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So, morning team briefing. | 0:00:43 | 0:00:45 | |
I thought we should sharpen things up a little and start each day as we... | 0:00:45 | 0:00:49 | |
mean to go on. | 0:00:49 | 0:00:51 | |
Fidel? | 0:00:51 | 0:00:52 | |
RINGS BELL | 0:00:54 | 0:00:57 | |
Oh. | 0:00:58 | 0:01:00 | |
Sorry, chief. | 0:01:00 | 0:01:02 | |
It's just that Crazy Ally was throwing a Full Moon party | 0:01:02 | 0:01:05 | |
last night and, well... | 0:01:05 | 0:01:07 | |
Yeah, your self destructive link to the lunar cycle | 0:01:07 | 0:01:11 | |
is well documented so, er, let's just leave it there, shall we? | 0:01:11 | 0:01:15 | |
All of it. | 0:01:15 | 0:01:16 | |
You think it'll be quiet here again today? | 0:01:18 | 0:01:20 | |
The phone hardly rang at all yesterday. | 0:01:20 | 0:01:22 | |
It's too hot. No-one's got enough energy to break the law. | 0:01:22 | 0:01:26 | |
Ms Smythe. | 0:01:32 | 0:01:33 | |
Carlton. Lovely day. | 0:01:33 | 0:01:35 | |
There is a positive aspect to the phone not ringing. | 0:01:45 | 0:01:47 | |
No crimes being committed! | 0:01:47 | 0:01:50 | |
Peace and goodwill abounding. Hmm? | 0:01:50 | 0:01:53 | |
And it reflects very well on the department. | 0:01:54 | 0:01:57 | |
If you're bored, chief, there's always the crossword. | 0:01:58 | 0:02:01 | |
Yeah, with respect, it's not exactly the Times, is it? Come on. | 0:02:01 | 0:02:05 | |
OK. One across. Three letters, begins with S. | 0:02:06 | 0:02:11 | |
"It is blue and is all around you." | 0:02:11 | 0:02:15 | |
Hmm, that's a tricky one. | 0:02:15 | 0:02:16 | |
It's sea. It's blue and all around you. We're on an island. | 0:02:16 | 0:02:20 | |
-It's the sea. -Or sky. | 0:02:20 | 0:02:22 | |
Tricky. | 0:02:23 | 0:02:24 | |
SHE SCREAMS | 0:02:50 | 0:02:53 | |
So, er, what do we know about this place? | 0:03:32 | 0:03:35 | |
The Jacaranda Clinic. Specialises in cosmetic procedures. | 0:03:35 | 0:03:39 | |
-Very exclusive. -You mean expensive? | 0:03:39 | 0:03:41 | |
Well, you book in for a face lift, | 0:03:41 | 0:03:42 | |
then spend the next two weeks sitting by the pool. | 0:03:42 | 0:03:45 | |
By which time all trace of the surgeon's knife has disappeared. | 0:03:45 | 0:03:48 | |
And the secret of your eternal youth is safe for another year. | 0:03:48 | 0:03:50 | |
The clinic is owned by an English surgeon, Jeremy Tipping. | 0:03:50 | 0:03:54 | |
He's been on the island for years. | 0:03:54 | 0:03:56 | |
Got the big yacht in the harbour and everything. | 0:03:56 | 0:03:58 | |
A real beauty. Even has a Jacuzzi! | 0:03:58 | 0:04:02 | |
Police. We've come about the corpse? | 0:04:02 | 0:04:04 | |
-Impressive. -Mmmmm. | 0:04:10 | 0:04:12 | |
I meant the ambience. Clearly. | 0:04:12 | 0:04:15 | |
-Vivaldi? -Well, it gives me the creeps. It's so impersonal. | 0:04:15 | 0:04:19 | |
They all arrive in their big black cars and then just disappear again. | 0:04:19 | 0:04:22 | |
I doubt if anyone here sees anything of the island. | 0:04:22 | 0:04:25 | |
It's just like they've never actually been here at all. | 0:04:25 | 0:04:28 | |
Ah! Inspector? | 0:04:28 | 0:04:30 | |
This way. | 0:04:32 | 0:04:33 | |
No, I haven't had a face lift, Inspector. | 0:04:39 | 0:04:42 | |
I come here for physiotherapy. An old sports injury. | 0:04:42 | 0:04:45 | |
Mala. My physiotherapist. | 0:04:47 | 0:04:50 | |
Beautiful hands. | 0:04:50 | 0:04:51 | |
Her name was Valerie Dupree. | 0:04:55 | 0:04:58 | |
French. | 0:04:58 | 0:04:59 | |
Apparently her husband had just left her for a younger woman. | 0:04:59 | 0:05:02 | |
So, the staff and I think it's a simple case of suicide. | 0:05:02 | 0:05:06 | |
-Do you know if she could swim? -Yes. | 0:05:06 | 0:05:07 | |
I understand she swam most evenings. | 0:05:07 | 0:05:10 | |
How sad you must be to take your own life. | 0:05:10 | 0:05:13 | |
Well, let's not jump to conclusions. | 0:05:13 | 0:05:15 | |
-Selwyn! Hello! -Jeremy. | 0:05:15 | 0:05:18 | |
This is Detective Inspector Richard Poole, Sergeant Bordey. | 0:05:19 | 0:05:22 | |
A pleasure. I'm sorry we're not meeting in better circumstances. | 0:05:22 | 0:05:25 | |
Quite. And Mrs Dupree was last seen alive when? | 0:05:25 | 0:05:28 | |
Erm, I understand her nurse saw her yesterday evening. | 0:05:28 | 0:05:31 | |
And the body was discovered? | 0:05:31 | 0:05:32 | |
First thing this morning. One of our guests found her. | 0:05:32 | 0:05:35 | |
We will try to keep the disruption to a minimum, Jeremy. | 0:05:35 | 0:05:38 | |
Isn't that right, Inspector? | 0:05:40 | 0:05:41 | |
Yes. Absolutely. | 0:05:44 | 0:05:46 | |
Good. Well I'll just go and get dressed. | 0:05:46 | 0:05:49 | |
Er, the ambulance has been held up, | 0:06:02 | 0:06:04 | |
so Dwayne and Fidel are moving the body inside. | 0:06:04 | 0:06:07 | |
-Mmmm? -Out of sight. | 0:06:07 | 0:06:09 | |
Oh right, yeah. | 0:06:09 | 0:06:11 | |
You know this pot's been moved. | 0:06:13 | 0:06:15 | |
And, er, it's been chipped. Look. | 0:06:15 | 0:06:18 | |
This is just awful. The poor woman. | 0:06:19 | 0:06:21 | |
-I-I-I was just in town, I just got back. -And you are? | 0:06:21 | 0:06:25 | |
Sorry, erm, I'm Anna Jones. Erm, Doctor Anna Jones. | 0:06:25 | 0:06:27 | |
-You work here? -Yes, I'm the general manager. | 0:06:27 | 0:06:30 | |
-But you're a doctor? -Of psychology. | 0:06:30 | 0:06:32 | |
-Oh? -Part of my job is that I screen the clients. | 0:06:32 | 0:06:35 | |
Oh, so, you must have examined Mrs Dupree? | 0:06:35 | 0:06:38 | |
Er, yeah, I did. | 0:06:38 | 0:06:40 | |
Erm, which I'm not feeling particularly comfortable with right now. | 0:06:40 | 0:06:43 | |
She was clearly depressed. | 0:06:43 | 0:06:45 | |
Her husband of 25 years had just started divorce proceedings. | 0:06:45 | 0:06:49 | |
But I, I honestly thought that the cosmetic procedure | 0:06:49 | 0:06:53 | |
would give her a fresh start, you know, help her feelings of low self esteem. | 0:06:53 | 0:06:57 | |
-But, erm, clearly I was wrong. -PHONE RINGS | 0:06:57 | 0:06:59 | |
Sorry, I'm so sorry. | 0:06:59 | 0:07:01 | |
Hello? | 0:07:03 | 0:07:05 | |
Hi, yes, Mrs Katzenburg. Mm-hmm, yeah, yeah, yeah. | 0:07:05 | 0:07:08 | |
Can I call you back? Yes, in five minutes. Thank you. OK, bye. | 0:07:08 | 0:07:12 | |
Is there anything else I can help you with? | 0:07:14 | 0:07:16 | |
If we could just see Mrs Dupree's room? | 0:07:16 | 0:07:18 | |
-Then we can get out of your way. -Yes, absolutely. It's this way. | 0:07:18 | 0:07:21 | |
-Sir? -Hmm, yes, yeah. | 0:07:24 | 0:07:27 | |
Coming. | 0:07:27 | 0:07:28 | |
Erm, Carlton here took care of her, | 0:07:31 | 0:07:34 | |
-so he can show you everything you need. -Thank you. | 0:07:34 | 0:07:36 | |
-PHONE RINGS -Oh, sorry about this. | 0:07:36 | 0:07:40 | |
Erm, yes? | 0:07:40 | 0:07:42 | |
Right, aha. | 0:07:42 | 0:07:43 | |
So, how well did you know Mrs Dupree? | 0:07:43 | 0:07:46 | |
It was her first visit here. | 0:07:46 | 0:07:48 | |
And you last saw her, when? | 0:07:49 | 0:07:52 | |
Drug round. 'Bout 9.30pm? | 0:07:52 | 0:07:54 | |
All the patients get heparin, Mr Tipping is very insistent. | 0:07:54 | 0:07:58 | |
Heparin? | 0:07:58 | 0:07:59 | |
An injectable anticoagulant. | 0:07:59 | 0:08:01 | |
Enables wound-healing by preventing blood clot formation. | 0:08:01 | 0:08:05 | |
Right. | 0:08:05 | 0:08:06 | |
So you gave her the injection as normal? | 0:08:07 | 0:08:11 | |
Sure. | 0:08:11 | 0:08:13 | |
Same as every night. | 0:08:13 | 0:08:15 | |
Did you speak to her? | 0:08:18 | 0:08:20 | |
Dr Jones is very particular. | 0:08:20 | 0:08:23 | |
She doesn't encourage conversation with the clients. | 0:08:23 | 0:08:25 | |
So, assuming she died some time that night, | 0:08:25 | 0:08:29 | |
