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# They're having a party | 0:00:11 | 0:00:14 | |
# I hope you are hearty | 0:00:14 | 0:00:16 | |
# They're having a party | 0:00:16 | 0:00:20 | |
# I hope you are hearty | 0:00:20 | 0:00:22 | |
# Sing it to me Rum-ba-ba-do-ba-ba-da-do | 0:00:22 | 0:00:25 | |
# Rum-ba-ba-do... # | 0:00:25 | 0:00:27 | |
Drinks voucher for tonight. | 0:00:27 | 0:00:29 | |
That's how we keep party out front. | 0:00:29 | 0:00:31 | |
Welcome. | 0:00:33 | 0:00:35 | |
MUSIC PLAYS | 0:00:35 | 0:00:38 | |
Three, two, one... | 0:00:50 | 0:00:52 | |
THEY GROAN | 0:00:54 | 0:00:56 | |
-That's not tequila. -It's Caribbean tequila. | 0:00:56 | 0:00:59 | |
Oh, guess what? I did it. | 0:00:59 | 0:01:01 | |
I got it done this afternoon. | 0:01:01 | 0:01:03 | |
No way! You didn't? | 0:01:03 | 0:01:05 | |
Is that a moth? | 0:01:05 | 0:01:07 | |
That's a butterfly. | 0:01:07 | 0:01:08 | |
Represents freedom, new beginnings. | 0:01:08 | 0:01:11 | |
Stop staring at it. It is not a moth! | 0:01:11 | 0:01:13 | |
I'm only joking. It's amazing. Seriously, Penny, | 0:01:13 | 0:01:16 | |
-the fact that you're actually here at your... -At my age?! | 0:01:16 | 0:01:20 | |
I might be twice as old as you, | 0:01:20 | 0:01:22 | |
but I bet I can still drink you under the table. | 0:01:22 | 0:01:25 | |
-Same again? -No. -Yes! | 0:01:25 | 0:01:28 | |
Right. | 0:01:28 | 0:01:29 | |
Caller, hold the line! | 0:01:29 | 0:01:32 | |
HE LAUGHS | 0:01:32 | 0:01:34 | |
HE SIGHS | 0:01:34 | 0:01:36 | |
-This time next week, we'll be back home. -Yeah. | 0:01:36 | 0:01:40 | |
It'll be nice to be back. | 0:01:40 | 0:01:42 | |
I come bearing shots and... | 0:01:45 | 0:01:47 | |
-Leo. -..Leo! | 0:01:47 | 0:01:49 | |
I knew that. | 0:01:49 | 0:01:50 | |
How are you doing, Leo? I'm Griff. | 0:01:50 | 0:01:52 | |
-This is my girlfriend Sian. -Hi. -Hi. | 0:01:52 | 0:01:55 | |
Right, let's get this party started. | 0:01:55 | 0:01:59 | |
Ready? Three, two, one... | 0:01:59 | 0:02:02 | |
Hey! | 0:02:02 | 0:02:04 | |
THEY GROAN | 0:02:04 | 0:02:06 | |
MUSIC: Yeke Yeke by Mory Kante | 0:02:06 | 0:02:09 | |
I just want to check that we're cool, yeah? Heh? | 0:02:32 | 0:02:35 | |
You promise you won't say anything? | 0:02:35 | 0:02:37 | |
Yeah, I said I wouldn't. | 0:02:37 | 0:02:39 | |
Cool. | 0:02:39 | 0:02:40 | |
I'd better get her to bed. | 0:02:48 | 0:02:50 | |
She's lucky to have you. | 0:02:51 | 0:02:53 | |
The other way round, I reckon. | 0:02:53 | 0:02:55 | |
Don't dismiss it. Take care of her. Look after her. | 0:02:55 | 0:02:59 | |
So lovely... | 0:02:59 | 0:03:00 | |
Oh... | 0:03:00 | 0:03:02 | |
I'm sorry. I'm sorry. | 0:03:02 | 0:03:04 | |
I've had too much to drink. | 0:03:04 | 0:03:06 | |
You're fine. Honestly, don't worry. | 0:03:06 | 0:03:08 | |
I'd better head back. | 0:03:08 | 0:03:09 | |
-Oh... -Do you want someone to walk you back? | 0:03:09 | 0:03:12 | |
No, no, no. Don't be silly. | 0:03:12 | 0:03:14 | |
-Good night. Good night. -Night. -Night-night. | 0:03:14 | 0:03:17 | |
Well, that was awkward. | 0:03:21 | 0:03:24 | |
Hey, you. Let's get you to bed, eh? | 0:03:26 | 0:03:29 | |
-Yeah. -Need a hand? | 0:03:29 | 0:03:30 | |
No. I'm fine. I'll see you tomorrow, man. | 0:03:30 | 0:03:33 | |
Have a good one. | 0:03:33 | 0:03:35 | |
-Come here. -Oh... -Oi! | 0:03:35 | 0:03:37 | |
THEY GIGGLE | 0:03:37 | 0:03:39 | |
GUNSHOT | 0:04:00 | 0:04:02 | |
DOOR RATTLES | 0:04:10 | 0:04:12 | |
You hear that? | 0:04:18 | 0:04:20 | |
There's someone in there. | 0:04:20 | 0:04:22 | |
What's going on? | 0:04:22 | 0:04:23 | |
Stand back... | 0:04:23 | 0:04:25 | |
What? | 0:04:34 | 0:04:36 | |
No... | 0:04:37 | 0:04:38 | |
Sian. | 0:04:38 | 0:04:40 | |
Sian! | 0:04:40 | 0:04:42 | |
So, this is my suit for JP's wedding. | 0:05:12 | 0:05:15 | |
Which tailor did you use? | 0:05:15 | 0:05:17 | |
Dwayne recommended him. | 0:05:17 | 0:05:19 | |
What do you think? Both of you. | 0:05:23 | 0:05:26 | |
A touch bold? | 0:05:34 | 0:05:36 | |
My eldest brother, he's about the same size, | 0:05:36 | 0:05:38 | |
so maybe I could ask to borrow something from him? | 0:05:38 | 0:05:41 | |
-PHONE RINGS -Yeah. | 0:05:41 | 0:05:44 | |
Dwayne, top of the morning to you. | 0:05:44 | 0:05:47 | |
Really? | 0:05:48 | 0:05:50 | |
Well, we're on our way. | 0:05:50 | 0:05:52 | |
Florence, duty calls. You're driving. | 0:05:52 | 0:05:55 | |
Sorry. | 0:05:57 | 0:05:58 | |
Chief. We've got a young woman inside. | 0:06:06 | 0:06:09 | |
The paramedics pronounced her dead at the scene, | 0:06:09 | 0:06:12 | |
-but they still haven't taken away the body. -Any idea what happened? | 0:06:12 | 0:06:15 | |
-It looks like she killed herself. -Who are they? | 0:06:15 | 0:06:18 | |
They discovered the body. | 0:06:18 | 0:06:20 | |
The boyfriend, a couple of guests. | 0:06:20 | 0:06:22 | |
And that is the owner of the hostel, Astor. | 0:06:22 | 0:06:25 | |
OK, let's take Astor. | 0:06:25 | 0:06:26 | |
-JP, keep the others here. I'll have a chat with them later. -Yes, Chief. | 0:06:26 | 0:06:30 | |
I tried the door, but it wouldn't open. | 0:06:42 | 0:06:45 | |
And then I came round the back and smashed the window through. | 0:06:45 | 0:06:48 | |
Do you know her? | 0:06:48 | 0:06:50 | |
Her name is Sian. | 0:06:50 | 0:06:51 | |
She'd been staying with us for about a week or so. | 0:06:51 | 0:06:55 | |
Poor girl. | 0:06:55 | 0:06:56 | |
She can't be more than, what, 19? 20? | 0:06:56 | 0:06:59 | |
Where were you when you heard the gunshot? | 0:07:12 | 0:07:14 | |
-I was cleaning the dorm room. -What time was this? | 0:07:14 | 0:07:17 | |
It must have been about eight. | 0:07:17 | 0:07:19 | |
Yes, it was eight, cos I always start cleaning the same time. | 0:07:19 | 0:07:22 | |
When was the last time you saw Sian alive? | 0:07:22 | 0:07:25 | |
Last night. I was at the bar. She was around at the party, I think. | 0:07:25 | 0:07:30 | |
Why... | 0:07:32 | 0:07:33 | |
Why would a young girl like that want to kill herself, man? | 0:07:33 | 0:07:37 | |
Sorry, who's saying she did? | 0:07:37 | 0:07:39 | |
-Well, it's obvious, isn't it? -You'd think so. Right? | 0:07:39 | 0:07:42 | |
Well, let's see. She was found flush against the frosted-glass door, | 0:07:42 | 0:07:46 | |
which means nobody could have shot her | 0:07:46 | 0:07:48 | |
whilst inside the shower room and then exited via this door. | 0:07:48 | 0:07:51 | |
And nobody could have entered or left by this window, | 0:07:51 | 0:07:54 | |
hence why Astor had to smash the shutters in order to gain access. | 0:07:54 | 0:07:58 | |
-But... -But if you're planning to kill yourself, why bring a washbag? | 0:07:58 | 0:08:02 | |
Why unpack your toiletries and then choose to shoot yourself? | 0:08:02 | 0:08:06 | |
Where is her towel? | 0:08:06 | 0:08:08 | |
If she were coming for a shower, you'd use a towel, wouldn't you? | 0:08:08 | 0:08:12 | |
I hadn't really thought of that. | 0:08:12 | 0:08:14 | |
So, you think this wasn't a suicide? | 0:08:14 | 0:08:17 | |
Well, I'm not saying it wasn't NOT suicide, if you follow. | 0:08:17 | 0:08:20 | |
Or to put it another way, | 0:08:20 | 0:08:22 | |
Sian entered the shower room without a towel, unpacked her washbag | 0:08:22 | 0:08:27 | |
and only then decided to shoot herself at point-blank range. | 0:08:27 | 0:08:31 | |
And why here, in a communal shower? | 0:08:31 | 0:08:34 | |
Outside, there's a secluded beach, a quiet, dense jungle. | 0:08:34 | 0:08:37 | |
And where would someone with no knowledge of the island find a gun? | 0:08:37 | 0:08:42 | |
Astor... | 0:08:45 | 0:08:46 | |
..something you'd like to tell us? | 0:08:50 | 0:08:52 | |
I, uh... | 0:08:52 | 0:08:54 | |
Oh, this isn't going to sound good, | 0:08:54 | 0:08:57 | |
but, um, | 0:08:57 | 0:08:58 | |
that gun is mine. | 0:08:58 | 0:09:00 | |
-Excuse me? -It is legal and registered. | 0:09:00 | 0:09:02 | |
But I don't know how she managed to get hold of it. | 0:09:02 | 0:09:06 | |
I'll have to check in my office first, | 0:09:06 | 0:09:07 | |
but that definitely looks like my gun. | 0:09:07 | 0:09:11 | |
Hmm... | 0:09:11 | 0:09:13 | |
Dwayne, I need you and JP to photograph the scene, | 0:09:13 | 0:09:15 | |
release the body and dust for prints. | 0:09:15 | 0:09:18 | |
Florence, you're with me. | 0:09:18 | 0:09:20 | |
