Browse content similar to Episode 4. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
# Red light shining brightly | 0:00:07 | 0:00:11 | |
# It must be a warning | 0:00:11 | 0:00:13 | |
# Danger can be so addictive to me | 0:00:15 | 0:00:20 | |
# Listen | 0:00:22 | 0:00:24 | |
# There can be no pain | 0:00:24 | 0:00:26 | |
# Oh, cos pain has gone | 0:00:26 | 0:00:29 | |
# Every burden's lifted | 0:00:29 | 0:00:31 | |
# All I feel is something girl, I've got to say... # | 0:00:31 | 0:00:38 | |
Could have sworn he was going to win it for us. | 0:00:38 | 0:00:42 | |
OK, Dad. Down to you. | 0:00:42 | 0:00:45 | |
I'll do my best, son. | 0:00:45 | 0:00:47 | |
-Good luck. -All right. | 0:00:47 | 0:00:48 | |
A four and a one, Jerry. That's all we need. | 0:00:55 | 0:00:58 | |
You make it sound so easy, Gus. | 0:00:58 | 0:01:00 | |
All right. | 0:01:01 | 0:01:03 | |
APPLAUSE | 0:01:03 | 0:01:04 | |
Yes, Jerome. | 0:01:06 | 0:01:08 | |
-Archer. -He's digging it in pretty short - | 0:01:08 | 0:01:11 | |
but you should get at least one bad ball. | 0:01:11 | 0:01:13 | |
Good luck. | 0:01:13 | 0:01:15 | |
SHE GROANS | 0:01:25 | 0:01:26 | |
It's all right, he's just getting his eye in. | 0:01:26 | 0:01:29 | |
Come on, Jerry. | 0:01:36 | 0:01:38 | |
Boom! | 0:01:42 | 0:01:43 | |
Yes, Jerry, come on boy! | 0:01:43 | 0:01:46 | |
MUSIC: Tiney Winey by Byron Lee & The Dragonaires | 0:01:46 | 0:01:49 | |
Ladies and gentlemen! First round on me! | 0:01:59 | 0:02:03 | |
THEY CHEER | 0:02:03 | 0:02:05 | |
Mr Umpire. What will it be? | 0:02:07 | 0:02:10 | |
Thank you, Captain. But I must, as ever, remain impartial. | 0:02:12 | 0:02:16 | |
Although saying no looks like you are favouring the opposition. | 0:02:16 | 0:02:21 | |
Then I suppose I'd better have a small rum. | 0:02:22 | 0:02:26 | |
Large rum coming up. | 0:02:29 | 0:02:31 | |
Everybody? Team photo! | 0:02:33 | 0:02:35 | |
-Torey? Where you going? We need you in the photo! -Ugh! | 0:02:35 | 0:02:41 | |
Time running out, Jerry. | 0:02:44 | 0:02:47 | |
I need a answer. | 0:02:47 | 0:02:50 | |
CAMERA CLICKS | 0:02:53 | 0:02:54 | |
Right! Let the party begin! | 0:02:55 | 0:02:58 | |
# Badabadadapbadow, wine Miss Tiny | 0:03:00 | 0:03:04 | |
# Roll back Miss Tiny... # | 0:03:04 | 0:03:06 | |
MUSIC: Ring Ring by The Skints | 0:03:12 | 0:03:15 | |
Mum. Where'd Dad go? | 0:03:16 | 0:03:20 | |
I thought he was here. | 0:03:20 | 0:03:22 | |
He went to get more beers. He didn't come back. | 0:03:22 | 0:03:26 | |
Probably fall asleep in the office. | 0:03:26 | 0:03:29 | |
I need to get my things. | 0:03:29 | 0:03:31 | |
I'll go wake him up. | 0:03:31 | 0:03:33 | |
Jerry! Jerry! | 0:03:34 | 0:03:37 | |
Where this boy there? | 0:03:40 | 0:03:42 | |
Drunken idiot. | 0:03:45 | 0:03:47 | |
HE CHUCKLES | 0:03:47 | 0:03:49 | |
Jerry, wake up man! | 0:03:51 | 0:03:53 | |
Jerry! | 0:03:54 | 0:03:55 | |
Jerry, wake up! | 0:03:58 | 0:04:00 | |
-Morning, sir. -Morning. | 0:04:45 | 0:04:48 | |
Do you know the world record for solving one of these things | 0:04:48 | 0:04:50 | |
currently stands at 4.9 seconds. | 0:04:50 | 0:04:54 | |
4.9 seconds! | 0:04:55 | 0:04:57 | |
And how long have you been going? | 0:04:57 | 0:04:59 | |
Erm...exactly two hours eight minutes. | 0:04:59 | 0:05:02 | |
Is that why you came in early? To try and solve it? | 0:05:02 | 0:05:05 | |
No, I came in early cos I couldn't sleep. | 0:05:05 | 0:05:08 | |
I found this in the evidence store. | 0:05:08 | 0:05:09 | |
I thought it would be a good distraction. | 0:05:09 | 0:05:11 | |
Distraction? From what? | 0:05:11 | 0:05:13 | |
From Martha. | 0:05:16 | 0:05:17 | |
Or rather the prospect of her imminent departure from Saint Marie. | 0:05:17 | 0:05:21 | |
You haven't talked to her about how you feel then? | 0:05:21 | 0:05:23 | |
This was meant to be a holiday romance. No strings attached. | 0:05:23 | 0:05:26 | |
Until I stupidly fell in love with her. | 0:05:26 | 0:05:28 | |
But if that's how you feel, then you should tell her. | 0:05:30 | 0:05:32 | |
Hah! | 0:05:32 | 0:05:33 | |
-PHONE RINGS -I'd better get that. | 0:05:33 | 0:05:35 | |
Sergeant Cassell. Yes, sir, we're on our way. | 0:05:37 | 0:05:42 | |
That was the Commissioner. | 0:05:44 | 0:05:45 | |
There's been a fatal shooting at the Honore Cricket Club. | 0:05:45 | 0:05:48 | |
I see. We'd better get over there, then. | 0:05:48 | 0:05:50 | |
How did the Commissioner get to hear about it? | 0:05:50 | 0:05:53 | |
I believe he's head umpire at the club. | 0:05:53 | 0:05:55 | |
Of course he is. | 0:05:55 | 0:05:56 | |
Good morning, Commissioner. | 0:06:01 | 0:06:03 | |
I'm afraid there's not much good about it, Inspector. | 0:06:03 | 0:06:06 | |
This is a sad day indeed. | 0:06:06 | 0:06:08 | |
Jerome Martin was an upstanding member of Honore Cricket Club | 0:06:08 | 0:06:12 | |
and a fine man to boot. | 0:06:12 | 0:06:15 | |
My condolences, sir. Do we know what happened? | 0:06:15 | 0:06:17 | |
Mr Martin spent last night in the clubhouse... | 0:06:17 | 0:06:20 | |
with his team and his family, celebrating a notable victory. | 0:06:20 | 0:06:24 | |
Apparently the party went right through the night. | 0:06:24 | 0:06:26 | |
He was last seen leaving the bar at six this morning. | 0:06:26 | 0:06:30 | |
The team captain, Gus Coleman, | 0:06:30 | 0:06:32 | |
found his body here about 15 minutes later. | 0:06:32 | 0:06:36 | |
Pretty much dead centre of the wicket. | 0:06:36 | 0:06:39 | |
Do we know why Mr Martin was out here at 6am, sir? | 0:06:41 | 0:06:44 | |
We do not. | 0:06:44 | 0:06:46 | |
He went to get some beers from the clubhouse office. Next thing... | 0:06:46 | 0:06:50 | |
How peculiar. | 0:06:50 | 0:06:52 | |
The paramedics could find no other signs of injury or assault. | 0:06:53 | 0:06:58 | |
Well it doesn't look like robbery, sir. | 0:06:58 | 0:07:00 | |
Meaning there's a decent chance the victim knew his killer. | 0:07:00 | 0:07:03 | |
Looks like he was shot from over here, sir. Shell casing. | 0:07:03 | 0:07:07 | |
I'd say 9mm calibre. | 0:07:07 | 0:07:10 | |
Supermax bullet. Typically used with automatic handguns. | 0:07:10 | 0:07:13 | |
So, our killer stands here, six metres away from the victim. | 0:07:14 | 0:07:18 | |
Single fatal shot to the chest. POW. | 0:07:19 | 0:07:22 | |
He falls forward. | 0:07:22 | 0:07:24 | |
It almost feels like an execution. | 0:07:26 | 0:07:28 | |
How many people were still here when the body was found, sir? | 0:07:30 | 0:07:32 | |
Four. I told them to wait in the clubhouse. | 0:07:32 | 0:07:35 | |
Let's see what they've got to say. | 0:07:35 | 0:07:37 | |
Dwayne, JP, I'd like you to search the office. | 0:07:37 | 0:07:39 | |
Given the victim was heading there shortly before he was found dead, | 0:07:39 | 0:07:42 | |
there may be some indication as to why he ended up out here instead. | 0:07:42 | 0:07:45 | |
- Yes, sir. - Excuse me? | 0:07:45 | 0:07:48 | |
Mr...? | 0:07:48 | 0:07:51 | |
Gus Coleman. Team Captain. | 0:07:51 | 0:07:53 | |
I'm sorry, I... | 0:07:55 | 0:07:57 | |
I just needed to get some air. | 0:07:57 | 0:07:59 | |
We need to ask you a few questions. With the others. | 0:08:00 | 0:08:03 | |
Of course. | 0:08:03 | 0:08:05 | |
I'll go and get everyone else. | 0:08:05 | 0:08:06 | |
Morning. | 0:08:15 | 0:08:16 | |
Thank you for waiting around. | 0:08:16 | 0:08:17 | |
I-I'm very sorry for your loss. | 0:08:19 | 0:08:21 | |
I assume that Jerome played in the match yesterday? | 0:08:22 | 0:08:26 | |
It was a benefit game to raise money for Torey's medical treatment. | 0:08:26 | 0:08:30 | |
Treatment? | 0:08:30 | 0:08:31 | |
I had a car accident about five months ago. | 0:08:31 | 0:08:34 | |
Damaged my spinal cord. That's why... | 0:08:34 | 0:08:37 | |
