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You haven't got the guts. | 0:00:01 | 0:00:03 | |
Little mousy Megan! | 0:00:03 | 0:00:05 | |
If only people knew. | 0:00:05 | 0:00:08 | |
That gun's not even... | 0:00:08 | 0:00:09 | |
PEOPLE CHAT, MUSIC PLAYS | 0:00:18 | 0:00:20 | |
CHURCH BELL CHIMES | 0:01:00 | 0:01:02 | |
-Found it in the wardrobe at home. -Mm-hm. | 0:01:08 | 0:01:11 | |
-Must've been DI Hulme's. -Mm. | 0:01:11 | 0:01:13 | |
Why don't you do all the red bits first? | 0:01:13 | 0:01:16 | |
Do you know how wrong that statement is? | 0:01:16 | 0:01:18 | |
Start at the corners, then the edges, then the middle. | 0:01:18 | 0:01:22 | |
-Just like a case. -How's your prisoner? | 0:01:22 | 0:01:24 | |
-What prisoner? -The drunk and disorderly from last night, minor assault. | 0:01:24 | 0:01:27 | |
-He's still not happy. -Why? Didn't he like your cooking? | 0:01:27 | 0:01:30 | |
Says he wants to go home. And his wife's been calling every ten minutes. | 0:01:30 | 0:01:34 | |
Then tell her to keep a tighter rein on him. | 0:01:34 | 0:01:37 | |
-Can someone help me? -What is it? | 0:01:39 | 0:01:41 | |
It's my husband. He's dead. | 0:01:44 | 0:01:46 | |
I shot him. | 0:01:48 | 0:01:50 | |
It's OK, OK. You don't have to come. Look, here... | 0:02:33 | 0:02:36 | |
(Get her a drink of water.) | 0:02:40 | 0:02:41 | |
Is it bad? | 0:02:51 | 0:02:53 | |
Yeah. | 0:02:53 | 0:02:54 | |
There's no-one here. | 0:02:54 | 0:02:57 | |
A woman confesses to murder and there's no body, no blood. | 0:03:33 | 0:03:37 | |
More than that, the entire site looks like it's been cleansed. | 0:03:37 | 0:03:39 | |
The tide could have cleaned the blood from the sand. Maybe it took the body too. | 0:03:39 | 0:03:44 | |
Call the coastguard. I want a sweep of this entire coastline. | 0:03:44 | 0:03:47 | |
In this heat, he'll bloat and float pretty quickly. | 0:03:47 | 0:03:49 | |
I know it's tough, Megan, but I need you to tell me exactly what happened. | 0:03:53 | 0:03:56 | |
Lucas just stormed off. | 0:03:56 | 0:03:59 | |
I tried to stop him, but when I caught up, he went for me. | 0:03:59 | 0:04:04 | |
I grabbed something to protect myself. I think it was a rock. | 0:04:04 | 0:04:06 | |
When he fell, I saw a gun in the sand. | 0:04:08 | 0:04:10 | |
I think that's what he must have hit me with. | 0:04:10 | 0:04:13 | |
You haven't got the guts! | 0:04:13 | 0:04:15 | |
Ha, look at you - little mousy Megan. | 0:04:15 | 0:04:18 | |
If people only knew... | 0:04:18 | 0:04:20 | |
That gun's not even... | 0:04:20 | 0:04:22 | |
So what did you do with the gun? | 0:04:23 | 0:04:25 | |
I dropped it - on the sand, beside him. | 0:04:25 | 0:04:28 | |
Was it unusual for him to be violent towards you in that way? | 0:04:30 | 0:04:34 | |
Er, here, sorry... | 0:04:37 | 0:04:39 | |
Thank you. | 0:04:40 | 0:04:42 | |
-Where did the gun come from? -I don't know. | 0:04:45 | 0:04:47 | |
-You've never seen him with a gun before? -No. | 0:04:47 | 0:04:49 | |
What's going to happen to me? | 0:04:50 | 0:04:52 | |
-Well, I... -I'm so frightened. | 0:04:53 | 0:04:56 | |
If you shot someone, why didn't you report it right away? | 0:05:00 | 0:05:02 | |
I don't know, I was scared. Er, I just walked. | 0:05:02 | 0:05:05 | |
She was probably in shock. | 0:05:05 | 0:05:06 | |
-Where are you staying? -With friends. They have a house here. | 0:05:08 | 0:05:11 | |
We came over to celebrate their anniversary. | 0:05:11 | 0:05:15 | |
It happened as I told you. I swear. | 0:05:18 | 0:05:20 | |
Come on, come on. | 0:05:23 | 0:05:24 | |
'OK, Mr Knight...' | 0:05:28 | 0:05:29 | |
you're being released without charge, | 0:05:29 | 0:05:31 | |
but now that you've been cautioned, should you commit any similar offence whilst on the island, | 0:05:31 | 0:05:35 | |
it will be taken into account, OK? | 0:05:35 | 0:05:37 | |
I didn't commit any bloody offence. | 0:05:37 | 0:05:40 | |
You know, we can always put you back in the cell. | 0:05:40 | 0:05:43 | |
How do I get out of here? | 0:05:44 | 0:05:45 | |
This way. | 0:05:49 | 0:05:50 | |
She doesn't look like a killer. | 0:05:54 | 0:05:57 | |
Too pretty? | 0:05:57 | 0:05:58 | |
No, she just seems so... | 0:05:58 | 0:05:59 | |
-..innocent. -Apart from just confessing to murdering her husband? | 0:06:01 | 0:06:05 | |
You know what I think? | 0:06:05 | 0:06:07 | |
Someone spiked her drink, she had a bad dream. | 0:06:07 | 0:06:10 | |
Woke up and thinks it's real. | 0:06:10 | 0:06:11 | |
And her injuries? | 0:06:11 | 0:06:13 | |
OK, so she had too many cocktails, fell over, cracked her head | 0:06:13 | 0:06:17 | |
-and went a bit mental. -Super. | 0:06:17 | 0:06:19 | |
I look forward to bringing the Commissioner up to speed. | 0:06:19 | 0:06:22 | |
"Hmm, we had a woman confess to murdering her husband | 0:06:22 | 0:06:24 | |
"and after an exhaustive investigation, | 0:06:24 | 0:06:26 | |
"we are of the considered opinion that she 'went a bit mental." | 0:06:26 | 0:06:30 | |
-Drugs? -Thank you, Dwayne. Go and take care of Mrs Talbot. | 0:06:30 | 0:06:34 | |
You're being very...considerate. | 0:06:35 | 0:06:37 | |
Bearing in mind she's just committed a murder. | 0:06:37 | 0:06:40 | |
Ah! Well, we haven't established THAT. | 0:06:40 | 0:06:43 | |
I mean, it's hard to confirm a murder's even taken place, without a body. | 0:06:43 | 0:06:46 | |
Wow, you like her, don't you? | 0:06:46 | 0:06:49 | |
Pile of nonsense. | 0:06:49 | 0:06:50 | |
Oh? English, softly spoken... I bet she's just your type. | 0:06:50 | 0:06:55 | |
Not strictly true. | 0:06:55 | 0:06:57 | |
You were holding hands! | 0:06:57 | 0:06:59 | |
-I?! -Yeah, you! | 0:06:59 | 0:07:01 | |
She... | 0:07:01 | 0:07:03 | |
WE weren't holding hands, she was holding MY hand. | 0:07:03 | 0:07:05 | |
Mm-hm. | 0:07:05 | 0:07:07 | |
You'd like her to be innocent | 0:07:07 | 0:07:08 | |
so you can run barefoot across the sand and make wild love in the surf. | 0:07:08 | 0:07:12 | |
Not only is that inaccurate, Camille, it's also childish, | 0:07:12 | 0:07:15 | |
fanciful and unhygienic. | 0:07:15 | 0:07:17 | |
We'll need to do a full written statement under caution. | 0:07:24 | 0:07:26 | |
Of course, whatever you say. | 0:07:26 | 0:07:28 | |
Don't worry, we'll explain everything fully as we go along. Camille? | 0:07:28 | 0:07:32 | |
Would you take Mrs Talbot through, please? | 0:07:34 | 0:07:37 | |
Yes, sir. | 0:07:37 | 0:07:38 | |
So - what happened? | 0:07:38 | 0:07:40 | |
Crazy woman. | 0:07:40 | 0:07:41 | |
Went all the way there, nothing. | 0:07:41 | 0:07:42 | |
-No body? -No nothing. | 0:07:42 | 0:07:44 | |
I need you to go back to the beach. | 0:07:44 | 0:07:47 | |
-What for? -If there WAS a gun, | 0:07:47 | 0:07:48 | |
the tide wouldn't be able to carry it out, would it? | 0:07:48 | 0:07:50 | |
I mean a body, maybe - it would float - but a gun's too heavy. | 0:07:50 | 0:07:53 | |
If the tide dragged it, it'd just get stuck in the sand, correct? | 0:07:53 | 0:07:56 | |
