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-Detective Inspector Poole. I take it you're here for me. -Very good. | 0:00:12 | 0:00:17 | |
What gave us away? | 0:00:17 | 0:00:19 | |
Well, unless you're on some weird stag do... | 0:00:19 | 0:00:21 | |
Vincent Carter. This is the prisoner, Leon Hamilton. | 0:00:23 | 0:00:27 | |
He is officially now in your custody... | 0:00:27 | 0:00:31 | |
but I have been given orders to escort you to Saint-Marie. | 0:00:31 | 0:00:35 | |
Thank you, Vincent. | 0:00:35 | 0:00:36 | |
Mr Hamilton, you understand that, on arrival, | 0:00:36 | 0:00:39 | |
we take you to Saint-Marie Jail where you'll serve the remainder of your sentence. | 0:00:39 | 0:00:43 | |
Pardon. | 0:00:46 | 0:00:48 | |
After you. | 0:00:55 | 0:00:57 | |
So, you've been to Saint-Marie before? | 0:01:04 | 0:01:06 | |
Not that you'll see much of it from inside the prison. | 0:01:08 | 0:01:11 | |
Perhaps when you get out. | 0:01:11 | 0:01:13 | |
I suppose I ought to make the best of the view while I still can. | 0:01:13 | 0:01:16 | |
-Good book? -Not really. | 0:01:33 | 0:01:36 | |
I think Agatha Christie's my favourite. Murder on the Orient Express. | 0:01:36 | 0:01:40 | |
Now that was a good book, | 0:01:40 | 0:01:42 | |
unlike this, where the murder victim died | 0:01:42 | 0:01:45 | |
actually clutching a photograph of his killer. | 0:01:45 | 0:01:47 | |
From what I've read so far, | 0:01:47 | 0:01:50 | |
this case could only have been easier | 0:01:50 | 0:01:51 | |
if the murderer had "Yes, I did it" tattooed on his forehead. | 0:01:51 | 0:01:55 | |
Then you wouldn't need a murder detective at all. | 0:01:55 | 0:01:58 | |
A trained chimp would suffice. | 0:01:58 | 0:02:00 | |
"Inspector Bubbles of the Yard". Got a ring to it. | 0:02:01 | 0:02:05 | |
I do love a good murder. | 0:02:05 | 0:02:07 | |
It's always a bit rough when we leave the harbour, just until we get round the point. | 0:02:16 | 0:02:21 | |
I'm sorry, but do you think I could stretch my legs for a bit? Get some fresh air? | 0:02:21 | 0:02:25 | |
-Do you have to? -I really don't feel too good. | 0:02:25 | 0:02:28 | |
Very well. | 0:02:29 | 0:02:31 | |
Everything OK? | 0:02:32 | 0:02:34 | |
He wants to stretch his legs for a bit. | 0:02:34 | 0:02:37 | |
I'll come with you. | 0:02:37 | 0:02:38 | |
Do you think you'll be sick? | 0:02:43 | 0:02:45 | |
A warning would be appreciated if you do. | 0:02:45 | 0:02:47 | |
Just so that I can take wind direction into account, | 0:02:49 | 0:02:52 | |
take evasive action. | 0:02:52 | 0:02:53 | |
I can't say I blame you. | 0:02:53 | 0:02:55 | |
Excuse me! | 0:02:55 | 0:02:57 | |
Never liked waves, | 0:02:59 | 0:03:02 | |
not since a family holiday to the Isle of Wight when I was nine. | 0:03:02 | 0:03:05 | |
That was a ferry. | 0:03:05 | 0:03:08 | |
The "SS Vomit" I think it was called. | 0:03:08 | 0:03:10 | |
Oh, there we go! Sorry, probably not helping, is it? All this talk... | 0:03:14 | 0:03:18 | |
WOMAN SCREAMS | 0:03:18 | 0:03:20 | |
Vincent! | 0:03:23 | 0:03:24 | |
SCREAMING | 0:03:24 | 0:03:26 | |
Nobody move! Vincent! | 0:03:26 | 0:03:29 | |
What happened? | 0:04:11 | 0:04:13 | |
Leon Hamilton, the prisoner. I'm afraid we lost him. | 0:04:13 | 0:04:16 | |
He got away? | 0:04:16 | 0:04:17 | |
No. "Lost him" as in... | 0:04:17 | 0:04:20 | |
you know, dead. | 0:04:20 | 0:04:21 | |
What was it? A heart attack? | 0:04:21 | 0:04:23 | |
While he was still handcuffed to you? That's terrible! | 0:04:23 | 0:04:26 | |
No, it wasn't a heart attack. He was more... | 0:04:26 | 0:04:29 | |
murdered. Stabbed, to be precise. | 0:04:29 | 0:04:32 | |
Wait, wait! Someone murdered him when he was still handcuffed to you?! | 0:04:32 | 0:04:36 | |
I want a full passenger list. Background checks, see if you can find any link with the deceased. | 0:04:36 | 0:04:40 | |
-Don't forget the ferry crew. -And you didn't see who it was? | 0:04:40 | 0:04:43 | |
I looked away for one second. | 0:04:48 | 0:04:51 | |
-What? -Nothing. -You think it's amusing? -No. | 0:04:53 | 0:04:56 | |
-Have you called the commissioner yet? -No, why? | 0:05:01 | 0:05:04 | |
He asked you to collect the prisoner in person to ensure the transfer went smoothly. | 0:05:04 | 0:05:08 | |
-Yeah. -Well, it didn't, did it? | 0:05:08 | 0:05:11 | |
-Go smoothly? -No. | 0:05:11 | 0:05:14 | |
-Do you want me to come with you? -I'm not a child! | 0:05:14 | 0:05:16 | |
OK! | 0:05:16 | 0:05:18 | |
Have you any idea | 0:05:19 | 0:05:21 | |
how much paperwork this will generate? | 0:05:21 | 0:05:24 | |
What on earth were you doing? | 0:05:24 | 0:05:26 | |
How can someone murder the person standing next to you, | 0:05:26 | 0:05:29 | |
and you not even notice? | 0:05:29 | 0:05:31 | |
I mean, it should be funny. | 0:05:31 | 0:05:33 | |
It sounds funny. They're laughing at Government House, | 0:05:33 | 0:05:36 | |
laughing when they see me. | 0:05:36 | 0:05:38 | |
But I'm not laughing. | 0:05:38 | 0:05:40 | |
I've been lobbying for months to bring Leon Hamilton | 0:05:40 | 0:05:43 | |
to Saint-Marie to finish his sentence. | 0:05:43 | 0:05:46 | |
I even sent my most senior officer to go and collect him. | 0:05:46 | 0:05:51 | |
Do you know why I sent you, Inspector? | 0:05:51 | 0:05:54 | |
Well, I... | 0:05:54 | 0:05:56 | |
I sent you because I wanted the transfer to go smoothly... | 0:05:56 | 0:06:00 | |
..without incident. | 0:06:02 | 0:06:03 | |
Why? Because I couldn't imagine how embarrassing it would be | 0:06:03 | 0:06:07 | |
should he escape whilst in the custody of the Saint-Marie police force. | 0:06:07 | 0:06:12 | |
Look, I had... | 0:06:12 | 0:06:14 | |
A concern that pales into insignificance | 0:06:14 | 0:06:17 | |
now that he's been murdered | 0:06:17 | 0:06:19 | |
whilst handcuffed to one of our murder detectives! | 0:06:19 | 0:06:23 | |
Where were you? | 0:06:27 | 0:06:30 | |
The sea was rough around the point. It happened so fast. | 0:06:30 | 0:06:32 | |
I've spoken to your superiors. | 0:06:32 | 0:06:35 | |
You will stay on the island until I release you. | 0:06:35 | 0:06:38 | |
-Sir, I... -It isn't a request. | 0:06:38 | 0:06:41 | |
They're arranging some accommodation for you, | 0:06:41 | 0:06:43 | |
-and I want a report on my desk by first thing in the morning. -Sir. | 0:06:43 | 0:06:47 | |
Now get out of my sight! | 0:06:47 | 0:06:48 | |
It wasn't his fault, sir. The prisoner was in my custody. | 0:06:52 | 0:06:55 | |
I'd say that's hardly something to be proud of, Inspector. | 0:06:55 | 0:06:59 | |
I could understand if he was secretly poisoned, | 0:06:59 | 0:07:03 | |
in fact, secretly anything! | 0:07:03 | 0:07:06 | |
I could even forgive a gunshot from another boat, | 0:07:06 | 0:07:09 | |
or a jet ski or a helicopter. | 0:07:09 | 0:07:12 | |
But no, a knife was plunged into his back | 0:07:12 | 0:07:16 | |
while you were standing next to him, joined at the wrists! | 0:07:16 | 0:07:20 | |
-Sir. -Sir. | 0:07:27 | 0:07:29 | |
Sir. | 0:07:29 | 0:07:30 | |
Are you OK? | 0:07:35 | 0:07:37 | |
The commissioner and I had a frank exchange of views, | 0:07:38 | 0:07:42 | |
and it was decided I hadn't exactly covered myself in glory | 0:07:43 | 0:07:46 | |
as far as the prisoner's transfer was concerned. | 0:07:46 | 0:07:50 | |
I wholeheartedly agreed with him, | 0:07:50 | 0:07:52 | |
and suggested I be shipped back to London in disgrace. | 0:07:52 | 0:07:56 | |
He refused, but it was worth a try. | 0:07:57 | 0:07:59 | |
So, | 0:07:59 | 0:08:01 | |
as I'm still stuck here, | 0:08:01 | 0:08:03 | |
I intend to find the person who murdered Leon Hamilton... | 0:08:03 | 0:08:08 | |
..who caused me no little embarrassment | 0:08:10 | 0:08:12 | |
if it's the last thing I ever do. | 0:08:12 | 0:08:15 | |