We're trying to raise money to send Torey to America | 0:08:37 | 0:08:40 | |
for electrical stimulation. | 0:08:40 | 0:08:42 | |
We hope he might be able to walk again one day. | 0:08:42 | 0:08:45 | |
Y... Yes. | 0:08:45 | 0:08:47 | |
So if you could just run me through what exactly happened this morning. | 0:08:47 | 0:08:50 | |
The last time you saw Mr Martin was...? | 0:08:50 | 0:08:53 | |
In the bar. About six o'clock. | 0:08:53 | 0:08:55 | |
He headed to the clubhouse office. | 0:08:55 | 0:08:57 | |
We're running low on beers. I'll go get some. | 0:08:57 | 0:08:59 | |
Then after a while, we realised... | 0:08:59 | 0:09:02 | |
he hadn't come back. | 0:09:02 | 0:09:03 | |
Gus said he'd go and get Jerry. | 0:09:03 | 0:09:05 | |
It was a quarter past six by then... | 0:09:05 | 0:09:07 | |
I remember checking my watch. | 0:09:07 | 0:09:08 | |
I need to get my things. I'll go wake him up. | 0:09:08 | 0:09:11 | |
And you came straight back after finding Jerome? | 0:09:11 | 0:09:14 | |
As soon as I found him. | 0:09:14 | 0:09:15 | |
-Call an ambulance! -What is it? | 0:09:15 | 0:09:18 | |
Jerry? | 0:09:18 | 0:09:19 | |
I called the emergency service straight away. | 0:09:20 | 0:09:23 | |
Mr Browne's call came in at 6:30. | 0:09:23 | 0:09:26 | |
And before Mr Coleman found the body, none of you heard a gunshot? | 0:09:26 | 0:09:30 | |
No. We had music playing. | 0:09:30 | 0:09:32 | |
And with the wind coming in from the shore, | 0:09:32 | 0:09:34 | |
sound gets carried out from that pitch. | 0:09:34 | 0:09:36 | |
So...sorry, will you... Will you excuse us for a moment? | 0:09:36 | 0:09:38 | |
Bullets. | 0:09:51 | 0:09:52 | |
With one missing. | 0:09:52 | 0:09:54 | |
They were in the safe. | 0:09:54 | 0:09:55 | |
It was already unlocked when I tried it. | 0:09:55 | 0:09:57 | |
9mm Supermax. It's a match. | 0:09:57 | 0:10:00 | |
Anyone know what these were doing in the safe? | 0:10:03 | 0:10:05 | |
There should be a gun in there, too. | 0:10:09 | 0:10:11 | |
Sorry. Why was there a gun kept in the safe? | 0:10:11 | 0:10:13 | |
It belonged to me. | 0:10:13 | 0:10:15 | |
I left it there after this place was broken into a couple of years back. | 0:10:15 | 0:10:19 | |
Jerry was here when it happened. Shook him up. | 0:10:19 | 0:10:23 | |
I thought having a gun on the premises might reassure him. | 0:10:24 | 0:10:28 | |
So, who knows the combination? | 0:10:28 | 0:10:29 | |
Only the club committee. | 0:10:29 | 0:10:31 | |
And who is on the club committee? | 0:10:31 | 0:10:33 | |
Well, I am, as Captain. Sabrina is the Social Secretary | 0:10:33 | 0:10:37 | |
and Archer is the Treasurer. | 0:10:37 | 0:10:38 | |
Jerome was our Chairman. | 0:10:38 | 0:10:40 | |
Just you three, then? | 0:10:40 | 0:10:41 | |
Dad told me the combination. | 0:10:44 | 0:10:46 | |
I had to pick up some club paperwork for him once. | 0:10:46 | 0:10:48 | |
So you four are the only people who had access to the gun? | 0:10:48 | 0:10:52 | |
Now, after Jerome went to get some beers - | 0:10:56 | 0:10:58 | |
during the 15 minutes in which he was killed - where were you all? | 0:10:58 | 0:11:02 | |
-SABRINA: -In the bar. | 0:11:02 | 0:11:04 | |
No-one left? | 0:11:04 | 0:11:05 | |
It's not a big room, Inspector. | 0:11:05 | 0:11:07 | |
We'd have noticed if someone left it. | 0:11:07 | 0:11:09 | |
Until Gus went to look for Jerry, we were together the whole time. | 0:11:09 | 0:11:12 | |
Mr Coleman? | 0:11:14 | 0:11:16 | |
As they say, we were here the whole time. | 0:11:18 | 0:11:21 | |
So only those four people knew the combination to the safe | 0:11:25 | 0:11:28 | |
that contained the gun | 0:11:28 | 0:11:29 | |
that, potentially, was used to kill Jerome Martin. | 0:11:29 | 0:11:32 | |
I think our killer has to be one of those four people | 0:11:32 | 0:11:35 | |
-currently outside this bar. -Except... | 0:11:35 | 0:11:37 | |
Yes, I know - they were all in the clubhouse when it happened. | 0:11:37 | 0:11:41 | |
So if it was one of them - how did they do it? | 0:11:41 | 0:11:43 | |
Well, that is a very good question, Florence. | 0:11:43 | 0:11:46 | |
The answer to which I do not know. | 0:11:46 | 0:11:48 | |
So let's start with the one small thing we do know - | 0:11:48 | 0:11:50 | |
all our four suspects have remained here at the club | 0:11:50 | 0:11:52 | |
ever since the murder occurred - | 0:11:52 | 0:11:53 | |
so, the gun must still be somewhere hereabout. | 0:11:53 | 0:11:56 | |
Dwayne, JP, I want that weapon found. | 0:11:56 | 0:11:58 | |
-Chief. -Sir. -Thank you. | 0:11:58 | 0:12:00 | |
-Sir? -Yes? | 0:12:00 | 0:12:02 | |
Someone must've been filming the party. | 0:12:02 | 0:12:05 | |
Battery's dead. | 0:12:08 | 0:12:09 | |
Oh, well, let's get it back to the station and charge it up. | 0:12:09 | 0:12:11 | |
You never know - maybe it will shed some light on this morning's events. | 0:12:11 | 0:12:16 | |
-Inspector. -Yes, sir? | 0:12:16 | 0:12:18 | |
Tell me. Do you play cricket? | 0:12:18 | 0:12:21 | |
Ah, well, sir, I have actually had a few innings in my time. | 0:12:21 | 0:12:24 | |
Yes, I once got a battling seven not out, | 0:12:24 | 0:12:26 | |
for the school under-14 Third XI against Redbridge. | 0:12:26 | 0:12:29 | |
I almost saved the draw, sir. | 0:12:29 | 0:12:31 | |
Well, here in the Caribbean cricket is in our blood. | 0:12:33 | 0:12:37 | |
Jerome Martin's murder will be felt right across the island. | 0:12:37 | 0:12:42 | |
I trust I can leave it to you and the team | 0:12:42 | 0:12:44 | |
to handle this with the care and respect it deserves. | 0:12:44 | 0:12:48 | |
Yes, of course, sir. We won't let you down. | 0:12:48 | 0:12:51 | |
Sir. | 0:12:53 | 0:12:54 | |
Is it me or did you sense that Gus was holding back | 0:13:03 | 0:13:06 | |
a little during questioning? | 0:13:06 | 0:13:07 | |
Do you think maybe he knows more than he's letting on? | 0:13:07 | 0:13:10 | |
Yes, I think maybe he does. | 0:13:10 | 0:13:12 | |
Thank you for your cooperation. | 0:13:21 | 0:13:23 | |
So, Dwayne. | 0:13:23 | 0:13:25 | |
Given that the gun wasn't on any of our suspects, | 0:13:25 | 0:13:27 | |
shall we start our search in there or out here? | 0:13:27 | 0:13:31 | |
-Dwayne? -Eh? What? What? | 0:13:33 | 0:13:36 | |
Where should we start our search from? | 0:13:36 | 0:13:38 | |
Well, it's either going to be inside the clubhouse or somewhere out here. | 0:13:38 | 0:13:42 | |
I know. I just said that. | 0:13:42 | 0:13:44 | |
And what did you decide on? | 0:13:44 | 0:13:45 | |
I didn't. I was waiting to hear what you thought. | 0:13:45 | 0:13:48 | |
Well, you should've said. | 0:13:48 | 0:13:50 | |
I'm not a mind-reader, you know, JP? | 0:13:50 | 0:13:52 | |
Let's start over here. | 0:13:54 | 0:13:56 | |
Come on. Don't just stand there! | 0:13:56 | 0:13:59 | |
Right, then, Florence. | 0:14:09 | 0:14:11 | |
Er, yes... | 0:14:11 | 0:14:13 | |
Let's go through what we know so far. | 0:14:13 | 0:14:15 | |
So, Jerome Martin. 45. Geography teacher. | 0:14:15 | 0:14:20 | |
Member of the Honore Cricket Club for nearly 30 years | 0:14:20 | 0:14:24 | |
and chairman for the last ten. | 0:14:24 | 0:14:26 | |
Found dead at 6:15 this morning in the middle of Honore Cricket pitch | 0:14:26 | 0:14:30 | |
having been shot in the heart. | 0:14:30 | 0:14:32 | |
Which leads us to our suspects. | 0:14:32 | 0:14:33 | |
I think we should start with the victim's wife. Sabrina Martin. | 0:14:33 | 0:14:36 | |
She and Jerome had been married over 20 years. | 0:14:36 | 0:14:39 | |
Since Torey's crash, she's been trying to raise money | 0:14:39 | 0:14:42 | |
to send him to the States for treatment. | 0:14:42 | 0:14:44 | |
Yes, not a cheap endeavour. | 0:14:44 | 0:14:46 | |
Which means, we have to ask the question - | 0:14:46 | 0:14:47 | |