I guess so. | 0:07:56 | 0:07:58 | |
Yeah, take a metal detector, concentrate on the area where Mrs Talbot said the body was. | 0:07:58 | 0:08:02 | |
Yes, sir. | 0:08:02 | 0:08:03 | |
What happens now? | 0:08:07 | 0:08:09 | |
Well, I've given it some thought and without a body, | 0:08:09 | 0:08:12 | |
it's difficult to simply take this statement at face value. | 0:08:12 | 0:08:15 | |
So, I think it'll be fine for you to go back to your villa | 0:08:15 | 0:08:18 | |
and we'll carry on with our investigation. | 0:08:18 | 0:08:20 | |
Oh, but you must surrender your passport. | 0:08:20 | 0:08:22 | |
It's just a formality. | 0:08:22 | 0:08:25 | |
I understand. | 0:08:25 | 0:08:26 | |
Er, thank you. | 0:08:28 | 0:08:31 | |
Yes, thank you. | 0:08:31 | 0:08:32 | |
Er... Right, let's get you home. | 0:08:32 | 0:08:36 | |
Megan, where on earth have you been? | 0:09:21 | 0:09:23 | |
And where's Lucas? | 0:09:23 | 0:09:25 | |
Mrs Knight? | 0:09:28 | 0:09:29 | |
Detective Inspector Richard Poole. Detective Sergeant Camille Bordey. | 0:09:29 | 0:09:33 | |
Honore police. May we come in? | 0:09:33 | 0:09:35 | |
Of course. | 0:09:35 | 0:09:37 | |
Patrick, darling. It's the police. | 0:09:43 | 0:09:46 | |
Patrick?! | 0:09:48 | 0:09:49 | |
What's happened? | 0:09:53 | 0:09:54 | |
METAL DETECTOR CLICKS | 0:09:54 | 0:09:57 | |
Oh, my God, that's awful. | 0:10:19 | 0:10:21 | |
Can I ask when you last saw Mr Talbot? | 0:10:21 | 0:10:24 | |
It, it was last night. | 0:10:24 | 0:10:25 | |
We were supposed to have dinner together at Pierre's. | 0:10:25 | 0:10:29 | |
Lucas arrived very late and very drunk. | 0:10:29 | 0:10:32 | |
He caused a scene. I had to take him outside. | 0:10:32 | 0:10:34 | |
And he and Megan were arguing and he strode off and she went after him. | 0:10:34 | 0:10:38 | |
And you didn't see either Mr or Mrs Talbot again? | 0:10:38 | 0:10:40 | |
No. I, I came straight home. | 0:10:40 | 0:10:43 | |
Is that a rain tree? | 0:10:44 | 0:10:46 | |
-Yes, it is. -You don't see many of those over here, do you? | 0:10:48 | 0:10:51 | |
It's all palms and coconuts. | 0:10:51 | 0:10:53 | |
But...wow! | 0:10:53 | 0:10:55 | |
Look at that. | 0:10:55 | 0:10:56 | |
Magnificent specimen. | 0:10:57 | 0:11:00 | |
Huh. That's made my day. | 0:11:00 | 0:11:01 | |
So...what about you, Mr Knight? | 0:11:01 | 0:11:04 | |
Did you see Mr or Mrs Talbot again? | 0:11:04 | 0:11:06 | |
Of course I didn't. I was arrested. | 0:11:06 | 0:11:09 | |
Excuse me? | 0:11:09 | 0:11:10 | |
Do you lot actually talk to each other? | 0:11:10 | 0:11:13 | |
I took Lucas out of the restaurant to stop him trashing the place. | 0:11:13 | 0:11:15 | |
One of your officers saw me punching him, | 0:11:15 | 0:11:17 | |
got the wrong end of the stick and arrested me. | 0:11:17 | 0:11:19 | |
I spent the night in your cells. | 0:11:19 | 0:11:22 | |
I see. | 0:11:22 | 0:11:24 | |
Right. Well, there you are. | 0:11:24 | 0:11:26 | |
Megan doesn't want to stay here. | 0:11:26 | 0:11:28 | |
CAR RADIO ON | 0:11:34 | 0:11:36 | |
-Gregory! -Morning, Dwayne. | 0:11:43 | 0:11:45 | |
How's it going? | 0:11:47 | 0:11:48 | |
How long you been here? | 0:11:49 | 0:11:50 | |
Oh, half an hour. | 0:11:50 | 0:11:52 | |
Looks like you've been here all night. | 0:11:52 | 0:11:55 | |
No way, I just parked up, I was just going to do some fishing, that's all. | 0:11:55 | 0:11:59 | |
You see any tourists on the beach last night? | 0:12:01 | 0:12:03 | |
-You hear anything? -Like I said, I wasn't here last night. | 0:12:03 | 0:12:07 | |
I hear what you're saying. | 0:12:07 | 0:12:09 | |
But in 20 years, I've never heard the truth pass your lips. | 0:12:12 | 0:12:16 | |
Come on. Out of the truck. | 0:12:18 | 0:12:20 | |
Open it up. | 0:12:25 | 0:12:27 | |
I never really fitted in here. | 0:12:33 | 0:12:35 | |
Astrid and Lucas went to University together, | 0:12:37 | 0:12:39 | |
she only put up with me cos of him, so now that he... | 0:12:39 | 0:12:42 | |
I wish I'd never been dragged into this world. | 0:12:46 | 0:12:49 | |
Er, is this the dress you were wearing last night? | 0:12:49 | 0:12:52 | |
Yeah. | 0:12:52 | 0:12:54 | |
-I'm sorry, but we'll need to keep it. -Of course. | 0:12:54 | 0:12:57 | |
Sorry. | 0:12:57 | 0:12:59 | |
-I'll find a place in town. I know you don't want me here. Not really. -You don't have to go. | 0:13:12 | 0:13:17 | |
She's got a mind of her own, Patrick, she can do as she pleases. | 0:13:17 | 0:13:20 | |
Is it true? | 0:13:20 | 0:13:22 | |
What the police said? | 0:13:22 | 0:13:23 | |
Lucas hurt me. | 0:13:25 | 0:13:27 | |
Not just last night. | 0:13:27 | 0:13:28 | |
I know you don't want to believe it, but it's true. | 0:13:28 | 0:13:30 | |
Well, Lucas had his problems... | 0:13:30 | 0:13:31 | |
He hit me, Astrid. | 0:13:31 | 0:13:33 | |
You're a sensitive soul. You feel things other people would shrug off. | 0:13:33 | 0:13:37 | |
Like this? | 0:13:37 | 0:13:38 | |
Or this? | 0:13:40 | 0:13:41 | |
I want to go now. | 0:13:43 | 0:13:45 | |
All right, one thing. Do either of you own a gun? | 0:13:53 | 0:13:55 | |
-Of course we don't. -No, no. No, no. No - thank you. | 0:13:57 | 0:14:02 | |
Allow me. | 0:14:06 | 0:14:08 | |
Who's that? | 0:14:47 | 0:14:49 | |
Greg Collins - he was parked up by the beach. | 0:14:49 | 0:14:52 | |
Doing what? | 0:14:52 | 0:14:53 | |
Knowing Greg? Nothing good. | 0:14:53 | 0:14:55 | |
Room 25. | 0:15:15 | 0:15:17 | |
In case you want to visit. | 0:15:17 | 0:15:18 | |
-I know what you're doing and it won't work. -And what is that? | 0:15:18 | 0:15:21 | |
These insinuations. | 0:15:22 | 0:15:24 | |
-About Mrs Talbot. -What, you don't think she's pretty? | 0:15:24 | 0:15:27 | |
-Yes. No. -Which is it? | 0:15:29 | 0:15:32 | |
Neither. I'm a police officer, she's a potential suspect, | 0:15:32 | 0:15:34 | |
it would be inappropriate to have an opinion. | 0:15:34 | 0:15:36 | |
-So now she's only a "potential" suspect? -Yeah. | 0:15:36 | 0:15:38 | |
Despite us having a full confession? | 0:15:38 | 0:15:40 | |
No, I believe she told us honestly what she thinks happened, but... | 0:15:40 | 0:15:43 | |
There's blood on her dress. She admitted her husband had been violent towards her before, | 0:15:43 | 0:15:47 | |
-that she feared for her life. -We haven't found a body. | 0:15:47 | 0:15:51 | |
-That doesn't make her innocent. -It doesn't make her guilty, either. | 0:15:51 | 0:15:54 | |
So you don't believe she murdered her husband? | 0:15:56 | 0:15:58 | |
Yeah. I think that's very likely. | 0:16:03 | 0:16:05 | |
But to be sure, to be absolutely sure, we need a body. | 0:16:05 | 0:16:09 | |
RADIO: 'Come in, car one.' | 0:16:11 | 0:16:13 | |
Go ahead, Dwayne. | 0:16:16 | 0:16:18 | |
'We found the body.' | 0:16:18 | 0:16:20 | |
Got caught up in the props of a fishing boat on its way back in. | 0:16:29 | 0:16:33 | |
So you think cause of death was the gunshot wound? | 0:16:42 | 0:16:46 | |
Much obliged. | 0:16:46 | 0:16:47 | |