In fact, to coin a phrase, | 0:08:15 | 0:08:17 | |
"this time it's personal". | 0:08:17 | 0:08:20 | |
Where is the bin? | 0:08:20 | 0:08:22 | |
-SHOUTS: -There is never a bin! | 0:08:22 | 0:08:24 | |
Thank you. | 0:08:25 | 0:08:27 | |
I spoke to the coroner, he'll do the autopsy later, | 0:08:27 | 0:08:29 | |
but it looks like a single knife wound, entry point under the shoulder blade. | 0:08:29 | 0:08:33 | |
Then it must have pierced the heart in order for death to be instantaneous. | 0:08:33 | 0:08:38 | |
And you think it was? Instantaneous? | 0:08:40 | 0:08:42 | |
I may have missed the actual blow, Camille, | 0:08:42 | 0:08:44 | |
but I think I'd have noticed if he'd started screaming | 0:08:44 | 0:08:47 | |
-and clutching at his back. -Sorry(!) | 0:08:47 | 0:08:49 | |
Right. What about the passengers? | 0:08:56 | 0:08:59 | |
We've got witness statements, | 0:08:59 | 0:09:00 | |
but it will take a while to cross-check them. | 0:09:00 | 0:09:03 | |
Right, you get onto that. Fidel, I want Leon Hamilton's file sent over. | 0:09:03 | 0:09:07 | |
I want to know details of his circle. | 0:09:07 | 0:09:09 | |
Business associates, lovers, jealous siblings, | 0:09:09 | 0:09:12 | |
anyone who may have had a reason to kill him. | 0:09:12 | 0:09:14 | |
I also want the autopsy report and any forensics on the murder weapon on my desk the second they're done. | 0:09:14 | 0:09:20 | |
Yes, sir. | 0:09:20 | 0:09:22 | |
-So where do we start? -Well, means and opportunity are self-evident, | 0:09:22 | 0:09:25 | |
so the key has to be motive. | 0:09:25 | 0:09:28 | |
Who wanted Leon Hamilton dead? | 0:09:28 | 0:09:30 | |
HE KNOCKS | 0:09:37 | 0:09:38 | |
He's dead. | 0:09:45 | 0:09:47 | |
And you owe me fifty grand. | 0:09:47 | 0:09:50 | |
There were 180 passengers. We can maybe discount 50 of those. | 0:09:53 | 0:09:56 | |
Why? | 0:09:56 | 0:09:57 | |
We have witness statements placing them either in the inside section or in a group. | 0:09:57 | 0:10:02 | |
-That still leaves 130 suspects. -And none of them saw anything? | 0:10:02 | 0:10:05 | |
Nothing. The ferry captain also said you were only about a mile away from the coast | 0:10:05 | 0:10:09 | |
when the victim was found dead. | 0:10:09 | 0:10:10 | |
Meaning someone could have swum to shore after the murder. | 0:10:10 | 0:10:13 | |
So we can't even be sure that the killer was still on the ferry when you got to Saint-Marie? | 0:10:13 | 0:10:18 | |
-If you're looking at suspects, I think I can add some names. -How many? | 0:10:18 | 0:10:22 | |
Just about...900. | 0:10:22 | 0:10:24 | |
Well, it's hardly my idea of a luxury resort. | 0:10:26 | 0:10:30 | |
A tad underdeveloped, you might say. | 0:10:30 | 0:10:33 | |
What actually happened? | 0:10:33 | 0:10:34 | |
About two years ago, hundreds of people on the island invested in Paradise Beach. | 0:10:34 | 0:10:38 | |
When it went under, they all lost their money. | 0:10:38 | 0:10:42 | |
It was worse than that. | 0:10:42 | 0:10:43 | |
Small businesses put their money in, hoping to get the catering and cleaning contracts. | 0:10:43 | 0:10:47 | |
Other people put their pension funds in. | 0:10:47 | 0:10:50 | |
It destroyed a lot of lives. | 0:10:50 | 0:10:51 | |
That's terrible. | 0:10:51 | 0:10:53 | |
The construction company was based in Guadeloupe. | 0:10:53 | 0:10:55 | |
Leon Hamilton was charged with embezzlement and false accounting. | 0:10:55 | 0:10:59 | |
That's why the commissioner wanted him to finish his sentence here. | 0:10:59 | 0:11:02 | |
-So that justice could be seen to be done. -Yes. | 0:11:02 | 0:11:06 | |
The commissioner's name is on here, too. | 0:11:06 | 0:11:09 | |
So he knew Leon Hamilton? | 0:11:09 | 0:11:10 | |
I doubt it. But officially... | 0:11:10 | 0:11:12 | |
if the commissioner lost money, does that make him a suspect? | 0:11:12 | 0:11:16 | |
I imagine it does. | 0:11:16 | 0:11:18 | |
Who wants to be the first to interview him? | 0:11:19 | 0:11:22 | |
No? | 0:11:22 | 0:11:24 | |
Right, well, let's cross him off for now, shall we? | 0:11:24 | 0:11:27 | |
So we've got a man murdered in broad daylight while handcuffed to a police officer, | 0:11:27 | 0:11:31 | |
just over a thousand suspects, and it's a hundred degrees. | 0:11:31 | 0:11:35 | |
Marvellous. | 0:11:36 | 0:11:37 | |
That's odd. | 0:11:48 | 0:11:50 | |
It says here Leon Hamilton was a keen sailor, had his own yacht. | 0:11:53 | 0:11:56 | |
Is that important? | 0:11:56 | 0:11:59 | |
It was a bit rough as we left the harbour, and he complained of feeling sick. | 0:11:59 | 0:12:03 | |
Why would he feel seasick if he was an experienced sailor? | 0:12:03 | 0:12:07 | |
Did he actually say he was seasick? | 0:12:07 | 0:12:09 | |
No. | 0:12:11 | 0:12:12 | |
-Then it could have been something else. -I suppose so. | 0:12:12 | 0:12:15 | |
Fidel, tell them I want a toxicology report on the victim, | 0:12:15 | 0:12:18 | |
-just to be on the safe side. -Yes, sir. | 0:12:18 | 0:12:20 | |
I have a woman here who said she spoke to the officer on the ferry. | 0:12:20 | 0:12:23 | |
They talked about the book he was reading? | 0:12:23 | 0:12:26 | |
Yep, that was before we went outside. | 0:12:26 | 0:12:29 | |
Said she loved a good murder. | 0:12:29 | 0:12:31 | |
Suzie Park? | 0:12:33 | 0:12:34 | |
On her way to visit grandparents in Saint-Marie. | 0:12:34 | 0:12:38 | |
Check to see if her grandparents are on the investors list. | 0:12:38 | 0:12:41 | |
In fact, we should check everyone on the passengers list | 0:12:41 | 0:12:45 | |
-against the investors list. -PHONE RINGS | 0:12:45 | 0:12:47 | |
-OK, I know this guy. -Who? | 0:12:47 | 0:12:50 | |
-Samuel King. -Yes? -He's bad news. -Violent? | 0:12:50 | 0:12:53 | |
-Very. -Put him on the A pile. | 0:12:53 | 0:12:56 | |
Thank you. | 0:12:56 | 0:12:57 | |
Leon Hamilton's wife is flying in from Guadeloupe tomorrow morning | 0:12:57 | 0:13:01 | |
-to formally identify the body. -OK, go and meet her. | 0:13:01 | 0:13:04 | |
See if you can get her story while you're at it. | 0:13:04 | 0:13:06 | |
-OK. -It's late. | 0:13:06 | 0:13:09 | |
We should call it a day. | 0:13:09 | 0:13:10 | |
How was your day? | 0:13:29 | 0:13:31 | |
That bad, eh? | 0:13:32 | 0:13:34 | |
Although I'm assuming no-one actually died. | 0:13:34 | 0:13:36 | |
Which means I almost certainly have you beat. | 0:13:37 | 0:13:40 | |
CARD PLAYS "HAPPY BIRTHDAY" | 0:13:47 | 0:13:49 | |
KNOCKING | 0:13:54 | 0:13:57 | |
Shush! | 0:13:57 | 0:13:58 | |
Morning, sir. | 0:14:09 | 0:14:11 | |
-Thank you. -Mm-hmm. -Have a good day. | 0:14:17 | 0:14:20 | |
-OK, thank you, sir, we have your details. -Thank you. | 0:14:23 | 0:14:25 | |
-That's the third one this week. -What? | 0:14:26 | 0:14:29 | |
An old beggar woman. She stops tourists by asking them for money. | 0:14:29 | 0:14:32 | |
When they take out their wallet or purse, she snatches it and runs. | 0:14:32 | 0:14:36 | |
-Morning, team. -Morning, sir. -Chief. -Where were you last night? | 0:14:36 | 0:14:40 | |
Ah. Yes, sorry, I went straight home. | 0:14:40 | 0:14:42 | |
Thought I'd finish these. | 0:14:42 | 0:14:44 | |
-And? -Hopeless. | 0:14:44 | 0:14:46 | |
The ferry was bound for Saint-Marie, so virtually everyone on it | 0:14:46 | 0:14:49 | |
knew someone who'd lost money on the Paradise Beach complex. | 0:14:49 | 0:14:53 | |
The autopsy and toxicology reports are done, but their e-mail is down. | 0:14:53 | 0:14:56 | |
-They'll phone them through. -OK. Dwayne and Fidel, | 0:14:56 | 0:14:59 | |
start rounding up everyone on our A list. | 0:14:59 | 0:15:01 | |
Let's eliminate who we can. | 0:15:01 | 0:15:03 | |
Yes, Chief. | 0:15:03 | 0:15:04 | |
Let's find out if there were any bigger investors in Paradise Beach, | 0:15:04 | 0:15:08 | |
