Browse content similar to Episode 7. Check below for episodes and series from the same categories and more!
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# This is my island in the sun | 0:00:02 | 0:00:03 | |
# Where my people has toiled since time begun | 0:00:03 | 0:00:07 | |
# I may sail on many seas But these shores will always... # | 0:00:07 | 0:00:11 | |
CORK POPS | 0:00:11 | 0:00:13 | |
CHEERING | 0:00:13 | 0:00:14 | |
They said it could never be found. Well done, darling. | 0:00:17 | 0:00:21 | |
They didn't reckon on you coming along, Mr Walker. | 0:00:21 | 0:00:23 | |
-We did it, Dad. -We did, Sam. | 0:00:23 | 0:00:26 | |
-To us. -To us. | 0:00:26 | 0:00:28 | |
And the Santa Ana Silver. | 0:00:28 | 0:00:30 | |
For 400 years, this little lot has sat on the seabed | 0:00:32 | 0:00:37 | |
just waiting to be discovered. | 0:00:37 | 0:00:40 | |
And we did it. | 0:00:40 | 0:00:42 | |
We did. Cheers! | 0:00:42 | 0:00:43 | |
-ALL: -Cheers! | 0:00:43 | 0:00:45 | |
You know, the last few weeks have been amazing. | 0:00:46 | 0:00:49 | |
Oh, I'm glad you think so, Addison. | 0:00:49 | 0:00:52 | |
So, I was wondering how you feel about me | 0:00:53 | 0:00:55 | |
maybe joining the team full-time? | 0:00:55 | 0:00:59 | |
Got a thirst for more riches, eh? | 0:00:59 | 0:01:01 | |
Walker! | 0:01:04 | 0:01:06 | |
I know you're there. | 0:01:06 | 0:01:09 | |
Tosh Walker, show yourself. | 0:01:09 | 0:01:11 | |
Newton Farrell. There's a surprise(!) | 0:01:11 | 0:01:13 | |
-What the hell's going on? -I heard about your little "find". | 0:01:13 | 0:01:16 | |
You must feel real proud of yourself(!) | 0:01:16 | 0:01:19 | |
Newton, I found that silver fair and square. | 0:01:19 | 0:01:22 | |
There was nothing FAIR about what you did! | 0:01:22 | 0:01:24 | |
You took advantage of ME! | 0:01:24 | 0:01:27 | |
Yeah, well, that's how it goes sometimes. Deal with it. | 0:01:27 | 0:01:30 | |
Dad! Dad, Dad, Dad, Dad. | 0:01:33 | 0:01:35 | |
Leave it. No, leave him. | 0:01:35 | 0:01:37 | |
Leave it, Dad. | 0:01:37 | 0:01:39 | |
Get away from my boat. | 0:01:39 | 0:01:41 | |
Get away from my boat! | 0:01:41 | 0:01:43 | |
He's not worth it. | 0:01:43 | 0:01:45 | |
This... | 0:01:45 | 0:01:46 | |
This is not over. | 0:01:46 | 0:01:48 | |
You hear me? | 0:01:48 | 0:01:49 | |
It's not over. | 0:01:52 | 0:01:54 | |
He's drunk. I better make sure he gets back to his boat OK. | 0:01:56 | 0:02:00 | |
So, are we going out or not? | 0:02:20 | 0:02:22 | |
Tosh, come on. Forget about what's happened. | 0:02:23 | 0:02:27 | |
We're supposed to be celebrating. | 0:02:27 | 0:02:29 | |
Ah, look, why don't we go on ahead | 0:02:29 | 0:02:31 | |
then give you some time to calm down and you can meet us there, yeah? | 0:02:31 | 0:02:35 | |
Promise me you won't go on Newton's boat. | 0:02:35 | 0:02:37 | |
Yeah, no, I promise, I promise. | 0:02:37 | 0:02:39 | |
See you later! | 0:02:42 | 0:02:43 | |
Where's Tosh? | 0:03:09 | 0:03:11 | |
-He'll be here in a bit. I'm going to get some drinks. -Mm-hm. | 0:03:11 | 0:03:14 | |
It's been 45 minutes. Where is he? | 0:03:26 | 0:03:28 | |
And why isn't he answering his phone? | 0:03:28 | 0:03:30 | |
Well, you know what my dad's like when he gets in a mood. | 0:03:30 | 0:03:33 | |
-I'm going to go and find him. -PHONE RINGS | 0:03:33 | 0:03:35 | |
Well, this is him now. | 0:03:35 | 0:03:36 | |
Tosh? | 0:03:36 | 0:03:37 | |
Tosh? Where are you? | 0:03:39 | 0:03:42 | |
He's on Newton's boat. He says he's been stabbed. | 0:03:43 | 0:03:47 | |
Call an ambulance. | 0:03:47 | 0:03:48 | |
Er, right, you wait here, Naomi. Addison, you come with me. | 0:03:56 | 0:04:00 | |
Dad? | 0:04:02 | 0:04:03 | |
Dad, are you in there? | 0:04:03 | 0:04:05 | |
No-one's here. | 0:04:13 | 0:04:14 | |
I'll look out front. | 0:04:14 | 0:04:16 | |
Nothing. | 0:04:25 | 0:04:27 | |
He's not there. No-one is. | 0:04:31 | 0:04:33 | |
Somebody call about a stabbing? | 0:04:37 | 0:04:39 | |
Yeah, that was us. Erm, we're not sure what's happened. | 0:04:39 | 0:04:43 | |
Where is he? | 0:04:43 | 0:04:45 | |
-Good morning, sir. -Morning, Florence. | 0:05:32 | 0:05:34 | |
Wow. You're hungry. | 0:05:34 | 0:05:36 | |
Oh, yes, erm, well, it's JP's stag do tonight, | 0:05:36 | 0:05:39 | |
so I thought I'd better start lining my stomach ASAP. | 0:05:39 | 0:05:42 | |
You think it's going to be boozy? | 0:05:42 | 0:05:43 | |
With Dwayne in charge, it could be carnage. | 0:05:43 | 0:05:45 | |
-How about you? What are you up to? -A body's been found washed up | 0:05:45 | 0:05:48 | |
on the beach at Blue Bay Cove. Dwayne and JP are already there. | 0:05:48 | 0:05:51 | |
Not a moment to lose, Florence. | 0:05:51 | 0:05:53 | |
-Oh. Erm... -Are you done with those? | 0:05:53 | 0:05:55 | |
Yes, I think so. I don't want to overdo it. | 0:05:55 | 0:05:57 | |
Right, let's go! | 0:05:59 | 0:06:01 | |
Just one more. | 0:06:08 | 0:06:10 | |
-Morning, JP. -Morning, sir. Sarge. The body's just this way. | 0:06:21 | 0:06:25 | |
So, JP, excited about tonight's festivities? | 0:06:25 | 0:06:28 | |
Oh, yes, sir. Er, very much. | 0:06:28 | 0:06:30 | |
Can't wait to find out what Dwayne has in store for me. | 0:06:30 | 0:06:33 | |
Yes, I bet. Be afraid, be very afraid, eh? | 0:06:33 | 0:06:36 | |
-Ah, Dwayne. -Ah, Chief. -What have we got? | 0:06:38 | 0:06:40 | |
Well, the driver's licence says the victim's name is Tosh Walker. | 0:06:40 | 0:06:43 | |
52 years of age. From the UK. | 0:06:43 | 0:06:46 | |
But the thing you should know is, Chief, is that me | 0:06:46 | 0:06:48 | |
and JP got a call-out to the harbour last night. | 0:06:48 | 0:06:50 | |
Yes, the victim's wife and son thought he'd been stabbed. | 0:06:50 | 0:06:52 | |
Yesterday afternoon, Mr Walker had a run-in with | 0:06:52 | 0:06:55 | |
-a man called Newton Farrell. -Who is...? | 0:06:55 | 0:06:57 | |
Ah, he lives on the harbour. Bit of a no-mark, if you ask me. | 0:06:57 | 0:07:00 | |
And he love a drink, you see. | 0:07:00 | 0:07:01 | |
Then later on, at 7.45, Mrs Walker gets a call from her husband. | 0:07:01 | 0:07:05 | |
When she answered it, all Mr Walker said was, "Newton's stabbed me." | 0:07:05 | 0:07:09 | |
When she asked him where he was, he said, "His boat." | 0:07:09 | 0:07:12 | |
The son called an ambulance straightaway. | 0:07:12 | 0:07:14 | |
When it arrived five minutes later, Farrell nor Walker could be found, | 0:07:14 | 0:07:17 | |
which is when we arrived. | 0:07:17 | 0:07:18 | |
Definitely a stabbing, sir. I'd say a three-centimetre-width blade. | 0:07:18 | 0:07:23 | |
And there are marks at one end of the wound. | 0:07:23 | 0:07:26 | |
-So, maybe a serrated knife? -Possibly. | 0:07:26 | 0:07:29 | |
It looks like it pierced the heart. He'd have died pretty quickly. | 0:07:29 | 0:07:32 | |
PHONE RINGS | 0:07:32 | 0:07:34 | |
So, the last anyone heard from Tosh Walker was that he'd been | 0:07:34 | 0:07:37 | |
stabbed on Newton's boat. | 0:07:37 | 0:07:39 | |
12 hours later, he washes up here with a knife wound in his chest. | 0:07:39 | 0:07:43 | |
Looks like this one could be done and dusted by lunchtime. | 0:07:43 | 0:07:45 | |
Sir? That was one of the fishermen | 0:07:45 | 0:07:47 | |
we spoke to last night at the harbour. | 0:07:47 | 0:07:49 | |
He was on his way back from a morning catch | 0:07:49 | 0:07:51 | |
when he spotted Newton Farrell. | 0:07:51 | 0:07:54 | |
Lunchtime! | 0:07:54 | 0:07:55 | |
Yes, yes, all right, Dwayne. | 0:07:55 | 0:07:57 | |
So, where is he? | 0:07:57 | 0:07:59 | |
-You want us to go and arrest him, Chief? -No, not just yet. | 0:08:04 | 0:08:07 | |
Let's see what he's got to say for himself first. | 0:08:07 | 0:08:10 | |
Morning, Humphrey, Florence. | 0:08:10 | 0:08:13 | |
Catherine. | 0:08:13 | 0:08:15 | |
-Newton Farrell? -Who's asking? | 0:08:15 | 0:08:17 | |
Detective Inspector Goodman, Detective Sergeant Cassell. | 0:08:17 | 0:08:19 | |
I wonder if you wouldn't mind telling us | 0:08:19 | 0:08:21 | |
-where you were yesterday evening at around 7.45. -Why you want to know? | 0:08:21 | 0:08:25 | |
Tosh Walker's body washed up on a beach this morning. | 0:08:25 | 0:08:27 | |
He'd been stabbed. | 0:08:27 | 0:08:29 | |
And the last phone call he made to his wife, | 0:08:29 | 0:08:31 | |
at quarter to eight yesterday evening, | 0:08:31 | 0:08:33 | |
he said he was on your boat and that you stabbed him. | 0:08:33 | 0:08:36 | |
How do you explain that? | 0:08:36 | 0:08:38 | |
Sorry, Humphrey, but are you sure about the time? | 0:08:38 | 0:08:41 | |
Er, yes, positive, Catherine. | 0:08:41 | 0:08:43 | |
It's just Newton was here at quarter to eight. | 0:08:43 | 0:08:46 | |
Sorry? | 0:08:46 | 0:08:47 | |
