Browse content similar to Episode 5. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Hello, sir. Welcome to Saint Marie. | 0:00:08 | 0:00:11 | |
-You're nervous. -Me? -Yeah! -Gosh, no way! | 0:00:13 | 0:00:16 | |
I can't wait to see her. | 0:00:16 | 0:00:17 | |
-Aunt Mary was always my most favourite aunt. -How come? | 0:00:17 | 0:00:20 | |
Well, when I was growing up, and my parents had | 0:00:20 | 0:00:22 | |
to take my brothers off to play rugby or cricket or some ball game | 0:00:22 | 0:00:25 | |
or whatever, they'd always dump me with Aunt Mary. | 0:00:25 | 0:00:27 | |
And what would you do? | 0:00:27 | 0:00:28 | |
Oh, gosh. What wouldn't we do, Florence? | 0:00:28 | 0:00:30 | |
But if it was raining we'd stay inside and do puzzles | 0:00:30 | 0:00:32 | |
from the Puzzler Magazine | 0:00:32 | 0:00:33 | |
or play Battleships or jigsaws, even. | 0:00:33 | 0:00:37 | |
Aunt Mary would always let me do the edges. | 0:00:37 | 0:00:39 | |
And that was...good? | 0:00:39 | 0:00:40 | |
Ah, here they come! | 0:00:40 | 0:00:41 | |
Aunt Mary! | 0:00:47 | 0:00:48 | |
Over here! | 0:00:48 | 0:00:50 | |
Humphrey! | 0:00:56 | 0:00:58 | |
-Oh, how handsome you are. -Oh. | 0:00:58 | 0:01:01 | |
Oh, let me take a good look at you. | 0:01:01 | 0:01:05 | |
You don't look too bad yourself, Aunt Mary. | 0:01:05 | 0:01:07 | |
Oh, you always say the right thing. | 0:01:07 | 0:01:09 | |
Oh, oh, yes, of course, gosh. | 0:01:09 | 0:01:11 | |
Er, Detective Sergeant Florence Cassell. | 0:01:11 | 0:01:14 | |
Florence, this is Aunt Mary. | 0:01:14 | 0:01:16 | |
-Lovely to meet you. -How do you do? | 0:01:16 | 0:01:18 | |
Welcome to Saint Marie. | 0:01:18 | 0:01:20 | |
So, Auntie, how was England when you left? | 0:01:22 | 0:01:25 | |
Oh, freezing cold and dark as hell. | 0:01:25 | 0:01:28 | |
Feel as if I haven't seen the sun for months. | 0:01:28 | 0:01:31 | |
I can tell you, this is far more like it! | 0:01:31 | 0:01:33 | |
Here we are. | 0:01:36 | 0:01:38 | |
Now, I've been planning what we can do tomorrow, | 0:01:38 | 0:01:41 | |
starting with a boat trip to the coral reef. | 0:01:41 | 0:01:46 | |
-Now, hang on, it's here somewhere. -Oh! | 0:01:46 | 0:01:49 | |
Oh. Hang on. | 0:01:49 | 0:01:50 | |
Oh, is this? Yes, here we... Oh, dear, that's not very good. | 0:01:50 | 0:01:53 | |
Humphrey. | 0:01:53 | 0:01:55 | |
I can, er... I just... | 0:01:55 | 0:01:57 | |
Ah, it looks like this, | 0:01:57 | 0:01:59 | |
but just less tomato-soupy. | 0:01:59 | 0:02:01 | |
SHE LAUGHS | 0:02:01 | 0:02:02 | |
Or we can go to the rum museum, | 0:02:02 | 0:02:03 | |
which is also less tomato-y in real life than it is in this photo. | 0:02:03 | 0:02:07 | |
SHE LAUGHS | 0:02:07 | 0:02:08 | |
Oh, look, as long as you've got time, I want to do it all. | 0:02:08 | 0:02:12 | |
Good. | 0:02:13 | 0:02:14 | |
Yeah, can I order room service? | 0:02:18 | 0:02:20 | |
Just a burger and chips and two bottles of beer. | 0:02:20 | 0:02:23 | |
No, thank you. That's great. | 0:02:23 | 0:02:25 | |
SHE SIGHS | 0:02:31 | 0:02:32 | |
BANGING, MUFFLED CRY | 0:02:36 | 0:02:38 | |
BANGING, MUFFLED VOICES | 0:02:43 | 0:02:45 | |
BANGING, SCREAM | 0:02:54 | 0:02:56 | |
Oh. | 0:03:19 | 0:03:21 | |
I'm on my way, madam. | 0:03:23 | 0:03:25 | |
If there is anything there, then we will find it. | 0:03:32 | 0:03:36 | |
Now, are you sure it was that room up there? | 0:03:36 | 0:03:39 | |
Yes. I'm sure. | 0:03:39 | 0:03:41 | |
I know you probably think I'm just a stupid old woman, | 0:03:41 | 0:03:44 | |
but I'm sure I heard something. | 0:03:44 | 0:03:47 | |
Oh, God. | 0:03:47 | 0:03:49 | |
What? | 0:03:49 | 0:03:51 | |
You're right. | 0:03:51 | 0:03:52 | |
There is somebody there. | 0:03:53 | 0:03:55 | |
Dwayne, JP, what's going on? | 0:04:34 | 0:04:37 | |
I think he must've fallen from that top balcony, Chief. | 0:04:37 | 0:04:39 | |
Body's bruised, trauma to the back of the head. | 0:04:39 | 0:04:42 | |
All consistent with a fall. | 0:04:42 | 0:04:44 | |
What about my aunt? Anyone know if she's OK? | 0:04:44 | 0:04:46 | |
She's fine, sir. I've just been talking to her. | 0:04:46 | 0:04:48 | |
-You have? -Yeah, but you should know, | 0:04:48 | 0:04:50 | |
she witnessed the victim's death | 0:04:50 | 0:04:52 | |
and she's saying it wasn't an accident. | 0:04:52 | 0:04:54 | |
This is murder? | 0:04:54 | 0:04:56 | |
Oh, great. | 0:04:56 | 0:04:57 | |
Right, Dwayne, JP, process the scene | 0:04:57 | 0:04:59 | |
and then get the paramedics to remove the body. | 0:04:59 | 0:05:02 | |
I've got an aunt to interview. | 0:05:02 | 0:05:04 | |
Gosh, well, that's a first. | 0:05:04 | 0:05:06 | |
Oh, thank you, Freddie. | 0:05:09 | 0:05:11 | |
Aunt Mary. | 0:05:11 | 0:05:12 | |
Are you OK? | 0:05:12 | 0:05:14 | |
I'm... I'm just a bit rattled. | 0:05:14 | 0:05:16 | |
Freddie here's helping. | 0:05:16 | 0:05:18 | |
This is my nephew. He's a detective inspector. | 0:05:18 | 0:05:21 | |
Freddie Hamilton, hotel porter. | 0:05:21 | 0:05:23 | |
DI Goodman. Thank you for looking after my aunt. | 0:05:23 | 0:05:26 | |
Now, could I ask you, Mr Hamilton... | 0:05:26 | 0:05:28 | |
Oh, please. Everybody calls me Freddie. | 0:05:28 | 0:05:31 | |
Yes, Freddie. Er, was the deceased staying at the hotel? | 0:05:31 | 0:05:34 | |
Yes, I've got his check-in details here. | 0:05:34 | 0:05:38 | |
John Green, staying in room 33. | 0:05:38 | 0:05:41 | |
It says he only arrived at the hotel today. | 0:05:42 | 0:05:45 | |
Got a room booked in the name of John Green. | 0:05:45 | 0:05:48 | |
You'll need to know what I saw, won't you? | 0:05:48 | 0:05:51 | |
Yeah, yes, of course, if you're up to it. | 0:05:51 | 0:05:53 | |
Oh, yes, of course. | 0:05:53 | 0:05:54 | |
You see, I was asleep. | 0:05:54 | 0:05:56 | |
I woke when I heard an altercation in the next room. | 0:05:56 | 0:06:00 | |
So then I went downstairs into my sitting room | 0:06:00 | 0:06:04 | |
and that's when I thought I heard what sounded like a scream | 0:06:04 | 0:06:08 | |
as the poor man was pushed off his balcony. | 0:06:08 | 0:06:10 | |
-Did you see who pushed him? -No, I didn't, but... | 0:06:10 | 0:06:14 | |
straightaway afterwards I went to his room. | 0:06:14 | 0:06:17 | |
You know, next to mine? | 0:06:17 | 0:06:19 | |
I knocked on the door, but no answer. | 0:06:19 | 0:06:22 | |
So I phoned down to reception and | 0:06:22 | 0:06:24 | |
Freddie and I found the body together. | 0:06:24 | 0:06:27 | |
Yes, er, what time was this? | 0:06:27 | 0:06:28 | |
Ten past two. | 0:06:28 | 0:06:29 | |
It had just gone two when you called me. | 0:06:29 | 0:06:32 | |
Oh? Really? | 0:06:32 | 0:06:34 | |
Sorry. Then it was two. | 0:06:35 | 0:06:37 | |
Thank you, Auntie. | 0:06:38 | 0:06:40 | |
Er, if you wouldn't mind bearing with us. | 0:06:40 | 0:06:43 | |
Er, Freddie, we just have a couple more questions, if you would. | 0:06:43 | 0:06:46 | |
OK. So, when did you know something was wrong? | 0:06:49 | 0:06:53 | |
It had been a quiet shift, then the phone rang | 0:06:53 | 0:06:55 | |
and that's when Miss Goodman said that she'd seen somebody fall. | 0:06:55 | 0:07:00 | |
Then we found the body together. | 0:07:00 | 0:07:03 | |
Did you see anyone leave or enter the hotel just before or | 0:07:03 | 0:07:06 | |
-after Mr Green died? -No. | 0:07:06 | 0:07:08 | |
Do you have any CCTV cameras at the hotel at all? | 0:07:08 | 0:07:11 | |
We've got one CCTV camera in reception. | 0:07:11 | 0:07:14 | |
I can get the disc for you. | 0:07:14 | 0:07:15 | |
We'll want all the recordings since lunchtime today, | 0:07:15 | 0:07:17 | |
-when Mr Green checked in, if that's OK? -Of course. | 0:07:17 | 0:07:20 | |
Did you interact with the deceased at all today? | 0:07:20 | 0:07:23 | |
I brought him a room-service dinner, about eight o'clock tonight. | 0:07:23 | 0:07:26 | |
He was in good spirits | 0:07:26 | 0:07:28 | |
and he was on his balcony, having a drink, reading a book. | 0:07:28 | 0:07:31 | |
He'd already got a tip ready for me, so... | 0:07:31 | 0:07:34 | |
-HE CHUCKLES -..I wished him well and I left. | 0:07:34 | 0:07:36 | |
He didn't seem troubled at all, or, I don't know, | 0:07:36 | 0:07:39 | |
waiting for something? | 0:07:39 | 0:07:40 | |
No, no. Not that I could see, no. | 0:07:40 | 0:07:42 | |
Right. | 0:07:42 | 0:07:43 | |
Do you know if Mr Green stayed here before? | 0:07:43 | 0:07:45 | |
Not since I've been working here, no. | 0:07:45 | 0:07:47 | |
How long's that? | 0:07:47 | 0:07:49 | |
About 14 years. | 0:07:49 | 0:07:51 | |
Right. | 0:07:51 | 0:07:53 | |
So, what do you think, sir? | 0:07:53 | 0:07:54 | |
That we're about to make ourselves very unpopular. | 0:07:54 | 0:07:57 | |
-Mr Green's room here. -Thank you. | 0:07:57 | 0:07:59 | |
OK, Dwayne, JP, I want you to wake up all the guests on this floor, | 0:07:59 | 0:08:02 | |
ask who else saw or heard anything. | 0:08:02 | 0:08:04 | |
Yes, sir! | 0:08:04 | 0:08:05 | |
OK, Dwayne, how about you start at that end | 0:08:05 | 0:08:07 | |
and I'll start that end and race each other back to the middle? | 0:08:07 | 0:08:10 | |
Yes, you go to it, tiger. | 0:08:13 | 0:08:15 | |
OK. | 0:08:15 | 0:08:17 | |
So, no signs of break-in into the victim's room. | 0:08:17 | 0:08:20 | |
We also need to dust the door handle and the door frame for prints. | 0:08:20 | 0:08:22 | |