you may well be the last person to see her alive? | 0:08:29 | 0:08:32 | |
I couldn't say. | 0:08:32 | 0:08:34 | |
She was my last patient on the round. | 0:08:34 | 0:08:35 | |
I just give her the injection and go straight home. | 0:08:35 | 0:08:38 | |
All right, thank you. We'll be fine from here. | 0:08:40 | 0:08:43 | |
No note? | 0:08:51 | 0:08:52 | |
Do you know what this is? | 0:08:54 | 0:08:56 | |
Er, hmm, tea? | 0:08:56 | 0:08:59 | |
Not any old tea. | 0:09:00 | 0:09:02 | |
This is Da Hong Pao. | 0:09:02 | 0:09:04 | |
Hmmm? | 0:09:04 | 0:09:05 | |
You know, gram for gram this is more expensive than gold. | 0:09:05 | 0:09:07 | |
Camellia sinensis, if I recall correctly. | 0:09:12 | 0:09:15 | |
You know when Nixon visited China, | 0:09:17 | 0:09:20 | |
they gave him two ounces of this as a gift. | 0:09:20 | 0:09:23 | |
Two ounces! Imagine. | 0:09:23 | 0:09:25 | |
-It's half empty. A little strange, don't you think? -Why? | 0:09:29 | 0:09:33 | |
Well you go to the trouble of making yourself a cup of the most expensive tea in the world... | 0:09:33 | 0:09:37 | |
-Oh, I love this bag! -Ahem! | 0:09:37 | 0:09:39 | |
You go to the trouble of making yourself a cup of the most expensive tea in the world | 0:09:39 | 0:09:43 | |
and then halfway through, you put down the cup, go out to the pool and drown yourself? | 0:09:43 | 0:09:47 | |
People can be spontaneous. They do strange things. | 0:09:47 | 0:09:50 | |
I disagree. | 0:09:50 | 0:09:53 | |
You know, throughout my career I've found them to be surprisingly predictable, | 0:09:53 | 0:09:56 | |
provided you truly understand their motives, of course. | 0:09:56 | 0:10:00 | |
So, why drink only half a cup of tea? | 0:10:00 | 0:10:03 | |
Maybe she used it to wash down the rest of these? | 0:10:03 | 0:10:06 | |
-Diazepam. -Mm-hmm. | 0:10:12 | 0:10:15 | |
Sleeping tablets. | 0:10:15 | 0:10:16 | |
Tea or no tea, the truth is that this woman felt so alone, | 0:10:16 | 0:10:20 | |
so miserable, that she'd take her own life. | 0:10:20 | 0:10:23 | |
While I disapprove of assumptions in principle, | 0:10:23 | 0:10:25 | |
in this case, you may be right. | 0:10:25 | 0:10:27 | |
There's nothing here. Let's go. | 0:10:28 | 0:10:31 | |
I know what you're thinking, Sergeant Bordey, but this is very probably the last thing she drank | 0:10:36 | 0:10:41 | |
before she committed suicide and, as such, we should test it. | 0:10:41 | 0:10:44 | |
You mean you should test it? | 0:10:44 | 0:10:46 | |
Absolutely. | 0:10:46 | 0:10:48 | |
I'm surprised they don't get that fixed, the money they charge. | 0:10:54 | 0:10:57 | |
Must be like being pushed around on a supermarket trolley. | 0:10:57 | 0:11:00 | |
We found this in her dressing gown pocket, sir. Nothing else. | 0:11:00 | 0:11:04 | |
Well, see what you can recover from it. Last calls, surviving prints. | 0:11:04 | 0:11:07 | |
We may at least be able to determine time of death for the coroner. | 0:11:07 | 0:11:10 | |
Sure. | 0:11:10 | 0:11:11 | |
Well, team? All finished? | 0:11:17 | 0:11:19 | |
-Yes. -And? | 0:11:19 | 0:11:21 | |
Most likely suicide. | 0:11:21 | 0:11:23 | |
So, just as I said? | 0:11:23 | 0:11:25 | |
-Yes. -Apart from the tea. | 0:11:25 | 0:11:27 | |
-The tea? -Yes, Valerie Dupree made herself an expensive pot of tea, | 0:11:29 | 0:11:33 | |
yet failed to drink it. | 0:11:33 | 0:11:34 | |
There are some important people at the clinic, Inspector. | 0:11:40 | 0:11:44 | |
Rich people with great influence. | 0:11:44 | 0:11:46 | |
All of whom we want to welcome to the island with open arms. | 0:11:46 | 0:11:51 | |
I'm sure you understand me? | 0:11:51 | 0:11:53 | |
Yes, sir. | 0:11:54 | 0:11:56 | |
Liming? | 0:12:12 | 0:12:14 | |
-Is that a word? -Of course it is. | 0:12:14 | 0:12:16 | |
It means hanging out with your friends and having a beer. | 0:12:16 | 0:12:19 | |
-You know, taking it easy. Relaxing. -Really? Mm. | 0:12:19 | 0:12:22 | |
Well, it fits. | 0:12:26 | 0:12:28 | |
COMPUTER PINGS | 0:12:28 | 0:12:30 | |
The pathologist's report on the suicide lady. | 0:12:32 | 0:12:35 | |
-So it is suicide? -Seems so. | 0:12:35 | 0:12:36 | |
Cause of death - hypoxia, cardiac arrest. | 0:12:38 | 0:12:41 | |
Chlorinated water found in lungs, | 0:12:41 | 0:12:43 | |
correlates with suicide by drowning, no sign of trauma. | 0:12:43 | 0:12:47 | |
Apart from... | 0:12:47 | 0:12:48 | |
Recent surgery to the face, thought to be cosmetic in nature. | 0:12:50 | 0:12:54 | |
Blood tests showed traces of glycosaminoglycan, | 0:12:54 | 0:12:56 | |
which tallies with reported anticoagulant unfractionated heparin. | 0:12:56 | 0:13:00 | |
That's it. | 0:13:00 | 0:13:01 | |
What about the diazepam? | 0:13:02 | 0:13:04 | |
Sir? | 0:13:04 | 0:13:06 | |
In her blood. | 0:13:06 | 0:13:08 | |
There's no sign of that here. | 0:13:08 | 0:13:09 | |
But we found an empty bottle of diazepam in her room. | 0:13:09 | 0:13:12 | |
That's what we assumed she took. | 0:13:12 | 0:13:14 | |
Well, there's nothing here. | 0:13:14 | 0:13:16 | |
It could have worked its way through her system? | 0:13:16 | 0:13:18 | |
Not a dose big enough to knock her out. | 0:13:18 | 0:13:20 | |
What about her medical records? Any history of blackouts, fainting? | 0:13:20 | 0:13:25 | |
No. | 0:13:25 | 0:13:26 | |
Any long term medical condition at all? Epilepsy? Seizures? | 0:13:26 | 0:13:30 | |
No, nothing. Maybe she just slipped and fell? | 0:13:30 | 0:13:32 | |
Then where's the trauma? A lump or swelling? Broken skin? | 0:13:32 | 0:13:36 | |
There isn't any. | 0:13:36 | 0:13:37 | |
So, a reasonably fit and able swimmer, Valerie Dupree, | 0:13:39 | 0:13:44 | |
makes herself a very expensive cup of tea | 0:13:44 | 0:13:47 | |
then takes barely a single sip | 0:13:47 | 0:13:49 | |
before leaving her room | 0:13:49 | 0:13:51 | |
and walking to the swimming pool and throwing herself in. | 0:13:51 | 0:13:55 | |
Then, using nothing more than her own willpower, | 0:13:56 | 0:13:59 | |
she holds herself down under the water until she drowns. | 0:13:59 | 0:14:03 | |
So you're saying it wasn't a suicide? | 0:14:03 | 0:14:05 | |
And it couldn't have been an accident? | 0:14:05 | 0:14:08 | |
Which means? | 0:14:08 | 0:14:10 | |
Somehow, as unlikely as it seems... | 0:14:10 | 0:14:13 | |
..I think she was murdered. | 0:14:15 | 0:14:16 | |
Well, the pathologist's report was clear - | 0:14:21 | 0:14:24 | |
there were no other factors in her death - she drowned. | 0:14:24 | 0:14:28 | |
How can that be? | 0:14:28 | 0:14:29 | |
Maybe someone held her in the pool. | 0:14:30 | 0:14:32 | |
The only logical explanation. And yet... | 0:14:32 | 0:14:35 | |
What? | 0:14:35 | 0:14:37 | |
Well, imagine you're taking a midnight swim | 0:14:37 | 0:14:39 | |
and I decide to drown you. | 0:14:39 | 0:14:41 | |
What do you do? | 0:14:41 | 0:14:42 | |
Aaargh! | 0:14:44 | 0:14:45 | |
-OK, let me rephrase that. You're not a trained police officer. -I'm not? | 0:14:46 | 0:14:50 | |
No, you're a depressed woman with no apparent aptitude for self defence. | 0:14:50 | 0:14:55 | |
Oh, OK, all right. Well, then, I'm drowning, struggling for air, | 0:14:55 | 0:15:00 | |
I guess I'd struggle. | 0:15:00 | 0:15:01 | |
Yet the victim showed no signs of restraint bruising | 0:15:03 | 0:15:05 | |
to the neck or shoulders. No hyoid bone fracture, you know. | 0:15:05 | 0:15:10 | |
Try and subdue her and her characteristic injury patterns | 0:15:10 | 0:15:13 | |
would be impossible to avoid. | 0:15:13 | 0:15:16 | |
Well, what if it was just a little push down in the back of the...? | 0:15:16 | 0:15:19 | |
No, you don't, no, you don't. | 0:15:19 | 0:15:20 | |
No, I mean, whichever way you do it, I think we've established | 0:15:20 | 0:15:23 | |
it's impossible to hold someone down, under water, | 0:15:23 | 0:15:25 | |
