Browse content similar to Episode 2. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Be careful, Therese! | 0:00:45 | 0:00:47 | |
No sign of Therese? | 0:01:09 | 0:01:10 | |
Late again, I shouldn't wonder. | 0:01:10 | 0:01:14 | |
I'll go. | 0:01:14 | 0:01:15 | |
Therese? | 0:01:23 | 0:01:24 | |
Therese? | 0:01:26 | 0:01:27 | |
Therese! Therese! Therese! | 0:01:35 | 0:01:38 | |
Oi! Out! | 0:02:24 | 0:02:25 | |
C'mon, shoo! Out! Out! | 0:02:25 | 0:02:29 | |
Come on, or it'll be roast chicken for dinner | 0:02:29 | 0:02:31 | |
and I won't be gentle with the stuffing! | 0:02:31 | 0:02:33 | |
-Morning. -Did you sleep with your door open? | 0:02:35 | 0:02:39 | |
It's the only way I can get a through-draft in this godforsaken sweatbox. | 0:02:39 | 0:02:42 | |
Eyes on you, sir. Keep walking. | 0:02:42 | 0:02:44 | |
Oh, charming! | 0:02:44 | 0:02:46 | |
-You're here early. -There's been a fire at Le Couvent du Sacre-Coeur. | 0:02:46 | 0:02:50 | |
Ah, ah, ah, English please. My house, my rules. | 0:02:50 | 0:02:53 | |
The Convent of the Sacred Heart. | 0:02:53 | 0:02:55 | |
-A postulant nun has died from smoke inhalation. -Oh, really? | 0:02:55 | 0:02:59 | |
Cause of the fire? | 0:02:59 | 0:03:01 | |
According to the fire department, it was started by a cigarette. | 0:03:01 | 0:03:05 | |
The nun was smoking in her cell! | 0:03:05 | 0:03:07 | |
-The proverbial smoking nun, eh? -Excuse me? -Nothing. | 0:03:08 | 0:03:12 | |
Typical Caribbean, though. Even the nuns are laid back. | 0:03:12 | 0:03:14 | |
Don't you think that is odd? A nun that smokes? | 0:03:14 | 0:03:18 | |
On this island, I wouldn't be surprised | 0:03:18 | 0:03:19 | |
if she was making sangria with the communion wine. | 0:03:19 | 0:03:22 | |
She was a woman of God. | 0:03:22 | 0:03:24 | |
Behind their saintly exterior, nuns have a heart of stone. | 0:03:24 | 0:03:28 | |
Appearances can be deceptive. | 0:03:28 | 0:03:30 | |
Yes, indeed. | 0:03:32 | 0:03:34 | |
Anyway, let me shave and dress and we'll head up to the convent. | 0:03:35 | 0:03:38 | |
Oh, for crying out loud! | 0:03:38 | 0:03:40 | |
Don't you have chickens in London? | 0:03:40 | 0:03:42 | |
Yes, we do. | 0:03:42 | 0:03:45 | |
Wrapped in cellophane. | 0:03:45 | 0:03:47 | |
Boiled egg and sergeants. I saw it in an English movie once. | 0:03:53 | 0:03:57 | |
Soldiers. Actually called boiled egg and soldiers. | 0:03:57 | 0:04:00 | |
Well, eat up. | 0:04:00 | 0:04:02 | |
More like London? | 0:04:12 | 0:04:14 | |
It's exactly like London. | 0:04:18 | 0:04:19 | |
DOOR SQUEAKS LOUDLY | 0:04:35 | 0:04:37 | |
Good day. | 0:04:41 | 0:04:42 | |
Are you OK? | 0:04:45 | 0:04:47 | |
Yeah, fine. | 0:04:47 | 0:04:49 | |
Can I help you? | 0:04:49 | 0:04:50 | |
I'm Detective Sergeant Camille Bordey. This is Detective Inspector Poole. | 0:04:50 | 0:04:54 | |
I'm still in shock. Poor Therese. | 0:04:54 | 0:04:57 | |
-If only I could have got there sooner. -What do you mean? | 0:04:57 | 0:05:00 | |
I discovered the fire. | 0:05:00 | 0:05:01 | |
Her door was locked so Father John broke it down. | 0:05:03 | 0:05:05 | |
Through the smoke we could see her lying on her bed, | 0:05:05 | 0:05:08 | |
head on her pillow. | 0:05:08 | 0:05:09 | |
It was just like she was asleep. | 0:05:09 | 0:05:11 | |
Let's get her out of here. | 0:05:11 | 0:05:13 | |
Quickly! Oh, Therese! | 0:05:13 | 0:05:16 | |
SHE COUGHS | 0:05:16 | 0:05:19 | |
I tried to revive her. But it was no use. | 0:05:22 | 0:05:26 | |
I'm sure you did everything you could. | 0:05:29 | 0:05:31 | |
Father John had better be our first port of call. | 0:05:31 | 0:05:34 | |
Of course. It's hit him quite hard. | 0:05:34 | 0:05:37 | |
Like all of us. We're like a little family here. | 0:05:37 | 0:05:39 | |
I'll show you the way. | 0:05:39 | 0:05:41 | |
PHONE KEYPAD TONES | 0:05:49 | 0:05:51 | |
I keep saying to myself, "Keep busy, keep busy." | 0:05:53 | 0:05:58 | |
Yes, of course. | 0:05:58 | 0:05:59 | |
It, er, must be a shock. | 0:05:59 | 0:06:01 | |
Father, forgive the question | 0:06:02 | 0:06:04 | |
but is it usual for the nuns here to smoke? | 0:06:04 | 0:06:07 | |
You have to understand | 0:06:07 | 0:06:09 | |
Therese was a postulant nun, she'd been here less than six months. | 0:06:09 | 0:06:12 | |
She hadn't taken holy orders yet. | 0:06:12 | 0:06:14 | |
Postulancy being a sort of trial period | 0:06:14 | 0:06:16 | |
before you actually commit yourself? | 0:06:16 | 0:06:18 | |
Exactly, and it's a big transition to make, | 0:06:18 | 0:06:20 | |
giving up nearly all contact with the outside world. | 0:06:20 | 0:06:25 | |
No possessions. No money, but the cigarettes. | 0:06:25 | 0:06:27 | |
We knew it was a struggle for her. | 0:06:29 | 0:06:31 | |
And she always smoked when she was upset. | 0:06:31 | 0:06:34 | |
It seems odd that she didn't wake up when the fire started. | 0:06:34 | 0:06:37 | |
That's another tragedy, she took sleeping pills, you see. | 0:06:37 | 0:06:40 | |
-Found it hard to sleep. -And where did she get the pills? | 0:06:40 | 0:06:43 | |
Sister Marguerite whom you met outside just now. | 0:06:43 | 0:06:47 | |
She runs the infirmary here. She's a trained nurse. | 0:06:47 | 0:06:49 | |
Did you notice anything suspicious this morning? | 0:06:49 | 0:06:52 | |
-Anything unusual? -Unusual? -Out of the ordinary? | 0:06:52 | 0:06:55 | |
Well, not this morning, but I haven't seen her... | 0:06:55 | 0:06:59 | |
but some of the nuns came to me saying, | 0:06:59 | 0:07:02 | |
they'd seen some sort of phantom nun. | 0:07:02 | 0:07:04 | |
A phantom nun? | 0:07:08 | 0:07:10 | |
A person who is not a sister in the convent, but dressed as one. | 0:07:10 | 0:07:14 | |
Sorry to interrupt. I didn't know you had company. | 0:07:14 | 0:07:17 | |
This is Sister Anne, our Mother Superior. | 0:07:19 | 0:07:23 | |
Father, what a mess! | 0:07:23 | 0:07:24 | |
I'm always clearing up after him! I just came to see how you were. | 0:07:26 | 0:07:30 | |
She's with our Lord and Saviour now. You know that, Father. | 0:07:32 | 0:07:35 | |
Bury your sadness in his loving heart. | 0:07:35 | 0:07:38 | |
SHE CLEARS HER THROAT | 0:07:40 | 0:07:42 | |
Father John was just telling us about your, er, "phantom nun"? | 0:07:42 | 0:07:46 | |
-Stuff and nonsense. -So you haven't seen her? | 0:07:46 | 0:07:48 | |
Of course not. She doesn't exist. | 0:07:48 | 0:07:50 | |
Father John seems very tired now, perhaps I could help you instead? | 0:07:52 | 0:07:56 | |
I'm not made of stone, I do my grieving in private. | 0:08:04 | 0:08:06 | |
I need to keep myself together. | 0:08:06 | 0:08:08 | |
God is in the detail and the details need my attention, | 0:08:08 | 0:08:12 | |
death or no death. | 0:08:12 | 0:08:14 | |
-Even with the Holy Spring. -The Holy Spring? | 0:08:14 | 0:08:16 | |
The convent has water that is said to heal, sir. | 0:08:16 | 0:08:19 | |
They do heal, my dear. | 0:08:19 | 0:08:20 | |
And it's getting quite famous now, isn't it? | 0:08:20 | 0:08:24 | |
Yes. People are coming from all over in the hope of a cure. | 0:08:24 | 0:08:26 | |
-Even Canada. -So people cast aside medical science | 0:08:26 | 0:08:29 | |
to come and splash themselves with water? | 0:08:29 | 0:08:31 | |
Ah! A cynic. | 0:08:31 | 0:08:33 | |
Call me old fashioned, but I simply have a healthy respect for scientific proof. | 0:08:33 | 0:08:37 | |
Proof enough for you? | 0:08:37 | 0:08:38 | |
I was diagnosed with cancer in 2010. | 0:08:38 | 0:08:41 | |
I drank of the waters, I bathed in the waters. | 0:08:41 | 0:08:44 | |
By last year I was cancer-free and have been ever since. | 0:08:44 | 0:08:48 | |
Living proof, you might say. | 0:08:48 | 0:08:50 | |
Might help that rash of yours. | 0:08:50 | 0:08:52 | |
-Father John said you tried to unlock Therese's door. -Yes. | 0:08:54 | 0:08:58 | |
Yes, I think she must have locked it because she was smoking in there - | 0:08:58 | 0:09:01 | |