does she benefit financially from her husband's death? | 0:14:47 | 0:14:50 | |
Which brings us to their son Torey. | 0:14:50 | 0:14:52 | |
Now... Just turned 18, I believe... | 0:14:54 | 0:14:57 | |
Yes, yes, just turned 18, | 0:15:00 | 0:15:02 | |
seems to have been quite the cricketing talent. | 0:15:02 | 0:15:05 | |
Five months ago was signed by a professional club in Dominica. | 0:15:05 | 0:15:10 | |
A week later, on his way to a friend's house, | 0:15:10 | 0:15:12 | |
he drove his car into a tree. | 0:15:12 | 0:15:14 | |
And what of the, er, club's treasurer? Archer Browne. | 0:15:14 | 0:15:17 | |
Well, sir. He is 30 years old. | 0:15:17 | 0:15:19 | |
Owns a garage down by the harbour. Family business. | 0:15:19 | 0:15:23 | |
Took it over from his father. | 0:15:23 | 0:15:25 | |
Gus Coleman also works there as a mechanic. | 0:15:25 | 0:15:28 | |
Ah, yes. Gus Coleman. Same age as the victim. | 0:15:28 | 0:15:31 | |
Seems to be an old friend - they went to school together. | 0:15:31 | 0:15:34 | |
Never married. Club captain for the last five years. | 0:15:34 | 0:15:37 | |
So, question one - | 0:15:37 | 0:15:39 | |
just how did the killer manage to shoot Jerome Martin | 0:15:39 | 0:15:42 | |
in the middle of a cricket pitch | 0:15:42 | 0:15:43 | |
when all of our suspects were in the clubhouse at the time it happened? | 0:15:43 | 0:15:46 | |
And question two - why did he have to die? | 0:15:46 | 0:15:49 | |
Sir, I think you should take a look at this. | 0:15:49 | 0:15:52 | |
Yes. | 0:15:52 | 0:15:53 | |
It's from 3:15 this morning. | 0:15:56 | 0:15:58 | |
The camera was left on record when it was put on the bar. | 0:15:58 | 0:16:01 | |
Torey seems very angry. | 0:16:05 | 0:16:07 | |
Yes, doesn't he just? | 0:16:07 | 0:16:09 | |
Good afternoon. Sorry to interrupt. | 0:16:16 | 0:16:19 | |
Torey, can we have a word? | 0:16:21 | 0:16:23 | |
Sure. | 0:16:23 | 0:16:25 | |
I'll be inside if you need me. | 0:16:25 | 0:16:26 | |
You know, that was Dad and me. | 0:16:30 | 0:16:32 | |
We played out there every day after school. | 0:16:36 | 0:16:39 | |
He must've been made up when you made professional. | 0:16:39 | 0:16:42 | |
When I signed my contract, | 0:16:42 | 0:16:43 | |
he told me he was the proudest man in the world. | 0:16:43 | 0:16:46 | |
How had you been getting on more recently? | 0:16:47 | 0:16:50 | |
Yeah, good. | 0:16:50 | 0:16:52 | |
Why? | 0:16:53 | 0:16:55 | |
We know you argued with your father last night. | 0:16:55 | 0:16:57 | |
Who told you that? | 0:16:57 | 0:16:59 | |
There was a camera left recording at the bar. | 0:16:59 | 0:17:01 | |
Shows your rather heated exchange. | 0:17:01 | 0:17:05 | |
Yesterday, being back at the club for the first time, it was tough. | 0:17:05 | 0:17:09 | |
Last time I was there, I was one of the players. | 0:17:09 | 0:17:12 | |
Not a spectator sat at the boundary. | 0:17:12 | 0:17:15 | |
I was trying to tell Dad how hard I was finding it, | 0:17:16 | 0:17:18 | |
but he wasn't listening. | 0:17:18 | 0:17:20 | |
-You been drinking again? -You know I'm sorry about what happened, yeah? | 0:17:21 | 0:17:24 | |
-Stop apologising! -If I could take it back! | 0:17:24 | 0:17:26 | |
-Why you apologising? -I'm sorry! -Dad, leave me alone! | 0:17:26 | 0:17:29 | |
-I'm sorry. -Just leave me alone! | 0:17:29 | 0:17:30 | |
Why was he apologising? | 0:17:30 | 0:17:32 | |
Ever since the crash, he blamed himself for what happened. | 0:17:32 | 0:17:35 | |
And when he's had a few drinks, it all starts coming out. | 0:17:36 | 0:17:39 | |
Saying if anybody deserves to be in a wheelchair it was him, | 0:17:40 | 0:17:43 | |
and he'd swap places with me in a heartbeat. | 0:17:43 | 0:17:46 | |
Last night I just snapped. | 0:17:46 | 0:17:47 | |
How could your dad think it was his fault you crashed? | 0:17:47 | 0:17:50 | |
The car was a present from him, for turning pro. | 0:17:50 | 0:17:52 | |
And after the crash, the insurance people found out | 0:17:52 | 0:17:54 | |
that the MOT was out of date. | 0:17:54 | 0:17:56 | |
But Dad often used to just forget stuff like that. | 0:17:56 | 0:17:58 | |
-So was your accident caused by a mechanical fault? -No! | 0:17:58 | 0:18:00 | |
I crashed the car because I was driving too fast. | 0:18:00 | 0:18:03 | |
There was nothing wrong with the car. | 0:18:03 | 0:18:04 | |
You know the last thing I said to him? | 0:18:07 | 0:18:10 | |
"Leave me alone". | 0:18:10 | 0:18:12 | |
You OK, son? Come on. Try to eat something. | 0:18:19 | 0:18:22 | |
Thank you, Gus. | 0:18:22 | 0:18:23 | |
Ah, so you're back. | 0:18:26 | 0:18:28 | |
How did you chaps get on searching for the gun? | 0:18:28 | 0:18:30 | |
Er, no sign of it, I'm afraid, Chief. | 0:18:30 | 0:18:32 | |
Yes, we covered every inch of that place. Inside and out. | 0:18:32 | 0:18:36 | |
That's very troubling. That's very troubling indeed. | 0:18:36 | 0:18:38 | |
Because now not only do we not know | 0:18:38 | 0:18:40 | |
how our murderer managed to kill Jerome Martin, | 0:18:40 | 0:18:43 | |
but we also don't know how they then managed to make the gun | 0:18:43 | 0:18:45 | |
disappear after they'd done it. | 0:18:45 | 0:18:47 | |
Right, look. It's getting late. We should call it a day. | 0:18:48 | 0:18:51 | |
But in the morning, Florence, | 0:18:51 | 0:18:52 | |
-I'd like you to chase up that crash report. -Yes, sir. | 0:18:52 | 0:18:55 | |
Dwayne, JP, financial checks on the victim and all the suspects - | 0:18:55 | 0:18:58 | |
and find out about the victim's will | 0:18:58 | 0:18:59 | |
-and whether any life insurance had been taken out. -Yes, Chief. | 0:18:59 | 0:19:02 | |
And we should also find out | 0:19:02 | 0:19:03 | |
about his phone records and e-mail account. | 0:19:03 | 0:19:05 | |
Chief? | 0:19:07 | 0:19:08 | |
There was someone doing something by the jeep! | 0:19:08 | 0:19:10 | |
Looked like the bonnet was up. I'm sure of it... | 0:19:14 | 0:19:16 | |
Right, yes, er... | 0:19:22 | 0:19:24 | |
You sure you know what you're looking at there, Chief? | 0:19:24 | 0:19:27 | |
Yes, yes, I think I know my spark plugs from my...my seatbelts. | 0:19:27 | 0:19:31 | |
Why would someone have our bonnet up? | 0:19:31 | 0:19:34 | |
Should I check if anyone saw anything? | 0:19:34 | 0:19:36 | |
Yes. Thank you, JP. What is that? | 0:19:36 | 0:19:38 | |
I think someone's been messing with this engine. | 0:19:39 | 0:19:42 | |
You want me to have a look, see if everything's in order? | 0:19:42 | 0:19:44 | |
Yes, Dwayne, thank you. I think perhaps...you should. | 0:19:44 | 0:19:48 | |
It might be wise to phone a cab to get home tonight | 0:19:52 | 0:19:54 | |
with the jeep out of commission. | 0:19:54 | 0:19:56 | |
Martha's cooking dinner, I would hate to put her timings out. | 0:19:56 | 0:19:59 | |
Probably not a bad idea. | 0:19:59 | 0:20:01 | |
Do you think you might talk to Martha tonight about - you know...? | 0:20:01 | 0:20:05 | |
I don't know, Florence. | 0:20:05 | 0:20:07 | |
I mean I would hate to spoil what little time we have left together | 0:20:07 | 0:20:09 | |
by telling Martha that I've fallen in love with her | 0:20:09 | 0:20:11 | |
only for her to tell me she doesn't feel the same. | 0:20:11 | 0:20:14 | |
Maybe she does feel the same... | 0:20:14 | 0:20:15 | |
Yes. Maybe she does. But then again, maybe she doesn't, you know? | 0:20:15 | 0:20:18 | |
Maybe she can't wait to get back on that plane to London. | 0:20:18 | 0:20:20 | |
Sir? One of the stall-holders did notice a guy | 0:20:20 | 0:20:23 | |
briefly over by the jeep. Said he was wearing blue overalls. | 0:20:23 | 0:20:27 | |
She said she just assumed that he was fixing the jeep. | 0:20:27 | 0:20:30 | |
How odd! | 0:20:30 | 0:20:31 | |
How odd. | 0:20:32 | 0:20:34 | |