anyone who lost enough money to want to kill Leon Hamilton. | 0:15:08 | 0:15:11 | |
We've got details of the bank. I'll call them on my way to the airport. | 0:15:11 | 0:15:14 | |
-Airport? -Mrs Hamilton is coming to identify her husband's body. | 0:15:14 | 0:15:18 | |
-Remember? -Ah, yes. Sorry. | 0:15:18 | 0:15:20 | |
PHONE RINGS | 0:15:20 | 0:15:21 | |
That should be the autopsy. | 0:15:21 | 0:15:23 | |
Great. | 0:15:23 | 0:15:24 | |
Put it on speaker phone. DI Richard Poole. | 0:15:24 | 0:15:27 | |
'# Happy birthday to you! Happy birthday to you! | 0:15:27 | 0:15:32 | |
-'# Happy Birthday... #' -Mum, Dad. Erm, yep, thank you. | 0:15:32 | 0:15:36 | |
Yes, the birthday card came yesterday | 0:15:36 | 0:15:40 | |
and the parcel came this morning. Thank you. | 0:15:40 | 0:15:43 | |
No, always good to send separately, just in case. | 0:15:43 | 0:15:46 | |
Yep. Yep. Listen, Mum, I'm actually at work | 0:15:47 | 0:15:50 | |
and, erm, I'm about to go into a meeting, so could we do this later? | 0:15:50 | 0:15:54 | |
Yep. Thanks again. | 0:15:56 | 0:15:57 | |
You too, yep. Bye. | 0:15:59 | 0:16:01 | |
Goodbye. | 0:16:01 | 0:16:02 | |
It's your birthday, sir? | 0:16:02 | 0:16:04 | |
-Yes. -Today? -Yes. | 0:16:06 | 0:16:07 | |
-Happy birthday. -Happy birthday, sir. -Thank you. -So, how old are you? | 0:16:07 | 0:16:11 | |
None of your business how old I am. | 0:16:11 | 0:16:13 | |
Would everybody please get on with their tasks? | 0:16:13 | 0:16:16 | |
THEY WHISTLE "HAPPY BIRTHDAY" | 0:16:19 | 0:16:23 | |
Morning. | 0:16:44 | 0:16:46 | |
Thank you. | 0:17:04 | 0:17:05 | |
That can't have been easy. | 0:17:05 | 0:17:07 | |
He looked so... | 0:17:10 | 0:17:12 | |
still. | 0:17:12 | 0:17:14 | |
I'm sorry. | 0:17:16 | 0:17:18 | |
-That's a stupid thing to say. -No. | 0:17:18 | 0:17:19 | |
What did I expect? | 0:17:19 | 0:17:21 | |
He was hardly going to be tap dancing, was he? | 0:17:21 | 0:17:24 | |
It's just that... | 0:17:26 | 0:17:27 | |
..I've never seen a dead body before. | 0:17:29 | 0:17:32 | |
Have you any family here? | 0:17:33 | 0:17:35 | |
Someone who can be with you? | 0:17:35 | 0:17:36 | |
It's just us. | 0:17:36 | 0:17:38 | |
Me. No. | 0:17:38 | 0:17:40 | |
You must have loved him very much. | 0:17:43 | 0:17:45 | |
Yes. | 0:17:47 | 0:17:48 | |
If you're ready, I can take you to your hotel? | 0:17:54 | 0:17:57 | |
I'm ready. Thank you. | 0:17:59 | 0:18:00 | |
This is terribly exciting. | 0:18:00 | 0:18:03 | |
I just need enough information | 0:18:03 | 0:18:04 | |
to eliminate you from our enquiries, Mrs, um... | 0:18:04 | 0:18:07 | |
Miss. Park. | 0:18:07 | 0:18:08 | |
-Miss Park. -I love being interviewed. | 0:18:08 | 0:18:11 | |
Though you realise the chances it's a member of the public are remote? | 0:18:11 | 0:18:15 | |
I'm sorry? | 0:18:15 | 0:18:17 | |
Any self-respecting murder aficionado would know | 0:18:17 | 0:18:20 | |
about the Texas Institute of Criminal Profiling research | 0:18:20 | 0:18:23 | |
-into murder in a public place. -Well... | 0:18:23 | 0:18:25 | |
In 109 cases studied over 11 years, | 0:18:25 | 0:18:27 | |
in only 3% of single murders committed in a public place | 0:18:27 | 0:18:32 | |
was the killer found to have known the victim | 0:18:32 | 0:18:34 | |
-or indeed had any prior contact. -I see... | 0:18:34 | 0:18:37 | |
67% were carried out by paid assassins or hit men of some kind. | 0:18:37 | 0:18:40 | |
22% were the result of a dispute | 0:18:40 | 0:18:42 | |
-that originated within an hour of the murder. -Can I just... | 0:18:42 | 0:18:45 | |
So a murder on a crowded ferry is almost certainly the work of someone paid... | 0:18:45 | 0:18:49 | |
Miss Park! | 0:18:49 | 0:18:51 | |
Much as I appreciate your enthusiasm, | 0:18:51 | 0:18:54 | |
can I just ask a few simple questions | 0:18:54 | 0:18:57 | |
to establish your whereabouts? | 0:18:57 | 0:18:59 | |
Yes. | 0:18:59 | 0:19:00 | |
Sorry. I got a bit excited. | 0:19:00 | 0:19:02 | |
No, not at all. When I took the prisoner up to the seating area, | 0:19:02 | 0:19:05 | |
you came out a few moments later. | 0:19:05 | 0:19:07 | |
Yes. | 0:19:07 | 0:19:09 | |
You knew I was with the prisoner? | 0:19:09 | 0:19:11 | |
Yes, I saw you. He was bent over. It looked like he was being sick. | 0:19:11 | 0:19:15 | |
And during your time outside, did you see anyone | 0:19:15 | 0:19:18 | |
with a knife, or acting particularly suspiciously? | 0:19:18 | 0:19:22 | |
No. | 0:19:22 | 0:19:23 | |
The boat was a bit rocky. I was just holding on, to be honest. | 0:19:23 | 0:19:27 | |
Erm...your grandparents, | 0:19:27 | 0:19:30 | |
-they invested in the Paradise Beach complex a few years ago. -Yes? | 0:19:30 | 0:19:35 | |
You weren't aware the prisoner was Leon Hamilton, | 0:19:35 | 0:19:37 | |
-the man convicted of fraud when it went bust? -No, I wasn't. | 0:19:37 | 0:19:41 | |
You didn't know? | 0:19:41 | 0:19:42 | |
No. But if I had, I'd have happily murdered him. | 0:19:42 | 0:19:45 | |
He took everything my grandparents had, every last penny. | 0:19:45 | 0:19:48 | |
I'm sorry. | 0:19:48 | 0:19:49 | |
That makes me a suspect, doesn't it? | 0:19:51 | 0:19:53 | |
Fidel! | 0:19:53 | 0:19:54 | |
Of course I'll make myself completely available, | 0:19:54 | 0:19:57 | |
should you need me again. | 0:19:57 | 0:19:58 | |
Would you like my passport? | 0:19:58 | 0:20:01 | |
No, it's OK. Thank you for your help, Miss Park. Have a good day. | 0:20:01 | 0:20:04 | |
She seemed very chirpy. | 0:20:07 | 0:20:08 | |
Mad as a bag of frogs. | 0:20:08 | 0:20:10 | |
Is that the autopsy report? | 0:20:10 | 0:20:12 | |
Yes, sir. Came while you were with Miss Park. | 0:20:12 | 0:20:14 | |
-Single wound, through the heart, just like you said. -Hmm. | 0:20:14 | 0:20:17 | |
-Anything else? -No other injuries, no. | 0:20:17 | 0:20:20 | |
-Toxicology? -All clear. | 0:20:20 | 0:20:22 | |
Forensics on the murder weapon is with the report. No fingerprints. | 0:20:22 | 0:20:25 | |
We're checking the make of the knife and outlets that sell it, | 0:20:25 | 0:20:28 | |
but it's a pretty common blade. | 0:20:28 | 0:20:31 | |
-Thanks, Fidel. -Sir. | 0:20:31 | 0:20:33 | |
-Sir? -Mm-hmm? | 0:20:33 | 0:20:36 | |
I hoped I could spend some time in the market today, round lunchtime. | 0:20:36 | 0:20:39 | |
See if I can find our beggar thief. | 0:20:39 | 0:20:41 | |
Beggar thief? | 0:20:41 | 0:20:43 | |
Yes, sir. | 0:20:43 | 0:20:45 | |
A woman posing as a beggar, stealing from tourists. | 0:20:45 | 0:20:47 | |
I hate this kind of crime, sir. | 0:20:47 | 0:20:49 | |
It reflects badly on the island. | 0:20:49 | 0:20:51 | |
Two of the last thefts were at lunchtime, so... | 0:20:51 | 0:20:53 | |
-Modus operandi. -Yes, sir. -Then of course you must go. | 0:20:53 | 0:20:57 | |
Vincent. | 0:21:05 | 0:21:07 | |
-How's it going? -It isn't. -Ah. | 0:21:09 | 0:21:12 | |
Turns out he was the most unpopular man on the island, | 0:21:12 | 0:21:14 | |
so I'm knee-deep in suspects. | 0:21:14 | 0:21:17 | |
But that's a good thing, isn't it? | 0:21:17 | 0:21:19 | |
No. Two or three's good, | 0:21:19 | 0:21:21 | |
then you can whittle away by process of gradual elimination. | 0:21:21 | 0:21:25 | |
907 just muddies the waters. | 0:21:25 | 0:21:28 | |
Whoa, whoa. What's that? | 0:21:28 | 0:21:30 | |
-I heard it was someone's birthday. -I'm a year older. | 0:21:31 | 0:21:34 | |
It hardly warrants a firework display. Take it away. | 0:21:34 | 0:21:37 | |
-I thought you'd like it. -Well, I don't. | 0:21:37 | 0:21:39 | |
I came to clear my head and for a cup of tea, so just tea, please, | 0:21:39 | 0:21:43 | |
without any form of incendiary attached. | 0:21:43 | 0:21:45 | |
I think you might have upset her. | 0:21:47 | 0:21:49 | |
She's French, it's an occupational hazard. | 0:21:49 | 0:21:53 | |
