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The true pirates of the Caribbean were feared by all, | 0:00:01 | 0:00:05 | |
and the most terrifying of them all was Francois Le Clerc. | 0:00:05 | 0:00:09 | |
Le Clerc had a black heart. | 0:00:10 | 0:00:13 | |
It was said by those who knew him that he needed no more reason | 0:00:13 | 0:00:16 | |
to kill a man than a change in his mood. | 0:00:16 | 0:00:19 | |
His ship bore Le Clerc's flag. | 0:00:20 | 0:00:23 | |
It struck terror into the hearts of all who saw it. | 0:00:23 | 0:00:26 | |
Now, in the summer of 1563, | 0:00:26 | 0:00:30 | |
heading home from the Azores, Le Clerc and his crew | 0:00:30 | 0:00:34 | |
came across the Spanish galleon San Cristobal. | 0:00:34 | 0:00:38 | |
But they soon found themselves fighting not ordinary merchant seamen | 0:00:39 | 0:00:42 | |
but the personal guard of King Phillip II of Spain. | 0:00:42 | 0:00:46 | |
ARTEFACTS CLATTER | 0:00:46 | 0:00:48 | |
Sorry. Carry on. | 0:00:48 | 0:00:50 | |
CHURCH BELL TOLLS | 0:00:50 | 0:00:52 | |
Though he finally won the day and found a huge shipment of gold, | 0:00:52 | 0:00:58 | |
Le Clerc took heavy losses and was himself badly wounded. | 0:00:58 | 0:01:02 | |
He was forced to take refuge here, in Sainte-Marie. | 0:01:02 | 0:01:06 | |
However, neither the treasure nor Le Clerc | 0:01:07 | 0:01:11 | |
was ever seen again. | 0:01:11 | 0:01:14 | |
Some people believe the treasure is still buried here, | 0:01:15 | 0:01:19 | |
somewhere on the island. | 0:01:19 | 0:01:21 | |
The treasure is said...to be cursed. | 0:01:22 | 0:01:25 | |
Cursed by Le Clerc himself. | 0:01:26 | 0:01:28 | |
BRANCH SNAPS | 0:01:28 | 0:01:30 | |
It is said that whoever disturbs the treasure that bears his blood | 0:01:31 | 0:01:36 | |
will then join him... | 0:01:36 | 0:01:39 | |
in hell. | 0:01:39 | 0:01:40 | |
TROPICAL BIRD CALLS OUT IN SHORT, SHARP TWEETS | 0:01:42 | 0:01:45 | |
BRANCH SNAPS | 0:01:47 | 0:01:48 | |
BIRD WINGS FLUTTER | 0:01:48 | 0:01:50 | |
WATER DRIPS | 0:02:04 | 0:02:07 | |
WATER TRICKLES AND DRIPS | 0:02:12 | 0:02:16 | |
WINGS FLAP | 0:02:25 | 0:02:27 | |
ALARM BEEPS | 0:02:30 | 0:02:32 | |
BOMB BLASTS | 0:02:32 | 0:02:35 | |
Daniel! | 0:03:08 | 0:03:09 | |
Move! | 0:03:10 | 0:03:11 | |
No, no, no! Chris, Chris, it might not be safe! | 0:03:13 | 0:03:15 | |
Dan! Daniel, can you hear me? | 0:03:17 | 0:03:19 | |
OK... | 0:03:20 | 0:03:21 | |
Ah! | 0:03:21 | 0:03:23 | |
All right. Chuck us down some rope! | 0:03:23 | 0:03:25 | |
I bet you didn't hear a single word of that, did you? | 0:03:39 | 0:03:41 | |
The Caribbean hasn't got a monopoly in pirates, you know. | 0:03:41 | 0:03:44 | |
I think the English had some pretty good pirates of their own. | 0:03:44 | 0:03:46 | |
Take Blackbeard, for example. | 0:03:46 | 0:03:48 | |
I think you'll find he could swash his buckle with the best of them. | 0:03:48 | 0:03:52 | |
You said you wanted to learn more about the island. | 0:03:52 | 0:03:54 | |
No, YOU wanted me to learn more about the island. | 0:03:54 | 0:03:57 | |
And what would you do stuck at home all weekend, hmm? | 0:03:57 | 0:03:59 | |
Fill in crossword, do jigsaw, | 0:03:59 | 0:04:01 | |
-speak to your lizard... -Exactly. Things I'd rather be doing | 0:04:01 | 0:04:04 | |
than traipsing around in this heat listening to a load of mumbo jumbo | 0:04:04 | 0:04:07 | |
-about a pirate's curse! -Look... -You can't just say something, | 0:04:07 | 0:04:10 | |
and it happens! Er-hem! | 0:04:10 | 0:04:12 | |
I-I hereby curse everyone who has the letter W in their names | 0:04:12 | 0:04:16 | |
to, er, lose all their hair by the time they're 30 | 0:04:16 | 0:04:19 | |
-and develop a limp. -What... -Ah... | 0:04:19 | 0:04:21 | |
-St...! -Ah! And from this moment on, it shall be known as | 0:04:21 | 0:04:24 | |
-the curse of Richard Poole! -And now you're being ridiculous. | 0:04:24 | 0:04:27 | |
Yes, I am. Which I think you'll find... | 0:04:27 | 0:04:29 | |
..proves my point. | 0:04:30 | 0:04:32 | |
What...? Hey, wa...! Wait! | 0:04:32 | 0:04:33 | |
Commissioner Patterson! | 0:04:33 | 0:04:36 | |
Commissioner! | 0:04:38 | 0:04:40 | |
-CAR STARTS -Afternoon, sir. | 0:04:42 | 0:04:44 | |
Good afternoon. | 0:04:44 | 0:04:46 | |
Peter Haines - he's the Tourism Director, | 0:04:46 | 0:04:49 | |
and a very influential man on the island. You should meet him. | 0:04:49 | 0:04:52 | |
He's also on the police committee. Yes, sir, I was just wondering, | 0:04:52 | 0:04:55 | |
-about my... -If there was any word from London? -Yes. | 0:04:55 | 0:04:58 | |
No. | 0:04:58 | 0:04:59 | |
-CAR HORN TOOTS -Hello, sir! | 0:04:59 | 0:05:01 | |
Look, Inspector, much as I value | 0:05:03 | 0:05:05 | |
the work you've done since you came here, | 0:05:05 | 0:05:07 | |
I suppose if you're truly unhappy on Sainte-Marie, | 0:05:07 | 0:05:10 | |
I could contact my counterpart in London? | 0:05:10 | 0:05:12 | |
-Hello, Dwayne! -Camille! | 0:05:12 | 0:05:14 | |
-Sorry? -Perhaps I could make a few calls. | 0:05:16 | 0:05:19 | |
So, basically, you're saying there's nothing you can do. I knew it. | 0:05:19 | 0:05:22 | |
Don't know why I even bothered asking. | 0:05:22 | 0:05:24 | |
Good idea... | 0:05:33 | 0:05:35 | |
-Well? -Looks like I'm stuck with you a while longer. | 0:05:35 | 0:05:38 | |
-And you could sound a little happier about it. -No, I couldn't. | 0:05:38 | 0:05:41 | |
-What's going on? -There's been an explosion up in the rainforest, | 0:05:41 | 0:05:44 | |
in one of the caves. One of the guys was trapped inside. | 0:05:44 | 0:05:47 | |
-Broken his arm, gone to hospital. -What were they doing up there? | 0:05:47 | 0:05:50 | |
Treasure-hunters. | 0:05:50 | 0:05:52 | |
Please tell me you're not serious. | 0:05:52 | 0:05:54 | |
We've just been to the museum. | 0:05:54 | 0:05:56 | |
Wait! You don't think that maybe... | 0:05:56 | 0:05:59 | |
No! You're right! It could be the pirate's curse! | 0:05:59 | 0:06:02 | |
Or maybe they were blown up by a gang of tree pixies? | 0:06:02 | 0:06:05 | |
OK - do you want us to come with you? | 0:06:05 | 0:06:07 | |
BOTH: No. | 0:06:07 | 0:06:08 | |
Look, no-one died. | 0:06:08 | 0:06:10 | |
We'll take care of it. You enjoy the weekend. | 0:06:10 | 0:06:13 | |
-Benjamin! -Dwayne! | 0:06:31 | 0:06:33 | |
Long time, no see, man! | 0:06:33 | 0:06:35 | |
You still driving the love wagon? | 0:06:35 | 0:06:37 | |
Yeah, she's not getting much action these days, though! | 0:06:37 | 0:06:40 | |
Ah, you really forget how beautiful it is up here. | 0:06:41 | 0:06:44 | |
-Yeah, it is, isn't it? -Mmm. | 0:06:44 | 0:06:46 | |
-This explosion... -Mmm. | 0:06:48 | 0:06:50 | |
-You know what happened? -No, no. I heard it but I was a way away. | 0:06:50 | 0:06:54 | |
So, you're working for these guys? | 0:06:54 | 0:06:55 | |
Yeah, they've been up here a couple of weeks. | 0:06:55 | 0:06:57 | |
I've been fixing the truck's air con unit and stuff. | 0:06:57 | 0:06:59 | |
Dwayne, erm, this is Daniel. | 0:06:59 | 0:07:02 | |
He was the one that got hurt. | 0:07:02 | 0:07:03 | |
-I drove him to the hospital to get fixed up. -Er, look, | 0:07:03 | 0:07:06 | |
do you mind if we do this in the camp? | 0:07:06 | 0:07:08 | |
I could use some painkillers. | 0:07:08 | 0:07:10 | |
Sure. | 0:07:10 | 0:07:12 | |
Dwayne, if you need anything, you know where I am, yeah? | 0:07:13 | 0:07:15 | |
So, tell me, what happened this morning...? | 0:07:17 | 0:07:19 | |
Ah! | 0:07:19 | 0:07:21 | |
It's a beautiful day, you should go to the beach. | 0:07:22 | 0:07:24 | |
He doesn't like the beach. | 0:07:24 | 0:07:26 | |
No. I have a, er, | 0:07:26 | 0:07:28 | |
an aversion to sand taking refuge in every bodily orifice. | 0:07:28 | 0:07:32 | |
Might as well stick a sheet of sandpaper down your trousers | 0:07:32 | 0:07:35 | |
and have done with it. | 0:07:35 | 0:07:36 | |
Well, I'll leave you to...have fun! | 0:07:38 | 0:07:42 | |
Sorry - any milk? | 0:07:44 | 0:07:46 | |
Never any milk. | 0:07:47 | 0:07:49 | |
