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Everything all right, Chief? | 0:00:10 | 0:00:12 | |
Well, it's just this final section here, Dwayne. | 0:00:12 | 0:00:14 | |
"Weaknesses and areas for improvement." | 0:00:14 | 0:00:17 | |
What about it? | 0:00:17 | 0:00:18 | |
Well, it appears you've left it blank. | 0:00:18 | 0:00:20 | |
Mm-hm. | 0:00:20 | 0:00:22 | |
Did you, er...forget to fill it in? | 0:00:22 | 0:00:24 | |
No. | 0:00:24 | 0:00:25 | |
I did try, Chief. I really racked my brains. | 0:00:25 | 0:00:28 | |
But I just couldn't think of anything. | 0:00:28 | 0:00:31 | |
I see. Oh, well, then, | 0:00:31 | 0:00:33 | |
I suppose all we can do is take the fact | 0:00:33 | 0:00:35 | |
that it seems that you are entirely without fault...as a positive? | 0:00:35 | 0:00:40 | |
I should say so, Chief. | 0:00:40 | 0:00:42 | |
OK. | 0:00:42 | 0:00:43 | |
Good! Well, thank you, Dwayne. | 0:00:43 | 0:00:46 | |
That concludes your annual appraisal. | 0:00:46 | 0:00:48 | |
Thank you, Chief. Yes. | 0:00:48 | 0:00:50 | |
JP, you're up first thing tomorrow. | 0:00:50 | 0:00:52 | |
Yes, sir. | 0:00:52 | 0:00:54 | |
Why are we having to do appraisals all of a sudden? | 0:00:54 | 0:00:56 | |
A directive from on high, Florence. The Commissioner's office, no less. | 0:00:56 | 0:01:00 | |
Now, I'm sure he has good reason. | 0:01:03 | 0:01:06 | |
Well, I reckon that's it for today. | 0:01:06 | 0:01:08 | |
We've all got homes to go to, as they say. | 0:01:08 | 0:01:10 | |
Night, sir. Night, Florence. | 0:01:12 | 0:01:15 | |
Night, sir. JP. | 0:01:15 | 0:01:17 | |
Night, Chief. Dwayne. | 0:01:17 | 0:01:20 | |
Oh, good evening, Humphrey. Evening, Catherine. | 0:01:26 | 0:01:29 | |
Any chance of a table for one? | 0:01:29 | 0:01:30 | |
Oh, there's one over there. | 0:01:30 | 0:01:32 | |
Thank you. | 0:01:32 | 0:01:34 | |
LAUGHTER AND CHATTER | 0:01:34 | 0:01:38 | |
Come on, we should go, we should go. | 0:01:38 | 0:01:39 | |
Thank you, thank you... | 0:01:39 | 0:01:41 | |
Bye. | 0:01:43 | 0:01:44 | |
Thank you so much. | 0:01:45 | 0:01:48 | |
I'll be ten minutes. No more. | 0:02:16 | 0:02:17 | |
Promise. | 0:02:17 | 0:02:19 | |
How was the food? | 0:02:27 | 0:02:29 | |
Delicious. Thank you. | 0:02:29 | 0:02:30 | |
Oh...you and Martha. | 0:02:30 | 0:02:33 | |
Erm... | 0:02:33 | 0:02:34 | |
Yes. | 0:02:35 | 0:02:36 | |
You miss her, don't you? | 0:02:36 | 0:02:38 | |
Quite a lot, actually. | 0:02:40 | 0:02:41 | |
You can't convince her to come back? | 0:02:43 | 0:02:45 | |
I think I sort of missed my moment, Catherine. | 0:02:45 | 0:02:48 | |
If you love someone, you should tell them. | 0:02:49 | 0:02:52 | |
Throw yourself at their feet and declare it to the world. | 0:02:52 | 0:02:55 | |
Beg, if that's what it takes. | 0:02:55 | 0:02:57 | |
That's very French of you, Catherine. | 0:02:57 | 0:03:00 | |
And so English of you not to. | 0:03:00 | 0:03:02 | |
Perhaps. | 0:03:02 | 0:03:04 | |
I've made my bed, and I'll lie in it. | 0:03:08 | 0:03:12 | |
Alone. | 0:03:12 | 0:03:13 | |
Goodnight. Goodnight. | 0:03:13 | 0:03:17 | |
THUNDER RUMBLES | 0:03:24 | 0:03:27 | |
Tom, please. | 0:03:27 | 0:03:29 | |
I'm...I'm really worried about you. I... | 0:03:29 | 0:03:33 | |
Just call me when you get this, OK? | 0:03:33 | 0:03:35 | |
Is everything all right? | 0:03:35 | 0:03:36 | |
Sorry, erm...I heard you on your phone. | 0:03:36 | 0:03:38 | |
You sounded worried. Are you OK? | 0:03:38 | 0:03:39 | |
Well it's...it's my partner, Tom. He's... | 0:03:39 | 0:03:42 | |
Well, he's supposed to be here, on our boat, | 0:03:42 | 0:03:44 | |
and the boat's gone and he's not answering his phone, so... | 0:03:44 | 0:03:47 | |
OK, look. I'm a police officer, | 0:03:47 | 0:03:49 | |
so let's try and get hold of the harbour master, | 0:03:49 | 0:03:51 | |
see if he can make contact, OK? | 0:03:51 | 0:03:53 | |
Look, it's starting to rain. Come on. | 0:03:54 | 0:03:57 | |
There's been no response from Mr Lewis all night, | 0:04:14 | 0:04:16 | |
neither by phone nor radio. | 0:04:16 | 0:04:18 | |
Now, the harbour master's got a fix on the missing boat. | 0:04:18 | 0:04:20 | |
But we've been waiting for the storm to pass to be able to get out there. | 0:04:20 | 0:04:23 | |
JP, would you mind staying here and waiting with Miss Boyd? | 0:04:23 | 0:04:26 | |
Sure. All right. Let's go find out what happened. | 0:04:26 | 0:04:28 | |
Hello! Honore Police! Anyone on board? | 0:04:45 | 0:04:49 | |
POLICE! | 0:04:52 | 0:04:54 | |
Sir! | 0:04:54 | 0:04:55 | |
He's dead. | 0:05:03 | 0:05:04 | |
Chief? | 0:05:41 | 0:05:42 | |
No sign of anyone below. | 0:05:42 | 0:05:45 | |
Oh. | 0:05:45 | 0:05:47 | |
