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Ladies and gentlemen, welcome to Le Calmar Saint-Marie. | 0:00:02 | 0:00:05 | |
I know that many of you have been to our place in London | 0:00:05 | 0:00:07 | |
so we're absolutely delighted that you've made the trip over | 0:00:07 | 0:00:11 | |
here to share in this next exciting step of Le Calmar's journey | 0:00:11 | 0:00:16 | |
here on this gorgeous gem of an island. | 0:00:16 | 0:00:20 | |
It promises to be a truly special experience. | 0:00:20 | 0:00:23 | |
Robert Holt, everyone. | 0:00:23 | 0:00:25 | |
Now, as you're aware, this is our first soft opening, | 0:00:27 | 0:00:31 | |
so we're operating a limited menu albeit one with a Caribbean twist. | 0:00:31 | 0:00:36 | |
But the thing that won't be limited is the quality that you've | 0:00:36 | 0:00:39 | |
come to expect from Le Calmar | 0:00:39 | 0:00:42 | |
and the chance to be a part of Robert Holt's unique vision. | 0:00:42 | 0:00:45 | |
Thank you. Let the food do the talking. | 0:00:47 | 0:00:50 | |
Come on, come on! | 0:00:53 | 0:00:54 | |
Service! | 0:00:54 | 0:00:55 | |
Jim, we need you now! | 0:00:55 | 0:00:57 | |
Service! | 0:00:57 | 0:00:58 | |
I thought you said we'd cut the list in half. | 0:00:58 | 0:01:00 | |
I did my best but I couldn't get hold of anyone. Two calamari. | 0:01:00 | 0:01:04 | |
Kim, how are the desserts? | 0:01:04 | 0:01:06 | |
Kim, desserts for table five. | 0:01:06 | 0:01:08 | |
Kim, keep it together. | 0:01:08 | 0:01:10 | |
Oh, for God's sake! Kim! | 0:01:12 | 0:01:14 | |
I knew I should have left. Well, it's too late for that now. | 0:01:14 | 0:01:18 | |
It's just a normal night, OK? It's just a normal night. | 0:01:19 | 0:01:22 | |
I'm sorry, there are no photo opportunities. | 0:01:31 | 0:01:33 | |
You know what Robert's like, monastic discipline | 0:01:33 | 0:01:36 | |
and no distractions. | 0:01:36 | 0:01:38 | |
Thank you. | 0:01:38 | 0:01:39 | |
Forget Robert. All right? Just follow me. | 0:01:39 | 0:01:43 | |
Follow my lead, OK? Kim? | 0:01:43 | 0:01:45 | |
What the hell is going on? You have to get back in there! | 0:01:45 | 0:01:47 | |
No photographs! | 0:01:55 | 0:01:57 | |
I'm sorry, I did say. | 0:01:57 | 0:01:59 | |
Desserts for table five. Matt, get me the plates. | 0:01:59 | 0:02:02 | |
We'll save you a gin and tonic? | 0:02:12 | 0:02:14 | |
Yeah, I might just kip here tonight. | 0:02:14 | 0:02:16 | |
Oh, all right, darling. | 0:02:16 | 0:02:18 | |
Perfect. | 0:02:39 | 0:02:40 | |
Thank you. | 0:02:41 | 0:02:42 | |
Hello! Sorry about this. I thought you were coming after nine. | 0:02:43 | 0:02:49 | |
Follow me. | 0:02:50 | 0:02:51 | |
Come in, come in. | 0:02:56 | 0:02:57 | |
Robert? | 0:03:02 | 0:03:03 | |
Robert? | 0:03:04 | 0:03:05 | |
What is this? | 0:03:07 | 0:03:08 | |
Oh, my God. | 0:03:09 | 0:03:11 | |
Freezer door's open... | 0:03:11 | 0:03:12 | |
In here! | 0:03:13 | 0:03:14 | |
Oh, my God. | 0:03:17 | 0:03:18 | |
Hey! You little... | 0:03:58 | 0:04:00 | |
Out of breath, grandad? | 0:04:04 | 0:04:06 | |
HE SPEAKS FRENCH Toerag! | 0:04:07 | 0:04:10 | |
Ah, Morning! Chief! | 0:04:13 | 0:04:14 | |
What have you got there? | 0:04:14 | 0:04:16 | |
My next lesson in the art of courtship? | 0:04:16 | 0:04:18 | |
Absolutely. Really? | 0:04:18 | 0:04:20 | |
See how the world's leading men put theory into practice. | 0:04:20 | 0:04:24 | |
Good morning, everyone! | 0:04:24 | 0:04:26 | |
Morning! | 0:04:26 | 0:04:27 | |
Earth calling JP. Nanoo-Nanoo. | 0:04:27 | 0:04:30 | |
He's in lurve. | 0:04:30 | 0:04:32 | |
Man, Rosey's amazing. | 0:04:32 | 0:04:34 | |
You know, last night she cooked this wonderful meal | 0:04:34 | 0:04:37 | |
and then we went down to the beach and ate under the stars. | 0:04:37 | 0:04:41 | |
And then she gave me an envelope. | 0:04:41 | 0:04:43 | |
"Got you a present," she said. | 0:04:43 | 0:04:44 | |
So why she get you a present? | 0:04:44 | 0:04:46 | |
Our two month anniversary. It's a weekend away in Guadeloupe! | 0:04:46 | 0:04:49 | |
And then this morning, she made me my lunch! | 0:04:49 | 0:04:53 | |
This is bad news. Hmm? | 0:04:53 | 0:04:55 | |
How are you going to top all that? | 0:04:55 | 0:04:57 | |
Er, er, what, what do you mean, "Top all that"? | 0:04:57 | 0:05:00 | |
It's your three month anniversary coming up, right? Yes. | 0:05:00 | 0:05:03 | |
Then you'll have the fourth, the fifth, the sixth, | 0:05:03 | 0:05:06 | |
not to mention Valentine's Day, Easter, Christmas | 0:05:06 | 0:05:10 | |
and oh, Lordy, lest you forget, her birthday. | 0:05:10 | 0:05:14 | |
You're in big, big trouble man. | 0:05:15 | 0:05:17 | |
Well, when you put it like that, Dwayne. I did. | 0:05:17 | 0:05:20 | |
Men! Why is everything a competition? | 0:05:22 | 0:05:26 | |
Ah, well, Florence, to be fair, you must remember what the ancients | 0:05:26 | 0:05:31 | |
said about the art of love - once you have secured the battlefield, | 0:05:31 | 0:05:35 | |
you must then massacre the enemy. | 0:05:35 | 0:05:38 | |
Or was that the art of war? | 0:05:38 | 0:05:39 | |
Yeah, sorry, that's the art of war. Carry on. | 0:05:41 | 0:05:44 | |
Oh, I'll tell you what, JP. | 0:05:44 | 0:05:45 | |
Erm, you, me tonight, my place, beers, popcorn, all of these. | 0:05:45 | 0:05:50 | |
Give you some ideas. | 0:05:50 | 0:05:51 | |
Yes, yes, OK, yes. | 0:05:51 | 0:05:53 | |
PHONE RINGS | 0:05:53 | 0:05:55 | |
Good. Honore Police Station. OK. | 0:05:55 | 0:05:58 | |
Chief? There's been a murder up at that new restaurant. | 0:06:00 | 0:06:04 | |
Minor stab wound in upper back, major stab wound in the chest. | 0:06:05 | 0:06:10 | |
Robert Holt, 48. Michelin-starred chef of Le Calmar, London. | 0:06:10 | 0:06:14 | |
About to open the hotly anticipated Le Calmar Saint-Marie. | 0:06:14 | 0:06:17 | |
Last night was the first soft opening - official one next week. | 0:06:17 | 0:06:20 | |
From the positioning I'd say definitely attacked from behind, | 0:06:20 | 0:06:23 | |
er, turned round and then boobump! | 0:06:23 | 0:06:25 | |
Murder weapon? Don't tell me, handle's been wiped. | 0:06:25 | 0:06:28 | |
Sure looks like it. Kitchen knife. | 0:06:28 | 0:06:30 | |
It's personalised, I think, his initials carved on the handle. | 0:06:30 | 0:06:35 | |
Hmm. Poulsen. Danish, set you back a small fortune. | 0:06:35 | 0:06:39 | |
Time of death? Hard to pinpoint as he's been in a freezer. | 0:06:39 | 0:06:42 | |
Can't measure accurate body temperature and can't tell | 0:06:42 | 0:06:45 | |
when rigor mortis set in. I mean, | 0:06:45 | 0:06:47 | |
maybe postmortem might be able to narrow it down? | 0:06:47 | 0:06:49 | |
Indeed. Last seen? | 0:06:49 | 0:06:51 | |
11:30pm, when his staff left. Found this morning | 0:06:51 | 0:06:54 | |
when they reopened. | 0:06:54 | 0:06:56 | |
His partner, also the manager, his son | 0:06:56 | 0:06:58 | |
and two other chefs all spent the night in the villa they're | 0:06:58 | 0:07:00 | |
renting on the other side of the island. | 0:07:00 | 0:07:02 | |
How long are they here for? | 0:07:02 | 0:07:04 | |
Well, they are the core team so they're setting it up with | 0:07:04 | 0:07:07 | |
the intention other staff will take over and they'll go back to London. | 0:07:07 | 0:07:11 | |
Robert said he was staying the night here, | 0:07:11 | 0:07:13 | |
but apparently the sofa bed's not been opened. | 0:07:13 | 0:07:16 | |
Anything missing? | 0:07:16 | 0:07:18 | |
Well, his partner says there's ?4,000 taken from the safe. | 0:07:18 | 0:07:22 | |
Also his smartphone is gone. | 0:07:22 | 0:07:23 | |
I've got details of the make and model. | 0:07:23 | 0:07:26 | |
Lindmaier-Baudet. Very nice. These cost around 40 grand, I'd say. | 0:07:26 | 0:07:30 | |
Personalised Danish knives, ?40,000 watches, | 0:07:30 | 0:07:34 | |
he liked his little luxuries. | 0:07:34 | 0:07:36 | |
Chief? Yeah? Over here... Yeah! | 0:07:36 | 0:07:38 | |
Set of ten personalised knives, one missing. | 0:07:42 | 0:07:45 | |
Yes. | 0:07:45 | 0:07:46 | |
Gosh, look at that! | 0:07:46 | 0:07:49 | |
This knife has been sharpened with a bias to the right-hand side. | 0:07:49 | 0:07:53 | |
Our victim was a sinistral. | 0:07:53 | 0:07:56 | |
Left-handed, Dwayne. | 0:07:56 | 0:07:58 | |
Did you know, 10% of all people are left-handed? | 0:07:58 | 0:08:01 | |
But can you guess how many Mensa members are? | 0:08:01 | 0:08:03 | |
20%! | 0:08:05 | 0:08:06 | |
Isn't it fascinating? | 0:08:06 | 0:08:08 | |
Isn't it just?! | 0:08:08 | 0:08:09 | |
Yes! Apparently, most parrots are left-footed. Or is that left-clawed? | 0:08:09 | 0:08:15 | |