OK, so, I was packing up some of our equipment over there. | 0:07:54 | 0:07:57 | |
Mm-hmm, OK. And you, sir? | 0:07:57 | 0:07:59 | |
-I was having a shower. -I was writing up notes in the tent. | 0:07:59 | 0:08:02 | |
So, you really looking for Le Clerc's gold? | 0:08:03 | 0:08:06 | |
-It's what we do. -Hmm. | 0:08:09 | 0:08:10 | |
-We found an old map. -A treasure map? | 0:08:12 | 0:08:14 | |
Kind of. | 0:08:14 | 0:08:15 | |
It authenticated around 1700, so we felt it was worth following up. | 0:08:16 | 0:08:20 | |
It didn't mention Le Clerc by name, but... | 0:08:20 | 0:08:22 | |
when we found out it was Sainte-Marie... | 0:08:22 | 0:08:25 | |
I have to admit, we got very excited. | 0:08:25 | 0:08:27 | |
Hey, listen... | 0:08:31 | 0:08:34 | |
This explosion... | 0:08:34 | 0:08:35 | |
-Are we in trouble? -No. | 0:08:35 | 0:08:38 | |
Seems pretty clear it was an accident. | 0:08:38 | 0:08:39 | |
Maybe it will teach you all to have a bit more respect | 0:08:39 | 0:08:42 | |
for the explosives you have on site. | 0:08:42 | 0:08:44 | |
So, I thought we might go up to the volcano next. | 0:08:49 | 0:08:52 | |
Oh, really? What for? | 0:08:52 | 0:08:53 | |
-It's beautiful. -I think once you've seen one volcano, | 0:08:53 | 0:08:56 | |
-you've seen them all, really. -So, how many volcanoes have you seen? | 0:08:56 | 0:08:59 | |
Lord, is that the time? | 0:08:59 | 0:09:01 | |
Ah! | 0:09:01 | 0:09:02 | |
-Where are you going? -I just remembered something, | 0:09:02 | 0:09:04 | |
but thanks, though, for this morning. Museum and everything - | 0:09:04 | 0:09:08 | |
the whole, erm, island culture thing. | 0:09:08 | 0:09:11 | |
Hmm... | 0:09:11 | 0:09:12 | |
Fantastic. | 0:09:12 | 0:09:13 | |
WHITE NOISE FROM TELEVISION | 0:09:25 | 0:09:27 | |
GUN FIRES, ANIMALS SCREECH | 0:09:52 | 0:09:57 | |
TROPICAL BIRD SQUEAKS REPEATEDLY | 0:10:01 | 0:10:05 | |
WHITE NOISE FROM TELEVISION | 0:10:05 | 0:10:09 | |
PHONE RINGS | 0:10:13 | 0:10:15 | |
-Hello? -'It's Camille. Are you busy?' | 0:10:17 | 0:10:19 | |
-Yes, really very busy indeed. -Doing what? | 0:10:19 | 0:10:21 | |
Since you ask, I am finally | 0:10:21 | 0:10:23 | |
addressing some of my audiovisual issues. | 0:10:23 | 0:10:26 | |
-'OK. Only, there's been a murder.' -Oh. Where? | 0:10:26 | 0:10:29 | |
'Up in the hills? You want to come?' | 0:10:29 | 0:10:31 | |
I'll be there as soon as I can. | 0:10:31 | 0:10:33 | |
Merci. | 0:10:50 | 0:10:52 | |
-Merci. -This way. | 0:10:54 | 0:10:56 | |
Ah. | 0:11:00 | 0:11:01 | |
SHE BREATHES HEAVILY | 0:11:13 | 0:11:16 | |
Ugh! | 0:11:20 | 0:11:21 | |
Who's this? | 0:11:43 | 0:11:45 | |
Dr Ian Parks. He was the team's geologist. | 0:11:45 | 0:11:48 | |
His body was found here just after 9am this morning | 0:11:48 | 0:11:50 | |
by his colleague Daniel Morgan - this is Daniel's tent. | 0:11:50 | 0:11:53 | |
A single gunshot to the chest, entered between third and fourth rib, | 0:11:53 | 0:11:57 | |
no exit wound that we can see. | 0:11:57 | 0:11:59 | |
No witnesses, no-one heard a gunshot, and he was last seen | 0:11:59 | 0:12:02 | |
around 11.30 last night. | 0:12:02 | 0:12:04 | |
What's this? | 0:12:04 | 0:12:06 | |
It's a single-barrelled flintlock pistol. | 0:12:07 | 0:12:09 | |
It was being restored by Dr Parks, so we think he was cleaning it | 0:12:09 | 0:12:11 | |
-when it discharged. -You're saying it was an accident? | 0:12:11 | 0:12:14 | |
Well, it's the only thing that makes sense. | 0:12:14 | 0:12:16 | |
Someone's been, er, burning some paper in here. | 0:12:16 | 0:12:19 | |
-Preserve it without disturbing it if you can. -Yes, sir. | 0:12:19 | 0:12:22 | |
How do we know that he was restoring the pistol? | 0:12:22 | 0:12:24 | |
-Dwayne spoke to Mr Morgan about it yesterday, sir. -Yesterday? | 0:12:24 | 0:12:27 | |
The explosion Dwayne and Fidel attended. | 0:12:27 | 0:12:30 | |
-What, that was here? -Yes, sir. | 0:12:30 | 0:12:32 | |
Oh. | 0:12:32 | 0:12:34 | |
One caught in an explosion, the other one shot dead. | 0:12:34 | 0:12:37 | |
I hope they haven't wasted any money on the lottery. | 0:12:37 | 0:12:40 | |
So, er... | 0:12:41 | 0:12:43 | |
these are actual treasure-hunters, is that right? | 0:12:43 | 0:12:45 | |
Well, sir, I'm afraid they are. | 0:12:45 | 0:12:48 | |
Do you believe they have a little bit too much time on their hands? | 0:12:50 | 0:12:53 | |
So, if this wasn't Dr Parks' tent, what was he doing in here? | 0:12:54 | 0:12:58 | |
We've asked everyone that same question. No-one knows. | 0:12:58 | 0:13:00 | |
-Can I borrow your pen, please, Fidel? -Sure. | 0:13:00 | 0:13:02 | |
I don't think it was an accident. | 0:13:03 | 0:13:05 | |
-Why not? -First, he was a clever man. | 0:13:05 | 0:13:08 | |
Only an idiot would clean a loaded pistol. | 0:13:08 | 0:13:11 | |
And secondly, if he WAS that stupid, | 0:13:11 | 0:13:14 | |
why isn't the cloth he was using to clean the gun | 0:13:14 | 0:13:17 | |
either on the floor beside him or in his hand? | 0:13:17 | 0:13:20 | |
I agree. And, if he accidentally | 0:13:20 | 0:13:23 | |
shot himself while cleaning the pistol, | 0:13:23 | 0:13:26 | |
why is there a bullet hole... | 0:13:26 | 0:13:29 | |
in the tent? | 0:13:29 | 0:13:30 | |
What was he even doing in there anyway? | 0:13:32 | 0:13:34 | |
How the hell do I know? I wasn't even here, remember? | 0:13:36 | 0:13:39 | |
You two have been up to something for weeks. | 0:13:39 | 0:13:41 | |
I didn't realise we were under surveillance. | 0:13:41 | 0:13:43 | |
Liz has got a point, Dan - I've noticed it, too. | 0:13:43 | 0:13:46 | |
Maybe...you found something. | 0:13:46 | 0:13:49 | |
Like what? | 0:13:49 | 0:13:50 | |
-You tell us. -Uh-huh... | 0:13:50 | 0:13:52 | |
I'm, er, sorry for the death of your friend. | 0:13:52 | 0:13:55 | |
I wonder if you'd mind answering just a few questions. | 0:13:55 | 0:13:57 | |
-Do you know what happened? -Not yet, miss, | 0:13:57 | 0:13:59 | |
but rest assured, we'll be leaving no stone unturned. | 0:13:59 | 0:14:02 | |
Er, yes, er... Right, Mr Morgan - | 0:14:07 | 0:14:10 | |
I understand it was you that found Dr Parks this morning. | 0:14:10 | 0:14:13 | |
That's right. I broke my wrist yesterday in the explosion, | 0:14:13 | 0:14:17 | |
and didn't fancy sleeping in a camp bed last night, so I got Benjamin | 0:14:17 | 0:14:20 | |
-to drive me to the Bay Cove Hotel. -Who's Benjamin? | 0:14:20 | 0:14:23 | |
Benjamin Sammy. He lives down the mountain. | 0:14:24 | 0:14:26 | |
He helps out whenever we need a spare pair of hands. | 0:14:26 | 0:14:29 | |
Why not use your own breast...? Er... | 0:14:30 | 0:14:33 | |
vehicle? | 0:14:33 | 0:14:34 | |
The air con packed up. Benjamin was fixing it. | 0:14:35 | 0:14:39 | |
Carry on. | 0:14:40 | 0:14:41 | |
We left the camp about 11pm, | 0:14:41 | 0:14:44 | |
drove to the hotel, and Benjamin picked me up this morning. | 0:14:44 | 0:14:47 | |
'That's when I found him. | 0:14:50 | 0:14:52 | |
'In my tent.' | 0:14:52 | 0:14:53 | |
And you? | 0:14:55 | 0:14:56 | |
'Er, we - the three of us - stayed up for a tipple... | 0:14:57 | 0:15:00 | |
'Well, Chris and I did - Ian was teetotal.' | 0:15:00 | 0:15:03 | |
SHE GIGGLES DRUNKENLY | 0:15:03 | 0:15:05 | |
'Actually, it turned into a bit of a session.' | 0:15:11 | 0:15:14 | |
Sorry... Are you saying that's why you didn't hear the gunshot - | 0:15:14 | 0:15:17 | |
because you were intoxicated? | 0:15:17 | 0:15:18 | |
'Well, I can't speak for Chris, | 0:15:18 | 0:15:20 | |
-'but I was out for the count. -Can't even remember getting to bed.' | 0:15:20 | 0:15:23 | |
Do either of you know why Dr Parks wasn't in his own tent? | 0:15:24 | 0:15:27 | |
No. | 0:15:30 | 0:15:31 | |
Hmm. | 0:15:31 | 0:15:33 | |
Uh-huh. This... | 0:15:34 | 0:15:36 | |
map... | 0:15:36 | 0:15:38 | |
This is what brought you here? | 0:15:40 | 0:15:42 | |
Yeah. | 0:15:42 | 0:15:43 | |
It was found on Pigeon Island, just off St Lucia, | 0:15:43 | 0:15:46 | |
an old pirate stronghold. | 0:15:46 | 0:15:48 | |
The idea was that whoever buried it | 0:15:48 | 0:15:49 | |