Sorry we're making slow progress. | 0:21:53 | 0:21:55 | |
-You must be keen to get home. -A little. | 0:21:55 | 0:21:58 | |
I'll speak to the commissioner. No point you being stuck here. | 0:21:58 | 0:22:01 | |
Thank you. | 0:22:01 | 0:22:03 | |
-How well did you know Leon Hamilton? -Not that well. | 0:22:03 | 0:22:06 | |
I'd see him in the association room sometimes. | 0:22:06 | 0:22:09 | |
But I work in admissions, so... | 0:22:09 | 0:22:11 | |
There are over 300 prisoners in the jail. | 0:22:11 | 0:22:15 | |
Men like Leon Hamilton tend to keep their heads down. | 0:22:15 | 0:22:19 | |
That's the thing, you see, he didn't strike me as a con man. | 0:22:19 | 0:22:22 | |
There was no brashness. | 0:22:22 | 0:22:23 | |
Oh? | 0:22:23 | 0:22:25 | |
In fact, I'd say there was a... | 0:22:25 | 0:22:27 | |
sadness about him. | 0:22:27 | 0:22:29 | |
Well, he was going from one prison to another. | 0:22:29 | 0:22:32 | |
True. | 0:22:33 | 0:22:34 | |
Dwayne said you were here. | 0:22:34 | 0:22:36 | |
Vincent, you remember Detective Sergeant Bordey. | 0:22:36 | 0:22:40 | |
Hello, Vincent. You found us, then? | 0:22:40 | 0:22:42 | |
I suggested he came here for his meals. | 0:22:42 | 0:22:44 | |
Catherine has been very thoughtful. | 0:22:44 | 0:22:47 | |
Yes. He has that effect on my mother. | 0:22:50 | 0:22:53 | |
-Do you have family, Vincent? -I'm divorced. | 0:22:53 | 0:22:56 | |
Oh, that's a shame. | 0:22:56 | 0:22:58 | |
For my bank balance, yes. | 0:22:58 | 0:23:01 | |
Please let me know if there's anything I can do to help. | 0:23:01 | 0:23:03 | |
Au revoir, Catherine. | 0:23:08 | 0:23:09 | |
Au revoir, Vincent. | 0:23:09 | 0:23:11 | |
Got a spoon? | 0:23:13 | 0:23:15 | |
So, Mrs Hamilton formally identified her husband. | 0:23:16 | 0:23:20 | |
She told me she has little to do with his business, | 0:23:20 | 0:23:24 | |
and she was as shocked as everyone else | 0:23:24 | 0:23:26 | |
when he was found guilty of fraud. | 0:23:26 | 0:23:28 | |
How long's she staying on Saint-Marie? | 0:23:28 | 0:23:30 | |
Just long enough to make the funeral arrangements. | 0:23:30 | 0:23:33 | |
Hmm. | 0:23:33 | 0:23:35 | |
Is she, erm... | 0:23:35 | 0:23:37 | |
not having the body shipped home? | 0:23:37 | 0:23:39 | |
No, she said he used to sail around the islands | 0:23:39 | 0:23:41 | |
and he loved Saint-Marie, | 0:23:41 | 0:23:43 | |
so she wants him cremated here. | 0:23:43 | 0:23:45 | |
SHE DIALS | 0:23:50 | 0:23:52 | |
I'm here. | 0:23:56 | 0:23:57 | |
Leon Hamilton told me he'd never been to Saint-Marie before, | 0:24:02 | 0:24:05 | |
yet now his wife says he often sailed here | 0:24:05 | 0:24:07 | |
and it was his favourite place. | 0:24:07 | 0:24:09 | |
Haven't you ever heard of a husband and wife who don't communicate? | 0:24:09 | 0:24:13 | |
Yet add the fact that supposedly he was an experienced sailor | 0:24:13 | 0:24:17 | |
who felt seasick on a ferry, | 0:24:17 | 0:24:20 | |
and something just doesn't add up. | 0:24:20 | 0:24:22 | |
Like what? | 0:24:24 | 0:24:26 | |
Maybe he lied to his wife about where he'd been, | 0:24:27 | 0:24:30 | |
to cover up an affair. | 0:24:30 | 0:24:31 | |
Maybe she lied about him loving Saint-Marie, | 0:24:31 | 0:24:34 | |
because their marriage was a sham | 0:24:34 | 0:24:35 | |
and she didn't care enough to have him shipped home. | 0:24:35 | 0:24:38 | |
No, she loved him. I'm sure of it. | 0:24:38 | 0:24:40 | |
How? | 0:24:40 | 0:24:41 | |
I talked to her. | 0:24:41 | 0:24:42 | |
And you can tell whether people are in love | 0:24:44 | 0:24:46 | |
just by talking to them, can you? | 0:24:46 | 0:24:47 | |
Yes. | 0:24:47 | 0:24:49 | |
By what they say, | 0:24:49 | 0:24:51 | |
their eyes, the tone of their voice... | 0:24:51 | 0:24:53 | |
I find that very hard to believe. | 0:24:53 | 0:24:56 | |
Have you ever been in love? | 0:24:58 | 0:25:00 | |
This has to be connected to Hamilton's business dealings. | 0:25:04 | 0:25:07 | |
Have we spoken to the bank? | 0:25:07 | 0:25:08 | |
No. They haven't got back to me. | 0:25:08 | 0:25:10 | |
Then let's start there. | 0:25:10 | 0:25:11 | |
WOMAN SCREAMS | 0:25:29 | 0:25:31 | |
What about Samuel King's statement? | 0:25:52 | 0:25:53 | |
Anything of interest? | 0:25:53 | 0:25:56 | |
He's been around long enough not to give too much away. | 0:25:56 | 0:26:00 | |
I asked him why he was on the ferry. | 0:26:00 | 0:26:02 | |
He said he was sightseeing. | 0:26:02 | 0:26:04 | |
He denies knowing the victim. | 0:26:04 | 0:26:06 | |
But you don't believe him? | 0:26:06 | 0:26:08 | |
The thing is, I saw him at the bar paying for his coffee. | 0:26:08 | 0:26:12 | |
He had a wad of notes big enough to choke a donkey. | 0:26:12 | 0:26:15 | |
-Did you ask him about it? -He said he sold an old car. | 0:26:15 | 0:26:19 | |
-But? -He couldn't remember what kind of car it was, | 0:26:19 | 0:26:22 | |
whose name it was registered in, or who he sold it to. | 0:26:22 | 0:26:26 | |
I could bring him in. | 0:26:26 | 0:26:27 | |
A criminal with a wad of cash isn't going to be honest | 0:26:27 | 0:26:29 | |
about how he got it, is he? | 0:26:29 | 0:26:31 | |
That doesn't make him a murderer. | 0:26:31 | 0:26:33 | |
Oh, I'm supposed to be at the bank. | 0:26:35 | 0:26:37 | |
I don't believe it! I was so close! | 0:26:37 | 0:26:40 | |
The beggar thief struck in the market again. | 0:26:40 | 0:26:42 | |
-She got a purse. -You got outrun by a little old lady? | 0:26:42 | 0:26:45 | |
She disappeared down an alley, so... | 0:26:45 | 0:26:47 | |
The shame of it. | 0:26:47 | 0:26:49 | |
-Maybe next time, you try and catch her. -OK, see you later. | 0:26:49 | 0:26:52 | |
Wait, wait. What are we doing for the Chief's birthday? | 0:26:52 | 0:26:55 | |
I don't think he's keen on surprises. | 0:26:55 | 0:26:57 | |
We have to do something! | 0:26:57 | 0:26:59 | |
-You could run down and get a cake. -You think? | 0:26:59 | 0:27:02 | |
No, on second thoughts, wait till we catch your little old lady. | 0:27:02 | 0:27:05 | |
We'll send her. She'll be quicker. | 0:27:05 | 0:27:07 | |
I'm sorry to interrupt your break. | 0:27:10 | 0:27:13 | |
You don't want bank coffee, believe me. Please. | 0:27:13 | 0:27:16 | |
-Thank you. -Bonjour. | 0:27:16 | 0:27:17 | |
-Cappuccino, please. -Two. | 0:27:19 | 0:27:21 | |
Water for me. Thank you. | 0:27:21 | 0:27:22 | |
When Leon Hamilton put his company into liquidation | 0:27:22 | 0:27:26 | |
and his creditors were notified, | 0:27:26 | 0:27:28 | |
it was soon clear none of his suppliers had been paid, | 0:27:28 | 0:27:30 | |
even though the company accounts showed they had. | 0:27:30 | 0:27:33 | |
-False accounting? -Yes. | 0:27:33 | 0:27:35 | |
-That's when we called the police. -How much money? | 0:27:35 | 0:27:38 | |
Close to 2 million is still unaccounted for. | 0:27:38 | 0:27:42 | |
Our investigators tried to track it down but it was transferred overseas. | 0:27:42 | 0:27:46 | |
They got as far as Miami, and then lost it. | 0:27:46 | 0:27:49 | |
-We think it's in Europe somewhere. -So Paradise Beach was a scam? | 0:27:49 | 0:27:53 | |
Essentially, yes. He raised almost a million from private investors | 0:27:53 | 0:27:57 | |
-and took a loan from us for the rest. -And the loan was unsecured? | 0:27:57 | 0:28:01 | |
It was secured against the land, | 0:28:01 | 0:28:03 | |
but it now seems that the land was virtually worthless. | 0:28:03 | 0:28:07 | |
Anything he built there would have fallen into the sea within a year. | 0:28:07 | 0:28:11 | |
He'd falsified surveyors' reports. | 0:28:11 | 0:28:13 | |
Were there any larger investors? Anyone who took a real hit? | 0:28:13 | 0:28:17 | |
The largest single investor after the bank | 0:28:17 | 0:28:20 | |