Chief? Yes? Have a look at this! | 0:08:15 | 0:08:17 | |
Back and front doors were locked, no sign of forced entry anywhere. | 0:08:19 | 0:08:24 | |
The burglar must have got in through there. | 0:08:24 | 0:08:26 | |
Where are the CCTV cameras? | 0:08:26 | 0:08:27 | |
They're not working, believe it or not. | 0:08:27 | 0:08:30 | |
Mmm. Teething problems. | 0:08:30 | 0:08:32 | |
This is zinc, isn't it? | 0:08:33 | 0:08:34 | |
Ah-ha! No footprints. You see, zinc gets marked and stained very easily. | 0:08:38 | 0:08:43 | |
And it won't fade, you have to wipe it off. | 0:08:43 | 0:08:45 | |
See? Nothing there. | 0:08:45 | 0:08:47 | |
So the intruder must've wiped them off after they got inside? | 0:08:47 | 0:08:50 | |
Maybe. But he couldn't have done that on the way out, could he? | 0:08:50 | 0:08:53 | |
Anyway, who said there was an intruder? | 0:08:53 | 0:08:55 | |
A struggle in the kitchen, money gone from the safe, | 0:08:56 | 0:08:59 | |
looks like a botched burglary to me. | 0:08:59 | 0:09:01 | |
But there was no sign of a struggle in the corridor | 0:09:01 | 0:09:03 | |
or in the office where the money was taken? | 0:09:03 | 0:09:05 | |
And what was Robert doing in the freezer? | 0:09:05 | 0:09:07 | |
Maybe he fought back. | 0:09:07 | 0:09:09 | |
Then how come he was stabbed in the back first? | 0:09:09 | 0:09:11 | |
That suggests someone creeping up on him from behind. | 0:09:11 | 0:09:14 | |
But someone stole the money AND his phone. | 0:09:14 | 0:09:16 | |
So we're dealing with a thief who's clever enough not to leave | 0:09:16 | 0:09:19 | |
fingerprints and levitate above a worktop, | 0:09:19 | 0:09:21 | |
but dumb enough to leave behind a watch worth a fortune? | 0:09:21 | 0:09:25 | |
Hmmm. So a botched burglary is what it looks like. | 0:09:25 | 0:09:28 | |
But that's exactly what it is not. | 0:09:28 | 0:09:30 | |
I think it's time we met the kitchen crew, don't you? | 0:09:32 | 0:09:35 | |
So the last time you all saw Robert was | 0:09:39 | 0:09:41 | |
when you left here in a taxi at 11:30pm? | 0:09:41 | 0:09:44 | |
Yes. He wanted to stay here. At busy times, he'd often sleep over. | 0:09:44 | 0:09:50 | |
He couldn't wait to plan the menu, and prepare for the following day. | 0:09:50 | 0:09:53 | |
And...would he have stayed up all night? Preparing? | 0:09:53 | 0:09:57 | |
No, not all night, no, but certainly well into the night. | 0:09:57 | 0:10:01 | |
He was a total workaholic. | 0:10:01 | 0:10:04 | |
And who else did he know on the island? Er, er suppliers? | 0:10:04 | 0:10:07 | |
Decorators? | 0:10:07 | 0:10:08 | |
No. No-one. | 0:10:08 | 0:10:10 | |
Dexter deals with suppliers and I deal with everyone else. | 0:10:10 | 0:10:13 | |
And your waiting staff? | 0:10:13 | 0:10:14 | |
Well, they didn't even know him. | 0:10:14 | 0:10:16 | |
I mean, they only arrived yesterday afternoon and I briefed them. | 0:10:16 | 0:10:20 | |
They didn't even speak to Robert. | 0:10:20 | 0:10:23 | |
What about socially, in the evening? | 0:10:23 | 0:10:25 | |
Did he go to bars or other restaurants? | 0:10:25 | 0:10:28 | |
Are you joking? He was like a monk. | 0:10:28 | 0:10:31 | |
Strict routine and no deviation, just swim, power yoga and here. | 0:10:31 | 0:10:35 | |
Robert didn't do socialising. | 0:10:36 | 0:10:39 | |
Man was a genius. | 0:10:39 | 0:10:40 | |
It was complete and utter dedication to the kitchen. | 0:10:41 | 0:10:44 | |
And during the evening service, was anything unusual? Anything untoward? | 0:10:44 | 0:10:48 | |
It was seamless. | 0:10:48 | 0:10:49 | |
And you all left together at 11:30, went directly to the villa, | 0:10:49 | 0:10:52 | |
and no-one had any contact or saw Robert | 0:10:52 | 0:10:55 | |
until the body was discovered at 8:35 this morning? | 0:10:55 | 0:10:57 | |
That's right. | 0:10:57 | 0:10:58 | |
So you were together in the villa all night? | 0:10:58 | 0:11:02 | |
None of you left to go anywhere? | 0:11:02 | 0:11:04 | |
We were exhausted. And I dropped like a stone. | 0:11:04 | 0:11:07 | |
I crashed almost straight away. | 0:11:07 | 0:11:09 | |
What? Yeah, yeah, same here. | 0:11:11 | 0:11:15 | |
Same. Anything to confirm that? | 0:11:15 | 0:11:18 | |
There are, there are CCTV cameras up at the villa. | 0:11:18 | 0:11:21 | |
You're welcome to have a look. Yes, we will, thank you. | 0:11:21 | 0:11:24 | |
Sorry, but I have to ask, will this take much longer? | 0:11:24 | 0:11:27 | |
Only my wife and daughter will be landing in half an hour. | 0:11:27 | 0:11:29 | |
Well, I assure you that we won't keep you longer than necessary. | 0:11:29 | 0:11:32 | |
Yes, talking about the CCTV, I meant to ask, the CCTV here - | 0:11:32 | 0:11:37 | |
teething problems? | 0:11:37 | 0:11:38 | |
Yes, it was a... It was a complicated system to set up. | 0:11:38 | 0:11:43 | |
Robert wanted it everywhere. | 0:11:43 | 0:11:45 | |
He liked to be on top of things. | 0:11:45 | 0:11:47 | |
I just wish we... | 0:11:48 | 0:11:51 | |
..hadn't left him here with all that money on his own. | 0:11:54 | 0:11:57 | |
Yes, unfortunately, that would've made no difference | 0:11:57 | 0:11:59 | |
because no-one broke in. | 0:11:59 | 0:12:00 | |
I mean, you unlocked the door this morning, correct? | 0:12:03 | 0:12:06 | |
Yes. But the window... The money in the safe. | 0:12:06 | 0:12:08 | |
Yes, well, someone definitely tried to make it look that way, | 0:12:08 | 0:12:11 | |
that's for sure. | 0:12:11 | 0:12:12 | |
I'm sorry but if this wasn't a break-in then what was it? | 0:12:12 | 0:12:15 | |
Murder?! That's ridiculous. | 0:12:18 | 0:12:21 | |
What's ridiculous? | 0:12:21 | 0:12:22 | |
What's going on? Where's Robert? Sorry, who are you? | 0:12:24 | 0:12:26 | |
I'm Gary, Robert's brother. Who are you? | 0:12:26 | 0:12:29 | |
I can't believe it. I only saw him yesterday morning. | 0:12:34 | 0:12:37 | |
How long have you been on Saint-Marie? | 0:12:37 | 0:12:40 | |
Er, came last Friday to help out. | 0:12:40 | 0:12:43 | |
Help? As in...? | 0:12:43 | 0:12:44 | |
You know, carry deliveries, do bits and bobs round the place. | 0:12:44 | 0:12:47 | |
I mean, I'm a businessman not a chef, but, you know | 0:12:47 | 0:12:51 | |
we all need moral support and the pressure was on. | 0:12:51 | 0:12:54 | |
But, er...you weren't here last night...for the first soft opening? | 0:12:54 | 0:12:58 | |
Yeah, he didn't like people getting under his feet. | 0:12:58 | 0:13:00 | |
And you're not staying at the villa? I wish I was now. | 0:13:00 | 0:13:02 | |
Certainly wouldn't have let him stay here on his own. | 0:13:02 | 0:13:05 | |
No, I've rented a little place by the beach. | 0:13:05 | 0:13:08 | |
And last night? | 0:13:08 | 0:13:09 | |
Er, stayed in. Went to bed early. On your own? | 0:13:09 | 0:13:13 | |
Yeah, sadly, yes. | 0:13:13 | 0:13:14 | |
I see. Not by choice. | 0:13:14 | 0:13:15 | |
So, you were saying - you, you, you think it was someone he knew? | 0:13:16 | 0:13:20 | |
But, but he didn't know anyone on the island. | 0:13:20 | 0:13:22 | |
Yeah, well we're yet to establish that. | 0:13:22 | 0:13:24 | |
Look at that poor kid. | 0:13:26 | 0:13:27 | |
To lose both parents so young. | 0:13:27 | 0:13:30 | |
Oh, his mother... | 0:13:30 | 0:13:31 | |
Yes, she died in a car crash when he was ten. | 0:13:31 | 0:13:34 | |
Sorry, if you'll excuse me he needs me. Yes, of course. | 0:13:35 | 0:13:38 | |
Strange, isn't it? He came to help | 0:13:42 | 0:13:45 | |
but wasn't staying at the villa or helping at the restaurant? | 0:13:45 | 0:13:48 | |
Yes. He's also short of an alibi. | 0:13:48 | 0:13:50 | |
Let's find out everything we can about the two brothers. | 0:13:51 | 0:13:54 | |
Right, JP, last night's diners track them down, see | 0:13:54 | 0:13:57 | |
if anyone spotted anything unusual. | 0:13:57 | 0:14:00 | |
Also ask around the town if anyone knew Robert, | 0:14:00 | 0:14:02 | |
saw Robert, or can tell us anything about the victim's last day. | 0:14:02 | 0:14:06 | |
Dwayne, search the villa and get CCTV. | 0:14:06 | 0:14:08 | |
Also put the feelers out for the phone, see if anything turns up. | 0:14:08 | 0:14:12 | |
Er, Florence, background checks and all mobile phone logs. | 0:14:12 | 0:14:16 | |
Cos Robert was murdered by someone he knew. | 0:14:16 | 0:14:18 | |
And if it is as they all say and he knows no-one on the island... | 0:14:18 | 0:14:22 | |
..well, then, it must be one of them. | 0:14:23 | 0:14:26 | |
OK, so there are | 0:14:30 | 0:14:31 | |
two CCTV cameras at the villa, both set at diagonals. | 0:14:31 | 0:14:35 | |