He must have been out in the storm when the boom dropped. | 0:05:47 | 0:05:49 | |
Hit him on the head. | 0:05:49 | 0:05:50 | |
He and his partner charter the boat out to tourists, | 0:05:50 | 0:05:53 | |
so he's an experienced sailor. | 0:05:53 | 0:05:55 | |
Then why would he take a boat out in such bad weather? | 0:05:55 | 0:05:57 | |
Good question, Dwayne. | 0:05:57 | 0:05:59 | |
His partner said he left her at Catherine's Bar | 0:06:03 | 0:06:05 | |
to secure the boat in preparation for the storm. | 0:06:05 | 0:06:07 | |
That was about ten o'clock. | 0:06:07 | 0:06:09 | |
After an hour, he hadn't returned, so she came to find him. | 0:06:09 | 0:06:12 | |
Both he and the boat were gone. | 0:06:14 | 0:06:16 | |
Something the matter, sir? | 0:06:16 | 0:06:18 | |
Why is the blood from his wound dry? | 0:06:18 | 0:06:20 | |
Er...sorry, Chief, I don't understand. | 0:06:20 | 0:06:22 | |
Well, imagine it, Dwayne. Our victim is on deck. | 0:06:22 | 0:06:25 | |
The weather's at its worst. | 0:06:25 | 0:06:26 | |
The boom drops, hits him on the head - bang! | 0:06:26 | 0:06:29 | |
His body lies here lifeless for the rest of the night | 0:06:29 | 0:06:31 | |
as the storm rages on. | 0:06:31 | 0:06:32 | |
You'd expect the rain to wash any blood away, wouldn't you? | 0:06:32 | 0:06:35 | |
But look - it hasn't. | 0:06:35 | 0:06:37 | |
See? | 0:06:37 | 0:06:38 | |
So you think he received the injury somewhere else? | 0:06:38 | 0:06:41 | |
Somewhere it was dry. | 0:06:41 | 0:06:42 | |
And his body was moved out here after it had stopped raining, | 0:06:42 | 0:06:46 | |
to make it look like an accident? Mm-hm. | 0:06:46 | 0:06:48 | |
So he was murdered? | 0:06:48 | 0:06:50 | |
Yes, I think he may have been, Dwayne, yes. | 0:06:50 | 0:06:52 | |
Then if that's the case, where did the killer go? | 0:06:52 | 0:06:55 | |
Well, they must have had access to another boat | 0:06:57 | 0:06:59 | |
and sailed off once the deed was done. | 0:06:59 | 0:07:01 | |
We could check the radar. | 0:07:01 | 0:07:03 | |
It should have the boat's movements from last night. | 0:07:03 | 0:07:05 | |
Yes. Yes, good. | 0:07:05 | 0:07:07 | |
Here's the computer. | 0:07:12 | 0:07:14 | |
No sign of any disturbance. | 0:07:21 | 0:07:22 | |
Dwayne, check the other cabins, would you? | 0:07:22 | 0:07:24 | |
Yes, Chief. | 0:07:24 | 0:07:26 | |
We're in luck, sir. | 0:07:26 | 0:07:27 | |
The radar's been active since yesterday morning. Excellent. | 0:07:27 | 0:07:31 | |
What's that? | 0:07:44 | 0:07:46 | |
Not sure. | 0:07:46 | 0:07:48 | |
A badge or button? | 0:07:48 | 0:07:49 | |
There's a flower logo on it, maybe a tulip. | 0:07:49 | 0:07:52 | |
Sir? Mm-hm? | 0:07:57 | 0:07:58 | |
This is the radar log of the boat's movements the last 24 hours. | 0:07:58 | 0:08:02 | |
I've tracked through | 0:08:02 | 0:08:03 | |
from ten o'clock last night. | 0:08:03 | 0:08:04 | |
When he left Catherine's Bar. | 0:08:04 | 0:08:06 | |
And it seems the boat left harbour at 10:42, | 0:08:06 | 0:08:09 | |
came straight out to this position | 0:08:09 | 0:08:11 | |
and hasn't moved since. | 0:08:11 | 0:08:14 | |
No other vessels are seen in the vicinity of this one, | 0:08:14 | 0:08:17 | |
until we arrived at 7:30 this morning. | 0:08:17 | 0:08:21 | |
Here... | 0:08:21 | 0:08:22 | |
This is us arriving. You're sure? | 0:08:22 | 0:08:24 | |
No other boats came near this one all night? | 0:08:24 | 0:08:27 | |
Positive, sir. | 0:08:27 | 0:08:29 | |
Chief? I checked all the rooms and everything looks shipshape to me. | 0:08:29 | 0:08:32 | |
Er...yes, thank you. Thank you, Dwayne. | 0:08:32 | 0:08:35 | |
So...if it was murder, | 0:08:41 | 0:08:45 | |
how on earth did the killer escape? | 0:08:45 | 0:08:47 | |
Could they have swum back? | 0:08:47 | 0:08:48 | |
I doubt it - we're five miles out | 0:08:48 | 0:08:50 | |
and the sea was pretty rough last night. | 0:08:50 | 0:08:53 | |
Well, then... | 0:08:53 | 0:08:55 | |
Where did they go? | 0:08:57 | 0:08:58 | |
Miss Boyd? | 0:09:09 | 0:09:10 | |
Where's Tom? Where is he? | 0:09:10 | 0:09:13 | |
I'm so sorry. I am so sorry... | 0:09:13 | 0:09:16 | |
JP... Florence, if... SOBBING | 0:09:16 | 0:09:19 | |
Please...contact the paramedics, tell them we're releasing the body. | 0:09:19 | 0:09:23 | |
Dwayne's on his way back with Mr Lewis' boat. | 0:09:23 | 0:09:25 | |
When he returns, I want it searched from top to bottom and everything logged and photographed. | 0:09:25 | 0:09:29 | |
Yes, sir. When you've done that, I'd like you going door-to-door. | 0:09:29 | 0:09:32 | |
Or boat-to-boat, rather. | 0:09:32 | 0:09:33 | |
See if you can find anyone who was present at the harbour at 10:42, when the boat left. | 0:09:33 | 0:09:36 | |