Newton was here at quarter to eight. | 0:08:47 | 0:08:50 | |
Really? | 0:08:50 | 0:08:52 | |
He arrived at 7.30 and was here most of the evening. | 0:08:52 | 0:08:55 | |
'I remember. I'd been talking to a friend of mine. | 0:08:55 | 0:08:58 | |
'She hadn't realised the time and said she had to go. | 0:08:58 | 0:09:00 | |
'As she left, Newton arrived. | 0:09:00 | 0:09:02 | |
'It was half past seven, I'm sure of it.' | 0:09:03 | 0:09:06 | |
Rum. | 0:09:06 | 0:09:08 | |
What time is it? | 0:09:08 | 0:09:09 | |
Five past ten. | 0:09:09 | 0:09:11 | |
So, you were here yesterday evening at 7.45? | 0:09:17 | 0:09:20 | |
Yes, I was. | 0:09:20 | 0:09:21 | |
-So, why would Tosh claim you stabbed him? -I don't know. | 0:09:22 | 0:09:26 | |
I don't know why he would say a thing like that. | 0:09:26 | 0:09:29 | |
Right... Well, that's all our questions for now, Mr Farrell. | 0:09:29 | 0:09:33 | |
As we suspect your boat is a possible crime scene, | 0:09:33 | 0:09:36 | |
my officers will need to carry out a full search. | 0:09:36 | 0:09:39 | |
You'll need to be there with them. | 0:09:39 | 0:09:40 | |
OK. | 0:09:40 | 0:09:42 | |
OK. | 0:09:43 | 0:09:45 | |
Catherine... | 0:09:45 | 0:09:47 | |
He may have an alibi, | 0:09:50 | 0:09:52 | |
but he's certainly not behaving like he's innocent. | 0:09:52 | 0:09:55 | |
My colleague said that your husband and Mr Farrell had a, erm... | 0:10:00 | 0:10:03 | |
falling out. Can you tell us what it was about? | 0:10:03 | 0:10:06 | |
Professional jealousy. Newton never liked Tosh. | 0:10:08 | 0:10:11 | |
They've known each other for a while, then? | 0:10:11 | 0:10:13 | |
Newton's in the same business as us. Marine salvage. | 0:10:13 | 0:10:16 | |
He and Dad met about eight years ago off the Miami coast. | 0:10:16 | 0:10:19 | |
They were searching for the same shipwreck but Dad got there first, | 0:10:19 | 0:10:22 | |
reaped the rewards, and Newton's held it against him ever since. | 0:10:22 | 0:10:25 | |
What was their argument about yesterday evening? | 0:10:25 | 0:10:27 | |
The Santa Ana Silver. | 0:10:27 | 0:10:30 | |
Sorry, erm, but what is the Santa Ana Silver? | 0:10:30 | 0:10:34 | |
It's a hoard of around 200 rare antique silver coins. | 0:10:34 | 0:10:38 | |
Sorry, do you mean, like, actual treasure? | 0:10:38 | 0:10:41 | |
It's not quite the terminology we'd use, | 0:10:41 | 0:10:43 | |
but, in layman's terms, yeah, treasure. | 0:10:43 | 0:10:46 | |
And that's why you're here, to find the silver? | 0:10:46 | 0:10:49 | |
Well, we already found it. | 0:10:49 | 0:10:50 | |
That's brilliant! | 0:10:50 | 0:10:52 | |
We began the recovery last week. | 0:10:54 | 0:10:56 | |
Yesterday afternoon, we completed our final dive. | 0:10:56 | 0:10:59 | |
Gosh! Well, congratulations. | 0:10:59 | 0:11:01 | |
How much, erm, if you don't mind me asking, how much is it worth? | 0:11:02 | 0:11:05 | |
Er, the estimated value is about £300,000. | 0:11:05 | 0:11:09 | |
HE WHISTLES APPRECIATIVELY | 0:11:09 | 0:11:11 | |
And Newton Farrell was annoyed by Mr Walker's success again? | 0:11:11 | 0:11:15 | |
Newton claims to have been searching for the Santa Ana Silver for years. | 0:11:15 | 0:11:19 | |
But the truth is, he's been drinking himself into an early grave. | 0:11:19 | 0:11:22 | |
So, when my dad swept in and found it in less than a month, it was... | 0:11:22 | 0:11:24 | |
Like history repeating itself. | 0:11:24 | 0:11:27 | |
And this is why you think he killed Tosh? | 0:11:27 | 0:11:29 | |
Could you talk us through exactly what happened yesterday? | 0:11:31 | 0:11:34 | |
It was late afternoon... | 0:11:36 | 0:11:37 | |
Walker! | 0:11:37 | 0:11:38 | |
..when Newton turned up very drunk and very angry. | 0:11:38 | 0:11:42 | |
It's not the first time it's happened. | 0:11:42 | 0:11:43 | |
-NEWTON: -'Tosh Walker!' -'Word had got out round the harbour | 0:11:43 | 0:11:46 | |
'that we'd completed recovery of the silver.' | 0:11:46 | 0:11:48 | |
I heard about your little "find". | 0:11:48 | 0:11:49 | |
So, he came looking for Dad... | 0:11:49 | 0:11:51 | |
I found that silver fair and square. | 0:11:51 | 0:11:52 | |
There was nothing FAIR about what you did! | 0:11:52 | 0:11:54 | |
..ended up punching him. | 0:11:54 | 0:11:56 | |
Just before he left, he said... | 0:11:57 | 0:11:59 | |
This... | 0:11:59 | 0:12:00 | |
This is not over. | 0:12:00 | 0:12:02 | |
And what happened then? | 0:12:02 | 0:12:04 | |
Newton went back to his boat. I went with him. | 0:12:04 | 0:12:06 | |
How was he? | 0:12:06 | 0:12:08 | |
Your father is a cheat and a liar! | 0:12:08 | 0:12:11 | |
'I had to give him a drink to calm him down.' | 0:12:11 | 0:12:13 | |
-He stole my life. -All right. Just take a seat there. | 0:12:13 | 0:12:17 | |
'But then, by the time I left, he'd crashed out.' | 0:12:17 | 0:12:21 | |
Yeah, and when was it that the, erm, spat reignited? | 0:12:21 | 0:12:24 | |
So, are we going out or not? | 0:12:26 | 0:12:27 | |
'It was about seven o'clock. We were supposed to be going out, | 0:12:27 | 0:12:30 | |
'but Tosh was still stewing. | 0:12:30 | 0:12:32 | |
'So, Sam and I left him to cool down and told him to meet us at the bar.' | 0:12:32 | 0:12:36 | |
And then, at about quarter to eight... | 0:12:36 | 0:12:39 | |
PHONE RINGS | 0:12:39 | 0:12:40 | |
This is him now. | 0:12:40 | 0:12:41 | |
Tosh? | 0:12:41 | 0:12:43 | |
..I got a phone call from Tosh saying that he'd been stabbed | 0:12:43 | 0:12:46 | |
and he was on Newton's boat. | 0:12:46 | 0:12:47 | |
Then, by the time we got there five minutes later, there was | 0:12:47 | 0:12:51 | |
no sign of either of them. | 0:12:51 | 0:12:52 | |
You...you are going to arrest him - Newton? I mean, it has to be him. | 0:12:52 | 0:12:56 | |
Erm, yes, the evidence is very compelling, | 0:12:57 | 0:13:00 | |
Mrs Walker, I must admit. | 0:13:00 | 0:13:01 | |
But you see, we've already spoken to Mr Farrell.. | 0:13:03 | 0:13:06 | |
and it would seem that he has an alibi for the time of the murder. | 0:13:06 | 0:13:11 | |
He was at Catherine's Bar last night from 7.30 onwards. | 0:13:11 | 0:13:16 | |
That's impossible. | 0:13:16 | 0:13:18 | |
I'm afraid it would appear not. | 0:13:18 | 0:13:20 | |
Is that bleach I can smell? | 0:13:30 | 0:13:32 | |
Did you mop this floor? | 0:13:35 | 0:13:37 | |
Nothing wrong in me keeping my place shipshape, is there? | 0:13:37 | 0:13:40 | |
Not at all. | 0:13:40 | 0:13:42 | |
It's just that... | 0:13:42 | 0:13:45 | |
everything else in here is full of dust and grime. | 0:13:45 | 0:13:49 | |
I'll be upstairs if you need me. | 0:13:49 | 0:13:51 | |
My goodness! | 0:13:58 | 0:14:00 | |
According to this, there's an estimated 35 billion pounds' worth | 0:14:00 | 0:14:04 | |
of treasure lying on the seabed. | 0:14:04 | 0:14:07 | |
Oh. Really? | 0:14:07 | 0:14:08 | |
I know. I mean, just think of it. | 0:14:08 | 0:14:11 | |
All those doubloons and pieces of eight just lying there. | 0:14:11 | 0:14:15 | |
Oh, I used to be a bit of a numismatist when I was younger. | 0:14:17 | 0:14:20 | |
Sorry, a what? | 0:14:20 | 0:14:22 | |
I collected coins. Yes, although it wasn't an extensive collection. | 0:14:22 | 0:14:25 | |
I was only 11 at the time. But, erm, well... | 0:14:25 | 0:14:28 | |
Yes, anyway, that's me. | 0:14:29 | 0:14:31 | |
But what about our professional collector, Tosh Walker? | 0:14:31 | 0:14:34 | |
-What have we got on him? -Well, sir, he is 52 years of age | 0:14:34 | 0:14:38 | |
and a marine salvage hunter. Originally from Donegal, Ireland. | 0:14:38 | 0:14:42 | |
Left school at 16 to work on the trawlers. | 0:14:42 | 0:14:45 | |
Moved into salvaging in his early thirties. | 0:14:45 | 0:14:48 | |
Arrived in Saint Marie a month ago to begin | 0:14:48 | 0:14:51 | |
the search for the Santa Ana Silver. | 0:14:51 | 0:14:52 | |
And what of the people with him? | 0:14:52 | 0:14:54 | |
OK, so, there is Tosh's wife, Naomi Walker. She's 37. | 0:14:54 | 0:14:58 | |
Worked as a hairdresser on cruise ships. | 0:14:58 | 0:15:00 | |
Became the second Mrs Walker five years ago. | 0:15:00 | 0:15:03 | |
And I've put a call in to Mr Walker's solicitor to find out | 0:15:03 | 0:15:06 | |
who inherits his estate. | 0:15:06 | 0:15:08 | |
Good idea. | 0:15:08 | 0:15:09 | |
And there is Tosh's son from his first marriage, Samuel Walker. | 0:15:09 | 0:15:13 | |
He's 25. | 0:15:13 | 0:15:14 | |
Studied marine archaeology at Southampton University. | 0:15:14 | 0:15:18 | |
Followed his father into the family business. | 0:15:18 | 0:15:20 | |
Arrived on the island three months ago to set up | 0:15:20 | 0:15:22 | |
the Santa Ana salvage operation. | 0:15:22 | 0:15:25 | |