One covering the whole of the front, the other the whole of the back. | 0:14:35 | 0:14:38 | |
Now, they went in at 11:50pm | 0:14:38 | 0:14:40 | |
and came out at 8:00 the following morning. | 0:14:40 | 0:14:42 | |
And there's no other way in or out of there? | 0:14:42 | 0:14:45 | |
Not unless they dug a tunnel. This is a new build. | 0:14:45 | 0:14:47 | |
There are no cellars and no trap doors. | 0:14:47 | 0:14:49 | |
OK, let's make sure we go through every frame of this footage. | 0:14:49 | 0:14:52 | |
Yes, Chief. | 0:14:52 | 0:14:54 | |
Coroner just confirmed there's no fingerprints on the knife. | 0:14:54 | 0:14:57 | |
The postmortem preliminary report's just come back. | 0:14:57 | 0:14:59 | |
Determining time of death is tricky due to the body's exposure | 0:14:59 | 0:15:03 | |
to extreme cold as we thought. | 0:15:03 | 0:15:05 | |
They're looking to come back to us | 0:15:05 | 0:15:06 | |
with more specifics within the next day or so. | 0:15:06 | 0:15:10 | |
Anything else from the restaurant? | 0:15:10 | 0:15:11 | |
Not really. No sign of his phone yet. | 0:15:11 | 0:15:14 | |
The washing machine had his chef whites in - all washed. | 0:15:14 | 0:15:17 | |
There was nothing significant on his desk - paperwork, accounts, | 0:15:17 | 0:15:21 | |
different drafts of menus. | 0:15:21 | 0:15:23 | |
Ah, but there was one thing, Chief! | 0:15:23 | 0:15:26 | |
WED and a reference number. | 0:15:27 | 0:15:29 | |
WED, Worldwide Express Delivery? | 0:15:29 | 0:15:33 | |
Yes, very good. Call them. | 0:15:33 | 0:15:34 | |
See if there's anything waiting to be collected. Yes, Chief. | 0:15:34 | 0:15:37 | |
OK. So what have we got so far? | 0:15:37 | 0:15:39 | |
Ah, well, Robert Holt, 48. | 0:15:39 | 0:15:43 | |
Maverick and star of the British culinary scene. | 0:15:43 | 0:15:46 | |
Ran his first restaurant at the age of 21. | 0:15:46 | 0:15:49 | |
"At Le Calmar Saint-Marie, we don't serve food, | 0:15:49 | 0:15:52 | |
"we serve up the Caribbean experience - timeless ingredients, | 0:15:52 | 0:15:57 | |
"memories, desires, aromas, textures, dreams." | 0:15:57 | 0:16:01 | |
And a whole lump of cheese by the sound of it. | 0:16:01 | 0:16:03 | |
Yes, quite. Oooh, desserts - my favourite. | 0:16:03 | 0:16:06 | |
"Caribbean Shipwreck: praline and chocolate cliffs served on an | 0:16:06 | 0:16:11 | |
"archipelago of burnt almonds in a lake of pawpaw-infused rose water". | 0:16:11 | 0:16:15 | |
Caribbean shipwreck! | 0:16:15 | 0:16:16 | |
What the hell are you supposed to do with that, | 0:16:16 | 0:16:18 | |
eat it or alert the coastguard? | 0:16:18 | 0:16:21 | |
Oh, no, not you, madam! I wondered if you could help me. | 0:16:21 | 0:16:24 | |
Anouk Laban. | 0:16:26 | 0:16:27 | |
Robert's girlfriend for 11 years. Former fashion model. | 0:16:27 | 0:16:30 | |
Who never graduated to wife. | 0:16:30 | 0:16:33 | |
Maybe everything's not a bed of pawpaw-infused | 0:16:33 | 0:16:35 | |
rose water in that relationship. Dexter Allen. | 0:16:35 | 0:16:38 | |
Sous chef and right-hand man. Married with a child. | 0:16:38 | 0:16:41 | |
Been with Robert almost his entire career. | 0:16:41 | 0:16:43 | |
Yet never tried to set up on his own. | 0:16:43 | 0:16:45 | |
Why is that, I wonder? Matt Holt, son of the Great Man. | 0:16:45 | 0:16:48 | |
20. | 0:16:48 | 0:16:50 | |
His mother was Robert's first, well, only wife. Died in a car crash | 0:16:50 | 0:16:54 | |
when Matt was ten years old. | 0:16:54 | 0:16:56 | |
Matt was a grade A student who dropped out of law school, | 0:16:56 | 0:16:59 | |
avid amateur photographer, according to his social media. | 0:16:59 | 0:17:03 | |
And yet working as a pot wash for his old man? | 0:17:03 | 0:17:05 | |
Interesting. Now, she was very quiet. | 0:17:05 | 0:17:09 | |
Which can't be said for her tattoos. | 0:17:09 | 0:17:11 | |
The pastry chef, Kim Sweeney, a Londoner. | 0:17:11 | 0:17:13 | |
Got an apprenticeship in one of Robert's kitchens when she was 17. | 0:17:13 | 0:17:17 | |
Rose through the ranks in no time. | 0:17:17 | 0:17:19 | |
Let's try and look into her background. | 0:17:19 | 0:17:21 | |
HE LAUGHS | 0:17:21 | 0:17:23 | |
Well, thank you very much, Ernestina! | 0:17:23 | 0:17:25 | |
And...yes, bye-bye. | 0:17:25 | 0:17:27 | |
Chief! There is indeed a package waiting to be picked up. | 0:17:27 | 0:17:30 | |
Special delivery from London. I'm heading over there now. | 0:17:30 | 0:17:33 | |
I'll take over the footage. | 0:17:33 | 0:17:35 | |
Which leaves us with the man with no alibi, Gary Holt. | 0:17:35 | 0:17:38 | |
Well, he's a businessman all right. | 0:17:38 | 0:17:40 | |
Looks like he's got a string of failed ventures behind him. | 0:17:40 | 0:17:43 | |
Was just declared bankrupt | 0:17:43 | 0:17:45 | |
and latest divorce recently out of court. | 0:17:45 | 0:17:47 | |
Any trouble with the law? Still checking. | 0:17:47 | 0:17:50 | |
HUMMING Sounds like JP! JP, What news? | 0:17:50 | 0:17:53 | |
Well, I asked everywhere. Everyone's heard of Robert | 0:17:53 | 0:17:57 | |
but no-one's met him. | 0:17:57 | 0:17:58 | |
Seems he really did keep himself to the restaurant and the villa. | 0:17:58 | 0:18:01 | |
But I do have this. | 0:18:01 | 0:18:04 | |
Two of the diners attempted to film Robert at work. | 0:18:04 | 0:18:07 | |
This is the footage. | 0:18:07 | 0:18:08 | |
No photographs! | 0:18:14 | 0:18:15 | |
I'm sorry, I did say. | 0:18:15 | 0:18:17 | |
Well, I dare say, in the midst of a first night, someone sticking | 0:18:17 | 0:18:20 | |
a camera in your face, well, I wouldn't like it either. | 0:18:20 | 0:18:23 | |
Sir! Yes. Gary Holt. | 0:18:23 | 0:18:24 | |
He's got a criminal record. | 0:18:24 | 0:18:26 | |
Ah? Spent two years at HMP Woodhill, serious assault outside a nightclub. | 0:18:26 | 0:18:31 | |
And listen to this. | 0:18:31 | 0:18:33 | |
Six weeks ago he's involved in a fight inside Robert's | 0:18:33 | 0:18:36 | |
restaurant in London and was given a police caution. | 0:18:36 | 0:18:39 | |
No wonder Robert didn't want him around. He sounds like a liability. | 0:18:39 | 0:18:43 | |
Quite. JP, let's start going through Robert's laptop. | 0:18:43 | 0:18:46 | |
E-mails, the lot. See if there's any mention of Gary in there. | 0:18:46 | 0:18:49 | |
Yes, Chief. I think it's time we paid the | 0:18:49 | 0:18:51 | |
helpful brother a helpful visit. | 0:18:51 | 0:18:53 | |
Ooh! What the...?! Potholes. | 0:18:58 | 0:19:01 | |
This is a great big piece of British engineering, Florence, | 0:19:01 | 0:19:04 | |
it was built for potholes. You don't need to avoid them. | 0:19:04 | 0:19:06 | |
So I will tell you something, though. | 0:19:06 | 0:19:08 | |
This was a very nasty assault that Gary went to prison for. | 0:19:08 | 0:19:10 | |
The guy was left for dead. | 0:19:10 | 0:19:12 | |
Now you see, | 0:19:12 | 0:19:14 | |
the victim of the assault pointed the finger at Robert, not Gary. | 0:19:14 | 0:19:18 | |
Robert was charged but then Gary confessed. | 0:19:18 | 0:19:21 | |
And the CPS concluded that because the victim was drunk | 0:19:21 | 0:19:24 | |
at the time of the assault they had to go with it and prosecuted Gary. | 0:19:24 | 0:19:28 | |
He was only 20 at the time. | 0:19:28 | 0:19:30 | |
So Gary took a hit for his brother? | 0:19:30 | 0:19:32 | |
Yes, it would certainly look that way... Whoa! | 0:19:32 | 0:19:35 | |
You did say I don't have to avoid them. | 0:19:35 | 0:19:37 | |
Yes. Yes, I did. | 0:19:39 | 0:19:42 | |
I never need an excuse for a barbecue. | 0:19:56 | 0:19:58 | |
I was wondering when you might show up. | 0:20:00 | 0:20:02 | |
Let's start with the argument you had in the restaurant | 0:20:02 | 0:20:05 | |
in London six weeks ago. What was it about? | 0:20:05 | 0:20:08 | |
Oh, you know, this and that. | 0:20:08 | 0:20:10 | |
Can't remember, really, had a few drinks... | 0:20:10 | 0:20:12 | |
Still, must've been serious if the police were called. | 0:20:12 | 0:20:15 | |
Well, we exchanged a few blows. | 0:20:15 | 0:20:17 | |
We both have a...a very short fuse. | 0:20:17 | 0:20:20 | |
Yes, you've been through a rocky patch recently? | 0:20:20 | 0:20:23 | |
Bankruptcy, divorce... | 0:20:23 | 0:20:25 | |
Was that what you argued over? | 0:20:25 | 0:20:27 | |
Did you ask Robert for help? | 0:20:27 | 0:20:29 | |
Did he refuse? After all you did for him? | 0:20:30 | 0:20:33 | |
You, erm... | 0:20:35 | 0:20:37 | |
..spent two years in prison. | 0:20:38 | 0:20:40 | |
Why did you confess to a crime you didn't commit? | 0:20:41 | 0:20:44 | |
Who says I didn't commit it? | 0:20:44 | 0:20:46 | |