she knew we'd disapprove. | 0:09:01 | 0:09:03 | |
I couldn't get my key in the lock, because hers was inside. | 0:09:03 | 0:09:06 | |
I tried to force my key into the lock... | 0:09:06 | 0:09:08 | |
Right, you go and talk to the other nuns. | 0:09:08 | 0:09:10 | |
Ask them about the discovery of the fire and this so-called phantom nun. | 0:09:10 | 0:09:13 | |
I'll join Fidel in the cell. | 0:09:13 | 0:09:14 | |
You sure you'll be all right on your own? | 0:09:14 | 0:09:17 | |
-I'll be fine. -Are you coming? | 0:09:17 | 0:09:19 | |
I'll pray for you. | 0:09:21 | 0:09:23 | |
< So what was she like, this Therese? | 0:09:24 | 0:09:27 | |
She was young, only 18. | 0:09:27 | 0:09:29 | |
Brought up in an orphanage, in France. | 0:09:30 | 0:09:33 | |
I'm afraid she picked up some bad habits. | 0:09:33 | 0:09:36 | |
LAUGHING: Bad habits! | 0:09:36 | 0:09:37 | |
Nuns? | 0:09:40 | 0:09:42 | |
Habits? | 0:09:42 | 0:09:44 | |
What sort of bad habits? | 0:09:44 | 0:09:46 | |
Alcohol. Chewing gum. Those cigarettes of hers. | 0:09:46 | 0:09:50 | |
I said to her, "They'll kill you one day." | 0:09:50 | 0:09:52 | |
I tried to come down hard on her, but... | 0:09:54 | 0:09:57 | |
I shouldn't say this, but Father John had a bit of soft spot for her. | 0:09:58 | 0:10:02 | |
In what way? | 0:10:02 | 0:10:03 | |
He allowed her things to "facilitate the transition". | 0:10:05 | 0:10:08 | |
I have errands to run. Can I help you with anything else? | 0:10:09 | 0:10:13 | |
No, no, no, that'll be all, thank you. | 0:10:13 | 0:10:17 | |
Nuns. | 0:10:17 | 0:10:19 | |
They're just creepy, aren't they? | 0:10:19 | 0:10:21 | |
All this for a cigarette. | 0:10:21 | 0:10:23 | |
Or was it? | 0:10:23 | 0:10:24 | |
Therese was found with her head on the pillow, | 0:10:26 | 0:10:28 | |
-as if she'd been asleep, right? -Right. | 0:10:28 | 0:10:30 | |
Well, if her head was on her pillow | 0:10:30 | 0:10:32 | |
and she was lying flat on her back, | 0:10:32 | 0:10:34 | |
how come the fire started at this end of the bed? | 0:10:34 | 0:10:36 | |
So what are you saying, sir? | 0:10:36 | 0:10:38 | |
I'm saying that she didn't smoke the cigarette that killed her. | 0:10:38 | 0:10:41 | |
-Then who did? -No-one. | 0:10:41 | 0:10:43 | |
Someone planted it to make all this look like an accident. | 0:10:43 | 0:10:45 | |
But...(CLEARS THROAT) who would want to murder a nun? | 0:10:45 | 0:10:49 | |
Anyone who'd seen The Sound Of Music more than once? | 0:10:49 | 0:10:52 | |
No, sir, it's impossible. She was in here alone. | 0:10:53 | 0:10:55 | |
Look, the window is sealed, right? | 0:10:55 | 0:10:57 | |
And the door was locked, but from the inside. | 0:10:57 | 0:10:59 | |
You see, the key is still in the lock. | 0:10:59 | 0:11:01 | |
No-one could have got in to start a fire and back out again. | 0:11:01 | 0:11:03 | |
And what about this? | 0:11:03 | 0:11:05 | |
She had cigarettes in her room. | 0:11:05 | 0:11:07 | |
That just proves she was a smoker, we already knew that. | 0:11:07 | 0:11:09 | |
This mattress is old, pre-any kind of fire regulation. | 0:11:09 | 0:11:13 | |
The smoke would've killed her in minutes. | 0:11:13 | 0:11:16 | |
I think the killer knew that. | 0:11:16 | 0:11:17 | |
But how did they get in? And out again. | 0:11:17 | 0:11:20 | |
If you're going to make Sergeant, Fidel, | 0:11:22 | 0:11:23 | |
you're going to have to learn to think outside the box. | 0:11:23 | 0:11:26 | |
Or in this case, think outside the cell. | 0:11:26 | 0:11:29 | |
Oh, for Christ's sake! | 0:11:33 | 0:11:36 | |
-You all right, sir? -No! | 0:11:36 | 0:11:38 | |
What's that? | 0:11:38 | 0:11:40 | |
One of our dead nun's bad habits. | 0:11:40 | 0:11:41 | |
Nuns, habits. | 0:11:45 | 0:11:47 | |
Fidel, I want you to conduct a thorough forensic search. | 0:11:50 | 0:11:52 | |
Pay particular attention to the door. | 0:11:52 | 0:11:54 | |
OK, I'll start by dusting for prints. | 0:11:54 | 0:11:56 | |
Dwayne, we'll need exclusion prints from the sisters and Father John. | 0:11:56 | 0:11:59 | |
-Yes, sir. -Then help Fidel complete the search in here. | 0:11:59 | 0:12:01 | |
I want every inch covered. | 0:12:01 | 0:12:02 | |
Camille wants you outside. | 0:12:04 | 0:12:05 | |
Says she has something you have to see. | 0:12:05 | 0:12:07 | |
This? This is what I had to see? | 0:12:17 | 0:12:21 | |
The water is said to be miraculous. | 0:12:21 | 0:12:23 | |
Oh! | 0:12:23 | 0:12:24 | |
-I don't suppose it removes gum? -Sir... | 0:12:24 | 0:12:26 | |
Holy Water? There's no such thing as Holy Water. Look, look. | 0:12:26 | 0:12:29 | |
See? No miracle. Still there. | 0:12:33 | 0:12:35 | |
And just to clear this up, this is heat-related psoriasis, | 0:12:36 | 0:12:39 | |
not a stigmata. | 0:12:39 | 0:12:40 | |
My cousin went to Lourdes. | 0:12:55 | 0:12:58 | |
She was deaf in one ear. | 0:12:58 | 0:13:00 | |
After bathing in the water, she could hear again. | 0:13:00 | 0:13:04 | |
Well the water probably dislodged the wax or cleaned the ear out. | 0:13:04 | 0:13:08 | |
Could have been achieved just as easily under a bathroom tap. | 0:13:08 | 0:13:11 | |
COIN DROPS | 0:13:29 | 0:13:31 | |
That's for the boiled egg. | 0:13:43 | 0:13:45 | |
Now we're even. | 0:13:45 | 0:13:46 | |
Sister. | 0:13:52 | 0:13:54 | |
Elodie. | 0:13:57 | 0:13:58 | |
Sister Marguerite now. | 0:14:02 | 0:14:04 | |
-Of course. How are you? -I'm fine. | 0:14:04 | 0:14:06 | |
-Well, apart from... -Yes. | 0:14:09 | 0:14:10 | |
It's so terrible. But I'm determined to be strong. | 0:14:12 | 0:14:15 | |
You have to be at times like these. | 0:14:15 | 0:14:17 | |
I learnt that the hard way. | 0:14:18 | 0:14:20 | |
Of course you did. | 0:14:20 | 0:14:21 | |
But enough about me. I suppose you're married now? | 0:14:22 | 0:14:25 | |
Children? | 0:14:25 | 0:14:27 | |
No, still young, free and single. | 0:14:27 | 0:14:29 | |
Well, free and single at any rate! | 0:14:29 | 0:14:31 | |
Dip your thumb in the ink for me. | 0:14:34 | 0:14:35 | |
There's nothing to worry about. | 0:14:43 | 0:14:45 | |
We just have to eliminate certain prints from the inquiry. | 0:14:45 | 0:14:48 | |
Good to see you again, Elodie. | 0:15:01 | 0:15:03 | |
Suspects? | 0:15:17 | 0:15:18 | |
Any prints? | 0:15:19 | 0:15:21 | |
It's hard to get much, sir. | 0:15:21 | 0:15:22 | |
There are partial prints on Therese, but nothing else on the lock and key. | 0:15:22 | 0:15:25 | |
How about the cigarette packet we found in the room? | 0:15:25 | 0:15:27 | |
No, there were no prints there at all. | 0:15:27 | 0:15:29 | |
Making it very unlikely they were her cigarettes. | 0:15:29 | 0:15:32 | |
Must have been planted in the room. | 0:15:32 | 0:15:34 | |
I spoke to the sisters at the convent about the phantom nun like you said. | 0:15:34 | 0:15:38 | |
And could she walk through walls? Unseal windows? | 0:15:38 | 0:15:40 | |
No, but some of them said they'd seen a figure | 0:15:40 | 0:15:43 | |
walking about the convent who wasn't one of them. | 0:15:43 | 0:15:45 | |
-Well, was it vaguely human? -OK, what is it with you and nuns? | 0:15:45 | 0:15:49 | |
Hey! Look what I found when I did the final sweep of Therese's room. | 0:15:49 | 0:15:52 | |
It was hidden behind a loose panel in her cell. | 0:15:58 | 0:16:00 | |
-It's just like The Count Of Monte Cristo. -Like what? | 0:16:00 | 0:16:03 | |
A secret hiding place in a prisoner's cell, | 0:16:03 | 0:16:06 | |
only his was behind a loose stone in the fireplace. | 0:16:06 | 0:16:08 | |
Have you read the book? | 0:16:08 | 0:16:09 | |
No, no, we tended to concentrate on the classics at school. | 0:16:09 | 0:16:12 | |
-Dickens, Trolloppe, Eliot... -Yes, it is a classic. | 0:16:12 | 0:16:14 | |
Yeah, in France. Slightly different. | 0:16:14 | 0:16:16 | |
Ah. A one-way ticket to France, leaving next week. | 0:16:18 | 0:16:22 | |