without giving them so much as a bruise. | 0:15:25 | 0:15:28 | |
And then there's the tea conundrum. | 0:15:29 | 0:15:32 | |
Detective Inspector. | 0:15:32 | 0:15:34 | |
-Is there a problem? -I'm afraid there is. | 0:15:35 | 0:15:37 | |
Perhaps you could enlighten me. | 0:15:37 | 0:15:39 | |
We're no longer sure | 0:15:39 | 0:15:40 | |
that Valerie Dupree's drowning was a suicide. | 0:15:40 | 0:15:43 | |
I don't... I don't think I understand. | 0:15:43 | 0:15:45 | |
You're suggesting it was some kind of accident? | 0:15:45 | 0:15:47 | |
I'm suggesting she was murdered. | 0:15:47 | 0:15:49 | |
Well, that's nonsense. | 0:15:51 | 0:15:52 | |
We're going to need a complete list of your staff and clients. | 0:15:52 | 0:15:55 | |
But just hang on a minute, what are you basing this assertion on? | 0:15:55 | 0:15:58 | |
Well, that's a police matter. | 0:15:58 | 0:15:59 | |
If you could just provide me with what I've asked for. | 0:15:59 | 0:16:01 | |
Absolutely not. That's confidential information. | 0:16:01 | 0:16:04 | |
Sorry, but as I'm now treating this as a murder enquiry, I must insist. | 0:16:04 | 0:16:07 | |
We can always get a warrant. | 0:16:07 | 0:16:08 | |
And until the investigation is complete, I'm going to have to | 0:16:08 | 0:16:11 | |
request that you close the clinic, temporarily. | 0:16:11 | 0:16:14 | |
No-one enters, no-one leaves. And we'll be confiscating passports. | 0:16:14 | 0:16:17 | |
You're imprisoning my clients? | 0:16:17 | 0:16:19 | |
Just until the interviews have been completed | 0:16:19 | 0:16:21 | |
and they've been eliminated from our enquiries. | 0:16:21 | 0:16:24 | |
I mean, the poor woman was just floating there. Face down! | 0:16:31 | 0:16:36 | |
Can I ask you how well you knew Mrs Dupree? | 0:16:36 | 0:16:39 | |
Oh, not at all really. | 0:16:39 | 0:16:40 | |
I mean, we just passed the time of day. | 0:16:40 | 0:16:42 | |
Her husband was rich, I know that. She was a feisty one. | 0:16:42 | 0:16:47 | |
You should have heard her on the phone to him. | 0:16:47 | 0:16:49 | |
Well, one assumes it was her husband. | 0:16:49 | 0:16:52 | |
One couldn't help overhearing. | 0:16:52 | 0:16:55 | |
She was quite animated about something. | 0:16:55 | 0:16:57 | |
Would you say she was angry or upset? | 0:16:57 | 0:17:00 | |
I'd say both. | 0:17:00 | 0:17:01 | |
I mean, everyone divorces in the same language, don't they? | 0:17:01 | 0:17:06 | |
Besides, after three useless husbands, one learns the signs. | 0:17:06 | 0:17:10 | |
So you're not married now? | 0:17:10 | 0:17:12 | |
I was. Yes. | 0:17:12 | 0:17:15 | |
Three tries to finally get it right | 0:17:15 | 0:17:18 | |
and then my darling number four goes and dies on me. | 0:17:18 | 0:17:21 | |
You must miss him. | 0:17:22 | 0:17:23 | |
Yes, I do. | 0:17:25 | 0:17:27 | |
Terribly. | 0:17:27 | 0:17:29 | |
He was... | 0:17:29 | 0:17:30 | |
..a force of nature. | 0:17:31 | 0:17:32 | |
We just had so much fun together. | 0:17:33 | 0:17:36 | |
Well, if you want to have some fun, | 0:17:36 | 0:17:38 | |
maybe you should see some more of our island. | 0:17:38 | 0:17:41 | |
Why come all this way and not experience it? | 0:17:41 | 0:17:43 | |
Well, because everything I need is right here. | 0:17:43 | 0:17:46 | |
If you change your mind and want to see more of the real Saint Marie, | 0:17:47 | 0:17:51 | |
this is my mother's bar. | 0:17:51 | 0:17:53 | |
Oh, thank you. That's very kind. | 0:17:53 | 0:17:57 | |
My pleasure. | 0:17:57 | 0:17:59 | |
OK, I think we're done here. | 0:17:59 | 0:18:01 | |
So if you think there is anything else might be important? | 0:18:01 | 0:18:06 | |
Well, since you ask. | 0:18:06 | 0:18:09 | |
Now, I'm not one to gossip, but I had started to wonder | 0:18:11 | 0:18:15 | |
whether she wasn't one of those older women who prey on younger men. | 0:18:15 | 0:18:20 | |
-Oh. -Sexually. | 0:18:20 | 0:18:21 | |
Yes. Anyone in particular? | 0:18:21 | 0:18:25 | |
Ah. | 0:18:25 | 0:18:26 | |
I think they were having some kind of lover's tiff. | 0:18:28 | 0:18:32 | |
I couldn't hear what was being said | 0:18:32 | 0:18:34 | |
but it all sounded terribly passionate. | 0:18:34 | 0:18:37 | |
I appreciate you've got more questions, | 0:18:45 | 0:18:47 | |
but my patient's already on the table. | 0:18:47 | 0:18:49 | |
Well, quite frankly, as head of this establishment, | 0:18:49 | 0:18:52 | |
I would hope that I could count on your cooperation. | 0:18:52 | 0:18:55 | |
Yes, yes, well, quite right. | 0:18:55 | 0:18:58 | |
Look, why don't we both act like proper Englishmen and compromise? | 0:19:00 | 0:19:03 | |
Come and join me in theatre | 0:19:03 | 0:19:04 | |
-and I'll do my best to answer your questions there. -Theatre? | 0:19:04 | 0:19:07 | |
Actually, it'll be nice to have some time to chew the fat | 0:19:07 | 0:19:09 | |
with a fellow countryman. | 0:19:09 | 0:19:11 | |
Changing room's this way. | 0:19:11 | 0:19:13 | |
So you weren't in a relationship with her? | 0:19:15 | 0:19:17 | |
Absolutely not. | 0:19:17 | 0:19:18 | |
-Then can I ask you where you were that night? -In my room. | 0:19:18 | 0:19:21 | |
-Alone? -Yeah. Worse luck. | 0:19:21 | 0:19:24 | |
Hmm. | 0:19:24 | 0:19:26 | |
Is there anything else I can help you with? | 0:19:26 | 0:19:28 | |
Yes. I'd like your passport. | 0:19:28 | 0:19:30 | |
Can we get some more light here, please? I can't see a thing. | 0:19:39 | 0:19:42 | |
It's like trying to operate in The Black Hole of Calcutta. | 0:19:42 | 0:19:46 | |
Oh, slightly better. | 0:19:46 | 0:19:48 | |
Ah, you're operating on her... | 0:19:51 | 0:19:53 | |
Right. Good. | 0:19:55 | 0:19:56 | |
Not sure this is quite the... | 0:19:56 | 0:19:59 | |
Beautiful woman, perfectly equipped. | 0:19:59 | 0:20:01 | |
Now, you tell me, | 0:20:01 | 0:20:03 | |
are these too small? | 0:20:03 | 0:20:05 | |
Well, I wouldn't... | 0:20:05 | 0:20:07 | |
Hold this for me, would you? | 0:20:07 | 0:20:08 | |
I did what I always do. | 0:20:13 | 0:20:15 | |
Worked until ten and then I went home, took the phone off the hook. | 0:20:15 | 0:20:19 | |
With a job like this, you need your downtime. | 0:20:19 | 0:20:22 | |
Clients can be pretty demanding. | 0:20:22 | 0:20:24 | |
I can imagine. And Dr Tipping? | 0:20:25 | 0:20:28 | |
Mr. | 0:20:28 | 0:20:29 | |
He's a surgeon. They're always a Mr. | 0:20:29 | 0:20:32 | |
Don't forget it. It's guaranteed to set him off. | 0:20:34 | 0:20:36 | |
So, he can be difficult? | 0:20:36 | 0:20:38 | |
He has a temper. But he's an artist, A perfectionist, | 0:20:38 | 0:20:42 | |
and people like that need everything to be just so. | 0:20:42 | 0:20:45 | |
I spent the night on my yacht. | 0:20:45 | 0:20:47 | |
Caught up on a bit of correspondence, | 0:20:47 | 0:20:50 | |
polished off the last of the single malt and then turned in. | 0:20:50 | 0:20:53 | |
And can anyone confirm that or..? | 0:20:53 | 0:20:56 | |
You could take my word for it. | 0:20:56 | 0:20:57 | |
Failing that, the harbour master should back me up. | 0:20:58 | 0:21:02 | |
Our clientele are rich, important people. | 0:21:02 | 0:21:04 | |
You can understand why they insist on total discretion. | 0:21:04 | 0:21:08 | |
Which is why you discourage your nurses from even talking to them? | 0:21:08 | 0:21:11 | |
We're a sanctuary, Detective Bordey. There's no autographs, no chit-chat. | 0:21:11 | 0:21:16 | |
Our staff are paid well to obey the rules. | 0:21:16 | 0:21:18 | |
This is a business first and a hospital second. | 0:21:18 | 0:21:20 | |
-PHONE RINGS -Oh, sorry. | 0:21:20 | 0:21:22 | |
Hello? Uh-huh. OK, yeah, Tell her I can deal with it right away. | 0:21:22 | 0:21:26 | |
Look, I have to deal with this. | 0:21:27 | 0:21:29 | |
If there's anything else I can help you with? | 0:21:29 | 0:21:32 | |