would remember the exact spot when they came back to collect it. | 0:15:49 | 0:15:52 | |
And if they never came back? | 0:15:52 | 0:15:54 | |
Then the treasure stayed buried. | 0:15:55 | 0:15:56 | |
It's pretty much where we come in. | 0:15:56 | 0:15:58 | |
It's a big area, but we analyse soil and rock samples - | 0:15:58 | 0:16:02 | |
that's where Ian came into his own. | 0:16:02 | 0:16:04 | |
Gold's inert, but not all treasure is going to be exclusively gold, | 0:16:06 | 0:16:10 | |
and by testing the samples he could find traces of other metals | 0:16:10 | 0:16:13 | |
such as bronze and copper. | 0:16:13 | 0:16:15 | |
But you didn't find the treasure? | 0:16:15 | 0:16:17 | |
Nope. | 0:16:19 | 0:16:20 | |
We thought it could be in the caves under this land. | 0:16:20 | 0:16:23 | |
But now we'll never know. | 0:16:25 | 0:16:26 | |
Not after the explosion yesterday in the entrance to the inner caves. | 0:16:26 | 0:16:30 | |
It's completely sealed off. | 0:16:30 | 0:16:32 | |
I see. Well, er, someone will come and take your statement in full, | 0:16:34 | 0:16:38 | |
but, er, for now, | 0:16:38 | 0:16:41 | |
thank you for your time. | 0:16:41 | 0:16:42 | |
Oh, er, yes, I'm afraid we will have to ask you not to leave the island. | 0:16:45 | 0:16:50 | |
Why? | 0:16:51 | 0:16:53 | |
We may need to talk to you again. | 0:16:53 | 0:16:55 | |
-Are you saying this wasn't an accident? -No. | 0:16:55 | 0:16:57 | |
I'm saying we'd appreciate it if you didn't make any plans to leave the island. | 0:16:57 | 0:17:01 | |
-Er, Chief. Me and Fidel have been thinking. -Yeah. | 0:17:06 | 0:17:09 | |
-Two strange incidents... -Before you enlighten me with your theory, | 0:17:09 | 0:17:12 | |
can I just say that if it involves the words "pirate", | 0:17:12 | 0:17:14 | |
"treasure" or "curse", you're both fired. Well? | 0:17:14 | 0:17:18 | |
-It was nothing. -No. It was nothing. | 0:17:19 | 0:17:21 | |
Now, do these people need permission to be up here? | 0:17:21 | 0:17:23 | |
Yes, Chief. The landowner is Joel Maurice, the house we passed on the way up. | 0:17:23 | 0:17:28 | |
Good, well divide and conquer. You check the site for evidence. | 0:17:28 | 0:17:31 | |
Camille and I will start there. | 0:17:31 | 0:17:32 | |
-She's lying. -Who? -Her. | 0:17:34 | 0:17:36 | |
And you're basing that assumption on what, exactly? | 0:17:38 | 0:17:40 | |
-I just know. -Ah, well let's arrest her right now. What do you suggest we... | 0:17:40 | 0:17:44 | |
-Why are you protecting her? -I'm not protecting her! | 0:17:44 | 0:17:47 | |
Just because she's attractive, doesn't mean she's telling the truth. | 0:17:47 | 0:17:50 | |
Is she attractive? I... | 0:17:50 | 0:17:52 | |
Oh! You were ogling her like a schoolboy. | 0:17:52 | 0:17:54 | |
-I wasn't ogling. -Yeah, you were. | 0:17:54 | 0:17:55 | |
-I don't ogle. -You were! | 0:17:55 | 0:17:56 | |
-That's ridiculous, I was just asking some straightforward questions. -Come on. Shut up! | 0:17:56 | 0:18:01 | |
Sorry. | 0:18:27 | 0:18:28 | |
-I was... I mean I wasn't, erm... -Could you, erm? | 0:18:28 | 0:18:32 | |
Yeah, sure. | 0:18:32 | 0:18:34 | |
So what did your inspector say? | 0:18:37 | 0:18:39 | |
Does he think it was an accident? | 0:18:39 | 0:18:41 | |
Oh, I'm sorry, miss, but I really... | 0:18:42 | 0:18:44 | |
-Oh, sorry, I shouldn't really be asking. -Yeah, no, it's OK. | 0:18:44 | 0:18:48 | |
Ian was cleaning the pistol though when it went off? | 0:18:48 | 0:18:51 | |
I'm really sorry, miss, but I can't talk about it. | 0:18:51 | 0:18:54 | |
Of course you can't. | 0:18:54 | 0:18:56 | |
But... | 0:18:57 | 0:18:59 | |
if it did turn out not to be an accident, I'm probably a suspect? | 0:18:59 | 0:19:03 | |
No. | 0:19:03 | 0:19:05 | |
So I'm not? | 0:19:05 | 0:19:07 | |
No. | 0:19:07 | 0:19:08 | |
Yes. | 0:19:08 | 0:19:09 | |
No. I don't know. I mean I'm not sure we even have any yet, | 0:19:09 | 0:19:13 | |
so, you know! | 0:19:13 | 0:19:15 | |
It's Fidel, isn't it? | 0:19:19 | 0:19:21 | |
Er, me? Yes. | 0:19:21 | 0:19:24 | |
Is there a Mrs Fidel? | 0:19:24 | 0:19:25 | |
No. | 0:19:26 | 0:19:28 | |
Yes, there is, of course! | 0:19:28 | 0:19:30 | |
-We've got a baby. -Oh. | 0:19:32 | 0:19:34 | |
Anyway, erm, you know, it was really good talking to you, | 0:19:35 | 0:19:38 | |
but I must, I must go, you know. Work to do. | 0:19:38 | 0:19:41 | |
-I hope I didn't hold you up. -No, no, no. | 0:19:41 | 0:19:44 | |
You take care. | 0:19:44 | 0:19:45 | |
Bye. | 0:19:46 | 0:19:47 | |
Maybe they have found the gold and they're fighting amongst themselves. | 0:20:05 | 0:20:10 | |
We've no proof they've found anything. | 0:20:10 | 0:20:12 | |
Agreed, but if they have found it, it gives us | 0:20:12 | 0:20:14 | |
three very clear suspects - the other members of the group. | 0:20:14 | 0:20:18 | |
-Unless... -What? | 0:20:18 | 0:20:19 | |
Someone else, not in the group, also discovered they'd found | 0:20:19 | 0:20:22 | |
Le Clerc's gold and wants them dead, so they can steal it for themselves. | 0:20:22 | 0:20:25 | |
What do you want? | 0:20:25 | 0:20:27 | |
Detective Inspector Richard Poole, | 0:20:30 | 0:20:32 | |
this is Detective Sergeant Camille Bordey. | 0:20:32 | 0:20:34 | |
Of course I knew what they were after. | 0:20:36 | 0:20:39 | |
So you visited the camp? | 0:20:39 | 0:20:40 | |
Now and again, just to see what they were up to. | 0:20:42 | 0:20:46 | |
Up to? | 0:20:47 | 0:20:49 | |
Making sure that if they found anything, | 0:20:49 | 0:20:51 | |
they wouldn't forget to tell me. | 0:20:51 | 0:20:54 | |
I get half. That was the deal. | 0:20:54 | 0:20:57 | |
I see. | 0:20:57 | 0:20:58 | |
Can I ask where you were last night? | 0:21:00 | 0:21:02 | |
I was here. | 0:21:02 | 0:21:03 | |
Alone? | 0:21:03 | 0:21:04 | |
No. | 0:21:06 | 0:21:08 | |
I telephoned Beyonce, | 0:21:08 | 0:21:10 | |
she came over and we had a wild night of hot, passionate sex. | 0:21:10 | 0:21:13 | |
I see, and this Beyonce can vouch for that, can she? | 0:21:16 | 0:21:19 | |
I can't believe you don't know who Beyonce is! | 0:21:23 | 0:21:26 | |
Why people can't just give a simple answer to a simple question, | 0:21:26 | 0:21:29 | |
I'll never know. | 0:21:29 | 0:21:30 | |
Looks like he could use some money. | 0:21:32 | 0:21:35 | |
Stealing the treasure for himself could be quite a motive. | 0:21:35 | 0:21:38 | |
That only works if we know for sure they've found something. | 0:21:38 | 0:21:40 | |
And we don't. | 0:21:40 | 0:21:41 | |
What are you doing? | 0:22:23 | 0:22:25 | |
Don't you want to know what they've found? | 0:22:26 | 0:22:28 | |
Hang on, hang on. What's Joel doing here? | 0:22:33 | 0:22:35 | |
Where did he come from? | 0:22:38 | 0:22:40 | |
A man shot by an antique flintlock pistol is strange enough, | 0:22:45 | 0:22:48 | |
but the victim being found in the tent of a man | 0:22:48 | 0:22:50 | |
almost killed in an explosion on the same day? | 0:22:50 | 0:22:53 | |
So you think the killer failed to kill Daniel Morgan | 0:22:53 | 0:22:56 | |
in the explosion and came back later that night to finish the job? | 0:22:56 | 0:22:59 | |
Which means Dr Parks was killed simply for being in the wrong place at the wrong time. | 0:23:01 | 0:23:05 | |
Which of this lot is our killer? | 0:23:06 | 0:23:09 | |
Well, not Daniel, if he was the intended victim. | 0:23:09 | 0:23:12 | |
-We, er, we found some debris from the cave, sir. -Excellent. | 0:23:13 | 0:23:16 | |
It looks like part of a detonator. | 0:23:16 | 0:23:19 | |
Check it for prints along with the pistol, would you. Did you find anything else? | 0:23:19 | 0:23:23 | |
No there's nothing from the camp or the surrounding areas. | 0:23:23 | 0:23:25 | |
Oh! | 0:23:25 | 0:23:27 | |
-Good afternoon, team. -Sir. -Sir. | 0:23:27 | 0:23:30 | |
You're investigating the mystery of Francois Le Clerc's missing gold? | 0:23:30 | 0:23:34 | |
Not exactly, sir. | 0:23:34 | 0:23:36 | |
We have a death that may or may not be related in some way. | 0:23:36 | 0:23:39 | |
An explosion and a shooting? | 0:23:39 | 0:23:42 | |