-Yes, sir. -Er, if you would, Freddie, thank you. | 0:08:22 | 0:08:26 | |
Although, does the hotel record | 0:08:26 | 0:08:28 | |
when the pass-keys are used to open the doors to the rooms? | 0:08:28 | 0:08:30 | |
Yeah, I can print out the hotel key-card logs | 0:08:30 | 0:08:32 | |
as soon as I get the CCTV discs. | 0:08:32 | 0:08:34 | |
Thank you, Freddie. | 0:08:34 | 0:08:35 | |
Right. | 0:08:39 | 0:08:40 | |
OK. | 0:08:44 | 0:08:45 | |
Let's see what happened here. | 0:08:46 | 0:08:48 | |
How are you getting on, sir? | 0:09:08 | 0:09:10 | |
Er, yes, well, Freddie just brought me the CCTV discs | 0:09:10 | 0:09:14 | |
and the log, and if we look at room number 33... | 0:09:14 | 0:09:19 | |
Oh, yes, wouldn't you know it? | 0:09:19 | 0:09:21 | |
No key-card was used to access the room after 8pm tonight. | 0:09:21 | 0:09:24 | |
So, John Green opened the door to the killer himself? | 0:09:24 | 0:09:27 | |
Mm. | 0:09:27 | 0:09:28 | |
How about you? How are you getting on? | 0:09:28 | 0:09:30 | |
Oh, not much, sir. | 0:09:30 | 0:09:31 | |
Although the victim works for a company based in Colchester | 0:09:31 | 0:09:34 | |
called East Anglian Conservatories. | 0:09:34 | 0:09:37 | |
OK, Chief, so we've spoken to all the other guests on the floor | 0:09:37 | 0:09:40 | |
and we couldn't find anyone who heard or saw anything. | 0:09:40 | 0:09:43 | |
They were all asleep. | 0:09:43 | 0:09:45 | |
Although, sir, there was a woman five doors down | 0:09:45 | 0:09:47 | |
who was on the same flight as Mr Green. | 0:09:47 | 0:09:49 | |
She said she had a chat with him and liked him. | 0:09:49 | 0:09:51 | |
He told her that he hadn't had a proper holiday | 0:09:51 | 0:09:53 | |
for years and was looking forward to getting some sun, | 0:09:53 | 0:09:56 | |
seeing some sights. | 0:09:56 | 0:09:57 | |
I don't know, maybe it was a robbery. | 0:09:57 | 0:10:00 | |
His money's still in his wallet. | 0:10:00 | 0:10:02 | |
Whatever happened here, it looks like the victim was asleep | 0:10:02 | 0:10:05 | |
or at least reading in bed | 0:10:05 | 0:10:07 | |
and then something made him get up. | 0:10:07 | 0:10:09 | |
Yes, a knock on the door, perhaps? | 0:10:09 | 0:10:11 | |
Er, which made John Green come down here to let this person in | 0:10:11 | 0:10:15 | |
and then this person pushed Mr Green off the balcony to his death | 0:10:15 | 0:10:20 | |
and then made his or her escape | 0:10:20 | 0:10:22 | |
without, as far as I can tell, | 0:10:22 | 0:10:24 | |
leaving any indication as to who our killer is | 0:10:24 | 0:10:26 | |
or, indeed, why John Green had to die. | 0:10:26 | 0:10:29 | |
Hmm. | 0:10:29 | 0:10:31 | |
This is not really adding up to a pile of very much. | 0:10:31 | 0:10:34 | |
Aunt Mary. | 0:10:43 | 0:10:45 | |
-You all right? -Yeah. | 0:10:45 | 0:10:46 | |
I was just thinking about that poor man. | 0:10:48 | 0:10:50 | |
Yes, yes, I know. | 0:10:50 | 0:10:52 | |
Only, what with the case, | 0:10:52 | 0:10:54 | |
I'm afraid I won't be able to spend much time with you | 0:10:54 | 0:10:56 | |
over the next few days. | 0:10:56 | 0:10:58 | |
Oh, don't worry about me. I'll be fine. | 0:10:58 | 0:11:00 | |
-Are you sure? -Of course. | 0:11:00 | 0:11:03 | |
Now you go and catch whoever did this. | 0:11:03 | 0:11:05 | |
-I'll see you tomorrow. -Yeah. | 0:11:09 | 0:11:11 | |
What's that, old chap? | 0:11:33 | 0:11:34 | |
Someone coming? | 0:11:34 | 0:11:36 | |
There is? | 0:11:37 | 0:11:38 | |
DOOR BANGS | 0:11:38 | 0:11:39 | |
Gosh, well, this is a development in our relationship. | 0:11:39 | 0:11:42 | |
My very own guard lizard. | 0:11:42 | 0:11:44 | |
Ah, who disappears at the first sign of danger. | 0:11:44 | 0:11:47 | |
Ah, Florence! | 0:11:48 | 0:11:49 | |
-Good morning, sir. -Morning. | 0:11:49 | 0:11:50 | |
Are you OK? | 0:11:52 | 0:11:54 | |
Yes, couldn't be better. | 0:11:54 | 0:11:56 | |
Er, although I've been checking, | 0:11:56 | 0:11:57 | |
and John Green's got no criminal record or criminal associates | 0:11:57 | 0:12:01 | |
on the UK Police database or Interpol. | 0:12:01 | 0:12:03 | |
Oh, and I've spoken to immigration, as well, | 0:12:03 | 0:12:06 | |
and he's never been on Saint Marie before, either. | 0:12:06 | 0:12:08 | |
-He hasn't? -No. This was his first visit to the island. | 0:12:08 | 0:12:12 | |
Then how come he was murdered within hours of arriving here? | 0:12:12 | 0:12:16 | |
Yes, well, if I hear anything further, | 0:12:19 | 0:12:21 | |
I'll be the first to let you know, of course. | 0:12:21 | 0:12:23 | |
Yes. | 0:12:23 | 0:12:25 | |
All right, thank you, goodbye. | 0:12:25 | 0:12:27 | |
Mr Green's boss, sir? | 0:12:27 | 0:12:30 | |
Yes. He was rather shocked to hear the news. | 0:12:30 | 0:12:33 | |
What did he have to say about the victim? | 0:12:33 | 0:12:35 | |
Well, it's all rather sad, really, Dwayne. | 0:12:35 | 0:12:40 | |
He said Mr Green was hard-working, | 0:12:40 | 0:12:42 | |
honest, popular with staff and customers alike. | 0:12:42 | 0:12:45 | |
Said he runs the office pub quiz team | 0:12:45 | 0:12:48 | |
and last year he was a brilliant Secret Santa at the office Christmas party. | 0:12:48 | 0:12:52 | |
So, Florence, tell me we've got something from the fingerprints | 0:12:52 | 0:12:55 | |
we took from the victim's room. | 0:12:55 | 0:12:57 | |
I'm sorry, but the only fingerprints I've been able to identify | 0:12:57 | 0:13:00 | |
all belong to the victim, | 0:13:00 | 0:13:02 | |
although you should know, the door handle to the room | 0:13:02 | 0:13:04 | |
didn't have any prints on it at all. It had been completely wiped clean. | 0:13:04 | 0:13:07 | |
Which suggests our killer knew what they were doing. | 0:13:07 | 0:13:10 | |
Dwayne, how you getting on with the hotel's CCTV discs? | 0:13:10 | 0:13:13 | |
Well, Chief, we've got two discs - | 0:13:13 | 0:13:14 | |
one covering yesterday from 2pm to 2am | 0:13:14 | 0:13:18 | |
and the other one from 2am onwards. | 0:13:18 | 0:13:20 | |
This is the one I started with. | 0:13:20 | 0:13:22 | |
And you can see here, your aunt Mary calls down to report the murder. | 0:13:22 | 0:13:26 | |
Freddie goes off to find the body. | 0:13:26 | 0:13:28 | |
And if we keep moving, | 0:13:28 | 0:13:30 | |
it's later... | 0:13:30 | 0:13:31 | |
There. | 0:13:31 | 0:13:32 | |
We arrive to inspect the body. | 0:13:32 | 0:13:34 | |
There is no evidence of the killer making their escape, | 0:13:34 | 0:13:36 | |
but, then again, they could've left by another route. | 0:13:36 | 0:13:39 | |
Good morning, everybody! | 0:13:39 | 0:13:40 | |
Ah, JP! | 0:13:40 | 0:13:42 | |
-How you doing, Chief? -Yes, I'm quite well, thank you. -Good. | 0:13:42 | 0:13:45 | |
OK, so I've been back to the hotel, talking to staff, | 0:13:45 | 0:13:48 | |
and a few people who spoke to Mr Green yesterday said | 0:13:48 | 0:13:50 | |
that he was a really nice guy, friendly, typical holiday-maker, | 0:13:50 | 0:13:54 | |
but I do have one lead. | 0:13:54 | 0:13:56 | |
-You have? -Yes, I spoke to a receptionist | 0:13:56 | 0:13:58 | |
and she says she organised a taxi for Mr Green at about 4pm. | 0:13:58 | 0:14:01 | |
She did? | 0:14:01 | 0:14:02 | |
Where did he go? | 0:14:02 | 0:14:04 | |
From the hotel to the botanical gardens. | 0:14:04 | 0:14:06 | |
He was gone for about an hour | 0:14:06 | 0:14:07 | |
-and then another taxi brought him back again. -Well done, JP. | 0:14:07 | 0:14:10 | |
Whatever I can do to help, Chief. | 0:14:10 | 0:14:12 | |
And you know what? Maybe that's where John Green | 0:14:12 | 0:14:14 | |
met the person who later killed him. | 0:14:14 | 0:14:15 | |
I think we should go and check it out, Florence, | 0:14:15 | 0:14:17 | |
although I'd like to pop in on the hotel on the way. I want to see how my aunt is. | 0:14:17 | 0:14:20 | |
Good idea. | 0:14:20 | 0:14:22 | |
Ah, Mr and Mrs Bachman, how have you been this past year? | 0:14:22 | 0:14:25 | |
-Hello! -Oh! | 0:14:25 | 0:14:27 | |
Oh, thank you. | 0:14:27 | 0:14:30 | |
Good morning, Freddie. I wonder, have you seen my aunt today? | 0:14:30 | 0:14:33 | |
She's at the beach-side bar with her friend. | 0:14:33 | 0:14:35 | |
-Her friend? -Miss Lewis. -I'm sorry... | 0:14:35 | 0:14:37 | |
Hello, Freddie. | 0:14:37 | 0:14:39 | |
-Let me help you. -She has a friend? | 0:14:39 | 0:14:42 | |
Auntie. | 0:14:54 | 0:14:56 | |
Sir? | 0:14:56 | 0:14:58 | |
Morning, Inspector. | 0:14:58 | 0:14:59 | |
Detective Sergeant. | 0:14:59 | 0:15:01 | |
The Commissioner came to find me. Check I was OK. | 0:15:01 | 0:15:04 | |
Isn't that kind of him? | 0:15:04 | 0:15:06 | |
You did, sir? | 0:15:06 | 0:15:07 | |
And he's had the most brilliant idea. | 0:15:07 | 0:15:09 | |
Because it's important you focus on the case now, | 0:15:09 | 0:15:13 | |
and yet it would be terrible if your aunt's first day on the island | 0:15:13 | 0:15:17 | |
should tarnish the rest of her stay here. | 0:15:17 | 0:15:19 | |
So, the Commissioner's cleared his diary | 0:15:19 | 0:15:22 | |
and he says he's going to show me the sights himself. | 0:15:22 | 0:15:24 | |
Wow! | 0:15:24 | 0:15:26 | |
Wow. | 0:15:26 | 0:15:28 | |
And you're sure you can, er, spare the time, sir? | 0:15:28 | 0:15:32 | |
It's a sacrifice I'm prepared to make... | 0:15:32 | 0:15:35 | |
..for the case. | 0:15:39 | 0:15:40 | |