OK, I'll see you in a couple of days, then! Bye. | 0:20:38 | 0:20:43 | |
-Hello. -Hello. | 0:20:45 | 0:20:47 | |
-Good day? -Yeah. That was Alistair from the restaurant. | 0:20:49 | 0:20:53 | |
He's nearly ready for the big opening next week. | 0:20:53 | 0:20:55 | |
He was just taking me through the menu - it sounds amazing. | 0:20:55 | 0:20:58 | |
That's fantastic. | 0:20:58 | 0:20:59 | |
You know, I thought this was just another job I was going back to, | 0:20:59 | 0:21:02 | |
but...I think I might really enjoy it. | 0:21:02 | 0:21:05 | |
Sounds like a cause for celebration. | 0:21:05 | 0:21:07 | |
-Fancy a beer? -Yes, please. | 0:21:07 | 0:21:09 | |
There you go. | 0:21:22 | 0:21:24 | |
-JP? -What's that, Catherine? | 0:21:25 | 0:21:28 | |
The beers you ordered. | 0:21:28 | 0:21:29 | |
Oh. Great... | 0:21:29 | 0:21:32 | |
Thank you. | 0:21:32 | 0:21:34 | |
Are you OK, JP? | 0:21:34 | 0:21:36 | |
Er, I'm fine, Catherine... | 0:21:36 | 0:21:38 | |
But..? | 0:21:38 | 0:21:39 | |
It's Dwayne. | 0:21:42 | 0:21:44 | |
This morning we were at the cricket ground | 0:21:46 | 0:21:48 | |
and he just seemed a bit distracted, if I'm to be honest with you. | 0:21:48 | 0:21:51 | |
Dwayne's father walked out on him and his family | 0:21:55 | 0:21:57 | |
when he was a just a boy. | 0:21:57 | 0:21:59 | |
I think he must've only been six when it happened. | 0:21:59 | 0:22:02 | |
-Really? -Mm. | 0:22:02 | 0:22:05 | |
I don't think they've heard from him since. | 0:22:05 | 0:22:07 | |
He used to take Dwayne to the cricket, | 0:22:07 | 0:22:10 | |
maybe it brought back some memories he'd rather forget. | 0:22:10 | 0:22:13 | |
-Good morning. -Morning, Chief! -Morning, sir. -Everything OK, sir? | 0:22:23 | 0:22:26 | |
Er, yes. Fine, thank you, Florence. Absolutely fine. | 0:22:26 | 0:22:29 | |
-So, how, how we all getting on? -Well, sir. | 0:22:31 | 0:22:35 | |
The postmortem has come through | 0:22:35 | 0:22:37 | |
and confirms that Jerome died between 6am and 7am | 0:22:37 | 0:22:40 | |
from a single bullet to the heart. | 0:22:40 | 0:22:42 | |
The lab has also confirmed a definite match | 0:22:42 | 0:22:44 | |
between the fatal bullet | 0:22:44 | 0:22:46 | |
and the pack of bullets we found in the safe. | 0:22:46 | 0:22:48 | |
OK - any joy with the prints on the pack? | 0:22:48 | 0:22:51 | |
We got some partials but no more, sir. | 0:22:51 | 0:22:53 | |
Also, the report on Torey Martin's crash came through first thing. | 0:22:53 | 0:22:57 | |
Yes, what did it say? | 0:22:57 | 0:22:59 | |
"In summary, there is no evidence of any mechanical malfunction | 0:22:59 | 0:23:03 | |
"that might have led to this crash. | 0:23:03 | 0:23:05 | |
"Verdict - reckless driving." | 0:23:05 | 0:23:07 | |
So, Torey was right. There was nothing wrong with the car. | 0:23:07 | 0:23:10 | |
-It appears not. -OK. What else have we got? | 0:23:10 | 0:23:12 | |
Well, Chief, me and JP | 0:23:12 | 0:23:13 | |
have been going through all the financial checks. | 0:23:13 | 0:23:15 | |
In the last three months Jerome has taken out | 0:23:15 | 0:23:18 | |
5,000 Eastern Caribbean dollars in cash every week. | 0:23:18 | 0:23:21 | |
-Every week? -The withdrawals stopped eight days ago | 0:23:21 | 0:23:24 | |
when the account went into overdraft. | 0:23:24 | 0:23:26 | |
-That's over 60,000 EC dollars! -Mm-hm. | 0:23:26 | 0:23:28 | |
On top of which, I checked whether Mr Martin had taken out | 0:23:28 | 0:23:31 | |
a life insurance policy. | 0:23:31 | 0:23:32 | |
-And? -He did. | 0:23:32 | 0:23:34 | |
According to the policy, with her husband dead, | 0:23:34 | 0:23:36 | |
Mrs Martin looks set to receive 120,000 Eastern Caribbean dollars. | 0:23:36 | 0:23:41 | |
I don't know about you, but that sounds like motive to me. | 0:23:42 | 0:23:46 | |
The cricket club owed two years rent. | 0:23:53 | 0:23:55 | |
The council were threatening to take the ground back. | 0:23:55 | 0:23:58 | |
-Jerry was paying off the debt. -Is that what he told you? | 0:23:58 | 0:24:02 | |
Yes. | 0:24:02 | 0:24:03 | |
Mrs Martin, these withdrawals were made in cash. | 0:24:03 | 0:24:06 | |
I find it very hard to believe Honore town council | 0:24:06 | 0:24:09 | |
were accepting rent arrears of that size paid in cash. | 0:24:09 | 0:24:12 | |
Well, then, it seems I don't know | 0:24:14 | 0:24:15 | |
what my husband was doing with our money. | 0:24:15 | 0:24:17 | |
But whatever it was, you can't have been happy about it - | 0:24:17 | 0:24:20 | |
not when you're trying to save to pay for Torey's medical treatment. | 0:24:20 | 0:24:23 | |
Of course I wasn't happy about it. I was furious. | 0:24:23 | 0:24:27 | |
I put every penny I'd earned into that account. | 0:24:27 | 0:24:29 | |
So what did you do when you found out your husband had spent it? | 0:24:29 | 0:24:32 | |
I lost it with him. | 0:24:32 | 0:24:34 | |
I threw plates. | 0:24:34 | 0:24:36 | |
Made him sleep in the car. | 0:24:36 | 0:24:38 | |
We've been putting on a brave face for Torey | 0:24:38 | 0:24:40 | |
but we hadn't even been talking the last few days. | 0:24:40 | 0:24:43 | |
But it doesn't bring the money back though does it? | 0:24:43 | 0:24:45 | |
Doesn't pay for Torey's treatment. | 0:24:45 | 0:24:47 | |
I'm sorry. I don't understand. | 0:24:47 | 0:24:49 | |
Jerome had life insurance... | 0:24:49 | 0:24:51 | |
and as a result of his death yesterday, | 0:24:51 | 0:24:53 | |
you are now set to receive substantial pay-out. | 0:24:53 | 0:24:57 | |
To the tune of 120,000. | 0:24:57 | 0:25:00 | |
That hadn't even crossed my mind. | 0:25:01 | 0:25:03 | |
I admit I would do anything for my son, Inspector, | 0:25:07 | 0:25:10 | |
but I also loved my husband a great deal. | 0:25:10 | 0:25:13 | |
Despite everything he'd done. | 0:25:13 | 0:25:15 | |
If you're saying that I killed Jerry because I wanted the money, | 0:25:15 | 0:25:19 | |
then you've got it very, very wrong. | 0:25:19 | 0:25:22 | |
Well, we'll leave it there. Thank you for your time, Mrs Martin. | 0:25:24 | 0:25:27 | |
We'll see ourselves out. | 0:25:27 | 0:25:29 | |
Inspector! Wait! | 0:25:33 | 0:25:36 | |
Mr Coleman. You're here again. | 0:25:36 | 0:25:39 | |
You were asking Sabrina about her and Jerry's savings. | 0:25:39 | 0:25:43 | |
Go on. | 0:25:43 | 0:25:45 | |
Jerry used to drop by the garage on his lunch break. | 0:25:45 | 0:25:49 | |
His school was round the corner. | 0:25:49 | 0:25:51 | |
After Torey's crash he came round less. | 0:25:52 | 0:25:55 | |
He was a lot more withdrawn in general. | 0:25:55 | 0:25:58 | |
But, I noticed with Archer, | 0:25:58 | 0:26:02 | |
there was this...different vibe. | 0:26:02 | 0:26:05 | |
Something almost hostile. | 0:26:05 | 0:26:09 | |
A week ago, Jerry stopped by. | 0:26:09 | 0:26:11 | |
While he was there, I saw him hand Archer an envelope of cash. | 0:26:11 | 0:26:16 | |
They didn't know I'd seen it happen... | 0:26:16 | 0:26:19 | |
Jerry didn't seem happy about handing over the money. | 0:26:19 | 0:26:23 | |
Did you ask them what it was about? | 0:26:25 | 0:26:27 | |
No. I was going to talk to Jerry after the match. But... | 0:26:27 | 0:26:32 | |
Can you think of any reason why Jerome was giving Archer money? | 0:26:34 | 0:26:37 | |
I've tried. Believe me. | 0:26:37 | 0:26:39 | |
Was Archer in any money trouble? | 0:26:39 | 0:26:42 | |
I know he likes a gamble. | 0:26:42 | 0:26:44 | |
Did he tell you how he was doing? | 0:26:44 | 0:26:46 | |
You only ever hear about the winnings don't you? | 0:26:46 | 0:26:48 | |
-PHONE RINGS -It's JP. I'd better take this. | 0:26:48 | 0:26:51 | |
You'd known Mr Martin a long time, hadn't you? | 0:26:51 | 0:26:53 | |
We were like brothers. | 0:26:53 | 0:26:55 | |
I would've done anything for him. | 0:26:55 | 0:26:58 | |
Thank you, Mr Coleman. | 0:27:00 | 0:27:02 | |