My name is Perrie. | 0:09:21 | 0:09:23 | |
Perrie Campbell. | 0:09:23 | 0:09:24 | |
Perrie? Right. And how do you know Sian? | 0:09:24 | 0:09:27 | |
We met when she arrived, a week or so ago. | 0:09:27 | 0:09:30 | |
We got chatting. | 0:09:30 | 0:09:32 | |
She was a really lovely girl. | 0:09:32 | 0:09:35 | |
Are you on holiday or...? | 0:09:35 | 0:09:37 | |
-No, I'm travelling. -I see. | 0:09:37 | 0:09:39 | |
And when was the last time you saw Sian alive? | 0:09:39 | 0:09:42 | |
Last night. There was a party. | 0:09:42 | 0:09:44 | |
We had a few drinks, and everything was fine. | 0:09:44 | 0:09:47 | |
And in between you arriving back at the hostel and now, | 0:09:47 | 0:09:51 | |
where have you been? | 0:09:51 | 0:09:53 | |
Well, I came straight to bed. | 0:09:53 | 0:09:55 | |
And then, this morning, I was practising my yoga | 0:09:55 | 0:09:59 | |
on the beach at eight o'clock, and I... I heard the gunshot. | 0:09:59 | 0:10:03 | |
And so I came to find out what had happened. | 0:10:03 | 0:10:06 | |
Can anyone confirm that? | 0:10:06 | 0:10:08 | |
I don't know. There was a kayaking thing, | 0:10:08 | 0:10:11 | |
and everyone else took the boat to the next island. | 0:10:11 | 0:10:13 | |
We'll take that as a no. | 0:10:13 | 0:10:16 | |
-Name? -Leo Richards. | 0:10:16 | 0:10:18 | |
Leo, how did you know Sian? | 0:10:18 | 0:10:20 | |
I didn't. My flight got in yesterday afternoon. We met last night. | 0:10:20 | 0:10:25 | |
And we were you when the gunshot was heard? | 0:10:25 | 0:10:27 | |
I was having breakfast. | 0:10:27 | 0:10:29 | |
-Who were you with? -It was just me. | 0:10:30 | 0:10:33 | |
As Perrie said, there was a boat trip organised. | 0:10:33 | 0:10:35 | |
Given there was a boat trip, | 0:10:35 | 0:10:37 | |
-there was just you guys and Sian left in the hostel? -Uh-huh. | 0:10:37 | 0:10:42 | |
As far as I know. | 0:10:42 | 0:10:43 | |
Griff, I know this must be a very difficult time for you. | 0:10:45 | 0:10:50 | |
How long have you and Sian been courting? | 0:10:50 | 0:10:53 | |
Um, three years next month. | 0:10:53 | 0:10:56 | |
We met at work, in the pub. | 0:10:56 | 0:10:59 | |
I was behind the bar. | 0:10:59 | 0:11:01 | |
You've been together all summer, travelling? | 0:11:01 | 0:11:04 | |
Those round-the-world tickets. | 0:11:04 | 0:11:06 | |
She should start med school in September. | 0:11:08 | 0:11:11 | |
That's why we're here. | 0:11:11 | 0:11:12 | |
Oh... | 0:11:12 | 0:11:14 | |
A summer of fun... | 0:11:14 | 0:11:15 | |
..before... I'm sorry. | 0:11:16 | 0:11:19 | |
When was the last time you saw Sian alive? | 0:11:20 | 0:11:23 | |
This morning. | 0:11:26 | 0:11:27 | |
I was heading out for a run, and she was heading for a shower. | 0:11:27 | 0:11:31 | |
-What time was this? -7.45. | 0:11:31 | 0:11:33 | |
I remember setting my watch to head out. | 0:11:35 | 0:11:37 | |
And did anyone see you? | 0:11:37 | 0:11:39 | |
I bought a bottle of water from the hut on the cliffs. | 0:11:39 | 0:11:42 | |
Hmm. | 0:11:43 | 0:11:45 | |
Would anyone know why Sian would have a reason to take her own life? | 0:11:47 | 0:11:52 | |
All right. That's all for now. Thank you. | 0:11:54 | 0:11:56 | |
Are you sure you don't want me to drive, sir? | 0:12:02 | 0:12:05 | |
No, Florence, it will help me to concentrate. | 0:12:05 | 0:12:07 | |
So, Sian heads into the shower room, she unpacks her toiletries | 0:12:07 | 0:12:11 | |
and only then chooses to shoot herself at point-blank range. | 0:12:11 | 0:12:15 | |
-She doesn't bring a towel, which makes no sense... -Sir, watch out! | 0:12:15 | 0:12:19 | |
-Ooh! -Ohh... | 0:12:19 | 0:12:21 | |
Oh... I'm sorry. | 0:12:21 | 0:12:23 | |
Are you OK? | 0:12:23 | 0:12:25 | |
Are you hurt? | 0:12:25 | 0:12:26 | |
Gosh, it's you. | 0:12:28 | 0:12:30 | |
It's you, isn't it? | 0:12:30 | 0:12:32 | |
It's me. | 0:12:32 | 0:12:34 | |
Milky hot chocolate, sometimes a blueberry muffin. | 0:12:34 | 0:12:37 | |
Oh! | 0:12:37 | 0:12:38 | |
-Humphrey! -Yes. | 0:12:38 | 0:12:40 | |
-My goodness. Wow. Wow. Florence, this is Martha. -Hi. | 0:12:40 | 0:12:44 | |
She used to work back in the coffee shop back in old Blighty. | 0:12:44 | 0:12:47 | |
What are you doing here? | 0:12:49 | 0:12:51 | |
Oh, um, you know, travelling. | 0:12:51 | 0:12:53 | |
Finding myself. | 0:12:53 | 0:12:55 | |
Nearly getting mowed down. | 0:12:55 | 0:12:57 | |
I'm so sorry. I'm so sorry. | 0:12:57 | 0:12:59 | |
-Oh, no, no. It was me. I wasn't looking. -Yeah. | 0:12:59 | 0:13:01 | |
Um... | 0:13:01 | 0:13:03 | |
How are you? | 0:13:03 | 0:13:04 | |
-How's... -Dylan? -Yes. | 0:13:04 | 0:13:06 | |
We consciously uncoupled. | 0:13:06 | 0:13:08 | |
Oh, I'm sorry. | 0:13:08 | 0:13:10 | |
Oh, don't be. I'm not. Completely the right decision. | 0:13:10 | 0:13:13 | |
Me too. | 0:13:13 | 0:13:15 | |
Yes. | 0:13:15 | 0:13:17 | |
All for the good. | 0:13:17 | 0:13:18 | |
HE CLEARS HIS THROAT | 0:13:18 | 0:13:20 | |
So, this is where they transferred you? | 0:13:20 | 0:13:25 | |
Yes. | 0:13:25 | 0:13:26 | |
Beats roundabouts and rain, I guess. | 0:13:26 | 0:13:28 | |
THEY BOTH LAUGH | 0:13:28 | 0:13:30 | |
Yes... | 0:13:30 | 0:13:32 | |
You look well. | 0:13:32 | 0:13:34 | |
Oh, thanks. | 0:13:34 | 0:13:35 | |
-You too. -Thanks. | 0:13:35 | 0:13:36 | |
I'm trying to cut out wheat, actually. | 0:13:36 | 0:13:39 | |
-How are you enjoying the island? -Oh, it's lovely. | 0:13:41 | 0:13:44 | |
-Are you staying at the hostel? -Yes. | 0:13:44 | 0:13:47 | |
It's awful, what's happened. | 0:13:47 | 0:13:48 | |
We all found out when we got back from the boat trip. | 0:13:48 | 0:13:51 | |
You're investigating, I presume? | 0:13:51 | 0:13:53 | |
Yes, yes, I am. | 0:13:53 | 0:13:54 | |
So, if you hear of anything untoward, then do let me know. | 0:13:54 | 0:13:59 | |
And sorry about nearly mowing you down. | 0:13:59 | 0:14:01 | |
Oh, not at all. | 0:14:01 | 0:14:03 | |
I have holiday insurance! | 0:14:03 | 0:14:05 | |
THEY BOTH GIGGLE | 0:14:05 | 0:14:07 | |
-All right. Marv. -Sorry? | 0:14:09 | 0:14:11 | |
HE CLEARS HIS THROAT | 0:14:11 | 0:14:13 | |
Marvellous. M-M-Marv. | 0:14:13 | 0:14:15 | |
It's just something I'm trying. | 0:14:16 | 0:14:18 | |
Yes... | 0:14:18 | 0:14:20 | |
-Right. -Well, lovely to see you. -You, too. -OK. | 0:14:22 | 0:14:27 | |
-Bye. -Bye. -Bye. | 0:14:27 | 0:14:29 | |
HE LAUGHS | 0:14:33 | 0:14:35 | |
She seems nice. | 0:14:35 | 0:14:37 | |
Yes. Yes, she is, yes. | 0:14:37 | 0:14:39 | |
Yes, she's nice. | 0:14:40 | 0:14:42 | |
Wow. Flowers, gosh. | 0:14:52 | 0:14:54 | |
Sorry, sir. They were meant to deliver everything to the church, | 0:14:54 | 0:14:58 | |
but they got the wrong address. | 0:14:58 | 0:14:59 | |
Rosey's on her way in a van to pick them all up. | 0:14:59 | 0:15:01 | |
Not a problem, JP. | 0:15:01 | 0:15:03 | |
-Anything we can do to help. You only get married once. -You hope. | 0:15:03 | 0:15:07 | |
I'm so sorry for your loss. | 0:15:10 | 0:15:12 | |
We'll be in touch. | 0:15:12 | 0:15:14 | |
That was Sian's mother. | 0:15:15 | 0:15:17 | |
She didn't believe Sian would take her own life. | 0:15:17 | 0:15:20 | |
She was headed to medical school, her life ahead of her. | 0:15:20 | 0:15:23 | |
Apparently, Sian had suffered from anxiety and depression | 0:15:23 | 0:15:26 | |
during her exams, | 0:15:26 | 0:15:28 | |
but she had got through it with the help of the boyfriend. | 0:15:28 | 0:15:30 | |
-Her mother spoke very highly of him. -Anything from background? | 0:15:30 | 0:15:33 | |
-'Yee-ha!' -WHIP CRACKS | 0:15:33 | 0:15:35 | |
Sorry. I've done something. Every time I get an e-mail... | 0:15:35 | 0:15:38 | |
-'Yee-ha!' -WHIP CRACKS | 0:15:38 | 0:15:40 | |
I can't turn it off. I don't know what I've done. | 0:15:40 | 0:15:43 | |
Some settings... | 0:15:43 | 0:15:45 | |
Sorry. You were saying - background. | 0:15:47 | 0:15:49 | |
Yes. The victim, Sian Evans. 19, born and raised in Cardiff. | 0:15:49 | 0:15:54 | |
An A-grade student about to go to Edinburgh University. | 0:15:54 | 0:15:57 | |
Griff Morgan, 27, the boyfriend. | 0:15:57 | 0:15:59 | |
Works at the local pub and DJs there. | 0:15:59 | 0:16:02 | |
Leo Richards, 21. | 0:16:02 | 0:16:03 | |
Originally from Hastings, | 0:16:03 | 0:16:05 | |
but is now studying history and politics at Warwick. | 0:16:05 | 0:16:08 | |