Looks like our prisoner was planning to escape. | 0:16:22 | 0:16:25 | |
-What's that? -A printed list of names and numbers. | 0:16:25 | 0:16:27 | |
-Any of them mean anything to you? -No. | 0:16:27 | 0:16:30 | |
Dwayne, we need to find the people on here - | 0:16:30 | 0:16:32 | |
-find out their connection to Therese. -Look. | 0:16:32 | 0:16:34 | |
Another packet. | 0:16:34 | 0:16:35 | |
But these are a different brand to the ones we found in her room. | 0:16:35 | 0:16:38 | |
Why would you hide one packet and not the other? | 0:16:38 | 0:16:40 | |
Because, as I thought, the other packet was planted. | 0:16:40 | 0:16:43 | |
Gum! But this is unopened. | 0:16:43 | 0:16:45 | |
Then where did the gum come from that was stuck to my shoe? | 0:16:45 | 0:16:49 | |
-Another old packet? -Yeah, but why be so careless? | 0:16:49 | 0:16:51 | |
She knew gum was frowned upon, why just leave it on the floor? | 0:16:51 | 0:16:54 | |
Maybe she was going to pick it up in the morning. | 0:16:54 | 0:16:56 | |
She couldn't have known someone was going to murder her. | 0:16:56 | 0:16:59 | |
Don't forget she was just a teenage girl, after all. | 0:16:59 | 0:17:02 | |
"If you speak, I will silence you. Vengeance is mine; I will repay." | 0:17:03 | 0:17:07 | |
Romans 12, verse 19. | 0:17:09 | 0:17:11 | |
A teenage girl who knew too much? | 0:17:13 | 0:17:15 | |
KNOCK AT DOOR | 0:17:17 | 0:17:18 | |
It's been such a shock for all of us | 0:17:20 | 0:17:22 | |
and I just wondered if you wanted to talk? | 0:17:22 | 0:17:25 | |
When I need to talk, I talk to the Lord. | 0:17:26 | 0:17:29 | |
Which was what I was doing when you knocked, so... | 0:17:29 | 0:17:32 | |
Of course, Reverend Mother. Forgive me. | 0:17:32 | 0:17:35 | |
Anything back on that list of names? | 0:17:37 | 0:17:38 | |
Maybe one of them wanted Therese silenced for some reason? Dwayne? | 0:17:38 | 0:17:42 | |
Nothing yet, chief. | 0:17:42 | 0:17:43 | |
Remember, Therese often slept late because of sleeping pills administered by Sister Marguerite. | 0:17:43 | 0:17:47 | |
You think she upped the dose to ensure she slept through the fire? | 0:17:47 | 0:17:50 | |
No, it was Elodie who tried to save her. | 0:17:50 | 0:17:54 | |
-Elodie? -Sorry - Sister Marguerite. | 0:17:54 | 0:17:57 | |
She changed her name when she took Holy Orders. | 0:17:58 | 0:18:01 | |
The lengths women will go to avoid you, Dwayne. | 0:18:01 | 0:18:03 | |
It wasn't like that. | 0:18:03 | 0:18:05 | |
We used to hang out, fool around, you know. | 0:18:05 | 0:18:07 | |
But her parents died when she was 21. Motor boat accident. | 0:18:09 | 0:18:14 | |
She never got over it. | 0:18:16 | 0:18:18 | |
Then, not long after, she joined the convent. | 0:18:20 | 0:18:23 | |
You think she can be happy? | 0:18:26 | 0:18:28 | |
You mean, without you? | 0:18:28 | 0:18:30 | |
Dwayne, she married Christ. You could never compete - | 0:18:30 | 0:18:33 | |
not with the miracles and the father-in-law. | 0:18:33 | 0:18:35 | |
Ah, but does he have my killer smile? | 0:18:35 | 0:18:39 | |
OK. Thank you. | 0:18:39 | 0:18:41 | |
OK, thank you. | 0:18:41 | 0:18:43 | |
The plane ticket we found in Therese's box was paid for in cash | 0:18:43 | 0:18:46 | |
a week ago by a Michael Lannon. | 0:18:46 | 0:18:48 | |
He bought two tickets to Paris-Orly - one for Therese and one for him. | 0:18:48 | 0:18:52 | |
Right, so they were planning to leave the island together. | 0:18:52 | 0:18:55 | |
Good work, Camille. Right then, who is Michael Lannon? | 0:18:55 | 0:18:58 | |
Check all residents with that name, | 0:18:58 | 0:19:00 | |
all passenger lists in and out of Saint Marie. | 0:19:00 | 0:19:03 | |
I want him found. | 0:19:03 | 0:19:04 | |
I've put the word out on Michael Lannon. | 0:19:11 | 0:19:14 | |
If he's on the island, he won't be able to stay hidden for long. | 0:19:14 | 0:19:17 | |
So, come on, what is it with you and nuns? | 0:19:19 | 0:19:23 | |
What? | 0:19:23 | 0:19:25 | |
You've been strange all day, you nearly jumped out of your skin | 0:19:25 | 0:19:28 | |
when Sister Anne entered Father John's office. | 0:19:28 | 0:19:30 | |
She just startled me, that's all. | 0:19:30 | 0:19:33 | |
Look, I don't want to talk about it. | 0:19:33 | 0:19:35 | |
It's something in your childhood, isn't it? | 0:19:37 | 0:19:40 | |
-Catholic school? -Altar boy... | 0:19:40 | 0:19:42 | |
Look, if you must know, | 0:19:42 | 0:19:44 | |
the House Mother at my boarding school was a nun. | 0:19:44 | 0:19:47 | |
Sister Benedict. Imagine Geoff Capes in a wimple. | 0:19:47 | 0:19:51 | |
-Geoff who? -It doesn't matter. | 0:19:51 | 0:19:52 | |
Anyway she used to terrorise us with spot checks, day and night - | 0:19:52 | 0:19:56 | |
nails, teeth, underpants... | 0:19:56 | 0:19:59 | |
-Underpants? -I still have nightmares where I wake up | 0:19:59 | 0:20:02 | |
-seeing her mole-ridden face in mine... -Sir... | 0:20:02 | 0:20:04 | |
-You know she had this slipper, she used to beat us. -Sir. | 0:20:04 | 0:20:06 | |
-I had thighs like corned beef for almost my entire childhood... -Sir, I... | 0:20:06 | 0:20:09 | |
I know - they're brides of Christ. But some are bad through and through. They are evil! | 0:20:09 | 0:20:13 | |
Sir! | 0:20:13 | 0:20:14 | |
Don't worry. I didn't bring my slipper. | 0:20:18 | 0:20:21 | |
Hi. Everything all right? | 0:20:21 | 0:20:24 | |
Yes, there's just something I forgot to tell you about last night. | 0:20:24 | 0:20:27 | |
Sister Marguerite said Therese was afraid of something outside this bar. | 0:20:30 | 0:20:35 | |
Yes, it was funny. | 0:20:35 | 0:20:37 | |
What was it she saw? | 0:20:37 | 0:20:38 | |
Not what, but who. | 0:20:38 | 0:20:41 | |
Daryl Dexter. A businessman, | 0:20:41 | 0:20:44 | |
but no-one can tell me what sort of business he's in. | 0:20:44 | 0:20:47 | |
Then why would a nun be scared of him? Or even know him? | 0:20:47 | 0:20:50 | |
Do you know where he lives? | 0:20:51 | 0:20:52 | |
Er, excuse me. | 0:21:15 | 0:21:17 | |
-We're looking for Mr Sexter. -Dexter. -Dexter. | 0:21:17 | 0:21:19 | |
So nuns and girls in bikini make you nervous. | 0:21:22 | 0:21:26 | |
Or is it just women in general? | 0:21:26 | 0:21:28 | |
Women don't make me nervous. | 0:21:28 | 0:21:30 | |
Good God. | 0:21:35 | 0:21:36 | |
CLEARS HIS THROAT | 0:21:36 | 0:21:37 | |
Mr Dexter? | 0:21:39 | 0:21:40 | |
Detective Inspector Poole. This is Detective Sergeant Bordey. | 0:21:40 | 0:21:44 | |
Detectives, glad you could make it. | 0:21:44 | 0:21:46 | |
Erm, would you excuse us for a moment? | 0:21:46 | 0:21:48 | |
We're investigating the death of a young woman... | 0:21:48 | 0:21:50 | |
Perhaps we can discuss any business you have in private. | 0:21:50 | 0:21:53 | |
I'd appreciate that. This way. | 0:21:53 | 0:21:54 | |
I'm sure there's some mistake. Why would anyone be scared of me? | 0:22:03 | 0:22:06 | |
But we have a witness who says she was scared when she saw you. | 0:22:06 | 0:22:11 | |
Very scared. | 0:22:11 | 0:22:12 | |
Then your witness is mistaken. | 0:22:12 | 0:22:13 | |
Did you know Therese - the girl who was killed? | 0:22:13 | 0:22:16 | |
Not personally, no. But I barely go up to the convent. | 0:22:16 | 0:22:18 | |
-Just the odd meeting. -What kind of meeting? | 0:22:18 | 0:22:20 | |
Sorry, I thought you knew. | 0:22:20 | 0:22:22 | |
I run a PR company, I've just taken them on as clients. | 0:22:22 | 0:22:24 | |
Since when do convents need PR? | 0:22:26 | 0:22:27 | |
Since they discovered they have a Holy Spring. | 0:22:27 | 0:22:29 | |
-It has the potential to transform their fortunes. -How so? | 0:22:29 | 0:22:32 | |
The amount of revenue this could generate for the convent could be quite phenomenal. | 0:22:32 | 0:22:36 | |
For a price. | 0:22:36 | 0:22:38 | |
A percentage. That's what this little get-together is in aid of. | 0:22:38 | 0:22:41 | |