And there is a deck hand. Addison Patrick. 18 years old. | 0:15:25 | 0:15:28 | |
Local. Normally works with his father, a fisherman, | 0:15:28 | 0:15:31 | |
but joined Tosh's salvage operation three weeks ago. | 0:15:31 | 0:15:34 | |
I see. Well, none of them are exactly steeped in motive, are they? | 0:15:34 | 0:15:38 | |
And as they were all together in the harbour bar | 0:15:38 | 0:15:40 | |
when the call came through from Tosh at 7.45, | 0:15:40 | 0:15:43 | |
I'm not sure how any of them could have done it. | 0:15:43 | 0:15:46 | |
Which leaves us with Newton Farrell. | 0:15:46 | 0:15:48 | |
Who is 48 years of age. Born and raised on the island. | 0:15:48 | 0:15:52 | |
Been trying to make a living out of marine salvage most of his life. | 0:15:52 | 0:15:56 | |
Yes, so Mr Farrell is our prime suspect. | 0:15:56 | 0:15:58 | |
He has motive. He's aggrieved that Tosh Walker recovered | 0:15:58 | 0:16:01 | |
the treasure he believes was rightfully his. | 0:16:01 | 0:16:03 | |
And, on the night of the murder, Tosh Walker made a call | 0:16:03 | 0:16:06 | |
to his wife in which he told her that Newton had stabbed him. | 0:16:06 | 0:16:10 | |
And as we know he died extremely quickly, | 0:16:10 | 0:16:12 | |
the knifing must've taken place in the moments before the phone call. | 0:16:12 | 0:16:16 | |
When we questioned Newton this morning, his behaviour was... | 0:16:16 | 0:16:20 | |
as you would say, "shifty". | 0:16:20 | 0:16:22 | |
Shifty indeed, Florence. | 0:16:22 | 0:16:24 | |
All of which seems to suggest that he is our killer, | 0:16:24 | 0:16:26 | |
except for the fact that he was witnessed at Catherine's Bar | 0:16:26 | 0:16:29 | |
at the time of the murder, which just doesn't make sense. | 0:16:29 | 0:16:32 | |
If it wasn't Newton who stabbed him, | 0:16:32 | 0:16:34 | |
then why did Tosh tell his wife that it was? | 0:16:34 | 0:16:37 | |
Unless it wasn't Tosh making the call? | 0:16:37 | 0:16:40 | |
Someone else trying to frame Newton? | 0:16:40 | 0:16:41 | |
Hm, maybe. | 0:16:41 | 0:16:43 | |
-PHONE RINGS -Oh, I'll get that. | 0:16:43 | 0:16:47 | |
Detective Sergeant Cassell. | 0:16:47 | 0:16:49 | |
Who killed you, Tosh Walker? | 0:16:49 | 0:16:51 | |
-So, er, Dwayne? -Uh-huh. | 0:16:52 | 0:16:55 | |
I was wondering when you were going to tell me what we're up to tonight. | 0:16:55 | 0:16:59 | |
I can't do that. It would spoil the surprise. | 0:16:59 | 0:17:02 | |
And when you say a surprise...? | 0:17:04 | 0:17:07 | |
Ah! What have we here? | 0:17:11 | 0:17:15 | |
It's a knife sheath. | 0:17:15 | 0:17:17 | |
With no sign of the knife that goes in it. | 0:17:17 | 0:17:19 | |
OK. That's great. You've been very helpful. Thank you. | 0:17:29 | 0:17:33 | |
Tosh Walker's solicitor. | 0:17:35 | 0:17:36 | |
Oh, yes? And what did he have to say? | 0:17:36 | 0:17:38 | |
The estate is divided equally between Tosh's wife and his son. | 0:17:38 | 0:17:42 | |
Not that there's much to share out. | 0:17:42 | 0:17:44 | |
-Oh? -Well, the salvage business has been struggling for over a year. | 0:17:44 | 0:17:48 | |
But the, er, discovery of the Santa Ana Silver puts them | 0:17:48 | 0:17:50 | |
-back in the black again. -True. | 0:17:50 | 0:17:52 | |
But the solicitor also told me that Tosh contacted him | 0:17:52 | 0:17:55 | |
-six months ago to discuss filing for divorce. -Really? | 0:17:55 | 0:17:58 | |
He sent the application papers to Tosh, but never got them back. | 0:17:58 | 0:18:01 | |
I see. And on what grounds did he want a divorce? | 0:18:01 | 0:18:05 | |
He suspected his wife of having an affair. | 0:18:05 | 0:18:08 | |
Hmm... | 0:18:08 | 0:18:09 | |
-It really isn't quite how it seems. -So how is it? | 0:18:11 | 0:18:14 | |
I knew Tosh had requested the divorce papers. | 0:18:14 | 0:18:17 | |
He showed them to me. | 0:18:17 | 0:18:19 | |
He accused you of having an affair. | 0:18:19 | 0:18:21 | |
I wasn't having an affair. | 0:18:21 | 0:18:23 | |
But I can understand why he thought I was. | 0:18:23 | 0:18:26 | |
I had a health scare about a year ago. | 0:18:27 | 0:18:29 | |
I never told Tosh. | 0:18:30 | 0:18:32 | |
Why not? | 0:18:32 | 0:18:33 | |
He wasn't very good at dealing with those kind of things. | 0:18:33 | 0:18:36 | |
I mean, don't get me wrong, I loved Tosh very much. | 0:18:36 | 0:18:40 | |
He was an amazing and exciting man to be with. | 0:18:40 | 0:18:43 | |
But he wasn't brilliant at dealing with things he couldn't control. | 0:18:43 | 0:18:46 | |
It made him feel vulnerable, and he didn't like that at all. | 0:18:46 | 0:18:49 | |
-And knowing you were ill would have had that effect? -Yeah. | 0:18:49 | 0:18:52 | |
And when that happened, he wasn't a particularly nice man to be around. | 0:18:52 | 0:18:56 | |
So, I thought it was best for both of us | 0:18:56 | 0:18:58 | |
that I just dealt with it all on my own. | 0:18:58 | 0:19:02 | |
Except he started to think you were having an affair. | 0:19:02 | 0:19:04 | |
Yeah. I was sneaking off to hospital twice a week, | 0:19:04 | 0:19:07 | |
receiving secretive phone calls about test results. | 0:19:07 | 0:19:10 | |
I can understand why he came to the conclusion he did. | 0:19:10 | 0:19:13 | |
So, he threatened a divorce. | 0:19:13 | 0:19:15 | |
That's what it was, really, just an empty threat. | 0:19:15 | 0:19:19 | |
In the end, I confessed, told him I'd been ill | 0:19:19 | 0:19:22 | |
but that everything was going to be OK. | 0:19:22 | 0:19:24 | |
How did he take it? | 0:19:24 | 0:19:25 | |
He was relieved I wasn't seeing someone else, | 0:19:25 | 0:19:27 | |
but hurt I didn't tell him the truth. | 0:19:27 | 0:19:29 | |
And everything was fine between you both since then? | 0:19:29 | 0:19:32 | |
Yeah, it was. | 0:19:32 | 0:19:34 | |
It really was. | 0:19:34 | 0:19:35 | |
All his stuff's here, so just feel free to... | 0:19:56 | 0:19:59 | |
Erm, do you know the code to the safe? | 0:19:59 | 0:20:01 | |
4-1-3-2. | 0:20:01 | 0:20:03 | |
Oh, er, Mrs Walker, erm, just wanted to check. | 0:20:03 | 0:20:06 | |
You sure it was Tosh who phoned you last night? | 0:20:06 | 0:20:09 | |
It couldn't have been someone else pretending to be him, perhaps? | 0:20:09 | 0:20:12 | |
Of course it was him. I know my own husband's voice. | 0:20:12 | 0:20:15 | |
Yes. Yes, of course. | 0:20:15 | 0:20:17 | |
ELECTRIC BEEPING | 0:20:22 | 0:20:24 | |
LOCKS CLICK | 0:20:24 | 0:20:25 | |
Whoa! Would you look at that! | 0:20:27 | 0:20:31 | |
The Santa Ana Silver. | 0:20:31 | 0:20:33 | |
Are you sure it's OK to touch them? | 0:20:34 | 0:20:37 | |
Remember, Florence, I know my way around old coins. | 0:20:37 | 0:20:40 | |
This is really quite something. | 0:20:42 | 0:20:44 | |
Barely a scratch on it. It's virtually mint. | 0:20:44 | 0:20:47 | |
Ohhh... | 0:20:47 | 0:20:48 | |
-Sir? -Yeah? -Divorce application form. | 0:20:54 | 0:20:57 | |
It looks like it was completed, but Tosh never signed. | 0:20:57 | 0:21:01 | |
So, maybe Naomi's telling the truth and it was a threat Tosh made, | 0:21:01 | 0:21:05 | |
but never acted on. | 0:21:05 | 0:21:06 | |
Ah, there you are. Oh, don't worry, it's fine. | 0:21:06 | 0:21:10 | |
Or, Florence, maybe she killed Tosh | 0:21:10 | 0:21:12 | |
before he had a chance to sign them. | 0:21:12 | 0:21:15 | |
PHONE RINGS | 0:21:15 | 0:21:17 | |
We should take this laptop. | 0:21:17 | 0:21:19 | |
Dwayne? How can I help? | 0:21:19 | 0:21:21 | |
Right. On our way. | 0:21:22 | 0:21:24 | |
They're ready for us on Newton's boat. Boats, boats, boats! | 0:21:25 | 0:21:29 | |
OK, Chief, so, the first thing you should know is that Newton | 0:21:35 | 0:21:38 | |
definitely had a clean-up in there. | 0:21:38 | 0:21:39 | |
The cabin floor's been mopped thoroughly with bleach. | 0:21:39 | 0:21:42 | |
-So, no traces of blood, then? -No traces of blood. | 0:21:42 | 0:21:45 | |
But suspicious behaviour nonetheless. What else? | 0:21:45 | 0:21:47 | |
We found this. Sheath for a diver's knife. | 0:21:47 | 0:21:50 | |
But no knife. | 0:21:50 | 0:21:52 | |
And I checked with the guy who runs the fishing shop on the harbour. | 0:21:52 | 0:21:55 | |
This particular make of case would normally hold | 0:21:55 | 0:21:57 | |
a three-centimetre-width serrated diver's knife. | 0:21:57 | 0:22:00 | |
Same as the one used to kill Tosh. | 0:22:00 | 0:22:03 | |
So, no sign of Tosh's mobile phone here? | 0:22:03 | 0:22:05 | |
Afraid not. It must've been thrown into the sea with his body. | 0:22:05 | 0:22:09 | |
-Tweezers, please. -Yes. | 0:22:09 | 0:22:11 | |
Thank you. | 0:22:14 | 0:22:16 | |
A-ha. | 0:22:20 | 0:22:22 | |
-What is it? -It's a cheroot, | 0:22:22 | 0:22:24 | |
Florence. Like the ones Tosh smoked. | 0:22:24 | 0:22:26 | |