Astor Henri, aged 42, born locally. | 0:16:08 | 0:16:11 | |
It turns out the gun was registered and legal, | 0:16:11 | 0:16:14 | |
and the only fingerprints found on the weapon belong to Sian. | 0:16:14 | 0:16:17 | |
Astor's been running the hostel for five years, married for two. | 0:16:17 | 0:16:20 | |
-Perrie Campbell, 43. Lives in a place called Cowbridge? -Mm-hm. | 0:16:20 | 0:16:25 | |
Anyway, looks like she's worked in a supermarket for years, | 0:16:26 | 0:16:30 | |
-some sort of supervisor. -Cowbridge?! | 0:16:30 | 0:16:33 | |
Is that a real place, Chief? | 0:16:33 | 0:16:35 | |
I actually went to a christening in Cowbridge once. | 0:16:35 | 0:16:37 | |
It's not a million miles from Cardiff, if I remember. | 0:16:37 | 0:16:40 | |
So, you think there's a chance that Perrie and Sian might have | 0:16:40 | 0:16:43 | |
known each other prior to arriving on Saint Marie? | 0:16:43 | 0:16:45 | |
Perhaps their paths might have crossed. | 0:16:45 | 0:16:48 | |
-Have a dig around, JP, see what you can find. -Yes, Chief. | 0:16:48 | 0:16:51 | |
Right, so Sian Evans was found dead inside the shower room | 0:16:51 | 0:16:54 | |
at Honore youth hostel, | 0:16:54 | 0:16:56 | |
just after a gunshot was heard at 8am. | 0:16:56 | 0:16:59 | |
She was last seen alive by her boyfriend at 7.45am. | 0:16:59 | 0:17:04 | |
She'd been shot at point-blank range | 0:17:04 | 0:17:06 | |
and her body was found slumped flush against the shower room door. | 0:17:06 | 0:17:09 | |
Which means that nobody could have shot her | 0:17:09 | 0:17:12 | |
from inside the shower room and then left via the door. | 0:17:12 | 0:17:15 | |
And nobody could have entered or left via the window, | 0:17:15 | 0:17:18 | |
-which is why Astor smashed the shutters in order to enter. -Quite. | 0:17:18 | 0:17:22 | |
The gun belonging to Astor was found in Sian's hand. | 0:17:22 | 0:17:25 | |
Did she take her own life? Some might say it's possible, | 0:17:25 | 0:17:28 | |
but why, if you are intending to take your own life, | 0:17:28 | 0:17:31 | |
do you take a washbag, unpack it and only then choose to kill yourself? | 0:17:31 | 0:17:35 | |
Chief, we also found these in Sian's possessions. | 0:17:35 | 0:17:38 | |
-Looks like ecstasy. -Right. Well, let's get them over to the lab | 0:17:38 | 0:17:41 | |
and wait for toxicology to confirm what they are. | 0:17:41 | 0:17:43 | |
We also found her towel. It was on her bed, bone dry. | 0:17:43 | 0:17:46 | |
Sir, you have to come and look at this. | 0:17:46 | 0:17:49 | |
OK, so I ran a quick internet search on Perrie Campbell and, look, | 0:17:49 | 0:17:52 | |
first hit - articles from a local newspaper. | 0:17:52 | 0:17:56 | |
Missing - Cowbridge. Wife Disappears. | 0:17:56 | 0:17:57 | |
Husband Appeals For Help. | 0:17:57 | 0:17:59 | |
The Mysterious Case Of The Runaway Wife. | 0:17:59 | 0:18:03 | |
So, Perrie is married. | 0:18:03 | 0:18:04 | |
She didn't mention anything about a husband. | 0:18:04 | 0:18:07 | |
Why is she here if he is back in England? | 0:18:07 | 0:18:09 | |
-Wales, Florence. -What's the difference? | 0:18:09 | 0:18:12 | |
Oh, never say that to a Welshman. | 0:18:12 | 0:18:14 | |
Never say that to an Englishman, come to think of it. | 0:18:14 | 0:18:16 | |
Sir, according to this, | 0:18:16 | 0:18:17 | |
Cowbridge is only seven miles west from Cardiff. | 0:18:17 | 0:18:20 | |
Close enough for me. Florence! | 0:18:20 | 0:18:23 | |
Right. | 0:18:25 | 0:18:26 | |
Oh, you're a writer? | 0:18:36 | 0:18:38 | |
It's just a story. Fiction. | 0:18:39 | 0:18:41 | |
May I? | 0:18:41 | 0:18:43 | |
It's not finished yet. | 0:18:43 | 0:18:44 | |
You know, Herman Melville once said, | 0:18:46 | 0:18:48 | |
"To produce a mighty book, one must choose a mighty theme." | 0:18:48 | 0:18:51 | |
Deception, | 0:18:52 | 0:18:54 | |
deceit, | 0:18:54 | 0:18:56 | |
fleeing of one's homeland. | 0:18:56 | 0:18:58 | |
Pretty big themes, wouldn't you say? | 0:18:58 | 0:19:00 | |
Why did you leave your husband? | 0:19:05 | 0:19:06 | |
Is it relevant? | 0:19:06 | 0:19:08 | |
-Fairly relevant. -OK. I left because I couldn't stay. | 0:19:08 | 0:19:11 | |
Every night before bed, | 0:19:11 | 0:19:13 | |
he put out two cups, | 0:19:13 | 0:19:16 | |
placed the teabags inside, ready for the morning. | 0:19:16 | 0:19:18 | |
One night I went to bed, I looked at those two mugs | 0:19:18 | 0:19:21 | |
and I thought, "There's got to be more than this." | 0:19:21 | 0:19:25 | |
So I walked away. | 0:19:25 | 0:19:27 | |
I never went back. | 0:19:27 | 0:19:28 | |
I knew there was a whole world out there. Now I can see it. | 0:19:28 | 0:19:33 | |
We know you lived just outside Cardiff. | 0:19:35 | 0:19:37 | |
Maybe you knew Sian from back home? | 0:19:37 | 0:19:39 | |
Maybe she recognised you | 0:19:39 | 0:19:41 | |
and there was talk of her getting in touch with your husband? | 0:19:41 | 0:19:44 | |
-Tell him where you are? -Sian and I had never met before. | 0:19:44 | 0:19:47 | |
I had nothing to do with what happened to her. | 0:19:47 | 0:19:49 | |
I don't want you to contact my husband. I'm happy here. | 0:19:49 | 0:19:52 | |
She was crying...last night. | 0:19:57 | 0:20:00 | |
I'd gone to bed, | 0:20:01 | 0:20:03 | |
but I wasn't feeling too good. I needed some air. | 0:20:03 | 0:20:06 | |
So I went outside and she was with Griff and she was crying. | 0:20:06 | 0:20:09 | |
-What were they talking about? -I've no idea. | 0:20:09 | 0:20:12 | |
I should have said something this morning, | 0:20:12 | 0:20:14 | |
but...I didn't want to upset Griff any more than was necessary. | 0:20:14 | 0:20:18 | |
Ah, sir, how did it go? | 0:20:25 | 0:20:27 | |
Well, Perrie is not the most stable of people, granted, | 0:20:27 | 0:20:30 | |
but a cold-blooded killer, I'm not so sure. | 0:20:30 | 0:20:32 | |
We might have something. | 0:20:32 | 0:20:34 | |
We've been going through the phone records. | 0:20:34 | 0:20:36 | |
Yes, they were e-mailed over to us by the network provider. | 0:20:36 | 0:20:39 | |
Now, these are all the numbers Sian called or texted | 0:20:39 | 0:20:41 | |
over the last three months. | 0:20:41 | 0:20:43 | |
But there is one number that we could not account for, | 0:20:43 | 0:20:45 | |
-highlighted in orange. -It's Leo, Chief. | 0:20:45 | 0:20:48 | |
We spoke to the phone company, and there are text messages | 0:20:48 | 0:20:51 | |
and calls between him and Sian going back months, but there's | 0:20:51 | 0:20:54 | |
no records of any of these calls or text messages on Sian's phone. | 0:20:54 | 0:20:58 | |
They've all been deleted. | 0:20:58 | 0:20:59 | |
So, we did some more digging, and it turns out that Leo was | 0:20:59 | 0:21:02 | |
in Phuket three months ago, exactly the same time as Sian and Griff. | 0:21:02 | 0:21:05 | |
The text messages began shortly afterwards. | 0:21:05 | 0:21:08 | |
Wow. That is barnstorming work from the two of you. | 0:21:08 | 0:21:10 | |
Let's get the phone over to the lab, see what they can recover. | 0:21:10 | 0:21:13 | |
Also, Dwayne, I'd like you to check Leo, Sian and Griff's social media, | 0:21:13 | 0:21:16 | |
-the face-thingy, the tweeters, see what you can find. -Yes, Chief. | 0:21:16 | 0:21:19 | |
-Let's head over and talk to Leo. Ah, Rosey. -Hello. | 0:21:19 | 0:21:22 | |
-Ah, Miss Fabrice. -Hi, Rosey. | 0:21:22 | 0:21:24 | |
Hello. The van's all loaded. I'll take the flowers over to the church. | 0:21:24 | 0:21:29 | |
Beauty, brains and brawn, huh? | 0:21:29 | 0:21:31 | |
You're a lucky man, you know, JP? | 0:21:31 | 0:21:33 | |
Here are the nametags for the wedding favours. | 0:21:33 | 0:21:35 | |
You have done the wedding favours? | 0:21:35 | 0:21:37 | |
-Yes, of course. -Great. | 0:21:37 | 0:21:40 | |
And my Aunt Esme is coming now, | 0:21:40 | 0:21:41 | |
-so you might have two rejig the seating plan. -OK, yes. | 0:21:41 | 0:21:45 | |
Rejig. OK. | 0:21:45 | 0:21:47 | |
Bye-bye. | 0:21:49 | 0:21:51 | |
Bye. | 0:21:51 | 0:21:52 | |
-You haven't done the favours, have you? -Haven't even started. | 0:21:53 | 0:21:56 | |
And Aunt Esme? | 0:21:56 | 0:21:58 | |
I've never even met Aunt Esme. | 0:21:58 | 0:22:00 | |
You only met Rosey's mum two weeks ago. | 0:22:00 | 0:22:03 | |
Relax, JP. | 0:22:03 | 0:22:04 | |
It's a whirlwind romance. These things happen. | 0:22:04 | 0:22:07 | |