To stimulate initial interest. | 0:22:41 | 0:22:43 | |
And there's talk about the Holy Spring being sanctified by the Vatican. | 0:22:43 | 0:22:46 | |
Now, if that happens, the sky's the limit. | 0:22:46 | 0:22:50 | |
Does the name "Michael Lannon" mean anything to you? | 0:22:50 | 0:22:54 | |
Can't say that it does, no. | 0:22:54 | 0:22:55 | |
And do you recognise any of these names? | 0:22:57 | 0:23:00 | |
We found them in Therese's room. | 0:23:01 | 0:23:03 | |
-No. -Are you sure? Take your time. | 0:23:05 | 0:23:09 | |
Look, I know you're only doing your job, | 0:23:09 | 0:23:10 | |
but I'm trying to do mine, and this isn't exactly good for business. | 0:23:10 | 0:23:13 | |
So, if you don't mind. | 0:23:13 | 0:23:14 | |
That man is obsessed with money. And promoting a Holy Spring, | 0:23:19 | 0:23:24 | |
with women in bikinis. I wonder what Sister Anne would say? | 0:23:24 | 0:23:28 | |
Do not mention bikinis and Sister Anne in the same sentence! | 0:23:28 | 0:23:32 | |
Conjures up a very powerful image. | 0:23:32 | 0:23:34 | |
-Hang on, Camille. -What? | 0:23:34 | 0:23:35 | |
I saw a photo of that woman on his desk. | 0:23:39 | 0:23:42 | |
I think I know her from somewhere. | 0:23:43 | 0:23:46 | |
-You know her like that? -Drive. -Yeah. | 0:23:46 | 0:23:48 | |
So, Daryl Dexter is suspect number one. | 0:23:51 | 0:23:54 | |
He obviously knew Therese. Why else would she be scared of him? | 0:23:54 | 0:23:57 | |
Yes, he lied about knowing her. So, what does he have to hide? | 0:23:57 | 0:24:00 | |
Maybe he and Therese were lovers? | 0:24:00 | 0:24:02 | |
Maybe he's the Michael Lannon who bought the plane tickets? | 0:24:02 | 0:24:05 | |
I haven't found anyone of that name on the island yet. | 0:24:05 | 0:24:09 | |
But Daryl has a lover, remember? The woman we saw at the villa. | 0:24:09 | 0:24:12 | |
-Doesn't mean he can't have another one. -Yes, but, if they were lovers, | 0:24:12 | 0:24:15 | |
why was she so scared of him during the procession? | 0:24:15 | 0:24:17 | |
Maybe she was going to tell his girlfriend about their relationship? | 0:24:17 | 0:24:20 | |
So he sent the threatening letter to silence her? | 0:24:20 | 0:24:22 | |
It's rubbish, isn't it. | 0:24:24 | 0:24:25 | |
Any joy on that list of names? | 0:24:25 | 0:24:27 | |
Maybe there's a connection to Daryl Dexter there? | 0:24:27 | 0:24:29 | |
Fidel's on the case. | 0:24:29 | 0:24:31 | |
Something else came up here. | 0:24:31 | 0:24:32 | |
I've just spoken to the orphanage in Strasbourg where Therese grew up. | 0:24:32 | 0:24:35 | |
They say she wasn't a religious girl. Quite the opposite in fact - | 0:24:35 | 0:24:38 | |
boys, drugs, petty theft. | 0:24:38 | 0:24:40 | |
So, not the obvious candidate to join a convent? | 0:24:40 | 0:24:43 | |
Ah, but that's not all. | 0:24:43 | 0:24:45 | |
When I was looking for their telephone number, | 0:24:45 | 0:24:47 | |
I went onto the orphanage website. | 0:24:47 | 0:24:49 | |
They have a gallery going back years | 0:24:49 | 0:24:51 | |
and had photographs of their celebrations for the Pope's visit to Strasbourg in 1988. | 0:24:51 | 0:24:55 | |
Therese wasn't born in 1988. | 0:24:55 | 0:24:57 | |
It's not Therese. | 0:24:57 | 0:24:59 | |
Hello? | 0:25:09 | 0:25:11 | |
In here. | 0:25:11 | 0:25:12 | |
Sorry to disturb you, Father. | 0:25:15 | 0:25:17 | |
Ah, part of your PR campaign? I met Daryl Dexter earlier. | 0:25:18 | 0:25:23 | |
I know people doubt his motives, | 0:25:23 | 0:25:26 | |
-but with his help, I'm sure we can save the convent. -Save it? | 0:25:26 | 0:25:29 | |
Well, each year, costs rise, donations dwindle. | 0:25:29 | 0:25:33 | |
You mean your future here is in doubt? | 0:25:33 | 0:25:35 | |
In this house, yes. There's talk of it being sold. | 0:25:35 | 0:25:39 | |
Many old convents are turned into hotels these days. | 0:25:39 | 0:25:42 | |
Of course, the nuns can find homes in other convents. | 0:25:42 | 0:25:45 | |
I'm sure the church would find a home for me somewhere. | 0:25:45 | 0:25:48 | |
-Yeah, where were you before here? -Oh, many places. | 0:25:48 | 0:25:51 | |
-Lyon, Limerick, Ghana. -Strasbourg? | 0:25:51 | 0:25:54 | |
I was a priest there, many years ago. | 0:25:54 | 0:25:57 | |
Attached to the orphanage where Therese spent her childhood. | 0:25:57 | 0:26:00 | |
But, erm, you didn't think to tell us that? | 0:26:00 | 0:26:03 | |
I didn't think it was relevant. It was 20-odd years ago. | 0:26:03 | 0:26:07 | |
I was long gone before she was there. | 0:26:07 | 0:26:10 | |
And also, it was a difficult time. I don't want to go into it. | 0:26:10 | 0:26:13 | |
Well, I'm sure the diocese in Strasbourg can tell us? | 0:26:13 | 0:26:16 | |
Old sins make long shadows, isn't that what they say? | 0:26:19 | 0:26:25 | |
-Ah. -Ginette Pascal. | 0:26:25 | 0:26:27 | |
For once, I was just a man, not a man of God. | 0:26:27 | 0:26:32 | |
I would have left the priesthood for her, | 0:26:32 | 0:26:35 | |
but the church found out. | 0:26:35 | 0:26:37 | |
They didn't want a scandal and so I was sent away. | 0:26:37 | 0:26:41 | |
Not that it stopped the sisters here finding out. | 0:26:41 | 0:26:44 | |
Oh, the orphanage told one of my officers that Therese wasn't a religious girl. | 0:26:46 | 0:26:52 | |
So why did she want to become a nun? | 0:26:52 | 0:26:53 | |
She'd spent her whole life inside an institution, | 0:26:53 | 0:26:56 | |
and quite simply didn't know how to exist outside of one. | 0:26:56 | 0:27:00 | |
-A prisoner? -Of sorts. | 0:27:00 | 0:27:03 | |
Even to the extent that she hid things in her cell? | 0:27:03 | 0:27:06 | |
We found a box, hidden behind a secret panel. | 0:27:06 | 0:27:11 | |
Like The Count Of Monte Cristo. | 0:27:11 | 0:27:13 | |
Quite. | 0:27:15 | 0:27:17 | |
No, no, no, no, no. Oh, bugger! | 0:27:55 | 0:27:57 | |
Ah! Great minds. You thought you'd get an early start too? | 0:28:08 | 0:28:11 | |
Yes. | 0:28:11 | 0:28:13 | |
What's that? | 0:28:13 | 0:28:14 | |
Ah, your Count Of Monte Cristo. | 0:28:14 | 0:28:17 | |
Ah! And? | 0:28:17 | 0:28:19 | |
Quite a man. | 0:28:19 | 0:28:20 | |
But, most importantly, it got me to thinking about locked cells | 0:28:20 | 0:28:24 | |
and how you get through solid walls. | 0:28:24 | 0:28:27 | |
Well, Edmund Dantes used a tunnel. | 0:28:27 | 0:28:29 | |
Yes, but we found no tunnel. | 0:28:29 | 0:28:32 | |
So, how else could someone get out of a locked room | 0:28:32 | 0:28:35 | |
after starting the fire? | 0:28:35 | 0:28:37 | |
Anyone from the convent would've known the place like the back of their hand. | 0:28:38 | 0:28:42 | |
Yes, speaking of which... | 0:28:42 | 0:28:43 | |
Still waiting on that miracle. | 0:28:44 | 0:28:46 | |
Father John. He didn't mention the orphanage connection. | 0:28:46 | 0:28:50 | |
He didn't know her back then. | 0:28:50 | 0:28:52 | |
Yeah, but we know he had an eye for the ladies. | 0:28:52 | 0:28:54 | |
Maybe Therese was his lover. | 0:28:54 | 0:28:56 | |
His motive to kill her? | 0:28:56 | 0:28:57 | |
She threatened to expose the affair? | 0:28:57 | 0:28:59 | |
He couldn't survive a second scandal? | 0:28:59 | 0:29:01 | |
But Daryl Dexter, he's still our main suspect. | 0:29:02 | 0:29:06 | |
He lied about knowing Therese, and she was terrified of him. | 0:29:06 | 0:29:09 | |
Ah, yes, but he didn't have access to the nuns' living quarters. | 0:29:09 | 0:29:12 | |
How could he have got in to start the fire unnoticed? | 0:29:12 | 0:29:14 | |
-Maybe he is the phantom nun? -Hmm. | 0:29:14 | 0:29:17 | |
Did you look into Sister Marguerite's family's deaths? | 0:29:17 | 0:29:19 | |
Yes. No suspicious circumstances. Also, the autopsy report is back. | 0:29:19 | 0:29:24 | |
Sleeping pills were found in Therese's system, | 0:29:24 | 0:29:28 | |
but no more than the prescribed dose. | 0:29:28 | 0:29:30 | |