HE CLEARS THROAT So, tell us, Mr Farrell... | 0:22:35 | 0:22:38 | |
..why did you mop the floor of your boat? | 0:22:39 | 0:22:42 | |
It was dirty, so I cleaned it. | 0:22:42 | 0:22:45 | |
You were happy for the rest of the cabin to remain dirty? | 0:22:45 | 0:22:47 | |
I was going to clean the rest later. | 0:22:47 | 0:22:49 | |
Does this belong to you? | 0:22:51 | 0:22:53 | |
-Yes, it's mine. -So, where's the knife that should sit in it? | 0:22:55 | 0:22:58 | |
I lost it a few months ago. | 0:22:58 | 0:23:00 | |
Only, the knife that was used to kill Tosh Walker is the exact | 0:23:00 | 0:23:04 | |
style of knife that would fit in this. | 0:23:04 | 0:23:07 | |
Must be a coincidence, hm? | 0:23:07 | 0:23:09 | |
Yes, must be. | 0:23:09 | 0:23:11 | |
Mmm. | 0:23:11 | 0:23:13 | |
OK. Let's try this last one on for size. | 0:23:13 | 0:23:15 | |
Tosh Walker - when was the last time he was on your boat? | 0:23:15 | 0:23:18 | |
He wasn't. I mean, he has never been on my boat. | 0:23:18 | 0:23:21 | |
-Why would he? -So, this didn't belong to him, then? | 0:23:21 | 0:23:24 | |
Tosh Walker smoked cheroots. | 0:23:26 | 0:23:28 | |
We'll have to get it down to the lab to see if it's got his DNA on it. | 0:23:28 | 0:23:31 | |
But if it did belong to him, | 0:23:31 | 0:23:33 | |
that means he probably had been on board your boat. | 0:23:33 | 0:23:35 | |
Yes, and with the mopping and this, | 0:23:35 | 0:23:37 | |
and, er, oh, yes, let's not forget the phone call | 0:23:37 | 0:23:39 | |
he made to his wife saying you stabbed him... | 0:23:39 | 0:23:41 | |
..and that you had a very strong motive to kill him. | 0:23:41 | 0:23:43 | |
Oh, yes, that's a good one, as well. | 0:23:43 | 0:23:45 | |
If you take all that into account, it's not looking too good, is it? | 0:23:45 | 0:23:49 | |
But I was at Catherine's Bar when it happened, wasn't I? | 0:23:51 | 0:23:55 | |
Anything else, hm? | 0:23:57 | 0:23:59 | |
Oh, Florence, how are you getting on with Tosh Walker's laptop? | 0:24:12 | 0:24:15 | |
There's some interesting e-mails between Mr Walker and his son, Sam, | 0:24:15 | 0:24:19 | |
from when Sam was out here doing the prep for the salvage operation. | 0:24:19 | 0:24:22 | |
Go on. | 0:24:22 | 0:24:23 | |
It seems the original plan was that Sam would handle it all on his own. | 0:24:23 | 0:24:27 | |
But Tosh was getting worried Sam wasn't making quick enough progress. | 0:24:27 | 0:24:31 | |
So, Tosh came out here to complete the job himself. | 0:24:31 | 0:24:34 | |
Well, how was Sam about this? | 0:24:34 | 0:24:35 | |
At first, he tried to convince Tosh he could manage. | 0:24:35 | 0:24:38 | |
But in the end, he was quite accepting. | 0:24:38 | 0:24:41 | |
I'll keep digging, see if there's more to it. | 0:24:41 | 0:24:43 | |
Chief? I think I might have something. | 0:24:43 | 0:24:45 | |
-Yes, Dwayne? -I've been going over Tosh Walker's phone records. | 0:24:45 | 0:24:48 | |
-The network provider sent them over. You see this number here? -Mm-hm. | 0:24:48 | 0:24:52 | |
It's a Saint Marie landline. | 0:24:52 | 0:24:53 | |
It called Tosh Walker's mobile yesterday afternoon | 0:24:53 | 0:24:55 | |
at three o'clock. | 0:24:55 | 0:24:56 | |
Anyway, I traced the number, and it belongs to Jimmy The Fence. | 0:24:56 | 0:25:00 | |
Jimmy The Fence? | 0:25:00 | 0:25:01 | |
Yes, Chief. If you've got something that you maybe should not have | 0:25:01 | 0:25:05 | |
and you want to get rid of it, then he's your man. | 0:25:05 | 0:25:08 | |
I'll bear that in mind, Dwayne. And, so, what was Jimmy The Fence | 0:25:08 | 0:25:11 | |
doing calling Tosh Walker only a few hours before he was killed? | 0:25:11 | 0:25:15 | |
Well, hopefully, we'll be able to find out. | 0:25:15 | 0:25:17 | |
I left a message for Jimmy to call me as soon as he picks it up. | 0:25:17 | 0:25:19 | |
OK. Right, well, it's getting on. | 0:25:19 | 0:25:22 | |
I think we should officially call it a day. | 0:25:22 | 0:25:25 | |
Some of us have a stag do to organise. | 0:25:25 | 0:25:28 | |
Good call, Chief. | 0:25:28 | 0:25:30 | |
Right! | 0:25:30 | 0:25:33 | |
Now, JP... | 0:25:33 | 0:25:35 | |
..I'll be around to pick you up at 6pm sharp. | 0:25:36 | 0:25:40 | |
Make sure you're ready. | 0:25:42 | 0:25:43 | |
I don't think I want to go to my stag do. | 0:25:49 | 0:25:51 | |
Don't worry, JP. I felt exactly like you did before my stag. | 0:25:51 | 0:25:54 | |
-I was terrified. -And how was it? | 0:25:54 | 0:25:57 | |
Well, it was one of the single worst experiences of my life. | 0:25:57 | 0:26:00 | |
But I'm sure your stag do won't be like that. Look, the thing is, | 0:26:00 | 0:26:04 | |
why did you choose Dwayne to be your best man in the first place? | 0:26:04 | 0:26:07 | |
Well, that's easy. You know, he's my friend. | 0:26:07 | 0:26:10 | |
My best friend, if I'm to be honest. | 0:26:12 | 0:26:14 | |
And, you know, he virtually saved my life once. | 0:26:14 | 0:26:17 | |
So, put simply, you chose Dwayne because you know you can trust him. | 0:26:17 | 0:26:20 | |
Yeah. Yeah. Yeah, yeah, you're right. | 0:26:22 | 0:26:26 | |
Yes. Thank you. OK. | 0:26:26 | 0:26:29 | |
Sarge, erm, see you later. | 0:26:29 | 0:26:31 | |
He's doomed, isn't he? | 0:26:35 | 0:26:37 | |
I'd say so. | 0:26:37 | 0:26:38 | |
But enough of JP's stag night, | 0:26:39 | 0:26:41 | |
I want to hear what happened on yours, sir. | 0:26:41 | 0:26:43 | |
Ah, believe me, Florence, you do not. And you know what they say, | 0:26:43 | 0:26:46 | |
what goes on the stag stays on the stag. | 0:26:46 | 0:26:49 | |
God help JP. | 0:26:49 | 0:26:51 | |
Come on. | 0:26:53 | 0:26:54 | |
Where are we, Dwayne? | 0:26:54 | 0:26:56 | |
You'll find out when you find out. | 0:26:56 | 0:26:58 | |
I-I don't like this. | 0:26:58 | 0:26:59 | |
Keep moving. It's just a few more steps, man. | 0:26:59 | 0:27:02 | |
I shouldn't have done this thing, man. Eh, what's that? | 0:27:02 | 0:27:04 | |
-That's nothing, man, keep going. -Dwayne... | 0:27:04 | 0:27:07 | |
OK. So, are you ready for your stag do to begin? | 0:27:07 | 0:27:10 | |
-No. -Good. Three, two, one... | 0:27:10 | 0:27:15 | |
voila. | 0:27:15 | 0:27:16 | |
ALL: Surprise! | 0:27:18 | 0:27:20 | |
CHEERING | 0:27:21 | 0:27:22 | |
You tricked me! | 0:27:22 | 0:27:24 | |
-Me? -Yes, you. -No! | 0:27:24 | 0:27:26 | |
Eh, this is amazing, Dwayne. | 0:27:26 | 0:27:28 | |
Go and enjoy yourself. | 0:27:28 | 0:27:30 | |
Hey, man! Yes, boy! | 0:27:30 | 0:27:31 | |
MC Humph has the tunes. | 0:27:35 | 0:27:37 | |
LIGHT POP MUSIC PLAYS Ooh, gosh, personal choice. Erm... | 0:27:39 | 0:27:42 | |
MUSIC: Wannabe by the Spice Girls Oh, dear. A bit embarrassing. | 0:27:42 | 0:27:45 | |
MUSIC: The Birdie Song (Birdie Dance) by the Tweets | 0:27:45 | 0:27:47 | |
MUSIC: Dancing Queen by Abba Right. Right. | 0:27:47 | 0:27:50 | |
REGGAE MUSIC PLAYS Yes! | 0:27:50 | 0:27:52 | |
Well, I must say, Dwayne, it's absolutely fantastic. | 0:27:54 | 0:27:57 | |
Well, you know what I thought? | 0:27:57 | 0:27:59 | |
I thought, "What would JP enjoy most on his stag night?" | 0:27:59 | 0:28:03 | |
And then it hit me. | 0:28:03 | 0:28:05 | |
Beer and prawns on the beach with his best friends, | 0:28:05 | 0:28:07 | |
proper island-style. | 0:28:07 | 0:28:09 | |
Ah, man, Dwayne, like, this is perfect! Thank you, man. | 0:28:09 | 0:28:12 | |
But if you really want to thank me, why don't you go and get us | 0:28:12 | 0:28:16 | |
-a couple of beers now? -Hey, man. OK. | 0:28:16 | 0:28:18 | |
-No, really, Dwayne, well done. -Thank you, Chief. | 0:28:19 | 0:28:22 | |
-Not a stripper in sight eh. -Not yet! | 0:28:22 | 0:28:24 | |
No, you haven't, have you? | 0:28:24 | 0:28:26 | |
-Uh-oh. -What? -Look who's just turned up. -Stripper? | 0:28:26 | 0:28:30 | |
-Good evening, gentlemen. -Oh, Lord... | 0:28:32 | 0:28:34 | |
Commissioner! | 0:28:34 | 0:28:36 | |
Quite the party. | 0:28:36 | 0:28:38 | |
Yes, it's, er, JP's stag, sir. Dwayne organised it. | 0:28:38 | 0:28:41 | |
Yes. | 0:28:41 | 0:28:42 | |
-Very...impressive, Officer Myers. -Thank you, Commissioner. | 0:28:44 | 0:28:48 | |
Well, I don't intend to interrupt the proceedings for too long. | 0:28:48 | 0:28:51 | |
But I wondered if I might have a minute of your time, Inspector. | 0:28:51 | 0:28:55 | |
Yes, of course, sir. | 0:28:56 | 0:28:57 | |
MUSIC OFF | 0:29:02 | 0:29:04 | |
HE SIGHS | 0:29:04 | 0:29:07 | |
I believe Newton Farrell is a suspect in the Tosh Walker | 0:29:15 | 0:29:18 | |
-murder case...? -Er, yes, sir. Quite a strong suspect. | 0:29:18 | 0:29:22 | |
-Do you know him? -Not personally. | 0:29:22 | 0:29:25 | |
But I know of his reputation. You, perhaps, aren't aware, | 0:29:25 | 0:29:28 | |