Yes, that's right. | 0:23:42 | 0:23:43 | |
Accidental? | 0:23:45 | 0:23:46 | |
Well, it's a little too early to say for certain, sir, but early indications would suggest not. | 0:23:46 | 0:23:51 | |
You do know about the curse? | 0:23:54 | 0:23:56 | |
Yes. | 0:23:58 | 0:23:59 | |
Although for the time being I have decided to eliminate | 0:24:04 | 0:24:06 | |
all 400-year-old pirates from our enquiries. | 0:24:06 | 0:24:10 | |
I'm very pleased to hear it. | 0:24:10 | 0:24:12 | |
So, have we made any progress? | 0:24:12 | 0:24:14 | |
Well we were just reviewing the evidence when you came in. | 0:24:14 | 0:24:17 | |
Is there some problem, sir, or...? | 0:24:17 | 0:24:19 | |
The legend of Francois Le Clerc brings a lot of tourists | 0:24:20 | 0:24:23 | |
to the island, inspector. | 0:24:23 | 0:24:25 | |
I'd appreciate you not doing anything to jeopardise that. | 0:24:25 | 0:24:29 | |
I'm not sure I understand, sir. | 0:24:29 | 0:24:31 | |
If it's a murder, then of course you must bring the killer to justice. | 0:24:31 | 0:24:36 | |
Just don't do anything silly like proving Le Clerc and his gold don't exist. | 0:24:36 | 0:24:41 | |
Or that he never came to Sainte-Marie after all. | 0:24:41 | 0:24:45 | |
Don't rock the pirate ship, sir. | 0:24:45 | 0:24:47 | |
That's exactly what I mean. | 0:24:47 | 0:24:50 | |
Would it help if my team wore pirate hats for the investigation, sir? | 0:24:50 | 0:24:54 | |
A parrot each on the shoulder, perhaps? | 0:24:54 | 0:24:56 | |
That won't be necessary, inspector. | 0:24:58 | 0:25:01 | |
I'm simply asking that you be aware of the bigger picture. | 0:25:01 | 0:25:05 | |
The bigger picture, absolutely. We'll do our very best, sir. | 0:25:05 | 0:25:09 | |
Thank you. | 0:25:09 | 0:25:10 | |
Now, erm, don't let me hold you up. | 0:25:10 | 0:25:13 | |
-Carry on. -Sir. -Sir. -Sir. | 0:25:14 | 0:25:16 | |
-Camille. -Mm-hmm? | 0:25:18 | 0:25:20 | |
Mark the commissioner down as a suspect, would you? | 0:25:20 | 0:25:22 | |
Bumping off people to boost local tourism. | 0:25:22 | 0:25:24 | |
Meanwhile, we must be thorough. | 0:25:24 | 0:25:27 | |
We can't assume that Dr Parks' death had anything to do | 0:25:27 | 0:25:31 | |
with this imagined treasure. So, Dwayne, | 0:25:31 | 0:25:33 | |
you'd better run background checks on everyone. | 0:25:33 | 0:25:35 | |
Yes, chief. | 0:25:35 | 0:25:37 | |
Focus your efforts on Daniel Morgan first. Who is he? | 0:25:37 | 0:25:39 | |
Why would someone want him dead? | 0:25:39 | 0:25:41 | |
MOVEMENT NEARBY | 0:25:54 | 0:25:57 | |
Hello? | 0:25:58 | 0:25:59 | |
Liz? | 0:26:02 | 0:26:03 | |
Chris? | 0:26:06 | 0:26:07 | |
FOOTSTEPS | 0:26:09 | 0:26:11 | |
BRANCHES CREAK | 0:26:11 | 0:26:13 | |
Agh! | 0:26:15 | 0:26:16 | |
What happened? | 0:26:29 | 0:26:30 | |
Drive me down, Benjamin, will you? | 0:26:39 | 0:26:41 | |
Daniel? | 0:26:41 | 0:26:43 | |
Where are you going? | 0:26:43 | 0:26:45 | |
Pathologist report's through and there are no surprises. | 0:26:45 | 0:26:48 | |
It's a single shot to the right kidney, stomach and intestines. | 0:26:48 | 0:26:51 | |
Either shock or internal bleeding caused his death. | 0:26:51 | 0:26:54 | |
Ballistics have matched the shot to the pistol. | 0:26:54 | 0:26:56 | |
Also the wound showed fibres that matched the victim's clothing | 0:26:56 | 0:26:59 | |
and what seems to be strands of a cleaning cloth with | 0:26:59 | 0:27:01 | |
traces of a lubricant - polyalkylene glycol. | 0:27:01 | 0:27:03 | |
Right. That must have been used to oil the gun. | 0:27:03 | 0:27:06 | |
Right. And we're waiting on fingerprints from the pistol | 0:27:06 | 0:27:09 | |
-and the debris from explosive material found in the cave. -Background checks? | 0:27:09 | 0:27:12 | |
Dr Ian Parks is attached to Cambridge university. | 0:27:12 | 0:27:15 | |
Not so much as a parking ticket and nothing so far | 0:27:15 | 0:27:18 | |
to suggest why anyone would wish him any harm. | 0:27:18 | 0:27:20 | |
Elizabeth Curtis and Chris Winchester seem clean enough too. | 0:27:20 | 0:27:24 | |
Both from wealthy families, both travel extensively, | 0:27:24 | 0:27:27 | |
nothing on the police computer. | 0:27:27 | 0:27:28 | |
Daniel Morgan? | 0:27:28 | 0:27:30 | |
A few minor convictions for theft, | 0:27:30 | 0:27:33 | |
two of those for religious artefacts. | 0:27:33 | 0:27:35 | |
There's also a note on his police file. | 0:27:35 | 0:27:37 | |
Just before leaving the UK to come here, | 0:27:37 | 0:27:39 | |
he was being investigated by an insurance firm. | 0:27:39 | 0:27:42 | |
-Why? -It seems he was hired to reclaim gold bullion from a ship | 0:27:42 | 0:27:46 | |
that sank off the coast of France. | 0:27:46 | 0:27:48 | |
By the time Daniel and his crew got down to the wreck, | 0:27:48 | 0:27:51 | |
they claimed they couldn't find the gold anywhere. | 0:27:51 | 0:27:53 | |
The insurance company think he got to it first? | 0:27:53 | 0:27:55 | |
That's what they suspect. | 0:27:55 | 0:27:57 | |
But then, they would. They lost millions on the insurance. | 0:27:57 | 0:28:01 | |
And here we are again talking about missing gold. | 0:28:01 | 0:28:04 | |
Yet that still doesn't mean they found the treasure, does it? | 0:28:04 | 0:28:09 | |
OK, I admit, it looks like he was a crook in the past - | 0:28:09 | 0:28:11 | |
maybe he even stole the gold from that sunken boat. | 0:28:11 | 0:28:14 | |
That doesn't mean that's what this case is about. | 0:28:14 | 0:28:16 | |
I know what you're doing. | 0:28:22 | 0:28:23 | |
Who haven't we spoken to yet? | 0:28:32 | 0:28:34 | |
The Bay Cove Hotel duty manager and Benjamin Sammy. | 0:28:34 | 0:28:37 | |
Good. | 0:28:37 | 0:28:38 | |
When you were in the camp, er, | 0:28:41 | 0:28:44 | |
did you see any arguments? Erm, any hostility between them? | 0:28:44 | 0:28:48 | |
No, not really. Well, not until today. | 0:28:48 | 0:28:51 | |
Uh-huh? | 0:28:51 | 0:28:53 | |
Apparently this big branch nearly fell on him. | 0:28:53 | 0:28:56 | |
-He thought it was deliberate? -I guess so. | 0:28:56 | 0:28:58 | |
After it happened, he just wanted to get out of there. | 0:28:58 | 0:29:00 | |
Where is he now? | 0:29:00 | 0:29:01 | |
Lunch time! | 0:29:03 | 0:29:04 | |
GOAT BLEATS | 0:29:06 | 0:29:09 | |
Aw, he's so sweet! | 0:29:09 | 0:29:11 | |
-Has he got a name? -No, haven't got round to it yet. | 0:29:11 | 0:29:14 | |
Oh, what about Richard? | 0:29:14 | 0:29:16 | |
Thank you, Camille. So, how did they contact you? | 0:29:16 | 0:29:18 | |
I think Joel gave them my number. | 0:29:18 | 0:29:20 | |
We get about half a dozen wannabe treasure hunters out here every year, | 0:29:20 | 0:29:24 | |
not that I'm complaining. It keeps this little lot in food. | 0:29:24 | 0:29:27 | |
The usual story is they thrash about the rainforest | 0:29:27 | 0:29:29 | |
for a few weeks looking for pirate treasure and then they go home. | 0:29:29 | 0:29:32 | |
Quite funny really. | 0:29:32 | 0:29:33 | |
And what do you do for them exactly? | 0:29:33 | 0:29:35 | |
Erm, driving, finding supplies, food. Whatever they need. | 0:29:35 | 0:29:39 | |
Er, Daniel said you took him to the Bay Cove Hotel last night. | 0:29:41 | 0:29:44 | |
Yeah, that's right. About eleven. | 0:29:44 | 0:29:46 | |
He said his arm was playing up and he'd kill for a soft, clean bed. | 0:29:46 | 0:29:49 | |
Maybe not literally. | 0:29:49 | 0:29:51 | |
Hm! But you can't be sure he stayed there all night? | 0:29:51 | 0:29:54 | |
No, but he was there when I went back in the morning. | 0:29:54 | 0:29:56 | |
What about you? | 0:29:56 | 0:29:58 | |
After you dropped him off last night, did you come straight home? | 0:29:58 | 0:30:01 | |
No. I drove to the animal sanctuary in Honore. You know it? | 0:30:01 | 0:30:05 | |
Picked this little fella up. They didn't think he'd make it through the night. | 0:30:05 | 0:30:08 | |
So I was here, nursing him with milk every hour on the hour. | 0:30:08 | 0:30:12 | |
Are you saying you want to use a goat as your alibi? | 0:30:12 | 0:30:15 | |
GOAT BLEATS | 0:30:16 | 0:30:19 | |