Sister Marguerite did not drug her. | 0:29:30 | 0:29:32 | |
She's still first on the scene though. Could she have done something to the lock? | 0:29:32 | 0:29:36 | |
Is there is a way to trip it, do you think? | 0:29:36 | 0:29:37 | |
Or could someone maybe have turned the key from the outside somehow to lock it? | 0:29:37 | 0:29:42 | |
Breakthrough. | 0:29:42 | 0:29:44 | |
We've spoken to all the people on the list of names from Sister Therese's room. | 0:29:44 | 0:29:47 | |
-And? -They were all cured by the waters of the Holy Spring. | 0:29:47 | 0:29:51 | |
-Cured? I find that hard to believe. -No, no, they all swear it. | 0:29:51 | 0:29:54 | |
Except one. Bomba Dupuis. | 0:29:54 | 0:29:56 | |
An old drunk, lives by the port. | 0:29:56 | 0:29:58 | |
And after a few rum punches courtesy of the Saint Marie Police Force... | 0:29:58 | 0:30:01 | |
Wait, wait, you saying you got a potential witness drunk? | 0:30:01 | 0:30:04 | |
He said he was paid to say he was cured. 200. | 0:30:04 | 0:30:08 | |
So Therese was paying people to endorse the Holy Spring. | 0:30:08 | 0:30:11 | |
No. Not Therese. Daryl Dexter. | 0:30:11 | 0:30:14 | |
Thank you for seeing us. | 0:30:17 | 0:30:18 | |
No problem. Can I get you a drink? Something fizzy? | 0:30:18 | 0:30:22 | |
-No, thank you. -Oh. Well, you don't mind if I do? | 0:30:22 | 0:30:25 | |
Not at all. | 0:30:25 | 0:30:27 | |
I have this imported myself. | 0:30:27 | 0:30:29 | |
The stuff they sell here gets delivered | 0:30:29 | 0:30:31 | |
and then sits on a sun-drenched dock for hours before being collected. | 0:30:31 | 0:30:35 | |
It makes it practically undrinkable. | 0:30:35 | 0:30:37 | |
Must be a nightmare. | 0:30:37 | 0:30:39 | |
It was really Daryl we wanted to see. | 0:30:39 | 0:30:42 | |
Oh, well, he's off on business, I'm afraid. | 0:30:42 | 0:30:44 | |
What's the nature of your relationship with Mr Dexter? | 0:30:44 | 0:30:47 | |
We're engaged! | 0:30:48 | 0:30:49 | |
Felicitations. | 0:30:49 | 0:30:51 | |
It means congratulations. | 0:30:52 | 0:30:55 | |
I've been grinning like a school girl ever since he asked me. | 0:30:55 | 0:30:58 | |
It's ridiculous at my age, I know. | 0:30:58 | 0:31:00 | |
How involved are you in his business dealings? | 0:31:00 | 0:31:03 | |
Oh, very. | 0:31:03 | 0:31:05 | |
We're a partnership. | 0:31:05 | 0:31:07 | |
I'm very excited about the Holy Spring. | 0:31:07 | 0:31:10 | |
You see, the pool might be in the convent, but I own the land where the spring finds its source. | 0:31:10 | 0:31:15 | |
-You own the land? -Yes, it was left to me many years ago. | 0:31:15 | 0:31:20 | |
Well, we thought it was worthless but then a nun gets cured, | 0:31:20 | 0:31:25 | |
and then others. | 0:31:25 | 0:31:26 | |
I'm hoping to sell it to the Vatican, once the waters have been sanctified. | 0:31:26 | 0:31:30 | |
At a great profit, I presume? | 0:31:30 | 0:31:32 | |
Well, certainly enough to keep me in, erm, imported champagne. | 0:31:32 | 0:31:36 | |
You are aware that a nun was found at the convent, dead in her room? | 0:31:38 | 0:31:43 | |
I know. Isn't it dreadful? | 0:31:43 | 0:31:47 | |
Were you also aware that the same nun had discovered | 0:31:47 | 0:31:50 | |
that Daryl had been bribing people to make bogus claims | 0:31:50 | 0:31:53 | |
about being cured by the spring? | 0:31:53 | 0:31:55 | |
Well, I...I really can't imagine that that's true. | 0:31:55 | 0:31:57 | |
-We have at least one witness. -A witness? | 0:31:57 | 0:31:59 | |
Do you mind if I join you? I, er, I've been trying to give up but... | 0:31:59 | 0:32:02 | |
Yes, of course. | 0:32:02 | 0:32:04 | |
-I really should be good. -Look, can we get back to the bribes? -Bribes? | 0:32:07 | 0:32:11 | |
Are you implying that Daryl and I | 0:32:11 | 0:32:13 | |
are somehow involved in...? That's just ridiculous. | 0:32:13 | 0:32:16 | |
I know exactly when the fire broke out in the convent | 0:32:16 | 0:32:20 | |
and I can tell you, Daryl and I were together that morning. | 0:32:20 | 0:32:23 | |
So if you'd just like to let yourself out... | 0:32:23 | 0:32:26 | |
Since when do you smoke? | 0:32:30 | 0:32:31 | |
Since I wanted to see whether Laura smokes the same cigarettes | 0:32:31 | 0:32:34 | |
we found in Therese's room. | 0:32:34 | 0:32:37 | |
And she does. | 0:32:37 | 0:32:39 | |
-Good work. -Pardon? -Come on. | 0:32:39 | 0:32:42 | |
Come on. Haven't got all day. | 0:32:55 | 0:32:57 | |
I'll come back later. | 0:33:10 | 0:33:11 | |
Can you think of any reason why anyone would want to attack you? | 0:33:54 | 0:33:57 | |
Some of the silverware on the altar might be worth stealing, I suppose. | 0:33:59 | 0:34:04 | |
But nothing was stolen. | 0:34:04 | 0:34:07 | |
We found these. Grown here. | 0:34:07 | 0:34:10 | |
Rosary beads. | 0:34:10 | 0:34:11 | |
Not the conventional weapon we encounter, | 0:34:11 | 0:34:14 | |
which rather suggests it was someone from the convent. | 0:34:14 | 0:34:18 | |
Can't believe what you're insinuating. | 0:34:18 | 0:34:21 | |
Sister Anne, if you don't help us, | 0:34:21 | 0:34:24 | |
the attacker may strike again. | 0:34:24 | 0:34:26 | |
Therese is dead. | 0:34:26 | 0:34:27 | |
One of the other sisters may be in danger or you may not be | 0:34:27 | 0:34:30 | |
so lucky next time. | 0:34:30 | 0:34:32 | |
I've survived cancer and I have survived this. | 0:34:32 | 0:34:34 | |
And mark my words, it has nothing to do with luck. | 0:34:34 | 0:34:37 | |
God has saved me twice. He obviously has some plan for me. | 0:34:37 | 0:34:41 | |
I brought you some tea. I was just... | 0:34:43 | 0:34:45 | |
I couldn't drink it. | 0:34:45 | 0:34:46 | |
Well, if it's going spare... | 0:34:50 | 0:34:52 | |
-Why won't she talk? -I don't know. But I know why she didn't drink the tea. | 0:34:59 | 0:35:03 | |
I think they make it with your Holy Water. Thank you. | 0:35:03 | 0:35:06 | |
Hey, isn't that Dexter's car? | 0:35:08 | 0:35:10 | |
Mr Dexter! | 0:35:21 | 0:35:22 | |
Inspector. Sergeant Bordey. | 0:35:22 | 0:35:25 | |
This really isn't the best time to talk. And, to be honest, | 0:35:25 | 0:35:28 | |
I've told you everything I know. | 0:35:28 | 0:35:30 | |
Not quite everything. | 0:35:30 | 0:35:31 | |
You failed to mention that you've been bribing people to say they've been cured. | 0:35:31 | 0:35:36 | |
I have no need to bribe anyone. These waters cure people. | 0:35:36 | 0:35:39 | |
-That's not what our witness says. -Well, your witness is wrong. | 0:35:39 | 0:35:43 | |
I don't think so. | 0:35:43 | 0:35:44 | |
I think Therese knew what you were doing | 0:35:44 | 0:35:46 | |
-so you sent her a threatening letter. -This again? | 0:35:46 | 0:35:49 | |
I barely knew the girl, so why would I sent her a Bible-spouting letter? | 0:35:49 | 0:35:53 | |
How do you know the letter quoted the Bible? | 0:35:53 | 0:35:57 | |
He said so. | 0:35:57 | 0:35:58 | |
No, he didn't. | 0:35:58 | 0:36:00 | |
Therese had less commitments than the other nuns. | 0:36:01 | 0:36:05 | |
She had time on her hands. | 0:36:05 | 0:36:07 | |
One day... | 0:36:08 | 0:36:10 | |
One day, she saw me giving money to one of the pilgrims. | 0:36:11 | 0:36:15 | |
Next thing I know, a list of contacts has gone missing from my car. | 0:36:15 | 0:36:18 | |
The list we found in her cell. | 0:36:18 | 0:36:20 | |
She came to me and said she knew what I was doing | 0:36:20 | 0:36:23 | |
and was going to tell Father John if I didn't stop the bribes. | 0:36:23 | 0:36:26 | |
I panicked. | 0:36:26 | 0:36:28 | |
So you killed her? | 0:36:28 | 0:36:30 | |
No. I threatened her. | 0:36:30 | 0:36:31 | |
I just threatened her. | 0:36:34 | 0:36:35 | |
I admit maybe I was over the top with the Bible bit, | 0:36:35 | 0:36:38 | |
but I thought it was a language she'd understand. | 0:36:38 | 0:36:40 | |
But I did not kill her. That's ridiculous. | 0:36:40 | 0:36:44 | |