but as well as being Commissioner of Police, I am also | 0:29:28 | 0:29:32 | |
Chairman of the Saint Marie Cultural and Heritage Commission. | 0:29:32 | 0:29:36 | |
You are? | 0:29:36 | 0:29:38 | |
Where do you find the time, sir? | 0:29:39 | 0:29:41 | |
The Commission firmly believe that the rightful | 0:29:43 | 0:29:47 | |
home for the Santa Ana Silver | 0:29:47 | 0:29:49 | |
is in a museum on this island. | 0:29:49 | 0:29:52 | |
When we found out, a few years ago, | 0:29:52 | 0:29:55 | |
that Newton Farrell managed to get hold of documents | 0:29:55 | 0:29:58 | |
outlining its location, we were disappointed, to say the least. | 0:29:58 | 0:30:02 | |
MUSIC RESTARTS | 0:30:02 | 0:30:03 | |
CHEERING | 0:30:03 | 0:30:04 | |
And since, unsurprisingly, Mr Farrell, in the intervening years, | 0:30:04 | 0:30:08 | |
has drunk himself into a stupor, | 0:30:08 | 0:30:10 | |
Tosh Walker seized his opportunity | 0:30:10 | 0:30:12 | |
and claimed the silver for himself. | 0:30:12 | 0:30:15 | |
You and the Board must be very disappointed, sir. | 0:30:15 | 0:30:18 | |
It's the people of Saint Marie we feel for the most. | 0:30:18 | 0:30:20 | |
I'd be grateful if you would keep me | 0:30:20 | 0:30:23 | |
abreast of any developments regarding Newton Farrell. | 0:30:23 | 0:30:26 | |
Yes. Yes, of course, sir. | 0:30:26 | 0:30:28 | |
THEY ALL CHANT | 0:30:30 | 0:30:31 | |
I hope you enjoy the rest of your evening. | 0:30:33 | 0:30:36 | |
Er, yes. Thank you, sir. | 0:30:36 | 0:30:38 | |
Erm...would you like to, er, join us? | 0:30:38 | 0:30:43 | |
No. I think not. | 0:30:43 | 0:30:45 | |
So, what do you reckon, Dwayne? | 0:30:56 | 0:30:58 | |
Hm? | 0:30:58 | 0:31:00 | |
Are you ever going to be attending your own stag do? | 0:31:00 | 0:31:03 | |
I kinda like my life the way it is, you know? | 0:31:03 | 0:31:05 | |
Not too many responsibilities. | 0:31:05 | 0:31:07 | |
And being here tonight, good friends, good food, glass of rum... | 0:31:07 | 0:31:14 | |
and that sunset... | 0:31:14 | 0:31:16 | |
what more could a man want, eh? | 0:31:16 | 0:31:19 | |
What more indeed. | 0:31:20 | 0:31:22 | |
OK! | 0:31:23 | 0:31:24 | |
-Another rum? -Hit me. -Yes! -Another rum. | 0:31:26 | 0:31:29 | |
This is the best, JP. This is the best. | 0:31:29 | 0:31:31 | |
To JP. | 0:31:31 | 0:31:33 | |
Quite right, quite right. To JP. | 0:31:33 | 0:31:34 | |
JP! | 0:31:34 | 0:31:36 | |
JP. | 0:31:36 | 0:31:37 | |
Ahhhh! | 0:31:39 | 0:31:40 | |
Oh, let me let you in on a secret. | 0:31:42 | 0:31:45 | |
Hm? | 0:31:45 | 0:31:46 | |
You know how you tricked me earlier? | 0:31:46 | 0:31:48 | |
You see that bootleg rum Francois brought earlier? | 0:31:48 | 0:31:52 | |
Yeah, the rocket fuel. | 0:31:52 | 0:31:53 | |
-Yes, 99% proof. -99%, yes. | 0:31:53 | 0:31:56 | |
Mm-hm. I made sure that every time I got the rums in... | 0:31:56 | 0:32:01 | |
I gave you directly from that bottle. | 0:32:01 | 0:32:03 | |
OK...! | 0:32:04 | 0:32:06 | |
-Yes! -Then can I let you in on a secret, too? | 0:32:06 | 0:32:08 | |
OK. | 0:32:08 | 0:32:10 | |
I know. | 0:32:10 | 0:32:11 | |
Which is why I made sure I swapped drinks every time you gave me one. | 0:32:11 | 0:32:16 | |
Then who did you swap it with, then? | 0:32:18 | 0:32:21 | |
Cheers. | 0:32:23 | 0:32:25 | |
Now, this you have got to try. | 0:32:42 | 0:32:44 | |
No, no, no, thank you, sir. No more food. Please. | 0:32:44 | 0:32:47 | |
-Has that been fried, as well? -It's barely touched the pan, Dwayne. | 0:32:47 | 0:32:50 | |
Sir, you know you can't fry everything. | 0:32:50 | 0:32:53 | |
This is a full English breakfast. | 0:32:53 | 0:32:55 | |
It is the only guaranteed hangover cure there is | 0:32:55 | 0:32:57 | |
and, in my opinion, the most important cultural | 0:32:57 | 0:33:00 | |
contribution my country has ever given to the world. | 0:33:00 | 0:33:04 | |
I don't know how he does it, either. | 0:33:04 | 0:33:06 | |
PHONE RINGS | 0:33:06 | 0:33:08 | |
Oh! I better get this, Chief. | 0:33:08 | 0:33:10 | |
It's Jimmy The Fence. | 0:33:10 | 0:33:12 | |
Jimmy. Sarge... | 0:33:12 | 0:33:13 | |
-Yes. -Morning, sir. -Morning, Florence. | 0:33:15 | 0:33:17 | |
JP! | 0:33:17 | 0:33:19 | |
-So, how are we this morning? -Couldn't be better, frankly. | 0:33:19 | 0:33:22 | |
Yes, the Inspector was right to tell me to trust Dwayne. | 0:33:22 | 0:33:25 | |
It was truly the best night ever. | 0:33:25 | 0:33:27 | |
It was? | 0:33:27 | 0:33:29 | |
Florence, can I interest you in, er, some fried eggs and a sausage? | 0:33:29 | 0:33:32 | |
Or some fried bread? | 0:33:32 | 0:33:34 | |
That sounds delicious, but, erm, I've had breakfast. Thank you. | 0:33:34 | 0:33:39 | |
-Good choice. -Chief? Chief, I just spoke to Jimmy. | 0:33:40 | 0:33:44 | |
Apparently, Tosh Walker had visited him five days ago. | 0:33:44 | 0:33:47 | |
Now, Tosh told Jimmy that someone was going to come and try | 0:33:47 | 0:33:50 | |
and sell him some antique silver coins. | 0:33:50 | 0:33:53 | |
He asked Jimmy to call him if that happened | 0:33:53 | 0:33:56 | |
-and he would see him all right. -And did it happen? | 0:33:56 | 0:33:58 | |
Yes, Chief. That's why Jimmy called Tosh on the day he was murdered. | 0:33:58 | 0:34:02 | |
Jimmy had been visited by someone trying to off-load | 0:34:02 | 0:34:05 | |
15 silver coins stolen from the Santa Ana hoard. | 0:34:05 | 0:34:08 | |
Who was it? | 0:34:08 | 0:34:10 | |
The deck hand, Addison Patrick. | 0:34:10 | 0:34:12 | |
Addison? | 0:34:22 | 0:34:24 | |
We were wondering if we could ask you a few questions. | 0:34:24 | 0:34:27 | |
Erm, sure. | 0:34:27 | 0:34:29 | |
Dad, just give us a minute. | 0:34:29 | 0:34:31 | |
We, er, spoke to a friend of yours this morning. | 0:34:34 | 0:34:36 | |
A man called Jimmy The Fence. | 0:34:38 | 0:34:40 | |
He passed on to us some rather interesting information | 0:34:43 | 0:34:46 | |
-about you and a handful of silver coins. -Tosh was onto you, wasn't he? | 0:34:46 | 0:34:50 | |
Did he threaten to go to the police? | 0:34:52 | 0:34:55 | |
-Yes. -Addison, did you stab Tosh Walker? | 0:34:55 | 0:34:58 | |
No! | 0:34:58 | 0:35:00 | |
I didn't. | 0:35:01 | 0:35:03 | |
I wouldn't. | 0:35:03 | 0:35:04 | |
So, tell us, what did happen? | 0:35:04 | 0:35:06 | |
At first, I was only meant to take one coin | 0:35:12 | 0:35:14 | |
as a souvenir for the first dive. | 0:35:14 | 0:35:16 | |
Right, let's count this lot. | 0:35:18 | 0:35:21 | |
'I didn't think anyone would notice.' | 0:35:21 | 0:35:23 | |
And when they didn't... | 0:35:23 | 0:35:25 | |
You took a few more? | 0:35:25 | 0:35:27 | |
Seemed like easy money. | 0:35:27 | 0:35:29 | |
So, what happened? | 0:35:29 | 0:35:30 | |
I asked Tosh if I could stay working with him. | 0:35:32 | 0:35:34 | |
Thought I was onto a good thing, | 0:35:34 | 0:35:36 | |
earning a wage and taking a little extra on the side. | 0:35:36 | 0:35:39 | |
But he knew what I had done. | 0:35:40 | 0:35:42 | |
Got a thirst for more riches, eh? | 0:35:42 | 0:35:44 | |
The thing is, Addison... | 0:35:46 | 0:35:48 | |
..I don't normally employ thieves. | 0:35:49 | 0:35:51 | |
'He said I had two options.' | 0:35:51 | 0:35:53 | |
He could go to the police, | 0:35:53 | 0:35:55 | |
or I could give back what I'd taken on the condition | 0:35:55 | 0:35:58 | |
-he never clapped eyes on me again. -So, what did you do? | 0:35:58 | 0:36:00 | |
I ran home to get the coins. came back to find Tosh, | 0:36:00 | 0:36:03 | |
-but him and Sam were having an argument. -An argument? | 0:36:03 | 0:36:05 | |
Thought I'd see him later at the bar to give it to him. | 0:36:05 | 0:36:08 | |
'But he never showed up.' | 0:36:11 | 0:36:13 | |
Where's Tosh? | 0:36:13 | 0:36:14 | |
When I heard Tosh died, I didn't know what to do with them. | 0:36:18 | 0:36:22 | |
Here. | 0:36:22 | 0:36:24 | |
This argument between Sam and Tosh, you said it was serious. | 0:36:25 | 0:36:29 | |
I think so. When I went in to see Tosh... | 0:36:29 | 0:36:33 | |
he really didn't want me around. | 0:36:33 | 0:36:35 | |
Your bright ideas... | 0:36:35 | 0:36:37 | |
Addison, not now! We are having... | 0:36:37 | 0:36:39 | |
Do you know what it was they were arguing about? | 0:36:39 | 0:36:41 | |
I didn't hear it all, but... | 0:36:41 | 0:36:44 | |
I know it was Tosh telling Sam that he didn't want him | 0:36:44 | 0:36:46 | |
working with him any more, | 0:36:46 | 0:36:48 | |
that after this job they should go their separate ways. | 0:36:48 | 0:36:51 | |
He was letting Sam go? | 0:36:51 | 0:36:53 | |
He said he felt he was holding the business back... | 0:36:53 | 0:36:56 | |
wasn't good enough. | 0:36:56 | 0:36:58 | |
'How did Sam take it? | 0:36:58 | 0:36:59 | |