Wh-Whirlwind? What do you mean, whirlwind? | 0:22:07 | 0:22:10 | |
You know, whirlwind. | 0:22:10 | 0:22:11 | |
Whew! Fast. | 0:22:11 | 0:22:13 | |
Good. | 0:22:13 | 0:22:14 | |
But fast. | 0:22:14 | 0:22:16 | |
I could charge you for perverting the course of justice right now. | 0:22:18 | 0:22:21 | |
We need to see your mobile phone. | 0:22:21 | 0:22:23 | |
We know that you and Sian had been exchanging phone calls | 0:22:23 | 0:22:26 | |
and text messages for almost three months. | 0:22:26 | 0:22:29 | |
We also know that three months ago, | 0:22:29 | 0:22:30 | |
you spent a week on the same island at the same time. | 0:22:30 | 0:22:33 | |
Nothing, sir. | 0:22:33 | 0:22:35 | |
Do you delete all your calls and text messages, | 0:22:35 | 0:22:37 | |
or just the incriminating ones? | 0:22:37 | 0:22:39 | |
We can do this back at the station, if you'd prefer. | 0:22:39 | 0:22:43 | |
OK. Look, we met a few months ago in Phuket. | 0:22:43 | 0:22:47 | |
She was hot, we hooked up. | 0:22:47 | 0:22:49 | |
Then what happened? | 0:22:49 | 0:22:50 | |
Nothing. | 0:22:50 | 0:22:52 | |
We spent a week together. | 0:22:53 | 0:22:55 | |
Her boyfriend wasn't there. They'd had an argument. | 0:22:55 | 0:22:58 | |
She wanted to go to this festival that everyone was talking about, | 0:22:58 | 0:23:01 | |
he didn't want her to go. | 0:23:01 | 0:23:03 | |
She said she could be like that, controlling, so she just left him, | 0:23:03 | 0:23:07 | |
we went and we spent a few days together after that. | 0:23:07 | 0:23:10 | |
It was just sex. | 0:23:10 | 0:23:12 | |
I guess she sent a few texts, there were a few calls. | 0:23:13 | 0:23:15 | |
And you just happened to bump into her again on this island? | 0:23:15 | 0:23:18 | |
Most British travellers book through the same website. | 0:23:18 | 0:23:21 | |
That's the same flights, the same hostels. | 0:23:21 | 0:23:23 | |
-People bump into each other. -So, why lie? | 0:23:23 | 0:23:25 | |
I'm not exactly going to volunteer this information in front | 0:23:25 | 0:23:27 | |
of her boyfriend, am I? | 0:23:27 | 0:23:29 | |
I don't want to put him through any more grief. | 0:23:29 | 0:23:31 | |
I'll be in touch. | 0:23:31 | 0:23:33 | |
So, what did you think, sir? | 0:23:34 | 0:23:36 | |
Well, if Sian and Leo had been intimate, | 0:23:36 | 0:23:38 | |
and Griff had somehow learnt of this... | 0:23:38 | 0:23:41 | |
-It's a strong motive. -Yes. | 0:23:41 | 0:23:43 | |
Excuse me. | 0:23:47 | 0:23:48 | |
Excuse me. I just have a couple of follow-up questions, if that's OK. | 0:23:49 | 0:23:53 | |
-I'm sorry, I was miles away. -Of course. | 0:23:53 | 0:23:55 | |
We understand that you and Sian had an argument which led to you | 0:23:55 | 0:23:59 | |
-parting company for a week in Phuket. -How do you know about that? | 0:23:59 | 0:24:03 | |
Is it true? | 0:24:03 | 0:24:05 | |
Yeah, but...it was nothing. | 0:24:07 | 0:24:09 | |
Nothing? | 0:24:09 | 0:24:12 | |
HE SIGHS | 0:24:12 | 0:24:13 | |
It was about a stupid party | 0:24:13 | 0:24:15 | |
she wanted to go in the middle of nowhere. | 0:24:15 | 0:24:17 | |
It was dangerous, and I didn't want her to go. | 0:24:17 | 0:24:19 | |
We had a week apart... | 0:24:19 | 0:24:22 | |
then we were together again, and it was fine. | 0:24:22 | 0:24:24 | |
Did Sian tell you about Leo? | 0:24:25 | 0:24:28 | |
What about him? | 0:24:28 | 0:24:30 | |
They met. | 0:24:30 | 0:24:32 | |
The week you and Sian were apart, they were together. | 0:24:32 | 0:24:34 | |
They were intimate. | 0:24:34 | 0:24:36 | |
They had been exchanging calls and text messages since that time. | 0:24:36 | 0:24:40 | |
We also have a witness who claims she saw you | 0:24:43 | 0:24:45 | |
and Sian the night before she died, and Sian had been crying. | 0:24:45 | 0:24:49 | |
That wasn't an argument. | 0:24:50 | 0:24:52 | |
She was scared about heading off to uni. | 0:24:52 | 0:24:55 | |
She could get like that, in her head. | 0:24:55 | 0:24:58 | |
She used to call it her washing-machine head. | 0:24:58 | 0:25:01 | |
Oh... | 0:25:01 | 0:25:03 | |
I thought they only met last night. | 0:25:05 | 0:25:06 | |
I had no idea. | 0:25:08 | 0:25:10 | |
What does it mean? | 0:25:12 | 0:25:13 | |
Your necklace? | 0:25:13 | 0:25:15 | |
It's the Thai symbol for love. | 0:25:15 | 0:25:17 | |
Isn't it? | 0:25:17 | 0:25:19 | |
Yeah. | 0:25:19 | 0:25:20 | |
Sian gave it to me. | 0:25:23 | 0:25:24 | |
HE CLEARS HIS THROAT | 0:25:36 | 0:25:38 | |
Why don't you ask her out for a drink? | 0:25:40 | 0:25:43 | |
-Um... -What's the worst that could happen? You'll be great. | 0:25:43 | 0:25:46 | |
Right. Yes. | 0:25:48 | 0:25:50 | |
Carpe diem, and all that. | 0:25:50 | 0:25:52 | |
Hello. | 0:25:59 | 0:26:01 | |
Oh! Hi. | 0:26:01 | 0:26:02 | |
SQUELCHING | 0:26:04 | 0:26:06 | |
How are you? | 0:26:08 | 0:26:09 | |
Yes. | 0:26:09 | 0:26:11 | |
HE CLEARS HIS THROAT | 0:26:11 | 0:26:13 | |
G-Good. | 0:26:13 | 0:26:14 | |
So... | 0:26:14 | 0:26:16 | |
So, there's a bar. | 0:26:16 | 0:26:17 | |
It's run by a lovely woman called Catherine, and they do drinks. | 0:26:17 | 0:26:20 | |
Um... | 0:26:20 | 0:26:22 | |
Coffee, beer, cocktails, soft drinks, | 0:26:23 | 0:26:26 | |
-mocktails, water. I can get you a menu, if you like. -Oh, I... | 0:26:26 | 0:26:29 | |
And then you could choose something you'd like. | 0:26:29 | 0:26:32 | |
And I could buy it for you. A drink. I'd buy you a drink. Tonight. | 0:26:32 | 0:26:35 | |
Or I could just order when I'm there. | 0:26:35 | 0:26:38 | |
That would work too. Yes. | 0:26:38 | 0:26:40 | |
Yes, great. | 0:26:43 | 0:26:44 | |
Seven o'clock? | 0:26:46 | 0:26:48 | |
That sounds lovely. | 0:26:48 | 0:26:49 | |
-Great, see you there. -See you then. | 0:26:49 | 0:26:52 | |
-She said yes. -That's great. -No, it's great. Let's go. | 0:26:53 | 0:26:57 | |
What's wrong? | 0:26:57 | 0:26:58 | |
I sat on her yoghurt. Quick, before she notices. | 0:26:58 | 0:27:02 | |
Now, we know that Sian and Leo were together in Phuket. | 0:27:04 | 0:27:08 | |
We also know that, since that time, | 0:27:08 | 0:27:10 | |
they've exchanged numerous calls and text messages. | 0:27:10 | 0:27:13 | |
We're still waiting on the lab to | 0:27:13 | 0:27:15 | |
-come back to us with the content of the messages. -Yes. Dwayne, | 0:27:15 | 0:27:18 | |
has anything come up from Griff's social media? | 0:27:18 | 0:27:21 | |
Some posts about the disco he ran at his local pub, | 0:27:21 | 0:27:25 | |
some photos of him and Sian travelling, | 0:27:25 | 0:27:28 | |
nothing out of the ordinary, really. | 0:27:28 | 0:27:30 | |
OK. So, what of Perrie Campbell? | 0:27:30 | 0:27:33 | |
Well, we know she walked out on her husband to see the world. | 0:27:33 | 0:27:37 | |
Did Sian recognise her? Did she kill her to maintain her anonymity? | 0:27:37 | 0:27:41 | |
We do not know. What we do know is that Sian Evans was found dead, | 0:27:41 | 0:27:45 | |
slumped flush against the shower room door. | 0:27:45 | 0:27:47 | |
But as no-one could have got in or out of there, | 0:27:47 | 0:27:50 | |
how on earth was she murdered? | 0:27:50 | 0:27:52 | |
A question I fear will not be answered this evening. | 0:27:52 | 0:27:55 | |
So, thank you, that's all for today. Back in first thing. | 0:27:55 | 0:27:58 | |
HE SIGHS | 0:27:58 | 0:28:01 | |
Good luck, sir. | 0:28:01 | 0:28:02 | |
You'll be great. | 0:28:02 | 0:28:04 | |
Yes. Thank you. | 0:28:04 | 0:28:06 | |
# I'm in the mood for love | 0:28:10 | 0:28:13 | |
# Simply because you're near me | 0:28:14 | 0:28:17 | |
# Funny, but when you're near me | 0:28:17 | 0:28:21 | |
# I'm in the mood for love | 0:28:21 | 0:28:24 | |
# Heaven is in your eyes | 0:28:25 | 0:28:27 | |
# Bright as the stars we're under | 0:28:29 | 0:28:32 | |
# Oh, is it any wonder... # | 0:28:32 | 0:28:34 | |
NEEDLE SCRATCHES | 0:28:34 | 0:28:36 | |
JP, what are you still doing here? | 0:28:36 | 0:28:38 | |
I'm on wedding duty, sir. | 0:28:38 | 0:28:41 | |
Oh, right. | 0:28:41 | 0:28:43 | |
Well, try not to stay too late. | 0:28:43 | 0:28:45 | |
Do you think I'm getting married too soon? | 0:28:47 | 0:28:50 | |
Gosh, where did that come from? | 0:28:54 | 0:28:57 | |
Oh... | 0:28:59 | 0:29:01 | |
Um... | 0:29:02 | 0:29:03 | |
Why don't you let me make a quick phone call | 0:29:05 | 0:29:07 | |