Yes, sir. Thank you. | 0:09:36 | 0:09:38 | |
HE SIGHS | 0:09:39 | 0:09:41 | |
Sophie, I'm so sorry. It's just awful. | 0:09:56 | 0:10:00 | |
It's fine. I'm fine. | 0:10:00 | 0:10:01 | |
I-I'm Hema. This is Rachel, Lucy. | 0:10:01 | 0:10:04 | |
Detective Inspector Humphrey Goodman. | 0:10:04 | 0:10:06 | |
DS Florence Cassell. | 0:10:06 | 0:10:07 | |
We should go inside. They need to talk to us. | 0:10:08 | 0:10:11 | |
Here you are. | 0:10:19 | 0:10:20 | |
I-I'm so sorry we have to do this, Miss Boyd, so soon after... | 0:10:23 | 0:10:27 | |
I understand. I want to help. | 0:10:27 | 0:10:29 | |
Thank you. | 0:10:29 | 0:10:31 | |
Er...so, just to be clear - you've all been out | 0:10:31 | 0:10:34 | |
with Mr Lewis and Miss Boyd on their boat the last few days? | 0:10:34 | 0:10:37 | |
Yes, we chartered it for the week. | 0:10:37 | 0:10:39 | |
Hema, Lucy and I, we're celebrating our 40th birthdays. | 0:10:39 | 0:10:43 | |
We thought we'd do something special. | 0:10:43 | 0:10:44 | |
You know, leave the husband and kids at home. Celebrate in style. | 0:10:44 | 0:10:48 | |
Sophie said that you think that Tom was murdered. Is that right? | 0:10:49 | 0:10:53 | |
Yes, we do, I'm sorry to say. | 0:10:53 | 0:10:54 | |
Sophie, can you think who might have done this? | 0:10:56 | 0:11:01 | |
Did Tom have any enemies? Anyone he'd fallen out with? | 0:11:01 | 0:11:04 | |
No. That's not what Tom was like. | 0:11:04 | 0:11:08 | |
Yeah, yeah, he was... | 0:11:08 | 0:11:09 | |
He was just...lovely. | 0:11:09 | 0:11:11 | |
So who did he know here, on Saint Marie? | 0:11:11 | 0:11:15 | |
No-one. | 0:11:16 | 0:11:17 | |
No-one at all? | 0:11:23 | 0:11:24 | |
We're based on Antigua, we hardly ever come here. | 0:11:24 | 0:11:28 | |
It was us who asked to go to Saint Marie. | 0:11:28 | 0:11:30 | |
I see. | 0:11:30 | 0:11:32 | |
So the only people Tom had contact with | 0:11:32 | 0:11:34 | |
during his short period on the island was the four of you? | 0:11:34 | 0:11:38 | |
That's right. | 0:11:38 | 0:11:40 | |
Er...could you talk me through your movements last night? | 0:11:42 | 0:11:45 | |
You were all at Catherine's Bar. | 0:11:45 | 0:11:48 | |
It was their last night with us, so... | 0:11:48 | 0:11:50 | |
we all had a drink together. | 0:11:50 | 0:11:53 | |
Yeah, we...we left round eight, I think. | 0:11:53 | 0:11:55 | |
And then we all came back here for the night. | 0:11:55 | 0:11:57 | |
You didn't go out again? | 0:11:57 | 0:11:58 | |
No - we'd had a big day. | 0:11:58 | 0:12:00 | |
So we just headed straight up to our rooms. | 0:12:00 | 0:12:02 | |
Right - I don't suppose there is someone who can vouch that that was the case? | 0:12:02 | 0:12:04 | |
Sorry - you're asking us if we have alibis? | 0:12:04 | 0:12:07 | |
Yes, I'm afraid I have to. | 0:12:07 | 0:12:09 | |
We were all alone in our rooms, I'm not sure how we can prove that. | 0:12:09 | 0:12:13 | |
So how had things been between you this last week? | 0:12:13 | 0:12:15 | |
You all got on? | 0:12:15 | 0:12:17 | |
It was their holiday, of course we did. | 0:12:17 | 0:12:20 | |
I'm sorry. You can't seriously think that one of us killed Tom? | 0:12:20 | 0:12:24 | |
We've only known him five days. | 0:12:24 | 0:12:26 | |
It's like the Inspector said. We have to ask the question. | 0:12:26 | 0:12:29 | |
Well, then let me answer it for you. We all got on great. | 0:12:29 | 0:12:32 | |
Tom was nothing but friendly and charming. | 0:12:32 | 0:12:35 | |
I can't think of a single reason why anyone, let alone us, | 0:12:35 | 0:12:38 | |
would want to kill him. | 0:12:38 | 0:12:40 | |
Yes. | 0:12:40 | 0:12:41 | |
Just one last question. | 0:12:41 | 0:12:42 | |
We found, er...this on the boat. Below deck. | 0:12:42 | 0:12:45 | |
I think it's a button or something. | 0:12:45 | 0:12:48 | |
Do any of you recognise it? | 0:12:48 | 0:12:50 | |
No, I've never seen it before. | 0:12:54 | 0:12:56 | |
No. | 0:12:56 | 0:12:57 | |
OK. Well, we'll leave it there for now. | 0:13:04 | 0:13:06 | |
Oh, and, er... | 0:13:10 | 0:13:11 | |
..should any of you remember anything else, | 0:13:13 | 0:13:15 | |
anything at all, | 0:13:15 | 0:13:17 | |
this is the address of our station. | 0:13:17 | 0:13:20 | |
Please do feel free to drop by. | 0:13:22 | 0:13:25 | |
Lucy was very quiet. Yes, she was. | 0:13:33 | 0:13:35 | |
Do you think she's hiding something? | 0:13:35 | 0:13:37 | |
I think she didn't want to speak in front of the others - | 0:13:37 | 0:13:39 | |
let's see if she comes down to the station. | 0:13:39 | 0:13:42 | |
OK, thank you, thank you very much. | 0:14:06 | 0:14:08 | |