We should head back to the station, sir. | 0:27:07 | 0:27:09 | |
-JP and Dwayne have got something for us. -Very good. | 0:27:09 | 0:27:12 | |
So, Chief, we checked Jerome's e-mails like you asked us, | 0:27:12 | 0:27:15 | |
and we found this one from two days ago. | 0:27:15 | 0:27:17 | |
Yes, sir, Jerome hadn't actually sent it. | 0:27:17 | 0:27:19 | |
It was in his draft inbox folder. | 0:27:19 | 0:27:21 | |
"It's over. I have nothing more to give you. | 0:27:21 | 0:27:23 | |
"My mistake has already cost me everything I have." | 0:27:23 | 0:27:25 | |
Addressed to Archer Browne. What mistake, I wonder? | 0:27:25 | 0:27:29 | |
And why would Jerome give money to Archer instead of helping his son? | 0:27:29 | 0:27:33 | |
Blackmail...? | 0:27:34 | 0:27:36 | |
That would make sense. Archer was blackmailing Jerome over a mistake. | 0:27:36 | 0:27:39 | |
-So what was it? -I have an idea. | 0:27:39 | 0:27:42 | |
Torey told us that Jerome kept apologising for the crash | 0:27:42 | 0:27:45 | |
being his fault. What if that was Jerome's "mistake"? | 0:27:45 | 0:27:47 | |
What if there really was something wrong with the car | 0:27:47 | 0:27:50 | |
that Jerome gave Torey? | 0:27:50 | 0:27:51 | |
That crash report - who signed off on the expert assessment? | 0:27:51 | 0:27:55 | |
I don't know. I didn't check. | 0:27:55 | 0:27:57 | |
Here... | 0:27:59 | 0:28:01 | |
Browne's Repairs. That was Archer's garage that checked the car. | 0:28:01 | 0:28:05 | |
He signed off on it himself. | 0:28:05 | 0:28:07 | |
Mr Browne, can we have a word? | 0:28:18 | 0:28:20 | |
Sure. | 0:28:24 | 0:28:25 | |
Tell us, why was Jerome giving you money? | 0:28:27 | 0:28:29 | |
All right. I've got debts. From gambling. | 0:28:30 | 0:28:34 | |
Jerome offered to bail me out. He was a good friend. | 0:28:34 | 0:28:37 | |
Here, we found this e-mail in Jerome's draft inbox. | 0:28:37 | 0:28:40 | |
It's addressed to you. Would you be so good to read it? | 0:28:40 | 0:28:43 | |
-What's all that about then? -I really don't know. | 0:28:48 | 0:28:51 | |
Your garage carries out assessments of vehicles | 0:28:51 | 0:28:54 | |
involved in crashes on Saint Marie. | 0:28:54 | 0:28:57 | |
You looked at Torey Martin's car after the accident. | 0:28:57 | 0:29:00 | |
-Yes, yes, we did. It was sound. -Was it? | 0:29:01 | 0:29:05 | |
Yes. Honestly. | 0:29:05 | 0:29:07 | |
We think that perhaps when you examined Torey's car, | 0:29:07 | 0:29:10 | |
you found mechanical fault of some sort. | 0:29:10 | 0:29:12 | |
An MOT would have flagged up the problem. | 0:29:12 | 0:29:14 | |
As we know, Jerome never got round to that. | 0:29:14 | 0:29:16 | |
So we can only imagine Jerome's guilt when you revealed to him | 0:29:16 | 0:29:19 | |
that it was his own negligence that caused Torey's tragedy - | 0:29:19 | 0:29:22 | |
and being the loving family man that he was, | 0:29:22 | 0:29:24 | |
he would've been desperate to keep this a secret | 0:29:24 | 0:29:26 | |
from Torey and Sabrina. | 0:29:26 | 0:29:27 | |
But something changed, didn't it? | 0:29:27 | 0:29:29 | |
He told you he wasn't going to pay any more. | 0:29:29 | 0:29:31 | |
Maybe he was going to come clean. What? Maybe even go to the police. | 0:29:31 | 0:29:34 | |
Which is why you think I'd kill him? | 0:29:34 | 0:29:36 | |
It is an interesting theory, Inspector... | 0:29:36 | 0:29:41 | |
but there is one thing wrong with it. | 0:29:41 | 0:29:44 | |
I wasn't the only one to check that car over. | 0:29:44 | 0:29:47 | |
Gus Coleman assessed it with me the very same night | 0:29:47 | 0:29:50 | |
it came into the garage - | 0:29:50 | 0:29:52 | |
and the insurance company sent someone over. | 0:29:52 | 0:29:55 | |
So speak to them if you think I'm lying when I tell you... | 0:29:55 | 0:29:59 | |
there was nothing wrong with that vehicle. | 0:29:59 | 0:30:01 | |
Florence... | 0:30:07 | 0:30:09 | |
do you like the colour of Mr Browne's overalls? | 0:30:09 | 0:30:11 | |
Sorry, sir? | 0:30:11 | 0:30:13 | |
Well, don't you think they're a lovely shade of, er, blue? | 0:30:13 | 0:30:16 | |
Yes, sir, a particularly lovely shade of blue. | 0:30:16 | 0:30:20 | |
How did you do this then? | 0:30:24 | 0:30:25 | |
I don't know, man. It probably caught on an engine or something. | 0:30:26 | 0:30:30 | |
Did it, now? Yeah. | 0:30:30 | 0:30:31 | |
Thanks for your time. | 0:30:31 | 0:30:33 | |
Archer Browne is Jerome's killer, I'm sure of it. | 0:30:35 | 0:30:38 | |
The fact that his torn overall matches the material | 0:30:39 | 0:30:41 | |
that we found in the jeep | 0:30:41 | 0:30:42 | |
means that he was the one who was messing with our engine. | 0:30:42 | 0:30:44 | |
But the engine was working fine. | 0:30:44 | 0:30:46 | |
-So what was he doing there? -Yes, well, | 0:30:46 | 0:30:48 | |
I think I might have that one worked out. | 0:30:48 | 0:30:50 | |
Try this on for size, if you will - | 0:30:50 | 0:30:52 | |
we never found the gun at the cricket ground, did we? | 0:30:52 | 0:30:55 | |
But as we know all four suspects remained there | 0:30:55 | 0:30:57 | |
in between Jerome being killed and us arriving - | 0:30:57 | 0:31:00 | |
so, where did the gun vanish? | 0:31:00 | 0:31:02 | |
Where's the one place that never gets checked at a crime scene? | 0:31:02 | 0:31:06 | |
A police car. | 0:31:07 | 0:31:09 | |
Archer hid the gun in our engine? | 0:31:10 | 0:31:12 | |
Exactly - and then ripped his overalls | 0:31:12 | 0:31:14 | |
-when he came to collect it later that day. -Man alive! | 0:31:14 | 0:31:16 | |
-That takes a big pair of... -Thank you, Dwayne. | 0:31:16 | 0:31:18 | |
Sir, the insurance company confirm they looked at Torey's car. | 0:31:18 | 0:31:22 | |
-And? -It's as Archer said. Nothing wrong with it whatsoever. | 0:31:22 | 0:31:25 | |
All the evidence points to Archer blackmailing Jerome Martin. | 0:31:26 | 0:31:29 | |
-We just don't know what he was blackmailing him over. -No, we don't. | 0:31:29 | 0:31:33 | |
That gun could be anywhere by now. | 0:31:33 | 0:31:35 | |
Dwayne, JP, I want you to tail Archer Browne. | 0:31:35 | 0:31:37 | |
-We're on it Chief. -He's hidden it somewhere. | 0:31:37 | 0:31:39 | |
Maybe he'll show us. | 0:31:39 | 0:31:40 | |
Listen, if you want I can cover this bit on my own, you know, | 0:31:49 | 0:31:53 | |
and you can go off to Martha's leaving drinks | 0:31:53 | 0:31:55 | |
-cos I know you wanted to be there. -No, no, that's good of you, Dwayne, | 0:31:55 | 0:31:58 | |
-but I'm happy to be here with you. -You sure? -Yes! | 0:31:58 | 0:32:00 | |
Put on the bet. I man good for it, you know that. | 0:32:00 | 0:32:03 | |
You know that! | 0:32:03 | 0:32:06 | |
Yessi! | 0:32:06 | 0:32:07 | |
HE CONTINUES SPEAKING ON PHONE | 0:32:08 | 0:32:11 | |
So as I was saying, you know, we are partners, | 0:32:16 | 0:32:19 | |
we do things for each other, help each other out. | 0:32:19 | 0:32:23 | |
You know, sometimes we might even share things with each other, | 0:32:23 | 0:32:26 | |
like facts about ourselves, that kind of thing. | 0:32:26 | 0:32:30 | |
Whatever you say, JP. Whatever you say. | 0:32:30 | 0:32:32 | |
..which means Dwayne and JP are stuck on this stakeout, | 0:32:37 | 0:32:40 | |
unfortunately, so it'll be just the four of us. | 0:32:40 | 0:32:42 | |
-Five. -Five? | 0:32:42 | 0:32:44 | |
-Evening! -Oh, God. | 0:32:44 | 0:32:46 | |
-Commissioner! -Inspector. | 0:32:46 | 0:32:48 | |
Yeah, I bumped into Selwyn this morning and said he should join us. | 0:32:48 | 0:32:51 | |
I brought this. Saint Marie's finest, 25 years old. | 0:32:51 | 0:32:55 | |
Great, thank you. | 0:32:55 | 0:32:56 | |
Er, there's drinks on the veranda. Please help yourself, sir. | 0:32:56 | 0:33:00 | |
Excellent. | 0:33:06 | 0:33:08 | |