Anyway, I was with Laura at the time of the fire. | 0:36:44 | 0:36:46 | |
So she was keen to point out. | 0:36:46 | 0:36:48 | |
Have you been here at the convent all morning? | 0:36:48 | 0:36:52 | |
Most of it. Why? | 0:36:52 | 0:36:55 | |
So you were here when Sister Anne was attacked? | 0:36:55 | 0:36:58 | |
Attacked? | 0:36:58 | 0:37:00 | |
-Is she all right? -She's fine. | 0:37:00 | 0:37:02 | |
Despite someone trying to strangle her. Did she know your secret? | 0:37:02 | 0:37:06 | |
Was she going to expose you? | 0:37:06 | 0:37:08 | |
Sister Anne? She's the poster girl for the Holy Spring. | 0:37:08 | 0:37:12 | |
She, at least, has been cured. Why would I want her dead? | 0:37:12 | 0:37:16 | |
So, Therese's discovery of bribes must be what she was | 0:37:18 | 0:37:21 | |
going to tell Father John about before she died. | 0:37:21 | 0:37:24 | |
Only someone made sure she didn't get the chance. | 0:37:24 | 0:37:27 | |
Have we got anything back from the UK on Laura or Daryl yet? | 0:37:27 | 0:37:30 | |
Nothing yet, sir. | 0:37:30 | 0:37:32 | |
But I finished asking for prints on the rosary beads | 0:37:32 | 0:37:34 | |
we found in the chapel. | 0:37:34 | 0:37:36 | |
So? Any prints? | 0:37:36 | 0:37:38 | |
Yes, only partial ones. Sister Marguerite's. | 0:37:38 | 0:37:40 | |
Need a hand? | 0:37:50 | 0:37:51 | |
I've been at this for hours. | 0:37:51 | 0:37:54 | |
I'm really sorry to have to ask, | 0:37:54 | 0:37:56 | |
but we found your prints on the rosary. | 0:37:56 | 0:38:00 | |
That's because they're my beads, Dwayne. | 0:38:00 | 0:38:03 | |
But why were they in the chapel? | 0:38:03 | 0:38:05 | |
I must have left them there when I ran out of confession. | 0:38:05 | 0:38:08 | |
You ran out of confession? | 0:38:08 | 0:38:10 | |
I wanted to confess what I'd been thinking about. | 0:38:10 | 0:38:13 | |
Which is? | 0:38:13 | 0:38:15 | |
You. | 0:38:17 | 0:38:19 | |
So I've still got it, then? | 0:38:22 | 0:38:24 | |
Still got a massive ego. | 0:38:24 | 0:38:25 | |
No, no, what I mean is I've been thinking about what | 0:38:27 | 0:38:30 | |
life would have been like if I'd not come here. | 0:38:30 | 0:38:33 | |
I thought I should confess, but when it came to it | 0:38:33 | 0:38:37 | |
I thought Father John had a lot to deal with at the moment. | 0:38:37 | 0:38:40 | |
You've got nothing to confess as far as I can see. | 0:38:40 | 0:38:43 | |
Maybe not. | 0:38:43 | 0:38:45 | |
But when God took my parents, I wanted a family so badly, | 0:38:45 | 0:38:49 | |
and maybe I came here for the wrong reasons. | 0:38:49 | 0:38:52 | |
You happy here, Elodie? | 0:38:54 | 0:38:55 | |
Completely. | 0:39:00 | 0:39:03 | |
Except when my bike gets a puncture. | 0:39:03 | 0:39:06 | |
Dwayne. The nun. | 0:39:08 | 0:39:10 | |
What? | 0:39:10 | 0:39:11 | |
That's her. The phantom nun. | 0:39:11 | 0:39:14 | |
Hey! | 0:39:15 | 0:39:17 | |
Hey, stop! Police! | 0:39:18 | 0:39:21 | |
Ouch! Stop! | 0:39:27 | 0:39:29 | |
Police! | 0:39:32 | 0:39:34 | |
-Sir, you need to see this. -What the hell's going on here? | 0:39:45 | 0:39:50 | |
Mr Dexter. | 0:39:50 | 0:39:51 | |
Darling, are you all right? You have no right bringing her here. | 0:39:51 | 0:39:54 | |
And what's the charge, hm? Come on, darling, we're going. | 0:39:54 | 0:39:57 | |
Just a couple of questions before you go, Sheila. | 0:39:57 | 0:40:01 | |
Just got this from CID in England. | 0:40:01 | 0:40:03 | |
We had them run background checks on both of you. | 0:40:03 | 0:40:06 | |
Sweetheart? What's going on? | 0:40:06 | 0:40:08 | |
They know Laura as Sheila Parker, | 0:40:08 | 0:40:10 | |
a Sussex-based nurse accused of killing her elderly patient. | 0:40:10 | 0:40:13 | |
What was it the press dubbed you? The Angel of Death? | 0:40:13 | 0:40:16 | |
It's not how it sounds. He was in pain. | 0:40:16 | 0:40:18 | |
You left him the wherewithal to administer a lethal injection, | 0:40:18 | 0:40:21 | |
-promptly benefited from his will. -Well, I was never convicted. | 0:40:21 | 0:40:24 | |
It never even went to trial. | 0:40:24 | 0:40:26 | |
Leaving a lot of unanswered questions | 0:40:26 | 0:40:28 | |
and you are a very rich woman. | 0:40:28 | 0:40:30 | |
You even inherited the land you now own on Saint Marie. | 0:40:30 | 0:40:34 | |
-Is this true? -I'm not a murderer. | 0:40:34 | 0:40:37 | |
This was all a long time ago. | 0:40:37 | 0:40:39 | |
It has absolutely nothing to do with what's going on now. | 0:40:39 | 0:40:42 | |
Tell us, what is going on now? What were you doing at the convent? | 0:40:42 | 0:40:46 | |
-I can't say. -Were you at the convent the morning of the fire? | 0:40:46 | 0:40:51 | |
You know I wasn't. | 0:40:51 | 0:40:53 | |
-Tell them, Daryl. -I'm not lying for you now. | 0:40:55 | 0:40:58 | |
We weren't together that night. | 0:40:58 | 0:41:00 | |
I was on the other side of the island on business. | 0:41:00 | 0:41:03 | |
So neither of you has an alibi for that morning, then. | 0:41:05 | 0:41:08 | |
-Lock them both up. -What? What for? | 0:41:08 | 0:41:10 | |
We can detain you for questioning on suspicion of murder. | 0:41:10 | 0:41:13 | |
You killed that man in London for his money. | 0:41:25 | 0:41:27 | |
Did you do the same to that poor nun? | 0:41:29 | 0:41:32 | |
He was my patient! | 0:41:32 | 0:41:34 | |
His stomach was riddled with cancer. | 0:41:36 | 0:41:38 | |
He asked me, begged me, to end his suffering. | 0:41:39 | 0:41:43 | |
-I can't believe a word you say. -What about you, then? | 0:41:43 | 0:41:47 | |
Where were you when the fire started at the convent? | 0:41:47 | 0:41:50 | |
I don't have to answer to you. | 0:41:53 | 0:41:55 | |
I don't even know who you are. | 0:41:56 | 0:41:58 | |
So, why would Laura Masters make regular visits to the convent? | 0:42:01 | 0:42:05 | |
She was spotted there numerous times before the murder. | 0:42:06 | 0:42:09 | |
To plan how she intended to kill Therese. | 0:42:10 | 0:42:14 | |
Then why was she there today? | 0:42:14 | 0:42:16 | |
-To finish the job on Sister Anne. -I managed to find it, sir. | 0:42:16 | 0:42:20 | |
What's inside? | 0:42:20 | 0:42:22 | |
-Looks like... Medical stuff. -Medical supplies? | 0:42:22 | 0:42:26 | |
Do you think she was going to kill again? | 0:42:26 | 0:42:29 | |
No, I think this time she was planning to save a life. | 0:42:29 | 0:42:32 | |
I'm sorry I was so short with you before. | 0:42:46 | 0:42:49 | |
It's understandable, given what you've been through. | 0:42:49 | 0:42:51 | |
-How are you feeling? -My neck is still a little sore. | 0:42:51 | 0:42:54 | |
No, I'm sorry, the cancer. | 0:42:54 | 0:42:56 | |
Cancer? That's gone, you know that. | 0:42:56 | 0:42:58 | |
Has it? | 0:42:58 | 0:43:00 | |
Sister Anne, would you remove your wimple and veil for me? | 0:43:02 | 0:43:05 | |
Inspector, | 0:43:06 | 0:43:08 | |
that is not permitted by the dictates of my convent or my faith. | 0:43:08 | 0:43:11 | |
Or is it because it would betray your secret? | 0:43:11 | 0:43:13 | |
You don't have any hair, do you? | 0:43:13 | 0:43:15 | |
From the chemotherapy you're receiving for the cancer | 0:43:15 | 0:43:18 | |
you're still suffering from. | 0:43:18 | 0:43:20 | |
Laura Masters has just admitted to me that she comes to | 0:43:23 | 0:43:26 | |
the convent periodically to administer further treatment, | 0:43:26 | 0:43:29 | |
dressed as a nun to avoid suspicion. | 0:43:29 | 0:43:33 | |
What must you think of me? | 0:43:35 | 0:43:36 | |
It didn't start as a lie, really. | 0:43:38 | 0:43:41 | |
When I was first diagnosed with cancer, | 0:43:41 | 0:43:43 | |
I started to drink of the Holy Spring. | 0:43:43 | 0:43:46 | |
When I returned to the hospital, they told me that the tumour | 0:43:46 | 0:43:49 | |
had shrunk. I was overjoyed. | 0:43:49 | 0:43:52 | |
I knew that God had a purpose for me - to save the convent. | 0:43:52 | 0:43:55 | |