Wonderful. | 0:15:44 | 0:15:45 | |
Can I ask you a question? | 0:15:46 | 0:15:48 | |
Did you see this man here yesterday? | 0:15:49 | 0:15:52 | |
Thank you. | 0:15:52 | 0:15:53 | |
Any progress, sir? | 0:15:53 | 0:15:55 | |
I've spoken to reception | 0:15:55 | 0:15:56 | |
and they don't remember seeing John Green here yesterday. | 0:15:56 | 0:15:59 | |
And I can't find anyone who saw him, either. | 0:15:59 | 0:16:01 | |
Although it is a big place. | 0:16:01 | 0:16:03 | |
And there are hundreds of tourists here every day. | 0:16:03 | 0:16:06 | |
I mean, what if they just didn't notice him? | 0:16:06 | 0:16:09 | |
Still nothing. | 0:16:14 | 0:16:15 | |
-Hey. You got to tell me what's going on. -Mm? | 0:16:19 | 0:16:22 | |
You keep smiling to yourself. | 0:16:22 | 0:16:23 | |
There's something up. | 0:16:25 | 0:16:27 | |
Well, er, | 0:16:27 | 0:16:28 | |
you're right, Dwayne, um... | 0:16:28 | 0:16:31 | |
but you're not allowed to tell anyone, you know, because... | 0:16:31 | 0:16:33 | |
Well, I don't really know how to put this, er... | 0:16:33 | 0:16:36 | |
Whoa. | 0:16:36 | 0:16:37 | |
I think... | 0:16:39 | 0:16:40 | |
..I'm in love. | 0:16:41 | 0:16:43 | |
You? In love? | 0:16:43 | 0:16:45 | |
Yes it's... It's... It's Rosey. | 0:16:45 | 0:16:47 | |
-Rosey? -Yes, I love her. | 0:16:47 | 0:16:49 | |
And, you know, I keep on forgetting that that's how I feel, you know? | 0:16:49 | 0:16:52 | |
So, I just find myself doing something like... | 0:16:52 | 0:16:55 | |
like going through the immigration lists and then | 0:16:55 | 0:16:58 | |
I suddenly remember and I just start to smile. | 0:16:58 | 0:17:01 | |
I can't wait to tell her. | 0:17:01 | 0:17:04 | |
Whoa, whoa, whoa, whoa, whoa. | 0:17:04 | 0:17:06 | |
You're going to do what? | 0:17:06 | 0:17:08 | |
Tell Rosey I love her. | 0:17:08 | 0:17:10 | |
Are you crazy? | 0:17:10 | 0:17:11 | |
You can't ever tell a woman you love her. | 0:17:12 | 0:17:15 | |
-I can't? -No! | 0:17:15 | 0:17:16 | |
Because once you tell a woman that, | 0:17:17 | 0:17:19 | |
they own you. | 0:17:19 | 0:17:20 | |
And the next thing you know, you'll be telling your friends you | 0:17:22 | 0:17:24 | |
can't see them tonight because you fancy a "quiet night in". | 0:17:24 | 0:17:27 | |
So I... | 0:17:27 | 0:17:29 | |
I don't tell her I love her? | 0:17:29 | 0:17:31 | |
No! | 0:17:31 | 0:17:33 | |
Listen, JP. | 0:17:33 | 0:17:36 | |
You want a healthy relationship with a woman, right? | 0:17:36 | 0:17:38 | |
Yes, yes. That's... That's exactly what I want, Dwayne. | 0:17:38 | 0:17:41 | |
Then never tell her the truth. | 0:17:41 | 0:17:42 | |
How were the botanical gardens, sir? | 0:17:54 | 0:17:55 | |
Not a thing. How about you? | 0:17:55 | 0:17:57 | |
-I think I may be onto something, you know? -Really? | 0:17:58 | 0:18:01 | |
-You are? -I said maybe. | 0:18:01 | 0:18:03 | |
You see, | 0:18:03 | 0:18:05 | |
I started on the other CCTV disc, you know, | 0:18:05 | 0:18:07 | |
the one from the afternoon? | 0:18:07 | 0:18:09 | |
And there's John Green checking in. | 0:18:09 | 0:18:12 | |
He looks just like any other tourist, right, Chief? | 0:18:12 | 0:18:14 | |
And here's you checking in your aunt Mary just moments later. | 0:18:14 | 0:18:18 | |
Gosh, does my hair really look like that? | 0:18:18 | 0:18:19 | |
OK, but if you go forward ten minutes | 0:18:19 | 0:18:22 | |
this guy turns up. | 0:18:22 | 0:18:24 | |
-And who is he? -His name's Neil Jenkins. | 0:18:24 | 0:18:26 | |
He's a career criminal from the UK, | 0:18:26 | 0:18:28 | |
who came to the island nine years ago. | 0:18:28 | 0:18:30 | |
The police back in the UK asked us to keep an eye on him. | 0:18:30 | 0:18:33 | |
He's done time for ABH - twice. | 0:18:33 | 0:18:35 | |
-And you recognised him? -You better believe it. | 0:18:35 | 0:18:37 | |
When he came here, I made sure I introduced myself to him. | 0:18:37 | 0:18:40 | |
Is there any footage of him | 0:18:40 | 0:18:42 | |
talking to John Green or interacting at all? | 0:18:42 | 0:18:44 | |
-No, Chief. -Or anything else incriminating Mr Jenkins | 0:18:44 | 0:18:48 | |
in Mr Green's murder? | 0:18:48 | 0:18:49 | |
Yes. He's a known criminal | 0:18:49 | 0:18:51 | |
and he was in the same hotel as the victim that afternoon. | 0:18:51 | 0:18:55 | |
That's pretty tenuous, Dwayne, | 0:18:55 | 0:18:57 | |
but if that's all we've got, let's go and pay Mr Jenkins a visit. | 0:18:57 | 0:19:01 | |
Thanks so much for agreeing to see us. | 0:19:03 | 0:19:06 | |
Always a pleasure to assist the local constabulary. | 0:19:06 | 0:19:09 | |
How can we help? | 0:19:09 | 0:19:11 | |
Well, it's, er... It's just that... | 0:19:11 | 0:19:13 | |
Oh, wow! | 0:19:13 | 0:19:15 | |
Um, it's er, | 0:19:15 | 0:19:17 | |
just that your name came up as part of our enquiries. | 0:19:17 | 0:19:20 | |
Really? | 0:19:20 | 0:19:21 | |
Hello. | 0:19:21 | 0:19:22 | |
Would you rather we had this conversation elsewhere? | 0:19:24 | 0:19:26 | |
No. | 0:19:26 | 0:19:28 | |
I haven't got any secrets from my wife. Ask away. | 0:19:28 | 0:19:31 | |
OK. | 0:19:31 | 0:19:32 | |
Were you at La Toubana Hotel yesterday? | 0:19:33 | 0:19:36 | |
Yeah. Yeah. | 0:19:36 | 0:19:38 | |
I'm a member of the gym there. | 0:19:38 | 0:19:39 | |
What time did you arrive and leave? | 0:19:39 | 0:19:42 | |
Got there about half past two. | 0:19:45 | 0:19:46 | |
Went to the gym, came out, | 0:19:46 | 0:19:48 | |
sat about in the sun for an hour. | 0:19:48 | 0:19:49 | |
Got home about four o'clock. | 0:19:49 | 0:19:51 | |
Does the name John Green mean anything to you? | 0:19:51 | 0:19:54 | |
No. Don't think so. Ella? | 0:19:54 | 0:19:55 | |
-What's that, sorry? -Do you know a John Green, love? | 0:19:57 | 0:19:59 | |
No. Why? | 0:19:59 | 0:20:01 | |
This is him. | 0:20:02 | 0:20:04 | |
Please have a good look. | 0:20:04 | 0:20:06 | |
Do you recognise him at all? | 0:20:06 | 0:20:09 | |
No. Never seen him. | 0:20:09 | 0:20:12 | |
And where were you both last night around, er, 2am? | 0:20:12 | 0:20:15 | |
Well, I was in bed with my wife. | 0:20:15 | 0:20:18 | |
What is all this? | 0:20:19 | 0:20:20 | |
Can you prove that? | 0:20:20 | 0:20:21 | |
HE SCOFFS | 0:20:21 | 0:20:23 | |
No, darling. | 0:20:23 | 0:20:24 | |
I was in bed with my wife, Ella. She'll alibi me. | 0:20:24 | 0:20:28 | |
Oh, and I should tell you that I'm on sleeping pills, | 0:20:28 | 0:20:31 | |
so come about midnight I was out for the count. | 0:20:31 | 0:20:34 | |
-Isn't that right, dear? -Yeah. | 0:20:34 | 0:20:35 | |
When I went to bed at midnight, Neil had been asleep for over an hour. | 0:20:35 | 0:20:39 | |
Anyway, what's it matter where we were at 2am? | 0:20:39 | 0:20:41 | |
-It's when this man was murdered at La Toubana Hotel. -No! | 0:20:41 | 0:20:43 | |
All right, love. All right. And you think | 0:20:43 | 0:20:47 | |
because I was in the area earlier in the day, | 0:20:47 | 0:20:49 | |
that that man's death might have something to do with me? Eh? | 0:20:49 | 0:20:52 | |
Well, unless you got any more questions, get out. | 0:20:52 | 0:20:54 | |
Thanks for your help. | 0:20:56 | 0:20:57 | |
Is it just a coincidence? I mean, | 0:21:00 | 0:21:02 | |
the man had to be somewhere on the day of the murder | 0:21:02 | 0:21:04 | |
and both he and his wife say he's got an alibi for the time | 0:21:04 | 0:21:07 | |
John Green was killed. | 0:21:07 | 0:21:09 | |
And I can't find any link to Neil Jenkins on Mr Green's phone, sir. | 0:21:09 | 0:21:13 | |
That's hardly surprising. | 0:21:13 | 0:21:14 | |
Neil Jenkins hasn't been back to the UK in the last nine years. | 0:21:14 | 0:21:17 | |
And John Green has never been to Saint Marie before. | 0:21:17 | 0:21:19 | |
Yeah, so how could the two men possibly have known each other? | 0:21:19 | 0:21:22 | |
It's a very good point. | 0:21:22 | 0:21:24 | |
Yes, but how about the other Brits currently on the island? | 0:21:24 | 0:21:27 | |
JP, have you been through the list immigration sent over? | 0:21:27 | 0:21:29 | |
I have, and I compared the names on the list to Mr Green's contacts | 0:21:29 | 0:21:33 | |
on his phone and no-one he knows has arrived on the island. | 0:21:33 | 0:21:37 | |
Also, sir, I've gone through Mr Green's e-mails | 0:21:37 | 0:21:40 | |
and he was just a regular, normal guy. | 0:21:40 | 0:21:42 | |
MOBILE PHONE RINGS Oh, er... | 0:21:42 | 0:21:45 | |
Oh, gosh. Sorry, I'd better get this. | 0:21:45 | 0:21:48 | |
Auntie! | 0:21:48 | 0:21:50 | |
How are you? | 0:21:50 | 0:21:51 | |
Oh, you're at Catherine's bar? | 0:21:51 | 0:21:54 | |
How very clever of the Commissioner. | 0:21:54 | 0:21:57 | |
Yes, we've actually got to finish up here, anyway. | 0:21:57 | 0:22:00 | |
All right, see you then. | 0:22:00 | 0:22:02 | |
OK, everyone, | 0:22:02 | 0:22:03 | |
that's all we can do today. | 0:22:03 | 0:22:05 | |
Er, but everything we've learnt about John Green tells us | 0:22:05 | 0:22:08 | |
he was hard-working, honest... | 0:22:08 | 0:22:11 | |
A good egg, no less. | 0:22:11 | 0:22:13 | |
A bon oeuf, Florence. | 0:22:13 | 0:22:16 | |
So, how come within hours of arriving on holiday, | 0:22:16 | 0:22:18 | |
visiting an island he'd never been to before | 0:22:18 | 0:22:20 | |
and travelling on his own, no less, | 0:22:20 | 0:22:23 | |