That was a bit unfortunate, bumping into him. | 0:33:11 | 0:33:13 | |
Put you on the spot, did he? | 0:33:13 | 0:33:15 | |
Oh, no! | 0:33:15 | 0:33:16 | |
I couldn't leave Saint Marie without saying goodbye to Selwyn, | 0:33:16 | 0:33:18 | |
he's one of my best friends here. | 0:33:18 | 0:33:20 | |
Really? | 0:33:22 | 0:33:23 | |
I'm feeling a bit peckish. | 0:33:28 | 0:33:29 | |
-Sandwich? -No. | 0:33:33 | 0:33:35 | |
OK, JP, what's the problem? | 0:33:38 | 0:33:40 | |
I don't know what you mean. | 0:33:40 | 0:33:41 | |
An hour ago, I couldn't shut you up | 0:33:41 | 0:33:43 | |
going on about how we was partners and stuff, | 0:33:43 | 0:33:45 | |
and now you won't even grace me with a "No, thank you" | 0:33:45 | 0:33:47 | |
when I offer you a sandwich. | 0:33:47 | 0:33:48 | |
So, come on. What's up? | 0:33:48 | 0:33:50 | |
Catherine told me about your dad. | 0:33:52 | 0:33:54 | |
My dad? | 0:33:54 | 0:33:56 | |
Yes! What happened when you were six. | 0:33:56 | 0:33:58 | |
This really big thing about your past and I had no idea about it. | 0:33:58 | 0:34:03 | |
I'm your partner, your friend. | 0:34:03 | 0:34:05 | |
I should know that about you, Dwayne. | 0:34:05 | 0:34:07 | |
And that's why you're sulking?! | 0:34:07 | 0:34:09 | |
-I'm not sulking. -You are! | 0:34:09 | 0:34:11 | |
No, I'm not. | 0:34:11 | 0:34:12 | |
You know what, JP? | 0:34:17 | 0:34:19 | |
You're right. | 0:34:19 | 0:34:20 | |
I should've told you about it. | 0:34:20 | 0:34:22 | |
Sorry I didn't. | 0:34:23 | 0:34:24 | |
I guess I just liked you being the one friend I have | 0:34:26 | 0:34:28 | |
who didn't know anything about it. You know? | 0:34:28 | 0:34:30 | |
A special friend. | 0:34:32 | 0:34:34 | |
Well... | 0:34:41 | 0:34:42 | |
You know what? | 0:34:42 | 0:34:44 | |
I'll forget everything I know about your dad. | 0:34:44 | 0:34:47 | |
Yes, I'll... I'll just un-know it. | 0:34:47 | 0:34:49 | |
We can go back to the way things were. | 0:34:50 | 0:34:53 | |
Our special friendship. | 0:34:53 | 0:34:55 | |
MUSIC: Your Love Is Amazing by Delroy Wilson | 0:35:06 | 0:35:08 | |
Apparently they really hit it off at JP's wedding. | 0:35:08 | 0:35:10 | |
They sometimes meet for coffee in Honore. Who knew? | 0:35:10 | 0:35:14 | |
Well, they're not drinking coffee tonight - | 0:35:14 | 0:35:17 | |
they're halfway through the bottle already. | 0:35:17 | 0:35:19 | |
-I think perhaps I should go and rescue her. -Mm. | 0:35:19 | 0:35:22 | |
# Your love is amazing... # | 0:35:22 | 0:35:27 | |
So, how are things? | 0:35:30 | 0:35:32 | |
Well, I think I've got my answer. | 0:35:33 | 0:35:35 | |
-Really? -Yeah. | 0:35:35 | 0:35:36 | |
Seems like Martha's heart is very much in London, | 0:35:36 | 0:35:39 | |
rather than Saint Marie. | 0:35:39 | 0:35:41 | |
I'm sorry, sir. | 0:35:41 | 0:35:43 | |
Well... | 0:35:43 | 0:35:44 | |
at least now I know. | 0:35:44 | 0:35:46 | |
-Humphrey? -Yes. | 0:35:49 | 0:35:51 | |
Selwyn's just been telling me about his dancing. | 0:35:51 | 0:35:54 | |
-His dancing? -Yeah, apparently he's really rather good. | 0:35:54 | 0:35:57 | |
-Really? -And it made me realise that we've never danced together. | 0:35:57 | 0:36:00 | |
Well, yes, I suppose we haven't. | 0:36:00 | 0:36:02 | |
So I think, we should have our first dance, | 0:36:02 | 0:36:05 | |
on our last night. | 0:36:05 | 0:36:07 | |
Er, yeah, the thing is... I mean... | 0:36:07 | 0:36:09 | |
I'm not really a dancing... | 0:36:09 | 0:36:12 | |
Yes, er... | 0:36:12 | 0:36:13 | |
# Now I'm gonna love you my whole life through | 0:36:13 | 0:36:19 | |
# Cos no-one ever loves... # | 0:36:19 | 0:36:23 | |
I think maybe we should leave them alone. | 0:36:23 | 0:36:26 | |
Let's just slip out this way. | 0:36:28 | 0:36:30 | |
# Your love is amazing | 0:36:32 | 0:36:37 | |
# Darling, ooh... # | 0:36:40 | 0:36:43 | |
Um... | 0:36:45 | 0:36:46 | |
-Oh! -Yes. | 0:36:48 | 0:36:49 | |
Have you been drinking my rum? | 0:36:50 | 0:36:53 | |
Hah! | 0:36:53 | 0:36:54 | |
Why are you smiling? | 0:36:54 | 0:36:56 | |
You make me smile. | 0:36:57 | 0:36:59 | |
-Humphrey? -Yes. | 0:37:07 | 0:37:09 | |
How do you feel about me? | 0:37:11 | 0:37:13 | |
-Sorry? -You never tell me. | 0:37:14 | 0:37:18 | |
Well, I never tell you about how I feel. | 0:37:19 | 0:37:23 | |
But... | 0:37:24 | 0:37:26 | |
..if I'm honest, there are things that I want to tell you... | 0:37:27 | 0:37:33 | |
..but I don't know whether you... | 0:37:34 | 0:37:37 | |
..want to hear them. | 0:37:38 | 0:37:40 | |
Well... | 0:37:46 | 0:37:48 | |
I mean... | 0:37:48 | 0:37:50 | |
..there are some things I-I want to say. | 0:37:52 | 0:37:55 | |
I-I wasn't sure how you'd react. | 0:37:58 | 0:38:01 | |
And-And I don't know how you feel. | 0:38:05 | 0:38:07 | |
But... | 0:38:08 | 0:38:09 | |
..well, I... | 0:38:11 | 0:38:12 | |
..I think... | 0:38:13 | 0:38:14 | |
..no, I don't think, I know. | 0:38:16 | 0:38:18 | |
I'm in love with you and I don't want you to go. | 0:38:21 | 0:38:25 | |
Basically. | 0:38:26 | 0:38:28 | |
Mar? | 0:38:32 | 0:38:33 | |
Martha. | 0:38:36 | 0:38:37 | |
Mar? | 0:38:38 | 0:38:40 | |
Dwayne! Wake up! He's on the move! | 0:38:55 | 0:38:57 | |
What's he got in that toolbox? | 0:39:39 | 0:39:41 | |
I'm watching where it landed! | 0:39:46 | 0:39:48 | |
Still watching. | 0:39:53 | 0:39:55 | |
Quickly. Let's go. | 0:40:03 | 0:40:05 | |
OK, JP, in you go. | 0:40:17 | 0:40:19 | |
-Me? -Yes, you! I'm watching the spot. | 0:40:19 | 0:40:22 | |
Oh... | 0:40:22 | 0:40:23 | |
-Get in there, JP! -OK. | 0:40:30 | 0:40:32 | |
My eyes are burning me! Get in! | 0:40:32 | 0:40:35 | |
Ooh! Oh! | 0:40:37 | 0:40:38 | |
Oh, oh, oh, oh! | 0:40:38 | 0:40:40 | |
Forward, forward. | 0:40:42 | 0:40:43 | |
Keep going. | 0:40:44 | 0:40:46 | |
Left a bit. | 0:40:46 | 0:40:48 | |
There, there, there. | 0:40:48 | 0:40:49 | |
Right there, where you are, JP! | 0:40:49 | 0:40:51 | |
Ooh... OK! | 0:40:51 | 0:40:52 | |
Oh, come on, JP! | 0:40:55 | 0:40:57 | |
Yessi! | 0:41:08 | 0:41:09 | |
Yessi! | 0:41:12 | 0:41:14 | |
Good morning. | 0:41:22 | 0:41:24 | |
I don't think I feel very well. | 0:41:24 | 0:41:26 | |
Right. | 0:41:26 | 0:41:27 | |
Thank you. | 0:41:30 | 0:41:32 | |
Oh... | 0:41:34 | 0:41:36 | |
-Did we dance last night? -Yes, we did. | 0:41:36 | 0:41:39 | |
Don't you remember? | 0:41:40 | 0:41:42 | |
Vaguely. | 0:41:42 | 0:41:43 | |
-I remember Selwyn opening some rum. -Mm. | 0:41:43 | 0:41:46 | |
It's all a bit hazy after that. | 0:41:46 | 0:41:48 | |
What about our conversation? | 0:41:50 | 0:41:53 | |
No. | 0:41:53 | 0:41:55 | |
Why what were we saying? | 0:41:55 | 0:41:56 | |
Well. The, erm... | 0:41:58 | 0:42:00 | |
the gist of it seemed to be that you thought that I didn't... | 0:42:00 | 0:42:04 | |
-HORN BLARES -Who's that? | 0:42:04 | 0:42:06 | |
Chief! | 0:42:08 | 0:42:10 | |
-You've got to come, we've had a breakthrough. -What, now? | 0:42:10 | 0:42:13 | |
Yes, Chief. Now. | 0:42:13 | 0:42:14 | |
Madame. | 0:42:14 | 0:42:16 | |
Your flight's at two, right? | 0:42:16 | 0:42:18 | |
I'll be back in time to take you to the airport. We need to talk. | 0:42:18 | 0:42:20 | |
-But.... -I'll be back by one, I promise. | 0:42:20 | 0:42:22 | |
OK. | 0:42:22 | 0:42:23 | |
See you later. | 0:42:23 | 0:42:25 | |
Bye. | 0:42:25 | 0:42:26 | |
-COUGHING -What is it? | 0:42:29 | 0:42:31 | |
Recognise this? | 0:42:33 | 0:42:34 | |
Everything points to Archer being our killer - | 0:42:37 | 0:42:39 | |
the gun, the money he was taking from Jerome, the e-mail - | 0:42:39 | 0:42:42 | |
but how did he manage to kill Jerome out on the cricket pitch | 0:42:42 | 0:42:44 | |
when there are three witnesses who can alibi him | 0:42:44 | 0:42:47 | |
as being inside the clubhouse when it happened? | 0:42:47 | 0:42:49 | |