Could you...? Finger should do it. | 0:21:38 | 0:21:40 | |
To tell the truth, economic meltdown and all that, we were, | 0:21:47 | 0:21:50 | |
we were struggling. | 0:21:50 | 0:21:52 | |
Anna came along with a new marketing strategy, encouraged me | 0:21:52 | 0:21:54 | |
to push the whole privacy thing. | 0:21:54 | 0:21:56 | |
Top class clients, total discretion assured. | 0:21:56 | 0:22:00 | |
And now here we are - one big, happy family. | 0:22:00 | 0:22:04 | |
Light! I need light for God's sake! | 0:22:04 | 0:22:07 | |
Hot stones, sauna, they're virtually sauteed | 0:22:09 | 0:22:12 | |
then they lie out in the sun, which basically amounts to grilling. | 0:22:12 | 0:22:15 | |
Why don't they just go the whole hog and pop themselves in the microwave? | 0:22:15 | 0:22:18 | |
-Have you finished? -Sorry, was I ranting? -Yes. | 0:22:18 | 0:22:21 | |
Well, quite frankly, Camille, some things qualify for a rant. | 0:22:21 | 0:22:24 | |
I'm not sure what the exact criterion is, | 0:22:24 | 0:22:26 | |
but I'm pretty sure it'd include | 0:22:26 | 0:22:27 | |
holding a stranger's nipple in place while someone else sews it on! | 0:22:27 | 0:22:30 | |
SHE LAUGHS | 0:22:30 | 0:22:32 | |
Well, I'm glad you find it amusing, I could be scarred for life. | 0:22:32 | 0:22:35 | |
-Now, where were we? -Oh, yes, where? | 0:22:35 | 0:22:37 | |
Mrs Dupree was last seen around 9.30pm by her nurse, | 0:22:37 | 0:22:40 | |
Carlton Reynolds. He gave her medication of heparin. | 0:22:40 | 0:22:43 | |
Dr Jones finished work and left the clinic shortly after 10pm | 0:22:43 | 0:22:47 | |
and spent the evening alone at home. | 0:22:47 | 0:22:49 | |
Mr Tipping said he was on his boat. | 0:22:49 | 0:22:51 | |
The harbour master confirms he saw lights on the boat, | 0:22:51 | 0:22:54 | |
though, of course, that doesn't mean he was actually there. | 0:22:54 | 0:22:57 | |
One thing did come up, though - Jayne Smythe thought that | 0:22:57 | 0:22:59 | |
Mrs Dupree may have had a lover's tiff with one of the other guests. | 0:22:59 | 0:23:02 | |
-Who? -Paul Vincent. He denies the liaison. | 0:23:02 | 0:23:06 | |
Says he's having a... blepharoplasty? | 0:23:06 | 0:23:09 | |
Eyelid tuck, from the Greek. And do you believe him? | 0:23:09 | 0:23:12 | |
About Mrs Dupree? | 0:23:12 | 0:23:14 | |
Oh, yes, I do. | 0:23:14 | 0:23:17 | |
Chief! The Commissioner's at the station, he's looking for you. | 0:23:17 | 0:23:21 | |
He doesn't seem very happy. | 0:23:21 | 0:23:23 | |
I thought I made it perfectly clear. | 0:23:37 | 0:23:40 | |
Any disruption at the clinic was to be kept to an absolute minimum. | 0:23:40 | 0:23:44 | |
Next you're confiscating passports? | 0:23:45 | 0:23:49 | |
Then you announce it's no longer a suicide, | 0:23:49 | 0:23:52 | |
but a full blown murder enquiry. | 0:23:52 | 0:23:54 | |
Yes, well, there were significant inconsistencies. | 0:23:54 | 0:23:57 | |
Inconsistencies? | 0:23:57 | 0:23:59 | |
-Yes, sir. -Such as? | 0:23:59 | 0:24:01 | |
Well, we were led to believe that Valerie Dupree | 0:24:01 | 0:24:03 | |
drowned despite being fit, healthy and a competent swimmer. | 0:24:03 | 0:24:07 | |
We found an empty pill bottle in her room, but no sign of that medication | 0:24:09 | 0:24:13 | |
in her bloodstream and, and finally, | 0:24:13 | 0:24:16 | |
she makes herself a very expensive cup of tea | 0:24:16 | 0:24:19 | |
and walks out and kills herself halfway through drinking it. | 0:24:19 | 0:24:22 | |
The tea conundrum. | 0:24:22 | 0:24:24 | |
Tell me, at least you've managed to establish some kind of motive. | 0:24:27 | 0:24:31 | |
A reason anyone would have wanted her dead? | 0:24:31 | 0:24:35 | |
Well, we're working on that, sir. | 0:24:35 | 0:24:37 | |
All right. | 0:24:37 | 0:24:38 | |
Talk me through the murder. How was she killed? | 0:24:40 | 0:24:43 | |
-Well, we're working on that, too, sir. -Any evidence of an assault? | 0:24:46 | 0:24:50 | |
-No, sir. -Witnesses? | 0:24:51 | 0:24:53 | |
So the sum total of the evidence that led you to put this island's | 0:24:56 | 0:25:01 | |
most wealthy and most influential people under virtual house arrest | 0:25:01 | 0:25:05 | |
consists of a few inconsistencies and a half-drunk cup of tea. | 0:25:05 | 0:25:11 | |
I'm going to let you run with this. | 0:25:43 | 0:25:45 | |
For now. | 0:25:45 | 0:25:47 | |
Not because I think you're right, | 0:25:47 | 0:25:49 | |
but simply because there is something I've always wanted | 0:25:49 | 0:25:52 | |
to say since I joined the force. | 0:25:52 | 0:25:55 | |
You've got 24 hours to solve this case. | 0:25:56 | 0:25:59 | |
Do we understand each other? | 0:26:01 | 0:26:02 | |
Yes, sir. | 0:26:04 | 0:26:05 | |
Sir. | 0:26:14 | 0:26:16 | |
Commissioner. | 0:26:17 | 0:26:18 | |
He says he has every faith in us. So let's set up the board. | 0:26:25 | 0:26:28 | |
-Dwayne. -Chief. | 0:26:28 | 0:26:30 | |
Go through the passports, | 0:26:30 | 0:26:31 | |
I want full background checks on everyone at the clinic - | 0:26:31 | 0:26:34 | |
-staff and guests. -I'm on it. -Fidel. -Sir. | 0:26:34 | 0:26:36 | |
The victim was seen angry during a phone call. Everyone assumes | 0:26:36 | 0:26:39 | |
-it was with her wayward husband - let's double check. -Sir. | 0:26:39 | 0:26:42 | |
Camille. I want you to have another crack at this Paul Vincent. | 0:26:42 | 0:26:46 | |
We have a witness saying they'd had a disagreement. | 0:26:46 | 0:26:48 | |
If they weren't having an affair, what were they talking about? | 0:26:48 | 0:26:51 | |
Threaten to arrest him for wasting police time. | 0:26:51 | 0:26:53 | |
It will be my pleasure. | 0:26:53 | 0:26:54 | |
I thought we'd done this. I told you, I hardly knew the woman. | 0:26:58 | 0:27:00 | |
Yeah, I believe you weren't having an affair. | 0:27:00 | 0:27:03 | |
But we still have a witness who saw an argument. | 0:27:03 | 0:27:06 | |
We weren't arguing. | 0:27:06 | 0:27:07 | |
Then what? | 0:27:07 | 0:27:08 | |
Look... | 0:27:08 | 0:27:09 | |
..how about we make a deal? | 0:27:10 | 0:27:13 | |
I'll answer your questions if you give me my passport back. | 0:27:13 | 0:27:17 | |
I run my own business and our biggest client | 0:27:17 | 0:27:19 | |
is on the verge of switching to a rival supplier. | 0:27:19 | 0:27:22 | |
What kind of business? | 0:27:22 | 0:27:24 | |
Flowers. | 0:27:24 | 0:27:25 | |
So you're a florist? | 0:27:25 | 0:27:27 | |
It's the perfect product. | 0:27:27 | 0:27:28 | |
Perishable and constant demand. | 0:27:28 | 0:27:31 | |
I built the firm up from nothing | 0:27:31 | 0:27:32 | |
and now we've got 20 people on the payroll. | 0:27:32 | 0:27:34 | |
And if I don't get back to talk to my clients in person | 0:27:34 | 0:27:37 | |
we'll all be out of a job. | 0:27:37 | 0:27:39 | |
OK, we can do a deal. | 0:27:40 | 0:27:43 | |
You answer my questions and maybe I won't arrest you. | 0:27:43 | 0:27:47 | |
Look. | 0:27:47 | 0:27:49 | |
I tried my best to be nice, but she just wouldn't take no for an answer. | 0:27:49 | 0:27:54 | |
In the end, I had to make my feelings clear. | 0:27:54 | 0:27:58 | |
-That's it? -That's it. She didn't like it. | 0:27:58 | 0:28:02 | |
I didn't want a big drama so I went back to my room and stayed there. | 0:28:02 | 0:28:05 | |
Ah, which means you still have no alibi. | 0:28:05 | 0:28:08 | |
So business or not, there's no way I can sanction you leaving the island. | 0:28:08 | 0:28:12 | |
What if someone could prove where I was? | 0:28:12 | 0:28:14 | |
So you don't deny you spent the whole night in Paul Vincent's room? | 0:28:18 | 0:28:21 | |
-No. -Then why lie and say you went home? | 0:28:21 | 0:28:24 | |
I forbid my staff from even starting conversations with the clients. | 0:28:24 | 0:28:27 | |