-and then you can tell me all about it? -No, sir, | 0:29:07 | 0:29:10 | |
I'm sure you have more important things to do. | 0:29:10 | 0:29:12 | |
JP, this IS important. | 0:29:12 | 0:29:14 | |
Just give me one minute. OK? | 0:29:14 | 0:29:17 | |
ANSWERING MACHINE BEEPS 'Catherine, it's me, Humphrey. | 0:29:20 | 0:29:23 | |
'Yeah... Hello. | 0:29:23 | 0:29:24 | |
'I'm meant to be meeting someone. Well, it's a date, actually. | 0:29:24 | 0:29:28 | |
'The thing is, I'm going to be a little late. | 0:29:28 | 0:29:31 | |
'Now, the lady in question goes by the name of Martha. | 0:29:31 | 0:29:35 | |
'Blonde hair, um, looks like she has a good heart. | 0:29:35 | 0:29:39 | |
'If you could let her know I've been held up in work | 0:29:39 | 0:29:42 | |
'but I'll be there as soon as I can. | 0:29:42 | 0:29:44 | |
'Right. Yes, that's it. | 0:29:44 | 0:29:46 | |
'Right. Thank you.' | 0:29:46 | 0:29:47 | |
ANSWERING MACHINE BEEPS | 0:29:47 | 0:29:49 | |
They told you, then. | 0:29:55 | 0:29:57 | |
HE GROANS | 0:29:57 | 0:29:59 | |
I only met her a few months ago. | 0:30:07 | 0:30:10 | |
And now there is wedding favours, | 0:30:10 | 0:30:13 | |
table plans. | 0:30:13 | 0:30:15 | |
Aunt Esme. | 0:30:15 | 0:30:16 | |
-Who's Aunt Esme? -Exactly. Who is she? | 0:30:16 | 0:30:19 | |
I mean, this is just all happening so fast | 0:30:19 | 0:30:23 | |
and in two days' time I have to declare | 0:30:23 | 0:30:25 | |
in front of my family and friends that we're going to spend | 0:30:25 | 0:30:28 | |
-the rest of our lives together? -Mm-hm. | 0:30:28 | 0:30:31 | |
You know what? It's a whirlwind romance. | 0:30:31 | 0:30:34 | |
That's exactly what Dwayne called it. | 0:30:34 | 0:30:36 | |
Rewind. | 0:30:36 | 0:30:38 | |
-You've been talking to Dwayne? -Yes. | 0:30:38 | 0:30:40 | |
Right, first things first. | 0:30:40 | 0:30:43 | |
In the matters of the heart, advice from Dwayne Myers | 0:30:43 | 0:30:46 | |
is to be taken with a rather large pinch of salt. | 0:30:46 | 0:30:49 | |
This is nothing but cold feet. Perfectly normal. | 0:30:49 | 0:30:52 | |
I remember the night before MY wedding... | 0:30:52 | 0:30:55 | |
the excitement, the anticipation, | 0:30:55 | 0:30:57 | |
but there was also | 0:30:57 | 0:30:59 | |
a mild, low-level, but nonetheless very real | 0:30:59 | 0:31:03 | |
sense of PANIC. | 0:31:03 | 0:31:06 | |
But you knew her longer than a few months. | 0:31:06 | 0:31:08 | |
Well, yes. | 0:31:08 | 0:31:11 | |
Look, you're a kind and genuine and honest man, JP. | 0:31:14 | 0:31:18 | |
I've seen you and Rosey together | 0:31:18 | 0:31:20 | |
and there's something very real there. | 0:31:20 | 0:31:23 | |
HE SIGHS | 0:31:23 | 0:31:25 | |
Yeah. | 0:31:25 | 0:31:26 | |
Oh... Yeah, you're right. | 0:31:28 | 0:31:30 | |
It's cold feet, | 0:31:30 | 0:31:32 | |
as you say. | 0:31:32 | 0:31:34 | |
You're going to make Rosey a very happy woman. | 0:31:34 | 0:31:37 | |
Yeah, I hope so. | 0:31:37 | 0:31:38 | |
I know so. | 0:31:38 | 0:31:40 | |
-'Yee-ha!' -WHIP CRACKS | 0:31:45 | 0:31:48 | |
HUMPHREY SIGHS | 0:31:48 | 0:31:50 | |
Is she still here? | 0:31:52 | 0:31:53 | |
Who? | 0:31:53 | 0:31:55 | |
Martha. You got my message? | 0:31:55 | 0:31:57 | |
No. | 0:31:57 | 0:31:58 | |
-What did it say? -I'm meant to be meeting someone. | 0:31:58 | 0:32:01 | |
Blonde. Pretty. | 0:32:01 | 0:32:03 | |
-Very pretty. -Oh, her! | 0:32:03 | 0:32:05 | |
-She was meeting you? -Yes. | 0:32:05 | 0:32:07 | |
You're very late. | 0:32:07 | 0:32:09 | |
-Yes. I know. -Oh... | 0:32:09 | 0:32:11 | |
She left about half an hour ago. | 0:32:11 | 0:32:13 | |
I'm afraid she didn't look too happy. | 0:32:14 | 0:32:17 | |
Will you see her again? | 0:32:18 | 0:32:21 | |
Yes. Yes, I'm sure I will. | 0:32:21 | 0:32:23 | |
Well, this one's on me. | 0:32:26 | 0:32:28 | |
Thank you. | 0:32:28 | 0:32:29 | |
HE SIGHS | 0:32:34 | 0:32:36 | |
So, how did it go last night? | 0:32:39 | 0:32:41 | |
Ah, well, it... It actually, um... | 0:32:41 | 0:32:43 | |
It fell through in the end. | 0:32:43 | 0:32:45 | |
-It's one of those things. -But you'll rearrange? | 0:32:45 | 0:32:48 | |
No, I don't think so. I phoned the hostel this morning | 0:32:48 | 0:32:52 | |
and she was about to check out. | 0:32:52 | 0:32:53 | |
Right, a little experiment. | 0:32:53 | 0:32:55 | |
-Outside, you two. -What? -Chop chop. Outside. | 0:32:55 | 0:32:58 | |
See if you can open this door. | 0:32:58 | 0:33:01 | |
It won't open, Chief. | 0:33:09 | 0:33:11 | |
Exactly. Now come inside. | 0:33:11 | 0:33:12 | |
Now, try and leave whilst I keep my body in this position. | 0:33:17 | 0:33:21 | |
It can't be done. It's impossible, Chief. | 0:33:27 | 0:33:29 | |
I know, and it's driving me to distraction. | 0:33:29 | 0:33:32 | |
-Sir? -Yes. -I just spoke to the lab | 0:33:32 | 0:33:34 | |
and they've confirmed that the drugs we found in Sian's bag | 0:33:34 | 0:33:37 | |
WERE ecstasy. The lab also done a cross-match on the bag | 0:33:37 | 0:33:41 | |
and our exclusion prints. | 0:33:41 | 0:33:43 | |
They found a match - Astor. | 0:33:43 | 0:33:45 | |
Astor sold Sian the drugs? | 0:33:45 | 0:33:48 | |
Dwayne, JP, if you could conduct a search of Astor's quarters. | 0:33:48 | 0:33:51 | |
-Yes, Chief. -Chief. -Florence, you and I will talk to Griff, | 0:33:51 | 0:33:54 | |
see if he can shed any light | 0:33:54 | 0:33:56 | |
on why Sian was in possession of the ecstasy. ..Yes. | 0:33:56 | 0:33:59 | |
I thought you were going to throw me the keys. | 0:33:59 | 0:34:02 | |
They're on your desk. | 0:34:02 | 0:34:04 | |
Yes. I knew that. | 0:34:04 | 0:34:06 | |
HE CLEARS HIS THROAT | 0:34:08 | 0:34:10 | |
We found these amongst Sian's possessions. Ecstasy. | 0:34:18 | 0:34:22 | |
This a regular thing for her? | 0:34:24 | 0:34:27 | |
No. No. | 0:34:27 | 0:34:29 | |
She just wanted to kick back. | 0:34:29 | 0:34:30 | |
Last few days away. | 0:34:30 | 0:34:33 | |
Sian had heard that Astor could get hold of this stuff. | 0:34:33 | 0:34:36 | |
'I said no.' | 0:34:37 | 0:34:39 | |
No. Sian... | 0:34:39 | 0:34:40 | |
'Somehow she got them anyway.' | 0:34:40 | 0:34:42 | |
I didn't understand how, because I was looking after the money. | 0:34:42 | 0:34:45 | |
She wouldn't tell me, so I went to find Astor in his office, | 0:34:45 | 0:34:48 | |
but he wasn't there. | 0:34:48 | 0:34:50 | |
'So I started looking for his drugs. | 0:34:50 | 0:34:52 | |
'But I couldn't find them. | 0:34:52 | 0:34:55 | |
'When he arrived, he just kept on denying ever giving them to her.' | 0:34:55 | 0:34:58 | |
I don't know what you're talking about. | 0:34:58 | 0:35:00 | |
But I know he's lying. | 0:35:00 | 0:35:02 | |
You won't find anything. | 0:35:06 | 0:35:08 | |
Ah, our hostel owner with a sideline in Class A narcotics. | 0:35:08 | 0:35:12 | |
The drugs you sold to Sian... | 0:35:12 | 0:35:15 | |
They're not mine. | 0:35:18 | 0:35:19 | |
-The bag has got your prints on. -How do you explain that? | 0:35:19 | 0:35:23 | |
I remember now. I was cleaning the room... | 0:35:23 | 0:35:26 | |
-PHONE RINGS -..and I find it on the floor. | 0:35:26 | 0:35:29 | |
Sorry, I need to take this. | 0:35:29 | 0:35:30 | |
You do realise that lying to a police officer | 0:35:30 | 0:35:33 | |
is quite a serious offence? | 0:35:33 | 0:35:35 | |
I found this in the outside bins. | 0:35:37 | 0:35:40 | |
Do these belong to you, too, Astor? | 0:35:41 | 0:35:43 | |
Because we know you gave Sian the drugs, | 0:35:44 | 0:35:47 | |
but we also know she didn't have any money. | 0:35:47 | 0:35:50 | |
So, what was the arrangement? | 0:35:50 | 0:35:52 | |
She came into my office a couple of days ago. | 0:35:56 | 0:35:59 | |
Apparently, the hot water was not working. I was with someone. | 0:35:59 | 0:36:03 | |
Someone who was not my wife. | 0:36:06 | 0:36:08 | |
Sian said she wouldn't say anything. | 0:36:10 | 0:36:13 | |
I repaid her... | 0:36:13 | 0:36:15 | |
to say thank you, and that was it. | 0:36:15 | 0:36:19 | |
I swear that was it! | 0:36:21 | 0:36:22 | |
The lab recovered the text messages Leo and Sian exchanged. | 0:36:25 | 0:36:29 | |
They've just e-mailed them over. | 0:36:29 | 0:36:31 | |
Oh! | 0:36:33 | 0:36:34 | |
Oh, stone the crows. | 0:36:35 | 0:36:37 | |
"Hey, sexy! | 0:36:40 | 0:36:42 | |
"Thinking of you, kiss, kiss. | 0:36:42 | 0:36:44 | |