someone got into this honest and well-liked man's room | 0:22:23 | 0:22:25 | |
and brutally threw him to his death? | 0:22:25 | 0:22:28 | |
Well, we had a lovely day, didn't we, Selwyn? | 0:22:30 | 0:22:32 | |
Oh, yes. | 0:22:32 | 0:22:33 | |
And it's so nice to hear the old stories about you, Inspector. | 0:22:33 | 0:22:38 | |
What stories would these be? | 0:22:38 | 0:22:39 | |
Well, I had no idea you had a family nickname. | 0:22:39 | 0:22:42 | |
I... I don't. | 0:22:42 | 0:22:43 | |
Oh, come on, Humphrey, you remember. | 0:22:43 | 0:22:46 | |
I don't! | 0:22:46 | 0:22:47 | |
You were about eight or nine years old. | 0:22:47 | 0:22:49 | |
Back then, Humphrey had a quite a little tummy on him. In fact... | 0:22:49 | 0:22:52 | |
In fact, he was almost entirely spherical. | 0:22:52 | 0:22:55 | |
Auntie, you are not telling this story. | 0:22:55 | 0:22:57 | |
And, er, we went to the local museum | 0:22:57 | 0:23:00 | |
and they had this old gaol that we loved looking at. | 0:23:00 | 0:23:04 | |
You ARE telling this story. | 0:23:04 | 0:23:06 | |
And Humphrey was sitting on the wall outside. | 0:23:06 | 0:23:09 | |
Only he fell off it and banged his head | 0:23:09 | 0:23:11 | |
and that's when he got his family nickname. | 0:23:11 | 0:23:14 | |
What was it? | 0:23:14 | 0:23:15 | |
Humpty Dumpty! | 0:23:15 | 0:23:17 | |
HE LAUGHS | 0:23:17 | 0:23:19 | |
SHE SPEAKS FRENCH | 0:23:21 | 0:23:22 | |
Are you all right, JP? | 0:23:24 | 0:23:26 | |
Oh, er, yes. Yes, I'm totally fine. | 0:23:26 | 0:23:29 | |
Thanks for asking. | 0:23:30 | 0:23:31 | |
You look a bit confused. | 0:23:34 | 0:23:35 | |
Well, | 0:23:38 | 0:23:39 | |
to be honest with you, er... | 0:23:39 | 0:23:42 | |
I am a bit confused. | 0:23:42 | 0:23:44 | |
But why? | 0:23:44 | 0:23:45 | |
Is it girl trouble? | 0:23:47 | 0:23:48 | |
Well, no. No, it's the opposite, in fact. | 0:23:48 | 0:23:52 | |
Or if you put it another way, | 0:23:52 | 0:23:54 | |
yes. | 0:23:54 | 0:23:56 | |
Yes, it is. | 0:23:56 | 0:23:58 | |
No way, Chief?! | 0:23:59 | 0:24:00 | |
Yes, I'm sorry, Dwayne, but it's true. | 0:24:00 | 0:24:03 | |
It is my deepest and darkest secret. | 0:24:03 | 0:24:06 | |
You used to perform magic shows? | 0:24:06 | 0:24:09 | |
You should've seen them! | 0:24:09 | 0:24:11 | |
He'd make a poster. | 0:24:11 | 0:24:12 | |
"Humphrey's Marvellous Magic Show!" | 0:24:12 | 0:24:15 | |
And he'd come out in a little bow tie | 0:24:16 | 0:24:18 | |
and do all these wonderful card tricks. | 0:24:18 | 0:24:20 | |
A little bow tie? | 0:24:20 | 0:24:22 | |
Well, yes, I was only ten years old at the time, | 0:24:22 | 0:24:24 | |
so it had to be quite small. | 0:24:24 | 0:24:27 | |
Anyway, it's been a long day. | 0:24:27 | 0:24:29 | |
Er, Humphrey, perhaps you'd escort me back to the hotel? | 0:24:30 | 0:24:33 | |
Yes, of course, Auntie. | 0:24:33 | 0:24:34 | |
Please. | 0:24:37 | 0:24:38 | |
Thank you for a wonderful day. | 0:24:38 | 0:24:40 | |
The pleasure was all mine, Aunt Mary. | 0:24:40 | 0:24:42 | |
Thank you. | 0:24:45 | 0:24:47 | |
I'll see you all soon. | 0:24:47 | 0:24:48 | |
Bye-bye. Au revoir. Bye-bye. | 0:24:48 | 0:24:51 | |
Same again, everyone? | 0:24:52 | 0:24:53 | |
I'll give you a hand, Commissioner. | 0:24:53 | 0:24:55 | |
-Dwayne, what have you done? -What? -The advice you gave JP! | 0:24:57 | 0:25:00 | |
And what advice would that be? | 0:25:00 | 0:25:02 | |
That JP must never tell Rosey that he's fallen in love with her. | 0:25:02 | 0:25:05 | |
-Oh. -What did you do? -I... | 0:25:05 | 0:25:08 | |
But... It's... It's... | 0:25:08 | 0:25:10 | |
It's because... You know how it is, ladies - | 0:25:10 | 0:25:13 | |
when men get too clingy... | 0:25:13 | 0:25:16 | |
it puts you right off. | 0:25:16 | 0:25:18 | |
If he loves her, he has to tell her. | 0:25:18 | 0:25:20 | |
It's you he looks up to. | 0:25:20 | 0:25:23 | |
You need to get him to tell Rosey how he feels about her. | 0:25:23 | 0:25:26 | |
Ah! | 0:25:27 | 0:25:28 | |
I'm sorry I didn't get to spend any time with you today. | 0:25:37 | 0:25:41 | |
Oh, don't worry about it. | 0:25:41 | 0:25:43 | |
I had a wonderful time. | 0:25:43 | 0:25:44 | |
Yes. | 0:25:44 | 0:25:46 | |
Although there was something I wanted to say, and, er... | 0:25:46 | 0:25:49 | |
..I thought maybe I'd find the right time to say it, | 0:25:50 | 0:25:53 | |
but maybe there never is a right time. | 0:25:53 | 0:25:55 | |
What is it? | 0:25:55 | 0:25:57 | |
Humphrey, look! | 0:25:57 | 0:25:58 | |
That's John Green's room. | 0:25:58 | 0:26:00 | |
My God, there's someone in there! | 0:26:01 | 0:26:03 | |
This is the police! Who's there?! | 0:26:11 | 0:26:13 | |
THUD | 0:26:25 | 0:26:26 | |
HE BREATHES HEAVILY | 0:26:30 | 0:26:32 | |
Aaargh! | 0:26:39 | 0:26:41 | |
Argh! Oh! Ohh! | 0:26:41 | 0:26:44 | |
FOOTSTEPS ON STAIRS | 0:26:45 | 0:26:46 | |
SIREN BLARES | 0:26:49 | 0:26:51 | |
Sir! | 0:26:58 | 0:27:00 | |
-Oh, Florence. -Are you all right? | 0:27:00 | 0:27:01 | |
He has a cut to his head and suspected concussion. | 0:27:01 | 0:27:05 | |
They've got to take him in for observation, | 0:27:05 | 0:27:07 | |
but he's going to be all right. | 0:27:07 | 0:27:09 | |
I... I'm just a bit woozy and... | 0:27:09 | 0:27:11 | |
a little bit hurty up there. | 0:27:11 | 0:27:14 | |
What happened? | 0:27:14 | 0:27:16 | |
Someone broke into John Green's hotel room. | 0:27:16 | 0:27:18 | |
They were looking for something. | 0:27:18 | 0:27:20 | |
But Humphrey didn't see who it was, or what they were looking for. | 0:27:20 | 0:27:23 | |
You know, it's got to be our killer, Florence. | 0:27:23 | 0:27:26 | |
OK, don't worry, sir. | 0:27:26 | 0:27:27 | |
I'll get JP to work the scene and we'll discover who did this. | 0:27:27 | 0:27:31 | |
Yes, I know you will. Thank you. | 0:27:31 | 0:27:33 | |
But please, first, would you escort Mary to her room? | 0:27:33 | 0:27:36 | |
No way - I'm not leaving your side after what happened. | 0:27:36 | 0:27:40 | |
No, I'm coming to the hospital with you. | 0:27:40 | 0:27:42 | |
OK, you can take him now. | 0:27:42 | 0:27:43 | |
SIREN WAILS | 0:27:48 | 0:27:50 | |
I've got some water and some grapes. | 0:28:05 | 0:28:08 | |
Where did you get grapes from? | 0:28:10 | 0:28:12 | |
Ah... A woman has to have her mystery. | 0:28:12 | 0:28:15 | |
Before, you know... | 0:28:15 | 0:28:18 | |
I got tonked... | 0:28:18 | 0:28:19 | |
..you were trying to tell me something. | 0:28:22 | 0:28:23 | |
So your memory's not affected. | 0:28:23 | 0:28:26 | |
Unlike mine. | 0:28:28 | 0:28:29 | |
I'm losing my marbles. | 0:28:31 | 0:28:33 | |
What? | 0:28:33 | 0:28:35 | |
Though some people would say I never had any in the first place, | 0:28:35 | 0:28:37 | |
but, er... | 0:28:37 | 0:28:39 | |
Well... | 0:28:39 | 0:28:40 | |
..I went to the doctor, and he did some tests. | 0:28:41 | 0:28:44 | |
You're not losing your marbles. | 0:28:44 | 0:28:45 | |
Oh, I am, Humphrey. | 0:28:45 | 0:28:46 | |
I forget things. | 0:28:46 | 0:28:48 | |
We all forget things. | 0:28:48 | 0:28:50 | |
I can't remember what day it is half the time. | 0:28:50 | 0:28:52 | |
I know. But... | 0:28:52 | 0:28:53 | |
..I forget recipes that I've been making my whole life, and... | 0:28:56 | 0:29:00 | |
the names of friends. | 0:29:00 | 0:29:02 | |
You know, I can't do logic puzzles any more. | 0:29:04 | 0:29:07 | |
That's what you do. | 0:29:07 | 0:29:08 | |
Puzzles. | 0:29:09 | 0:29:11 | |
That's what we do. | 0:29:12 | 0:29:14 | |
It's scary. | 0:29:14 | 0:29:15 | |
I've had a wonderful life... | 0:29:17 | 0:29:19 | |
..and now I'm going to forget it all. | 0:29:21 | 0:29:23 | |
Well, that was my reason for this trip. | 0:29:26 | 0:29:30 | |
I wanted to spend some time with you while I can still remember. | 0:29:30 | 0:29:35 | |
And I wanted to be the one who told you. | 0:29:37 | 0:29:40 | |
And now I have. | 0:29:42 | 0:29:44 | |
So you reckon the chief will be OK, Sarge? | 0:29:57 | 0:29:59 | |
He should be fine. | 0:29:59 | 0:30:00 | |
Oh, JP... | 0:30:01 | 0:30:03 | |
Did you discover what the intruder was looking for? | 0:30:03 | 0:30:05 | |
Er...I'm sorry. | 0:30:05 | 0:30:06 | |
I mean, the drawers were open, the victim's luggage was pulled apart... | 0:30:06 | 0:30:10 | |
I mean, the intruder was definitely looking for something, | 0:30:10 | 0:30:13 | |
but I have no idea what it was, | 0:30:13 | 0:30:14 | |
or if he even found it before he ran away. | 0:30:14 | 0:30:16 | |
Then what about fingerprints? | 0:30:16 | 0:30:17 | |
No new prints on any other surfaces I could find. | 0:30:17 | 0:30:20 | |
So the intruder was wearing gloves. | 0:30:20 | 0:30:22 | |
-Almost certainly. -Like he was the first time. | 0:30:22 | 0:30:24 | |
What have you got on your side? | 0:30:24 | 0:30:25 | |
I'm trying to run background checks on Mr Green's contacts, | 0:30:25 | 0:30:28 | |
but I'm struggling. | 0:30:28 | 0:30:30 | |
He only knows about 30 people, | 0:30:30 | 0:30:31 | |
and they're all from his home town, Colchester. | 0:30:31 | 0:30:34 | |
It's just not much to go on. | 0:30:34 | 0:30:36 | |
It's just like his credit report, Sarge. | 0:30:36 | 0:30:38 | |
It's all above board, but where it lists previous residences, | 0:30:38 | 0:30:41 | |
it's only got his Colchester address, | 0:30:41 | 0:30:43 | |