People would believe now, truly believe. | 0:43:55 | 0:43:58 | |
The Holy Spring would be our salvation. | 0:43:58 | 0:44:01 | |
But after three months, I went back to the hospital just for | 0:44:01 | 0:44:04 | |
a routine check-up and the doctors told me that the tumour had returned. | 0:44:04 | 0:44:07 | |
I couldn't believe it. But Daryl said we needn't back out. | 0:44:07 | 0:44:11 | |
He told me about Laura Masters being a cancer nurse, | 0:44:11 | 0:44:14 | |
and that she would help me. I didn't want to lie. | 0:44:14 | 0:44:18 | |
But I felt it was what God wanted. | 0:44:18 | 0:44:20 | |
People were coming to the convent in such numbers | 0:44:20 | 0:44:22 | |
and God's word was spreading. | 0:44:22 | 0:44:24 | |
I felt that the ends would justify the means. | 0:44:24 | 0:44:27 | |
Then Therese found out about your little fraud, so you killed her. | 0:44:27 | 0:44:30 | |
What? No! | 0:44:30 | 0:44:31 | |
You had the opportunity to come into her room on the morning of the fire. | 0:44:31 | 0:44:35 | |
No, what are you talking about? What about me? Somebody tried to kill me! | 0:44:35 | 0:44:38 | |
How do you account for that? | 0:44:38 | 0:44:40 | |
I know I lied, Lord forgive me, | 0:44:41 | 0:44:44 | |
but do I look like a murderer to you? | 0:44:44 | 0:44:47 | |
You know, I really thought we had our killer. | 0:44:54 | 0:44:56 | |
I was sure Sister Anne killed Therese | 0:44:56 | 0:44:58 | |
to detect the fake spring from being revealed. | 0:44:58 | 0:45:01 | |
I thought when I confronted her she'd confess, | 0:45:01 | 0:45:03 | |
tell me how she did it, say three Hail Marys, case closed. | 0:45:03 | 0:45:06 | |
How did someone get in and out of that room? | 0:45:09 | 0:45:12 | |
-I'm sorry. -That's OK. | 0:45:15 | 0:45:16 | |
I agree with Sister Anne. Who attacked her? | 0:45:20 | 0:45:23 | |
It doesn't make sense. | 0:45:23 | 0:45:25 | |
-Maybe that's it. -That's what? | 0:45:25 | 0:45:26 | |
We've been assuming the same person who killed Therese | 0:45:26 | 0:45:29 | |
tried to kill Sister Anne. But if you look at the crimes, | 0:45:29 | 0:45:33 | |
they're very different. The first one was clearly planned. | 0:45:33 | 0:45:35 | |
The planted cigarettes, the locked room? | 0:45:35 | 0:45:38 | |
But the second, well, the attacker just grabbed some rosary beads | 0:45:38 | 0:45:41 | |
that were left lying around after confession. | 0:45:41 | 0:45:43 | |
Yes. | 0:45:43 | 0:45:44 | |
Yes, straight after confession. | 0:45:46 | 0:45:48 | |
You know, sir, that cancer business was brilliant. | 0:45:55 | 0:45:59 | |
Really. How did you work it out? | 0:46:00 | 0:46:02 | |
Well, remember, Fidel, | 0:46:02 | 0:46:04 | |
things aren't always as they appear on the surface. | 0:46:04 | 0:46:06 | |
Especially when disguised by a veil and a wimple. | 0:46:06 | 0:46:09 | |
Or... | 0:46:12 | 0:46:14 | |
Or made to look like something else. | 0:46:14 | 0:46:17 | |
Excuse me. | 0:46:23 | 0:46:25 | |
-Got it. -Got what? -Soot. | 0:46:34 | 0:46:39 | |
On the inside of this lock. | 0:46:39 | 0:46:41 | |
I think I know why. Come on, work to be done. | 0:46:41 | 0:46:45 | |
Thank you. | 0:46:49 | 0:46:51 | |
Michael Lannon. Oui. En quelle annee? | 0:46:56 | 0:46:59 | |
You're right, this wasn't in the fire. | 0:47:12 | 0:47:14 | |
-So, someone put it in afterwards. -Exactly. | 0:47:14 | 0:47:18 | |
A Strasbourg. Je remercie. | 0:47:18 | 0:47:20 | |
-You still haven't got into that? -No. | 0:47:31 | 0:47:34 | |
You think you can do any better? | 0:47:34 | 0:47:36 | |
I may have a way. | 0:47:36 | 0:47:38 | |
Uh, Dwayne, are you sure that...? | 0:47:39 | 0:47:41 | |
And we are in. | 0:47:47 | 0:47:49 | |
You found what you're looking for? | 0:47:52 | 0:47:54 | |
I've found exactly what I'm looking for. | 0:47:54 | 0:47:56 | |
And I've found Michael Lannon. | 0:47:56 | 0:47:59 | |
Apologies for interrupting. If you could just take a seat. | 0:48:31 | 0:48:35 | |
If I must. | 0:48:36 | 0:48:38 | |
Sorry for the disturbance. | 0:48:38 | 0:48:40 | |
But I'm sure you are all anxious to know who killed Therese. | 0:48:41 | 0:48:45 | |
Almost from the start, | 0:48:45 | 0:48:47 | |
it seemed clear that this case was about the Holy Spring, | 0:48:47 | 0:48:50 | |
and the fact that Therese knew it was a fraud. | 0:48:50 | 0:48:52 | |
-A fraud? -Yes. | 0:48:52 | 0:48:54 | |
I'm sorry to say that any cures you might have heard about | 0:48:54 | 0:48:57 | |
are all false. | 0:48:57 | 0:49:00 | |
And so much rested on that staying a secret for so many. | 0:49:00 | 0:49:04 | |
But like everything in this case, | 0:49:04 | 0:49:06 | |
nothing was as it seemed upon first appearance. | 0:49:06 | 0:49:08 | |
This case isn't about the Holy Spirit at all. | 0:49:08 | 0:49:12 | |
And I realised that with the help of the good book... | 0:49:12 | 0:49:16 | |
The Count of Monte Cristo, where nothing is as it seems. | 0:49:18 | 0:49:23 | |
The mad priest isn't really mad, and, well, the count is no count | 0:49:23 | 0:49:27 | |
but one Edmond Dantes, | 0:49:27 | 0:49:29 | |
just as Laura Masters is really Sheila Parker, | 0:49:29 | 0:49:32 | |
Sister Marguerite is really Elodie Francois, | 0:49:32 | 0:49:36 | |
and Father John is in fact Michael Lannon. | 0:49:36 | 0:49:39 | |
You told me everyone has a weakness and yours was a woman - | 0:49:40 | 0:49:43 | |
Ginette Pascal, in Strasbourg. | 0:49:43 | 0:49:45 | |
So you were sent away, far from temptation, | 0:49:45 | 0:49:48 | |
and the woman you loved, to here, Saint Marie. | 0:49:48 | 0:49:51 | |
Then Therese arrived, and the two of you began a relationship. | 0:49:51 | 0:49:55 | |
You soon decided to leave together, | 0:49:55 | 0:49:57 | |
so you bought two plane tickets to France. | 0:49:57 | 0:50:00 | |
As you were going to leave the priesthood, you booked them | 0:50:00 | 0:50:03 | |
under the name you had before you took Holy Orders. Michael Lannon. | 0:50:03 | 0:50:07 | |
We found out your birth name from the diocese in Strasbourg. | 0:50:07 | 0:50:11 | |
But someone discovered your plan to leave, | 0:50:11 | 0:50:13 | |
someone who couldn't let you make the same mistake again. | 0:50:13 | 0:50:16 | |
Someone who felt they had to stop you making a fool of yourself, | 0:50:16 | 0:50:20 | |
throwing everything away for a woman. | 0:50:20 | 0:50:23 | |
And that's what you did, isn't it, Sister Anne? | 0:50:23 | 0:50:26 | |
That's why you killed Therese. Because you feared they were lovers. | 0:50:26 | 0:50:30 | |
Father John, Mother Superior. | 0:50:30 | 0:50:33 | |
You're almost like an old married couple. | 0:50:33 | 0:50:35 | |
You clean up after him, you nag him... | 0:50:35 | 0:50:38 | |
Indeed, in your own way, you love him. | 0:50:38 | 0:50:40 | |
You knew the mistake he'd made in Strasbourg | 0:50:40 | 0:50:43 | |
and you couldn't let his weakness destroy the relationship you had. | 0:50:43 | 0:50:47 | |
You also knew that the scandal would destroy the convent. | 0:50:47 | 0:50:50 | |
So you had to get rid of Therese. | 0:50:50 | 0:50:52 | |
But how to make her death look accidental? | 0:50:53 | 0:50:56 | |
God really is in the details. | 0:50:56 | 0:50:59 | |
That is what you always say, isn't it, Reverend Mother? | 0:50:59 | 0:51:02 | |
Therese took sleeping pills, often making her late for chapel, | 0:51:02 | 0:51:05 | |
and she was also a smoker, | 0:51:05 | 0:51:07 | |
giving you the perfect means to make her death look accidental. | 0:51:07 | 0:51:11 | |
Therese kept her cigarettes well hidden, | 0:51:11 | 0:51:13 | |
but I'm sure it was easy enough to steal a packet | 0:51:13 | 0:51:15 | |
of Laura Masters' cigarettes from her bag | 0:51:15 | 0:51:18 | |
during one of her visits to the convent. | 0:51:18 | 0:51:21 | |
You couldn't risk Therese waking up | 0:51:21 | 0:51:23 | |