-What's the verdict? -Shot in the head. | 0:16:51 | 0:16:54 | |
Must have been dead before he hit the ground. | 0:16:54 | 0:16:56 | |
She said she shot twice. | 0:16:59 | 0:17:01 | |
Yeah. Unlikely they both hit. | 0:17:01 | 0:17:03 | |
He has other injuries. | 0:17:03 | 0:17:05 | |
Hmm, probably propeller contact. The coroner can confirm. | 0:17:05 | 0:17:08 | |
Look - his stopwatch is running. | 0:17:10 | 0:17:11 | |
Really? | 0:17:11 | 0:17:12 | |
Turn it off. | 0:17:14 | 0:17:15 | |
One hour 23 minutes. | 0:17:15 | 0:17:17 | |
Huh... | 0:17:21 | 0:17:22 | |
-Hello. Where did that come from? -Caught behind the watch. | 0:17:24 | 0:17:27 | |
Oh, doesn't match his jacket. | 0:17:27 | 0:17:30 | |
Hang on... | 0:17:31 | 0:17:33 | |
-Fidel! -Sir! | 0:17:35 | 0:17:37 | |
Take this phone and put it in a large bag and fill it with rice. | 0:17:37 | 0:17:41 | |
-Rice, sir? -Yeah, make sure it's well covered, it'll soak up the moisture. | 0:17:41 | 0:17:46 | |
-And do NOT turn it on! -Sir. | 0:17:46 | 0:17:48 | |
Looks like it happened just as she said. | 0:17:50 | 0:17:53 | |
She shot him in the head, the tide took him out. | 0:17:53 | 0:17:55 | |
-You want me to do it? -No. I'll do it. | 0:17:59 | 0:18:03 | |
Fidel. | 0:18:04 | 0:18:06 | |
Hello. | 0:18:21 | 0:18:22 | |
Megan Talbot, I'm arresting you on suspicion of the murder | 0:18:26 | 0:18:30 | |
of Lucas Talbot. | 0:18:30 | 0:18:31 | |
You do not have to say anything, but it may harm your defence | 0:18:31 | 0:18:33 | |
if you do not mention when questioned something you later rely on in court. | 0:18:33 | 0:18:36 | |
Anything you do say may be given as evidence. Do you understand? | 0:18:36 | 0:18:39 | |
I've got the best duty solicitor on the island on her way. | 0:18:45 | 0:18:48 | |
-I don't want one. -Just talk to her, OK? They're here to make things easier. | 0:18:48 | 0:18:52 | |
This man...hurt you. | 0:18:52 | 0:18:54 | |
I think you have every right to claim self-defence. | 0:18:54 | 0:18:56 | |
Oh, er... Can I just ask one last thing? | 0:18:58 | 0:19:01 | |
Er, have you ever seen this before? | 0:19:02 | 0:19:05 | |
From an item of yours or your husband's clothing, perhaps? | 0:19:05 | 0:19:08 | |
I don't think so. | 0:19:08 | 0:19:10 | |
No. | 0:19:10 | 0:19:12 | |
Leave it! | 0:19:21 | 0:19:22 | |
You arrested Patrick Knight, didn't you? | 0:19:26 | 0:19:28 | |
Yes, sir. | 0:19:28 | 0:19:29 | |
The other man was on the floor, he was punching him. | 0:19:29 | 0:19:32 | |
That must have been Lucas Talbot. | 0:19:32 | 0:19:34 | |
I dragged him off - he resisted, so I handcuffed him. | 0:19:34 | 0:19:36 | |
And Lucas Talbot? | 0:19:36 | 0:19:37 | |
By the time I'd got Mr Knight in the car, he'd gone. | 0:19:37 | 0:19:41 | |
-Does anyone know why they were arguing? -No, sir. | 0:19:41 | 0:19:43 | |
I just don't understand why she can't explain any of this. | 0:19:48 | 0:19:51 | |
The button could be flotsam. | 0:19:51 | 0:19:53 | |
But ONE button? Behind the watch, though? | 0:19:53 | 0:19:55 | |
And the stopwatch - an hour and 23 minutes. | 0:19:55 | 0:19:57 | |
We've got times and places. We've got blood on her dress. | 0:19:57 | 0:20:01 | |
We've got a body AND we've got a confession. All the pieces are there. | 0:20:01 | 0:20:04 | |
Yes, they are. | 0:20:08 | 0:20:09 | |
Do you think Megan Talbot shot her husband? | 0:20:13 | 0:20:16 | |
-Yes. -Then it's over. Come on. | 0:20:21 | 0:20:23 | |
I'll buy you a cup of tea. | 0:20:23 | 0:20:25 | |
-You know what? Life would be a lot easier if everyone just came in and confessed. -True. | 0:20:32 | 0:20:35 | |
-No struggling to find clues. -Interviewing witnesses. | 0:20:35 | 0:20:38 | |
Just an open-and-shut case every time. | 0:20:38 | 0:20:41 | |
I'll drink to that. Cheers. | 0:20:41 | 0:20:42 | |
Cheers. | 0:20:42 | 0:20:45 | |
Inspector? | 0:20:46 | 0:20:48 | |
Where did he get the gun? And why wasn't it on the beach? | 0:20:48 | 0:20:50 | |
-What? -Look, if the body WAS taken out by the tide, | 0:20:50 | 0:20:54 | |
-where's the gun? -Perhaps she lied - | 0:20:54 | 0:20:55 | |
-she could have thrown it into the sea. -But why? | 0:20:55 | 0:20:58 | |
I mean, if you come into a police station confessing to | 0:20:58 | 0:21:00 | |
murdering your husband, why lie about what you did with the gun? | 0:21:00 | 0:21:03 | |
-It doesn't make sense. -Well, maybe she was confused. Couldn't remember things properly. | 0:21:03 | 0:21:06 | |
You said yourself she must have been in shock. | 0:21:06 | 0:21:08 | |
Hmm, it's possible. | 0:21:10 | 0:21:11 | |
But what about the button behind the watch? How does that fit in? | 0:21:12 | 0:21:14 | |
-And, hey - something else is really irritating me. -Really? | 0:21:14 | 0:21:18 | |
Patrick Knight. | 0:21:18 | 0:21:19 | |
Now as I understand it, he was belligerent | 0:21:21 | 0:21:23 | |
-and complaining about his night in the cells. -So? | 0:21:23 | 0:21:26 | |
So when we went to the house and his wife called him | 0:21:26 | 0:21:29 | |
to say that we were the police, do you know what he said? | 0:21:29 | 0:21:33 | |
"What's happened?" | 0:21:33 | 0:21:35 | |
Look, come on - think about it logically. | 0:21:35 | 0:21:37 | |
If you'd been what you thought was wrongfully arrested, | 0:21:37 | 0:21:40 | |
spent a night in the cells, then been released and then the police turned up at the house, | 0:21:40 | 0:21:44 | |
well - wouldn't you assume it was all connected? | 0:21:44 | 0:21:46 | |
I mean, wouldn't your first reaction on hearing the police were at the door, | 0:21:46 | 0:21:49 | |
be to... I don't know - jump to conclusions | 0:21:49 | 0:21:52 | |
and, er, complain about police harassment or something, yeah? | 0:21:52 | 0:21:55 | |
But he just said, "What's happened?" | 0:21:55 | 0:21:57 | |
Maman, what would you say if the police came to your house? | 0:21:59 | 0:22:02 | |
What's the first thing you'd ask? | 0:22:02 | 0:22:04 | |
What's happened? | 0:22:05 | 0:22:06 | |
Yeah - OK. Now say you've just been released from the cells. | 0:22:06 | 0:22:09 | |
What have I done? | 0:22:09 | 0:22:10 | |
What? | 0:22:10 | 0:22:13 | |
-Am I guilty or innocent? -Sorry, does that matter? | 0:22:13 | 0:22:15 | |
You tell me, you're the policeman. | 0:22:15 | 0:22:18 | |
OK, er...you're guilty. | 0:22:18 | 0:22:19 | |
Then why have you released me? | 0:22:21 | 0:22:22 | |
OK... Look, forget it. | 0:22:23 | 0:22:25 | |
Ignore his reaction if you want to. I'm clearly on my own here. | 0:22:25 | 0:22:29 | |
But no gun, the button, the stopwatch. | 0:22:29 | 0:22:32 | |
They all mean something. | 0:22:33 | 0:22:35 | |
Did we get any statements from the staff at the restaurant where they ate? | 0:22:36 | 0:22:39 | |
I was going to do it this afternoon. | 0:22:39 | 0:22:40 | |
-Let's do it now. -But we've just got here. | 0:22:40 | 0:22:42 | |
Look, even if Mrs Talbot's guilty and her confession's true, | 0:22:42 | 0:22:46 | |
that's no excuse for shoddy police work. | 0:22:46 | 0:22:48 | |