which he moved into five years ago. | 0:30:43 | 0:30:45 | |
There are no other addresses listed before then. | 0:30:45 | 0:30:47 | |
But he must have lived somewhere before then. | 0:30:47 | 0:30:50 | |
You know what? | 0:30:50 | 0:30:52 | |
I think his passport was only issued five years ago. | 0:30:52 | 0:30:55 | |
Yeah, it was. | 0:30:58 | 0:30:59 | |
OK, everyone. | 0:31:01 | 0:31:02 | |
I think we need to find out what John Green was up to | 0:31:02 | 0:31:05 | |
before five years ago. | 0:31:05 | 0:31:06 | |
What is it? | 0:31:18 | 0:31:19 | |
Chicken soup. | 0:31:19 | 0:31:20 | |
Mmm. | 0:31:20 | 0:31:21 | |
Everyone needs chicken soup when they're ill. | 0:31:21 | 0:31:23 | |
Yes, quite. | 0:31:23 | 0:31:25 | |
Ahem... | 0:31:25 | 0:31:26 | |
-What do you think? -Er, well, it's, er... | 0:31:30 | 0:31:32 | |
It's delicious. | 0:31:33 | 0:31:35 | |
SHE SIGHS | 0:31:35 | 0:31:36 | |
Now... | 0:31:37 | 0:31:39 | |
No over-exciting him. | 0:31:39 | 0:31:41 | |
I've spoken to the doctor, | 0:31:41 | 0:31:42 | |
and he needs complete bed rest for at least another day. | 0:31:42 | 0:31:46 | |
OK? | 0:31:46 | 0:31:48 | |
-Of course. -Yes. | 0:31:48 | 0:31:49 | |
Nuts to that. You've made a breakthrough, haven't you? | 0:32:00 | 0:32:03 | |
Yes, what she said. | 0:32:03 | 0:32:05 | |
Well, sir, we finally realised we didn't have a single record | 0:32:05 | 0:32:08 | |
for John Green from more than five years ago. | 0:32:08 | 0:32:10 | |
It was like he didn't exist before 2011. | 0:32:10 | 0:32:14 | |
That's when Sarge came up with her genius idea. | 0:32:14 | 0:32:17 | |
What if he DIDN'T exist before 2011? | 0:32:17 | 0:32:19 | |
Ah, that's not possible! | 0:32:19 | 0:32:21 | |
It's not his real identity, is it? | 0:32:21 | 0:32:23 | |
I got onto the police back in Essex, | 0:32:23 | 0:32:25 | |
but at the right level this time - the superintendent - | 0:32:25 | 0:32:27 | |
and she was able to confirm my suspicions | 0:32:27 | 0:32:30 | |
and put me onto John Green's handler. | 0:32:30 | 0:32:31 | |
John Green is not his real name, Chief. | 0:32:31 | 0:32:33 | |
It's Marcus Knight. He was a crooked accountant | 0:32:33 | 0:32:36 | |
who worked with a number of criminal families, | 0:32:36 | 0:32:38 | |
and a load of diamond merchants from the East End of London. | 0:32:38 | 0:32:40 | |
Oh, this is wonderful! | 0:32:40 | 0:32:41 | |
But six years ago, he knew the police were closing in on him, | 0:32:41 | 0:32:44 | |
so he turned his files over to them | 0:32:44 | 0:32:46 | |
in return for a reduced sentence and a new identity. | 0:32:46 | 0:32:49 | |
Yes, his evidence put seven other criminals in prison. | 0:32:49 | 0:32:51 | |
Although the police still suspected Mr Knight had stolen the best part | 0:32:51 | 0:32:54 | |
of a quarter of a million pounds from his clients before he went to the police. | 0:32:54 | 0:32:57 | |
Not that they were able to prove it or recover the money. | 0:32:57 | 0:33:00 | |
But once he'd served his time for false accounting, | 0:33:00 | 0:33:02 | |
the Government gave Mr Knight a new name | 0:33:02 | 0:33:04 | |
and put him in witness protection. | 0:33:04 | 0:33:05 | |
-Brilliant! Well done, everyone. -We've already been onto immigration, | 0:33:05 | 0:33:08 | |
and they say Marcus Knight visited the island six years ago. | 0:33:08 | 0:33:12 | |
Just before he turned himself in to the UK police. | 0:33:12 | 0:33:14 | |
He's been to the island before? | 0:33:14 | 0:33:16 | |
In which case, Florence, you need to compile a list of all | 0:33:16 | 0:33:19 | |
Marcus Knight's known associates before he went to prison, | 0:33:19 | 0:33:22 | |
starting with those criminals he turned Queen's evidence against. | 0:33:22 | 0:33:25 | |
Yes, sir. | 0:33:25 | 0:33:27 | |
Ah...yes, well, well done, well done, everyone. | 0:33:27 | 0:33:29 | |
Perhaps I'd better... | 0:33:29 | 0:33:30 | |
-HE SIGHS -..rest. | 0:33:30 | 0:33:31 | |
HE SIGHS | 0:33:33 | 0:33:36 | |
-MACHINERY BLEEPS -Hmm! | 0:33:51 | 0:33:53 | |
-ALARMS RING -Don't worry, Aunt Mary, er...just a moment... | 0:33:53 | 0:33:56 | |
Ah hello, hello. | 0:33:56 | 0:33:57 | |
Sorry, er, don't know how that happened, but, er... | 0:33:57 | 0:33:59 | |
now I've got you here, I wonder if you could help me. | 0:33:59 | 0:34:02 | |
Because we're going to need a large whiteboard | 0:34:02 | 0:34:04 | |
and some marker pens in varying colours. | 0:34:04 | 0:34:06 | |
Thank you. | 0:34:06 | 0:34:07 | |
I mean, after all, Auntie... | 0:34:10 | 0:34:12 | |
what else do we do when we're confined indoors, | 0:34:12 | 0:34:14 | |
if not solve some puzzles? | 0:34:14 | 0:34:18 | |
You know what I can't help thinking, Auntie? | 0:34:20 | 0:34:22 | |
That Marcus Knight is the Cretan from the riddle. | 0:34:22 | 0:34:25 | |
Who? | 0:34:25 | 0:34:27 | |
The man from Crete who says that all men from Crete are liars. | 0:34:27 | 0:34:31 | |
I don't know that one. | 0:34:31 | 0:34:32 | |
Yes, you do, the Epimenides Paradox - you taught it to me. | 0:34:32 | 0:34:35 | |
You know, if he's from Crete, he's lying, | 0:34:36 | 0:34:38 | |
and if he's telling the truth, then he can't be from Crete. | 0:34:38 | 0:34:42 | |
I can't... can't remember it. | 0:34:43 | 0:34:46 | |
Sorry, I told you, it's not what it was. | 0:34:46 | 0:34:49 | |
Don't worry. | 0:34:49 | 0:34:50 | |
All I'm saying is | 0:34:50 | 0:34:52 | |
that nothing we know about Marcus Knight can be presumed to be true. | 0:34:52 | 0:34:56 | |
So what I keep coming back to is, | 0:34:56 | 0:34:58 | |
what if he never actually went to the botanical gardens at all? | 0:34:58 | 0:35:03 | |
I see. | 0:35:03 | 0:35:04 | |
Well, where do you think he went? | 0:35:04 | 0:35:06 | |
No idea. | 0:35:09 | 0:35:10 | |
Hmm. | 0:35:11 | 0:35:12 | |
Although Dwayne said Marcus Knight stole a quarter of a million pounds | 0:35:12 | 0:35:16 | |
before he went to prison six years ago. | 0:35:16 | 0:35:18 | |
Yes, and Dwayne also said that Marcus came out to the island | 0:35:18 | 0:35:21 | |
six years ago, as well. | 0:35:21 | 0:35:22 | |
Shortly before he turned himself in to the police. | 0:35:22 | 0:35:24 | |
So maybe he's been hiding his money on the island all this time! | 0:35:24 | 0:35:28 | |
Good grief, Auntie, I wonder if you're right. | 0:35:28 | 0:35:30 | |
So if he DIDN'T go to the botanical gardens, I wonder where he did go. | 0:35:30 | 0:35:35 | |
Well, where else is there nearby? | 0:35:35 | 0:35:37 | |
Somewhere he could have kept a quarter of a million pounds safe | 0:35:37 | 0:35:41 | |
-for six years. -Well, gosh, I don't really know. | 0:35:41 | 0:35:44 | |
I mean, there's just a few shops up there. There's a... | 0:35:44 | 0:35:46 | |
a chemist, and... and a laundry, I think, and... | 0:35:46 | 0:35:49 | |
And then there's just a... | 0:35:49 | 0:35:50 | |
Good grief! | 0:35:52 | 0:35:54 | |
There's also a bank! | 0:35:54 | 0:35:55 | |
Do you want to ring Florence, or shall I? | 0:35:55 | 0:35:58 | |
I can confirm that a Marcus Knight | 0:35:58 | 0:36:00 | |
took out a safety deposit box with us in February of 2010. | 0:36:00 | 0:36:04 | |
Six years ago? | 0:36:04 | 0:36:05 | |
Yes, and three days ago, he presented himself and his key | 0:36:05 | 0:36:08 | |
to the branch, emptied his box, closed down the account, | 0:36:08 | 0:36:11 | |
and handed back his key. | 0:36:11 | 0:36:12 | |
Do you know what he'd been keeping here in those six years? | 0:36:12 | 0:36:15 | |
I don't. But I know it fitted inside a brown holdall. | 0:36:15 | 0:36:18 | |
But we never found no brown holdall in his room. | 0:36:20 | 0:36:23 | |
OK, so the killer took the bag of money when he killed Marcus Knight. | 0:36:25 | 0:36:29 | |
Yes, because it was full of a quarter of a million pounds. | 0:36:29 | 0:36:32 | |
And just imagine, Sarge, | 0:36:32 | 0:36:33 | |
the money's been sitting in that bank all this time. | 0:36:33 | 0:36:36 | |
All you'd need is a key, and all of the cash is yours. | 0:36:36 | 0:36:39 | |
You're right. | 0:36:39 | 0:36:40 | |
About what? | 0:36:40 | 0:36:41 | |
Where was the key all this time? | 0:36:41 | 0:36:43 | |
-How do you mean? -OK... | 0:36:43 | 0:36:45 | |
Imagine - you're Marcus Knight. | 0:36:45 | 0:36:47 | |
You've put a load of money in a safety deposit box, | 0:36:47 | 0:36:50 | |
and you know you're going to prison. | 0:36:50 | 0:36:52 | |
What are you going to do with the key? | 0:36:52 | 0:36:54 | |
-Give it to someone for safekeeping. -But who? | 0:36:54 | 0:36:56 | |
OK, Dwayne, go back to the bank | 0:36:57 | 0:36:59 | |
and get the key Mr Knight used to open his safety deposit box. | 0:36:59 | 0:37:02 | |
I think we need to test it for fingerprints. | 0:37:02 | 0:37:04 | |
Ah-ha-ha! | 0:37:04 | 0:37:07 | |
Find anything yet, JP? | 0:37:11 | 0:37:13 | |
Seven points of comparison. That's admissible in court. | 0:37:13 | 0:37:16 | |
Who does the fingerprint belong to? | 0:37:16 | 0:37:18 | |
JP SIGHS | 0:37:18 | 0:37:19 | |
Neil Jenkins. | 0:37:19 | 0:37:20 | |
-I don't know what you're talking about. -Marcus Knight is the real name of John Green, | 0:37:21 | 0:37:25 | |
the man who was murdered only hours after you were seen at his hotel. | 0:37:25 | 0:37:30 | |
The man you told us you didn't know. | 0:37:30 | 0:37:32 | |