"Why are you ignoring me? | 0:36:44 | 0:36:46 | |
"Let me take you out for the day when we both get home. Kiss, kiss." | 0:36:46 | 0:36:50 | |
The text messages you sent Sian clearly show that YOU chased HER. | 0:36:50 | 0:36:53 | |
Her reply - "please delete my number. | 0:36:53 | 0:36:56 | |
"I'm sorry, this was a mistake." | 0:36:56 | 0:36:58 | |
You keep lying to us. | 0:36:59 | 0:37:01 | |
Why? | 0:37:02 | 0:37:03 | |
Because... | 0:37:03 | 0:37:05 | |
I LIKED her. | 0:37:05 | 0:37:06 | |
You liked her? | 0:37:06 | 0:37:07 | |
Loved her. | 0:37:09 | 0:37:11 | |
She... | 0:37:11 | 0:37:12 | |
..got under my skin, | 0:37:13 | 0:37:15 | |
and in my head, and I couldn't get her out. | 0:37:15 | 0:37:18 | |
So you followed her here to win her back, | 0:37:18 | 0:37:21 | |
after she specifically told you to leave her alone. | 0:37:21 | 0:37:24 | |
Knowing she had a long-term boyfriend, | 0:37:24 | 0:37:27 | |
knowing all of that... | 0:37:27 | 0:37:28 | |
you still turned up? | 0:37:28 | 0:37:30 | |
Went well, did it? | 0:37:32 | 0:37:33 | |
She was not too impressed. | 0:37:36 | 0:37:37 | |
We had it all out the night before she, er... | 0:37:38 | 0:37:40 | |
The night we'd all been drinking. | 0:37:41 | 0:37:43 | |
I'm here for you. | 0:37:43 | 0:37:44 | |
I just want to be with you. | 0:37:44 | 0:37:46 | |
I don't want to be with YOU. | 0:37:46 | 0:37:47 | |
(Sian...) | 0:37:47 | 0:37:48 | |
And that made you angry, | 0:37:52 | 0:37:54 | |
knowing that she didn't want to be with you. | 0:37:54 | 0:37:57 | |
Angry enough...to kill? | 0:37:57 | 0:37:58 | |
I had nothing to do with her death. | 0:38:00 | 0:38:02 | |
Might want to get some ice on that. | 0:38:06 | 0:38:08 | |
Now, we are missing something. What are we missing? | 0:38:13 | 0:38:16 | |
-A conviction. -Yes, thank you, Dwayne. | 0:38:16 | 0:38:19 | |
Sian Evans was found inside the shower room. | 0:38:19 | 0:38:21 | |
Nobody could have shot Sian then exited via the door. | 0:38:21 | 0:38:24 | |
And it would have been impossible for anyone to have entered | 0:38:24 | 0:38:26 | |
OR exited via the window. Did she simply kill herself? | 0:38:26 | 0:38:29 | |
Possibly, but the wash bag would indicate that | 0:38:29 | 0:38:32 | |
Sian entered the shower room in order to shower. | 0:38:32 | 0:38:35 | |
But there was no towel. | 0:38:35 | 0:38:36 | |
What of the suspects? | 0:38:36 | 0:38:37 | |
Perrie Campbell, the one who walked out on her husband. | 0:38:38 | 0:38:41 | |
Did she kill to maintain her anonymity? | 0:38:41 | 0:38:43 | |
And what of the hostel owner Astor Henry? | 0:38:43 | 0:38:46 | |
We know his gun was used to kill Sian. | 0:38:46 | 0:38:47 | |
Though his prints were not found on the weapon. | 0:38:47 | 0:38:49 | |
And what of Leo? Leo the Liar. | 0:38:49 | 0:38:51 | |
We know that he'd had liaisons with Sian | 0:38:51 | 0:38:53 | |
three months before he said they met. | 0:38:53 | 0:38:55 | |
He subsequently bombarded her with text messages and phone calls. | 0:38:55 | 0:38:58 | |
And finally, Griff, the boyfriend. | 0:38:58 | 0:39:01 | |
Did he somehow discover Sian's tryst with Leo? | 0:39:01 | 0:39:04 | |
Did he want revenge? | 0:39:04 | 0:39:05 | |
Did he kill her? | 0:39:05 | 0:39:07 | |
HE SIGHS | 0:39:07 | 0:39:08 | |
Who did it? | 0:39:08 | 0:39:09 | |
And how did they do it? | 0:39:10 | 0:39:11 | |
You know who did it? | 0:39:24 | 0:39:25 | |
Not a sausage. | 0:39:26 | 0:39:27 | |
'Yee-ha!' WHIP CRACKS | 0:39:27 | 0:39:29 | |
I feel really bad, Sir. | 0:39:30 | 0:39:32 | |
-We haven't cracked the case. -No. | 0:39:32 | 0:39:34 | |
No, and time is rather getting on a bit. | 0:39:36 | 0:39:38 | |
But you're off duty now, it is time for celebration, | 0:39:38 | 0:39:41 | |
and that, JP, is an order. | 0:39:41 | 0:39:43 | |
Sir, the suit from my brother. | 0:39:44 | 0:39:46 | |
It's in the Jeep. I'm sure it will be a good fit. | 0:39:46 | 0:39:49 | |
OK, I'll come and have a look, thank you. | 0:39:49 | 0:39:51 | |
Well... | 0:39:51 | 0:39:52 | |
-all the best for the big day tomorrow. -Thank you, sir. | 0:39:52 | 0:39:55 | |
Best of British. | 0:39:55 | 0:39:56 | |
JP SIGHS | 0:39:59 | 0:40:00 | |
I feel sorry for the chief, you know. | 0:40:02 | 0:40:04 | |
I think he's a bit down about his date. | 0:40:04 | 0:40:06 | |
Huh? Date? | 0:40:07 | 0:40:08 | |
Yes, he had a date with a woman last night. | 0:40:08 | 0:40:10 | |
He didn't say much. | 0:40:10 | 0:40:12 | |
I think she stood him up. | 0:40:12 | 0:40:13 | |
The inspector was with me until pretty late last night. | 0:40:14 | 0:40:16 | |
What was he doing with you? | 0:40:17 | 0:40:19 | |
I had a bit of a wobble, that's all. | 0:40:19 | 0:40:21 | |
A wobble? | 0:40:21 | 0:40:22 | |
About what? | 0:40:22 | 0:40:23 | |
Something you said about me and Rosey and whirlwind romance. | 0:40:23 | 0:40:27 | |
What? Wait-wait-wai... When did I say that? | 0:40:27 | 0:40:30 | |
It doesn't matter. | 0:40:30 | 0:40:31 | |
The point is, his date didn't stand him up. | 0:40:31 | 0:40:34 | |
He didn't turn up because of me and my stupid wobble. | 0:40:34 | 0:40:37 | |
HE SIGHS | 0:40:37 | 0:40:39 | |
DELICATE GUITAR MUSIC | 0:40:46 | 0:40:48 | |
Thank you so much, Minister. | 0:40:51 | 0:40:52 | |
Mint? | 0:41:01 | 0:41:02 | |
Oh, no, thank you. | 0:41:02 | 0:41:04 | |
HE RUSTLES THE BAG | 0:41:07 | 0:41:08 | |
Oh. | 0:41:10 | 0:41:12 | |
Commissioner, would you like a mint? | 0:41:14 | 0:41:15 | |
No. | 0:41:17 | 0:41:18 | |
-He didn't want a mint. -Shh! | 0:41:21 | 0:41:23 | |
MUSIC: Many Rivers To Cross by Jimmy Cliff | 0:41:23 | 0:41:26 | |
# Many rivers to cross... | 0:41:30 | 0:41:33 | |
# But I can't seem to find | 0:41:35 | 0:41:38 | |
# My way over | 0:41:40 | 0:41:43 | |
# Wandering, I am lost | 0:41:45 | 0:41:49 | |
# As I travel along | 0:41:51 | 0:41:54 | |
# The White Cliffs of Dover | 0:41:55 | 0:41:58 | |
-# Many rivers to cross -Many rivers to cross | 0:42:00 | 0:42:05 | |
# But just where to begin? | 0:42:05 | 0:42:08 | |
# I'm playing for time | 0:42:09 | 0:42:12 | |
-# There've been times I find myself... -Many rivers to cross | 0:42:13 | 0:42:19 | |
# Thinking of committing | 0:42:19 | 0:42:23 | |
# Some dreadful crime. # | 0:42:23 | 0:42:26 | |
GLASSES CLINK | 0:42:26 | 0:42:27 | |
LOUD CHATTER | 0:42:27 | 0:42:29 | |
Ladies. | 0:42:41 | 0:42:42 | |
DWAYNE CLINKS HIS GLASS | 0:42:42 | 0:42:43 | |
Excuse me, can I have a bit of quiet, please? | 0:42:44 | 0:42:49 | |
Chief, can you sit down, please? | 0:42:49 | 0:42:51 | |
Thank you. | 0:42:51 | 0:42:53 | |
When JP asked me to be his best man, | 0:42:53 | 0:42:55 | |
I naturally had many questions. | 0:42:55 | 0:42:58 | |
Had all his other friends gone and left the island? | 0:42:58 | 0:43:00 | |
LAUGHTER | 0:43:00 | 0:43:01 | |
Then I realised he didn't have any other friends. | 0:43:01 | 0:43:04 | |
LAUGHTER | 0:43:04 | 0:43:05 | |
So, anyway... | 0:43:05 | 0:43:06 | |
I did run the speech by JP first. | 0:43:06 | 0:43:09 | |
I mean, the last thing I wanted to do was to embarrass him | 0:43:09 | 0:43:11 | |
-on his big day. -LAUGHTER | 0:43:11 | 0:43:13 | |
Sorry, I mean that's the last thing he wanted me to do. | 0:43:13 | 0:43:16 | |
So all the bits that JP wanted me to take out are back in. | 0:43:16 | 0:43:20 | |
-LAUGHTER -But before we go any further, | 0:43:20 | 0:43:23 | |
doesn't the bride look amazing, ladies and gentlemen? | 0:43:23 | 0:43:27 | |
I... I know what you're thinking, I know what you're thinking. | 0:43:27 | 0:43:31 | |
I don't know how he did it either! | 0:43:31 | 0:43:33 | |
GUNSHOT, IN HIS HEAD | 0:43:33 | 0:43:34 | |
Where is her towel? | 0:43:39 | 0:43:41 | |
-'Yee-ha!' -WHIP CRACKS | 0:43:41 | 0:43:42 | |
See, I can't turn it off. | 0:43:42 | 0:43:44 | |
We also found these in Sian's possessions. | 0:43:44 | 0:43:46 | |
No. Sian! | 0:43:46 | 0:43:47 | |
Yee-hah! | 0:43:53 | 0:43:54 | |
CLATTERING AND GASPS | 0:43:54 | 0:43:55 | |
Chief? | 0:43:57 | 0:43:58 | |
Sorry! | 0:43:58 | 0:44:00 | |
Sorry, everyone. As you were, carry on. | 0:44:00 | 0:44:01 | |
You know who killed her, don't you? | 0:44:04 | 0:44:06 | |
Yes, I'm afraid I do. | 0:44:06 | 0:44:07 | |
Oh, no. | 0:44:07 | 0:44:08 | |
I think you'd better go. | 0:44:10 | 0:44:12 | |
No, no, no. | 0:44:12 | 0:44:13 | |