Feeding Richard. | 0:30:19 | 0:30:20 | |
CAMERA SHUTTER CLICKS | 0:30:37 | 0:30:40 | |
Ah, sir, we've got a visitor. | 0:30:49 | 0:30:51 | |
Someone tried to drop a tree on me. | 0:30:54 | 0:30:56 | |
-So we hear. -It was cut at one end. | 0:30:56 | 0:30:58 | |
It looked like it had been held up with a vine until I was underneath it. | 0:30:58 | 0:31:01 | |
Damn near killed me! | 0:31:01 | 0:31:03 | |
Then I got to thinking. | 0:31:03 | 0:31:04 | |
The explosion in the cave, Ian getting shot in my bloody tent. | 0:31:04 | 0:31:08 | |
Whoever it is, they're after me, aren't they? | 0:31:08 | 0:31:10 | |
Why do you think anyone would want to kill you? | 0:31:11 | 0:31:14 | |
I don't know, | 0:31:14 | 0:31:15 | |
but you've got my passport and I can't leave the island, | 0:31:15 | 0:31:18 | |
so until you catch them, I demand police protection. | 0:31:18 | 0:31:22 | |
HE GROWLS WITH FRUSTRATION | 0:31:24 | 0:31:26 | |
What have I missed? | 0:31:27 | 0:31:28 | |
Fidel, did you preserve the waste paper basket and burnt paper? | 0:31:33 | 0:31:37 | |
Yes, sir. | 0:31:37 | 0:31:39 | |
Then I'm going to need you to get these items for me, if you would. | 0:31:39 | 0:31:41 | |
Most of it you should be able to get from a decent photography shop. | 0:31:42 | 0:31:45 | |
The rest... | 0:31:45 | 0:31:48 | |
clothes line and pegs, | 0:31:48 | 0:31:50 | |
red light bulb. | 0:31:50 | 0:31:52 | |
Well, I'll leave that to you. | 0:31:54 | 0:31:56 | |
My house...in one hour. | 0:31:56 | 0:31:59 | |
-Oh, sir? -Mmm-hmm? | 0:32:06 | 0:32:08 | |
I passed the animal rescue centre on the way here | 0:32:08 | 0:32:10 | |
and they confirmed that Benjamin Sammy was there last night. | 0:32:10 | 0:32:13 | |
Right. | 0:32:16 | 0:32:17 | |
I also checked with the hotel duty manager. | 0:32:17 | 0:32:21 | |
No-one at the hotel saw Daniel Morgan again | 0:32:21 | 0:32:23 | |
between him checking in and checking out the next morning. | 0:32:23 | 0:32:26 | |
Good work, Camille. | 0:32:26 | 0:32:28 | |
LOUD STREET NOISE | 0:32:34 | 0:32:37 | |
TYRES SCREECH | 0:32:50 | 0:32:51 | |
CAR HORN BLARES | 0:32:51 | 0:32:53 | |
RADIO: ..The last three overs, two wickets in hand. | 0:33:00 | 0:33:02 | |
Have they done enough to win this... | 0:33:02 | 0:33:03 | |
Oh! Well done. | 0:33:07 | 0:33:09 | |
What is he doing? | 0:33:12 | 0:33:13 | |
Wait a minute. No. What are you doing?! | 0:33:20 | 0:33:22 | |
Right, let's bring this back from the dead. | 0:33:22 | 0:33:24 | |
If you could just pass me those tweezers? | 0:33:24 | 0:33:27 | |
No, sorry, of course you can't. You don't have opposable thumbs. | 0:33:28 | 0:33:32 | |
That would be mad. | 0:33:32 | 0:33:33 | |
Like running a forensics lab in your kitchen. | 0:33:35 | 0:33:38 | |
Or talking to a lizard. | 0:33:38 | 0:33:39 | |
FLY BUZZES | 0:34:11 | 0:34:13 | |
Camille? | 0:35:29 | 0:35:30 | |
Typical of her. No sticking power. | 0:35:33 | 0:35:35 | |
Uh, has it worked, sir? | 0:35:35 | 0:35:37 | |
Le Clerc's Treasure! PD46! Whoa, they found the treasure! | 0:35:39 | 0:35:43 | |
-Looks like it. -But PD46? What's that? | 0:35:43 | 0:35:46 | |
Well, if I was a betting man, I'd say it looked like some | 0:35:46 | 0:35:48 | |
sort of map reference. Find out where PD46 is, find the treasure. | 0:35:48 | 0:35:52 | |
So... it was about the gold after all. | 0:36:03 | 0:36:07 | |
Yes, quite possibly. | 0:36:07 | 0:36:08 | |
Now we have evidence, it does appear to be about the, um... | 0:36:08 | 0:36:11 | |
Gold. How was our visitor in the cells last night? | 0:36:12 | 0:36:15 | |
-Didn't get a peep out of him. -Mmm. | 0:36:15 | 0:36:17 | |
Oh, you know what? | 0:36:19 | 0:36:21 | |
I've got all the treasure hunters' handwritten statements. | 0:36:21 | 0:36:24 | |
-We can find out who wrote this note. -Good idea. | 0:36:24 | 0:36:26 | |
Has Fidel heard anything from the lab yet? Actually, where is Fidel? | 0:36:26 | 0:36:29 | |
Yes, we've got the finger prints analysis back. | 0:36:29 | 0:36:32 | |
-All right. -Um... | 0:36:32 | 0:36:34 | |
No finger prints on the pistol, it was wiped clean. | 0:36:34 | 0:36:37 | |
But there were three prints from the detonator we found. | 0:36:37 | 0:36:40 | |
All belong to Daniel Morgan. | 0:36:40 | 0:36:43 | |
Why would he set explosives to blow himself up? | 0:36:43 | 0:36:45 | |
OK, I know who wrote the note. | 0:36:45 | 0:36:47 | |
Dr Ian Parks. | 0:36:48 | 0:36:50 | |
-Are you sure? -His handwriting's pretty distinctive. | 0:36:50 | 0:36:53 | |
So, if Dr Parks found the treasure, then... | 0:36:53 | 0:36:56 | |
maybe he was the intended target all along? | 0:36:56 | 0:36:58 | |
In which case, logic suggests the killer might be... | 0:36:58 | 0:37:02 | |
..Daniel Morgan. | 0:37:03 | 0:37:04 | |
First, he sets the explosives | 0:37:06 | 0:37:08 | |
to make it look like he's been caught in a rock fall, | 0:37:08 | 0:37:10 | |
giving him an excuse to check in to the Bay Cove Hotel. | 0:37:10 | 0:37:13 | |
Because if Dr Parks is killed that night... | 0:37:13 | 0:37:15 | |
We're going to think | 0:37:15 | 0:37:17 | |
Daniel's the only person who CAN'T have done it. | 0:37:17 | 0:37:19 | |
Exactly. After Benjamin Sammy drops him off, | 0:37:19 | 0:37:21 | |
he leaves the hotel, goes back up to the clearing, shoots Dr Parks. | 0:37:21 | 0:37:24 | |
So him coming here to claim that his life was in danger, | 0:37:24 | 0:37:27 | |
-was just to put us off the scent? -Precisely! | 0:37:27 | 0:37:30 | |
Now all we have to do, is prove it. | 0:37:31 | 0:37:33 | |
Ah, Fidel. There you are. | 0:37:33 | 0:37:35 | |
-Yes. -What are all these? | 0:37:35 | 0:37:37 | |
Well, when the Chief found the map reference PD46, | 0:37:37 | 0:37:40 | |
I figured I'd try and find out where on the island it referred to, right? | 0:37:40 | 0:37:43 | |
It couldn't have been on the treasure hunter's own map, could it? | 0:37:43 | 0:37:46 | |
It doesn't have any grid references. So I went to Honore Library. | 0:37:46 | 0:37:49 | |
-In the middle of the night? -But, I'm so sorry, sir. | 0:37:49 | 0:37:52 | |
I've been through all these maps, and I mean all of them | 0:37:52 | 0:37:55 | |
and I can't find any kind of symbol, landmark or reference | 0:37:55 | 0:37:58 | |
called PD, let alone PD46. | 0:37:58 | 0:38:00 | |
-Wait, you checked every map there is of Sainte-Marie? -Yes. | 0:38:00 | 0:38:04 | |
You worked all the way through the night? | 0:38:04 | 0:38:06 | |
-I'm getting the coffee. -Uh-uh-uh, no. | 0:38:06 | 0:38:08 | |
I'll get the coffee. | 0:38:08 | 0:38:10 | |
And Don't worry, Fidel. | 0:38:10 | 0:38:12 | |
The fact you couldn't work out where PD46 is shouldn't matter, | 0:38:12 | 0:38:16 | |
because we think we know someone who does. | 0:38:16 | 0:38:20 | |
Really? Who, sir? | 0:38:20 | 0:38:22 | |
The murderer. Daniel Morgan. | 0:38:22 | 0:38:24 | |
Fetch him from the cells, would you? | 0:38:24 | 0:38:26 | |
We think Ian Parks found the treasure and told Daniel Morgan, | 0:38:26 | 0:38:30 | |
who then murdered him so that he could keep it for himself. | 0:38:30 | 0:38:32 | |
Hoping everyone would think it was an accident. | 0:38:32 | 0:38:35 | |
The pirate's curse. It all fits. | 0:38:35 | 0:38:38 | |
Um, Chief? | 0:38:42 | 0:38:43 | |
The ambulance is on its way. | 0:38:49 | 0:38:51 | |
It's too late. | 0:38:51 | 0:38:52 | |
Looks like an allergic reaction. Swelling, | 0:38:53 | 0:38:56 | |
blue tinge to the skin... | 0:38:56 | 0:38:58 | |
Look, it's an adrenaline pen. | 0:38:59 | 0:39:02 | |
So he should have a dog tag, or a bracelet. | 0:39:02 | 0:39:06 | |
Hmm. | 0:39:13 | 0:39:14 | |
"Medic alert, severe allergy to insect bites." Anaphylactic shock. | 0:39:14 | 0:39:19 | |
Something has bitten or stung him, he had a reaction, | 0:39:19 | 0:39:23 | |
he used the pen, but it must have been too late, | 0:39:23 | 0:39:26 | |
or too little. Then he died. | 0:39:26 | 0:39:28 | |
BUG CHIRPS | 0:39:33 | 0:39:34 | |
Sir. | 0:39:36 | 0:39:37 | |
It's a kissing bug. | 0:39:43 | 0:39:45 | |