-We'll still need to provide all the necessary evidence for the prosecution. -Or the defence. | 0:22:48 | 0:22:51 | |
Hmm - that too. Dwayne... | 0:22:51 | 0:22:53 | |
Mrs Knight said that Lucas Talbot was very late for dinner | 0:22:53 | 0:22:56 | |
and very drunk. Find out where he was drinking and Fidel, | 0:22:56 | 0:22:59 | |
check with the UK, find out what you can about Astrid and Patrick Knight and the victim, too. | 0:22:59 | 0:23:03 | |
-Yes, sir. -Come on. Chop, chop! | 0:23:03 | 0:23:05 | |
Pierre is the best seafood chef on the island. | 0:23:14 | 0:23:16 | |
Yeah, I'm not a big fan of seafood, if I'm honest. | 0:23:16 | 0:23:18 | |
Most of it has eyes. | 0:23:18 | 0:23:20 | |
A bit disconcerting to eat something while it's staring back at you. | 0:23:20 | 0:23:23 | |
-Hey, Camille! -Hey. | 0:23:23 | 0:23:24 | |
Good to see you. We've got some beautiful lobster in today. | 0:23:24 | 0:23:27 | |
Mr... Um, Pierre. | 0:23:27 | 0:23:30 | |
I gather you had a party of four in here last night? | 0:23:30 | 0:23:33 | |
-Name of Knight? -Several weeks on the island of Saint-Marie | 0:23:33 | 0:23:36 | |
and this is your first time in here, am I right, Mr...UK Policeman? | 0:23:36 | 0:23:41 | |
That's correct. | 0:23:41 | 0:23:42 | |
-Though I have really, really been meaning to sample your menu. -Well, what's stopped you? | 0:23:42 | 0:23:46 | |
Murders, mainly. | 0:23:46 | 0:23:48 | |
They wreak havoc with the appetite. | 0:23:48 | 0:23:49 | |
I see. You're not going to help because I haven't eaten here? | 0:23:53 | 0:23:56 | |
-Isn't that a bit childish? -I think what the Inspector means is, he'd love to try the Pierre Platter. | 0:23:56 | 0:24:01 | |
-Wouldn't you? -Do I really have to go through this charade to get police work done? -(Yes.) | 0:24:01 | 0:24:05 | |
I would LOVE to try the Pierre Platter. | 0:24:08 | 0:24:12 | |
Mr and Mrs Knight were here last night with a lady. | 0:24:13 | 0:24:15 | |
Mrs Talbot? Quite petite, blonde hair, very pretty? | 0:24:15 | 0:24:18 | |
Yes, that sounds like her. | 0:24:18 | 0:24:20 | |
Then the other man came in drunk, right after nine, started shouting. | 0:24:20 | 0:24:24 | |
He was very abusive, so Mr Knight took him outside. | 0:24:24 | 0:24:27 | |
-That was it? -Well, there was a lot of shouting in the car park, | 0:24:27 | 0:24:30 | |
so one of my staff called the police. | 0:24:30 | 0:24:32 | |
Why don't you see it for yourself while I prepare your lunch. | 0:24:33 | 0:24:36 | |
-We have it on security camera. -Oh. | 0:24:36 | 0:24:38 | |
Oh, that's him. | 0:24:40 | 0:24:42 | |
Ah! I wish I knew what they were saying. | 0:24:49 | 0:24:50 | |
-It's there in the body language. -I don't speak 'body language'. | 0:24:50 | 0:24:54 | |
I only took Latin and Mandarin. | 0:24:54 | 0:24:55 | |
Lucas Talbot is angry. | 0:24:57 | 0:24:58 | |
He wants to go back inside. | 0:24:59 | 0:25:01 | |
-So we don't really know who he was angry with. -His wife. -Why? | 0:25:14 | 0:25:19 | |
Because he was trying to get back in the restaurant, | 0:25:19 | 0:25:22 | |
Mr Knight was stopping him doing so. | 0:25:22 | 0:25:24 | |
-Phew... -Good grief. | 0:25:24 | 0:25:27 | |
So, how is the food? | 0:25:29 | 0:25:32 | |
I feel like Poseidon himself. | 0:25:35 | 0:25:37 | |
Tell me, do you recognise this button? | 0:25:39 | 0:25:42 | |
-No. -Really? There's nothing in the restaurant it could have come from? | 0:25:45 | 0:25:49 | |
I'm sorry, no. | 0:25:49 | 0:25:51 | |
-Never mind, uh, thank you. -Now, please enjoy. -Thank you. | 0:25:51 | 0:25:56 | |
Ah, Pierre. | 0:25:58 | 0:25:59 | |
Smells good. | 0:26:01 | 0:26:03 | |
So? | 0:26:03 | 0:26:05 | |
Well, it seems like Lucas Talbot drank in every bar in Honore before he got here last night. | 0:26:07 | 0:26:12 | |
He must have been steaming. | 0:26:12 | 0:26:13 | |
I talked to people who saw him drinking and from what I can make out, | 0:26:13 | 0:26:17 | |
he just sat alone, texting on his mobile phone. | 0:26:17 | 0:26:19 | |
He left the last bar on the harbour about 9pm. | 0:26:19 | 0:26:22 | |
That fits with the time he arrived here. | 0:26:22 | 0:26:24 | |
Ah, these were calling me all along the street. | 0:26:24 | 0:26:26 | |
OK, so, I ran all three names through the computer, | 0:26:26 | 0:26:29 | |
Lucas Talbot first, he has three previous arrests on suspicion of assault, | 0:26:29 | 0:26:34 | |
all reported by women he was in a relationship with. | 0:26:34 | 0:26:37 | |
His company which organised VIP social events went into liquidation last month. | 0:26:37 | 0:26:41 | |
Not much on Patrick and Astrid Knight. | 0:26:41 | 0:26:43 | |
No convictions, nothing so much as a parking fine. | 0:26:43 | 0:26:45 | |
-She's very wealthy, though. -She is? | 0:26:45 | 0:26:47 | |
It looks like Mrs Knight already had all the money when they got married. | 0:26:47 | 0:26:52 | |
I pulled these off the internet. | 0:26:52 | 0:26:53 | |
She runs a celebrity PR company which protects high-profile clients from the press. | 0:26:53 | 0:26:57 | |
When they get into trouble, she's the first person they call. | 0:26:57 | 0:27:00 | |
And Patrick Knight? | 0:27:00 | 0:27:02 | |
He was a journalist when they met, but he's just started his own management company, | 0:27:02 | 0:27:06 | |
-so it seems he's trying to even things up. -OK, good... So, Astrid and Patrick Knight | 0:27:06 | 0:27:11 | |
help protect reputations and cover up improprieties. | 0:27:11 | 0:27:15 | |
I wonder what they'd do if someone came to them | 0:27:15 | 0:27:17 | |
saying they'd just murdered their husband? | 0:27:17 | 0:27:21 | |
I am still not sure why we're back here. | 0:27:21 | 0:27:24 | |
Because we may have a body and a confession, and yes, | 0:27:24 | 0:27:27 | |
I'm prepared to accept that Megan Talbot may very well be the killer, | 0:27:27 | 0:27:31 | |
but what we don't have is the truth. I'm certain of it. | 0:27:31 | 0:27:34 | |
A truth that will at the very least explain the button, | 0:27:34 | 0:27:37 | |
the stopwatch set at an hour and 23 minutes, and what happened to the gun. | 0:27:37 | 0:27:41 | |
And you think that they know something they haven't told us? | 0:27:41 | 0:27:45 | |
Yes, I do. | 0:27:45 | 0:27:47 | |
OK, what's the plan? | 0:27:47 | 0:27:49 | |
I don't have one. | 0:27:49 | 0:27:50 | |
Mrs Knight, I wonder if we might ask you a few more questions. | 0:27:50 | 0:27:55 | |
Megan left some things, I've boxed them up in case they're needed. | 0:27:55 | 0:27:59 | |
-How very efficient of you. -I try. | 0:27:59 | 0:28:01 | |
Though efficiency must be second nature to you, in your line of work. | 0:28:01 | 0:28:05 | |
-Public relations, isn't it? -You've been doing your homework, Inspector. | 0:28:05 | 0:28:09 | |
It's second nature to me, I'm afraid. | 0:28:09 | 0:28:11 | |
I've just lost a very dear friend | 0:28:11 | 0:28:13 | |
and his wife has confessed to his murder. Keeping busy helps to keep my mind off that. | 0:28:13 | 0:28:17 | |