Even though he visited you six years ago. | 0:37:32 | 0:37:34 | |
Which is when he left his safety deposit key with you, didn't he? | 0:37:34 | 0:37:38 | |
A safety deposit key we just retrieved from the bank, | 0:37:38 | 0:37:42 | |
and we were able to lift a clean fingerprint belonging to you | 0:37:42 | 0:37:45 | |
off the key fob. | 0:37:45 | 0:37:46 | |
Which implicates you in his murder, | 0:37:46 | 0:37:49 | |
unless you can explain how your fingerprint got there. | 0:37:49 | 0:37:52 | |
All right. | 0:37:52 | 0:37:54 | |
All right, I admit... | 0:37:54 | 0:37:55 | |
..that I knew that John was really Marcus. | 0:37:57 | 0:38:00 | |
Yeah. | 0:38:00 | 0:38:01 | |
He used to be my company accountant years ago. | 0:38:01 | 0:38:04 | |
So why did you lie to us? | 0:38:04 | 0:38:06 | |
Because I wanted to protect his secret. | 0:38:06 | 0:38:08 | |
-Which was...? -Look... | 0:38:08 | 0:38:10 | |
before Marcus handed himself over to the Old Bill, | 0:38:10 | 0:38:12 | |
he siphoned off a lot of cash for himself, | 0:38:12 | 0:38:16 | |
and he was going to store it in the bank for when he came out. | 0:38:16 | 0:38:19 | |
Now, he asked me to look after the key. | 0:38:19 | 0:38:22 | |
The day that he came back, we arranged a meeting. | 0:38:23 | 0:38:26 | |
We went to the hotel, sat out on the balcony, had a few beers, | 0:38:26 | 0:38:28 | |
talked about old times, you know, compared war wounds, it was lovely. | 0:38:28 | 0:38:32 | |
And then I gave him the key so that he could go to the bank. | 0:38:32 | 0:38:36 | |
And you got on after all this time? | 0:38:36 | 0:38:39 | |
Yeah, of course we got on. | 0:38:39 | 0:38:40 | |
I mean, everyone loved Marcus, didn't they? | 0:38:40 | 0:38:42 | |
I mean, I actually said to him | 0:38:42 | 0:38:44 | |
that he ought to cancel his reservation at the hotel, | 0:38:44 | 0:38:46 | |
and he should spend the rest of his holidays with us. Didn't I, darling? | 0:38:46 | 0:38:50 | |
-What was that? -I said that he could spend | 0:38:50 | 0:38:52 | |
the rest of the holidays with us. | 0:38:52 | 0:38:54 | |
Yes! | 0:38:54 | 0:38:55 | |
-And he would have done if he hadn't died, the poor man. -So you knew Marcus Knight, as well? | 0:38:55 | 0:38:59 | |
He was Neil's accountant, so I suppose I knew him to say hello to. | 0:38:59 | 0:39:02 | |
And you both admit you knew about the money | 0:39:02 | 0:39:04 | |
Mr Knight had been keeping at the bank all this time? | 0:39:04 | 0:39:07 | |
-I didn't know about any money. -Look, all right, all right... All right, that's true. | 0:39:07 | 0:39:11 | |
Ella didn't know about the money. | 0:39:11 | 0:39:12 | |
It wasn't my secret to share - simple as that. | 0:39:12 | 0:39:14 | |
Even though last time I was here, | 0:39:14 | 0:39:16 | |
you told me you had no secrets from your wife. | 0:39:16 | 0:39:19 | |
You see, this is the problem we've got, Mr Jenkins. | 0:39:19 | 0:39:23 | |
We know you couldn't have got Mr Knight's money out of the bank | 0:39:23 | 0:39:26 | |
while he was in prison. | 0:39:26 | 0:39:27 | |
Because Mr Knight was the only one who could get it out. | 0:39:27 | 0:39:30 | |
So this is what we're thinking. | 0:39:30 | 0:39:33 | |
Once you were sure Mr Knight had his money, you went to his room | 0:39:33 | 0:39:36 | |
in the middle of the night, killed him, and stole it for yourself. | 0:39:36 | 0:39:40 | |
Listen... | 0:39:42 | 0:39:43 | |
You're forgetting one thing, all right? | 0:39:45 | 0:39:47 | |
I had an alibi for the night that he was murdered. | 0:39:50 | 0:39:53 | |
So where were you last night just before midnight? | 0:39:53 | 0:39:56 | |
I was asleep. Why? | 0:39:56 | 0:39:57 | |
-Can you prove that? -I've done nothing wrong here, all right? | 0:39:57 | 0:40:00 | |
All I did was look after a key for an old friend. | 0:40:00 | 0:40:02 | |
So unless you have got a warrant or you're going to charge me, | 0:40:02 | 0:40:05 | |
then I've finished helping the police with their enquiries, | 0:40:05 | 0:40:08 | |
so out! | 0:40:08 | 0:40:09 | |
I'm telling you, Neil Jenkins is our killer! | 0:40:15 | 0:40:18 | |
He's a known criminal, he's been looking after the key, | 0:40:18 | 0:40:21 | |
and he knows the bag contained money. | 0:40:21 | 0:40:23 | |
But, Dwayne, he's already a rich man. | 0:40:23 | 0:40:26 | |
Why would he need to kill for money? | 0:40:26 | 0:40:29 | |
We need the inspector. | 0:40:29 | 0:40:30 | |
if Neil Jenkins killed Marcus, | 0:40:31 | 0:40:33 | |
he'll have taken the bag of money and hidden the cash somewhere. | 0:40:33 | 0:40:36 | |
So, JP, how's your research going? | 0:40:36 | 0:40:39 | |
Well, we already know a lot about Neil Jenkins, | 0:40:39 | 0:40:42 | |
so I decided to do a few background checks on his wife. | 0:40:42 | 0:40:45 | |
And I've discovered she was on the police computer | 0:40:45 | 0:40:49 | |
under her maiden name, Ella Thomas. | 0:40:49 | 0:40:52 | |
15 years ago - about a year or so before she married Neil - | 0:40:52 | 0:40:56 | |
she was cautioned for running a fake perfume stall | 0:40:56 | 0:40:58 | |
in London on Oxford Street. | 0:40:58 | 0:41:00 | |
She also has a serious amount of debts on her credit cards. | 0:41:00 | 0:41:04 | |
Oh, so she's not as innocent as she pretends to be. | 0:41:04 | 0:41:07 | |
But how did she know that Marcus was collecting the money that day, mm? | 0:41:07 | 0:41:10 | |
Her husband said he never told Ella about the bag of money. | 0:41:10 | 0:41:14 | |
You know what? | 0:41:14 | 0:41:15 | |
We still don't know why the killer returned to the scene of the crime. | 0:41:15 | 0:41:19 | |
I think we should find out, don't you? | 0:41:20 | 0:41:22 | |
No, sir, sir! The doctors said you had to stay in bed. | 0:41:22 | 0:41:25 | |
Yes, I know, but what do doctors know? | 0:41:25 | 0:41:27 | |
HE CHUCKLES | 0:41:27 | 0:41:28 | |
Oh...hold on! | 0:41:28 | 0:41:30 | |
CRASH | 0:41:30 | 0:41:32 | |
Oh... Don't worry, I'm fine. | 0:41:32 | 0:41:34 | |
Ah! And I hope you don't mind, but for the remainder of the case, | 0:41:34 | 0:41:37 | |
I am co-opting the help of a civilian expert. | 0:41:37 | 0:41:40 | |
Aunt Mary. | 0:41:41 | 0:41:43 | |
So, the killer gets back in here, | 0:41:44 | 0:41:47 | |
but what are they looking for? | 0:41:47 | 0:41:49 | |
And did they find it? | 0:41:50 | 0:41:52 | |
Almost certainly not, sir. | 0:41:52 | 0:41:54 | |
I mean, seeing as you interrupted them. | 0:41:54 | 0:41:55 | |
Yes, but it was down here | 0:41:55 | 0:41:57 | |
that the original fight for the money must have been, | 0:41:57 | 0:42:00 | |
because... | 0:42:00 | 0:42:01 | |
Mr Knight was thrown over this balcony here. | 0:42:01 | 0:42:05 | |
Sir, it has to be Neil Jenkins. | 0:42:05 | 0:42:07 | |
He's the only person on the whole island | 0:42:07 | 0:42:09 | |
who knew there was a bag full of money. | 0:42:09 | 0:42:11 | |
-Well, yes, we keep saying that, but, you know, I wonder if that's true. -How do you mean? | 0:42:11 | 0:42:15 | |
Well, this whole case has been the wrong way round from the start, hasn't it? | 0:42:15 | 0:42:18 | |
I mean, John Green wasn't even John Green. | 0:42:18 | 0:42:21 | |
So what if the one proven crook in this case... | 0:42:23 | 0:42:27 | |
..isn't the crook after all? | 0:42:29 | 0:42:30 | |
I mean, Neil's already rich, | 0:42:32 | 0:42:34 | |
so why would he need to kill for money? | 0:42:34 | 0:42:36 | |
And yes, in fact, what if the secret of the money... | 0:42:36 | 0:42:39 | |
wasn't... | 0:42:39 | 0:42:40 | |
even... | 0:42:40 | 0:42:42 | |
a secret? | 0:42:42 | 0:42:43 | |
WOMAN SINGS IN DISTANCE | 0:42:43 | 0:42:44 | |
Yes, but why kill that night? | 0:42:44 | 0:42:46 | |
SINGING CONTINUES | 0:42:46 | 0:42:48 | |
Singing! | 0:42:50 | 0:42:51 | |
Well, I'll be blowed. | 0:42:55 | 0:42:56 | |
'We went to the hotel, sat out on the balcony, had a few beers, | 0:42:56 | 0:42:59 | |
'talked about old times.' | 0:42:59 | 0:43:00 | |
I said, "Look, why don't you cancel your reservation at the hotel, | 0:43:00 | 0:43:03 | |
"come and spend the rest of your holidays with us?" | 0:43:03 | 0:43:05 | |
-Yes, er...what time was this? -Ten past two. | 0:43:05 | 0:43:08 | |
THAT'S why you'd kill that night... | 0:43:12 | 0:43:15 | |
and why the secret's not a secret! | 0:43:15 | 0:43:17 | |
But, wait, that's not possible. | 0:43:18 | 0:43:20 | |
(Maybe that's not impossible.) | 0:43:22 | 0:43:23 | |
DOOR LATCH CLICKS | 0:43:26 | 0:43:30 | |
Good grief! | 0:43:31 | 0:43:33 | |
You know who killed Marcus Knight? | 0:43:33 | 0:43:34 | |
Aunt Mary... | 0:43:34 | 0:43:36 | |
-That's your room next door, isn't it? -That's right. | 0:43:36 | 0:43:38 | |
Then I need the log of who opened what doors that afternoon. | 0:43:38 | 0:43:41 | |
I need to know who was in Room 32! | 0:43:41 | 0:43:43 | |
Mr and Mrs Jenkins. | 0:43:47 | 0:43:48 | |
Why do you want to meet us up here? | 0:43:48 | 0:43:50 | |
Well, you want to know who killed your good friend, Marcus Knight, don't you? | 0:43:50 | 0:43:54 | |
Of course. | 0:43:56 | 0:43:57 | |
Please... | 0:43:57 | 0:43:59 | |
Now, Neil... | 0:43:59 | 0:44:01 | |
You and Marcus went to his room the afternoon he was killed, didn't you? | 0:44:01 | 0:44:05 | |
What of it? | 0:44:05 | 0:44:07 | |
Freddie, if you would, please. | 0:44:07 | 0:44:09 | |