was a local businessman, Gordon Foster. | 0:28:20 | 0:28:23 | |
He attended Leon Hamilton's trial. | 0:28:23 | 0:28:25 | |
Got thrown out for shouting abuse at the defendant. | 0:28:25 | 0:28:29 | |
So he's a man with a grudge. | 0:28:29 | 0:28:31 | |
He lost 300,000. Wouldn't you be? | 0:28:31 | 0:28:34 | |
I've brought statements from all the relevant accounts. | 0:28:36 | 0:28:41 | |
-That's Gordon's. -Uh-huh. | 0:28:45 | 0:28:47 | |
Mr Foster? | 0:28:48 | 0:28:50 | |
Detective Inspector Richard Poole. | 0:28:50 | 0:28:52 | |
-This is Detective Sergeant Bordey. May we join you? -Be my guest. | 0:28:52 | 0:28:56 | |
How can I help? | 0:28:58 | 0:28:59 | |
We'd like to talk to you about Leon Hamilton. | 0:28:59 | 0:29:02 | |
There's not much to say. | 0:29:02 | 0:29:03 | |
He was a con man and deserved all he got. | 0:29:03 | 0:29:06 | |
You're saying he deserved to die? | 0:29:06 | 0:29:07 | |
I meant prison. | 0:29:08 | 0:29:10 | |
Though there was a time when I'd have gladly strangled him with my bare hands. | 0:29:10 | 0:29:14 | |
That's a figure of speech. | 0:29:16 | 0:29:18 | |
-How well did you know him? -Hardly at all. | 0:29:20 | 0:29:23 | |
He was a bit of a recluse. I had one meeting to listen to his pitch | 0:29:23 | 0:29:28 | |
telling me how much money I was going to make, | 0:29:28 | 0:29:31 | |
and another to sign a contract. | 0:29:31 | 0:29:32 | |
-In Saint-Marie? -No. I had to fly to Guadeloupe. | 0:29:32 | 0:29:35 | |
He talked about opening an office here, but it never happened. | 0:29:35 | 0:29:39 | |
Now I know why. | 0:29:39 | 0:29:41 | |
And the next time you saw him was in court? | 0:29:41 | 0:29:43 | |
-Yes. -Where you threatened him? | 0:29:43 | 0:29:46 | |
Too right. | 0:29:46 | 0:29:48 | |
I invested because I run a cleaning firm. | 0:29:50 | 0:29:52 | |
Hamilton promised me the contracts to Paradise Beach if I did. | 0:29:52 | 0:29:55 | |
40 people lost their jobs when he went bust | 0:29:55 | 0:29:58 | |
and the bugger very nearly took me down with him. | 0:29:58 | 0:30:02 | |
Luckily, his wife appears to have stood by him. | 0:30:02 | 0:30:05 | |
-What? -HIS marriage didn't break up, did it? | 0:30:05 | 0:30:09 | |
How the hell did you know... | 0:30:09 | 0:30:10 | |
You have a tan line. | 0:30:10 | 0:30:12 | |
The divorce came through last week. | 0:30:15 | 0:30:18 | |
Me losing all the money and the stress of it all, it... | 0:30:18 | 0:30:22 | |
it was the last straw. | 0:30:22 | 0:30:24 | |
-Can I ask where you were yesterday? -In my office. | 0:30:24 | 0:30:27 | |
-All day? -From 8:30am until 7pm. | 0:30:27 | 0:30:29 | |
-Witnesses? -How many would you like? | 0:30:29 | 0:30:31 | |
One would suffice. | 0:30:31 | 0:30:32 | |
HE CLEARS HIS THROAT | 0:30:35 | 0:30:37 | |
This is the number of Alice, my PA. | 0:30:37 | 0:30:40 | |
She was with me all day. | 0:30:44 | 0:30:45 | |
Thank you. | 0:30:47 | 0:30:49 | |
Well, he lost a fortune. | 0:30:52 | 0:30:54 | |
His business was clearly threatened, and he lost his wife and son. | 0:30:54 | 0:30:59 | |
Motive enough for me. | 0:30:59 | 0:31:00 | |
Thank you for agreeing to see us. | 0:31:01 | 0:31:04 | |
Well, I'm not sure what help I can be. | 0:31:04 | 0:31:07 | |
-Your husband sailed a yacht around Saint-Marie, I understand? -Yes. | 0:31:07 | 0:31:12 | |
A lot? | 0:31:12 | 0:31:14 | |
Er, I don't know. Yes. | 0:31:15 | 0:31:17 | |
-Apparently enough for you to want to cremate him here. -Yes. Yes. | 0:31:17 | 0:31:21 | |
I mean... Sorry, how is this important? | 0:31:21 | 0:31:24 | |
I won't know that until I have your answer. So, how many times | 0:31:24 | 0:31:28 | |
-did he come sailing here? Once? Twice? -I said I didn't recall. | 0:31:28 | 0:31:31 | |
I see. | 0:31:33 | 0:31:35 | |
I understand you weren't involved in the Paradise Beach complex. | 0:31:36 | 0:31:39 | |
Not really. I mean, of course I knew about it, | 0:31:39 | 0:31:42 | |
because Leon would talk about it. But details? | 0:31:42 | 0:31:45 | |
Business isn't my strong point. | 0:31:45 | 0:31:47 | |
So you wouldn't have any idea where he'd stash 2 million? | 0:31:47 | 0:31:50 | |
Excuse me? | 0:31:52 | 0:31:53 | |
The amount the bank believe he'd stolen from the company account. | 0:31:53 | 0:31:57 | |
I would know if we had that sort of money, | 0:31:59 | 0:32:02 | |
and I can you assure you we most certainly did not. | 0:32:02 | 0:32:04 | |
Or perhaps he simply didn't tell you about it. | 0:32:04 | 0:32:07 | |
I'm sorry, I think that's enough. | 0:32:09 | 0:32:11 | |
Oh? | 0:32:11 | 0:32:12 | |
My husband died only yesterday. | 0:32:15 | 0:32:18 | |
In your care, as I understand it. | 0:32:18 | 0:32:21 | |
So I have no intention of sitting here listening to you sully his memory. | 0:32:21 | 0:32:24 | |
Despite what you may have heard, my husband was not a con man. | 0:32:26 | 0:32:29 | |
He may have cut the odd corner. What businessman doesn't? | 0:32:29 | 0:32:32 | |
But he wanted Paradise Beach to work as much as everybody. | 0:32:32 | 0:32:35 | |
He was just unlucky. Nothing more. | 0:32:35 | 0:32:37 | |
And whatever his shortcomings, | 0:32:37 | 0:32:39 | |
he certainly didn't deserve to die for them. | 0:32:39 | 0:32:43 | |
-See? -See what? -I told you she loved him. | 0:32:45 | 0:32:48 | |
Hm. She could just be a very convincing liar. | 0:32:48 | 0:32:51 | |
But she talked with such passion. | 0:32:51 | 0:32:53 | |
Mm, but passion for her dead husband | 0:32:53 | 0:32:56 | |
or passion not to get caught for being involved in his murder? | 0:32:56 | 0:33:00 | |
-Oh, chief? The commissioner called in. -Oh? | 0:33:08 | 0:33:11 | |
He wanted to know if we'd made any progress in the Leon Hamilton case. | 0:33:11 | 0:33:15 | |
Thank you. | 0:33:15 | 0:33:17 | |
PHONE RINGS | 0:33:17 | 0:33:19 | |
Honore Police Station. | 0:33:19 | 0:33:21 | |
-Uh-huh. -Means, motive and opportunity | 0:33:22 | 0:33:26 | |
are usually difficult to establish, | 0:33:26 | 0:33:29 | |
but here we have them in abundance. | 0:33:29 | 0:33:32 | |
The means - a common blade, | 0:33:32 | 0:33:35 | |
easy enough for anyone to pick up. | 0:33:35 | 0:33:38 | |
Opportunity - despite the fact that he was a prisoner being transferred, | 0:33:38 | 0:33:43 | |
the boat was crowded, people bumping into one another, | 0:33:43 | 0:33:46 | |
simple enough for the killer to find time for a single blow. | 0:33:46 | 0:33:49 | |
As for motive... | 0:33:49 | 0:33:51 | |
..half the island appears to have one. | 0:33:54 | 0:33:57 | |
OK. I'll send an officer round. | 0:33:57 | 0:33:59 | |
Fidel, you'd better get down to the old market, Cove Lane. | 0:34:00 | 0:34:03 | |
-The beggar thief just stole another purse. -No! | 0:34:03 | 0:34:07 | |
But the people on the ferry, if they had recognised him, | 0:34:10 | 0:34:13 | |
they may have attacked him, thrown him overboard, even, | 0:34:13 | 0:34:16 | |
but not this. | 0:34:16 | 0:34:18 | |
You're right. It had to be premeditated. | 0:34:18 | 0:34:21 | |
Whoever killed Leon Hamilton | 0:34:21 | 0:34:23 | |
knew he was going to be on that ferry. | 0:34:23 | 0:34:26 | |
It was a confined space, nowhere to hide. | 0:34:28 | 0:34:31 | |
If you couldn't afford to be seen, what would you do? | 0:34:31 | 0:34:34 | |
Pay someone to do it for me? | 0:34:34 | 0:34:36 | |
-Dwayne? -Chief? -The man you interviewed earlier, | 0:34:40 | 0:34:44 | |
-Samuel King - is he capable of this? -At the right price? Hell, yes. | 0:34:44 | 0:34:47 | |
Then as we appear to have hit a dead end, | 0:34:47 | 0:34:49 | |
maybe it's time I spoke to him after all. | 0:34:49 | 0:34:53 | |
Where can I find him? | 0:34:53 | 0:34:54 | |
Mr King? | 0:34:58 | 0:34:59 | |
I'm Detective Inspector Richard Poole. | 0:34:59 | 0:35:02 | |