'He looked hurt. Really hurt.' | 0:37:01 | 0:37:03 | |
Why didn't you mention this before, Addison? | 0:37:06 | 0:37:08 | |
This is important information. | 0:37:08 | 0:37:10 | |
Because it didn't have anything to do with Tosh's murder. | 0:37:10 | 0:37:14 | |
Sam didn't kill Tosh. It was Newton Farrell. | 0:37:14 | 0:37:16 | |
Mr Walker? | 0:37:23 | 0:37:24 | |
We wondered if we might ask you a few questions. | 0:37:24 | 0:37:27 | |
Sure. | 0:37:27 | 0:37:28 | |
How did you feel when your father turned up on Saint Marie to | 0:37:30 | 0:37:33 | |
help you find the Santa Ana Silver? | 0:37:33 | 0:37:35 | |
How did I feel? | 0:37:35 | 0:37:37 | |
Erm, I was pleased to see him. | 0:37:37 | 0:37:40 | |
He was my dad. | 0:37:41 | 0:37:42 | |
Yes, it's just that we know that, erm, things hadn't been | 0:37:42 | 0:37:46 | |
great between you and your father for a little while. | 0:37:46 | 0:37:48 | |
-What do you mean? -We saw the e-mails between you both | 0:37:48 | 0:37:51 | |
before Tosh came here. He wasn't supposed to be joining you, was he? | 0:37:51 | 0:37:55 | |
You were intending to run the salvage operation yourself. | 0:37:55 | 0:37:58 | |
But he didn't trust you to do it successfully. | 0:37:58 | 0:38:01 | |
And then we find out, on the day your father was killed, | 0:38:01 | 0:38:03 | |
he fired you from the family business. | 0:38:03 | 0:38:05 | |
That can't have been very pleasant for you...? | 0:38:05 | 0:38:08 | |
Er, no, it-it wasn't. Erm... | 0:38:10 | 0:38:13 | |
but it wasn't a surprise. | 0:38:13 | 0:38:15 | |
You know, Dad had had his concerns about me for a while. | 0:38:15 | 0:38:18 | |
You know, he said I didn't have enough drive and enough commitment. | 0:38:18 | 0:38:22 | |
But he'd said it so many times before, | 0:38:22 | 0:38:24 | |
it was water off a duck's back. | 0:38:24 | 0:38:25 | |
Even when he fired you? I mean, that must have hurt. | 0:38:25 | 0:38:28 | |
You know how my father got hold of the documents indicating | 0:38:30 | 0:38:33 | |
the location of the Santa Ana Silver? | 0:38:33 | 0:38:36 | |
He took Newton Farrell out to a bar and got him drunk | 0:38:36 | 0:38:38 | |
and then had me sneak onto Newton's boat and make copies of them. | 0:38:38 | 0:38:42 | |
That's what my father was like. | 0:38:42 | 0:38:45 | |
You know, at best he was underhand, and at worst he was... | 0:38:45 | 0:38:48 | |
an unforgiving and ruthless man. | 0:38:48 | 0:38:51 | |
Was I hurt that he thought I wasn't good enough to work alongside him? | 0:38:51 | 0:38:54 | |
Er, no, no. | 0:38:54 | 0:38:57 | |
No, not if being "good enough" meant I had to be like him. | 0:38:57 | 0:39:00 | |
So, let's run through what we know. | 0:39:03 | 0:39:05 | |
Addison Patrick stole from Tosh, | 0:39:05 | 0:39:07 | |
but insists he was going to give the silver coins back. | 0:39:07 | 0:39:10 | |
Naomi Walker lied to Tosh about her illness | 0:39:10 | 0:39:12 | |
but did come clean in the end. | 0:39:12 | 0:39:14 | |
And while Sam Walker was sacked by Tosh, he had little respect for his | 0:39:14 | 0:39:17 | |
father, seeming almost relieved that he'd got out of the family business. | 0:39:17 | 0:39:21 | |
They're hardly the most convincing set of reasons to commit murder, | 0:39:21 | 0:39:24 | |
-are they? -Which brings us back... -Once more. -..to Newton Farrell. | 0:39:24 | 0:39:28 | |
Our prime suspect from the very start. | 0:39:28 | 0:39:31 | |
Not only did he have the motive, | 0:39:31 | 0:39:33 | |
but both the physical and circumstantial evidence is damning. | 0:39:33 | 0:39:37 | |
But what we have to find out is how he stabbed | 0:39:37 | 0:39:40 | |
the victim on his own boat while at the same time | 0:39:40 | 0:39:43 | |
he was witnessed drinking in a public bar half a mile away. | 0:39:43 | 0:39:47 | |
Newton, you've not touched your rum. | 0:39:52 | 0:39:55 | |
That's not like you. | 0:39:55 | 0:39:57 | |
Newton? Is everything all right? | 0:39:59 | 0:40:03 | |
I've done a bad thing, Catherine. | 0:40:04 | 0:40:06 | |
A really bad thing. | 0:40:09 | 0:40:10 | |
And then, what did he say? | 0:40:11 | 0:40:14 | |
Nothing. He just got up and walked away. | 0:40:14 | 0:40:17 | |
I tried to get him to stay, but he wouldn't listen. | 0:40:17 | 0:40:20 | |
That's when I called you. | 0:40:20 | 0:40:22 | |
-Thank you for letting us know, Catherine. -My pleasure. | 0:40:22 | 0:40:25 | |
Newton Farrell is as guilty as sin, Florence. | 0:40:27 | 0:40:30 | |
It's virtually a confession. | 0:40:30 | 0:40:32 | |
Well, wait until you hear this, sir. That was the lab. | 0:40:32 | 0:40:36 | |
That cheroot we found on Newton's boat, | 0:40:36 | 0:40:38 | |
it did belong to Tosh Walker. His DNA was all over it. | 0:40:38 | 0:40:42 | |
So, Tosh was almost definitely on Newton's boat. | 0:40:42 | 0:40:44 | |
-But there is more. -There is? -They also found | 0:40:44 | 0:40:46 | |
significant traces of Tosh's blood on it. | 0:40:46 | 0:40:48 | |
So, do we arrest him? | 0:40:50 | 0:40:52 | |
We arrest him. | 0:40:53 | 0:40:55 | |
Don't try anything foolish, Newton. We got you covered. | 0:41:11 | 0:41:14 | |
JP? | 0:41:19 | 0:41:21 | |
Newton Farrell, | 0:41:22 | 0:41:24 | |
I'm arresting you on suspicion of the murder of Tosh Walker. | 0:41:24 | 0:41:27 | |
Remember that cheroot stub we found on your boat? | 0:41:32 | 0:41:35 | |
We got the lab to test it. | 0:41:35 | 0:41:36 | |
And not only did they find Tosh's DNA on it, | 0:41:36 | 0:41:38 | |
they also found significant traces of his blood on it, as well. | 0:41:38 | 0:41:41 | |
Can you explain any of that? | 0:41:41 | 0:41:43 | |
Yes. | 0:41:43 | 0:41:44 | |
I killed Tosh Walker. | 0:41:44 | 0:41:46 | |
Please don't try and deny it, Mr Farrell, we've got lots of... | 0:41:46 | 0:41:48 | |
When Tosh Walker visited me two nights ago, | 0:41:52 | 0:41:55 | |
I stabbed him and disposed of his body. | 0:41:55 | 0:41:57 | |
I see. | 0:42:00 | 0:42:02 | |
Well, erm... | 0:42:02 | 0:42:03 | |
..maybe you should, er, talk us through it. | 0:42:06 | 0:42:09 | |
Why don't you start at the beginning? | 0:42:09 | 0:42:12 | |
We know you and Tosh argued that afternoon. | 0:42:12 | 0:42:15 | |
There was nothing FAIR about what you did! | 0:42:15 | 0:42:16 | |
Deal with it. | 0:42:16 | 0:42:18 | |
So, what happened, then? | 0:42:18 | 0:42:20 | |
When I left Tosh, I was still fuming. | 0:42:20 | 0:42:24 | |
Sam caught up with me and walked me back to my boat, | 0:42:24 | 0:42:27 | |
tried to calm me down. | 0:42:27 | 0:42:28 | |
'He handed me a drink. Probably the last thing I needed. | 0:42:28 | 0:42:33 | |
'I'd already had a skinful. | 0:42:33 | 0:42:35 | |
'Next thing I know, I'm sat there in front of Tosh's dead body, | 0:42:36 | 0:42:40 | |
'a knife in my hand. | 0:42:40 | 0:42:42 | |
'I felt sick. | 0:42:42 | 0:42:44 | |
'I panicked. | 0:42:44 | 0:42:46 | |
'The first thing that came into my head was get rid of the body. | 0:42:46 | 0:42:50 | |
'So, I took the boat out.' | 0:42:50 | 0:42:52 | |
And threw him over the side? | 0:42:52 | 0:42:54 | |
The knife, as well? | 0:42:54 | 0:42:56 | |
-Tosh's mobile? -That must have been in his pocket. | 0:42:56 | 0:43:00 | |
Then what did you do? | 0:43:00 | 0:43:01 | |
I brought the boat back into the harbour, cleaned it up. | 0:43:01 | 0:43:05 | |
I mopped that floor as hard as I could. | 0:43:05 | 0:43:08 | |
Then I went over to Catherine's Bar. | 0:43:08 | 0:43:11 | |
I never needed a drink so much in my life. | 0:43:11 | 0:43:13 | |
You still don't remember the time you arrived there? | 0:43:13 | 0:43:16 | |
-You said it was 7.30. -Well, that's what Catherine told us. | 0:43:16 | 0:43:19 | |
But we know that Tosh called his wife from your boat at 7.45 | 0:43:19 | 0:43:22 | |
asking for help. | 0:43:22 | 0:43:24 | |
HE TAKES DEEP BREATH | 0:43:24 | 0:43:26 | |
Catherine must have got the time I arrived at the bar wrong. | 0:43:26 | 0:43:29 | |
That's all it could be. | 0:43:29 | 0:43:30 | |
Yes, I suppose she must have. | 0:43:32 | 0:43:34 | |
I know what I did that night, Inspector. I killed Tosh Walker. | 0:43:34 | 0:43:39 | |
And now, I must face the consequences of my actions. | 0:43:40 | 0:43:43 | |
Sir? We're off. Are you coming? | 0:44:02 | 0:44:05 | |
I might stay a little while longer. | 0:44:05 | 0:44:07 | |
Something's bothering you? | 0:44:07 | 0:44:09 | |
Yes. I'm not sure what. It's rather annoying, really. | 0:44:09 | 0:44:13 | |
Chief, you've already got a confession. What more do you want? | 0:44:14 | 0:44:18 | |
Yes, I-I know, but... | 0:44:18 | 0:44:21 | |
it's just... | 0:44:21 | 0:44:22 | |
how can it all boil down to Catherine getting the time wrong? | 0:44:22 | 0:44:26 | |