-Of course. Though I have to admit, I do find it intriguing. -What is? | 0:28:17 | 0:28:23 | |
Well, should Mrs Talbot have contacted you, how you might have advised her... | 0:28:23 | 0:28:27 | |
-in your professional capacity. -Are you suggesting that's what happened? | 0:28:27 | 0:28:31 | |
-You tell me. -I'm very good at what I do. -I'm sure you are. | 0:28:31 | 0:28:36 | |
So, if someone came and told me they'd murdered their husband, | 0:28:36 | 0:28:39 | |
I very much doubt my advice would be to go and confess all to the police. | 0:28:39 | 0:28:43 | |
Can I get you some tea? | 0:28:45 | 0:28:47 | |
That would be very nice, thank you. | 0:28:47 | 0:28:50 | |
That sounded very much like you were accusing my wife of something. | 0:28:57 | 0:29:01 | |
Really? I'm terribly sorry, that wasn't my intention. | 0:29:01 | 0:29:04 | |
(What are you doing?) | 0:29:14 | 0:29:16 | |
(You and that button.) | 0:29:19 | 0:29:20 | |
(You keep them talking.) | 0:29:22 | 0:29:24 | |
No, no, no, no, YOU keep them talking. I'll check the buttons. | 0:29:25 | 0:29:29 | |
Your colleague has been a long time in the bathroom. | 0:29:46 | 0:29:49 | |
-I'm sure she's fine. -Perhaps I should check. | 0:29:49 | 0:29:51 | |
You know, this tea is a splendid colour! | 0:29:51 | 0:29:54 | |
I'll be honest with you, I've had a lot of, er, difficulty with tea on Saint-Marie. | 0:29:54 | 0:29:58 | |
Real difficulty. | 0:29:58 | 0:30:00 | |
I don't know what it is... | 0:30:00 | 0:30:02 | |
..it just doesn't spank the palette as it should. Have you found that? | 0:30:03 | 0:30:08 | |
-I really think we should go and see if she's all right... -As I say, an excellent colour. | 0:30:08 | 0:30:13 | |
Sandy. Golden. Nice oranges coming through there. | 0:30:13 | 0:30:16 | |
Do you mind? | 0:30:16 | 0:30:17 | |
Oooh... | 0:30:19 | 0:30:21 | |
And, er, the real clincher, of course, | 0:30:23 | 0:30:26 | |
is the taste. | 0:30:26 | 0:30:28 | |
Oh, er, no, that's awful...sorry... No, wait... | 0:30:30 | 0:30:34 | |
-What on earth are you doing? -Is this not Mrs Talbot's room? | 0:30:40 | 0:30:45 | |
No, it's not. And even if it was, you need permission to conduct a search. | 0:30:45 | 0:30:49 | |
-I know the law, inside out. -You're right. We do. | 0:30:49 | 0:30:52 | |
I must ask you to leave. | 0:30:54 | 0:30:55 | |
Had you had the decency to ask, | 0:31:01 | 0:31:03 | |
I'm sure we would have been happy to show you anything you wanted. | 0:31:03 | 0:31:06 | |
Then, er, can I ask what you and Mr Talbot were arguing about outside the restaurant last night? | 0:31:06 | 0:31:12 | |
He was drunk, I was trying to convince him to go home. | 0:31:12 | 0:31:16 | |
-By punching him? -It got out of hand. | 0:31:16 | 0:31:19 | |
Mr Talbot had serious financial difficulties. | 0:31:19 | 0:31:21 | |
-Were you aware of them? -No. | 0:31:21 | 0:31:23 | |
So you were his friends, yet he didn't share his financial concerns? | 0:31:23 | 0:31:27 | |
-Well... -Lucas was a very proud man. | 0:31:27 | 0:31:29 | |
If he'd have asked, I'd have helped him. But he didn't. | 0:31:29 | 0:31:32 | |
Why are you asking all these questions, Inspector? It's as though we're under suspicion. | 0:31:32 | 0:31:37 | |
-Why would you think that? -We've already told you everything we know, yet here you are again. | 0:31:37 | 0:31:41 | |
-It's my job. -You take it very seriously, don't you? | 0:31:41 | 0:31:44 | |
Is that what the British police do with the nasty ones these days? | 0:31:44 | 0:31:48 | |
Post them overseas? Were you a bit of a bully back in the UK? | 0:31:48 | 0:31:51 | |
One thing I am not, madam, is a bully. | 0:31:54 | 0:31:57 | |
Then perhaps you will leave us alone to grieve over our dear friend in peace. | 0:31:58 | 0:32:02 | |
I wouldn't like to get the wrong side of her. | 0:32:09 | 0:32:11 | |
The lady doth protest too much, methinks. | 0:32:11 | 0:32:15 | |
Call Dwayne, have him and Fidel watch the house. | 0:32:16 | 0:32:20 | |
-You're not going to eat that there, are you? -Juliette made it for me. | 0:32:41 | 0:32:46 | |
Slow-releasing carbs are what's needed for a long stakeout. | 0:32:46 | 0:32:49 | |
I should've asked her to pack some doughnuts for afters. | 0:32:51 | 0:32:55 | |
That's what you eat on a stakeout, isn't it? Doughnuts? | 0:32:55 | 0:32:59 | |
All I've got is a yoghurt. Not the same, really, is it? | 0:33:03 | 0:33:06 | |
We could go and get some doughnuts, I suppose. | 0:33:08 | 0:33:12 | |
ENGINE REVS | 0:33:12 | 0:33:13 | |
I was joking, forget the doughnuts, what if they move while we're gone? | 0:33:13 | 0:33:17 | |
What? | 0:33:19 | 0:33:20 | |
Oh... | 0:33:23 | 0:33:25 | |
You know, even if Astrid and Patrick are involved somehow, | 0:33:30 | 0:33:34 | |
Megan Talbot still shot her husband. She'll still go to prison. | 0:33:34 | 0:33:38 | |
She seems so...fragile, I'm not sure she'll cope. | 0:33:38 | 0:33:42 | |
Not our concern. | 0:33:42 | 0:33:43 | |
-No. No, no, no. -You want her to be innocent | 0:33:45 | 0:33:47 | |
because you like her, but it doesn't work that way. | 0:33:47 | 0:33:51 | |
She was beaten by her husband. It just seems....unfair. | 0:33:51 | 0:33:55 | |
Yes, it is. | 0:33:55 | 0:33:57 | |
I'm sorry I teased you about her. I don't really think you fancy her. | 0:34:00 | 0:34:06 | |
Or do you? | 0:34:06 | 0:34:07 | |
No. | 0:34:08 | 0:34:10 | |
Yeah, that's lovely, huh? | 0:34:13 | 0:34:14 | |
What, the boat? It's just painted firewood. | 0:34:15 | 0:34:18 | |
Poor old boaty. I bet it had one tiny hole | 0:34:18 | 0:34:20 | |
and it lay here waiting for its owner to come and fix it up | 0:34:20 | 0:34:23 | |
but it never happened. | 0:34:23 | 0:34:24 | |
It's just a rotten old rowing boat. Don't anthropomorphise it. | 0:34:24 | 0:34:28 | |
It hasn't actually got any feelings. | 0:34:28 | 0:34:30 | |
-It's got more than you. Oh, I'm sorry, I didn't... -It's OK. | 0:34:30 | 0:34:35 | |
Look, I've got some stuff to read. | 0:34:35 | 0:34:37 | |
You sure she's not in there? | 0:34:37 | 0:34:39 | |
Sorry. | 0:34:40 | 0:34:42 | |
Oh, you know that Dwayne saw someone parked near the beach where the body was supposed to be? | 0:34:44 | 0:34:49 | |
-No... -A local small-time thief called Greg Collins. | 0:34:49 | 0:34:52 | |
So I thought I might drive there on my way home, | 0:34:52 | 0:34:55 | |
see if anyone's parked there. | 0:34:55 | 0:34:57 | |
-Be careful. -I will. Good night, sir. | 0:34:57 | 0:35:00 | |
Good night, Camille. | 0:35:00 | 0:35:02 | |
-Why did she stop there? -I don't know. -She dumped something. | 0:35:57 | 0:36:01 | |
-Get sifting. -I always have to go through the rubbish. | 0:36:01 | 0:36:04 | |
Isn't it your turn to get stinky? | 0:36:04 | 0:36:06 | |
Imagine if you find a gun or something? | 0:36:06 | 0:36:08 | |
The inspector will be really impressed. | 0:36:08 | 0:36:11 | |
We've been through it all three times. No gun. | 0:37:04 | 0:37:07 | |
Nothing suspicious at all. PHONE RINGS | 0:37:07 | 0:37:11 | |