As you know, this is Police Officer Dwayne Myers. | 0:35:02 | 0:35:05 | |
We'd, erm, like to ask you a few questions. | 0:35:05 | 0:35:07 | |
I've already spoken to your boy. | 0:35:07 | 0:35:09 | |
Well, now we have some different questions. | 0:35:09 | 0:35:12 | |
Watch him! | 0:35:14 | 0:35:16 | |
Wait! | 0:35:20 | 0:35:22 | |
Coming through! | 0:35:38 | 0:35:40 | |
GLASS SMASHES | 0:35:52 | 0:35:54 | |
MAN CRIES OUT | 0:35:54 | 0:35:56 | |
Mr Foster! | 0:36:01 | 0:36:03 | |
It was a few weeks back, just after my wife left. | 0:36:06 | 0:36:10 | |
I was drunk out of my skull. | 0:36:10 | 0:36:12 | |
I met Samuel King in a bar | 0:36:12 | 0:36:14 | |
and he was boasting about being a part of the underworld, | 0:36:14 | 0:36:17 | |
a..."fixer", if you like. | 0:36:17 | 0:36:21 | |
And apparently, I asked him how much it would cost to... | 0:36:21 | 0:36:24 | |
"fix" Leon Hamilton. | 0:36:24 | 0:36:27 | |
He said fifty grand. | 0:36:28 | 0:36:30 | |
God, I was drunk. It wasn't a serious proposition! | 0:36:32 | 0:36:36 | |
Then why were you sitting with him and why did you run when you saw us? | 0:36:37 | 0:36:41 | |
Yesterday, he came to the house. He said that he had done it | 0:36:41 | 0:36:45 | |
and he demanded payment. | 0:36:45 | 0:36:48 | |
My God, I had no idea he was bloody going to go through with it! | 0:36:48 | 0:36:51 | |
So you paid him? | 0:36:51 | 0:36:53 | |
I wish. | 0:36:53 | 0:36:55 | |
I don't have that kind of money any more. | 0:36:55 | 0:36:58 | |
I just gave him a few hundred to make him go away. | 0:36:58 | 0:37:00 | |
HE SIGHS | 0:37:00 | 0:37:03 | |
And then he came back for more? | 0:37:03 | 0:37:06 | |
He said that if I didn't come here today with more money... | 0:37:07 | 0:37:11 | |
he would go to the police. | 0:37:11 | 0:37:13 | |
So, what would happen if I just got up and walked out? | 0:37:17 | 0:37:22 | |
We both know that isn't going to happen. | 0:37:22 | 0:37:25 | |
I could always leave a little something behind. | 0:37:25 | 0:37:28 | |
You could say you were distracted. | 0:37:28 | 0:37:30 | |
You know, I really hope you're not suggesting what I think you are. | 0:37:30 | 0:37:33 | |
Me? | 0:37:33 | 0:37:35 | |
No! Just asking a question. | 0:37:35 | 0:37:38 | |
-Did you lose him? -No, I got him, but he's in the hospital. | 0:37:40 | 0:37:44 | |
No, I didn't, erm... I mean, it was his foot. Er... | 0:37:47 | 0:37:51 | |
Samuel King, I'm arresting you on suspicion of the murder of Leon Hamilton. | 0:37:51 | 0:37:56 | |
Gordon Foster said that you've been demanding money | 0:38:03 | 0:38:07 | |
-for carrying out the murder of Leon Hamilton. -Is that right? | 0:38:07 | 0:38:11 | |
Yes. It is. | 0:38:14 | 0:38:15 | |
Hello? | 0:38:19 | 0:38:20 | |
And I'm sure you have plenty of contacts | 0:38:20 | 0:38:23 | |
who can inform you of a prisoner being transferred to another prison. | 0:38:23 | 0:38:26 | |
HE WHISTLES You think?! | 0:38:26 | 0:38:29 | |
You don't deny being on the ferry? | 0:38:33 | 0:38:36 | |
It seems to me that you are the one who's asking all of the questions. | 0:38:36 | 0:38:39 | |
I'm just admiring the view. | 0:38:39 | 0:38:42 | |
I'm not. | 0:38:42 | 0:38:44 | |
Did you carry out the murder of Leon Hamilton, | 0:38:44 | 0:38:47 | |
-as you suggested to Mr Foster? -No, I did not. | 0:38:47 | 0:38:49 | |
And yet you demanded money for doing so, which is blackmail. | 0:38:51 | 0:38:54 | |
Either way, you're going to prison. The only question is for how long. | 0:38:54 | 0:38:58 | |
HE LAUGHS He won't testify against me. | 0:38:58 | 0:39:01 | |
He's got no balls. | 0:39:01 | 0:39:02 | |
What happened on that ferry? | 0:39:02 | 0:39:05 | |
I don't remember. | 0:39:07 | 0:39:08 | |
Very well, perhaps a night in a cell | 0:39:08 | 0:39:11 | |
will improve your memory and your manners. | 0:39:11 | 0:39:14 | |
OK, I don't need a night in here. Come on, I've not done anything. | 0:39:14 | 0:39:18 | |
-Dwayne? -Whoa, whoa, whoa. All right, look, no messing. | 0:39:18 | 0:39:21 | |
Everything that guy said was true. | 0:39:21 | 0:39:23 | |
-OK, sit down. -SHE CLICKS HER FINGERS | 0:39:23 | 0:39:25 | |
He came into the bar wasted, started talking about this Leon Hamilton, | 0:39:29 | 0:39:33 | |
some big shot from Guadeloupe who'd ruined his life, | 0:39:33 | 0:39:36 | |
-and what he'd do to him. -So you offered to murder him? | 0:39:36 | 0:39:39 | |
I was only messing! It was no big deal. | 0:39:39 | 0:39:41 | |
I thought I might scam an upfront payment off him. | 0:39:41 | 0:39:44 | |
And then what happened? | 0:39:44 | 0:39:46 | |
Well, nothing. I'd forgotten all about it | 0:39:46 | 0:39:49 | |
until I'd heard that Leon Hamilton had been murdered | 0:39:49 | 0:39:51 | |
on the very same ferry that I'd been on. It was too good to miss! | 0:39:51 | 0:39:55 | |
-So you went to Gordon Foster and told him it was you in the hope of getting paid. -Yeah. | 0:39:57 | 0:40:01 | |
It was working, too, until you turned up. | 0:40:03 | 0:40:06 | |
Yeah, I think I know the guy you're talking about. | 0:40:08 | 0:40:11 | |
-Gold chains. Mean-looking guy. -That's him. | 0:40:11 | 0:40:14 | |
Yeah. Yeah, he would get my vote. | 0:40:14 | 0:40:16 | |
Did Leon Hamilton talk about Saint-Marie when he was in prison? | 0:40:22 | 0:40:26 | |
I'm not sure. Why? | 0:40:26 | 0:40:28 | |
I was wondering how often he'd been here. | 0:40:28 | 0:40:31 | |
Is it important? | 0:40:31 | 0:40:33 | |
I think so. I'm just, you know, not really sure why. | 0:40:33 | 0:40:37 | |
Sex and money. | 0:40:39 | 0:40:40 | |
All murders are about sex or money. | 0:40:42 | 0:40:44 | |
Erm, sorry, I don't want to appear rude, | 0:40:44 | 0:40:49 | |
but, er, do you mind? | 0:40:49 | 0:40:51 | |
So no new developments, then? Nothing I should know about? | 0:40:51 | 0:40:54 | |
No. | 0:40:54 | 0:40:56 | |
I could help. | 0:40:56 | 0:40:59 | |
I know the five BRMs off by heart. | 0:40:59 | 0:41:01 | |
-The what? -BRMs! | 0:41:01 | 0:41:03 | |
Basic rules of murder. | 0:41:03 | 0:41:04 | |
If it's not sex, it's money. If it's not money, it's sex. | 0:41:04 | 0:41:08 | |
A wife is most likely to kill a husband. | 0:41:08 | 0:41:10 | |
A husband is most likely to kill a wife. | 0:41:10 | 0:41:12 | |
And the last person you should discount should be the one you least suspect. | 0:41:12 | 0:41:17 | |
I've never heard such claptrap in 23 years of policing. | 0:41:17 | 0:41:19 | |
It's in the November issue of Murder Monthly. | 0:41:19 | 0:41:22 | |
I don't care. Would you excuse us? We were having a private conversation. | 0:41:22 | 0:41:26 | |
Very well. | 0:41:26 | 0:41:29 | |
But remember, if you use your BRMs, | 0:41:29 | 0:41:31 | |
you'll never go far wrong. | 0:41:31 | 0:41:33 | |
VINCENT CHUCKLES | 0:41:36 | 0:41:38 | |
ALL: # Happy birthday to you Happy birthday to you | 0:41:42 | 0:41:48 | |
# Happy birthday, dear Richard Happy bir... # | 0:41:48 | 0:41:53 | |
I know you're under pressure. | 0:42:05 | 0:42:08 | |
We all are. But would it really be so hard to just once | 0:42:08 | 0:42:11 | |
be nice? | 0:42:11 | 0:42:13 | |
I'm sorry. | 0:42:13 | 0:42:14 | |
Oh! | 0:42:16 | 0:42:17 | |
It was very rude. | 0:42:17 | 0:42:18 | |
Yes, it was. | 0:42:20 | 0:42:21 | |
Is that it? | 0:42:22 | 0:42:23 | |
Good. Now, the bank statements | 0:42:25 | 0:42:27 | |
show money being drawn out of the company account over a period of time | 0:42:27 | 0:42:31 | |
AND from their private account. | 0:42:31 | 0:42:33 | |
You left people singing Happy Birthday | 0:42:33 | 0:42:35 | |
just to look at bank statements? | 0:42:35 | 0:42:37 | |
Yes, and I've already apologised. Can we move on? | 0:42:37 | 0:42:39 | |
You are impossible! | 0:42:39 | 0:42:41 | |
