to prepare. | 0:52:36 | 0:52:38 | |
So maybe we could all do something together, some other time? | 0:52:38 | 0:52:42 | |
DWAYNE: Hey, what's up? | 0:52:53 | 0:52:55 | |
Poor Angelique. | 0:52:56 | 0:52:59 | |
That she'd do that? | 0:52:59 | 0:53:01 | |
She got her man in the end, though. | 0:53:01 | 0:53:03 | |
Yeah, I suppose we should be grateful | 0:53:03 | 0:53:05 | |
we got to the bottom of her prophecy. | 0:53:05 | 0:53:08 | |
It wasn't true. | 0:53:08 | 0:53:09 | |
She couldn't have known the truth was in the bones. So where did that bit come from? | 0:53:09 | 0:53:13 | |
It's just a phrase. | 0:53:13 | 0:53:15 | |
What's that? | 0:53:15 | 0:53:17 | |
Go on, go ahead, open it. | 0:53:18 | 0:53:22 | |
Go on... | 0:53:22 | 0:53:23 | |
When you have your baby, he's going to need a pair of football boots. | 0:53:32 | 0:53:36 | |
Thank you, Dwayne. | 0:53:36 | 0:53:38 | |
Or little girl, | 0:53:38 | 0:53:40 | |
whatever you're going to have, the point being, | 0:53:40 | 0:53:43 | |
whenever they need some boots, they've got some | 0:53:43 | 0:53:46 | |
and they're brand new. | 0:53:46 | 0:53:48 | |
Then how about, this one? | 0:53:59 | 0:54:03 | |
Oh, come on, this one claims to be "as good as it looks", | 0:54:07 | 0:54:10 | |
which is a startling slogan, considering how it looks. | 0:54:10 | 0:54:14 | |
If eight out of ten cats have a preference, can't one lizard? | 0:54:16 | 0:54:20 | |
< Ah? | 0:54:21 | 0:54:22 | |
So that's what you meant when you said you had dinner to prepare. | 0:54:26 | 0:54:30 | |
You know I said I never know what you're thinking? | 0:54:30 | 0:54:32 | |
-Yeah? -I know what you're thinking. | 0:54:32 | 0:54:34 | |
You haven't the first idea. | 0:54:34 | 0:54:38 | |
Can I help you, Detective Sergeant? | 0:54:38 | 0:54:40 | |
Yes, my mother's cooking you dinner tonight | 0:54:40 | 0:54:43 | |
to celebrate catching Delilah's killer | 0:54:43 | 0:54:45 | |
for which there's a lot of people on this island who are grateful. | 0:54:45 | 0:54:49 | |
So, she says you can't refuse as she's preparing you an English feast of roast beef... | 0:54:49 | 0:54:55 | |
Oh, hang on, I wrote it down. | 0:54:57 | 0:55:00 | |
Erm, "York-shire pudding, | 0:55:00 | 0:55:02 | |
"roast potatoes and, er, horse-radish sauce." | 0:55:02 | 0:55:06 | |
You had me at roast beef. | 0:55:07 | 0:55:09 | |
INDISTINCT CHATTER | 0:55:31 | 0:55:34 | |
LAUGHTER AND CHEERING | 0:55:34 | 0:55:38 | |
So lucky! That's amazing, look! | 0:55:40 | 0:55:44 | |
Father... | 0:55:44 | 0:55:45 | |
For everything thy goodness sends, | 0:55:51 | 0:55:54 | |
Father in Heaven, we thank thee. Amen. | 0:55:54 | 0:55:59 | |
And to Papa Legba and Angelique. | 0:56:01 | 0:56:05 | |
And Delilah. | 0:56:05 | 0:56:07 | |
Now come on, this food won't eat itself! | 0:56:09 | 0:56:13 | |
Is this, is this what I think it is? | 0:56:13 | 0:56:15 | |
Oh, look at that! | 0:56:17 | 0:56:18 | |
Well, this is the, er, the vital ingredient... | 0:56:20 | 0:56:22 | |
CHATTER | 0:56:25 | 0:56:29 | |
It's good? Yes. | 0:56:29 | 0:56:32 | |
The seal of approval! | 0:56:32 | 0:56:33 | |
-Right, cheers everybody. -Cheers. -Cheers. | 0:56:33 | 0:56:39 | |
Subtitles by Red Bee Media Ltd | 0:56:50 | 0:56:54 |