and smelling the smoke by placing the cigarettes too close | 0:51:23 | 0:51:26 | |
to her face, so you placed it at the foot of the bed, | 0:51:26 | 0:51:28 | |
assuming that any evidence would be destroyed in the fire. | 0:51:28 | 0:51:32 | |
As the cigarette slowly burned down, | 0:51:32 | 0:51:34 | |
it gave you just enough time to lock the door from the outside. | 0:51:34 | 0:51:37 | |
You then took some gum, which you placed in the lock, | 0:51:38 | 0:51:42 | |
so, to the casual observer, it would look like the key was still in it. | 0:51:42 | 0:51:47 | |
As the fire took hold, you only pretended to try | 0:51:47 | 0:51:49 | |
and unlock the door. | 0:51:49 | 0:51:52 | |
As the door was broken down, you knew all attention would be on Therese. | 0:51:53 | 0:51:58 | |
As everyone rushed to save her, | 0:51:58 | 0:52:01 | |
you put the key in the lock, dislodging the gum inside. | 0:52:01 | 0:52:05 | |
But a tiny piece of the silver paper remained inside, | 0:52:05 | 0:52:08 | |
betraying your method. | 0:52:08 | 0:52:10 | |
As did the gum - | 0:52:10 | 0:52:12 | |
stuck to my shoe, which, with DNA testing, | 0:52:12 | 0:52:15 | |
will prove you're the killer. | 0:52:15 | 0:52:17 | |
No! Someone tried to kill her, too. | 0:52:17 | 0:52:19 | |
Yeah, I'm glad you brought that up. | 0:52:19 | 0:52:21 | |
Because it was that very attack that led us to identify | 0:52:21 | 0:52:24 | |
Sister Anne as the killer. The attack took place here, | 0:52:24 | 0:52:27 | |
just after confession. | 0:52:27 | 0:52:29 | |
Of course, I can't know what was said, | 0:52:29 | 0:52:33 | |
but I can guess by what happened soon afterwards. | 0:52:33 | 0:52:36 | |
Father, I cannot tell you the nature of my sin. | 0:52:36 | 0:52:39 | |
Only know I did it to protect you. | 0:52:39 | 0:52:42 | |
To stop you making the same mistake again. | 0:52:42 | 0:52:46 | |
Father John couldn't go to the police | 0:52:56 | 0:52:58 | |
because he was bound by the confidentiality of the confessional. | 0:52:58 | 0:53:01 | |
Sister Anne must have known who attacked her but could say nothing, | 0:53:01 | 0:53:04 | |
as it would expose her as a murderer. | 0:53:04 | 0:53:06 | |
Both bound by silence. | 0:53:06 | 0:53:08 | |
I can't lie any more, child. Not here. | 0:53:16 | 0:53:19 | |
Not before God. It's true. | 0:53:19 | 0:53:24 | |
I had to save Father John from himself. | 0:53:26 | 0:53:29 | |
That pretty little thing had turned his head. | 0:53:33 | 0:53:35 | |
You all saw that, didn't you? | 0:53:35 | 0:53:39 | |
If he'd left with her as he planned to, | 0:53:39 | 0:53:41 | |
I would have been left alone. | 0:53:41 | 0:53:43 | |
God gave me strength while you were at your weakest. | 0:53:45 | 0:53:48 | |
But I loved her. | 0:53:48 | 0:53:51 | |
No, not love. Lust. That's all it was. Just as before. | 0:53:51 | 0:53:54 | |
The only real love is here, the family. | 0:53:57 | 0:54:00 | |
She was family. | 0:54:00 | 0:54:02 | |
-She was a devil! -No, Sister, she really was family. | 0:54:02 | 0:54:07 | |
What? | 0:54:07 | 0:54:08 | |
Therese, who called Father John Father every day, | 0:54:08 | 0:54:11 | |
was being deceptively literal. | 0:54:11 | 0:54:14 | |
Wasn't she, Father John? | 0:54:14 | 0:54:15 | |
She was my daughter. | 0:54:15 | 0:54:17 | |
Your daughter? | 0:54:19 | 0:54:21 | |
The daughter from his relationship with Ginette Pascal, | 0:54:21 | 0:54:23 | |
back in Strasberg. | 0:54:23 | 0:54:25 | |
When Therese turned 18, | 0:54:25 | 0:54:27 | |
she was able to find out who her real parents were. | 0:54:27 | 0:54:30 | |
Mother, Ginette Pascal. | 0:54:30 | 0:54:32 | |
Father, Michael Lannon. | 0:54:32 | 0:54:34 | |
Ginette died in childbirth. | 0:54:35 | 0:54:38 | |
I couldn't claim the baby as my own, | 0:54:38 | 0:54:40 | |
so I made sure to place her in the orphanage where I worked. | 0:54:40 | 0:54:45 | |
But I was sent away, | 0:54:45 | 0:54:47 | |
far from my own flesh and blood. | 0:54:47 | 0:54:50 | |
That's why she came here. | 0:54:52 | 0:54:56 | |
So she could get to know me. | 0:54:57 | 0:54:59 | |
Then, one day, she told me the truth. Who she was. | 0:55:01 | 0:55:04 | |
I was overjoyed. | 0:55:04 | 0:55:07 | |
Now she's gone. Forever. | 0:55:09 | 0:55:12 | |
Why didn't you tell me? | 0:55:14 | 0:55:16 | |
For the same reason you didn't tell me about the fake spring. | 0:55:18 | 0:55:21 | |
To save the convent. | 0:55:21 | 0:55:23 | |
I would have welcomed her if I'd known! | 0:55:23 | 0:55:26 | |
-Would you? -I would've done anything for you. | 0:55:26 | 0:55:29 | |
Oh, please, forgive me. | 0:55:31 | 0:55:34 | |
Please. Please. | 0:55:34 | 0:55:37 | |
Only God can truly forgive. | 0:55:37 | 0:55:40 | |
It really was like they were married. | 0:55:53 | 0:55:55 | |
-Poor woman. -Poor woman? | 0:55:55 | 0:55:57 | |
She lied, manipulated and ultimately killed to get what she wanted. | 0:55:57 | 0:56:00 | |
Don't be fooled by the little old nun act. | 0:56:00 | 0:56:03 | |
-Nothing is really what it appears. -Exactly. -Hm. | 0:56:03 | 0:56:07 | |
Well, are we going to arrest them for fraud? | 0:56:07 | 0:56:10 | |
Unfortunately not. We don't have enough evidence. | 0:56:10 | 0:56:14 | |
Now I suppose you want me to hold up my left hand | 0:56:14 | 0:56:17 | |
-and show you that my psoriasis has been miraculously cured. -What? | 0:56:17 | 0:56:20 | |
-I don't believe it! -It worked? | 0:56:20 | 0:56:22 | |
No, it's that one. | 0:56:22 | 0:56:24 | |
Honestly, Camille, | 0:56:25 | 0:56:26 | |
sometimes your faith in the unscientific astounds me. | 0:56:26 | 0:56:30 | |
So, I'm guessing this case has done nothing to ease your nun phobia. | 0:56:33 | 0:56:37 | |
If I never see another nun again, it'll be too soon. | 0:56:37 | 0:56:41 | |
Relax. I'm not here to check your underpants. | 0:56:43 | 0:56:48 | |
-Have you two been talking? -I have, actually. | 0:56:49 | 0:56:53 | |
I thought Sister Marguerite could help you with your problem. | 0:56:53 | 0:56:57 | |
I... I don't have a problem with anybody. | 0:56:57 | 0:56:59 | |
I just had some difficult experiences at school. | 0:56:59 | 0:57:02 | |
-I'm just not the praying type. -That's OK. | 0:57:02 | 0:57:04 | |
You don't need prayer to make this work. | 0:57:04 | 0:57:07 | |
Cortical steroids, for your psoriasis. | 0:57:07 | 0:57:09 | |
-For my psoriasis? -Mm hm. | 0:57:10 | 0:57:12 | |
Science, you see. Not divine intervention. | 0:57:12 | 0:57:15 | |
-No offence. -None taken. | 0:57:15 | 0:57:17 | |
-I'll drive you back to the convent. -OK. | 0:57:20 | 0:57:23 | |
And I'll go and get us some more drinks. | 0:57:23 | 0:57:25 | |
Nothing for me. | 0:57:25 | 0:57:28 | |
-I'm going to head up as well, actually. -OK. Good night, sir. | 0:57:28 | 0:57:31 | |
Yes, because you've got to get back | 0:57:31 | 0:57:33 | |
to your monastic existence, your cell? | 0:57:33 | 0:57:36 | |
No, I have a book to finish. | 0:57:36 | 0:57:37 | |
I want to find out if the Count of Monte Cristo | 0:57:37 | 0:57:40 | |
ever gets off that bloody island. | 0:57:40 | 0:57:42 | |
Might provide me with a bit of hope. | 0:57:42 | 0:57:44 | |
Well, I can tell you he does. | 0:57:44 | 0:57:46 | |
Ah, fantastic! | 0:57:46 | 0:57:47 | |
Yeah, but it takes him 40 years. | 0:57:47 | 0:57:49 | |
Fidel, I think I might need that drink after all. | 0:57:51 | 0:57:54 | |
Inspector. | 0:58:00 | 0:58:02 | |
Her name was Valerie Dupris. | 0:58:02 | 0:58:05 | |
Apparently, her husband had just left her for a younger woman. | 0:58:05 | 0:58:08 | |
Our clientele are rich, important people. | 0:58:08 | 0:58:10 | |
They insist on total discretion. | 0:58:10 | 0:58:12 | |
-Join me in theatre and I'll do my best to answer your questions there. -Theatre? | 0:58:12 | 0:58:16 | |
Hold this for me, would you. | 0:58:16 | 0:58:19 | |
Subtitles by Red Bee Media Ltd | 0:58:26 | 0:58:31 |