Mrs Hamilton withdrew 50,000 | 0:42:41 | 0:42:44 | |
from their joint account three weeks ago. | 0:42:44 | 0:42:47 | |
Wait, wait, wait. | 0:42:47 | 0:42:49 | |
Fifty thousand? | 0:42:49 | 0:42:52 | |
Isn't that what Samuel King asked Gordon Foster to pay? | 0:42:52 | 0:42:55 | |
The exact amount. Bit of a coincidence, don't you think? | 0:42:55 | 0:42:58 | |
Yeah. | 0:42:58 | 0:43:00 | |
Sex and money. | 0:43:00 | 0:43:02 | |
Excuse me? | 0:43:04 | 0:43:06 | |
The madwoman was right. Great motives for murder. | 0:43:06 | 0:43:09 | |
I think we'll go and see Ann | 0:43:09 | 0:43:11 | |
first thing in the morning. | 0:43:11 | 0:43:13 | |
So, are you coming back to the party? | 0:43:13 | 0:43:16 | |
I won't, if you don't mind. | 0:43:16 | 0:43:17 | |
Erm, early night. | 0:43:17 | 0:43:20 | |
A lot to do tomorrow. | 0:43:20 | 0:43:21 | |
I brought you a slice of cake. | 0:43:21 | 0:43:24 | |
Happy birthday. | 0:43:25 | 0:43:27 | |
SULTRY MUSIC PLAYS | 0:44:16 | 0:44:19 | |
KNOCK AT DOOR | 0:44:19 | 0:44:21 | |
I thought you'd forgotten all about me. | 0:44:35 | 0:44:37 | |
Morning, sir. | 0:44:41 | 0:44:43 | |
Morning, team. | 0:44:43 | 0:44:44 | |
-Great party, chief. -Looks like it. | 0:44:44 | 0:44:47 | |
I was just going to call you, sir. | 0:44:47 | 0:44:49 | |
Leon Hamilton is being cremated at 11:30 this morning. | 0:44:49 | 0:44:52 | |
We ran an airline check. | 0:44:52 | 0:44:53 | |
Ann Hamilton has booked the next flight off the island, the 14:05 to Miami. | 0:44:53 | 0:44:57 | |
It's her, isn't it? Where's Camille? | 0:44:57 | 0:44:59 | |
On her way to Ann Hamilton's hotel. | 0:44:59 | 0:45:01 | |
OK, I'll see her there. | 0:45:01 | 0:45:03 | |
-You ready? -What? | 0:45:05 | 0:45:07 | |
The beggar thief. You promised to help me, remember? | 0:45:07 | 0:45:10 | |
That woman I left the party with last night... | 0:45:15 | 0:45:18 | |
-There were two of them. -Oh? | 0:45:18 | 0:45:20 | |
So I wasn't seeing double! | 0:45:20 | 0:45:22 | |
That's her! The beggar thief. | 0:45:23 | 0:45:25 | |
Stop! Stop! | 0:45:25 | 0:45:27 | |
Philip?! | 0:45:48 | 0:45:49 | |
Wait till I tell your mother. | 0:45:49 | 0:45:52 | |
Police, police! Let me through! | 0:46:07 | 0:46:08 | |
Excuse me. | 0:46:08 | 0:46:10 | |
-You don't believe she fell? -No. | 0:46:26 | 0:46:29 | |
No more than I believe it was grief-induced suicide. | 0:46:29 | 0:46:33 | |
But who would kill her? | 0:46:33 | 0:46:36 | |
I think we were on the right trail, you know? | 0:46:36 | 0:46:38 | |
I think somehow she was involved in her husband's death. | 0:46:38 | 0:46:42 | |
She must have had an accomplice. | 0:46:42 | 0:46:45 | |
Samuel King is in a cell. | 0:46:46 | 0:46:48 | |
Gordon Foster? | 0:46:48 | 0:46:50 | |
I think if we find out who killed Mrs Hamilton, | 0:46:50 | 0:46:52 | |
we'll also find out who killed her husband. | 0:46:52 | 0:46:55 | |
Unlike Leon Hamilton, who had queues of people wanting him dead, | 0:46:55 | 0:46:58 | |
we just need to work out who profited from Mrs Hamilton's death. | 0:46:58 | 0:47:03 | |
Let's get you locked up. | 0:47:06 | 0:47:08 | |
-Fidel? -Yes, sir? -Why is he dressed as a woman? | 0:47:10 | 0:47:12 | |
-He's the beggar thief, sir. -But that was a woman. | 0:47:12 | 0:47:16 | |
No, sir, it was Philip. In a dress. | 0:47:16 | 0:47:18 | |
Oh. | 0:47:20 | 0:47:21 | |
Anything else, sir? | 0:47:21 | 0:47:23 | |
No, no. Er, thank you, Fidel. | 0:47:23 | 0:47:25 | |
Thank you. OK, they've cordoned off the room. | 0:47:26 | 0:47:29 | |
Shall I send Dwayne and Fidel over? | 0:47:29 | 0:47:31 | |
No! | 0:47:31 | 0:47:33 | |
-No what? -That's... -That's what? | 0:47:33 | 0:47:35 | |
-If... -If what? | 0:47:35 | 0:47:38 | |
-Where's Vincent? -He was having breakfast at Catherine's bar. | 0:47:38 | 0:47:41 | |
-Fidel? -Yes, sir? -Get Gordon Foster. Keep him here till I call you. | 0:47:41 | 0:47:45 | |
-Understand? -Yes, sir. -Repeat it. -Get Gordon Foster, keep him here. | 0:47:45 | 0:47:49 | |
-Excellent. Go on. -What's going on? | 0:47:49 | 0:47:51 | |
I don't know. I mean, I think I know. | 0:47:51 | 0:47:54 | |
-Oh. You think? -Well, it's how it works, usually. | 0:47:54 | 0:47:56 | |
I mean, at least, it's the start of how it works. | 0:47:56 | 0:47:59 | |
You raise a notion, a thought, a possibility. | 0:47:59 | 0:48:03 | |
Then you bombard it with fact, | 0:48:03 | 0:48:06 | |
with things already established, to test it. | 0:48:06 | 0:48:08 | |
And if that notion, however absurd, however outlandish, | 0:48:08 | 0:48:12 | |
well, if it stands up to that kind of scrutiny, | 0:48:12 | 0:48:15 | |
if it still fits, | 0:48:15 | 0:48:17 | |
if it can't be disproved by what we already know... | 0:48:17 | 0:48:21 | |
well, I mean, mostly - not always, but, yeah, mostly - | 0:48:21 | 0:48:26 | |
it's the truth. | 0:48:26 | 0:48:28 | |
Ha! | 0:48:30 | 0:48:31 | |
Bring Samuel King. Come on! | 0:48:34 | 0:48:36 | |
Richard! I was hoping to see you before I went. | 0:48:39 | 0:48:42 | |
-Then I'm glad not to disappoint. -Have a drink. | 0:48:42 | 0:48:44 | |
Er, no, thank you, still on duty. | 0:48:44 | 0:48:47 | |
-So, how was your birthday? -Good, thank you. | 0:48:47 | 0:48:50 | |
-You missed your own party. -Yes, so I understand. Still, always next year. | 0:48:50 | 0:48:55 | |
Hopefully. | 0:48:56 | 0:48:57 | |
Shall we? | 0:48:57 | 0:48:59 | |
-What's going on? -Well, I hoped we might just run through the case. | 0:48:59 | 0:49:02 | |
-You don't mind, do you? -Why should I? -Why indeed? | 0:49:02 | 0:49:06 | |
You see, this case should have been the easiest I've dealt with. | 0:49:08 | 0:49:12 | |
I was handcuffed to the victim when he was murdered, after all. | 0:49:12 | 0:49:15 | |
But in reality, it turned out to be | 0:49:15 | 0:49:17 | |
one of the most confusing. | 0:49:17 | 0:49:19 | |
The murder itself wasn't particularly baffling. | 0:49:19 | 0:49:22 | |
Audacious? Yes. | 0:49:22 | 0:49:24 | |
Daring? Absolutely. | 0:49:24 | 0:49:27 | |
But then, erm... Well, it just takes a second | 0:49:27 | 0:49:31 | |
to plunge a blade into a man's heart. | 0:49:31 | 0:49:33 | |
No, this case has never been about the how. | 0:49:33 | 0:49:36 | |
It's always been quite literally about the who. | 0:49:36 | 0:49:39 | |
Samuel King looked like a good bet to begin with. | 0:49:39 | 0:49:42 | |
Isn't that right, Camille? | 0:49:42 | 0:49:44 | |
Muscle for hire, a man who claims to be willing | 0:49:44 | 0:49:46 | |
to take another man's life if the price is right. | 0:49:46 | 0:49:49 | |
You were on that ferry, you could have plunged a knife into the victim. | 0:49:49 | 0:49:53 | |
You can't prove nothing. | 0:49:53 | 0:49:55 | |
Quite so. Luckily, we don't have to, erm, | 0:49:56 | 0:50:00 | |
"prove nothing", | 0:50:00 | 0:50:02 | |
because you didn't kill Leon Hamilton. | 0:50:02 | 0:50:04 | |
You're an opportunist. | 0:50:04 | 0:50:07 | |
I doubt you had the brains or the audacity for this crime. | 0:50:07 | 0:50:10 | |
You simply saw an opportunity for a pay day | 0:50:10 | 0:50:14 | |
from disgruntled investor Gordon Foster | 0:50:14 | 0:50:16 | |
when he stumbled into your bar by chance. | 0:50:16 | 0:50:19 | |
Er, look, I really have to go soon. | 0:50:19 | 0:50:22 | |
Not much longer. It will be worth the wait, I promise. | 0:50:22 | 0:50:26 | |
You see, the key to this case | 0:50:26 | 0:50:29 | |
was to be found not in the murder of Leon Hamilton | 0:50:29 | 0:50:32 | |
but in the killing of his wife, Ann. | 0:50:32 | 0:50:35 | |
Fidel, can you come over now? | 0:50:35 | 0:50:37 | |
-Yes, please. -Not only do I believe | 0:50:37 | 0:50:40 | |
that Ann Hamilton was involved in the first murder, | 0:50:40 | 0:50:42 | |
I also think she had an accomplice, | 0:50:42 | 0:50:45 | |