OK, Chief, Archer's in the cell. | 0:42:49 | 0:42:50 | |
-Let me know when you want to talk to him. -Thank you, Dwayne. | 0:42:50 | 0:42:52 | |
It might be a little while yet. | 0:42:52 | 0:42:54 | |
I'm afraid everything's a little jumbled in my head at the moment. | 0:42:54 | 0:42:57 | |
-A bit like this, really. -Oh, just do the old short cut! | 0:42:57 | 0:43:01 | |
Take it apart, then put it back together again | 0:43:01 | 0:43:02 | |
with all the colours in the right place. | 0:43:02 | 0:43:04 | |
No-one will ever know the difference. | 0:43:04 | 0:43:06 | |
Is that a short cut or is that cheating? | 0:43:06 | 0:43:08 | |
You say potahto, I say potato. | 0:43:08 | 0:43:11 | |
-Dwayne, what did you say? -You say potato, I say potahto. | 0:43:13 | 0:43:15 | |
-No, no, before that - the short cut thing. -Oh! | 0:43:15 | 0:43:18 | |
That you take it apart and put it back together the way you want it. | 0:43:18 | 0:43:20 | |
Dwayne, you're absolutely right, of course that's what you do - | 0:43:20 | 0:43:23 | |
and no-one would ever know. | 0:43:23 | 0:43:25 | |
Jerry, wake... | 0:43:26 | 0:43:28 | |
Excuse me? | 0:43:30 | 0:43:32 | |
I saw him hand Archer an envelope of cash. | 0:43:33 | 0:43:36 | |
Jerry didn't seem happy about handing over the money. | 0:43:36 | 0:43:39 | |
I would have done anything for him. | 0:43:40 | 0:43:43 | |
Oh, very clever, Gus. | 0:43:43 | 0:43:44 | |
Very clever indeed. But why? | 0:43:44 | 0:43:47 | |
What is it you know that we don't? | 0:43:48 | 0:43:50 | |
Of course, that's what you know... | 0:43:54 | 0:43:56 | |
Dwayne, JP, I need you to get to Gus Coleman's house. | 0:43:57 | 0:44:00 | |
Yes, Chief. What are we looking for? | 0:44:00 | 0:44:02 | |
A blue hooded jacket. | 0:44:02 | 0:44:03 | |
JP. | 0:44:03 | 0:44:04 | |
Florence, kindly ask the Commissioner | 0:44:04 | 0:44:06 | |
to meet us at the cricket ground. | 0:44:06 | 0:44:07 | |
-It's time for us to do our thing. -Yes, sir. | 0:44:07 | 0:44:10 | |
Ahem... | 0:44:19 | 0:44:20 | |
Thank you all for coming. | 0:44:20 | 0:44:22 | |
You know, at the heart of Jerome's death lay a number of questions. | 0:44:26 | 0:44:30 | |
Let me clear the first one up for you. | 0:44:30 | 0:44:32 | |
Why did Jerome end up out on the cricket pitch | 0:44:33 | 0:44:37 | |
when he was supposedly going to get some more beers from the office? | 0:44:37 | 0:44:41 | |
Because Jerome never had any intention of getting any beers. | 0:44:43 | 0:44:45 | |
The wicket was always his primary destination. | 0:44:47 | 0:44:50 | |
Now, the second problem is how did the killer manage to leave | 0:44:51 | 0:44:54 | |
the clubhouse bar unnoticed, when you were all there together | 0:44:54 | 0:44:57 | |
at the time Jerome was shot? | 0:44:57 | 0:44:59 | |
Well, as it turns out... | 0:45:00 | 0:45:03 | |
you did see his killer leave the bar. | 0:45:03 | 0:45:05 | |
And I think you know exactly who it was... | 0:45:07 | 0:45:09 | |
..don't you, Gus? | 0:45:11 | 0:45:12 | |
-Sorry? -Because you've been leading us round the houses | 0:45:13 | 0:45:16 | |
since the moment you discovered Jerome's body out here on the pitch. | 0:45:16 | 0:45:20 | |
I don't know what you're talking about. | 0:45:20 | 0:45:21 | |
I must say you've done a very good job of it. | 0:45:21 | 0:45:23 | |
I mean, only an hour ago we arrested Archer for murder. | 0:45:23 | 0:45:26 | |
That's how sure we were that it was him. | 0:45:26 | 0:45:28 | |
But it wasn't him, was it? | 0:45:28 | 0:45:30 | |
Archer didn't fire the gun that killed Jerome. | 0:45:30 | 0:45:33 | |
Did he? | 0:45:33 | 0:45:35 | |
Please tell me it wasn't you, Gus? | 0:45:36 | 0:45:38 | |
No. | 0:45:42 | 0:45:44 | |
Gus didn't kill Jerome either. | 0:45:46 | 0:45:48 | |
I'm sorry to have to tell you, Mrs Martin, Torey. | 0:45:49 | 0:45:53 | |
Jerome took his own life. | 0:45:54 | 0:45:56 | |
He fired the gun. | 0:45:58 | 0:45:59 | |
At 6am, having told you he was getting some beers... | 0:46:00 | 0:46:02 | |
We're running low on beers, I'll go get some. | 0:46:02 | 0:46:05 | |
..Jerome went into the office. | 0:46:05 | 0:46:07 | |
He opened the safe, took out the gun and one bullet, | 0:46:07 | 0:46:12 | |
then walked out into the middle of the cricket square. | 0:46:12 | 0:46:14 | |
Loaded the gun, | 0:46:14 | 0:46:16 | |
shot himself in the heart. | 0:46:16 | 0:46:17 | |
GUNSHOT | 0:46:17 | 0:46:19 | |
Why? Why would Jerry kill himself? | 0:46:19 | 0:46:22 | |
Because Mr Browne here was blackmailing him. | 0:46:22 | 0:46:26 | |
That's where all your savings had gone the last few months. | 0:46:27 | 0:46:30 | |
Blackmailing him? | 0:46:32 | 0:46:34 | |
Over what? | 0:46:34 | 0:46:35 | |
Jerome believed he was responsible for your accident, | 0:46:35 | 0:46:38 | |
that the car had a mechanical fault, | 0:46:38 | 0:46:41 | |
and because he forgot to get the MOT done, | 0:46:41 | 0:46:44 | |
he was to blame for you ending up in a wheelchair. | 0:46:44 | 0:46:46 | |
But the crash report proved that wasn't the case. | 0:46:46 | 0:46:48 | |
There was nothing wrong with the car. | 0:46:48 | 0:46:50 | |
Except Jerome believed the car wreck had been doctored | 0:46:50 | 0:46:54 | |
and the crash report consequently falsified. | 0:46:54 | 0:46:57 | |
Didn't he, Mr Browne? | 0:46:57 | 0:46:58 | |
See, with gambling debts mounting, | 0:47:00 | 0:47:02 | |
and realising that Jerome hadn't put the vehicle in for its yearly MOT, | 0:47:02 | 0:47:06 | |
you saw an opportunity to make some quick money. | 0:47:06 | 0:47:09 | |
The night the car wreck arrived at Archer's garage for assessment, | 0:47:11 | 0:47:15 | |
you and Gus checked it and there was nothing wrong with it. | 0:47:15 | 0:47:18 | |
"There is no evidence of any mechanical malfunction | 0:47:18 | 0:47:20 | |
"that might have led to this crash." | 0:47:20 | 0:47:22 | |
I think you then realised that, if you were canny | 0:47:24 | 0:47:26 | |
and could speak to Jerome before Gus did, | 0:47:26 | 0:47:28 | |
you could convince Mr Martin that there was a fault with the car | 0:47:28 | 0:47:32 | |
and that he was responsible for Torey's accident. | 0:47:32 | 0:47:35 | |
And knowing how much Jerome cared for Torey, | 0:47:36 | 0:47:39 | |
Archer knew he would do anything to keep you finding out. | 0:47:39 | 0:47:42 | |
So we assume Archer went to see Jerome that same night. | 0:47:42 | 0:47:46 | |
He lied to him and said the brakes were faulty. | 0:47:46 | 0:47:49 | |
He also said that no-one else had looked at them. | 0:47:50 | 0:47:54 | |
Archer told Jerome he could fix the faulty brakes | 0:47:54 | 0:47:57 | |
and make the problem go away. | 0:47:57 | 0:47:59 | |
So that by the time anyone else saw the car, | 0:48:00 | 0:48:03 | |
they would be none the wiser - | 0:48:03 | 0:48:05 | |
all on the condition Jerome agreed to pay 5,000 a week | 0:48:05 | 0:48:10 | |
to buy his silence. | 0:48:10 | 0:48:12 | |
So Jerome paid up week in, week out, | 0:48:12 | 0:48:15 | |
till there's nothing left to pay. | 0:48:15 | 0:48:17 | |
Which is when, with the prospect of Archer finally revealing the truth, | 0:48:17 | 0:48:21 | |
and already racked with the guilt | 0:48:21 | 0:48:22 | |
of what he thought he'd done to his own son... | 0:48:22 | 0:48:24 | |
..Jerome decided to take his own life. | 0:48:27 | 0:48:29 | |
An act based on a lie. | 0:48:29 | 0:48:32 | |
A lie that you, Mr Browne, perpetrated. | 0:48:32 | 0:48:36 | |
But if this WAS suicide... | 0:48:36 | 0:48:39 | |
why did it look so much like murder? | 0:48:39 | 0:48:41 | |
Er, well, sir, because someone decided to confuse us | 0:48:41 | 0:48:44 | |
and stage Jerome's death to look like murder, | 0:48:44 | 0:48:47 | |
didn't they, Gus? | 0:48:47 | 0:48:48 | |