Well, the entire investigative team by the looks of it. | 0:20:46 | 0:20:49 | |
Why did you take a charge for him? | 0:20:49 | 0:20:51 | |
Hmm? All right, let's see. | 0:20:51 | 0:20:55 | |
How old must Robert have been at the time? | 0:20:55 | 0:20:57 | |
Just about to go to catering school, right? Is that why? | 0:20:57 | 0:21:00 | |
To spare his future? Now he's a very successful millionaire and you're... | 0:21:00 | 0:21:04 | |
So?! Well, you, you think I killed him over money?! | 0:21:04 | 0:21:08 | |
Then how do you explain this? | 0:21:08 | 0:21:10 | |
Yesterday, he transferred ?20,000 into my account. | 0:21:12 | 0:21:18 | |
See, he may have been a lot of things but he was still my brother. | 0:21:18 | 0:21:22 | |
So, 11:30pm comes. The staff leave in a taxi. | 0:21:26 | 0:21:30 | |
Confirmed by the taxi driver who saw Robert wave them off. | 0:21:30 | 0:21:33 | |
Correct. | 0:21:33 | 0:21:35 | |
Now, Robert doesn't pull out the sofa bed but he does change | 0:21:35 | 0:21:38 | |
because he put his chef's uniform in the washing machine. | 0:21:38 | 0:21:41 | |
So it looks like that's when the attacker came, | 0:21:41 | 0:21:44 | |
seeing as the bed's not slept in. | 0:21:44 | 0:21:46 | |
And yet the only suspect with the opportunity, Gary, has no motive. | 0:21:46 | 0:21:50 | |
How are you getting on with the CCTV? | 0:21:52 | 0:21:54 | |
Nearly done, since they entered the villa at 11:50pm, | 0:21:54 | 0:21:58 | |
no movement at all. | 0:21:58 | 0:22:00 | |
JP, anything your end on Robert's finances? | 0:22:02 | 0:22:04 | |
Yes, er, evidence of multiple bank accounts in multiple places. | 0:22:04 | 0:22:08 | |
Ah. Interesting. | 0:22:08 | 0:22:09 | |
While we're at it, can we run financial checks on the rest? | 0:22:09 | 0:22:12 | |
Chief. Ah, Dwayne. You have been gone a long time. | 0:22:12 | 0:22:16 | |
Tell me about it. I had to wait for ages. | 0:22:16 | 0:22:19 | |
Because of this! "For collection in person with ID only". | 0:22:19 | 0:22:23 | |
It was in a special pile, and the lovely Ernestina had to get | 0:22:24 | 0:22:29 | |
special dispensation from her supervisor before I could leave. | 0:22:29 | 0:22:33 | |
Yes, I bet that took a while. | 0:22:33 | 0:22:34 | |
Burbank Co. That's his solicitor's firm. | 0:22:34 | 0:22:37 | |
Now I can see why they were for collection only. | 0:22:37 | 0:22:40 | |
Anouk Laban and Pierre Lovell, 10/01/2016. | 0:22:44 | 0:22:48 | |
She was having an affair? | 0:22:48 | 0:22:50 | |
There's a letter here as well from the solicitor. | 0:22:50 | 0:22:52 | |
Pierre Lovell is a restaurateur. | 0:22:52 | 0:22:55 | |
He owns quite a few places in Paris, London and Beijing. | 0:22:55 | 0:22:59 | |
Mmm-hmm. Listen to this. | 0:22:59 | 0:23:00 | |
"If an employee is seen or heard to | 0:23:00 | 0:23:02 | |
"pass on future plans, recipes, techniques | 0:23:02 | 0:23:04 | |
"then there is possibly a case for industrial espionage." | 0:23:04 | 0:23:08 | |
Private investigators? | 0:23:13 | 0:23:15 | |
I wouldn't have thought that was Elliot Burbank's style. | 0:23:17 | 0:23:20 | |
Pierre's an old friend. | 0:23:23 | 0:23:24 | |
I think Robert suspected it was more business than pleasure. | 0:23:24 | 0:23:28 | |
Industrial espionage? Please! | 0:23:29 | 0:23:33 | |
That's Robert in a nutshell. | 0:23:33 | 0:23:34 | |
Always thinking people were trying to stab him in the back. | 0:23:34 | 0:23:37 | |
To be fair, someone did. | 0:23:37 | 0:23:38 | |
Well, it wasn't me! I had nothing to sell. | 0:23:39 | 0:23:42 | |
You were meeting a restaurateur. | 0:23:42 | 0:23:44 | |
Look, what was I supposed to be doing? | 0:23:44 | 0:23:47 | |
I left an amazing career for Robert, I gave up the best years of my life. | 0:23:47 | 0:23:51 | |
But I have no legal right to anything here. I mean, | 0:23:51 | 0:23:54 | |
if we split up, I'd be left with nothing. | 0:23:54 | 0:23:57 | |
No, Pierre was just giving me some, some kindly advice. | 0:23:57 | 0:24:00 | |
So, Robert never wanted to get married? | 0:24:00 | 0:24:03 | |
No. Marriage was a complete no-no for him. | 0:24:03 | 0:24:07 | |
He once said once is enough. | 0:24:07 | 0:24:10 | |
That was fine, fine. | 0:24:11 | 0:24:14 | |
I did my best to keep him entertained | 0:24:16 | 0:24:18 | |
but he had a very low boredom threshold. | 0:24:18 | 0:24:20 | |
He was a man at the end of the day. | 0:24:21 | 0:24:23 | |
Well, we're not all like that. | 0:24:23 | 0:24:25 | |
It was only a question of time before he shacked up with | 0:24:25 | 0:24:28 | |
a younger model. Literally. | 0:24:28 | 0:24:29 | |
And then where would I be? | 0:24:29 | 0:24:31 | |
And yet still you stayed with him? | 0:24:31 | 0:24:33 | |
The option being... | 0:24:33 | 0:24:34 | |
..what? Walk out with nothing? | 0:24:36 | 0:24:39 | |
You know, it's very apt that he called his restaurant Le Calmar | 0:24:39 | 0:24:44 | |
because he had his tentacles everywhere. | 0:24:44 | 0:24:47 | |
Knowing him, he'd make damn sure no-one could lay a hand | 0:24:47 | 0:24:50 | |
on what was his. Even from beyond the grave. | 0:24:50 | 0:24:53 | |
No, I'd never be so stupid as to attempt his murder. | 0:24:53 | 0:24:57 | |
Anyway, how could I? | 0:24:57 | 0:25:00 | |
I was here all night. | 0:25:00 | 0:25:02 | |
It was quite a relationship. He's looking to get rid | 0:25:05 | 0:25:08 | |
of her, she knows he is, yet still holding on. | 0:25:08 | 0:25:11 | |
Still, if she got rid of him first, | 0:25:12 | 0:25:15 | |
I reckon she'd still have a claim to some of his wealth. | 0:25:15 | 0:25:18 | |
But she couldn't have done it. | 0:25:18 | 0:25:20 | |
The taxi driver said specifically that he took them | 0:25:20 | 0:25:22 | |
straight to the villa. And I've looked at all the footage | 0:25:22 | 0:25:25 | |
and there's no way anyone got out during the night! | 0:25:25 | 0:25:27 | |
Where there's a motive there's a way. | 0:25:27 | 0:25:29 | |
Ah! How are you two getting on? | 0:25:32 | 0:25:34 | |
Oh, I'm just going through the evidence bags from the villa. | 0:25:34 | 0:25:36 | |
Nothing so far. | 0:25:36 | 0:25:37 | |
Yes, I'm still trying to work out this financial maze. | 0:25:37 | 0:25:41 | |
I mean, this chef must have kept his accountant busy. | 0:25:41 | 0:25:43 | |
His bank accounts have bank accounts. | 0:25:43 | 0:25:45 | |
PHONE RINGS | 0:25:45 | 0:25:46 | |
Sammy! Huh? You've found the phone?! | 0:25:48 | 0:25:52 | |
Really? OK, thank you. | 0:25:53 | 0:25:55 | |
One of my informants has just come across somebody trying to | 0:25:57 | 0:26:00 | |
sell what sounds like the chef's phone at the bus station. | 0:26:00 | 0:26:03 | |
Said it sounded like a woman. Sounded like? | 0:26:03 | 0:26:05 | |
They don't call him Blind Sammy for nothing, you know. | 0:26:05 | 0:26:07 | |
You've got a blind informant? Yes. But he's got exceptional hearing. | 0:26:07 | 0:26:11 | |
Whatever works. Let's go. | 0:26:11 | 0:26:12 | |
Madam. | 0:26:19 | 0:26:20 | |
CROWD MURMURS | 0:26:20 | 0:26:21 | |
You need a phone? | 0:26:40 | 0:26:41 | |
Hey! | 0:26:41 | 0:26:43 | |
Chief! The kid! | 0:26:45 | 0:26:46 | |
Oi! | 0:26:55 | 0:26:56 | |
Hello. | 0:27:09 | 0:27:11 | |
I hear you've got a phone for sale. | 0:27:11 | 0:27:13 | |
I told you, someone gave it to me. Who? | 0:27:16 | 0:27:19 | |
Can't remember. When? Not sure. | 0:27:19 | 0:27:22 | |
You're in big trouble, you know Jackson. | 0:27:22 | 0:27:23 | |
What will your parents say about this? | 0:27:23 | 0:27:25 | |
Not much. They died when I was three. | 0:27:25 | 0:27:29 | |
My auntie looks after me. But she's asleep because she works nights. | 0:27:29 | 0:27:33 | |
Wants me out of the house in the daytime. | 0:27:33 | 0:27:35 | |
Now listen, Jackson. This is very serious. A man has been murdered. | 0:27:35 | 0:27:40 | |
And this was his phone. Now, for the last time, how did you get it? | 0:27:40 | 0:27:47 | |
Will I get into trouble? Not if you tell the truth. | 0:27:47 | 0:27:49 | |
Well I was outside that new restaurant, | 0:27:49 | 0:27:52 | |
the one with the octopus sign on it. | 0:27:52 | 0:27:54 | |
When? Yesterday morning. And I was walking on the beach. | 0:27:54 | 0:27:57 | |
Sometimes people leave behind nice things, | 0:27:57 | 0:27:59 | |
and these two men came and started fighting. | 0:27:59 | 0:28:03 | |
They were arguing and then the older man's phone fell out his pocket | 0:28:03 | 0:28:05 | |
but he doesn't notice. | 0:28:05 | 0:28:08 | |
He's so angry he just pushed the other man and goes back in. | 0:28:08 | 0:28:12 | |
The other man gets up, looking really upset | 0:28:12 | 0:28:14 | |