So how would it look if they knew I was sleeping with one of them? | 0:28:27 | 0:28:31 | |
You know, I can't imagine what Mr Tipping would do. | 0:28:31 | 0:28:35 | |
What time did you go and meet him? | 0:28:35 | 0:28:37 | |
So I went after I finished work | 0:28:37 | 0:28:40 | |
and Carlton, he was leaving. | 0:28:40 | 0:28:42 | |
And what time was that? | 0:28:42 | 0:28:43 | |
Ten, maybe a few minutes afterwards. | 0:28:43 | 0:28:46 | |
Paul was waiting for me. | 0:28:50 | 0:28:53 | |
I know that it was a stupid thing to do, | 0:28:53 | 0:28:57 | |
but Paul can be a very determined man and that can be hard to resist. | 0:28:57 | 0:29:00 | |
PHONE RINGS | 0:29:00 | 0:29:01 | |
Aren't you going to get that? | 0:29:03 | 0:29:05 | |
No, no, it's fine. That's not important. | 0:29:05 | 0:29:08 | |
Look, Paul and I spent the entire night together. | 0:29:09 | 0:29:12 | |
There is no way he could have killed anyone. | 0:29:12 | 0:29:14 | |
And career or no career, if I have to, I will swear to that in court. | 0:29:14 | 0:29:18 | |
So am I in the clear? | 0:29:24 | 0:29:26 | |
Dr Jones has confirmed your alibi. | 0:29:26 | 0:29:28 | |
So when can I have my passport back? | 0:29:28 | 0:29:30 | |
All papers will be returned the moment the case is officially closed. | 0:29:30 | 0:29:33 | |
But if I'm no longer a suspect... | 0:29:33 | 0:29:35 | |
Hey, she backed you up. She didn't have to. | 0:29:35 | 0:29:37 | |
Tyre pas trop sur la corde. | 0:29:37 | 0:29:38 | |
Don't push your luck. | 0:29:40 | 0:29:42 | |
-SQUAWK! -Oh! | 0:29:58 | 0:29:59 | |
Chief. Paul Vincent's records. | 0:30:18 | 0:30:21 | |
All checks out. | 0:30:21 | 0:30:22 | |
Born right here in Honore Hospital. And no criminal record. | 0:30:22 | 0:30:26 | |
No-one else at the clinic has anything previous either. | 0:30:26 | 0:30:29 | |
What about her phone? | 0:30:29 | 0:30:31 | |
We're still waiting for the network to get back to us. | 0:30:31 | 0:30:33 | |
If she drowned, she can't have been moved. | 0:30:35 | 0:30:37 | |
If she was moved, she can't have drowned. | 0:30:37 | 0:30:40 | |
And why abandon an expensive cup of tea halfway through? | 0:30:40 | 0:30:43 | |
Well, maybe she was disturbed, she had a visitor | 0:30:43 | 0:30:46 | |
or she just didn't like it. | 0:30:46 | 0:30:48 | |
No, no, no, no, this is Da Hong Pao we're talking about. | 0:30:48 | 0:30:50 | |
It's priceless. | 0:30:50 | 0:30:51 | |
Which suggests that, for some reason, she couldn't finish it. | 0:30:51 | 0:30:56 | |
But why? | 0:30:56 | 0:30:57 | |
Unless... | 0:31:02 | 0:31:03 | |
If she was poisoned | 0:31:06 | 0:31:07 | |
-then wouldn't the lab have picked it up in her bloodstream? -Possibly. | 0:31:07 | 0:31:10 | |
But if I'm right, whatever poisoned her should still be | 0:31:10 | 0:31:13 | |
present in the tea itself and in a much higher concentration. | 0:31:13 | 0:31:16 | |
Which, in theory, would make it easier to detect | 0:31:16 | 0:31:19 | |
even with rather rudimentary equipment like this. | 0:31:19 | 0:31:22 | |
I didn't even know we had this. | 0:31:22 | 0:31:23 | |
It's actually mine. You know you can get these on the Internet? | 0:31:23 | 0:31:26 | |
It's still quite functional, | 0:31:26 | 0:31:28 | |
especially if you pimp it with a little ammonium metavanadate. | 0:31:28 | 0:31:32 | |
So, anyway, five different chemical reagents. | 0:31:32 | 0:31:35 | |
Any abnormal chemical groups will react with the appropriate | 0:31:35 | 0:31:38 | |
reagent and produce an almost instant colour change. | 0:31:38 | 0:31:41 | |
-How instant is instant? -Any second now. | 0:31:43 | 0:31:45 | |
-Nothing. -Which means it's just... | 0:31:49 | 0:31:52 | |
Tea. | 0:31:52 | 0:31:53 | |
It's just tea. | 0:31:54 | 0:31:55 | |
OK, so what now? | 0:31:57 | 0:32:00 | |
I think we should put the kettle on. | 0:32:00 | 0:32:02 | |
The pot was moved, damaged in the process | 0:32:31 | 0:32:33 | |
then put back in the wrong place, leaving a ring. | 0:32:33 | 0:32:37 | |
Now, you've seen the clinic - it's spotless. | 0:32:37 | 0:32:39 | |
So the cleaner would have cleaned the ring on the floor | 0:32:39 | 0:32:42 | |
during the daily round. | 0:32:42 | 0:32:44 | |
So we can infer the damage was done the previous night. | 0:32:44 | 0:32:48 | |
-But how? -We know there wasn't a struggle - she had no injuries. | 0:32:48 | 0:32:52 | |
What if she knocked it on the way to the pool? | 0:32:52 | 0:32:55 | |
A suicidal woman carefully replaces a damaged pot | 0:32:55 | 0:32:58 | |
before lowering herself silently into the water? | 0:32:58 | 0:33:01 | |
No. The tea. The tea has to hold the key. | 0:33:01 | 0:33:04 | |
If it didn't poison her, why prepare it and only drink half a cup? | 0:33:04 | 0:33:08 | |
She was disturbed. By her killer. | 0:33:08 | 0:33:11 | |
Carlton Reynolds was the last person to see her. | 0:33:11 | 0:33:14 | |
-Have you got Dr Jones' new statement? -Yes, it's here. | 0:33:14 | 0:33:17 | |
She saw Carlton last night, didn't she? | 0:33:17 | 0:33:19 | |
Yes. She said it was past ten. | 0:33:19 | 0:33:22 | |
Yes, but he told us he went home around 9.30. | 0:33:23 | 0:33:27 | |
Which gives him 30 minutes to have murdered Valerie Dupree. | 0:33:27 | 0:33:30 | |
Come. Let's see where he's off to. | 0:33:37 | 0:33:39 | |
But the inspector said to bring him in. | 0:33:39 | 0:33:40 | |
Ah, it's called initiative. | 0:33:40 | 0:33:43 | |
Yeah, it's also called disobeying a direct order from a senior officer. | 0:33:43 | 0:33:46 | |
Dwayne, and now he's getting away, look. | 0:33:46 | 0:33:49 | |
ENGINE CHOKES | 0:33:49 | 0:33:51 | |
Come on, baby. | 0:33:51 | 0:33:53 | |
OK, how about a sump full of fresh oil? | 0:33:53 | 0:33:56 | |
And this time I won't get it from the tractor. | 0:33:56 | 0:33:58 | |
ENGINE PURRS INTO LIFE | 0:33:58 | 0:34:00 | |
Ah, good girl. | 0:34:00 | 0:34:02 | |
-What's he doing? -I don't know. | 0:34:22 | 0:34:23 | |
You know there's absolutely no point in running. | 0:34:36 | 0:34:39 | |
Hey! | 0:34:42 | 0:34:44 | |
You see that? Watch and learn. | 0:34:44 | 0:34:47 | |
Go on, you. Don't struggle, you make it worse for yourself. | 0:34:49 | 0:34:52 | |
That's the fourth time you've tested that tea. | 0:35:00 | 0:35:04 | |
One can't be too thorough, sergeant. | 0:35:04 | 0:35:06 | |
Fidel. | 0:35:09 | 0:35:10 | |
He hit me. | 0:35:13 | 0:35:14 | |
It's a free clinic. No-one pays a penny. | 0:35:18 | 0:35:21 | |
I only take what's about to expire - | 0:35:21 | 0:35:23 | |
half-opened boxes, ready to be disposed of. | 0:35:23 | 0:35:26 | |
Perfectly good medication thrown away? It's crazy. | 0:35:26 | 0:35:30 | |
So when you told us you left the clinic at 9.30? | 0:35:30 | 0:35:33 | |
I stop off at the pharmacy. | 0:35:33 | 0:35:35 | |
I just take a few things each time. | 0:35:35 | 0:35:38 | |
That way, no-one notices. When I have enough, I advertise a clinic. | 0:35:38 | 0:35:43 | |
It's mostly women, children, mothers. | 0:35:43 | 0:35:46 | |
People who need help but can't afford the doctor's bills. | 0:35:46 | 0:35:50 | |
So you've been running an unlicensed clinic with stolen medication? | 0:35:50 | 0:35:55 | |
Why run then? | 0:35:57 | 0:35:58 | |
You assaulted a police officer. | 0:35:58 | 0:36:00 | |
I thought Dr Jones had sent you. | 0:36:00 | 0:36:03 | |
I guess I just reacted. | 0:36:03 | 0:36:06 | |
I'm sorry about your nose. | 0:36:06 | 0:36:07 | |
I'd be happy to take a look at it? | 0:36:07 | 0:36:10 | |
What's your relationship with Valerie Dupree? | 0:36:10 | 0:36:13 | |
I was her nurse. When Mrs Dupree arrived, she was heartbroken. | 0:36:13 | 0:36:17 | |
She just wanted to talk. | 0:36:17 | 0:36:20 | |
Her husband had had an affair. | 0:36:20 | 0:36:21 | |
A younger woman. | 0:36:23 | 0:36:25 | |