Hello? Camille? | 0:37:12 | 0:37:15 | |
Camille? | 0:37:23 | 0:37:24 | |
-Come and have a look at this. -Are you all right? -A couple of bruises, | 0:37:24 | 0:37:27 | |
-it's my own fault. I should have called for back-up. -Did you see who it was? | 0:37:27 | 0:37:32 | |
No, but it was the same pickup truck | 0:37:32 | 0:37:34 | |
so Dwayne is sure it was Greg Collins and he was in a hurry to leave. | 0:37:34 | 0:37:37 | |
I found this by one of the holes. | 0:37:37 | 0:37:38 | |
If he was fishing, why would he run? | 0:37:38 | 0:37:40 | |
Huh? Bubble wrap? | 0:37:42 | 0:37:44 | |
Are the maggots especially fragile over here? | 0:37:45 | 0:37:48 | |
What is it? | 0:37:51 | 0:37:53 | |
Two stakeouts in one night. | 0:37:55 | 0:37:57 | |
-Which one are you having, Dwayne? -Greg. | 0:37:58 | 0:38:00 | |
OK, I'll take the money man when he gets here. | 0:38:00 | 0:38:02 | |
-I'll seize the merchandise. -Great, and I'll, I'll, er... | 0:38:02 | 0:38:06 | |
-What am I going to do? -Back-up. | 0:38:08 | 0:38:10 | |
-Back-up? Great. -OK. | 0:38:10 | 0:38:13 | |
-You do Greg, I'll do back-up. -No, no. Greg's yours. | 0:38:13 | 0:38:16 | |
We're on! | 0:38:20 | 0:38:21 | |
OK, get into positions. | 0:38:21 | 0:38:23 | |
-Wait until he takes the cash. -OK. | 0:38:28 | 0:38:31 | |
-Stop right there! Police! -Come on, Gregory, give it up. -Go away. | 0:38:33 | 0:38:38 | |
-Seriously, this is a big misunderstanding. -Hmm. | 0:38:40 | 0:38:43 | |
Hawksbill turtle eggs. | 0:38:44 | 0:38:46 | |
You should be ashamed of yourselves. | 0:38:49 | 0:38:51 | |
-I didn't know if you took sugar, so I, er... -Thank you. | 0:38:57 | 0:39:01 | |
-That's very kind of you. -We should be able to get your bail sorted today. | 0:39:01 | 0:39:06 | |
-Three sugars. -Out! | 0:39:12 | 0:39:15 | |
Endangerment and theft of a protected species. | 0:39:20 | 0:39:25 | |
-Assault on a police officer. -Oh, that was an accident. | 0:39:25 | 0:39:28 | |
-It's still assault. -And with your history. Should be good for what? Three years? -Easy. | 0:39:28 | 0:39:32 | |
-So what do you want? -The beach where you assaulted Sergeant Bordey, | 0:39:32 | 0:39:36 | |
-there was a shooting there two nights ago. -Is that right? | 0:39:36 | 0:39:40 | |
You were parked there when it took place. | 0:39:40 | 0:39:42 | |
-You've got me mixed up with someone else. -So you weren't there? -No. | 0:39:42 | 0:39:45 | |
OK, fine, see you in three years. | 0:39:45 | 0:39:48 | |
OK, OK. | 0:39:48 | 0:39:50 | |
I'll take the fine for the eggs, you drop the assault thing. | 0:39:50 | 0:39:53 | |
What do we get in return? | 0:39:53 | 0:39:56 | |
I think you WERE there, | 0:39:57 | 0:39:58 | |
I think you saw a man and a woman pass you on the way to the beach. | 0:39:58 | 0:40:02 | |
-The question is, did you see anyone else? -No, there was no-one else. | 0:40:02 | 0:40:06 | |
-Take his statement, would you? -But I saw the woman, the one in the cell. | 0:40:11 | 0:40:16 | |
Shooting the guy. | 0:40:16 | 0:40:19 | |
-Lucas! -'I was digging when I heard voices. | 0:40:22 | 0:40:25 | |
'I panicked and ran, not realising I had dropped my gun.' | 0:40:25 | 0:40:29 | |
-Lucas! -HE YELLS, SHE SCREAMS | 0:40:36 | 0:40:39 | |
'He went to pick her up but she clumped him with a rock. | 0:40:41 | 0:40:43 | |
-'Picked up the gun...' -'And?' | 0:40:44 | 0:40:46 | |
GUNSHOT | 0:40:46 | 0:40:47 | |
Shot him. Dead! | 0:40:49 | 0:40:51 | |
Well, what did she do with the gun? | 0:40:53 | 0:40:55 | |
-I don't know, I legged it back to the van. -And you didn't report this because...? | 0:40:55 | 0:40:59 | |
It was my gun, wasn't it? I mean, I only used it for rats and rabbits. But it was still mine. | 0:40:59 | 0:41:03 | |
I went back in the morning to see if it was still there. | 0:41:03 | 0:41:07 | |
But there was nothing, no gun and no body. That's when Dwayne moved me on. | 0:41:07 | 0:41:11 | |
Autopsy report's in, Chief. | 0:41:15 | 0:41:18 | |
Ohh... Go on. | 0:41:18 | 0:41:20 | |
Bullet to the head was fatal, er, blood showed high levels of alcohol. | 0:41:20 | 0:41:25 | |
Oh, and the other injury wasn't propeller damage, | 0:41:25 | 0:41:28 | |
it was the second bullet. | 0:41:28 | 0:41:30 | |
Bounced off his skull. | 0:41:30 | 0:41:32 | |
Two shots. | 0:41:32 | 0:41:34 | |
Just like she said. We also know where the gun came from | 0:41:34 | 0:41:38 | |
and now we've got an eyewitness to add to the confession. | 0:41:38 | 0:41:41 | |
-No more room for doubt. -No. | 0:41:41 | 0:41:44 | |
-Cheers! -Cheers. | 0:41:49 | 0:41:51 | |
-OK, the button was just flotsam from the water. -OK. | 0:41:54 | 0:41:57 | |
-The gun is in the sea somewhere. -Yeah. Maybe. | 0:41:57 | 0:42:01 | |
-And the stopwatch was unrelated. -Yeah. -And so no more mystery. -No. | 0:42:01 | 0:42:06 | |
-And, er, will you wait for her? -Camille... | 0:42:06 | 0:42:09 | |
20 years, it's a long time. I mean, you're a man, you've got needs. She'll understand, I'm sure. | 0:42:09 | 0:42:14 | |
-There is one thing. -What? -Who's the best marksman out of you three? | 0:42:16 | 0:42:22 | |
OK, if Greg Collin's statement is right, | 0:42:24 | 0:42:27 | |
Megan was around 12 feet from Lucas Talbot when she shot him. | 0:42:27 | 0:42:33 | |
In your own time. | 0:42:35 | 0:42:37 | |
-The two shots hit less than two inches apart. -Easy. | 0:42:37 | 0:42:41 | |
-Good. Now close your eyes. -What, why? | 0:42:50 | 0:42:54 | |
In Megan's statement, she had both her eyes tightly shut. | 0:42:54 | 0:42:57 | |
Her hands were shaking too, but we'll ignore that for the time being. | 0:42:57 | 0:43:01 | |
When you're ready! | 0:43:01 | 0:43:02 | |
Strange... | 0:43:13 | 0:43:14 | |
Megan Talbot, | 0:43:14 | 0:43:17 | |
despite never having fired a gun before, having both eyes shut and hands shaking, | 0:43:17 | 0:43:21 | |
fired two shots which hit inches apart from the same distance. | 0:43:21 | 0:43:26 | |
Dwayne, are we missing something? | 0:43:26 | 0:43:28 | |
Was Mrs Talbot a Navy SEAL or an MI5 agent? | 0:43:28 | 0:43:31 | |
-No, Chief. -I thought not. | 0:43:31 | 0:43:34 | |
Anyone know where this leads? | 0:43:47 | 0:43:49 | |
It's a hiking trail into the woods. I don't think it goes anywhere. | 0:43:49 | 0:43:54 | |
Follow it for a bit. See what you find on the way. | 0:43:54 | 0:43:56 | |
Based on all the accounts we've heard, | 0:43:59 | 0:44:02 | |
I still don't understand why we haven't found the gun. | 0:44:02 | 0:44:05 | |
We went over the whole area with a metal detector. | 0:44:05 | 0:44:08 | |
-We couldn't find anything. -Yeah. Because it was never here. | 0:44:08 | 0:44:11 | |
Because it was moved. Because someone took it. But why? Who? | 0:44:11 | 0:44:14 | |
And the damned button! | 0:44:20 | 0:44:22 | |
I need to get back to the station. | 0:44:22 | 0:44:25 | |
If people only knew! | 0:44:40 | 0:44:43 | |
GUNSHOT | 0:44:43 | 0:44:44 | |
What's happened? | 0:44:45 | 0:44:47 | |