I'll stay with you. | 0:44:13 | 0:44:15 | |
It's fine. I get it. | 0:44:15 | 0:44:16 | |
Now go. | 0:44:18 | 0:44:19 | |
-Just hurry back. -OK. | 0:44:19 | 0:44:21 | |
Right. You'll need to change out of your gladrags en route. | 0:44:24 | 0:44:28 | |
Florence, can you bring my drink and napkin, and round up the suspects? | 0:44:28 | 0:44:31 | |
-JP, you're with me, and there's something I need to check. Let's go. -I'll hold the fort here. | 0:44:31 | 0:44:35 | |
Maybe you could entertain the troops, Commissioner? | 0:44:35 | 0:44:37 | |
I've never been one for notes, Officer Myers. | 0:44:37 | 0:44:40 | |
Florence? | 0:44:40 | 0:44:41 | |
Seeing young officer Hooper married today | 0:44:41 | 0:44:44 | |
reminded me of my younger self. | 0:44:44 | 0:44:46 | |
My first day on the force, | 0:44:46 | 0:44:49 | |
I had to wrestle... | 0:44:49 | 0:44:51 | |
-Are you OK, sir? -Yes. | 0:45:02 | 0:45:04 | |
Remind me, JP. | 0:45:04 | 0:45:05 | |
Sian had only recently accepted a place at med school. | 0:45:05 | 0:45:08 | |
Where was she headed? | 0:45:08 | 0:45:09 | |
-Edinburgh. -Edinburgh. | 0:45:09 | 0:45:12 | |
That's interesting. | 0:45:12 | 0:45:13 | |
That's very interesting indeed. | 0:45:16 | 0:45:17 | |
Good afternoon. | 0:45:21 | 0:45:22 | |
HE COUGHS, AND CHUCKLES NERVOUSLY | 0:45:24 | 0:45:25 | |
From the outset of this investigation, | 0:45:27 | 0:45:30 | |
we have been unable to determine | 0:45:30 | 0:45:33 | |
whether Sian had taken her own life... | 0:45:33 | 0:45:35 | |
..or whether she had been murdered. | 0:45:36 | 0:45:38 | |
Well, I can now tell you with absolute certainty | 0:45:40 | 0:45:44 | |
that Sian did not take her own life. | 0:45:44 | 0:45:46 | |
She was... | 0:45:46 | 0:45:47 | |
murdered. | 0:45:47 | 0:45:48 | |
By one of you. | 0:45:49 | 0:45:51 | |
Perrie, you arrived on this island, | 0:45:51 | 0:45:53 | |
determined to start afresh. | 0:45:53 | 0:45:54 | |
Had you come across Sian back in Wales? | 0:45:56 | 0:45:57 | |
Did she recognise you? Did you kill her to protect your secret? | 0:45:57 | 0:46:00 | |
How about you, Astor? | 0:46:01 | 0:46:03 | |
We know the gun used to kill Sian belonged to you. | 0:46:03 | 0:46:06 | |
We also know that Sian caught you in a rather compromising position. | 0:46:06 | 0:46:10 | |
Perhaps you were worried she would talk. | 0:46:10 | 0:46:12 | |
Or was it you, Leo? | 0:46:13 | 0:46:15 | |
You'd been rejected by Sian, but were too proud to accept it. | 0:46:15 | 0:46:18 | |
Maybe you wanted revenge? | 0:46:18 | 0:46:19 | |
No, I loved her. | 0:46:19 | 0:46:21 | |
Don't say that. You don't get to say that. | 0:46:21 | 0:46:24 | |
Or you, Griff, the boyfriend? | 0:46:25 | 0:46:28 | |
The sensible, loving boyfriend. | 0:46:28 | 0:46:32 | |
Perhaps you'd discovered | 0:46:33 | 0:46:34 | |
that the love of your life had, erm...strayed? | 0:46:34 | 0:46:38 | |
No. | 0:46:38 | 0:46:39 | |
Quite right. It's impossible, isn't it? | 0:46:41 | 0:46:43 | |
It's impossible that anyone here | 0:46:43 | 0:46:45 | |
could have murdered Sian. | 0:46:45 | 0:46:47 | |
She was found slumped flush against the shower room door, gun in hand. | 0:46:47 | 0:46:52 | |
The killer had no way in and no way out. | 0:46:52 | 0:46:53 | |
It would have been quite impossible for someone to shoot her | 0:46:53 | 0:46:57 | |
and then escape, and all in a matter of seconds | 0:46:57 | 0:46:59 | |
after the gunshot was heard, | 0:46:59 | 0:47:00 | |
unless... | 0:47:00 | 0:47:02 | |
the gunshot you heard | 0:47:02 | 0:47:04 | |
was not the shot that killed her. | 0:47:04 | 0:47:06 | |
Now, on the morning of her murder, Sian went into the shower room | 0:47:08 | 0:47:11 | |
with every intention of... | 0:47:11 | 0:47:14 | |
showering. | 0:47:14 | 0:47:15 | |
There was no premeditated plan to take her own life, which means | 0:47:15 | 0:47:19 | |
that someone else came in to the shower room. | 0:47:19 | 0:47:22 | |
'Now, at 7:45am, Sian collected her things and headed to the shower. | 0:47:22 | 0:47:26 | |
'She entered the shower room, placed her towel on the rack | 0:47:26 | 0:47:29 | |
'and began to unpack her toiletries.' | 0:47:29 | 0:47:32 | |
So far, so good. But then... | 0:47:33 | 0:47:35 | |
IMITATES DOOR KNOCK | 0:47:35 | 0:47:37 | |
Who is it? | 0:47:37 | 0:47:38 | |
Who was it? | 0:47:38 | 0:47:39 | |
It was the person who was poised to kill her in cold blood. | 0:47:39 | 0:47:43 | |
KNOCK ON DOOR | 0:47:43 | 0:47:45 | |
And herein lies the question that leads to the answer that | 0:47:45 | 0:47:47 | |
unlocks the truth. | 0:47:47 | 0:47:49 | |
Sian let the killer into the shower room of her own accord. | 0:47:49 | 0:47:54 | |
So who out of the four of you | 0:47:55 | 0:47:58 | |
would Sian allow in? | 0:47:58 | 0:48:01 | |
-Me? -You. | 0:48:03 | 0:48:04 | |
You killed Sian. | 0:48:04 | 0:48:06 | |
'You entered, raised the pillow to her chest to muffle the bang and pulled the trigger.' | 0:48:07 | 0:48:11 | |
All with astonishing and brutal efficiency. | 0:48:11 | 0:48:14 | |
JP. | 0:48:14 | 0:48:15 | |
I spy with my little eye... | 0:48:20 | 0:48:24 | |
a killer. | 0:48:24 | 0:48:25 | |
And I'll wager you didn't have sufficient time to | 0:48:29 | 0:48:31 | |
dispose of said pillow. | 0:48:31 | 0:48:33 | |
A mistake, certainly, | 0:48:33 | 0:48:35 | |
but you were clever too, throwing us | 0:48:35 | 0:48:37 | |
off the scent, because you knew Sian had a history of depression. | 0:48:37 | 0:48:41 | |
She was scared about heading off to Europe. | 0:48:41 | 0:48:43 | |
I think she could get like that in her head. | 0:48:43 | 0:48:45 | |
A fact you'd assumed we'd uncover during our investigation. | 0:48:45 | 0:48:48 | |
Apparently Sian had suffered from anxiety and depression | 0:48:48 | 0:48:51 | |
during her exams. | 0:48:51 | 0:48:53 | |
So you staged her suicide knowing we'd assume Sian was | 0:48:53 | 0:48:56 | |
suffering once more from anxiety and depression. | 0:48:56 | 0:48:59 | |
To stage the scene, you needed time. | 0:48:59 | 0:49:04 | |
As we know, you went for a run at 7:45... | 0:49:05 | 0:49:09 | |
except you didn't, did you, Griff? | 0:49:09 | 0:49:11 | |
Because you headed straight for Astor's office to retrieve his gun. | 0:49:13 | 0:49:17 | |
Wait a minute. I didn't even know he had a gun. | 0:49:17 | 0:49:19 | |
How would I know where to find it? | 0:49:19 | 0:49:21 | |
You knew he had a gun all right | 0:49:21 | 0:49:23 | |
and I think you knew exactly where to find it. | 0:49:23 | 0:49:26 | |
'Because when you went to confront Astor the previous night about the drugs he'd given to Sian, | 0:49:26 | 0:49:30 | |
'you started to look for evidence of his dealing. | 0:49:30 | 0:49:32 | |
'You said so yourself. | 0:49:32 | 0:49:34 | |
'And I think that's where you came across Astor's gun.' | 0:49:34 | 0:49:36 | |
So the next morning, all you had to do was just nip back in | 0:49:38 | 0:49:42 | |
and grab it. | 0:49:42 | 0:49:43 | |
'And then you made your way over to the shower room' | 0:49:51 | 0:49:54 | |
and you killed Sian. | 0:49:54 | 0:49:56 | |
And once you'd done it, you staged the scene to look like suicide | 0:49:56 | 0:49:59 | |
rather than murder. With Sian slumped against the door | 0:49:59 | 0:50:03 | |
on one side of the room and the slatted windows sealed | 0:50:03 | 0:50:05 | |
on the other side, how on earth | 0:50:05 | 0:50:06 | |
could any killer have got out of there? | 0:50:06 | 0:50:08 | |
So how did you do it? | 0:50:12 | 0:50:14 | |
If you'll indulge me... | 0:50:15 | 0:50:17 | |
Thank you. | 0:50:19 | 0:50:21 | |
Bingo. | 0:50:41 | 0:50:42 | |
'Once he'd shot Sian, Griff positioned the towel' | 0:50:42 | 0:50:46 | |
underneath the shower room door, half in the corridor, half in the shower room. | 0:50:46 | 0:50:50 | |
He then moved the body onto the towel, wiped the gun for prints, | 0:50:50 | 0:50:53 | |
'and placed in into Sian's hand. | 0:50:53 | 0:50:54 | |
'He then scooped up the pillow, left the shower room,' | 0:50:54 | 0:50:57 | |
closing the shower room door behind him and pulling the towel. | 0:50:57 | 0:51:00 | |
'Which in turn pulled Sian's body flush against the door.' | 0:51:02 | 0:51:05 | |
'Back in the dorm room, Griff neatly folded her towel' | 0:51:07 | 0:51:10 | |