Who were those people you were talking to? | 0:14:16 | 0:14:18 | |
Just some tourists who'd chartered the boat to go fishing | 0:14:18 | 0:14:21 | |
with Mr Lewis this afternoon. | 0:14:21 | 0:14:22 | |
Anything on your side? | 0:14:22 | 0:14:24 | |
Come and take a look. | 0:14:24 | 0:14:25 | |
Blood. | 0:14:31 | 0:14:33 | |
I think you're right about Mr Lewis being killed below deck | 0:14:41 | 0:14:43 | |
and then brought up top, you know, Chief. | 0:14:43 | 0:14:45 | |
We found significant traces of blood | 0:14:45 | 0:14:47 | |
on the steps leading up from the cabin. | 0:14:47 | 0:14:49 | |
Yes - whoever did it must have cleaned up | 0:14:49 | 0:14:50 | |
after they moved the body...or tried to. | 0:14:50 | 0:14:52 | |
Excellent news. Well done, Dwayne. I'm going to get the samples we took to the lab, | 0:14:52 | 0:14:55 | |
see if they match our victim's blood. | 0:14:55 | 0:14:57 | |
How did you get on asking round the harbour? | 0:14:57 | 0:14:59 | |
Anyone able to shed any light on last night's events? | 0:14:59 | 0:15:01 | |
Not really, sir. But it was fairly quiet. | 0:15:01 | 0:15:03 | |
A lot of the fishermen are still out at sea. | 0:15:03 | 0:15:05 | |
But I thought Dwayne and I could go back first thing tomorrow | 0:15:05 | 0:15:07 | |
and speak to them before they head out for the morning catch. | 0:15:07 | 0:15:10 | |
Yes, good idea. Right... | 0:15:10 | 0:15:11 | |
So, let's have a look at what we've got so far. | 0:15:11 | 0:15:14 | |
Our victim - Tom Lewis. 50 years old. | 0:15:14 | 0:15:16 | |
Co-owner of a boat charter business. | 0:15:16 | 0:15:18 | |
By all accounts, a friendly and likeable man. | 0:15:18 | 0:15:21 | |
And, most importantly, | 0:15:21 | 0:15:22 | |
an infrequent visitor to this fair isle. | 0:15:22 | 0:15:24 | |
Which means, as far as we're aware, | 0:15:24 | 0:15:26 | |
the only people he knew on Saint Marie | 0:15:26 | 0:15:28 | |
were these three women here | 0:15:28 | 0:15:29 | |
and his partner, Sophie Boyd. | 0:15:29 | 0:15:32 | |
Originally from Cornwall. Left school when she was 18. | 0:15:32 | 0:15:37 | |
Appears to have spent a lot of her life travelling. | 0:15:37 | 0:15:40 | |
I checked with the UK passport office | 0:15:40 | 0:15:42 | |
and she's rarely been back to England. | 0:15:42 | 0:15:44 | |
Miss Boyd and Mr Lewis | 0:15:44 | 0:15:46 | |
started their boat charter business seven years ago. | 0:15:46 | 0:15:48 | |
And if Miss Boyd is to be believed, | 0:15:48 | 0:15:50 | |
she had a strong and loving relationship with Mr Lewis. | 0:15:50 | 0:15:53 | |
Which is confirmed by our three possible suspects. | 0:15:53 | 0:15:57 | |
Rachel Baldwin. Hema Patel. Lucy Chapman. | 0:15:57 | 0:15:59 | |
Now, they'd chartered the boat for a week | 0:15:59 | 0:16:01 | |
to visit some of the smaller islands. | 0:16:01 | 0:16:03 | |
What have you got on them, Florence? | 0:16:03 | 0:16:04 | |
All from Redhill in Surrey in the UK. | 0:16:04 | 0:16:07 | |
All married. All have kids. | 0:16:07 | 0:16:09 | |
And that's about it. But I'll keep digging. | 0:16:09 | 0:16:12 | |
Very good. So, the facts. | 0:16:12 | 0:16:14 | |
Now, the victim was last seen at ten o'clock yesterday evening. | 0:16:14 | 0:16:17 | |
Now, he claims that he was going to go and secure his boat | 0:16:17 | 0:16:19 | |
in preparation for the impending storm. | 0:16:19 | 0:16:21 | |
However, we believe on returning to his boat he was murdered. | 0:16:21 | 0:16:25 | |
The killer then sailed out into said storm at 10:42 | 0:16:25 | 0:16:28 | |
and staged the scene to make it look like an accident. | 0:16:28 | 0:16:31 | |
Until the postmortem comes back, | 0:16:31 | 0:16:32 | |
we can't be sure of exact time of death. | 0:16:32 | 0:16:34 | |
Now, as Sophie Boyd | 0:16:34 | 0:16:36 | |
was at Catherine's Bar when Tom headed to his boat | 0:16:36 | 0:16:39 | |
'then here with me at the station for the rest of the night...' | 0:16:39 | 0:16:42 | |
I'm trying to locate the boat... | 0:16:42 | 0:16:43 | |
'..we can, I think,' | 0:16:43 | 0:16:46 | |
fairly rule her out as a suspect. | 0:16:46 | 0:16:48 | |
Which leaves our three birthday girls. | 0:16:48 | 0:16:51 | |
Now, they all claim they were in their hotel bedrooms | 0:16:51 | 0:16:53 | |
when the victim was murdered. | 0:16:53 | 0:16:54 | |
But as no-one can confirm this, | 0:16:54 | 0:16:56 | |
that doesn't mean that one of them didn't return to the harbour | 0:16:56 | 0:16:59 | |
to lie in wait for Tom to arrive. | 0:16:59 | 0:17:01 | |
Now, the only problem being, | 0:17:01 | 0:17:04 | |
if one of them did kill Mr Lewis, | 0:17:04 | 0:17:06 | |
take his boat out into the storm, stage it to look like an accident, | 0:17:06 | 0:17:09 | |