'Can someone help me?' | 0:44:50 | 0:44:51 | |
Lucas! | 0:44:51 | 0:44:53 | |
'It's my husband...' | 0:44:53 | 0:44:55 | |
He's dead. | 0:44:55 | 0:44:57 | |
I shot him. | 0:44:57 | 0:44:59 | |
OK... | 0:45:30 | 0:45:32 | |
What is it? | 0:45:33 | 0:45:34 | |
Why is the most obvious thing always the hardest to see? | 0:45:34 | 0:45:39 | |
What?! | 0:45:39 | 0:45:41 | |
-Dwayne, come in. -I'm here, go ahead. | 0:45:41 | 0:45:44 | |
Tell the chief I've found where the trail leads. He'll never guess. | 0:45:44 | 0:45:48 | |
-'The Knight House.' -How did he do that? | 0:45:48 | 0:45:50 | |
'OK, he probably knows they're getting ready to leave.' | 0:45:51 | 0:45:55 | |
-Unlock Mrs Talbot. -Why? -Put her in the car. | 0:45:55 | 0:45:59 | |
Tell Fidel to meet us at the house. | 0:46:01 | 0:46:03 | |
-And I need you to go and collect something. -Fidel. | 0:46:03 | 0:46:06 | |
-You've got it, haven't you? -Not exactly. | 0:46:06 | 0:46:10 | |
But you know why? | 0:46:10 | 0:46:12 | |
Not fully. | 0:46:12 | 0:46:13 | |
But at least we know how. | 0:46:13 | 0:46:15 | |
Oh, yeah, I know how. | 0:46:15 | 0:46:17 | |
Well, partly. | 0:46:19 | 0:46:21 | |
-Come on. -I'm coming! -What did you put in this? | 0:46:26 | 0:46:30 | |
Oh, for God's sake, stop fannying about, just put them in the car! | 0:46:30 | 0:46:34 | |
Excuse me, can I help you? Excuse me? | 0:46:54 | 0:46:56 | |
What are you doing? | 0:47:02 | 0:47:04 | |
Starting with the corners. | 0:47:04 | 0:47:07 | |
Richard? | 0:47:07 | 0:47:08 | |
Richard? Richard?! | 0:47:08 | 0:47:10 | |
Of course, of course, of course, of course! | 0:47:12 | 0:47:15 | |
-Of course what? -We've been advised by our lawyers to ask you to leave the premises. | 0:47:15 | 0:47:19 | |
We won't be long. | 0:47:19 | 0:47:21 | |
I just need a few minutes of your time. | 0:47:22 | 0:47:25 | |
-Why is SHE here? -Excellent question. | 0:47:29 | 0:47:33 | |
Mr Knight, would you mind passing that phone to Mrs Talbot? | 0:47:34 | 0:47:38 | |
It's mine. | 0:47:42 | 0:47:44 | |
I lost it a few days ago. | 0:47:44 | 0:47:46 | |
-The day you shot your husband? -Yes. -May I? | 0:47:46 | 0:47:50 | |
We, er, found it on the victim's body | 0:47:50 | 0:47:53 | |
after we pulled him out of the sea, | 0:47:53 | 0:47:55 | |
so we of course assumed it was his. | 0:47:55 | 0:47:58 | |
But once we could turn it on, we saw that the screensaver was in fact a photograph of Mr Talbot, | 0:47:58 | 0:48:03 | |
which, unless he was extremely vain, meant it much more likely the phone belonged to his wife. | 0:48:03 | 0:48:08 | |
But why would he have his wife's phone? | 0:48:08 | 0:48:11 | |
Oh, you know, I usually enjoy this part, but, er, | 0:48:14 | 0:48:17 | |
I have to confess to feeling slightly uneasy. | 0:48:17 | 0:48:19 | |
I know how valuable friendship is, and marriage too. | 0:48:19 | 0:48:22 | |
I don't want to, er, wreck one without good reason. | 0:48:22 | 0:48:27 | |
So, Mr Knight, if you could confess to killing Mr Talbot, that would be great. | 0:48:27 | 0:48:31 | |
-What? -And Mrs Knight, if you could confess to covering it up, | 0:48:31 | 0:48:35 | |
that would be most appreciated. | 0:48:35 | 0:48:37 | |
-Go on. It'll be much easier. -I suggest you leave right now. | 0:48:39 | 0:48:43 | |
I will be making a formal complaint to your senior officer. | 0:48:43 | 0:48:47 | |
You know full well Megan admitted to killing Lucas on the beach. | 0:48:47 | 0:48:51 | |
But Lucas wasn't dead... on the beach. Not dead. | 0:48:51 | 0:48:55 | |
The wound on the side of his head that we thought | 0:48:55 | 0:48:57 | |
was caused by a propeller strike was one of two shots Megan took. | 0:48:57 | 0:49:00 | |
-That gun's not even... -'The bullet skimmed his head. It was enough to drop him to the floor.' | 0:49:00 | 0:49:06 | |
Enough to cause substantial blood flow to make him lose consciousness. But it wasn't enough to kill him. | 0:49:06 | 0:49:11 | |
The second shot missed. You shot your husband, Mrs Talbot. | 0:49:11 | 0:49:14 | |
-As my colleagues pointed out all along, that's irrefutable. But you didn't kill him. -What? | 0:49:14 | 0:49:19 | |
So let's ask ourselves, what would a man like this do in such a situation? | 0:49:22 | 0:49:27 | |
'Waking up with the mother of all headaches, | 0:49:28 | 0:49:31 | |
'would he go to the police to tell them he'd been shot, | 0:49:31 | 0:49:34 | |
'seek justice in the correct way? | 0:49:34 | 0:49:36 | |
'Or, would he seek revenge? | 0:49:36 | 0:49:39 | |
'It was a long hike. Especially injured and disoriented. | 0:49:42 | 0:49:45 | |
'I imagine it took him several hours to make his way through the woods but eventually, | 0:49:45 | 0:49:49 | |
'he arrived here, on your lawn.' | 0:49:49 | 0:49:51 | |
'Aren't you forgetting something?' | 0:49:51 | 0:49:53 | |
Am I? | 0:49:53 | 0:49:55 | |
You seem to be accusing me of killing Lucas, | 0:49:55 | 0:49:57 | |
but I spent the night in one of your cells. | 0:49:57 | 0:49:59 | |
Oh, yes, I was coming to that. You see, windows of opportunity can be large or small. | 0:49:59 | 0:50:04 | |
Yours was tiny. | 0:50:04 | 0:50:05 | |
Your window began when you arrived home after we released you and you saw Lucas Talbot. | 0:50:05 | 0:50:10 | |
For reasons we shall come to, this sight terrified you. | 0:50:10 | 0:50:13 | |
HE PANTS: Megan, Megan... left me for dead. | 0:50:13 | 0:50:17 | |
Patrick, help me. | 0:50:17 | 0:50:19 | |
'Patrick, is that you? | 0:50:19 | 0:50:21 | |
'Patrick? Patrick!' | 0:50:23 | 0:50:25 | |
GUNSHOT | 0:50:25 | 0:50:27 | |
This was the fatal wound that we found on the body. | 0:50:28 | 0:50:31 | |
From the same gun, but fired by Mr Knight, not by Mrs Talbot. | 0:50:31 | 0:50:35 | |
I'm sure that Mr Knight concocted some kind of story to explain why Lucas attacked him? | 0:50:36 | 0:50:42 | |
What was it? | 0:50:42 | 0:50:44 | |
He, er, begged you for money, you refused, he threatened to kill you? | 0:50:44 | 0:50:48 | |
But your next problem, was that having just killed Lucas, | 0:50:48 | 0:50:51 | |
there were two police officers at your door. | 0:50:51 | 0:50:55 | |
Right, get him in the shed. | 0:50:56 | 0:50:58 | |
'This is when Mrs Knight's professional instinct kicked in to action. | 0:50:58 | 0:51:03 | |
'The queen of the cover-up got to work, while Patrick hid the body and cleaned the mattress.' | 0:51:04 | 0:51:11 | |
-Where on earth have you been? And where's Lucas? -Mrs Knight? Detective Inspector Richard Poole. | 0:51:14 | 0:51:19 | |
This is Detective Sergeant Camille Bordey. Honore police. | 0:51:19 | 0:51:24 | |
-May we come in? -Of course. | 0:51:24 | 0:51:26 | |
Patrick, darling, it's the police. | 0:51:26 | 0:51:30 | |
-You have a very vivid imagination. -It's the only explanation that fits the facts. | 0:51:31 | 0:51:36 | |
-Good luck getting a jury to agree with you. -Obviously I have evidence. | 0:51:36 | 0:51:40 | |
It was the first thing you took out of the dumpster, Fidel. | 0:51:40 | 0:51:43 | |