and goes in right after him. So what were they arguing about? | 0:28:14 | 0:28:17 | |
I didn't understand. Something about girlfriends. | 0:28:17 | 0:28:20 | |
Girlfriends? | 0:28:20 | 0:28:22 | |
Jackson, the man who lost his phone, was it him? | 0:28:22 | 0:28:27 | |
Yeah. | 0:28:27 | 0:28:28 | |
And the man he was fighting with, him? | 0:28:28 | 0:28:31 | |
No. | 0:28:31 | 0:28:33 | |
No? What about him? | 0:28:33 | 0:28:36 | |
No. It was him. With the sad eyes. | 0:28:36 | 0:28:39 | |
Very little we can add | 0:28:42 | 0:28:43 | |
to what we know about Matt already. No criminal record. | 0:28:43 | 0:28:47 | |
Dropped out of law school despite his great grades, | 0:28:47 | 0:28:50 | |
didn't pick up his place on a photography course. | 0:28:50 | 0:28:53 | |
Nothing from the villa either. | 0:28:53 | 0:28:54 | |
Meanwhile on his blog he posted a strange wish list. | 0:28:54 | 0:28:58 | |
Jewellery? Jackson said girlfriends were mentioned. | 0:28:58 | 0:29:01 | |
Does he have one? | 0:29:01 | 0:29:02 | |
Doesn't look like it. His online profile says single. | 0:29:02 | 0:29:07 | |
Doesn't take after his father, then. | 0:29:07 | 0:29:10 | |
Well, whatever they were arguing about, he never mentioned it. | 0:29:10 | 0:29:13 | |
There's only one way to find out why. | 0:29:13 | 0:29:15 | |
Back in the Jeep. | 0:29:15 | 0:29:16 | |
I should've said. But I feel so awful about it. | 0:29:21 | 0:29:24 | |
That was the last time we spoke. | 0:29:26 | 0:29:27 | |
What were you arguing about? | 0:29:27 | 0:29:29 | |
We hadn't been getting along for a while. | 0:29:29 | 0:29:32 | |
Since I dropped out of my law degree. | 0:29:32 | 0:29:34 | |
He wouldn't pay for me to go to photography school. | 0:29:34 | 0:29:37 | |
Said if I wanted to throw my life away then I'd have to | 0:29:37 | 0:29:39 | |
pay for the privilege myself. | 0:29:39 | 0:29:41 | |
Yet still you chose to come work here as a pot wash? | 0:29:41 | 0:29:44 | |
Why not just go somewhere else? | 0:29:44 | 0:29:46 | |
Suppose I... I thought I could change his mind. | 0:29:46 | 0:29:50 | |
But you didn't? | 0:29:50 | 0:29:51 | |
That's what started it all - we went for a swim, | 0:29:51 | 0:29:54 | |
and then on the way back I said to him, | 0:29:54 | 0:29:58 | |
"Why don't you pay for my course up front and I'll pay you back?" | 0:29:58 | 0:30:03 | |
And then he let rip. | 0:30:03 | 0:30:04 | |
Called me a loser and a disappointment... | 0:30:04 | 0:30:08 | |
and... | 0:30:08 | 0:30:09 | |
..it kind of went from there. | 0:30:11 | 0:30:13 | |
Wasn't exactly a match for him physically. He knew that. | 0:30:14 | 0:30:19 | |
You were overheard having an argument about er, | 0:30:19 | 0:30:22 | |
about girlfriends. | 0:30:22 | 0:30:23 | |
Girlfriends? | 0:30:23 | 0:30:25 | |
I, er... My dad's girlfriends... | 0:30:26 | 0:30:31 | |
I don't like the way he treats Anouk, that's all. | 0:30:31 | 0:30:34 | |
Right. That scratch, nasty. That happen in the...? | 0:30:34 | 0:30:39 | |
Ah, no, I get eczema when I get stressed. | 0:30:39 | 0:30:44 | |
What the hell is going on? | 0:30:44 | 0:30:45 | |
Can I have a word, please? In private. | 0:30:48 | 0:30:51 | |
Downstairs. | 0:30:51 | 0:30:52 | |
We were just trying to... | 0:30:55 | 0:30:57 | |
Trying to what?! Distress a kid who's just lost his father? | 0:30:57 | 0:30:59 | |
Look, new evidence has come to light about an argument. | 0:30:59 | 0:31:02 | |
So they argued. You show me a father and son who don't. | 0:31:02 | 0:31:05 | |
You need to lay off him. He's more fragile than he looks. | 0:31:05 | 0:31:08 | |
We were just trying to... | 0:31:08 | 0:31:09 | |
Do you have anything tangible on him? No, of course you don't. | 0:31:09 | 0:31:14 | |
And you wouldn't either cos he was here all night. | 0:31:14 | 0:31:18 | |
So I think we're done here. | 0:31:18 | 0:31:20 | |
Don't you? | 0:31:21 | 0:31:23 | |
Are we digging up everything we can about Robert and Dexter? | 0:31:30 | 0:31:32 | |
Yep, I'm on it, Chief. | 0:31:32 | 0:31:34 | |
Thank you. Dwayne, how we getting on with Robert Holt's mobile? | 0:31:34 | 0:31:37 | |
Well, I'm going through his call register, nothing so far. | 0:31:37 | 0:31:40 | |
Calls to his lawyer, his bank, that sort of thing. | 0:31:40 | 0:31:43 | |
I think I'm going to take it home, this could take me all night. | 0:31:43 | 0:31:46 | |
Well, I would help you out but I've got a date with the Inspector. | 0:31:46 | 0:31:49 | |
Movie night. Fancy joining us? | 0:31:49 | 0:31:52 | |
HE GRUNTS | 0:31:53 | 0:31:55 | |
You stick to your date | 0:31:55 | 0:31:57 | |
and I'll stick to my data, thank you very much! | 0:31:57 | 0:31:59 | |
HE GRUNTS | 0:31:59 | 0:32:00 | |
That little... Again! | 0:32:15 | 0:32:18 | |
KNOCKS ON DOOR | 0:32:34 | 0:32:36 | |
Jackson here? | 0:32:40 | 0:32:41 | |
MUSIC: Pass Out by Tinie Tempah | 0:32:44 | 0:32:46 | |
Can't we just watch it on the DVD player? | 0:33:05 | 0:33:07 | |
No! We want to have the full, ah, big screen experience. | 0:33:07 | 0:33:12 | |
Ah, mmm...yes...erm... | 0:33:14 | 0:33:17 | |
Here. | 0:33:17 | 0:33:18 | |
Yes! Excellent, anyway, erm, right. I think that's everything. | 0:33:26 | 0:33:31 | |
Now, the DVD player is hooked up to the computer. | 0:33:31 | 0:33:34 | |
Computer to the projector. | 0:33:34 | 0:33:35 | |
Projector to the battery which is charging in the extension cable. | 0:33:35 | 0:33:40 | |
Well, that's it. Ladies and gentlemen, take your seats. | 0:33:40 | 0:33:45 | |
Lights. Camera... | 0:33:45 | 0:33:47 | |
toaster? | 0:33:47 | 0:33:47 | |
Right, I think I know what I did wrong there. | 0:33:50 | 0:33:54 | |
MUSIC: She by Elvis Costello | 0:33:54 | 0:33:56 | |
# She may be the beauty or the beast | 0:33:56 | 0:34:00 | |
# May be the famine... # | 0:34:00 | 0:34:01 | |
Ah, yes, that's very good. | 0:34:02 | 0:34:06 | |
Very good. | 0:34:09 | 0:34:10 | |
Good morning. Morning. Morning! | 0:34:16 | 0:34:18 | |
So, how was the lesson? | 0:34:18 | 0:34:21 | |
Well, actually it was rather fascinating, wasn't it, JP? | 0:34:21 | 0:34:24 | |
Er, yes. Conclusions? | 0:34:24 | 0:34:26 | |
Well, erm, one, love can be found | 0:34:26 | 0:34:30 | |
anywhere. Er, two, you can't force it, | 0:34:30 | 0:34:36 | |
it's spontaneous. Wouldn't you say? | 0:34:36 | 0:34:39 | |
Er, yes. | 0:34:39 | 0:34:41 | |
And three, once you have it... | 0:34:41 | 0:34:44 | |
it's forever. | 0:34:44 | 0:34:46 | |
MOBILE RINGS Yes! Dwayne? | 0:34:47 | 0:34:52 | |
OK. | 0:34:52 | 0:34:54 | |
He's onto something. | 0:34:55 | 0:34:56 | |
Look, these were all in his deleted messages file. | 0:34:59 | 0:35:02 | |
Robert's been texting Dexter the whole time they've been here. | 0:35:02 | 0:35:05 | |
Right, but Dexter's not been answering. | 0:35:05 | 0:35:07 | |
Look, "What have they got over in SH?" | 0:35:07 | 0:35:11 | |
"SH comes highly recommended", "What's the weather like in SH" SH? | 0:35:11 | 0:35:15 | |
You know, and if none of them have received a response, | 0:35:15 | 0:35:18 | |
then what were they? | 0:35:18 | 0:35:19 | |
Er, jokes? Taunts? And why delete them? | 0:35:19 | 0:35:22 | |
Hang on, we found these in Dexter's bin. | 0:35:22 | 0:35:25 | |
Ticket stubs for the ferry to Sainte-Helene. | 0:35:25 | 0:35:28 | |
Saint-Helene. SH. Well, it has to be that! | 0:35:28 | 0:35:31 | |
Look, why don't we just go over to Saint-Helene | 0:35:31 | 0:35:33 | |
and see what we can dig up? Yep, good idea. | 0:35:33 | 0:35:35 | |
If I tell you it won't be a surprise! | 0:35:37 | 0:35:40 | |
Hang up, hang up the ph... No, you hang... | 0:35:41 | 0:35:43 | |
I'll tell you what. I'll hang up. | 0:35:43 | 0:35:45 | |
You're on duty, man! | 0:35:45 | 0:35:47 | |
Well, you're the one who put the fear of God in me. What? | 0:35:47 | 0:35:50 | |
Yes, telling me I had to top her gestures. | 0:35:50 | 0:35:53 | |
Oh, so have you worked out how you are going to do that yet? | 0:35:53 | 0:35:56 | |
It's going to be amazing. Amazing, eh? | 0:35:56 | 0:35:59 | |
Mmm-hmm. So? Any luck? | 0:35:59 | 0:36:02 | |
He said he was a bit of a regular on the evening ferry. | 0:36:02 | 0:36:05 | |
I found this, an interview in the Hackney Gazette. | 0:36:05 | 0:36:09 | |
"Local boy chosen as one of five culinary stars of tomorrow." | 0:36:09 | 0:36:13 | |
He had just got his job at Robert's restaurant. | 0:36:13 | 0:36:16 | |
Yeah, look, "The plan is to stay here for a couple of years then | 0:36:16 | 0:36:19 | |
"branch out on my own. I'm not made to be number two." | 0:36:19 | 0:36:21 | |