how the devil did they make it the five miles back to shore? | 0:17:09 | 0:17:12 | |
The answer, I fear, will not be presenting itself this evening. | 0:17:13 | 0:17:17 | |
So, as it's getting on, I...I think we should call it a day, | 0:17:17 | 0:17:20 | |
go home and sleep on it. | 0:17:20 | 0:17:22 | |
Oh...er, sir? Just to check. | 0:17:22 | 0:17:25 | |
Are you still going to appraise me today? | 0:17:25 | 0:17:27 | |
Oh, gosh, I totally forgot about that. | 0:17:27 | 0:17:29 | |
Erm...sorry, JP. | 0:17:29 | 0:17:31 | |
Er...I think it's best if we park it until we've solved the murder. | 0:17:31 | 0:17:35 | |
You know what? | 0:17:35 | 0:17:36 | |
I think Catherine's got a beer with my name on it | 0:17:36 | 0:17:38 | |
waiting for me, you know - anyone else? | 0:17:38 | 0:17:40 | |
Yeah, just one quick one. | 0:17:40 | 0:17:42 | |
Why not? | 0:17:42 | 0:17:43 | |
Sir, drink at Catherine's Bar? | 0:17:43 | 0:17:46 | |
Yes, that sounds, erm... | 0:17:46 | 0:17:47 | |
Erm, well, actually, erm... | 0:17:48 | 0:17:51 | |
I think maybe I should go back to the shack tonight. | 0:17:51 | 0:17:53 | |
Yes, another time. | 0:17:53 | 0:17:55 | |
HE SIGHS | 0:18:28 | 0:18:31 | |
Right, then. | 0:18:33 | 0:18:34 | |
# Oh, no, no, baby | 0:18:34 | 0:18:37 | |
# You don't own me | 0:18:39 | 0:18:40 | |
# If you think you do | 0:18:43 | 0:18:46 | |
# You're sadly mistaken | 0:18:46 | 0:18:49 | |
# I do what I wish and I go where I like | 0:18:51 | 0:18:55 | |
# I'm free | 0:18:55 | 0:18:57 | |
# Mm-mm... # | 0:18:57 | 0:19:00 | |
Morning, Florence. Morning, sir. | 0:19:30 | 0:19:33 | |
Pleasant evening? Yes. Yes, it was, actually. | 0:19:33 | 0:19:35 | |
Dinner a deux at the shack. A deux? | 0:19:35 | 0:19:37 | |
Well, me and Harry, as it goes. | 0:19:37 | 0:19:39 | |
But it was good to catch up. It's, er...been a while. | 0:19:39 | 0:19:42 | |
So our postmortem is in. | 0:19:42 | 0:19:44 | |
Confirms Tom Lewis died from a severe trauma to the head. | 0:19:44 | 0:19:47 | |
Time of death between 10 and 11 o'clock. | 0:19:47 | 0:19:50 | |
Which corresponds with him leaving Catherine's Bar | 0:19:50 | 0:19:52 | |
and his boat leaving harbour 40 minutes later. | 0:19:52 | 0:19:55 | |
Yes, but more importantly, | 0:19:55 | 0:19:56 | |
the lab also confirms the blood Dwayne found | 0:19:56 | 0:19:58 | |
on the steps leading down to the cabin | 0:19:58 | 0:20:00 | |
does indeed belong to our victim. | 0:20:00 | 0:20:02 | |
So you were right. He was killed in the hold | 0:20:02 | 0:20:04 | |
and his body moved on deck later on. | 0:20:04 | 0:20:06 | |
You look like you've been busy. | 0:20:06 | 0:20:07 | |
I'm afraid my evening wasn't quite as romantic as yours. | 0:20:07 | 0:20:12 | |
I spent it going through the victim's financial records. | 0:20:12 | 0:20:15 | |
I don't suppose you came across any mention of a City Met Bank? | 0:20:15 | 0:20:18 | |
No. Why? | 0:20:18 | 0:20:19 | |
Well, I started looking on the internet for tulip logos | 0:20:19 | 0:20:22 | |
to see if there was one that could match this one, | 0:20:22 | 0:20:25 | |
and I came across this... | 0:20:25 | 0:20:26 | |
It's the same logo. City Met. | 0:20:29 | 0:20:31 | |
Yes - it's a high-finance investment bank based in London. | 0:20:31 | 0:20:34 | |
They deal with hedge funds, unit trusts, that sort of thing. | 0:20:34 | 0:20:36 | |
I'm pretty sure there wasn't any mention of it | 0:20:36 | 0:20:38 | |
in Mr Lewis' financial records. | 0:20:38 | 0:20:41 | |
Mr Lewis and Miss Boyd shared a joint account | 0:20:41 | 0:20:43 | |
with a small Caribbean bank - | 0:20:43 | 0:20:45 | |
they seemed to have been struggling the last few years. | 0:20:45 | 0:20:47 | |
In and out of overdrafts. | 0:20:47 | 0:20:49 | |
See if you can get hold of our suspects' records, as well. | 0:20:49 | 0:20:51 | |
It might have something to do with them. | 0:20:51 | 0:20:53 | |
Yes, sir. | 0:20:53 | 0:20:54 | |
Sir? Mm-hm? | 0:20:56 | 0:20:57 | |
Hello. | 0:20:59 | 0:21:00 | |
Mrs Chapman. | 0:21:01 | 0:21:03 | |
I wanted to come and talk to you about Tom. | 0:21:03 | 0:21:07 | |
So...what do you want to tell us? | 0:21:10 | 0:21:14 | |
I know everyone was saying yesterday what a great guy Tom was. | 0:21:14 | 0:21:18 | |
And I-I'm not...not saying that he wasn't. | 0:21:18 | 0:21:20 | |
He was charming and friendly. But? | 0:21:20 | 0:21:22 | |
There was something going on with him, I'm sure of it. | 0:21:22 | 0:21:27 | |
What do you mean? There were odd moments | 0:21:27 | 0:21:29 | |
when I sensed that Tom didn't want us around. | 0:21:29 | 0:21:32 | |
Didn't like us being there. | 0:21:32 | 0:21:34 | |