Because the truth is, when you found Jerome, | 0:48:50 | 0:48:53 | |
there were two items you removed from the crime scene. | 0:48:53 | 0:48:55 | |
Jerry, wake... | 0:48:55 | 0:48:57 | |
The first was the gun. | 0:48:58 | 0:48:59 | |
There was something else you found, as well, wasn't there? | 0:49:01 | 0:49:04 | |
There was a suicide note. | 0:49:07 | 0:49:08 | |
See, when I realised what had gone on, | 0:49:10 | 0:49:12 | |
that this wasn't murder but suicide, | 0:49:12 | 0:49:14 | |
the one missing piece of the jigsaw was how you knew | 0:49:14 | 0:49:17 | |
exactly why Jerome had killed himself. | 0:49:17 | 0:49:19 | |
Jerome was a man of conscience. | 0:49:20 | 0:49:21 | |
It's unlikely that he'd carry out an act like this | 0:49:21 | 0:49:23 | |
without some sort of explanation. So where was the suicide note? | 0:49:23 | 0:49:26 | |
And then I remembered | 0:49:26 | 0:49:28 | |
when you were searched before leaving the cricket ground, | 0:49:28 | 0:49:30 | |
you had a folded piece of paper on you. | 0:49:30 | 0:49:33 | |
You knew we'd be looking for the gun and would pay no attention to it, | 0:49:33 | 0:49:36 | |
but I think that document was the other piece of evidence | 0:49:36 | 0:49:39 | |
pointing to the truth of what Jerome did. | 0:49:39 | 0:49:41 | |
This is the jacket you were wearing that morning, Gus. | 0:49:44 | 0:49:47 | |
"My beloved Torey, you are my most precious thing in this world. | 0:50:07 | 0:50:12 | |
"That's why my heart is breaking each time I look at you. | 0:50:14 | 0:50:18 | |
"Your accident was my fault. | 0:50:21 | 0:50:23 | |
"The brakes failed because I-I didn't get them checked. | 0:50:25 | 0:50:28 | |
"Archer knows the truth. | 0:50:31 | 0:50:33 | |
"I can't bear going on knowing what I've done to you, | 0:50:35 | 0:50:38 | |
"and knowing you will find out, | 0:50:38 | 0:50:40 | |
"I can't face life with you blaming me. | 0:50:40 | 0:50:43 | |
"Goodbye, son. All my love, Dad." | 0:50:46 | 0:50:49 | |
So when you found that note and read it, | 0:50:54 | 0:50:56 | |
I think you realised exactly what had gone on. | 0:50:56 | 0:50:58 | |
We know that you'd seen Jerome passing Archer cash, | 0:50:58 | 0:51:01 | |
so it would have been easy for you to join the dots... | 0:51:01 | 0:51:04 | |
and because you'd also taken a look at the wreck of Torey's car, | 0:51:04 | 0:51:07 | |
you knew the brakes were working fine. | 0:51:07 | 0:51:10 | |
That Archer had sold Jerome a lie, | 0:51:10 | 0:51:12 | |
and that's why he was lying in front of you, dead. | 0:51:12 | 0:51:15 | |
As you stood over the body of your oldest friend, angry, enraged... | 0:51:15 | 0:51:18 | |
you resolved to avenge his senseless death. | 0:51:18 | 0:51:21 | |
And I think you decided in that brief moment | 0:51:21 | 0:51:24 | |
that you would do all you can to make it look like | 0:51:24 | 0:51:27 | |
Archer had murdered Jerome. | 0:51:27 | 0:51:29 | |
He as good as did. | 0:51:31 | 0:51:33 | |
So you removed the two pieces of evidence pointing to suicide | 0:51:33 | 0:51:36 | |
from the crime scene. | 0:51:36 | 0:51:38 | |
You then moved the shell casing to convince us | 0:51:38 | 0:51:41 | |
the shot had been fired from a few metres away. | 0:51:41 | 0:51:43 | |
You then seized your moment as we were out by Jerome's body | 0:51:43 | 0:51:46 | |
to stash the gun in the police jeep, | 0:51:46 | 0:51:48 | |
knowing it would be the last place where we would look for the gun. | 0:51:48 | 0:51:51 | |
That's why we found you loitering by the clubhouse that morning. | 0:51:52 | 0:51:55 | |
You later planned your moment to retrieve the gun, | 0:51:55 | 0:51:58 | |
and as you did you planted some material from Archer's overalls, | 0:51:58 | 0:52:01 | |
leaving the bonnet ajar to make sure we'd find it. | 0:52:01 | 0:52:03 | |
And having done all that, | 0:52:05 | 0:52:07 | |
the final nail in Archer's coffin - you planted the gun in Archer's flat | 0:52:07 | 0:52:10 | |
I mean, as it was, Archer came across it first and panicked, | 0:52:12 | 0:52:15 | |
tried to get rid of it, | 0:52:15 | 0:52:16 | |
but because you'd primed us to think he was our man, | 0:52:16 | 0:52:18 | |
we were already there waiting to catch him in the act. | 0:52:18 | 0:52:20 | |
I'm watching where it landed. | 0:52:20 | 0:52:22 | |
At which point we arrested Archer for murder. | 0:52:22 | 0:52:24 | |
Your plan had worked. | 0:52:25 | 0:52:26 | |
Except... | 0:52:26 | 0:52:28 | |
we still didn't know how he could've done it. | 0:52:28 | 0:52:30 | |
The only flaw in your plan was that Archer, just like the rest of you, | 0:52:32 | 0:52:35 | |
had a rock-solid alibi for the time of the murder, | 0:52:35 | 0:52:38 | |
simply because there was no murder. | 0:52:38 | 0:52:40 | |
You were all in the clubhouse when Jerome took his own life. | 0:52:40 | 0:52:45 | |
So what happens now? | 0:52:45 | 0:52:47 | |
Is he going to get away with this? | 0:52:47 | 0:52:49 | |
I'm sorry, Mrs Martin, but we can't arrest Mr Browne for murder. | 0:52:49 | 0:52:52 | |
Even though his actions were directly responsible | 0:52:52 | 0:52:55 | |
for Jerome sadly taking his own life. | 0:52:55 | 0:52:58 | |
But he will be charged with blackmail, | 0:52:59 | 0:53:00 | |
perverting the course of justice. | 0:53:00 | 0:53:02 | |
Manslaughter, maybe. | 0:53:02 | 0:53:03 | |
I imagine when it's put before a judge, | 0:53:04 | 0:53:07 | |
the sentence handed down won't be far off that given for murder. | 0:53:07 | 0:53:11 | |
JP. | 0:53:11 | 0:53:12 | |
Thank you, Inspector. | 0:53:25 | 0:53:27 | |
-You did us proud. -Thank you, sir. | 0:53:28 | 0:53:31 | |
Please excuse me, sir. | 0:53:31 | 0:53:32 | |
Some place I have to be, I'm afraid. | 0:53:32 | 0:53:34 | |
-Chief? -Go get her, sir. -Thank you. | 0:53:34 | 0:53:37 | |
Martha! Martha? | 0:53:49 | 0:53:52 | |
Martha? | 0:53:56 | 0:53:57 | |
Chief? | 0:54:21 | 0:54:22 | |
"Dear Humphrey, | 0:54:32 | 0:54:34 | |
"Being with you is the best thing that ever happened to me. | 0:54:34 | 0:54:37 | |
"And leaving you..." | 0:54:37 | 0:54:39 | |
-MARTHA: -"..is the hardest thing I've ever had to do. | 0:54:39 | 0:54:41 | |
"I'm sorry I couldn't face an actual goodbye. | 0:54:41 | 0:54:43 | |
"You're amazing. | 0:54:43 | 0:54:45 | |
"I'm going to miss you so much. | 0:54:45 | 0:54:47 | |
"Take care. | 0:54:47 | 0:54:49 | |
"Ever, Martha." | 0:54:49 | 0:54:51 | |
I've lost her, Dwayne. | 0:54:54 | 0:54:55 | |
Not necessarily. | 0:54:57 | 0:54:59 | |
We can still catch her at the airport. | 0:54:59 | 0:55:02 | |
Chief! Come on! | 0:55:02 | 0:55:04 | |
Airport! Martha! | 0:55:04 | 0:55:07 | |
That's it, that's her plane! | 0:55:20 | 0:55:23 | |
Go! Go! | 0:55:23 | 0:55:24 | |
Go! | 0:55:26 | 0:55:27 | |
Faster! We've got to get closer! | 0:55:50 | 0:55:53 | |
-OK, OK! -Get closer! | 0:55:53 | 0:55:55 | |
There she is! | 0:56:08 | 0:56:09 | |
Martha! Martha! | 0:56:09 | 0:56:12 | |
Martha! | 0:56:12 | 0:56:14 | |
Martha! Martha it's me, look this way, please! | 0:56:19 | 0:56:23 | |
Martha! | 0:56:27 | 0:56:28 | |
I love you! | 0:56:28 | 0:56:30 | |
Martha, please don't go! | 0:56:33 | 0:56:35 | |
No! NO! | 0:56:40 | 0:56:43 | |
She's gone. | 0:56:55 | 0:56:56 | |
-You miss her, don't you? -Quite a lot, actually. | 0:56:58 | 0:57:01 | |
My partner Tom, | 0:57:01 | 0:57:02 | |
the boat's gone and he's not answering his phone. | 0:57:02 | 0:57:04 | |
Sir, he's dead. | 0:57:05 | 0:57:06 | |
You can't seriously think that one of us killed Tom? | 0:57:07 | 0:57:10 | |
He got the first flight back to London at 6am. | 0:57:11 | 0:57:14 | |
We can send a small team to the UK to work on the case. | 0:57:14 | 0:57:17 | |
You are to liaise with Detective Inspector Jack Mooney. | 0:57:19 | 0:57:23 |