One of five chefs who won the coveted Stars Of Tomorrow. | 0:36:21 | 0:36:25 | |
Well, he was certainly was good enough. | 0:36:25 | 0:36:27 | |
So why hasn't he done it? | 0:36:27 | 0:36:28 | |
There's nothing. | 0:36:30 | 0:36:32 | |
But there must've been a reason why he was here so often. | 0:36:32 | 0:36:34 | |
Oh, there was. A certain bar. | 0:36:34 | 0:36:36 | |
He was seen outside on quite a few nights. Yes? | 0:36:37 | 0:36:40 | |
You've heard of Bastian's? | 0:36:40 | 0:36:42 | |
Bastian's? | 0:36:43 | 0:36:44 | |
The gay bar? | 0:36:46 | 0:36:48 | |
He knew, didn't he? | 0:37:03 | 0:37:04 | |
About Bastian's. | 0:37:04 | 0:37:06 | |
What didn't he know? There's not many gay bars on these islands. | 0:37:06 | 0:37:10 | |
How long did he...know about you? | 0:37:10 | 0:37:13 | |
He worked it out pretty soon after I joined his ranks. | 0:37:13 | 0:37:15 | |
See, he's very clever with people. | 0:37:15 | 0:37:17 | |
He works his way slowly and methodically | 0:37:17 | 0:37:19 | |
into your confidence until he's got something on you. And then... | 0:37:19 | 0:37:22 | |
..crushes you. | 0:37:24 | 0:37:25 | |
We know he was taunting you, via text. | 0:37:25 | 0:37:28 | |
He never actually said anything. Not openly, anyway. | 0:37:29 | 0:37:32 | |
But there were always these jibes, these suggestions. | 0:37:33 | 0:37:37 | |
Constant mentions of the boys I work with, of Emily. | 0:37:37 | 0:37:40 | |
He'd say he must call her for a chat. | 0:37:42 | 0:37:45 | |
It was just... | 0:37:45 | 0:37:47 | |
total and complete control at any price. | 0:37:47 | 0:37:50 | |
Man was a sociopath. | 0:37:50 | 0:37:51 | |
I do love them. More than anything. | 0:37:54 | 0:37:57 | |
I mean, can you imagine the fallout, the hurt this would cause? | 0:37:57 | 0:38:01 | |
They've done nothing wrong. | 0:38:01 | 0:38:03 | |
Is that why you stayed working for him? | 0:38:03 | 0:38:05 | |
Did he threaten to "out" you? | 0:38:05 | 0:38:08 | |
Vile, horrible man. | 0:38:08 | 0:38:11 | |
Don't be ridiculous. | 0:38:15 | 0:38:17 | |
It's a pretty powerful motive, Dexter. | 0:38:17 | 0:38:19 | |
I wish I had it in me. | 0:38:19 | 0:38:21 | |
Don't get me wrong, I won't be shedding tears over him, | 0:38:21 | 0:38:23 | |
but I didn't kill him. | 0:38:23 | 0:38:24 | |
How could I anyway? I was in the villa the whole night. | 0:38:25 | 0:38:28 | |
So Robert exploited | 0:38:31 | 0:38:33 | |
his brother's loyalty, tried to get rid of his partner, | 0:38:33 | 0:38:36 | |
blackmailed his sous chef and tyrannised his son. | 0:38:36 | 0:38:39 | |
Yep, one by one he bullied and alienated everyone. | 0:38:39 | 0:38:43 | |
However, Matt, Anouk, Dexter and Kim were all at the villa | 0:38:43 | 0:38:47 | |
and he'd just made his peace with Gary the day before. | 0:38:47 | 0:38:49 | |
So they couldn't do it and he had no reason to. | 0:38:49 | 0:38:52 | |
Oh, my Lord. | 0:38:52 | 0:38:54 | |
Wow, so, as well as the two accounts in Zurich, Robert had | 0:38:54 | 0:38:58 | |
one in San Marino, one in | 0:38:58 | 0:38:59 | |
the Cayman Islands and one in Liechtenstein. | 0:38:59 | 0:39:02 | |
Liechtenstein?! Novel choice. | 0:39:02 | 0:39:04 | |
Yes, but wait till you hear this. | 0:39:04 | 0:39:06 | |
Once a month ?3,000 gets transferred to a building society | 0:39:06 | 0:39:09 | |
account in England in the name of Kim Sweeney. | 0:39:09 | 0:39:12 | |
Is Kim available? | 0:39:17 | 0:39:19 | |
She's not well. She's been in bed all day. | 0:39:19 | 0:39:21 | |
We'll be very brief, I assure you, thank you. | 0:39:21 | 0:39:23 | |
Yeah, well, he helped me out. My mum, she's got MS. | 0:39:29 | 0:39:35 | |
I thought I was going to have to pack it all in, to go | 0:39:37 | 0:39:39 | |
and look after her so Robert was paying for nursing care, | 0:39:39 | 0:39:42 | |
so I could, you know, carry on. | 0:39:42 | 0:39:45 | |
Your birthday? Yeah. Five days ago. | 0:39:45 | 0:39:47 | |
"Hope you like your presents...kiss kiss kiss" | 0:39:47 | 0:39:50 | |
It's my friend, Ali, from London. Anyway, you were saying? | 0:39:50 | 0:39:54 | |
Was Robert that helpful to others, too? | 0:39:54 | 0:39:57 | |
Because looking over his accounts, it doesn't seem so. | 0:39:58 | 0:40:01 | |
You sure he, erm... expected nothing in return? | 0:40:03 | 0:40:08 | |
It wasn't like that. | 0:40:09 | 0:40:11 | |
What was it like? | 0:40:11 | 0:40:12 | |
He was an amazing man. | 0:40:15 | 0:40:17 | |
Working next to him, it was, it was inspiring. He taught me | 0:40:17 | 0:40:21 | |
everything I know. | 0:40:21 | 0:40:22 | |
OK. | 0:40:30 | 0:40:31 | |
I slept with him. | 0:40:34 | 0:40:36 | |
We had an affair. Whatever you want to call it. | 0:40:38 | 0:40:42 | |
Maybe I did feel indebted. I didn't know any better. | 0:40:42 | 0:40:45 | |
It just happened. I knew it was never going to go anywhere. | 0:40:47 | 0:40:50 | |
Look, everyone in this business cops off with each other. | 0:40:52 | 0:40:55 | |
It's not rare. | 0:40:55 | 0:40:57 | |
The hours are long, you never get to meet anyone else. | 0:40:57 | 0:41:01 | |
How long was the affair? A while, on and off. | 0:41:01 | 0:41:04 | |
Then it just sort of fizzled out. | 0:41:06 | 0:41:09 | |
Fizzled out? | 0:41:09 | 0:41:11 | |
That must've been difficult seeing as you worked so closely together? | 0:41:11 | 0:41:15 | |
I always knew it wouldn't last. | 0:41:15 | 0:41:17 | |
Did Robert have the other half of that? | 0:41:17 | 0:41:20 | |
What? The pendant? | 0:41:20 | 0:41:23 | |
No, no...my mum does. | 0:41:23 | 0:41:26 | |
Believe me...the only person Robert was in love with was Robert. | 0:41:29 | 0:41:34 | |
Right, what do we know? | 0:41:37 | 0:41:38 | |
Robert Holt was stabbed with his own knife the night before yesterday. | 0:41:40 | 0:41:44 | |
He was last seen at 11:30pm by his staff and a taxi driver. | 0:41:44 | 0:41:49 | |
And we know he let his attacker in, so he must've known them. | 0:41:49 | 0:41:52 | |
And we can't find anyone else | 0:41:52 | 0:41:54 | |
he may have known on the island except these people. | 0:41:54 | 0:41:57 | |
He betrayed his brother, cheated on his partner, bullied his son, | 0:41:57 | 0:42:01 | |
blackmailed his second-in-command | 0:42:01 | 0:42:02 | |
and took liberties with the pastry chef. | 0:42:02 | 0:42:05 | |
Her story checks out, by the way. | 0:42:05 | 0:42:07 | |
Her mum is in a nursing home | 0:42:07 | 0:42:08 | |
and money goes from Kim's account every month to pay for it. Hmm. | 0:42:08 | 0:42:12 | |
Well, none of them will miss him, that's for sure. | 0:42:12 | 0:42:14 | |
And yet they were all in the villa at the time of the murder! | 0:42:14 | 0:42:17 | |
Apart from one, Gary. Who has no motive. | 0:42:17 | 0:42:20 | |
No, no, no, this is impossible. | 0:42:20 | 0:42:23 | |
I know it's right under our noses, I can smell it. | 0:42:23 | 0:42:26 | |
Sir, can I just put something out there? | 0:42:26 | 0:42:29 | |
Maybe it was a robbery. | 0:42:30 | 0:42:32 | |
You know, maybe it was one of the diners | 0:42:32 | 0:42:34 | |
and maybe they hid in the toilets till everyone was gone and... | 0:42:34 | 0:42:37 | |
And how did they get out after they killed him? | 0:42:37 | 0:42:40 | |
OK, I mean, I haven't worked that out yet but, er, | 0:42:40 | 0:42:43 | |
it can't be one of these. | 0:42:43 | 0:42:45 | |
COMPUTER CHIMES It simply has to be... | 0:42:45 | 0:42:47 | |
Ah. The coroners, this is their follow-up report. | 0:42:47 | 0:42:50 | |
Ah. | 0:42:50 | 0:42:51 | |
Ah! | 0:42:52 | 0:42:53 | |
PRINTER CHUGS | 0:42:53 | 0:42:55 | |
Right! Um... | 0:42:55 | 0:42:56 | |
Cardiac arrest caused by stabbing straight to the | 0:42:58 | 0:43:00 | |
heart, etc, etc. | 0:43:00 | 0:43:02 | |
Time of death inconclusive, please see appendix A below. Damn. | 0:43:02 | 0:43:08 | |
They haven't managed to narrow it down. | 0:43:09 | 0:43:11 | |
"Ambient temperature will make this a best guess, | 0:43:11 | 0:43:13 | |
"based on available information. | 0:43:13 | 0:43:15 | |
"The time of death could realistically be any time | 0:43:15 | 0:43:18 | |
"within a 24 hour period". | 0:43:18 | 0:43:21 | |
Yes, but seeing as he was last seen at 11:30pm... | 0:43:21 | 0:43:24 | |
Hang on. | 0:43:24 | 0:43:25 | |
No! | 0:43:27 | 0:43:29 | |
How could I? I was here all night. | 0:43:29 | 0:43:32 | |
Gordon Bennett! Who? Never mind! | 0:43:32 | 0:43:34 | |
That's brilliant. Where is the footage from the opening? | 0:43:34 | 0:43:37 | |
Where's the footage? | 0:43:37 | 0:43:39 | |
Yes! Yes! | 0:43:39 | 0:43:40 | |