OK. Erm... | 0:21:34 | 0:21:36 | |
Anything else? | 0:21:38 | 0:21:40 | |
Two days ago, we were all going out for the evening - Sophie as well - | 0:21:42 | 0:21:45 | |
but Tom said that he wanted to stay and do some work on the boat. | 0:21:45 | 0:21:49 | |
I realised that I'd left my purse on the boat, so... | 0:21:49 | 0:21:51 | |
'I thought I'd pop back. | 0:21:51 | 0:21:54 | |
'I saw Tom below deck. He was counting money. | 0:21:54 | 0:21:58 | |
'There was a bag full of it.' | 0:21:58 | 0:22:01 | |
Cash. A lot of cash. | 0:22:01 | 0:22:04 | |
Do you know what happened to this bag of money? | 0:22:04 | 0:22:07 | |
Only we never found it. No, I never saw it again. | 0:22:07 | 0:22:09 | |
The other thing I think you should know is that it's not true | 0:22:11 | 0:22:15 | |
that he didn't know anyone else here on Saint Marie. | 0:22:15 | 0:22:19 | |
Really? | 0:22:19 | 0:22:20 | |
Our last day with Tom and Sophie, we'd just pulled into harbour | 0:22:22 | 0:22:26 | |
and I was in the galley grabbing some fruit. | 0:22:26 | 0:22:28 | |
Tom was on deck on his phone. | 0:22:28 | 0:22:30 | |
He didn't know I was there | 0:22:30 | 0:22:32 | |
and I heard him arranging to meet someone. | 0:22:32 | 0:22:35 | |
Yeah, yeah. Everything set and ready to go. I'll see you later on. | 0:22:35 | 0:22:39 | |
Well that's it. It's not much, I know. | 0:22:42 | 0:22:46 | |
But he was definitely up to something. | 0:22:46 | 0:22:48 | |
We checked Tom's call register on his mobile. | 0:22:48 | 0:22:51 | |
He hadn't called anyone for days. | 0:22:51 | 0:22:53 | |
A second phone maybe? If so, we never found it. | 0:22:53 | 0:22:56 | |
Whatever Tom was up to, do you think Sophie was aware of it? | 0:22:57 | 0:23:02 | |
No, I don't, I don't think so. | 0:23:02 | 0:23:04 | |
It felt like whatever it was he was up to, | 0:23:04 | 0:23:07 | |
he didn't want anyone else knowing. | 0:23:07 | 0:23:09 | |
So what do you think? Well, I think there's more to Tom Lewis than we first believed. | 0:23:13 | 0:23:16 | |
So do we speak to Sophie about it? | 0:23:16 | 0:23:18 | |
It doesn't sound like she knew what was going on. | 0:23:18 | 0:23:20 | |
Could he really have kept things secret from her? | 0:23:20 | 0:23:23 | |
She wouldn't be the first person whose partner had led | 0:23:23 | 0:23:25 | |
some sort of double life. | 0:23:25 | 0:23:27 | |
So what do we do? | 0:23:27 | 0:23:29 | |
Well, what do we have, Florence, I mean, | 0:23:29 | 0:23:32 | |
or rather, what don't we have? | 0:23:32 | 0:23:34 | |
Erm...a bag of cash that's gone missing. | 0:23:34 | 0:23:37 | |
And a possible second phone we never found. | 0:23:37 | 0:23:41 | |
Oh, and we now also have a new, unknown suspect. | 0:23:43 | 0:23:47 | |
The person Lucy heard Tom arranging to meet the night he was killed. | 0:23:47 | 0:23:51 | |
Exactly. So who is our mystery suspect? | 0:23:51 | 0:23:54 | |
Oh, we might be able to help you with that, sir. What is it? | 0:23:54 | 0:23:57 | |
OK, so we've been going around the harbour trying to find any | 0:23:57 | 0:23:59 | |
witnesses from the night of the murder. And? | 0:23:59 | 0:24:02 | |
JP spoke to a fisherman who was repairing his nets | 0:24:02 | 0:24:04 | |
just before the storm hit around 10:20. | 0:24:04 | 0:24:06 | |
He says that he saw Mr Lewis on his boat. | 0:24:06 | 0:24:08 | |
And then saw another man | 0:24:10 | 0:24:11 | |
climb aboard a few minutes later. | 0:24:11 | 0:24:14 | |
Now, it was dark so he didn't see his face, but he swears by it. | 0:24:14 | 0:24:17 | |
He definitely saw a man board Mr Lewis' boat. | 0:24:17 | 0:24:20 | |
And then ten minutes or so after that, | 0:24:20 | 0:24:22 | |
the boat leaves the harbour. | 0:24:22 | 0:24:24 | |
Which tallies with the time we got from the boat's radar log - 10:42. | 0:24:24 | 0:24:27 | |
Yes. It must be our killer, Chief. Yes. It certainly would appear so. | 0:24:27 | 0:24:32 | |
But if that is the case, | 0:24:32 | 0:24:33 | |
then that would mean that none of these three women here, | 0:24:33 | 0:24:35 | |
who until now have been our only suspects... | 0:24:35 | 0:24:38 | |
..murdered Tom Lewis. | 0:24:40 | 0:24:42 | |
Which leaves us asking the question - | 0:24:43 | 0:24:46 | |
who the hell is this man? | 0:24:46 | 0:24:48 | |
Sir, this might explain what the little badge you found | 0:24:48 | 0:24:51 | |
was doing there. | 0:24:51 | 0:24:52 | |
Maybe our mystery man is connected to City Met Bank in some way. | 0:24:52 | 0:24:56 | |
Sorry. Did you just say City Met Bank? | 0:24:56 | 0:24:58 | |
Why? Does it ring a bell? | 0:24:58 | 0:25:00 | |
Yesterday at the harbour, I spoke to four men. | 0:25:00 | 0:25:03 | |