She panicked, ran out and arranged to have surgery. | 0:36:25 | 0:36:27 | |
But now she was here, nothing had changed. | 0:36:27 | 0:36:30 | |
She was scared and lonely. | 0:36:32 | 0:36:36 | |
I listened to her. That's all. | 0:36:36 | 0:36:39 | |
You say Valerie was scared. | 0:36:39 | 0:36:41 | |
That sounds like an unusual emotion. | 0:36:41 | 0:36:45 | |
Her world had just caved in around her. | 0:36:45 | 0:36:48 | |
Her husband doesn't love her. | 0:36:48 | 0:36:49 | |
No children, friends taking sides | 0:36:49 | 0:36:52 | |
and now a face she don't even recognise. | 0:36:52 | 0:36:54 | |
Wouldn't you be afraid to face the world again? | 0:36:54 | 0:36:57 | |
You think she was unhappy with her surgery? | 0:36:57 | 0:37:00 | |
I know she was. She had already contacted her lawyer. | 0:37:00 | 0:37:03 | |
Listen, that night, when I was with her, | 0:37:05 | 0:37:10 | |
I knew she wanted to talk, | 0:37:10 | 0:37:13 | |
wanted someone to listen. | 0:37:13 | 0:37:15 | |
But I was tired. | 0:37:15 | 0:37:17 | |
It'd been a long day. | 0:37:17 | 0:37:18 | |
So I walked away. | 0:37:19 | 0:37:21 | |
I could have helped her | 0:37:23 | 0:37:25 | |
and I just walked away. | 0:37:25 | 0:37:27 | |
And that's something I have got to live with for the rest of my life. | 0:37:27 | 0:37:31 | |
Thank you. You've been most helpful. | 0:37:33 | 0:37:35 | |
I think we have all we need here. | 0:37:37 | 0:37:39 | |
So am I free to go? | 0:37:39 | 0:37:41 | |
Unless Officer Best wishes to make a complaint? | 0:37:41 | 0:37:44 | |
I guess we both made a mistake. | 0:37:46 | 0:37:48 | |
Thank you. | 0:37:49 | 0:37:50 | |
Dwayne, see that nurse Reynolds gets his property back. | 0:37:53 | 0:37:57 | |
Sir. | 0:38:03 | 0:38:04 | |
The phone company. | 0:38:06 | 0:38:07 | |
Yes. Valerie Dupree made three phone calls on the day she died. | 0:38:07 | 0:38:10 | |
All to the same number in Paris. | 0:38:10 | 0:38:12 | |
I just checked it out. It was a French lawyer. | 0:38:12 | 0:38:14 | |
She was going to make a complaint about the clinic. | 0:38:14 | 0:38:17 | |
I think we may have found our motive. | 0:38:17 | 0:38:20 | |
Sorry, sorry. I was held up in surgery. | 0:38:23 | 0:38:25 | |
Well, I assume your presence here means we're making progress? | 0:38:25 | 0:38:28 | |
Possibly. | 0:38:28 | 0:38:30 | |
Did you know that Valerie Dupree made three calls to | 0:38:30 | 0:38:32 | |
a firm of personal injury lawyers the same day she died? | 0:38:32 | 0:38:36 | |
Please. | 0:38:36 | 0:38:37 | |
You're implying I murdered her | 0:38:42 | 0:38:43 | |
because she threatened legal action against my clinic? | 0:38:43 | 0:38:46 | |
People have been killed for less. | 0:38:46 | 0:38:48 | |
Do you recognise the name of this lawyer? | 0:38:48 | 0:38:53 | |
No, I've never heard of him. | 0:38:53 | 0:38:55 | |
Good, because that's my shopping list - | 0:38:55 | 0:38:58 | |
it says bananas and sun block. | 0:38:58 | 0:39:00 | |
Your eyesight's failing, isn't it, Mr Tipping? | 0:39:00 | 0:39:02 | |
Why else would you keep complaining about the light in theatre? | 0:39:02 | 0:39:05 | |
Yet if you were just short sighted, | 0:39:05 | 0:39:06 | |
why not wear glasses or contact lenses? | 0:39:06 | 0:39:09 | |
It all suggests to me this is more than a simple refractive problem. | 0:39:09 | 0:39:13 | |
It started about a year ago. | 0:39:16 | 0:39:18 | |
I thought it was just old age, that I needed glasses. But... | 0:39:18 | 0:39:21 | |
..things got worse. | 0:39:23 | 0:39:25 | |
In the end, I got on a plane | 0:39:25 | 0:39:26 | |
and went to see an old colleague back at Moorfields. | 0:39:26 | 0:39:29 | |
Turns out I'm a bit of a rarity. | 0:39:29 | 0:39:31 | |
I have retinitis pigmentosa. | 0:39:31 | 0:39:34 | |
The sight fades, day by day. | 0:39:34 | 0:39:38 | |
I think the word he used was inexorable. | 0:39:38 | 0:39:40 | |
There is no treatment. | 0:39:41 | 0:39:43 | |
I'll end up blind. | 0:39:43 | 0:39:44 | |
And yet you continue to operate? | 0:39:44 | 0:39:47 | |
Well, what I do here isn't real surgery. | 0:39:47 | 0:39:49 | |
Besides, most of the procedures | 0:39:49 | 0:39:51 | |
I could do with my bloody eyes closed anyway. | 0:39:51 | 0:39:54 | |
Look, Inspector... | 0:39:54 | 0:39:55 | |
..I'm a surgeon, this... | 0:39:57 | 0:39:59 | |
..is my life. | 0:40:01 | 0:40:03 | |
I thought I could cope, | 0:40:03 | 0:40:04 | |
that I had another maybe 12 months. | 0:40:04 | 0:40:07 | |
But... | 0:40:08 | 0:40:10 | |
..Valerie Dupree's face simply wasn't up to snuff. | 0:40:12 | 0:40:15 | |
Her scars were going to be visible - she had every right to complain. | 0:40:15 | 0:40:19 | |
But I never... | 0:40:19 | 0:40:20 | |
I never imagined that it would make her take her own life. | 0:40:20 | 0:40:25 | |
You still believe she committed suicide? | 0:40:25 | 0:40:27 | |
Yes, I do. I'm not proud of what happened, Inspector. | 0:40:27 | 0:40:30 | |
I'm prepared to take my share of the blame. | 0:40:30 | 0:40:32 | |
I shouldn't have operated on her. | 0:40:32 | 0:40:34 | |
But that doesn't make me a murderer. | 0:40:34 | 0:40:36 | |
I just can't see a way through. | 0:40:42 | 0:40:45 | |
I mean, Tipping had a motive but I don't believe he's a killer. | 0:40:45 | 0:40:49 | |
Carlton was the only one who had the opportunity, | 0:40:49 | 0:40:51 | |
but would he really kill to cover up his theft? | 0:40:51 | 0:40:53 | |
Paul Vincent? Though he swears there was no relationship. | 0:40:53 | 0:40:57 | |
Quite. And this looks nothing like a crime of passion. | 0:40:57 | 0:41:00 | |
Dr Jones is also missing means, motive and opportunity. | 0:41:00 | 0:41:04 | |
Maybe this will be the one that gets away. Hmm? | 0:41:05 | 0:41:08 | |
We still have a bit of time left. | 0:41:08 | 0:41:10 | |
Not enough. | 0:41:10 | 0:41:11 | |
Once we give them their passports back, they'll all be gone. | 0:41:11 | 0:41:15 | |
No. Something new will turn up tomorrow. | 0:41:15 | 0:41:17 | |
So, any plans for tonight? | 0:41:20 | 0:41:24 | |
Oh, yeah, I thought I'd wait till it gets dark | 0:41:26 | 0:41:29 | |
then spend a couple of hours with Lucy. | 0:41:29 | 0:41:31 | |
Excuse me? | 0:41:31 | 0:41:33 | |
I've had her since I was fourteen. | 0:41:34 | 0:41:37 | |
Christmas 1984. | 0:41:37 | 0:41:38 | |
You gave your telescope a name? | 0:41:40 | 0:41:42 | |
Long John Silver has a telescope. | 0:41:42 | 0:41:44 | |
Lucy is a precision optical instrument. | 0:41:44 | 0:41:46 | |
I realised that there's one good thing about living in a shack | 0:41:48 | 0:41:51 | |
on a beach on an island in the middle of nowhere - | 0:41:51 | 0:41:53 | |
zero light pollution. | 0:41:53 | 0:41:54 | |
And you? | 0:41:55 | 0:41:57 | |
Oh, just taking it easy. | 0:41:58 | 0:42:02 | |
Nothing really. | 0:42:02 | 0:42:03 | |
Liming? Is that liming? | 0:42:04 | 0:42:06 | |
No, not exactly. | 0:42:06 | 0:42:07 | |
You see, I hear people say that, that they're doing nothing, | 0:42:09 | 0:42:12 | |
but what does it exactly consist of? | 0:42:12 | 0:42:16 | |
What are its constituent parts? Define nothing. | 0:42:16 | 0:42:20 | |
I'm not sure I understand the question. | 0:42:20 | 0:42:22 | |
Yeah, that's just it, isn't it? | 0:42:22 | 0:42:24 | |
You don't understand the question and, no matter how hard I try, | 0:42:24 | 0:42:27 | |
I can't seem to understand the answer. | 0:42:27 | 0:42:30 | |
Maybe some things are supposed to remain a puzzle. | 0:42:30 | 0:42:33 | |
Like the mysterious death of Valerie Dupree. | 0:42:33 | 0:42:36 | |
Yeah, let's see what tomorrow brings. | 0:42:36 | 0:42:38 | |
Good night. | 0:42:44 | 0:42:45 | |
Good night, Lucy. | 0:42:47 | 0:42:48 | |
Good night, Camille. | 0:42:50 | 0:42:52 | |
Morning, Chief. | 0:43:04 | 0:43:06 | |
Anything? | 0:43:21 | 0:43:22 | |