Oh, my word. Oh, I can't believe it. | 0:43:42 | 0:43:45 | |
This knife has been sharpened with a bias to the right-hand side. | 0:43:47 | 0:43:51 | |
Oh, yes, that is very clever. Very. | 0:43:51 | 0:43:53 | |
Sorry, I did say. | 0:43:55 | 0:43:56 | |
I never need an excuse for a barbecue. | 0:43:56 | 0:43:58 | |
So what were they arguing about? Something about girlfriends. | 0:44:01 | 0:44:04 | |
Nearly...nearly there! If only... What? | 0:44:04 | 0:44:07 | |
Right. I think I know what's going on. Dwayne? | 0:44:07 | 0:44:10 | |
We need the CCTV footage from the arrivals | 0:44:10 | 0:44:13 | |
hall of the airport for last Friday. Florence, JP, come with me. | 0:44:13 | 0:44:17 | |
Chief? I don't think there's anything here we can use. | 0:44:21 | 0:44:23 | |
Just keep looking. | 0:44:23 | 0:44:24 | |
Sir? Mmm-hmm? | 0:44:28 | 0:44:30 | |
What's that? | 0:44:32 | 0:44:33 | |
Bingo. I think it's time we got everyone together. | 0:44:36 | 0:44:39 | |
Le Calmar. The Squid. | 0:44:41 | 0:44:43 | |
Did you know that in 1998 marine biologists discovered | 0:44:47 | 0:44:50 | |
a fascinating species of mollusc just off the coast of Indonesia? | 0:44:50 | 0:44:55 | |
Yes, they called it the mimic octopus | 0:44:55 | 0:44:58 | |
because it fools its predators by pretending to be something it's not. | 0:44:58 | 0:45:02 | |
Sometimes it pretends to be a lionfish, sometimes a sea snake. | 0:45:02 | 0:45:05 | |
It's very clever. An impersonator! | 0:45:05 | 0:45:08 | |
Who put those there? | 0:45:08 | 0:45:09 | |
Very similar to what we have encountered here. | 0:45:10 | 0:45:13 | |
See, at first, it looked as if Robert Holt, uber-chef, huge talent, | 0:45:13 | 0:45:18 | |
had been the victim of a botched burglary. | 0:45:18 | 0:45:22 | |
He wasn't. | 0:45:22 | 0:45:23 | |
He was murdered. Murdered by someone he knew very well. | 0:45:23 | 0:45:28 | |
Murdered by someone here. | 0:45:28 | 0:45:29 | |
Now, here's the problem. Four of you had a strong motive. | 0:45:32 | 0:45:37 | |
Anouk, a dead Robert could give you what a living Robert never would, | 0:45:39 | 0:45:43 | |
financial security. | 0:45:43 | 0:45:45 | |
If we split up, I'd be left with nothing. | 0:45:45 | 0:45:47 | |
Matt Holt, you just wanted to follow your own | 0:45:47 | 0:45:49 | |
path - against your father's will. Is that a reason to kill? | 0:45:49 | 0:45:54 | |
Blood relatives have killed for less. | 0:45:54 | 0:45:56 | |
Now, Dexter Allen, you certainly | 0:45:56 | 0:45:58 | |
had a motive for murder. You were being blackmailed! | 0:45:58 | 0:46:02 | |
A hugely talented chef in his own right. | 0:46:02 | 0:46:04 | |
Robert made sure that you'd never hop kitchen or set up on his own. | 0:46:04 | 0:46:08 | |
Then there's Kim, the pastry chef. | 0:46:10 | 0:46:14 | |
His one-time mistress. | 0:46:17 | 0:46:18 | |
Someone else Robert used and abused. | 0:46:19 | 0:46:22 | |
Gave her money and yet indulged in a highly inappropriate relationship. | 0:46:24 | 0:46:28 | |
The only thing is, she along with the rest of you, had an alibi. | 0:46:28 | 0:46:33 | |
You were all in the villa at the time of the murder. | 0:46:34 | 0:46:37 | |
In fact, the only person who wasn't in the villa was Gary Holt. | 0:46:37 | 0:46:41 | |
I mean, Gary certainly had the opportunity but, | 0:46:41 | 0:46:44 | |
but where's the motive? | 0:46:44 | 0:46:46 | |
I mean, after all, the day before he was killed, Robert gave him | 0:46:46 | 0:46:49 | |
?20,000 so... | 0:46:49 | 0:46:52 | |
how do we make sense of all this? | 0:46:52 | 0:46:54 | |
We're waiting to hear. | 0:46:54 | 0:46:56 | |
Yes. Yes. | 0:46:56 | 0:46:57 | |
It's showtime. | 0:47:06 | 0:47:07 | |
Er, Dwayne. | 0:47:07 | 0:47:09 | |
Now, this is footage taken by one of the diners on the night | 0:47:10 | 0:47:13 | |
of the soft opening. | 0:47:13 | 0:47:14 | |
Not the catchiest of titles, but there you go. | 0:47:14 | 0:47:17 | |
Now, it looks like we are watching Robert at work. | 0:47:17 | 0:47:20 | |
We are. No, we're not. | 0:47:20 | 0:47:23 | |
If you could slow it down here, please, Dwayne. | 0:47:23 | 0:47:26 | |
And remember Robert is left-handed. | 0:47:26 | 0:47:29 | |
A left-handed person would place the condiments to the | 0:47:29 | 0:47:31 | |
right of the dish and then lean over. | 0:47:31 | 0:47:33 | |
Putting the condiments to the left of the dish is exactly what | 0:47:33 | 0:47:37 | |
a right-handed person would do. | 0:47:37 | 0:47:39 | |
You see? Dexter notices this... | 0:47:39 | 0:47:42 | |
and so moves the bowls to the right...just as the pair of them | 0:47:42 | 0:47:46 | |
become aware that they're being filmed. | 0:47:46 | 0:47:48 | |
I mean, naturally, at the best of times, Robert | 0:47:48 | 0:47:50 | |
wouldn't like being filmed without prior notice. | 0:47:50 | 0:47:53 | |
But that's not the reason he panics here, no. | 0:47:53 | 0:47:56 | |
The reason is, | 0:47:56 | 0:47:59 | |
Robert isn't Robert. | 0:47:59 | 0:48:03 | |
That's insane! | 0:48:05 | 0:48:06 | |
This is Gary Holt coming through the airport, | 0:48:09 | 0:48:13 | |
the day he arrived on the island. | 0:48:13 | 0:48:15 | |
All it required was a pair of glasses | 0:48:15 | 0:48:19 | |
and Robert's trademark bandana, | 0:48:19 | 0:48:21 | |
and Gary becomes Robert. | 0:48:21 | 0:48:22 | |
After all, apart from you lot, no-one at the soft opening would, | 0:48:24 | 0:48:27 | |
at a fair distance, know any different. | 0:48:27 | 0:48:30 | |
Because by the time the diners sat down, Robert was already dead... | 0:48:30 | 0:48:34 | |
..in the freezer. That's crazy. | 0:48:36 | 0:48:38 | |
We all thought that Robert was killed on the night | 0:48:38 | 0:48:41 | |
of the soft opening. | 0:48:41 | 0:48:43 | |
In fact, he was killed 12 hours before. | 0:48:43 | 0:48:46 | |
Now, you took a brazen risk but the rewards were high and it enabled | 0:48:46 | 0:48:51 | |
you to shift the time of the murder and thereby give you all an alibi. | 0:48:51 | 0:48:56 | |
I mean, if we think that Robert's killed in the middle of the night, | 0:48:56 | 0:48:59 | |
well, then you're all safely tucked up inside the villa, aren't you? | 0:48:59 | 0:49:02 | |
And so Gary poses as Robert... | 0:49:02 | 0:49:04 | |
..Dexter does all the cooking. | 0:49:05 | 0:49:07 | |
Gary then makes sure the taxi driver sees him go back inside, | 0:49:08 | 0:49:11 | |
then he prepares the scene for the robbery gone wrong. | 0:49:11 | 0:49:15 | |
All it takes then is a shave and you are Gary again. | 0:49:15 | 0:49:18 | |
You know, this is ridiculous! | 0:49:18 | 0:49:20 | |
What, what, I, I killed him and then impersonated him? | 0:49:20 | 0:49:23 | |
It's funny you say that because er, er, | 0:49:23 | 0:49:25 | |
er, you see, in my mind, once I worked out the how | 0:49:25 | 0:49:28 | |
I then had to work out the who. Now, there were two options. | 0:49:28 | 0:49:32 | |
Option one, you killed him. | 0:49:32 | 0:49:34 | |
But then, why would everyone else play along | 0:49:34 | 0:49:36 | |
and conspire to protect you? I mean, after all, they hardly know you. | 0:49:36 | 0:49:40 | |
Which leads us to option two. | 0:49:40 | 0:49:41 | |
You and everyone else | 0:49:43 | 0:49:45 | |
conspired to protect someone else, someone you all knew and empathised | 0:49:45 | 0:49:52 | |
with, someone who had a very unfortunate roll of the dice so far. | 0:49:52 | 0:49:59 | |
It's a re-run of the past, Gary, | 0:49:59 | 0:50:02 | |
but for your brother's son. | 0:50:02 | 0:50:04 | |
And what? We'd all just play along with it? | 0:50:04 | 0:50:07 | |
Well, yes, you would. Because you all hated Robert. | 0:50:07 | 0:50:12 | |
And you all felt empathy for Matt's plight. | 0:50:12 | 0:50:15 | |
This had nothing to do with your dad's plans for you, | 0:50:16 | 0:50:20 | |
however much you hated them. | 0:50:20 | 0:50:21 | |
But it has everything to do with Kim. | 0:50:24 | 0:50:26 | |
The woman you are passionately in love with. | 0:50:27 | 0:50:31 | |
The woman who was your father's on and off mistress. | 0:50:31 | 0:50:34 | |
Me and Matt! | 0:50:34 | 0:50:35 | |
Yes, of course. | 0:50:35 | 0:50:37 | |
I mean, a sensitive, clever, slightly lost young man, | 0:50:37 | 0:50:40 | |
who falls for you so deeply that on your | 0:50:40 | 0:50:42 | |
birthday he posts photos of all the things in the world | 0:50:42 | 0:50:44 | |
he would have got you had he had his dad's wealth and power. | 0:50:44 | 0:50:47 | |
Or is it just a coincidence that those posts appear on the very | 0:50:47 | 0:50:49 | |
day you turned 24? | 0:50:49 | 0:50:51 | |