Only we didn't know it. | 0:51:43 | 0:51:46 | |
Not from an item of clothing. It's a stud. | 0:51:48 | 0:51:50 | |
Torn from the sunbed when Mr Knight dragged Mr Talbot's corpse off. | 0:51:52 | 0:51:58 | |
Once I knew where the button came from, | 0:52:04 | 0:52:07 | |
it was clear that Mr Talbot couldn't have died on the beach. | 0:52:07 | 0:52:10 | |
And as the watch snagged on the button, it started the stop watch function. | 0:52:10 | 0:52:15 | |
-Exactly. -We arrived here at 9:30am, | 0:52:15 | 0:52:19 | |
and I turned off the stopwatch | 0:52:19 | 0:52:22 | |
-at 10:53am...an hour and 23 minutes. -The time it took for you | 0:52:22 | 0:52:26 | |
to load the body into your car and drive it down to somewhere secluded enough to dump it into the sea. | 0:52:26 | 0:52:31 | |
No doubt throwing the gun in after it, which explains why it was never found. | 0:52:31 | 0:52:35 | |
-This is a joke. -I'm afraid not. | 0:52:35 | 0:52:36 | |
You see, I've established means and opportunity. Everything fits. | 0:52:36 | 0:52:40 | |
Which brings me back to motive. | 0:52:40 | 0:52:42 | |
You see, reports of Mr Talbot drinking on the night of his death, | 0:52:42 | 0:52:45 | |
all said that he was busy texting on his mobile phone. | 0:52:45 | 0:52:48 | |
Which isn't strictly true on two counts. Firstly, | 0:52:48 | 0:52:51 | |
he was READING text messages, and secondly, it wasn't his phone, remember? | 0:52:51 | 0:52:56 | |
It was his wife's. | 0:52:56 | 0:52:58 | |
There's an exchange of texts, quite graphic texts, in fact, | 0:53:00 | 0:53:03 | |
between Mrs Talbot and her lover. | 0:53:03 | 0:53:07 | |
There's no name, there's just a number. | 0:53:07 | 0:53:09 | |
That's why I wanted Mrs Talbot here, | 0:53:11 | 0:53:13 | |
so we could see her and Mr Knight together. | 0:53:13 | 0:53:16 | |
Because they were your texts, weren't they, Mr Knight? | 0:53:16 | 0:53:19 | |
You were having an affair with Mrs Talbot. | 0:53:20 | 0:53:24 | |
That phone is dead! It was in the sea. This is all bluff. | 0:53:24 | 0:53:28 | |
You're trying to stand up to a bigger man than yourself, Inspector, and you'll fail. | 0:53:28 | 0:53:32 | |
In a bar, you could intimidate me, Mr Knight. But here, no. | 0:53:32 | 0:53:36 | |
You stupid bastard! | 0:53:36 | 0:53:39 | |
Mr Talbot discovered the affair after looking at his wife's mobile phone. | 0:53:43 | 0:53:47 | |
He was drinking that night so he could get Dutch courage to confront you both. | 0:53:47 | 0:53:50 | |
And he was threatening to go back into the restaurant | 0:53:50 | 0:53:54 | |
to tell your wife - that's why you were punching him. | 0:53:54 | 0:53:56 | |
And that what your argument on the beach was about, wasn't it? | 0:53:56 | 0:53:59 | |
Little mousey Megan. | 0:53:59 | 0:54:01 | |
If people only knew! | 0:54:02 | 0:54:04 | |
You couldn't afford to have your affair exposed, could you? Not yet. | 0:54:06 | 0:54:11 | |
Not whilst your wife was in the process of financing your new company. | 0:54:11 | 0:54:16 | |
So the woman who prides herself on being in the know, | 0:54:16 | 0:54:20 | |
on being in control and orchestrating things, | 0:54:20 | 0:54:25 | |
was the one person in this entire sordid affair that didn't know the truth. | 0:54:25 | 0:54:29 | |
You killed my best friend so you could steal his wife and MY money! | 0:54:29 | 0:54:34 | |
Shut up! | 0:54:34 | 0:54:35 | |
They can't prove any of this, our lawyers will tear them to shreds. | 0:54:35 | 0:54:39 | |
MY lawyers, and they'll do nothing of the kind. | 0:54:39 | 0:54:43 | |
Well, you'll go down, too! You helped me. | 0:54:43 | 0:54:45 | |
A loyal wife trying to protect her philandering husband? I think I can work with that. | 0:54:45 | 0:54:49 | |
Megan... You didn't kill your husband. | 0:54:52 | 0:54:57 | |
But the truth is, you were far from innocent. | 0:54:57 | 0:54:59 | |
The texts on here are all jumbled, I can't read them. | 0:55:17 | 0:55:20 | |
-Really? -You bluffed him! | 0:55:20 | 0:55:23 | |
Bullies always crumble when you stand your ground. | 0:55:23 | 0:55:25 | |
I learned that one the hard way. | 0:55:25 | 0:55:28 | |
-So it's over now? -Absolutely. | 0:55:35 | 0:55:38 | |
-Did you fancy her? -No. She's not my type. | 0:55:39 | 0:55:42 | |
Oh? What is your type? | 0:55:42 | 0:55:44 | |
To be honest, I've never quite worked that out, | 0:55:44 | 0:55:46 | |
but I suspect the women who shoot you in the head aren't too high up the list. | 0:55:46 | 0:55:50 | |
Yes! | 0:55:58 | 0:55:59 | |
Oh, yes, yes, yes, yes! | 0:56:03 | 0:56:07 | |
KNOCKING Sir. Sir! | 0:56:15 | 0:56:18 | |
One knock will suffice, thank you! | 0:56:18 | 0:56:20 | |
What do you think? | 0:56:27 | 0:56:28 | |
Well, I like the way you've painted it one colour | 0:56:28 | 0:56:31 | |
instead of the 15 colours things have to be painted over here. | 0:56:31 | 0:56:34 | |
-Are you going to give her a test? -What, out there? In the sea? -No, no. | 0:56:34 | 0:56:38 | |
On the road. | 0:56:38 | 0:56:40 | |
Come on! | 0:56:44 | 0:56:45 | |
So what do you think of the name? | 0:56:50 | 0:56:53 | |
Perfect. | 0:56:53 | 0:56:54 | |
Voila! | 0:56:55 | 0:56:57 | |
-Shouldn't this be champagne? -On MY wages? | 0:56:57 | 0:57:00 | |
Very well, I name this boat... | 0:57:00 | 0:57:03 | |
Actually, it's probably not a good idea to spread glass on the beach. | 0:57:03 | 0:57:07 | |
Er, Fidel? | 0:57:07 | 0:57:08 | |
I name this boat Roast Beef. | 0:57:11 | 0:57:13 | |
May God bless her and all who sail in her. | 0:57:13 | 0:57:16 | |
THEY CLAP | 0:57:16 | 0:57:18 | |
It's OK. It's OK. | 0:57:24 | 0:57:25 | |
-You can relax now. -Don't push me! | 0:57:25 | 0:57:29 | |
-I am just trying to get you a drink! -Sorry. | 0:57:29 | 0:57:33 | |
That's what always used to happen at school. | 0:57:33 | 0:57:36 | |
You're not at school anymore. | 0:57:36 | 0:57:38 | |
You're here, on Saint-Marie with some friends. | 0:57:38 | 0:57:40 | |
Colleagues, predominantly, but I take your point. | 0:57:40 | 0:57:43 | |
-Cheers. -Cheers! -Cheers! | 0:57:47 | 0:57:49 | |
You know, strictly speaking, if we were to trace the path of the fishing boat, | 0:57:49 | 0:57:53 | |
we should be able to locate the murder weapon. Sorry. | 0:57:53 | 0:57:57 | |
-Can we just have our drinks now? -Why not? | 0:57:57 | 0:57:59 | |
Live a little, that's what I say. Well, just a little, mind you. | 0:57:59 | 0:58:03 | |
You don't want to go mad. | 0:58:03 | 0:58:04 | |
He's officially in your custody. | 0:58:09 | 0:58:12 | |
Nobody move! | 0:58:12 | 0:58:14 | |
He's been murdered while handcuffed | 0:58:14 | 0:58:16 | |
to one of our murder detectives! | 0:58:16 | 0:58:18 | |
-You didn't see who it was? -You owe me 50 grand. | 0:58:18 | 0:58:21 | |
Sex and money. | 0:58:21 | 0:58:23 | |
This time, it's personal. | 0:58:25 | 0:58:26 | |
-That's her! -Wait! | 0:58:26 | 0:58:28 | |
Subtitles by Red Bee Media Ltd | 0:58:41 | 0:58:44 | |
E-mail [email protected] | 0:58:44 | 0:58:47 |