LOCK BLEEPS | 0:44:09 | 0:44:11 | |
That's not Marcus's room. It was that one over there. | 0:44:11 | 0:44:14 | |
Don't worry, all will become clear. Please. | 0:44:14 | 0:44:17 | |
You see, all along, you had to be our killer, Neil. | 0:44:20 | 0:44:23 | |
Only you knew about Marcus's bag of money. | 0:44:23 | 0:44:26 | |
And yet... | 0:44:26 | 0:44:27 | |
Marcus was your one-time company secretary. | 0:44:27 | 0:44:30 | |
You'd even, er...looked after the key to his safe deposit box | 0:44:30 | 0:44:32 | |
for the last six years. | 0:44:32 | 0:44:35 | |
This is not the behaviour of someone who has hate in his heart. | 0:44:35 | 0:44:38 | |
-You didn't kill him. -Too damn right I didn't. | 0:44:41 | 0:44:44 | |
But it made me realise - excuse me, Aunt Mary - | 0:44:44 | 0:44:46 | |
that there was someone else on the island | 0:44:46 | 0:44:49 | |
who could have known about that money. | 0:44:49 | 0:44:52 | |
And that was you, Ella. | 0:44:52 | 0:44:54 | |
Because even if you didn't tell your wife about the bag of money, well... | 0:44:54 | 0:44:57 | |
I mean, Ella was still here six years ago | 0:44:57 | 0:44:59 | |
when Marcus dropped that money off. | 0:44:59 | 0:45:02 | |
He could have told her all about it then. | 0:45:02 | 0:45:04 | |
You already have a criminal past. | 0:45:04 | 0:45:06 | |
Selling fake perfume. | 0:45:06 | 0:45:07 | |
And you're maxed out on your credit cards. | 0:45:07 | 0:45:09 | |
You need the money. | 0:45:09 | 0:45:11 | |
It's not that bad. | 0:45:11 | 0:45:12 | |
I didn't kill him! | 0:45:14 | 0:45:15 | |
No. | 0:45:15 | 0:45:16 | |
Because that honour belongs to you, Freddie. | 0:45:18 | 0:45:20 | |
What? | 0:45:20 | 0:45:22 | |
You killed Marcus Knight. | 0:45:22 | 0:45:23 | |
What? I don't understand. Why would I do that? | 0:45:24 | 0:45:27 | |
I know! I mean... | 0:45:27 | 0:45:29 | |
how did you even know there was a bag of cash to steal in the first place? | 0:45:29 | 0:45:33 | |
Well, let's see. | 0:45:34 | 0:45:35 | |
Because, as a porter... | 0:45:35 | 0:45:37 | |
you have one particular skill, don't you? | 0:45:37 | 0:45:39 | |
And that is remembering names and faces. | 0:45:39 | 0:45:42 | |
Ah, Mr and Mrs Bachmann, how have you been this past year? | 0:45:42 | 0:45:45 | |
HE LAUGHS | 0:45:45 | 0:45:47 | |
So I think your suspicions were raised | 0:45:48 | 0:45:51 | |
the moment Mr Knight returned to the hotel after a gap of six years, | 0:45:51 | 0:45:55 | |
saying his name was now Mr Green. | 0:45:55 | 0:45:57 | |
Afternoon! I've got a room booked in the name John Green. | 0:45:57 | 0:46:00 | |
When a well-known island crook arrived soon after, | 0:46:00 | 0:46:03 | |
we think you decided to find out what was going on. | 0:46:03 | 0:46:07 | |
Because although you never used your pass-key | 0:46:09 | 0:46:11 | |
to enter Marcus's room that night - I mean, you'd never be so stupid - | 0:46:11 | 0:46:15 | |
the hotel records do show that you were in this room | 0:46:15 | 0:46:19 | |
for 25 minutes that afternoon - | 0:46:19 | 0:46:21 | |
the room next door to Mr Knight's. | 0:46:21 | 0:46:23 | |
Even though there were no guests staying here. | 0:46:25 | 0:46:27 | |
So why is that, Freddie? | 0:46:27 | 0:46:29 | |
It was when you heard the story of a bag of cash | 0:46:29 | 0:46:32 | |
containing a quarter of a million pounds. | 0:46:32 | 0:46:35 | |
You know what the tragedy is? | 0:46:35 | 0:46:37 | |
Marcus would possibly still be alive | 0:46:38 | 0:46:40 | |
if you hadn't invited him to move into your house | 0:46:40 | 0:46:42 | |
for the rest of the holiday. | 0:46:42 | 0:46:44 | |
Because it made Freddie realise, | 0:46:44 | 0:46:46 | |
if he wanted his bag of money for himself, he'd have to act fast. | 0:46:46 | 0:46:51 | |
When you got to deliver room service to Marcus that night, | 0:46:51 | 0:46:53 | |
I mean, I think you checked for the bag of money - | 0:46:53 | 0:46:56 | |
of course you did - | 0:46:56 | 0:46:57 | |
but you also made sure that you left the door on the latch, | 0:46:57 | 0:47:00 | |
so you wouldn't need to use your pass-key later on, didn't you? | 0:47:00 | 0:47:03 | |
As you knew the hotel logged every time a key is used. | 0:47:03 | 0:47:07 | |
I... I was downstairs on reception when he was killed. | 0:47:07 | 0:47:10 | |
Oh, yeah, that's right, you were, weren't you? | 0:47:10 | 0:47:12 | |
Yes, the CCTV footage proves it. | 0:47:12 | 0:47:15 | |
If you would, please, JP? | 0:47:15 | 0:47:17 | |
Yes, Chief. | 0:47:17 | 0:47:18 | |
Because you're right, Freddie. | 0:47:21 | 0:47:24 | |
Here you are, just after 2am, minding your own business. | 0:47:24 | 0:47:27 | |
And here's the phone call from Aunt Mary, er... | 0:47:29 | 0:47:31 | |
phoning down to reception, | 0:47:31 | 0:47:32 | |
telling you that someone's fallen from their balcony. | 0:47:32 | 0:47:35 | |
Oh, and there you are, getting your torch and going to help. | 0:47:35 | 0:47:38 | |
So how on earth could you possibly be the killer? | 0:47:38 | 0:47:41 | |
I mean, you never left reception. | 0:47:41 | 0:47:43 | |
But then I remembered... | 0:47:45 | 0:47:47 | |
..when we first interviewed you, | 0:47:48 | 0:47:50 | |
Aunt Mary said she phoned down to reception at 2:10am. | 0:47:50 | 0:47:54 | |
But you corrected her, and said it was more like two. | 0:47:55 | 0:47:58 | |
It had just gone two when you called me. | 0:47:58 | 0:48:00 | |
It was only a difference of ten minutes. What did it matter? | 0:48:00 | 0:48:03 | |
Well, as it happens, quite a lot. | 0:48:03 | 0:48:06 | |
So, thank you, Mary. | 0:48:08 | 0:48:10 | |
You weren't confused that night. | 0:48:10 | 0:48:12 | |
Or forgetful in any way. | 0:48:12 | 0:48:14 | |
It was ten past two when you rang down. | 0:48:14 | 0:48:17 | |
And it was in this missing ten minutes | 0:48:17 | 0:48:19 | |
that Freddie committed murder. | 0:48:19 | 0:48:21 | |
First... | 0:48:21 | 0:48:22 | |
he waited until he had to swap the CCTV discs over at 2am, | 0:48:22 | 0:48:25 | |
as we know. | 0:48:25 | 0:48:26 | |
Well, Chief, we've got two discs. | 0:48:26 | 0:48:28 | |
One covering from 2pm yesterday to 2am, | 0:48:28 | 0:48:31 | |
and the other one from 2am onwards. | 0:48:31 | 0:48:33 | |
But he didn't put in the new disc. Not yet, anyway. | 0:48:33 | 0:48:35 | |
You see, at this stage, | 0:48:35 | 0:48:37 | |
he was just planning to carry out a quick robbery, | 0:48:37 | 0:48:39 | |
get back to reception and then put the new disc in | 0:48:39 | 0:48:41 | |
before anyone noticed his absence. | 0:48:41 | 0:48:44 | |
Which is what he did - go into Marcus' room, | 0:48:44 | 0:48:46 | |
letting himself in without using his key. | 0:48:46 | 0:48:49 | |
And then? | 0:48:49 | 0:48:50 | |
Well, we can't know for sure. | 0:48:51 | 0:48:53 | |
But we do know Marcus woke up. | 0:48:53 | 0:48:55 | |
Did he threaten to call the police, Freddie? | 0:49:00 | 0:49:02 | |
Or were you always prepared to kill for that money? | 0:49:04 | 0:49:07 | |
I mean, either way, you knew you couldn't back down. | 0:49:07 | 0:49:09 | |
You had to get that money at all costs! | 0:49:09 | 0:49:11 | |
And when you got back down to reception, | 0:49:18 | 0:49:20 | |
I imagine you were just in... in a desperate panic, | 0:49:20 | 0:49:23 | |
wishing you could have your time over again. | 0:49:23 | 0:49:25 | |
And that's when you realised. | 0:49:25 | 0:49:27 | |
The disc wasn't recording! | 0:49:28 | 0:49:29 | |
You COULD have your time over again! | 0:49:31 | 0:49:32 | |
All you needed to do was set the wall clock back to 2am | 0:49:32 | 0:49:36 | |
before starting the next DVD. | 0:49:36 | 0:49:39 | |
So that when Aunt Mary rang down a few minutes later | 0:49:39 | 0:49:42 | |
to report the murder, you now appeared to have an alibi | 0:49:42 | 0:49:45 | |
for the moments leading up to the murder. | 0:49:45 | 0:49:47 | |
It was like you never left reception. | 0:49:48 | 0:49:51 | |
Except when you look closely, | 0:49:51 | 0:49:53 | |
you can see the brown holdall at your feet. | 0:49:53 | 0:49:56 | |
All you then needed to do was return the wall clock | 0:49:57 | 0:49:59 | |
to the real time later on | 0:49:59 | 0:50:01 | |
after you'd taken the disc out to give to us. | 0:50:01 | 0:50:03 | |
I mean, it was only ever a few minutes out, anyway. | 0:50:03 | 0:50:06 | |
-But why? -Why? I know. | 0:50:06 | 0:50:08 | |
I mean, after all, Freddie's got no criminal record. | 0:50:10 | 0:50:12 | |
There's been no hint he's stolen from guests before. | 0:50:12 | 0:50:15 | |
But then, I imagine no-one's brought in | 0:50:15 | 0:50:17 | |
a quarter of a million pounds in hard cash before. | 0:50:17 | 0:50:20 | |
So why? | 0:50:21 | 0:50:22 | |
I mean, in a world where you get by on dollar tips here and there... | 0:50:22 | 0:50:26 | |
I imagine that amount of money was just a bit too hard to resist, | 0:50:26 | 0:50:29 | |
eh, Freddie? | 0:50:29 | 0:50:30 | |
I mean, plus, it's stolen. | 0:50:30 | 0:50:31 | |
So if someone took it, | 0:50:31 | 0:50:33 | |
Marcus would never be able to report its theft to the police. | 0:50:33 | 0:50:35 | |
Easy money, really. | 0:50:35 | 0:50:37 | |
I imagine the temptation was just too great, | 0:50:38 | 0:50:40 | |
eh, Freddie? | 0:50:40 | 0:50:41 | |
Chief! | 0:50:41 | 0:50:42 | |