an accomplice who did the dirty work, | 0:50:45 | 0:50:47 | |
who, er, actually carried out the murder for reward. | 0:50:47 | 0:50:51 | |
And what reward! Not only Mrs Hamilton herself, of course, | 0:50:53 | 0:50:57 | |
but also the 2 million she'd helped her husband hide from the banks and their creditors. | 0:50:57 | 0:51:02 | |
But a murderer's accomplice is a very dangerous individual, | 0:51:04 | 0:51:07 | |
particularly when there's money at the heart of things. | 0:51:07 | 0:51:11 | |
I mean... | 0:51:11 | 0:51:12 | |
once you've crossed that threshold, why not have it all to yourself? | 0:51:12 | 0:51:16 | |
And that's what you did, wasn't it? | 0:51:16 | 0:51:18 | |
What? | 0:51:18 | 0:51:20 | |
It was you who plunged a blade into that poor man's heart. | 0:51:20 | 0:51:23 | |
HE LAUGHS INCREDULOUSLY | 0:51:23 | 0:51:25 | |
'The time to strike | 0:51:25 | 0:51:27 | |
'was when the ferry hit rough water as it rounded the point, | 0:51:27 | 0:51:31 | |
'a single strike when you knew everyone would be distracted by having to hold on' | 0:51:31 | 0:51:35 | |
-as the boat rolled. -I think you have a very vivid imagination. | 0:51:35 | 0:51:39 | |
Yes, I have. | 0:51:39 | 0:51:41 | |
Without it, I very much doubt we'd be having this conversation. | 0:51:41 | 0:51:45 | |
There's an old cliche about murder someone reminded me of recently, | 0:51:47 | 0:51:51 | |
that in the vast majority of murders | 0:51:51 | 0:51:54 | |
the motive's either sex or money. In this case, it was both. | 0:51:54 | 0:51:57 | |
And there's another cliche. | 0:51:59 | 0:52:02 | |
That if the wife is murdered, | 0:52:02 | 0:52:04 | |
it'll usually be the husband who is responsible. | 0:52:04 | 0:52:07 | |
-Except this time it can't be. -On the contrary, Dwayne... | 0:52:08 | 0:52:10 | |
-..that's exactly what happened. -What's going on? | 0:52:13 | 0:52:16 | |
It can't be! | 0:52:24 | 0:52:26 | |
But you're dead! | 0:52:26 | 0:52:28 | |
Because this isn't Vincent the prison guard, | 0:52:28 | 0:52:30 | |
this is Leon Hamilton. | 0:52:30 | 0:52:32 | |
Mr Foster, as the only man in this room | 0:52:34 | 0:52:37 | |
who's actually met him, | 0:52:37 | 0:52:39 | |
are you sure this is Leon Hamilton? | 0:52:39 | 0:52:41 | |
Absolutely. | 0:52:41 | 0:52:43 | |
While in prison, the real Leon Hamilton | 0:52:58 | 0:53:00 | |
met down-at-heel prison guard Vincent Carter - | 0:53:00 | 0:53:03 | |
recently divorced, broke, not much of a future to look forward to. | 0:53:03 | 0:53:08 | |
What was the deal? | 0:53:08 | 0:53:09 | |
50,000 for six months, to swap places | 0:53:09 | 0:53:12 | |
and serve out the remainder of your sentence here on Saint-Marie. | 0:53:12 | 0:53:16 | |
The 50,000 taken out by your wife two weeks ago. | 0:53:16 | 0:53:20 | |
It was easy enough for the real Vincent to fake your prison records. | 0:53:20 | 0:53:23 | |
He worked in admissions, didn't he? | 0:53:23 | 0:53:26 | |
So after you left the prison and before you reached the ferry, | 0:53:26 | 0:53:30 | |
you swapped clothes with the real Vincent Carter. | 0:53:30 | 0:53:34 | |
You knew you were going to kill him, didn't you? | 0:53:34 | 0:53:37 | |
The master stroke was your wife coming from Guadeloupe | 0:53:37 | 0:53:40 | |
-to identify the body. -I'm here. | 0:53:40 | 0:53:42 | |
I thought you'd forgotten all about me. | 0:53:45 | 0:53:48 | |
In fact, I think you arranged to meet her last night. | 0:53:48 | 0:53:51 | |
I think you planned how to spend your ill-gotten gains. | 0:53:51 | 0:53:56 | |
And then she gave you what you needed, didn't she? | 0:53:56 | 0:53:58 | |
Her signature. And with it the money. | 0:53:58 | 0:54:01 | |
No need to waste the night. | 0:54:01 | 0:54:03 | |
In the morning, you threw her to her death. | 0:54:06 | 0:54:10 | |
She also knew that as a keen sailor, you often sailed around Saint-Marie, | 0:54:11 | 0:54:16 | |
whereas the real Vincent said he'd never been here before. | 0:54:16 | 0:54:19 | |
And because you were a keen sailor, | 0:54:19 | 0:54:21 | |
you knew how rough the sea got round the point. | 0:54:21 | 0:54:23 | |
And because the real Vincent wasn't, he felt seasick straightaway. | 0:54:23 | 0:54:26 | |
But although Vincent Carter traded places with you, | 0:54:26 | 0:54:29 | |
he was just a smaller part of the bigger game you were playing. | 0:54:29 | 0:54:32 | |
This was about 2 million and gaining your freedom, | 0:54:32 | 0:54:35 | |
not just from prison but also from your wife. | 0:54:35 | 0:54:38 | |
As soon as she identified the wrong body, she was no longer needed. | 0:54:38 | 0:54:42 | |
She thought the two of you were in this together. | 0:54:42 | 0:54:45 | |
She was looking forward to your reunion, not suspecting for a second | 0:54:45 | 0:54:48 | |
that you did all of this in order to kill her. | 0:54:48 | 0:54:51 | |
It was to be the perfect murder. | 0:54:53 | 0:54:55 | |
After all... | 0:54:55 | 0:54:56 | |
..how could a dead man kill his own wife? | 0:54:58 | 0:55:01 | |
Made you look pretty stupid, though, didn't I? | 0:55:01 | 0:55:04 | |
Yeah. You did. | 0:55:04 | 0:55:06 | |
And please feel free to continue gloating | 0:55:06 | 0:55:08 | |
throughout your double life sentence. | 0:55:08 | 0:55:11 | |
Bravo! | 0:55:26 | 0:55:28 | |
Actually, it was Fidel who cracked the case. | 0:55:30 | 0:55:32 | |
-Me? -Mm. Absolutely. | 0:55:32 | 0:55:35 | |
Your beggar thief, the old woman that never was. | 0:55:35 | 0:55:37 | |
Without her, | 0:55:37 | 0:55:39 | |
or, er, him, as it turned out, | 0:55:39 | 0:55:40 | |
I'd never have made the leap. | 0:55:40 | 0:55:42 | |
That was quite something. | 0:55:42 | 0:55:44 | |
Thank you. | 0:55:44 | 0:55:45 | |
Coo-ee! | 0:55:45 | 0:55:46 | |
Oh, Lord! | 0:55:46 | 0:55:48 | |
I see you got someone, then? | 0:55:48 | 0:55:49 | |
So, what was it? Sex? Or money? | 0:55:49 | 0:55:53 | |
-Both. -Thought so. | 0:55:53 | 0:55:55 | |
BRM. Never fails. | 0:55:55 | 0:55:57 | |
You don't want to know. | 0:56:02 | 0:56:04 | |
Well, I think we should celebrate, | 0:56:04 | 0:56:07 | |
as you missed your own birthday party last night. | 0:56:07 | 0:56:09 | |
Cracking idea! | 0:56:09 | 0:56:11 | |
Erm, actually, I'm a little bit tired. Been up all night. | 0:56:11 | 0:56:14 | |
And one or two things to do. So, er, why don't I meet you back here? | 0:56:14 | 0:56:18 | |
If you don't, we'll come and find you! | 0:56:18 | 0:56:20 | |
-Absolutely. -We mean it. -Bye! | 0:56:20 | 0:56:24 | |
Ah! Look, he's got his cake! | 0:56:31 | 0:56:35 | |
No! What are you doing? | 0:56:35 | 0:56:37 | |
THEY LAUGH | 0:56:37 | 0:56:40 | |
OK, go, go. | 0:56:40 | 0:56:41 | |
Happy birthday, sir. | 0:56:54 | 0:56:55 | |
OK. Here we go. | 0:57:00 | 0:57:02 | |
HE CHUCKLES | 0:57:02 | 0:57:05 | |
There you are! | 0:57:05 | 0:57:06 | |
Cheers. To the chief. ALL: Cheers! | 0:57:14 | 0:57:18 | |
-What if someone sees us together? -Excuse me? | 0:57:21 | 0:57:23 | |
You haven't told her yet, have you? | 0:57:26 | 0:57:28 | |
Are you OK to dive? | 0:57:28 | 0:57:30 | |
Phil! | 0:57:31 | 0:57:33 | |
We've just pulled a body out of the water. Not an accident. | 0:57:33 | 0:57:36 | |
Detective Sergeant Angela Young. She will be your senior officer. | 0:57:39 | 0:57:43 | |
-The inspector isn't here, is he, Freddie? -I -am. | 0:57:43 | 0:57:46 | |
-She told me to be honest. -When women tell you to be honest, they don't mean it! | 0:57:46 | 0:57:50 | |
Well, what sense does that make? | 0:57:50 | 0:57:52 | |
-What's the problem?? -No problem, sir. | 0:57:52 | 0:57:54 | |
SIREN WAILS Hey, what you doing? | 0:57:54 | 0:57:57 | |
Stop! Police! | 0:57:57 | 0:57:58 | |
Subtitles by Red Bee Media Ltd | 0:58:16 | 0:58:18 | |
E-mail [email protected] | 0:58:18 | 0:58:20 |