It hunts out warm-blooded creatures in the night and sucks their blood. | 0:39:45 | 0:39:48 | |
You mean these things are just flying around, on the loose? | 0:39:48 | 0:39:51 | |
Don't worry, Chief. | 0:39:51 | 0:39:52 | |
They're no worse than any other things that suck blood at night. | 0:39:52 | 0:39:54 | |
Other things? | 0:39:54 | 0:39:55 | |
But if you've got the right kind of allergy, | 0:39:55 | 0:39:57 | |
the venom from a kissing bug can be fatal. | 0:39:57 | 0:40:00 | |
-And there's something else. -What? | 0:40:00 | 0:40:03 | |
-You won't like it. -Try me. | 0:40:03 | 0:40:04 | |
The kissing bug is said to be the beetle | 0:40:04 | 0:40:06 | |
that Francois Le Clerc used on his flag. | 0:40:06 | 0:40:09 | |
Right, so, someone clearly wants us to believe | 0:40:12 | 0:40:15 | |
these are deaths brought about by a dead pirate's curse. | 0:40:15 | 0:40:18 | |
Fortunately, we're far too sensible to believe such a thing. | 0:40:18 | 0:40:23 | |
Common sense tells us that strange as it may seem, | 0:40:23 | 0:40:26 | |
this is about four treasure hunters fighting over their spoils. | 0:40:26 | 0:40:30 | |
And with two of them dead. | 0:40:30 | 0:40:31 | |
That leaves just two suspects. | 0:40:31 | 0:40:33 | |
Liz Curtis... | 0:40:36 | 0:40:37 | |
..and Chris Winchester. | 0:40:40 | 0:40:42 | |
She doesn't look very upset | 0:40:48 | 0:40:49 | |
to hear another one of her friends is dead, does she? | 0:40:49 | 0:40:51 | |
Well, neither does he for that matter. | 0:40:51 | 0:40:54 | |
No. There's something about her. | 0:40:54 | 0:40:56 | |
-She's hiding something. -Well, let's talk to them, shall we? | 0:40:58 | 0:41:01 | |
How do you want to do it? Good cop, bad cop? | 0:41:01 | 0:41:04 | |
No, I thought we could adopt your tactics for this interview. | 0:41:04 | 0:41:06 | |
Good. What are they? | 0:41:06 | 0:41:09 | |
Just charge straight in like a bull in a china shop. | 0:41:09 | 0:41:11 | |
We believe you found the treasure, | 0:41:16 | 0:41:17 | |
argued amongst yourselves, that argument turned to murder. | 0:41:17 | 0:41:20 | |
There were four, two are dead, that leaves you two | 0:41:20 | 0:41:23 | |
as our prime suspects. Did I miss anything? | 0:41:23 | 0:41:25 | |
I don't think so. | 0:41:25 | 0:41:26 | |
I've never heard anything so ridiculous in my entire life. | 0:41:26 | 0:41:29 | |
The only question remaining | 0:41:29 | 0:41:30 | |
is whether one of you worked alone, or if you're in this together. | 0:41:30 | 0:41:35 | |
Perhaps you're lovers. | 0:41:35 | 0:41:36 | |
No! We're not... | 0:41:36 | 0:41:39 | |
I'm not a killer. | 0:41:39 | 0:41:40 | |
Did anyone else know about Daniel Morgan's allergy to insect bites? | 0:41:40 | 0:41:44 | |
It wasn't a secret, we all knew about it. | 0:41:44 | 0:41:47 | |
Did you or did you not find the treasure? | 0:41:47 | 0:41:50 | |
No! | 0:41:50 | 0:41:51 | |
Well, WE didn't. | 0:41:53 | 0:41:55 | |
What does that mean? | 0:41:55 | 0:41:56 | |
Me and Liz started to notice that Ian and Daniel were up to something. | 0:41:56 | 0:41:59 | |
They were always huddled together talking, | 0:41:59 | 0:42:02 | |
but they'd clam up whenever we went anywhere near. | 0:42:02 | 0:42:04 | |
So you thought that maybe they'd found something? | 0:42:04 | 0:42:06 | |
Well, yes, it had crossed our minds. | 0:42:06 | 0:42:08 | |
Which would give you a strong motive to kill them both, wouldn't it? | 0:42:08 | 0:42:12 | |
Have you got a problem with me? | 0:42:12 | 0:42:14 | |
Yes. I don't think you've been telling us the truth. | 0:42:14 | 0:42:17 | |
May I remind you both this isn't a fanciful pirate story, | 0:42:17 | 0:42:20 | |
it's a murder enquiry. | 0:42:20 | 0:42:21 | |
Look, this is stupid. | 0:42:21 | 0:42:24 | |
It doesn't matter anymore, anyway. | 0:42:24 | 0:42:26 | |
I can't speak for anyone else, | 0:42:26 | 0:42:28 | |
but I have NO interest in finding the treasure. | 0:42:28 | 0:42:31 | |
All right? The truth is, I never had. | 0:42:31 | 0:42:33 | |
-What? -I didn't come to Sainte-Marie to hunt for treasure. | 0:42:33 | 0:42:37 | |
I was investigating Daniel Morgan. | 0:42:37 | 0:42:40 | |
You work for an insurance company? | 0:42:40 | 0:42:41 | |
Yes. | 0:42:41 | 0:42:43 | |
Daniel Morgan is responsible for a very substantial claim last year | 0:42:43 | 0:42:46 | |
and I'm part of the team investigating it. | 0:42:46 | 0:42:48 | |
Call my supervisor on that number. He'll verify everything. | 0:42:48 | 0:42:51 | |
Thank you. | 0:43:03 | 0:43:04 | |
He confirmed everything. | 0:43:04 | 0:43:06 | |
She was sent here to keep track of Daniel Morgan. | 0:43:06 | 0:43:09 | |
Which means I was right. | 0:43:09 | 0:43:11 | |
-I'm sorry? -I told you she was hiding something. | 0:43:11 | 0:43:14 | |
-Yes, yes, you did. -Say it then. -Say what? -That I was right. | 0:43:14 | 0:43:18 | |
-You were right. -Thank you. -Can I carry on? -Please. | 0:43:20 | 0:43:22 | |
OK, so we're being led to believe | 0:43:22 | 0:43:25 | |
there have been a series of accidents. | 0:43:25 | 0:43:26 | |
It started with an explosion, | 0:43:26 | 0:43:28 | |
then someone was supposedly killed while cleaning an antique pistol, | 0:43:28 | 0:43:31 | |
then a falling tree. | 0:43:31 | 0:43:32 | |
Finally, a man known to have a severe allergy to insect bites | 0:43:32 | 0:43:36 | |
was bitten by a beetle while in a police cell. | 0:43:36 | 0:43:40 | |
All of these events happening between four people | 0:43:40 | 0:43:42 | |
within the space of 48 hours. | 0:43:42 | 0:43:44 | |
The odds against this sequence of events truly happening accidentally | 0:43:44 | 0:43:48 | |
in that time frame are tens of millions to one. | 0:43:48 | 0:43:51 | |
-Agreed. -So we're left with two possible explanations. | 0:43:51 | 0:43:54 | |
First, they are indeed the result of a curse left by a one-legged pirate | 0:43:54 | 0:43:58 | |
400 years ago. | 0:43:58 | 0:44:00 | |
Or second, we have two murders, perpetrated | 0:44:00 | 0:44:03 | |
by a single assailant, or one or more people working together. | 0:44:03 | 0:44:06 | |
So, who stood to gain the most from the deaths | 0:44:06 | 0:44:10 | |
of Dr Ian Parks and Daniel Morgan? | 0:44:10 | 0:44:12 | |
Well, whoever knew they'd found the treasure. | 0:44:13 | 0:44:16 | |
But that's a dead end, isn't it, Chief? | 0:44:16 | 0:44:18 | |
Seeing as young Fidel here pretty much proved | 0:44:18 | 0:44:20 | |
PD46 isn't on any kind of map. | 0:44:20 | 0:44:22 | |
Wherever the gold is buried, it isn't on Sainte-Marie. | 0:44:22 | 0:44:24 | |
Wait! | 0:44:24 | 0:44:25 | |
Dwayne, you're right. | 0:44:27 | 0:44:28 | |
-I am? -You are? -That's exactly what Fidel proved. | 0:44:28 | 0:44:31 | |
There was a small plastic container | 0:44:33 | 0:44:35 | |
full of soil and rock samples, it's not here. | 0:44:35 | 0:44:37 | |
It wasn't there when I got back to the camp site. | 0:44:37 | 0:44:40 | |
Of course it wasn't. | 0:44:40 | 0:44:41 | |
Autopsy report, where is it? | 0:44:45 | 0:44:47 | |
Ha! It wasn't just Dr Parks in the wrong tent, | 0:44:52 | 0:44:54 | |
everything's wrong, it's all upside down. | 0:44:54 | 0:44:56 | |
Dwayne, Fidel, I want you to pick everyone up. | 0:44:56 | 0:44:58 | |
Well, everyone who's still alive anyway. | 0:44:58 | 0:45:00 | |
Liz Curtis, Chris Winchester, Benjamin. | 0:45:00 | 0:45:02 | |
I want everyone at Joel Maurice's house in an hour. | 0:45:02 | 0:45:05 | |
In the words of our pirate brethren, | 0:45:05 | 0:45:07 | |
"We need to parlay." | 0:45:07 | 0:45:09 | |
Um, is this about the treasure or not? | 0:45:12 | 0:45:14 | |
Yes. And no. | 0:45:14 | 0:45:15 | |
Come on. | 0:45:18 | 0:45:19 | |
'Can you tell me what's going on?' | 0:45:22 | 0:45:24 | |
I mean, why does everyone have to be here? | 0:45:24 | 0:45:27 | |
Because this is where it all began. | 0:45:27 | 0:45:29 | |
The land you own holds the secret that unlocks this mystery. | 0:45:29 | 0:45:32 | |
I must say, this has been a tricky case from the start. | 0:45:35 | 0:45:39 | |