You were right. I searched Freddie's house and found it. But... | 0:50:44 | 0:50:47 | |
Thank you, Dwayne. | 0:50:47 | 0:50:48 | |
Finally, the bag of money! | 0:50:48 | 0:50:50 | |
-Chief, I really think you should... -One moment, Dwayne. | 0:50:50 | 0:50:53 | |
All along, we've been trying to work out who killed Marcus Knight. | 0:50:53 | 0:50:56 | |
And the answer is... | 0:50:56 | 0:50:58 | |
anyone who wanted to get their hands on a quarter of a million pounds. | 0:50:58 | 0:51:02 | |
I did try. | 0:51:06 | 0:51:07 | |
Where's the money? | 0:51:10 | 0:51:11 | |
There wasn't any. | 0:51:12 | 0:51:14 | |
-FREDDIE SIGHS -When I opened the bag it was just... | 0:51:14 | 0:51:17 | |
..that. | 0:51:18 | 0:51:20 | |
Yes, of course. | 0:51:20 | 0:51:21 | |
That's why you broke back into the room the following night. | 0:51:23 | 0:51:25 | |
Because you were still searching for the money. | 0:51:25 | 0:51:28 | |
You didn't find it that time, either, did you? Not with me interrupting. | 0:51:28 | 0:51:31 | |
Argh! | 0:51:31 | 0:51:32 | |
There never was any money. | 0:51:42 | 0:51:45 | |
What a waste of a life. | 0:51:45 | 0:51:46 | |
Take him away, Dwayne. | 0:51:49 | 0:51:51 | |
CELL DOOR SLAMS AND LOCKS | 0:51:52 | 0:51:55 | |
OK, well, I think this calls for a celebration, | 0:51:55 | 0:51:59 | |
don't you think, Auntie Mary? | 0:51:59 | 0:52:01 | |
Oh, yes, I think so, Dwayne. | 0:52:01 | 0:52:03 | |
JP? Sarge? A celebratory drink? | 0:52:03 | 0:52:06 | |
Yes? Let's go. | 0:52:06 | 0:52:07 | |
-Sir? -Mmm? | 0:52:07 | 0:52:09 | |
We're going for a drink. | 0:52:09 | 0:52:11 | |
No. | 0:52:11 | 0:52:12 | |
-Yes, of course. -What is it, Humphrey? | 0:52:12 | 0:52:15 | |
Well, I'm sorry, Auntie, it's just, er... | 0:52:15 | 0:52:17 | |
Why would you put a load of old mementoes into a safety deposit box? | 0:52:17 | 0:52:21 | |
Cos it's his old identity, sir. | 0:52:21 | 0:52:23 | |
I mean, he'd want to keep it safe. | 0:52:23 | 0:52:25 | |
Yes, no, I get that, JP, it's just... | 0:52:25 | 0:52:27 | |
-HE SIGHS -..why keep it safe in the Caribbean? | 0:52:27 | 0:52:29 | |
I mean, why not just put it into storage in the UK? | 0:52:29 | 0:52:32 | |
And... | 0:52:32 | 0:52:34 | |
if his possessions are worthy of a safety deposit box... | 0:52:34 | 0:52:37 | |
HE SIGHS | 0:52:37 | 0:52:38 | |
..then why not the money? | 0:52:38 | 0:52:40 | |
Sir... | 0:52:40 | 0:52:42 | |
We've looked. There's no money in that bag. | 0:52:42 | 0:52:44 | |
So where did he put the cash? | 0:52:44 | 0:52:45 | |
Maybe there never was any cash. | 0:52:45 | 0:52:47 | |
Yeah, but he told Neil Jenkins he was here to collect his money. | 0:52:47 | 0:52:51 | |
Then what if the bag itself is the money? | 0:52:53 | 0:52:58 | |
With all due respect, Auntie Mary, the bag's not even worth 20. | 0:52:58 | 0:53:03 | |
Yes, but what if it was? | 0:53:03 | 0:53:04 | |
Yes, because, erm... What was Marcus's job again? He... | 0:53:05 | 0:53:09 | |
..wasn't just an accountant to Neil Jenkins, was he? | 0:53:10 | 0:53:13 | |
That's right, he worked for a diamond merchants'. | 0:53:13 | 0:53:16 | |
Chief... | 0:53:16 | 0:53:17 | |
We looked inside and out - there's nowhere to hide anything. | 0:53:17 | 0:53:20 | |
And yet... | 0:53:20 | 0:53:22 | |
in the world of logic puzzles... | 0:53:22 | 0:53:24 | |
It's always your assumptions that lead you astray. | 0:53:24 | 0:53:27 | |
Ha... | 0:53:27 | 0:53:29 | |
Yes, it is, isn't it? | 0:53:29 | 0:53:30 | |
No way! | 0:53:32 | 0:53:33 | |
He knows where the money is. | 0:53:33 | 0:53:35 | |
HE SIGHS | 0:53:37 | 0:53:38 | |
HUMPHREY CHUCKLES | 0:53:46 | 0:53:47 | |
Now THAT'S how I'd hide a quarter of a million pounds. | 0:53:49 | 0:53:53 | |
Ahem... | 0:53:55 | 0:53:57 | |
JP... | 0:53:57 | 0:53:58 | |
Oh, Dwayne, don't worry. I haven't told Rosey how I feel. | 0:53:58 | 0:54:02 | |
I've followed your advice down to the letter. | 0:54:02 | 0:54:05 | |
Ah, good, but possibly it wasn't quite the best advice. | 0:54:05 | 0:54:08 | |
Mmm? It wasn't? | 0:54:08 | 0:54:10 | |
You see, JP, I've got a friend. | 0:54:10 | 0:54:12 | |
-Yes, I... I know. -No, no, no, I mean... | 0:54:12 | 0:54:14 | |
I've got a FRIEND. | 0:54:14 | 0:54:16 | |
-Oh, you've got a FRIEND? -That's what I said - I've got a FRIEND. | 0:54:16 | 0:54:20 | |
-It isn't me, by the way. -No. | 0:54:20 | 0:54:22 | |
But this friend of mine, he sort of nearly, kind of, | 0:54:22 | 0:54:24 | |
fell for this girl real bad. | 0:54:24 | 0:54:27 | |
And the one thing I sometimes wonder... | 0:54:27 | 0:54:29 | |
-Your friend. -Huh? | 0:54:29 | 0:54:30 | |
The one thing your friend sometimes wonders... | 0:54:30 | 0:54:33 | |
Oh, of course, the one thing my friend sometimes wonders is... | 0:54:33 | 0:54:37 | |
what if he had told her how really serious he was about her? | 0:54:37 | 0:54:41 | |
You think that might have... | 0:54:43 | 0:54:45 | |
-turned out a bit different? -No. | 0:54:45 | 0:54:47 | |
But your advice... | 0:54:49 | 0:54:51 | |
-Your friend's advice... -Mm? | 0:54:51 | 0:54:53 | |
I should tell Rosey I love her. | 0:54:53 | 0:54:56 | |
Yes, and soon! | 0:54:56 | 0:54:58 | |
Because this friend of mine, he's got two female friends | 0:54:58 | 0:55:01 | |
who are waiting to beat him up really bad if you don't. | 0:55:01 | 0:55:03 | |
-Mmm? -OK. | 0:55:04 | 0:55:06 | |
OK! | 0:55:06 | 0:55:08 | |
Ah... | 0:55:08 | 0:55:09 | |
Ah, JP! Everything OK? | 0:55:18 | 0:55:20 | |
Everything's just fine, Dwayne. | 0:55:20 | 0:55:22 | |
You see, everything's just fine. | 0:55:22 | 0:55:24 | |
Ah, and you both look like you need a little Ti' Punch, eh? | 0:55:24 | 0:55:28 | |
I need at least two! | 0:55:30 | 0:55:31 | |
Dwayne! | 0:55:31 | 0:55:33 | |
So you know...we couldn't have done it without you, Auntie. | 0:55:33 | 0:55:37 | |
It was quite an adventure! | 0:55:37 | 0:55:38 | |
Yes, I'll say! | 0:55:38 | 0:55:39 | |
So, your, er...memory was tip-top. | 0:55:41 | 0:55:45 | |
And your puzzle-solving abilities were even... | 0:55:45 | 0:55:48 | |
tip-top-erer. | 0:55:48 | 0:55:50 | |
SHE LAUGHS | 0:55:50 | 0:55:51 | |
You know, this has been... | 0:55:55 | 0:55:56 | |
one rocking-chair moment. | 0:55:56 | 0:55:58 | |
What's one of those? | 0:55:58 | 0:56:00 | |
When I'm sitting in my rocking chair and everything starts to go... | 0:56:00 | 0:56:05 | |
..I think there are some things I won't be able to forget. | 0:56:06 | 0:56:11 | |
Like...this. | 0:56:11 | 0:56:14 | |
Like... | 0:56:14 | 0:56:16 | |
you, Humpty. | 0:56:16 | 0:56:17 | |
So, Inspector. | 0:56:20 | 0:56:22 | |
I just found this pack of cards by the backgammon set. | 0:56:22 | 0:56:26 | |
Oh, gosh. | 0:56:26 | 0:56:27 | |
Mary... | 0:56:27 | 0:56:28 | |
..do you think we should ask your nephew | 0:56:30 | 0:56:32 | |
to perform one of his famous magic tricks, hmm? | 0:56:32 | 0:56:36 | |
Oh, absolutely, Selwyn. | 0:56:36 | 0:56:38 | |
No, look, really, gosh, I mean, it's been so long. | 0:56:38 | 0:56:41 | |
-I just don't... -Come on, Humphrey! | 0:56:41 | 0:56:43 | |
-HUMPHREY SIGHS -Come on, Chief. | 0:56:43 | 0:56:45 | |
All right, then, JP. | 0:56:46 | 0:56:48 | |
Pick a card, any card. | 0:56:48 | 0:56:49 | |
OK. | 0:56:49 | 0:56:51 | |
Now, don't let me see it. Show it to your friends... | 0:56:51 | 0:56:54 | |
and then place it back in the pack. | 0:56:54 | 0:56:56 | |
Don't let me see it! | 0:56:59 | 0:57:01 | |
Now, I can't possibly know what your card is. | 0:57:01 | 0:57:04 | |
And by shuffling this pack, I can't possibly know WHERE your card is. | 0:57:04 | 0:57:08 | |
Ah... | 0:57:08 | 0:57:09 | |
But... | 0:57:09 | 0:57:10 | |
Tell me... | 0:57:11 | 0:57:13 | |
did you choose a red card? | 0:57:13 | 0:57:15 | |
Yes. | 0:57:15 | 0:57:17 | |
Was it a diamond? | 0:57:17 | 0:57:18 | |
No. | 0:57:18 | 0:57:20 | |
It wasn't? Are you sure? | 0:57:20 | 0:57:22 | |
Er, yes, sir. | 0:57:22 | 0:57:23 | |
And that's exactly what I expected you to say, | 0:57:23 | 0:57:25 | |
because the card you chose was two of hearts! | 0:57:25 | 0:57:28 | |
Oh, er, sorry, it's been a while. Ahem... | 0:57:30 | 0:57:32 | |
Ladies and gentlemen... | 0:57:32 | 0:57:34 | |
two of hearts! | 0:57:34 | 0:57:35 | |
Ahem. Right, just bear with me. Wait, wait, here we go. | 0:57:37 | 0:57:40 | |
Two of hearts! | 0:57:40 | 0:57:41 | |
It was, erm... | 0:57:43 | 0:57:44 | |
-Queen of hearts. -Two of hearts! | 0:57:44 | 0:57:46 | |
Oh... | 0:57:46 | 0:57:48 | |
Ah...it's got to be here somewhere. Wait, wait, wait, one second, | 0:57:48 | 0:57:51 | |
it's coming... | 0:57:51 | 0:57:52 | |
Two of hearts... | 0:57:52 | 0:57:53 | |
The two of hearts... | 0:57:53 | 0:57:56 | |
Catherine... | 0:57:56 | 0:57:57 | |
There isn't even a two of hearts in this pack! | 0:57:57 | 0:58:00 | |
Oh(!) | 0:58:00 | 0:58:01 | |
Welcome to Le Calmar Saint Marie. | 0:58:05 | 0:58:07 | |
Let the food do the talking. | 0:58:07 | 0:58:09 | |
In here! | 0:58:09 | 0:58:11 | |
Definitely attacked from behind, turn round and then booph! | 0:58:11 | 0:58:14 | |
Hey! You little bl... | 0:58:16 | 0:58:18 | |
Out of breath, Grandad? | 0:58:20 | 0:58:23 | |
My next lesson in the art of courtship. | 0:58:23 | 0:58:25 | |
We want to have the full experience. | 0:58:25 | 0:58:28 |