They were businessmen here for the week, entertaining a client. | 0:25:03 | 0:25:06 | |
They briefly met with Mr Lewis at Catherine's Bar the night before. | 0:25:06 | 0:25:10 | |
And they had made a booking for him to take | 0:25:13 | 0:25:15 | |
them out fishing on his boat the next day. | 0:25:15 | 0:25:18 | |
They were staying at the Rayon Vert Hotel. | 0:25:18 | 0:25:21 | |
That's one of their business cards. | 0:25:21 | 0:25:23 | |
Frank Henderson. Head of Acquisitions. City Met Bank. | 0:25:23 | 0:25:26 | |
But you said this conversation with Tom Lewis happened at Catherine's Bar. | 0:25:26 | 0:25:30 | |
They didn't actually go on his boat? No. | 0:25:30 | 0:25:32 | |
I mean, as I said, it was a two-minute conversation they had with Mr Lewis. | 0:25:32 | 0:25:35 | |
No more than that. That's why I never mentioned it. | 0:25:35 | 0:25:38 | |
Well, then how did this end up on his boat? | 0:25:38 | 0:25:41 | |
Let's get over to the Rayon Vert Hotel. | 0:25:43 | 0:25:45 | |
Florence, get Sophie Boyd on the phone and see what she knows about these four businessmen. | 0:25:45 | 0:25:49 | |
HE RINGS BELL | 0:26:00 | 0:26:02 | |
Sophie says Tom only met two of the four men | 0:26:07 | 0:26:10 | |
in Catherine's Bar that night. | 0:26:10 | 0:26:12 | |
And she has no idea what one of their company badges was | 0:26:12 | 0:26:15 | |
doing on Tom's boat. OK. | 0:26:15 | 0:26:17 | |
Bit of a problem, Chief. Oh. | 0:26:17 | 0:26:19 | |
This is the four men's hotel. | 0:26:19 | 0:26:20 | |
But they all checked out this morning. What?! | 0:26:20 | 0:26:22 | |
They got the first flight back to London at 6am. | 0:26:22 | 0:26:25 | |
Well, did you manage to get any of their details? | 0:26:25 | 0:26:28 | |
Names, home addresses, phone numbers. | 0:26:28 | 0:26:30 | |
Good. Right. Good. | 0:26:30 | 0:26:32 | |
But that's not much use to us if they're all in England. | 0:26:32 | 0:26:34 | |
Is it, sir? No, Florence. No, it is not. | 0:26:34 | 0:26:36 | |
I see. | 0:26:44 | 0:26:45 | |
Yes, sir. | 0:26:46 | 0:26:48 | |
No, no, no, of course, sir. | 0:26:49 | 0:26:51 | |
No, it makes perfect sense. | 0:26:51 | 0:26:53 | |
Yeah, thank you, sir. | 0:26:56 | 0:26:58 | |
Sir? | 0:27:04 | 0:27:05 | |
The Commissioner says we're to hand the case over to the | 0:27:05 | 0:27:07 | |
Met Police in London. Do what? Protocol. | 0:27:07 | 0:27:11 | |
But it's our murder inquiry, sir. Yes, I know, JP. | 0:27:11 | 0:27:14 | |
But our suspects are UK residents and they're now back on UK soil, | 0:27:14 | 0:27:17 | |
which I need hardly tell you isn't within our jurisdiction. | 0:27:17 | 0:27:20 | |
So, the police in London will assign a case officer and we're to | 0:27:20 | 0:27:23 | |
get our physical evidence over to them. | 0:27:23 | 0:27:26 | |
You'd better start scanning all your notes so we can e-mail them over. | 0:27:26 | 0:27:30 | |
Man! | 0:27:30 | 0:27:31 | |
Inspector. Oh, er, Commissioner. Morning. | 0:28:06 | 0:28:11 | |
You sounded very disappointed yesterday | 0:28:11 | 0:28:13 | |
about your case going to the Met. | 0:28:13 | 0:28:15 | |
Well, yes, sir, yes, I was. They're our suspects. | 0:28:15 | 0:28:19 | |
Although, of course, in fairness, we didn't know they were | 0:28:19 | 0:28:23 | |
suspects at the time or I wouldn't let them leave. | 0:28:23 | 0:28:25 | |
Indeed. And after our phone call, I've been giving it some thought. | 0:28:25 | 0:28:30 | |
Oh? I think, giving it due consideration, | 0:28:30 | 0:28:34 | |
that simply passing the case on reflects badly on our police force. | 0:28:34 | 0:28:39 | |
And on the island as a whole, as though we can't cope. | 0:28:39 | 0:28:43 | |
Well, yes, there is that, sir. | 0:28:43 | 0:28:45 | |
You'll be pleased to hear I've spoken to the Governor, | 0:28:45 | 0:28:48 | |
who has spoken to the Home Office. Yes? | 0:28:48 | 0:28:52 | |
We can send a small team from Saint Marie to the UK | 0:28:54 | 0:28:58 | |
to work on the case in conjunction with the Metropolitan Police. | 0:28:58 | 0:29:02 | |
They've agreed for you and your team to question the suspects | 0:29:02 | 0:29:05 | |
under the supervision of one of their officers. Well done, sir. | 0:29:05 | 0:29:09 | |
You are to liaise with a Detective Inspector Jack Mooney | 0:29:09 | 0:29:16 | |
when you arrive. | 0:29:16 | 0:29:17 | |
There's a flight leaving for London Heathrow at two o'clock this | 0:29:17 | 0:29:20 | |
afternoon. I've approved the cost of you and two other officers. | 0:29:20 | 0:29:25 | |
I suggest you start packing. | 0:29:25 | 0:29:27 | |
Yes, sir. Yes. Erm, and thank you. Show them how it's done, Inspector. | 0:29:27 | 0:29:32 | |