PHONE RINGS | 0:43:29 | 0:43:31 | |
Honore police station. | 0:43:31 | 0:43:33 | |
Ah, yes, hold on one moment, please. | 0:43:33 | 0:43:35 | |
Sir, it's the Commissioner. | 0:43:35 | 0:43:37 | |
He says your 24 hours are up, | 0:43:40 | 0:43:41 | |
we need to return the passports to the clinic guests. | 0:43:41 | 0:43:45 | |
So that's it, I can go? | 0:43:55 | 0:43:56 | |
That's it. You can get back to running your floral empire. | 0:43:56 | 0:43:59 | |
-Yes, I can. -You never mentioned you were born on Saint Marie. | 0:43:59 | 0:44:04 | |
I read your paper, it says you were born here in Honore. | 0:44:04 | 0:44:07 | |
Sure. My parents moved off the island when I was ten. | 0:44:07 | 0:44:10 | |
So, when I saw the clinic was here, I had to give them a call. | 0:44:10 | 0:44:15 | |
You can't fight fate. | 0:44:15 | 0:44:16 | |
I got to go. | 0:44:18 | 0:44:19 | |
I just thought it was strange, that's all. | 0:44:35 | 0:44:37 | |
When I was at the clinic earlier, I spoke to him in French. | 0:44:37 | 0:44:40 | |
At the time, I thought he just hadn't heard me, but how is it that someone | 0:44:40 | 0:44:43 | |
who'd have gone to school here doesn't know a word of French? | 0:44:43 | 0:44:46 | |
Well, I know plenty of people who went to school in England | 0:44:46 | 0:44:49 | |
who can't speak English. | 0:44:49 | 0:44:50 | |
Maman, do you remember a boy called Paul Vincent? | 0:44:50 | 0:44:55 | |
Late 1970s, local family. | 0:44:56 | 0:44:59 | |
No. I knew the Vincent family, but they had two girls. | 0:44:59 | 0:45:03 | |
No, wait, they had a son who died very young. | 0:45:03 | 0:45:06 | |
It was so sad. | 0:45:06 | 0:45:08 | |
I think his name was Paul. | 0:45:08 | 0:45:10 | |
But maybe I'm wrong. | 0:45:10 | 0:45:12 | |
Ms Smythe looks happy. | 0:45:13 | 0:45:15 | |
How do you know? She can't smile. | 0:45:16 | 0:45:19 | |
In fact, she's had so much work done, | 0:45:19 | 0:45:21 | |
I'm surprised she can move a muscle. | 0:45:21 | 0:45:22 | |
She didn't drink it because she couldn't drink it. | 0:45:29 | 0:45:32 | |
The answer's been staring me in the face. Quite literally. | 0:45:32 | 0:45:34 | |
'Our clientele are rich, important people.' | 0:45:34 | 0:45:37 | |
Yes? | 0:45:37 | 0:45:38 | |
'They insist on total discretion.' | 0:45:38 | 0:45:41 | |
'This is a business first and a hospital second.' | 0:45:41 | 0:45:44 | |
-I need a list of all the clients in the clinic. -You've had it, sir. | 0:45:48 | 0:45:51 | |
Not the ones there now, well, those too, but going back, say, two years. | 0:45:51 | 0:45:54 | |
And crosscheck with the immigration records - | 0:45:54 | 0:45:56 | |
when they arrived in Saint Marie and when they left. | 0:45:56 | 0:45:58 | |
Dwayne, get everyone together, Commissioner too. | 0:45:58 | 0:46:01 | |
I'll be at the clinic in an hour. | 0:46:01 | 0:46:03 | |
-Camille, with me. -Where to? | 0:46:03 | 0:46:05 | |
The public records office and then the graveyard, obviously. | 0:46:05 | 0:46:08 | |
Bye. | 0:46:10 | 0:46:11 | |
HORN BEEPS | 0:46:21 | 0:46:23 | |
Chief! | 0:46:28 | 0:46:29 | |
Paul Vincent has left the clinic. | 0:46:29 | 0:46:31 | |
Cab driver said he's gone down to the marina. Come! | 0:46:31 | 0:46:35 | |
Toss a coin? | 0:46:35 | 0:46:37 | |
No way, it plays havoc with my hair. | 0:46:37 | 0:46:39 | |
Whoa! | 0:46:51 | 0:46:52 | |
That way! | 0:46:58 | 0:46:59 | |
Dwayne! Dwayne! | 0:47:16 | 0:47:18 | |
Not on my watch. | 0:47:42 | 0:47:44 | |
Aargh! | 0:47:49 | 0:47:50 | |
I honestly didn't expect that to work. | 0:47:58 | 0:48:00 | |
This had better be good. | 0:48:12 | 0:48:14 | |
No. It had better astound me. | 0:48:14 | 0:48:17 | |
I've called you all here | 0:48:24 | 0:48:28 | |
because Valerie Dupree | 0:48:28 | 0:48:31 | |
did not commit suicide. | 0:48:31 | 0:48:32 | |
Every murder investigation has to focus on three things - | 0:48:34 | 0:48:36 | |
means, motive and opportunity. | 0:48:36 | 0:48:40 | |
Usually those things all point towards one person. | 0:48:40 | 0:48:42 | |
However, in this case, only nurse Carlton Reynolds, the last | 0:48:42 | 0:48:46 | |
person to see the victim alive, seems to have the opportunity. | 0:48:46 | 0:48:50 | |
On the night of the murder, | 0:48:50 | 0:48:51 | |
you thought she wanted to tell you something. | 0:48:51 | 0:48:54 | |
You said she seemed frightened, wanted to leave the clinic. | 0:48:54 | 0:48:57 | |
Yes. | 0:48:57 | 0:48:58 | |
You assumed it was fear of the future, however, | 0:48:58 | 0:49:00 | |
I now believe she was afraid for her life. | 0:49:00 | 0:49:04 | |
The Jacaranda Clinic prides itself on absolute discretion. | 0:49:05 | 0:49:10 | |
Clients quietly come and go. | 0:49:11 | 0:49:14 | |
As Sergeant Bordey said, | 0:49:16 | 0:49:17 | |
it's like they've never actually been here at all. | 0:49:17 | 0:49:20 | |
And that's the whole point, isn't it, Dr Jones? | 0:49:22 | 0:49:25 | |
Please, can I have your phone? | 0:49:28 | 0:49:30 | |
Thank you. | 0:49:35 | 0:49:37 | |
And the other one? | 0:49:37 | 0:49:38 | |
I thought having two phones was strange, but I dismissed it. | 0:49:48 | 0:49:51 | |
That was a mistake. | 0:49:51 | 0:49:54 | |
Because once I realised | 0:49:54 | 0:49:55 | |
that the white one was for the legitimate clinic | 0:49:55 | 0:49:58 | |
and the black one was for some kind of illegal operation... | 0:49:58 | 0:50:00 | |
Yes. | 0:50:00 | 0:50:02 | |
..everything started to fit together. | 0:50:02 | 0:50:04 | |
White for good, black for bad. | 0:50:04 | 0:50:08 | |
Your own private joke at everyone else's expense. | 0:50:08 | 0:50:13 | |
Because it's essential you know exactly who's ringing you, isn't it? | 0:50:13 | 0:50:16 | |
You told me that the clinic was losing money until Dr Jones arrived. | 0:50:19 | 0:50:23 | |
You explained how she'd turned the place around | 0:50:23 | 0:50:25 | |
with a new marketing strategy. | 0:50:25 | 0:50:28 | |
You didn't restructure the existing business at all, did you? | 0:50:28 | 0:50:31 | |
You simply used it as cover for another one. | 0:50:31 | 0:50:34 | |
Helping criminals begin new lives. | 0:50:34 | 0:50:36 | |
By finding someone of a similar age to them | 0:50:36 | 0:50:38 | |
who died young and stealing their details. | 0:50:38 | 0:50:41 | |
You provided new faces and new identities. | 0:50:41 | 0:50:45 | |
St Marie is the perfect location. | 0:50:45 | 0:50:47 | |
No electronic records means | 0:50:47 | 0:50:49 | |
it's almost impossible for police and borders to crosscheck. | 0:50:49 | 0:50:53 | |
You know, I have absolutely no idea who this gentleman is, | 0:50:53 | 0:50:56 | |
but I do know he is not Paul Vincent. | 0:50:56 | 0:50:59 | |
The real Paul Vincent died over 35 years ago as a small child. | 0:50:59 | 0:51:03 | |
Absolute rot! Selwyn? | 0:51:03 | 0:51:05 | |
Carry on, Inspector. | 0:51:07 | 0:51:08 | |
You can't make these allegations without proof! | 0:51:08 | 0:51:12 | |
Records. | 0:51:12 | 0:51:13 | |
Of clients who have stayed at the clinic over the past two years. | 0:51:13 | 0:51:16 | |
Among them, you'll find 18 people also recorded as deceased. | 0:51:16 | 0:51:20 | |
I understand your medical prowess may be on the wane, | 0:51:22 | 0:51:25 | |
but even in your heyday, I doubt you could resurrect the dead. | 0:51:25 | 0:51:29 | |
No, the clinic was being used as a one-stop shop for identity theft | 0:51:29 | 0:51:35 | |
with the occasional spot of cosmetic surgery when needed - | 0:51:35 | 0:51:39 | |
as in Mr Vincent's case - to finish the job. | 0:51:39 | 0:51:42 | |
All run by Dr Jones, under everyone's nose. | 0:51:42 | 0:51:46 | |
We've already established Valerie Dupree was frightened | 0:51:46 | 0:51:49 | |
the night that she died. | 0:51:49 | 0:51:51 | |