You know, maybe the affair did, as you say, fizzle out. | 0:50:51 | 0:50:55 | |
But even so. | 0:50:55 | 0:50:57 | |
I mean, Robert wouldn't tolerate his son muscling in on his | 0:50:57 | 0:51:00 | |
property, would he? | 0:51:00 | 0:51:01 | |
You see, that scratch has nothing to do with eczema. | 0:51:03 | 0:51:06 | |
Your dad did that, didn't he? | 0:51:06 | 0:51:08 | |
When he tore the necklace off you in the fight you had. | 0:51:08 | 0:51:11 | |
Give me this! Give me this! | 0:51:11 | 0:51:12 | |
And look at what we found in the ashes of Gary's barbecue. | 0:51:16 | 0:51:18 | |
I don't know what you're talking about. | 0:51:18 | 0:51:20 | |
Well, if you'll allow me. Kim. | 0:51:20 | 0:51:22 | |
See. Perfect fit. | 0:51:25 | 0:51:28 | |
We called and asked the nurses at your mum's nursing home. | 0:51:28 | 0:51:32 | |
Your mum knew nothing about a pendant. | 0:51:32 | 0:51:35 | |
Your dad must have outlined it in no uncertain terms... | 0:51:35 | 0:51:38 | |
..you break up, or she's ruined. | 0:51:40 | 0:51:44 | |
That was his style. | 0:51:44 | 0:51:46 | |
I mean, he couldn't bear being number two to anyone. | 0:51:46 | 0:51:49 | |
So he knocks you down and humiliates you. | 0:51:50 | 0:51:52 | |
You've had enough! | 0:51:52 | 0:51:54 | |
For years, you've watched him abuse everyone around him, | 0:51:54 | 0:51:56 | |
mentally, financially, physically. When will it stop?! | 0:51:56 | 0:51:59 | |
Humiliated and reeling you follow him back into the restaurant. | 0:51:59 | 0:52:02 | |
You, you, you're blind with anger. | 0:52:02 | 0:52:04 | |
You, you, you grab a knife, find him in the freezer | 0:52:04 | 0:52:07 | |
and you stab him in the back. | 0:52:07 | 0:52:09 | |
He turns round and you stab him again... | 0:52:11 | 0:52:14 | |
straight through the heart. | 0:52:14 | 0:52:15 | |
Don't say anything, Matt. | 0:52:19 | 0:52:20 | |
You realise what you've done. | 0:52:23 | 0:52:25 | |
You're horrified, you call your uncle | 0:52:25 | 0:52:27 | |
and he arrives with all the team. | 0:52:27 | 0:52:29 | |
Oh, help! Help! | 0:52:29 | 0:52:32 | |
You're probably all shocked but really is anyone grieving? | 0:52:32 | 0:52:35 | |
Or did you all think he had it coming? | 0:52:35 | 0:52:38 | |
And what is the point of wasting a young life, Matt's? | 0:52:40 | 0:52:43 | |
Who's never hurt a fly in his life. | 0:52:43 | 0:52:46 | |
The conspiracy to cover up the murder begins. | 0:52:47 | 0:52:50 | |
This is what we do... | 0:52:50 | 0:52:51 | |
Robert is left in the freezer in his T-shirt and shorts. | 0:52:53 | 0:52:56 | |
Gary then goes back to the shack with your clothes, | 0:52:56 | 0:52:58 | |
the broken pendant still in your pocket, and everything is burned. | 0:52:58 | 0:53:02 | |
You carry on with the soft opening as if nothing had happened, | 0:53:04 | 0:53:06 | |
you then wait the night out | 0:53:06 | 0:53:08 | |
and return to make sure the delivery man | 0:53:08 | 0:53:11 | |
sees you enter and find Robert's body. | 0:53:11 | 0:53:13 | |
A clever, tight plan. | 0:53:13 | 0:53:16 | |
If it hadn't been for this... | 0:53:18 | 0:53:19 | |
..surviving the flames. | 0:53:22 | 0:53:23 | |
You didn't know him. He would have destroyed us both. | 0:53:28 | 0:53:31 | |
He treated everyone as if they were his own possession. | 0:53:31 | 0:53:34 | |
He didn't care for anyone. | 0:53:34 | 0:53:35 | |
So no-one cared for him. | 0:53:35 | 0:53:37 | |
You all did at some time. Then he let you all down. | 0:53:37 | 0:53:41 | |
One by one. | 0:53:41 | 0:53:42 | |
So...what will happen to us? | 0:53:43 | 0:53:46 | |
Conspiracy to pervert the course of justice? | 0:53:46 | 0:53:48 | |
But with a good lawyer, sensible judge. | 0:53:48 | 0:53:51 | |
As they say, everyone loves to see justice done on somebody else. | 0:53:53 | 0:53:57 | |
Make of that what you will. | 0:54:00 | 0:54:02 | |
Do you know what? | 0:54:02 | 0:54:05 | |
If this all happened again, I don't... | 0:54:05 | 0:54:07 | |
I don't think anyone here would have acted any differently. | 0:54:07 | 0:54:10 | |
Wait, wait, wait. OK, OK, OK! You're a real bad man, you know? | 0:54:45 | 0:54:48 | |
You're not too bad either... for an old man. Hey. | 0:54:48 | 0:54:52 | |
How old are you? 60? | 0:54:52 | 0:54:54 | |
25 plus. | 0:54:54 | 0:54:56 | |
Yeah, 25 plus 35. | 0:54:56 | 0:54:58 | |
Listen. | 0:54:58 | 0:55:00 | |
If I make a deal with you are you going to keep to it? | 0:55:00 | 0:55:02 | |
Depends. Don't be cheeky. | 0:55:02 | 0:55:04 | |
Now, I have a very good friend called Lennie. | 0:55:05 | 0:55:08 | |
He runs a youth basketball team. | 0:55:08 | 0:55:11 | |
They practice once a week on Tuesdays. | 0:55:11 | 0:55:13 | |
Now, if you promise to go to school every day, | 0:55:13 | 0:55:17 | |
I might, and I mean just might, have a word with him. | 0:55:17 | 0:55:21 | |
I could pick you up afterwards, get you a hamburger, soda... | 0:55:21 | 0:55:24 | |
Why? Why what? | 0:55:24 | 0:55:26 | |
Why you doing this all for me? | 0:55:26 | 0:55:28 | |
Let's just say that someone did the same thing for me | 0:55:32 | 0:55:34 | |
when I was your age. | 0:55:34 | 0:55:36 | |
And if they hadn't of done it, | 0:55:36 | 0:55:38 | |
I wouldn't be around today doing the job I love. | 0:55:38 | 0:55:41 | |
So what you saying? Mmm? | 0:55:42 | 0:55:44 | |
# What is going to happen to the young generation? | 0:55:47 | 0:55:51 | |
# What is going to happen to the youth congregation? # | 0:55:51 | 0:55:56 | |
I can't help but feel sorry for him. | 0:55:56 | 0:55:59 | |
He's not even 21. | 0:55:59 | 0:56:00 | |
Well, there's lots of mitigating circumstances. | 0:56:00 | 0:56:04 | |
It wasn't pre-meditated. | 0:56:04 | 0:56:06 | |
And when the court take into account what | 0:56:06 | 0:56:08 | |
we know about his father, well, it's the age-old question. | 0:56:08 | 0:56:11 | |
Why do some people have children? | 0:56:11 | 0:56:13 | |
Oh, God, I hate this job. | 0:56:13 | 0:56:16 | |
What on earth happened to you? Old sports injury. | 0:56:16 | 0:56:20 | |
What? | 0:56:20 | 0:56:21 | |
For real! Had a little predicament. Had to get back into basketball. | 0:56:22 | 0:56:26 | |
They used to call me Shark Attack. | 0:56:28 | 0:56:30 | |
I was the Shaquille O'Neal of Saint-Marie, you know? | 0:56:30 | 0:56:32 | |
Who used to call you that? Blind Sammy? | 0:56:32 | 0:56:35 | |
Very funny. | 0:56:35 | 0:56:37 | |
I see there's trouble in paradise. | 0:56:38 | 0:56:40 | |
I don't think so but the Inspector does. | 0:56:40 | 0:56:44 | |
Yup, it's got all the hallmarks of a break-up chat. | 0:56:44 | 0:56:47 | |
I missed you so much last night. I really did. | 0:56:47 | 0:56:51 | |
Yes, me too. Yeah, but you know, what could I do? | 0:56:51 | 0:56:54 | |
I couldn't just leave. | 0:56:54 | 0:56:56 | |
The Inspector was really getting into it, you know, | 0:56:56 | 0:57:00 | |
putting on one DVD after another. | 0:57:00 | 0:57:02 | |
I just fell asleep! | 0:57:02 | 0:57:03 | |
SHE LAUGHS | 0:57:03 | 0:57:05 | |
She's laughing. But that's a good sign. | 0:57:05 | 0:57:08 | |
Er...not always in my experience. | 0:57:08 | 0:57:10 | |
Oh, God! Oh, my God. No! | 0:57:15 | 0:57:20 | |
# I can feel those thrills walking over | 0:57:20 | 0:57:25 | |
# When you hold me... # | 0:57:25 | 0:57:27 | |
I want to be bridesmaid. | 0:57:27 | 0:57:28 | |
Congratulations. OK, I'll be best man. | 0:57:28 | 0:57:30 | |
Yeah, and I will do the catering! And I... Oh. | 0:57:30 | 0:57:33 | |
What do you know? Our first wedding. | 0:57:35 | 0:57:38 | |
So, who's next in line? | 0:57:38 | 0:57:40 | |
Hey! Don't look at me, you know! | 0:57:40 | 0:57:42 | |
It's like you said, sir, love can be found anywhere. | 0:57:44 | 0:57:47 | |
It's very true. | 0:57:47 | 0:57:50 | |
But until then... | 0:57:50 | 0:57:51 | |
..I guess you two will have to do. | 0:57:53 | 0:57:54 | |
To us! | 0:58:07 | 0:58:08 | |
To us! | 0:58:08 | 0:58:09 | |
And the Santa Ana silver. | 0:58:09 | 0:58:10 | |
There was nothing fair about what you did! | 0:58:10 | 0:58:12 | |
Get away from my boat! A body has been found on Blue Bay Cove. | 0:58:12 | 0:58:15 | |
Do you mean, like, actual treasure. | 0:58:15 | 0:58:17 | |
It's not the terminology we'd use. It's brilliant. | 0:58:17 | 0:58:19 | |
Barely a scratch on it. It's virtually mint... | 0:58:19 | 0:58:23 | |
It's JP's stag do tonight. | 0:58:23 | 0:58:25 | |
I'll be around to pick you up at 6:00pm sharp. | 0:58:25 | 0:58:28 | |
I don't think I want to go to my stag do. | 0:58:28 | 0:58:30 |