and placed it back onto her bed before replacing the pillow. | 0:51:10 | 0:51:14 | |
The stage was set. Suicide. | 0:51:15 | 0:51:18 | |
But to give himself an alibi, Griff needed another gunshot, | 0:51:20 | 0:51:25 | |
a second gunshot. | 0:51:25 | 0:51:27 | |
You all heard it. | 0:51:27 | 0:51:28 | |
HE PANTS | 0:51:30 | 0:51:33 | |
-FROM MOBILE PHONE: -'Yee-ha!' -WHIP CRACKS | 0:51:38 | 0:51:41 | |
Sorry, not that one. | 0:51:41 | 0:51:43 | |
GUNSHOT FROM MOBILE PHONE | 0:51:45 | 0:51:46 | |
And there you have it. | 0:51:51 | 0:51:53 | |
The gunshot you heard was nothing more than a sound effect. | 0:51:53 | 0:51:57 | |
'Griff attached his mobile phone to the speaker system, | 0:51:59 | 0:52:02 | |
'set the timer for the gunshot sound and then he headed out on his run.' | 0:52:02 | 0:52:07 | |
Now, granted - I didn't really have any idea how | 0:52:09 | 0:52:12 | |
I managed to change my e-mail alert, | 0:52:12 | 0:52:13 | |
but it made me realise that a gunshot effect could be | 0:52:13 | 0:52:17 | |
created in much the same way, then played through a speaker. | 0:52:17 | 0:52:20 | |
Not beyond the capability of Griff. | 0:52:20 | 0:52:23 | |
Who we know worked as a sometime DJ in a pub back home. | 0:52:23 | 0:52:26 | |
GUNSHOT | 0:52:26 | 0:52:28 | |
And that was the gunshot that alerted you. | 0:52:28 | 0:52:30 | |
Did you hear that? | 0:52:30 | 0:52:32 | |
The gunshot that was set to deceive. | 0:52:32 | 0:52:35 | |
The loud bang, the body, the blood... | 0:52:35 | 0:52:37 | |
The only conclusion to draw | 0:52:37 | 0:52:39 | |
was that the noise you all heard | 0:52:39 | 0:52:40 | |
was a real gunshot and it came from the direction of the shower room. | 0:52:40 | 0:52:45 | |
All Griff then had to do | 0:52:46 | 0:52:49 | |
was lay in wait. | 0:52:49 | 0:52:52 | |
Did you hear that? | 0:52:52 | 0:52:53 | |
Upon his return, Griff retrieved his mobile | 0:52:53 | 0:52:56 | |
and emerged when he spied Astor break through the shutters. | 0:52:56 | 0:53:00 | |
Risky, you might say... | 0:53:00 | 0:53:02 | |
..leaving Sian's body alone, | 0:53:02 | 0:53:04 | |
undiscovered, while he went out running. | 0:53:04 | 0:53:07 | |
Anyone could have walked in. | 0:53:08 | 0:53:10 | |
Except Griff knew that everyone would either be at breakfast | 0:53:11 | 0:53:14 | |
or on the boat trip. | 0:53:14 | 0:53:16 | |
He also knew that Astor cleaned the dorm room at 8am each morning, | 0:53:16 | 0:53:20 | |
so he timed it knowing he had just under ten minutes to get | 0:53:20 | 0:53:24 | |
out of the bathroom, up to the water seller before the gunshot. | 0:53:24 | 0:53:28 | |
Why would I kill her? | 0:53:29 | 0:53:30 | |
-I LOVED her. -I know you did. | 0:53:32 | 0:53:34 | |
The trouble was, Griff... | 0:53:35 | 0:53:36 | |
You loved her too much. | 0:53:38 | 0:53:40 | |
You see, it was something Leo said that got me thinking. | 0:53:40 | 0:53:43 | |
She said he could be like that - controlling. | 0:53:43 | 0:53:46 | |
That's what this is all about. | 0:53:46 | 0:53:48 | |
Love... | 0:53:48 | 0:53:50 | |
Obsession... | 0:53:50 | 0:53:52 | |
Control. | 0:53:55 | 0:53:56 | |
You controlled the purse strings. | 0:53:58 | 0:54:00 | |
I was looking after all the money. | 0:54:00 | 0:54:01 | |
You controlled where she went, who she went with. | 0:54:01 | 0:54:03 | |
I didn't want her to go. | 0:54:03 | 0:54:05 | |
No wonder she ran off with Leo for a week. | 0:54:05 | 0:54:07 | |
She was running away from you! | 0:54:07 | 0:54:09 | |
You see, I think that's why Sian acquired those drugs - | 0:54:09 | 0:54:12 | |
because she needed an escape. | 0:54:12 | 0:54:14 | |
She needed an escape from the pressure of this | 0:54:14 | 0:54:16 | |
claustrophobic relationship. | 0:54:16 | 0:54:18 | |
She wanted a night of fun. | 0:54:18 | 0:54:21 | |
The truth was... | 0:54:21 | 0:54:22 | |
things were changing, Griff. | 0:54:22 | 0:54:24 | |
Sian was spreading her wings, about to go to university, | 0:54:24 | 0:54:27 | |
her whole life just about to start | 0:54:27 | 0:54:28 | |
and not just any university, either - Edinburgh. | 0:54:28 | 0:54:31 | |
About as far away from you as she could possibly get! | 0:54:31 | 0:54:33 | |
-She'd outgrown you. -No! | 0:54:33 | 0:54:35 | |
Yes! What else do controlling and possessive boyfriends do? | 0:54:35 | 0:54:39 | |
They read their partners' text messages | 0:54:39 | 0:54:41 | |
and that's when you realised what had gone on the week you | 0:54:41 | 0:54:43 | |
and Sian were separated. | 0:54:43 | 0:54:45 | |
She had betrayed you, | 0:54:49 | 0:54:51 | |
which added insult to injury. | 0:54:51 | 0:54:54 | |
Officer Myers... | 0:54:54 | 0:54:56 | |
We came across these photos on your social media | 0:54:56 | 0:54:58 | |
and your necklace is indeed | 0:54:58 | 0:55:01 | |
a Thai symbol for love, | 0:55:01 | 0:55:03 | |
but it wasn't yours. | 0:55:03 | 0:55:04 | |
It belonged to Sian. I think you bought it for her. | 0:55:04 | 0:55:08 | |
You see, Sian's wearing the necklace. | 0:55:08 | 0:55:10 | |
The same one you're wearing now. | 0:55:10 | 0:55:13 | |
Because the night before she died, you were not, | 0:55:13 | 0:55:15 | |
as you previously stated, comforting her. | 0:55:15 | 0:55:18 | |
I think she ended things with you | 0:55:18 | 0:55:20 | |
and she gave you back the necklace you bought her. | 0:55:20 | 0:55:23 | |
That's when you realised you'd lost her | 0:55:24 | 0:55:26 | |
and not just for the week, this time - for good! | 0:55:26 | 0:55:29 | |
But if you couldn't have her, nobody else could | 0:55:29 | 0:55:33 | |
and you would have got away with it, | 0:55:33 | 0:55:35 | |
but for one mistake. | 0:55:35 | 0:55:37 | |
The wash bag... | 0:55:37 | 0:55:40 | |
That's how we knew Sian hadn't entered into the shower room | 0:55:40 | 0:55:44 | |
with the intention of ending her own life. | 0:55:44 | 0:55:46 | |
You killed her. | 0:55:46 | 0:55:47 | |
Take him away. | 0:55:49 | 0:55:51 | |
I am so sorry. | 0:56:11 | 0:56:13 | |
I suppose I should get used to this. | 0:56:13 | 0:56:14 | |
Young love, eh? | 0:56:18 | 0:56:19 | |
Ladies and gentlemen, please could you make some room. | 0:56:19 | 0:56:23 | |
I give to you... | 0:56:23 | 0:56:26 | |
Mr and Mrs Hooper. | 0:56:26 | 0:56:28 | |
CHEERING AND APPLAUSE | 0:56:28 | 0:56:30 | |
# Your eyes are green | 0:56:30 | 0:56:33 | |
# They're always dreaming | 0:56:35 | 0:56:38 | |
# Of me... # | 0:56:40 | 0:56:43 | |
TYRES SCREECH | 0:56:52 | 0:56:55 | |
Humphrey! | 0:56:57 | 0:56:58 | |
What are you doing? You just stepped out! | 0:56:58 | 0:57:00 | |
Yes, er... | 0:57:00 | 0:57:02 | |
I'm sorry. | 0:57:02 | 0:57:03 | |
Are you OK? | 0:57:03 | 0:57:05 | |
Yes... | 0:57:05 | 0:57:06 | |
What are you doing here? | 0:57:06 | 0:57:08 | |
Trying to kill you, evidently. | 0:57:08 | 0:57:10 | |
Touche! | 0:57:10 | 0:57:12 | |
I thought you'd left. | 0:57:12 | 0:57:14 | |
Officer Myers tracked me down. | 0:57:14 | 0:57:16 | |
I was literally about to get on the boat. | 0:57:16 | 0:57:18 | |
He explained about what happened last night, | 0:57:18 | 0:57:20 | |
about how you talked the groom down from the metaphorical cliff. | 0:57:20 | 0:57:24 | |
Dwayne used the word "metaphorical?" | 0:57:24 | 0:57:26 | |
-No, I'm paraphrasing. -Ah. | 0:57:26 | 0:57:28 | |
So I thought perhaps we could get that drink after all. | 0:57:29 | 0:57:32 | |
Yes, fantastic! | 0:57:32 | 0:57:33 | |
-It's a free bar, too. -I'm buying, then. | 0:57:33 | 0:57:35 | |
THEY CHUCKLE | 0:57:35 | 0:57:36 | |
-Beer? -Beer would be... | 0:57:36 | 0:57:39 | |
-Marv. -Marv. | 0:57:39 | 0:57:41 | |
-OK, two beers coming up. -Yes. | 0:57:41 | 0:57:45 | |
MUSIC CHANGES TEMPO | 0:57:45 | 0:57:48 | |
-# Party people, what you looking for? -Yay! | 0:58:01 | 0:58:05 | |
-# Soca music, rock you more and more -Yay! | 0:58:05 | 0:58:08 | |
# Carnival rhythm | 0:58:08 | 0:58:09 | |
-# Lets you give and take -Yay! | 0:58:09 | 0:58:12 | |
# Cos then you'll give | 0:58:12 | 0:58:13 | |
-# Live music a break -Yay! | 0:58:13 | 0:58:16 | |
# Or if it's disco | 0:58:16 | 0:58:18 | |
# In their houses | 0:58:18 | 0:58:19 | |
# Around the corner Left, right and centre | 0:58:19 | 0:58:23 | |
# By wishing in the place cos you want it right away... # | 0:58:23 | 0:58:27 | |
-'Yee-ha!' -WHIP CRACKS | 0:58:27 | 0:58:29 |