I-I mean, it can't be as simple as that, can it? | 0:44:26 | 0:44:28 | |
-Maybe it is. -And it does make the most sense. | 0:44:28 | 0:44:30 | |
She was adamant, absolutely positive | 0:44:30 | 0:44:32 | |
that Newton arrived at her bar at half past seven. | 0:44:32 | 0:44:35 | |
But if that was true, then it means that Tosh Walker | 0:44:35 | 0:44:38 | |
phoned his wife 15 minutes after he died. | 0:44:38 | 0:44:41 | |
-And that's not possible. -She's right, you know, Chief. | 0:44:41 | 0:44:43 | |
And you and I both know that dead people don't send text | 0:44:43 | 0:44:45 | |
messages or make phone calls. | 0:44:45 | 0:44:48 | |
No, they don't. You're right, Dwayne. | 0:44:49 | 0:44:51 | |
But what if maybe they did? | 0:44:55 | 0:44:57 | |
I mean, it's impossible, I agree. | 0:44:58 | 0:45:00 | |
So, he couldn't. But what if he could? | 0:45:00 | 0:45:02 | |
That would explain...everything. | 0:45:05 | 0:45:07 | |
-PHONE RINGS -Tosh? | 0:45:13 | 0:45:15 | |
'I know my own husband's voice.' He's on Newton's boat. | 0:45:15 | 0:45:18 | |
He says he's been stabbed. | 0:45:18 | 0:45:19 | |
'Sam and I left him to cool down and told him to meet us at the bar.' | 0:45:19 | 0:45:23 | |
I know what I did that night, Inspector. I killed Tosh Walker. | 0:45:23 | 0:45:26 | |
Well, I had to give him a drink to calm him down. | 0:45:26 | 0:45:29 | |
No-one's here. | 0:45:29 | 0:45:31 | |
The question is, why? | 0:45:31 | 0:45:32 | |
I wasn't having an affair. But he had reason to think I was. | 0:45:34 | 0:45:38 | |
Not if being good enough meant I had to be like him. | 0:45:38 | 0:45:40 | |
The Santa Ana Silver. | 0:45:40 | 0:45:42 | |
The estimated value is about £300,000. | 0:45:42 | 0:45:46 | |
But it can't be, can it? | 0:45:47 | 0:45:49 | |
I need to phone a doctor. | 0:45:50 | 0:45:52 | |
Are you not feeling well? | 0:45:52 | 0:45:53 | |
Yes, fine. Sorry, not my doctor. | 0:45:53 | 0:45:55 | |
Oh, and also I need to gather the suspects together. | 0:45:55 | 0:45:58 | |
But why? | 0:45:58 | 0:46:00 | |
Because we've arrested the wrong person. | 0:46:00 | 0:46:02 | |
Good evening. | 0:46:16 | 0:46:18 | |
About an hour ago, we, er, | 0:46:21 | 0:46:23 | |
arrested Newton Farrell for the murder of Tosh Walker. | 0:46:23 | 0:46:26 | |
Now, the evidence against him was, erm, damning, to say the least, | 0:46:26 | 0:46:30 | |
and his eventual confession gave us all we needed to charge him | 0:46:30 | 0:46:34 | |
and make a successful conviction. | 0:46:34 | 0:46:36 | |
So, why are we all here? | 0:46:36 | 0:46:37 | |
Well, because it turns out that, er, Newton Farrell did not | 0:46:39 | 0:46:42 | |
murder your husband. | 0:46:42 | 0:46:44 | |
But you just said that he confessed to it. | 0:46:44 | 0:46:47 | |
I mean, why would you do that if you were innocent? | 0:46:47 | 0:46:49 | |
-Because he genuinely thought he had done it. -But I did. | 0:46:49 | 0:46:52 | |
Er, no, Mr Farrell, you did not kill Tosh Walker. | 0:46:52 | 0:46:55 | |
You did dispose of his body, but you didn't kill him. | 0:46:55 | 0:46:59 | |
So, who did do it? | 0:46:59 | 0:47:01 | |
It was his son. | 0:47:03 | 0:47:05 | |
Wasn't it? | 0:47:05 | 0:47:07 | |
Sam. | 0:47:07 | 0:47:08 | |
You are joking, right? | 0:47:10 | 0:47:12 | |
Oh, no, no joke. | 0:47:12 | 0:47:13 | |
I'm deadly serious when I say you killed your father... | 0:47:13 | 0:47:17 | |
with a little bit of help from your stepmother. | 0:47:17 | 0:47:20 | |
-Isn't that right, Naomi? -I'm sorry, me? | 0:47:20 | 0:47:22 | |
Yes, you. | 0:47:22 | 0:47:24 | |
It was the two of you that came up with the plan together to | 0:47:24 | 0:47:27 | |
murder Tosh and then frame Newton Farrell for the crime. | 0:47:27 | 0:47:31 | |
How could we have killed Tosh? | 0:47:32 | 0:47:34 | |
I spoke to him on the phone just after he'd been stabbed. | 0:47:34 | 0:47:37 | |
Ah, yes, good point. Erm, I'll come back to that. | 0:47:37 | 0:47:39 | |
For now, let's start a little earlier in the evening, | 0:47:39 | 0:47:43 | |
when Newton Farrell turned up at your boat and threatened Tosh... | 0:47:43 | 0:47:47 | |
..something that had become a bit of a regular occurrence. | 0:47:48 | 0:47:52 | |
It's not the first time it's happened. | 0:47:52 | 0:47:55 | |
Tosh Walker! Show yourself! | 0:47:55 | 0:47:56 | |
Newton Farrell. There's a surprise(!) | 0:47:56 | 0:47:59 | |
Now, you couldn't have predicted that it would play out quite | 0:47:59 | 0:48:02 | |
the way it did, with, erm, Newton punching Tosh. | 0:48:02 | 0:48:06 | |
But you knew tempers would flare between them. | 0:48:06 | 0:48:09 | |
So, then you took Mr Farrell back to his boat... | 0:48:09 | 0:48:13 | |
-He stole from me. -..where you proceeded to give him | 0:48:13 | 0:48:16 | |
a healthy dose of rum, | 0:48:16 | 0:48:18 | |
because for your plan to work, you needed Newton asleep. | 0:48:18 | 0:48:22 | |
Now, not too hard to achieve. | 0:48:24 | 0:48:26 | |
I mean, he was already half-cut, as he was most days at that time. | 0:48:26 | 0:48:29 | |
So, a few more swigs of booze would just tip him over the edge. | 0:48:29 | 0:48:33 | |
And once he was out for the count, | 0:48:33 | 0:48:35 | |
I assume you went and found his diving knife... | 0:48:35 | 0:48:38 | |
and then planted it somewhere you could easily recover it | 0:48:38 | 0:48:41 | |
when you needed it later on. | 0:48:41 | 0:48:43 | |
That evening, you were meant to be going out to celebrate. | 0:48:44 | 0:48:47 | |
But you knew Tosh wouldn't be in the mood, | 0:48:47 | 0:48:49 | |
not after his run-in with Newton Farrell. | 0:48:49 | 0:48:52 | |
And as you headed to the bar, leaving Tosh to stew... | 0:48:53 | 0:48:57 | |
..you knew it wouldn't be long before he paid Newton a visit. | 0:48:58 | 0:49:01 | |
Which is the last time we seen Tosh, | 0:49:01 | 0:49:03 | |
so how could either of us have done it? | 0:49:03 | 0:49:05 | |
Because it wasn't the last time Sam saw Tosh. Was it? | 0:49:05 | 0:49:09 | |
Cos on his way to the bar, | 0:49:10 | 0:49:12 | |
Sam took a little detour via Newton Farrell's boat. Didn't you, Sam? | 0:49:12 | 0:49:16 | |
You followed your dad along the quayside... | 0:49:19 | 0:49:23 | |
and then onto Newton's boat. | 0:49:23 | 0:49:24 | |
And once there, with Newton spark out, | 0:49:24 | 0:49:27 | |
you took Newton's knife... | 0:49:27 | 0:49:29 | |
..and you used it to kill your father. | 0:49:31 | 0:49:34 | |
When you had done that, it took but a matter of seconds for you to | 0:49:35 | 0:49:39 | |
wipe the knife of your fingerprints and place it into Newton's hand. | 0:49:39 | 0:49:43 | |
You then took Tosh's phone. | 0:49:46 | 0:49:48 | |
Which would play a vital role in your plan a little later on. | 0:49:48 | 0:49:51 | |
And then you ran back to catch up with Naomi as she made her way | 0:49:53 | 0:49:57 | |
to the harbour bar. | 0:49:57 | 0:49:58 | |
All you had to do then was catch your breath | 0:49:59 | 0:50:03 | |
and enter the bar together. | 0:50:03 | 0:50:05 | |
So, as far as any onlookers were concerned... | 0:50:05 | 0:50:08 | |
you left the harbour together... | 0:50:08 | 0:50:11 | |
and you arrived at the bar together, | 0:50:11 | 0:50:13 | |
which means that neither of you could have had time to kill Tosh. | 0:50:13 | 0:50:16 | |
Then, when the time was right, I assume, Sam, | 0:50:19 | 0:50:22 | |
you reached under the table | 0:50:22 | 0:50:24 | |
and dialled Naomi's mobile using Tosh's phone. | 0:50:24 | 0:50:27 | |
This is him now. | 0:50:27 | 0:50:28 | |
Tosh? | 0:50:28 | 0:50:29 | |
And, Naomi, all you had to do then was pretend you were speaking | 0:50:29 | 0:50:32 | |
to Tosh on the other end... | 0:50:32 | 0:50:34 | |
Tosh? | 0:50:34 | 0:50:35 | |
..when actually all there was was...silence. | 0:50:35 | 0:50:38 | |
Tosh, where are you? | 0:50:38 | 0:50:40 | |
You then left the bar to go and find Tosh's body at Newton's boat. | 0:50:40 | 0:50:43 | |
Which is where things didn't play out quite as you'd intended. | 0:50:43 | 0:50:46 | |
You see, your plan was to stumble upon the crime scene | 0:50:46 | 0:50:50 | |
as you, Sam, had left it, | 0:50:50 | 0:50:52 | |
Tosh's body on the floor and Newton asleep with the knife in his hand. | 0:50:52 | 0:50:55 | |
An incriminating scene, to say the least. | 0:50:55 | 0:50:57 | |
And with the phone call you'd just taken from Tosh, | 0:50:57 | 0:51:00 | |
you both would have rock-solid alibis. | 0:51:00 | 0:51:04 | |
But that's not what happened, is it? | 0:51:05 | 0:51:07 | |
Unfortunately, Newton woke up... | 0:51:07 | 0:51:09 | |
..and, panicking, he disposed of the body. | 0:51:11 | 0:51:14 | |
So, by the time you arrived at his boat, | 0:51:15 | 0:51:18 | |