We also have a witness who saw her clearly uncomfortable | 0:51:51 | 0:51:53 | |
in the presence of the man we know as Paul Vincent. | 0:51:53 | 0:51:56 | |
'I think they were having some kind of lover's tiff.' | 0:51:56 | 0:52:00 | |
Things weren't quite as they seemed. | 0:52:00 | 0:52:02 | |
I now believe that Valerie Dupree had somehow discovered | 0:52:02 | 0:52:05 | |
the truth behind what Dr Jones and her special clients were up to. | 0:52:05 | 0:52:11 | |
She was, in fact, petrified of Mr Vincent. | 0:52:11 | 0:52:13 | |
So he's the murderer? Is that what you're saying? | 0:52:15 | 0:52:19 | |
This man is undoubtedly a criminal, | 0:52:19 | 0:52:21 | |
but he is not, as far as I'm aware, a murderer. | 0:52:21 | 0:52:24 | |
Then who is? | 0:52:24 | 0:52:26 | |
Valerie Dupree's life was taken | 0:52:26 | 0:52:27 | |
by the only person who had the opportunity. | 0:52:27 | 0:52:30 | |
Carlton Reynolds. | 0:52:30 | 0:52:31 | |
No! I swear! | 0:52:31 | 0:52:33 | |
I didn't do it! | 0:52:33 | 0:52:34 | |
The first thing that bothered me about this case | 0:52:37 | 0:52:39 | |
was a simple cup of tea. | 0:52:39 | 0:52:41 | |
Why go to the trouble of making an expensive pot of tea | 0:52:41 | 0:52:44 | |
yet fail to drink it? | 0:52:44 | 0:52:46 | |
Unless you were disturbed. | 0:52:46 | 0:52:48 | |
In this case, by their killer. | 0:52:49 | 0:52:52 | |
Valerie Dupree was killed by the most powerful toxin known to man - | 0:52:52 | 0:52:56 | |
a substance this clinic uses every day | 0:52:56 | 0:52:58 | |
yet which no lab would ever find unless they were looking for it - | 0:52:58 | 0:53:01 | |
botulinum toxin. | 0:53:01 | 0:53:04 | |
Harmless enough when used to remove wrinkles | 0:53:04 | 0:53:06 | |
yet fatal in the hands of a killer. | 0:53:06 | 0:53:08 | |
Administered unwittingly by Carlton Reynolds... | 0:53:10 | 0:53:13 | |
..but prepared very deliberately by Dr Anna Jones. | 0:53:17 | 0:53:21 | |
You waited for the moment that Valerie's Heparin injection | 0:53:26 | 0:53:29 | |
was ready to be administered | 0:53:29 | 0:53:31 | |
and then you swapped it for a massive overdose of botulinum toxin. | 0:53:31 | 0:53:35 | |
Carlton continued his rounds, | 0:53:36 | 0:53:39 | |
not knowing he was now carrying a lethal syringe. | 0:53:39 | 0:53:42 | |
What happened? Did she come to see you? | 0:53:42 | 0:53:45 | |
Perhaps to tell you she had called her lawyer | 0:53:45 | 0:53:47 | |
and was going to complain? | 0:53:47 | 0:53:49 | |
Whatever she was planning, she never got that far, did she? | 0:53:49 | 0:53:51 | |
Instead, I think she overheard | 0:53:51 | 0:53:53 | |
exactly what was going on at the Jacaranda. | 0:53:53 | 0:53:56 | |
An illegal identity fraud racket | 0:53:57 | 0:53:59 | |
involving some very unpleasant people. | 0:53:59 | 0:54:01 | |
You knew you had to silence her. | 0:54:04 | 0:54:05 | |
And that what you'd added to her medication would paralyse | 0:54:05 | 0:54:08 | |
every muscle in Valerie Dupree's body within minutes. | 0:54:08 | 0:54:12 | |
With her lungs paralysed and unable to breathe, | 0:54:12 | 0:54:15 | |
Valerie died in her own bed. | 0:54:15 | 0:54:16 | |
You then simply moved her, | 0:54:17 | 0:54:19 | |
silent and unseen, on a trolley like any other patient. | 0:54:19 | 0:54:23 | |
Yet the trolley had a bent wheel, making it difficult to manoeuvre. | 0:54:23 | 0:54:27 | |
Which was why you knocked into a terracotta plant pot by the pool. | 0:54:27 | 0:54:32 | |
Then you slid the body of Valerie Dupree into the pool | 0:54:34 | 0:54:38 | |
to make it look like she'd drowned herself. | 0:54:38 | 0:54:40 | |
All so that your criminal endeavours weren't exposed. | 0:54:46 | 0:54:50 | |
Valerie felt she'd lost her beauty as well as her husband, | 0:54:50 | 0:54:52 | |
but you took away the most precious thing of all - | 0:54:52 | 0:54:55 | |
her life. | 0:54:55 | 0:54:56 | |
Lock her up. | 0:54:58 | 0:54:59 | |
My dear fellow, | 0:55:12 | 0:55:13 | |
it seems I may have been a little harsh on the phone the other day. | 0:55:13 | 0:55:16 | |
What can I do to make it up to you? | 0:55:16 | 0:55:19 | |
Ohhh. | 0:55:27 | 0:55:28 | |
It seems our mysterious Mr Vincent's real name is Emilio Suarez. | 0:55:36 | 0:55:41 | |
Big time drug runner. Wanted in Florida and five other states. | 0:55:41 | 0:55:46 | |
With a bit of luck, they'll throw away the key. | 0:55:46 | 0:55:48 | |
I couldn't agree more. Anything else come in? | 0:55:48 | 0:55:50 | |
Nothing. It's still quiet. | 0:55:50 | 0:55:52 | |
Right, well, in that case, I suppose we should just, you know, lime? | 0:55:53 | 0:55:57 | |
I've actually drawn up a schedule for the rest of the week. | 0:55:59 | 0:56:03 | |
Here. | 0:56:03 | 0:56:05 | |
It's pretty self explanatory. | 0:56:05 | 0:56:07 | |
Nothing too taxing but then I suppose that's the point. | 0:56:07 | 0:56:12 | |
OK. So, it's Friday, | 0:56:12 | 0:56:14 | |
it's 12.02 and we are playing... | 0:56:14 | 0:56:17 | |
My favourite board game. | 0:56:17 | 0:56:19 | |
-Unless anyone has any objections? -Well, I... | 0:56:19 | 0:56:21 | |
OK, Fidel. You're in the hot seat. | 0:56:21 | 0:56:23 | |
Professor Plum, in the dining room, with the lead piping? | 0:56:24 | 0:56:29 | |
Is that wrong? | 0:56:29 | 0:56:30 | |
I think we've established Professor Plum was | 0:56:30 | 0:56:32 | |
nowhere near the piping, lead or otherwise. | 0:56:32 | 0:56:35 | |
OK. Dwayne? | 0:56:35 | 0:56:36 | |
This is it? This is the game? | 0:56:36 | 0:56:39 | |
OK, another pass. Camille? | 0:56:39 | 0:56:41 | |
Can we, please, play something else? | 0:56:41 | 0:56:43 | |
Like what? | 0:56:43 | 0:56:45 | |
I don't know. Twister? | 0:56:45 | 0:56:48 | |
Hide and seek? | 0:56:48 | 0:56:49 | |
Don't be so childish. Come on. | 0:56:49 | 0:56:52 | |
Right. | 0:56:52 | 0:56:53 | |
-Colonel Mustard? -No. | 0:56:53 | 0:56:55 | |
-Miss Scarlet. -I told you, you can't keep shouting out names, | 0:56:55 | 0:56:58 | |
it doesn't work like that. | 0:56:58 | 0:57:00 | |
-(Reverend Green). -No! | 0:57:00 | 0:57:01 | |
Well, one of them must be right! | 0:57:01 | 0:57:03 | |
Yes, but that's hardly the point, is it? | 0:57:03 | 0:57:05 | |
-Look, can we please just play the game properly? -No. | 0:57:05 | 0:57:08 | |
Ah. Jayne Smythe looks ten years younger. | 0:57:14 | 0:57:18 | |
Amazing what love can do. | 0:57:18 | 0:57:20 | |
This is it? | 0:57:20 | 0:57:22 | |
Sergeant Bordey, I'm going to count down from five | 0:57:22 | 0:57:24 | |
and then, by the officially ratified Poole family rules of Cluedo, | 0:57:24 | 0:57:27 | |
you miss your turn. | 0:57:27 | 0:57:29 | |
Five, four... | 0:57:29 | 0:57:30 | |
You should try it you know - love. | 0:57:30 | 0:57:34 | |
-Look, are we playing this game or not? -All I'm saying is... | 0:57:34 | 0:57:37 | |
Right. Fine, you win. Game over. | 0:57:37 | 0:57:38 | |
One caught in an explosion, the other one shot dead. | 0:57:41 | 0:57:44 | |
I hope they haven't wasted any money on the lottery. | 0:57:44 | 0:57:47 | |
These are actual treasure hunters, is that right? | 0:57:47 | 0:57:49 | |
I'm afraid they are. | 0:57:49 | 0:57:51 | |
Maybe you found something. | 0:57:51 | 0:57:52 | |
-Like what? -You tell us. | 0:57:52 | 0:57:54 | |
I get half. That was the deal. | 0:57:54 | 0:57:56 | |
-I was just wondering about... -If there was any word from London? | 0:57:59 | 0:58:02 | |
-Yes. -No. | 0:58:02 | 0:58:04 | |
-Have you got a problem with me? -Yes. | 0:58:04 | 0:58:06 | |
Someone clearly wants us to believe | 0:58:06 | 0:58:07 | |
these are deaths brought about by a dead pirate's curse. | 0:58:07 | 0:58:11 | |
Whoever it is, they're after me, aren't they? | 0:58:12 | 0:58:15 | |
Subtitles by Red Bee Media Ltd | 0:58:15 | 0:58:18 |