Firstly, because of the treasure. | 0:45:39 | 0:45:41 | |
How could the murder not be about it? | 0:45:41 | 0:45:43 | |
And secondly, because to begin with | 0:45:43 | 0:45:46 | |
we could never really be sure who the intended victim was. | 0:45:46 | 0:45:49 | |
Was it Daniel? And Dr Parks was killed by mistake? | 0:45:49 | 0:45:52 | |
Or was Dr Parks the target all along? | 0:45:52 | 0:45:55 | |
Then it struck me. | 0:45:57 | 0:45:58 | |
What if it was both? | 0:45:59 | 0:46:01 | |
Chris. | 0:46:02 | 0:46:03 | |
You said that Daniel and Ian were often huddled together, conspiring. | 0:46:03 | 0:46:07 | |
Yes. | 0:46:07 | 0:46:08 | |
CAMILLE: So let's imagine, what if they discovered the treasure... | 0:46:08 | 0:46:12 | |
And rather than share their findings with the rest of the group, | 0:46:12 | 0:46:14 | |
they decided to keep it for themselves? | 0:46:14 | 0:46:17 | |
I knew it. | 0:46:17 | 0:46:18 | |
We found part of a detonator at the scene of the explosion, | 0:46:21 | 0:46:24 | |
covered in Daniel Morgan's fingerprints. | 0:46:24 | 0:46:27 | |
But why would Daniel want to blow himself up? | 0:46:27 | 0:46:30 | |
The key was to separate the facts and look at them not together, | 0:46:30 | 0:46:35 | |
but individually. | 0:46:35 | 0:46:36 | |
First, why would Daniel want to set the explosives? | 0:46:36 | 0:46:39 | |
Well, seeing as they started a rock fall | 0:46:39 | 0:46:42 | |
which then partially sealed the cave, | 0:46:42 | 0:46:44 | |
maybe that's all he was trying to do. | 0:46:44 | 0:46:46 | |
So that's it! That's where the gold is, in the cave! | 0:46:46 | 0:46:49 | |
Will you please sit down and no, the gold isn't in the cave. | 0:46:49 | 0:46:53 | |
CAMILLE: But the fact that he was caught up in the blast suggests | 0:46:53 | 0:46:56 | |
someone else set it off, before Daniel could get clear. | 0:46:56 | 0:47:00 | |
I hope you're not going to suggest it was me. | 0:47:01 | 0:47:04 | |
The moment we confirmed your story... | 0:47:04 | 0:47:07 | |
Yes, you're right. It was unlikely you could be our killer. | 0:47:07 | 0:47:10 | |
Which meant we were down to only two suspects. | 0:47:10 | 0:47:14 | |
But without any prompting from us, | 0:47:15 | 0:47:17 | |
you told us about Daniel Morgan and Dr Parks' secretive behaviour. | 0:47:17 | 0:47:22 | |
Why would the killer draw our attention to that? | 0:47:22 | 0:47:24 | |
So we're left with someone in financial trouble | 0:47:24 | 0:47:27 | |
who readily admitted he already suspected the victims | 0:47:27 | 0:47:29 | |
of trying to cheat him out of what was rightfully his. | 0:47:29 | 0:47:32 | |
Unless... | 0:47:32 | 0:47:34 | |
This isn't about the treasure at all. | 0:47:35 | 0:47:37 | |
As unlikely as that seems. | 0:47:37 | 0:47:39 | |
Because once you remove the tantalising appeal | 0:47:39 | 0:47:41 | |
of missing gold from the equation, then there could be other motives. | 0:47:41 | 0:47:44 | |
Indeed, there could be a motive where in terms of cold hard cash, | 0:47:44 | 0:47:48 | |
the killer gains absolutely nothing. Does he, Benjamin? | 0:47:48 | 0:47:51 | |
What? | 0:47:51 | 0:47:53 | |
It was you, wasn't it? | 0:47:53 | 0:47:54 | |
First, you attempted to murder Daniel Morgan | 0:47:56 | 0:47:59 | |
by setting off the explosives but failed. | 0:47:59 | 0:48:01 | |
You had no such trouble with Dr Parks who you shot in cold blood, | 0:48:01 | 0:48:06 | |
before finishing the job you set out to do, | 0:48:06 | 0:48:07 | |
by murdering Daniel Morgan in a police cell. | 0:48:07 | 0:48:10 | |
And um, and empty out his pockets, would you? | 0:48:12 | 0:48:15 | |
You see, Benjamin of all the people in the camp | 0:48:15 | 0:48:17 | |
was most likely to get wind of what Daniel and Ian were up to. | 0:48:17 | 0:48:21 | |
Once you knew their secret, you watched them. | 0:48:22 | 0:48:25 | |
And seeing Daniel set the explosives was too good an opportunity to miss. | 0:48:25 | 0:48:29 | |
WHIRRING SOUND | 0:48:38 | 0:48:40 | |
BEEPING AND EXPLOSION | 0:48:40 | 0:48:41 | |
Although Daniel survived, | 0:48:45 | 0:48:47 | |
the fact you knew he was spending the night in the Bay Cove Hotel | 0:48:47 | 0:48:50 | |
gave you the opportunity to come back for Dr Parks. | 0:48:50 | 0:48:53 | |
We checked. You left the animal sanctuary shortly after midnight. | 0:48:53 | 0:48:56 | |
'I was feeding the goat through the night. It would've died otherwise.' | 0:48:56 | 0:49:00 | |
Which is the most puzzling thing of all. | 0:49:00 | 0:49:02 | |
A killer who understands the sanctity of life. | 0:49:02 | 0:49:05 | |
If you missed one feed with your goat, | 0:49:05 | 0:49:06 | |
it was a risk worth taking, wasn't it? | 0:49:06 | 0:49:09 | |
You were often in the camp, | 0:49:09 | 0:49:10 | |
so had ample opportunity to steal the pistol. | 0:49:10 | 0:49:13 | |
This time there was no mistake. | 0:49:13 | 0:49:15 | |
GUNSHOT | 0:49:17 | 0:49:18 | |
Knowing that Dr Parks was trying to restore the pistol, | 0:49:20 | 0:49:23 | |
by leaving it behind with a cloth, | 0:49:23 | 0:49:25 | |
you hoped it would appear there'd been a terrible accident | 0:49:25 | 0:49:27 | |
while the gun was being cleaned. | 0:49:27 | 0:49:29 | |
But you made one very simple mistake. Camille? | 0:49:29 | 0:49:33 | |
You cleaned the gun yourself, didn't you? Before using it? | 0:49:33 | 0:49:37 | |
We found traces of the oil you used, | 0:49:37 | 0:49:39 | |
both on this cloth and on the shot. | 0:49:39 | 0:49:43 | |
It didn't register at first. Why would it? But, er, | 0:49:43 | 0:49:46 | |
the oil we found wasn't gun oil, was it? | 0:49:46 | 0:49:50 | |
You used something else, didn't you? Polyalkylene glycol. | 0:49:50 | 0:49:54 | |
Most notably used for? | 0:49:54 | 0:49:55 | |
Air conditioning systems in cars, sir. | 0:49:55 | 0:49:57 | |
And we already know you were fixing | 0:49:57 | 0:49:59 | |
the air conditioning unit in the Land Rover. | 0:49:59 | 0:50:01 | |
First you attempted to murder Daniel Morgan and failed. | 0:50:01 | 0:50:04 | |
You then shot Dr Parks dead, but now, what to do with Daniel. | 0:50:04 | 0:50:08 | |
The little episode with the falling branch was | 0:50:08 | 0:50:11 | |
opportunistic and never likely to succeed. | 0:50:11 | 0:50:14 | |
CRASHING | 0:50:14 | 0:50:15 | |
It provided you with one more opportunity | 0:50:15 | 0:50:17 | |
when suspecting his colleagues, | 0:50:17 | 0:50:19 | |
Daniel asked you to drive him in to town. | 0:50:19 | 0:50:21 | |
First you had to make sure | 0:50:23 | 0:50:24 | |
that Daniel's emergency adrenaline pen was empty. | 0:50:24 | 0:50:27 | |
He'd only been on the island a few weeks. | 0:50:27 | 0:50:29 | |
Most of the time he'd been in the rain forest, | 0:50:29 | 0:50:31 | |
so only the three people he came with | 0:50:31 | 0:50:33 | |
and you would've known about his allergy to insect bites. | 0:50:33 | 0:50:36 | |
Your plan was surprisingly simple. | 0:50:36 | 0:50:38 | |
You had no way of knowing where Daniel would spend that night, | 0:50:38 | 0:50:41 | |
so you just made sure that wherever he was, | 0:50:41 | 0:50:43 | |
as soon as he sat down for his evening smoke, | 0:50:43 | 0:50:45 | |
he'd release the bug... | 0:50:45 | 0:50:47 | |
and with it, bring about his own death. | 0:50:47 | 0:50:50 | |
BUG CHIRPING | 0:50:54 | 0:50:56 | |
HE PANTS AND GURGLES | 0:51:06 | 0:51:08 | |
Potentially brilliant. | 0:51:10 | 0:51:11 | |
After all, it was indeed the kissing bug... | 0:51:11 | 0:51:15 | |
that killed Daniel Morgan. But er, | 0:51:15 | 0:51:18 | |
this cleverest of murders... | 0:51:18 | 0:51:20 | |
will now prove your guilt. | 0:51:20 | 0:51:23 | |
There it is. | 0:51:28 | 0:51:29 | |
Because you had to steal Daniel's lighter, didn't you? | 0:51:29 | 0:51:32 | |
It was the only way you could be sure | 0:51:32 | 0:51:34 | |
he would open the match box and release the bug. | 0:51:34 | 0:51:37 | |
And the beetle was perfect, | 0:51:37 | 0:51:38 | |
wasn't it? Because all along you've wanted people to think | 0:51:38 | 0:51:41 | |