expecting to see Tosh dead | 0:51:18 | 0:51:19 | |
and Newton asleep with a knife in his hand, I imagine you must | 0:51:19 | 0:51:22 | |
have been shocked by the fact that the boat was completely empty. | 0:51:22 | 0:51:26 | |
There's no-one in here. | 0:51:26 | 0:51:27 | |
Suddenly not only did you both have perfect alibis, | 0:51:27 | 0:51:30 | |
but now so did Newton, | 0:51:30 | 0:51:32 | |
which has been sending us round the houses ever since. | 0:51:32 | 0:51:35 | |
You see, Newton was the prime suspect. | 0:51:35 | 0:51:38 | |
I mean, the evidence was stacked against him. It had to be him. | 0:51:38 | 0:51:41 | |
But he was at Catherine's Bar when Tosh was supposedly stabbed. | 0:51:41 | 0:51:45 | |
A drink. | 0:51:48 | 0:51:51 | |
Despite that one mistake, you still very nearly got away with it. | 0:51:51 | 0:51:54 | |
See, because Newton was so drunk that night, | 0:51:58 | 0:52:00 | |
waking up to find Tosh's body on his floor and a knife in his hand, | 0:52:00 | 0:52:02 | |
he came to believe that he'd genuinely committed | 0:52:02 | 0:52:05 | |
the murder himself in some kind of a blacked-out, drunken state. | 0:52:05 | 0:52:09 | |
Why would we kill him together? | 0:52:09 | 0:52:12 | |
Yes, good question, and one that had me very much stumped. | 0:52:12 | 0:52:15 | |
I mean, the murder could only have been committed | 0:52:15 | 0:52:18 | |
if you two were working together. | 0:52:18 | 0:52:20 | |
But why would a son contrive with his stepmum to kill his own dad? | 0:52:20 | 0:52:25 | |
Doesn't make sense. | 0:52:25 | 0:52:27 | |
And then it dawned on me. | 0:52:27 | 0:52:29 | |
Everything you'd told us about the events that night had been | 0:52:29 | 0:52:32 | |
a lie, Naomi. | 0:52:32 | 0:52:35 | |
The phone call from Tosh. The walk to the bar. | 0:52:35 | 0:52:37 | |
Nothing you said was true. | 0:52:37 | 0:52:40 | |
So, what else had you told us that might not be true? | 0:52:40 | 0:52:43 | |
Well, for example, the affair that Tosh was convinced you were having. | 0:52:43 | 0:52:47 | |
I told you, I was ill. I was getting treatment. | 0:52:47 | 0:52:50 | |
That's why Tosh thought I was seeing someone else. | 0:52:50 | 0:52:52 | |
That must have been tough, dealing with that on your own, | 0:52:52 | 0:52:55 | |
not being able to share it with someone. That's hard. | 0:52:55 | 0:52:58 | |
So I phoned your doctor back in the UK. | 0:53:00 | 0:53:03 | |
Are you saying I lied about it? | 0:53:03 | 0:53:05 | |
No. Not at all. | 0:53:05 | 0:53:07 | |
I was just curious to know whether you were on your own | 0:53:07 | 0:53:10 | |
when you were undergoing treatment. | 0:53:10 | 0:53:12 | |
Or was there someone with you, | 0:53:12 | 0:53:13 | |
someone who was offering the support your husband couldn't? | 0:53:13 | 0:53:18 | |
And your doctor said there was someone... | 0:53:18 | 0:53:21 | |
a young man he assumed was your husband. | 0:53:21 | 0:53:23 | |
And as there's only one other Mr Walker, Sam... | 0:53:24 | 0:53:27 | |
..it was you, wasn't it? | 0:53:30 | 0:53:32 | |
I mean, you've done a brilliant job hiding this from everyone here... | 0:53:34 | 0:53:39 | |
..but I think you two are in love. | 0:53:42 | 0:53:44 | |
Sam, you said yourself you were nothing like your father. | 0:53:44 | 0:53:48 | |
No, not if being good enough meant I had to be like him. | 0:53:48 | 0:53:51 | |
So, when Naomi got ill a year ago, | 0:53:51 | 0:53:53 | |
I imagine when she couldn't face telling Tosh... | 0:53:53 | 0:53:55 | |
He wasn't very good at dealing with those kind of things. | 0:53:55 | 0:53:58 | |
..she found a replacement confidant in you. | 0:53:58 | 0:54:00 | |
And that, it seems, blossomed into something much more. | 0:54:00 | 0:54:03 | |
You then realised that if this relationship was going to last, | 0:54:03 | 0:54:06 | |
you had two choices. | 0:54:06 | 0:54:09 | |
Option one, reveal the truth to Tosh. | 0:54:09 | 0:54:12 | |
How would that go down? | 0:54:12 | 0:54:14 | |
Tosh finding out that his wife and his son had fallen in love? | 0:54:15 | 0:54:20 | |
Not very well, I'd imagine. | 0:54:20 | 0:54:21 | |
He was an unforgiving and ruthless man. | 0:54:21 | 0:54:25 | |
I mean, at the very least, he would have disinherited you. | 0:54:25 | 0:54:29 | |
I mean, you'd lose everything. | 0:54:29 | 0:54:30 | |
And maybe even that wouldn't be enough for a man like Tosh. | 0:54:32 | 0:54:35 | |
Whereas, option two, if you kill Tosh, | 0:54:35 | 0:54:38 | |
then he need never know what had gone on behind his back | 0:54:38 | 0:54:42 | |
and you walk away with the Santa Ana Silver, as well. | 0:54:42 | 0:54:45 | |
Which is why the murder had to happen here on Saint Marie. | 0:54:45 | 0:54:48 | |
Tosh, he was penniless. | 0:54:48 | 0:54:50 | |
But you knew if you waited for him to find the lost silver, | 0:54:50 | 0:54:53 | |
well, then, you'd walk away with £300,000. | 0:54:53 | 0:54:57 | |
Not a bad amount of money to make a fresh start with. | 0:54:59 | 0:55:02 | |
It was a clever plan. | 0:55:02 | 0:55:04 | |
Very clever. | 0:55:05 | 0:55:06 | |
If it hadn't been for Newton here waking up when he did... | 0:55:07 | 0:55:11 | |
Dwayne, JP, do the business. | 0:55:13 | 0:55:15 | |
Good evening, Inspector. | 0:55:36 | 0:55:38 | |
And congratulations. | 0:55:38 | 0:55:39 | |
Good evening, sir. And thank you. | 0:55:39 | 0:55:42 | |
I wanted you to know, | 0:55:42 | 0:55:43 | |
with Mrs Walker and Mr Walker Junior charged with murder, | 0:55:43 | 0:55:47 | |
the Commission should be able to make a claim | 0:55:47 | 0:55:49 | |
on the Santa Ana Silver. | 0:55:49 | 0:55:51 | |
All being well, it will stay where it belongs - here, on the island. | 0:55:51 | 0:55:56 | |
So, thank you. I'm extremely grateful. | 0:55:56 | 0:56:00 | |
Any time, sir. | 0:56:02 | 0:56:03 | |
Right, jolly good, here we go. | 0:56:14 | 0:56:16 | |
There are bin bags. We have Marigolds. | 0:56:16 | 0:56:19 | |
And there are additional | 0:56:19 | 0:56:20 | |
cleaning accoutrements in the kitchen, should you require them. | 0:56:20 | 0:56:24 | |
But, Chief, do you not think that as I organised the stag party, | 0:56:24 | 0:56:28 | |
I should maybe be exempt from cleaning it up? | 0:56:28 | 0:56:31 | |
With respect, Dwayne... | 0:56:31 | 0:56:33 | |
I do not. Right, let's go to work. | 0:56:33 | 0:56:35 | |
You know, sir, there is one thing I still want to know. | 0:56:37 | 0:56:41 | |
-Go on. -OK. | 0:56:41 | 0:56:43 | |
Well, what happened on your stag party that made it so unpleasant? | 0:56:43 | 0:56:47 | |
Oh... | 0:56:47 | 0:56:49 | |
OK, but not a word to the others, OK? | 0:56:50 | 0:56:52 | |
I promise. | 0:56:52 | 0:56:53 | |
OK. | 0:56:53 | 0:56:54 | |
So... | 0:56:54 | 0:56:56 | |
my stag night took place somewhere called Southend, | 0:56:56 | 0:56:58 | |
a little seaside town on the south-east coast of England. | 0:56:58 | 0:57:03 | |
Only, that's not where I was when it happened. | 0:57:03 | 0:57:05 | |
You weren't there? | 0:57:05 | 0:57:06 | |
-No. -Where were you? | 0:57:06 | 0:57:08 | |
A place called Southport, | 0:57:08 | 0:57:10 | |
a little seaside town in the north-west of England. | 0:57:10 | 0:57:13 | |
See, I'd misread the e-mail, ended up going to a different town. | 0:57:13 | 0:57:17 | |
You missed your own stag night? | 0:57:17 | 0:57:19 | |
-Yes, that's about the sum of it. -What did you do? | 0:57:19 | 0:57:21 | |
Florence, I don't know if you've tried to travel by train | 0:57:21 | 0:57:24 | |
between Southport and Southend at 6pm on a Saturday evening, | 0:57:24 | 0:57:27 | |
but it is a rather circuitous route. Four different trains. | 0:57:27 | 0:57:31 | |
What time did you get there? | 0:57:31 | 0:57:34 | |
2am in the morning, | 0:57:34 | 0:57:35 | |
by which time everyone was drunk and in bed. | 0:57:35 | 0:57:38 | |
Apparently, it was an amazing night. Best stag do ever, so I've heard. | 0:57:38 | 0:57:41 | |
I think that might be the saddest story I've ever heard. | 0:57:42 | 0:57:45 | |
And remember, Florence, what goes on the stag stays on the stag. | 0:57:45 | 0:57:50 | |
Don't worry, sir, your secret is safe with me. | 0:57:50 | 0:57:53 | |
Three! Two! One! | 0:58:04 | 0:58:06 | |
-This time next week, we'll be back home. -Be nice to be back. | 0:58:08 | 0:58:11 | |
GUNSHOT | 0:58:11 | 0:58:13 | |
Sir, watch out! | 0:58:14 | 0:58:16 | |
Oh! | 0:58:16 | 0:58:17 | |
Humphrey! | 0:58:17 | 0:58:19 | |
-Yes. -This is where they transferred you! | 0:58:19 | 0:58:21 | |
Relax, JP. It's a whirlwind romance. These things happen. | 0:58:21 | 0:58:26 | |
Do you think I'm getting married too soon? | 0:58:26 | 0:58:28 |