this was all about Le Clerc's treasure, haven't you? | 0:51:41 | 0:51:43 | |
But it's got nothing to do with it, has it Benjamin? | 0:51:43 | 0:51:47 | |
Because despite Daniel and Dr Parks' conspiring, | 0:51:47 | 0:51:52 | |
Francois Le Clerc's treasure was never found. | 0:51:52 | 0:51:54 | |
-What? But I thought... -Shut up! | 0:51:54 | 0:51:57 | |
OK, look, I don't get it. | 0:51:59 | 0:52:01 | |
If Ian and Dan didn't find the treasure, why did he kill them? | 0:52:01 | 0:52:04 | |
Oh, Benjamin has a motive, | 0:52:04 | 0:52:05 | |
it's just nothing to do with Le Clerc's treasure, is it? | 0:52:05 | 0:52:08 | |
I believe we have enough physical evidence | 0:52:08 | 0:52:11 | |
to convict you of the murder of Dr Parks, but we both know | 0:52:11 | 0:52:13 | |
you're also responsible for the death of Daniel Morgan. So, um, | 0:52:13 | 0:52:17 | |
I'll give you a choice. | 0:52:17 | 0:52:19 | |
Either you confess to both murders, | 0:52:19 | 0:52:20 | |
or in setting out my case against you, | 0:52:20 | 0:52:22 | |
I'll reveal your true motive. Understand? | 0:52:22 | 0:52:24 | |
And if I do confess? | 0:52:25 | 0:52:27 | |
Then the subject's closed. | 0:52:28 | 0:52:30 | |
You swear it? | 0:52:30 | 0:52:31 | |
Yes, you have my word. | 0:52:33 | 0:52:35 | |
And I dare say a confession will make the court more lenient. | 0:52:35 | 0:52:38 | |
All right then, I did it. I killed them both. | 0:52:40 | 0:52:42 | |
I shot Ian and I killed Daniel with the kissing bug like he said. | 0:52:43 | 0:52:47 | |
Thank you. | 0:52:51 | 0:52:52 | |
Dwayne, Fidel, | 0:52:54 | 0:52:55 | |
read him his rights, get him to the station and take his confession. | 0:52:56 | 0:53:00 | |
Yes, sir. | 0:53:00 | 0:53:01 | |
What about Le Clerc's bloody treasure? | 0:53:03 | 0:53:05 | |
Well, it's been hidden for the last 400 years. | 0:53:05 | 0:53:08 | |
-Doesn't that rather imply... -CAMILLE CLEARS HER THROAT | 0:53:08 | 0:53:11 | |
Doesn't that rather imply that it's still out there? | 0:53:16 | 0:53:19 | |
-Mm-hm. -Somewhere... -Mm-hm. | 0:53:19 | 0:53:21 | |
-..on the island of Sainte-Marie? -Mm-hm. | 0:53:21 | 0:53:24 | |
-You really surprise me sometimes. -Oh? | 0:53:34 | 0:53:36 | |
Just when I think you don't care about anything but your job, | 0:53:36 | 0:53:39 | |
you, you do something like that. | 0:53:39 | 0:53:41 | |
Well, Benjamin's confessed to both murders. | 0:53:43 | 0:53:46 | |
He says they treated him badly and he snapped. | 0:53:46 | 0:53:48 | |
He confessed, but I don't believe it. | 0:53:48 | 0:53:49 | |
Come on, Chief. What was his real motive? | 0:53:49 | 0:53:53 | |
-You have to tell them. -It goes no further. Agreed? | 0:53:53 | 0:53:56 | |
-Sure. -Well, I'd forgotten something very simple. | 0:53:56 | 0:53:59 | |
Dr Parks was a geologist. | 0:53:59 | 0:54:01 | |
We all got so carried away | 0:54:01 | 0:54:03 | |
with the romantic notion of pirate treasure, haven't we, | 0:54:03 | 0:54:06 | |
that we presumed PD46 had to be a local map reference? | 0:54:06 | 0:54:10 | |
PD is a chemical symbol, 46 is an atomic number. | 0:54:10 | 0:54:14 | |
Together they represent the thing | 0:54:14 | 0:54:15 | |
that Daniel and Ian found in the cave. | 0:54:15 | 0:54:18 | |
-I still don't get it. -Palladium. | 0:54:18 | 0:54:21 | |
It's used in every mobile phone and laptop in the world | 0:54:21 | 0:54:23 | |
and is vanishingly rare. | 0:54:23 | 0:54:24 | |
As such, it's one of the most precious metals on Earth. | 0:54:24 | 0:54:28 | |
I think that's what Daniel and Ian found in those caves. | 0:54:28 | 0:54:30 | |
-And Benjamin heard them discussing it? -Almost certainly. | 0:54:30 | 0:54:34 | |
And that's why Daniel tried to seal the cave with an explosion. | 0:54:34 | 0:54:37 | |
Wanted to prevent any further exploration | 0:54:37 | 0:54:39 | |
till they could come back, maybe make Joel an offer for the land. | 0:54:39 | 0:54:42 | |
Benjamin didn't want anyone else to find out what they'd discovered. | 0:54:42 | 0:54:46 | |
The palladium would've been extracted using an open cast mine. | 0:54:46 | 0:54:49 | |
It would have decimated the rain forest. | 0:54:49 | 0:54:52 | |
Benjamin loves that place. | 0:54:52 | 0:54:53 | |
When Benjamin overheard their plan to seal the cave, | 0:54:53 | 0:54:56 | |
he decided to do the same thing, but with Daniel in it. | 0:54:56 | 0:55:00 | |
-GUNSHOT -He murdered Ian Parks and Daniel Morgan | 0:55:01 | 0:55:03 | |
so that their discovery would die with them. | 0:55:03 | 0:55:05 | |
His motive wasn't greed. | 0:55:05 | 0:55:07 | |
He killed two men to stop his rain forest being pulled down. | 0:55:07 | 0:55:10 | |
-But it's still murder. -Of course. | 0:55:10 | 0:55:12 | |
But so long as he goes to prison for it, | 0:55:12 | 0:55:14 | |
I don't see the need to pull down the jungle, as well. Do you? | 0:55:14 | 0:55:18 | |
Now, anyone fancy a drink? | 0:55:25 | 0:55:27 | |
STATIC NOISES | 0:55:29 | 0:55:31 | |
Try going left a bit. | 0:55:32 | 0:55:34 | |
Left a bit! | 0:55:34 | 0:55:35 | |
-Hang on, a bit more. -A bit more! | 0:55:38 | 0:55:40 | |
"Ever wondered what makes our experts tick?" | 0:55:42 | 0:55:44 | |
Oh, be still my beating heart. Fiona Bruce! Yes, yes! You... | 0:55:44 | 0:55:48 | |
-ANTIQUES ROADSHOW THEME TUNE -Oh. Ah... | 0:55:48 | 0:55:52 | |
-CAMILLE: Who's Fiona Bruce? -It's just Antiques Roadshow... | 0:55:52 | 0:55:56 | |
Here, in this room, I had Antiques Roadshow. | 0:55:56 | 0:56:00 | |
You're trying to watch English TV? | 0:56:02 | 0:56:04 | |
Is there any other kind? | 0:56:04 | 0:56:05 | |
Let me try. | 0:56:07 | 0:56:09 | |
RICHARD SIGHS | 0:56:09 | 0:56:11 | |
(Go on.) | 0:56:11 | 0:56:13 | |
-How's Juliet and the baby? -Oh, very well, thank you, sir. | 0:56:20 | 0:56:24 | |
Must be an expensive business, taking care of two women. | 0:56:24 | 0:56:26 | |
Yes, it is. | 0:56:26 | 0:56:28 | |
So if it's all right with you | 0:56:28 | 0:56:30 | |
and in light of your excellent work, on both this and every other case | 0:56:30 | 0:56:33 | |
I've had the privilege to work with you on, | 0:56:33 | 0:56:35 | |
I'd like to put you forward to take your sergeant's exams. | 0:56:35 | 0:56:38 | |
Me? A sergeant? | 0:56:38 | 0:56:40 | |
Well, thank you, sir. | 0:56:43 | 0:56:45 | |
You're very welcome. | 0:56:45 | 0:56:46 | |
-Ready! -Got something. | 0:56:46 | 0:56:49 | |
-Perfect. -Ah. | 0:56:54 | 0:56:55 | |
FRENCH VOICES ON TV | 0:56:58 | 0:57:01 | |
Camille? | 0:57:04 | 0:57:05 | |
SHE SQUEALS AND LAUGHS | 0:57:05 | 0:57:07 | |
Camille! | 0:57:07 | 0:57:09 | |
What have you done to my TV? Hey! Where's Fiona Bruce!? | 0:57:09 | 0:57:13 | |
You can't stay in there all day. | 0:57:13 | 0:57:15 | |
-OK, I'm sorry. -I order you... -You what? | 0:57:15 | 0:57:19 | |
I said I order you to come and put my television back as it was. | 0:57:19 | 0:57:23 | |
-YOU order ME!? -Yes. | 0:57:23 | 0:57:25 | |
OK, I suppose you want to ogle that Fiona Bruce too? | 0:57:25 | 0:57:28 | |
I told you, I do not ogle... | 0:57:28 | 0:57:30 | |
Yes, I've seen you ogling... | 0:57:30 | 0:57:31 | |
-I don't ogle! -Yes you do. SHE SCREAMS | 0:57:31 | 0:57:34 | |
-Yes? -You don't even know who Fiona... -You what? | 0:57:34 | 0:57:38 | |
-You don't even know... -I can't hear you! If you want... | 0:57:38 | 0:57:40 | |
SHE SCREAMS | 0:57:40 | 0:57:42 | |
-To the future. -And to Miami. | 0:57:48 | 0:57:50 | |
# To set you free... # | 0:57:50 | 0:57:52 | |
CHEERING AND APPLAUSE | 0:57:52 | 0:57:53 | |
You have a victim, murdered in public surrounded by cameras | 0:57:53 | 0:57:57 | |
and in the company of a police officer. | 0:57:57 | 0:57:59 | |
Was there anything going on between her and Stephen? | 0:57:59 | 0:58:02 | |
'Oh, he wishes.' | 0:58:02 | 0:58:04 | |
I think she saw him for what he was. | 0:58:04 | 0:58:06 | |
What have you done? | 0:58:06 | 0:58:07 | |
I'm just trying to help. | 0:58:07 | 0:58:09 | |
Then help me to find out who did this. | 0:58:09 | 0:58:11 | |
Subtitles by Red Bee Media Ltd | 0:58:12 | 0:58:14 |