I'll do my very best, sir. | 0:29:34 | 0:29:36 | |
MUSIC: London Calling by The Clash | 0:29:50 | 0:29:54 | |
# London calling to the faraway towns | 0:30:08 | 0:30:11 | |
# Now war is declared and battle come down | 0:30:11 | 0:30:15 | |
# London calling to the underworld... # | 0:30:15 | 0:30:19 | |
SIRENS BLARE, TRAFFIC RUMBLES | 0:30:19 | 0:30:22 | |
TRAFFIC RUMBLES, HORNS BLARE | 0:30:26 | 0:30:30 | |
And you'll take our luggage to the hotel? | 0:30:30 | 0:30:34 | |
Is it always this cold, Chief? | 0:30:34 | 0:30:37 | |
This isn't cold, Dwayne. | 0:30:37 | 0:30:39 | |
Is it good to be back, sir? You know what, Florence? Yes. | 0:30:39 | 0:30:42 | |
What's that smell? | 0:30:43 | 0:30:45 | |
Ah, yes. Drains. You'll get used to it. | 0:30:45 | 0:30:48 | |
Why is it so noisy? | 0:30:48 | 0:30:49 | |
That'll be the traffic, Dwayne. And the builders. | 0:30:49 | 0:30:52 | |
Oh, and the overground, as well. | 0:30:52 | 0:30:54 | |
Again, you'll get used to it. | 0:30:54 | 0:30:55 | |
I don't think I will, you know, Chief. | 0:30:55 | 0:30:57 | |
Right, let's go and see where we're supposed to be. | 0:30:57 | 0:31:00 | |
Good afternoon. Afternoon. | 0:31:03 | 0:31:04 | |
We've been assigned a liaison officer, Detective Inspector Mooney. | 0:31:04 | 0:31:07 | |
OK, I'll see if I can get him for you. Thank you. | 0:31:07 | 0:31:09 | |
KNOCK ON DOOR | 0:31:18 | 0:31:21 | |
Hello? | 0:31:21 | 0:31:23 | |
There is no-one here. Well, this is the right room. | 0:31:25 | 0:31:29 | |
Look, Chief, it's our crime scene. | 0:31:29 | 0:31:31 | |
Oh, yes, so it is. And they've clearly made a start. | 0:31:31 | 0:31:34 | |
Yeah, and these are the witness statements we sent over. | 0:31:34 | 0:31:36 | |
Where is everyone? | 0:31:36 | 0:31:37 | |
These are background checks on our guys. Excellent. | 0:31:39 | 0:31:42 | |
Frank Henderson, Dominic Green, Steve Thomas and Martin West. | 0:31:42 | 0:31:46 | |
Jolly good! We should really find our Inspector Mooney, | 0:31:46 | 0:31:49 | |
see what other progress he's made. I've got his number here somewhere. | 0:31:49 | 0:31:53 | |
Yes. DI Jack Mooney - 077... | 0:31:53 | 0:31:55 | |
I think I may have found him. Huh? | 0:32:00 | 0:32:02 | |
NO SOUND FROM SCREEN | 0:32:05 | 0:32:07 | |
You need to turn your volume up. We can't hear you. | 0:32:07 | 0:32:12 | |
No comprendez. | 0:32:12 | 0:32:13 | |
I think you'll find it's our volume, Dwayne. Oh! | 0:32:13 | 0:32:16 | |
Can you hear me now? Yes! Er, DI Mooney, I presume? | 0:32:19 | 0:32:23 | |
You must be DI Goodman. Yes, I am indeed. | 0:32:23 | 0:32:26 | |
Er, this is Sergeant Cassell and Officer Myers. | 0:32:26 | 0:32:28 | |
Lovely to meet you all. Welcome. | 0:32:28 | 0:32:30 | |
Likewise. Only I was perhaps expecting you in the flesh. | 0:32:30 | 0:32:34 | |
Oh, yes, sorry, no, I'm just down the corridor in IT. | 0:32:34 | 0:32:37 | |
Only you asked me if we could set up | 0:32:37 | 0:32:39 | |
a video conferencing link so you can talk to your team in Saint Marie. | 0:32:39 | 0:32:42 | |
Er, yes, yes, I did, yes. Well, here it is. | 0:32:42 | 0:32:45 | |
Well, obviously I'm not in the Caribbean, I would've taken | 0:32:45 | 0:32:47 | |
my jacket off for a start! | 0:32:47 | 0:32:49 | |
No, I'm on my own, you see. | 0:32:49 | 0:32:51 | |
So to test it out, | 0:32:51 | 0:32:52 | |
I had to make a call and answer it myself. | 0:32:52 | 0:32:54 | |
Er, well, now that it's working, maybe you should, erm, er, er... | 0:32:54 | 0:32:58 | |
Come in there! Yes! | 0:32:58 | 0:33:01 | |
Excellent idea! | 0:33:01 | 0:33:02 | |
Oh! Hang on, right... | 0:33:04 | 0:33:06 | |
Sorry about that. | 0:33:15 | 0:33:17 | |
It's this video conferencing malarkey, it's all new territory to me. | 0:33:17 | 0:33:20 | |
My daughter's been training me. | 0:33:20 | 0:33:22 | |
But it's very much early days, you know. | 0:33:22 | 0:33:24 | |
DI Goodman. Humphrey, please. | 0:33:24 | 0:33:26 | |
And this is Florence and Dwayne. | 0:33:26 | 0:33:28 | |
Hello. Hello. Jack. | 0:33:28 | 0:33:29 | |
We were just starting to look through the notes. | 0:33:29 | 0:33:31 | |
Oh, yes. Let me run you through it. | 0:33:31 | 0:33:33 | |
You're wondering what an egg has to do with your case. | 0:33:34 | 0:33:37 | |
Yeah, and a torch. | 0:33:37 | 0:33:38 | |
Nothing at all. It's my daughter, you see. | 0:33:38 | 0:33:41 | |
She makes me a packed lunch every day, darling girl that she is. | 0:33:41 | 0:33:44 | |
And she knows that I love a boiled egg with a pinch of salt. | 0:33:44 | 0:33:47 | |
Who doesn't? Exactly, Humphrey. The problem is, though, | 0:33:47 | 0:33:49 | |
this past week she's been incubating chicken eggs in the airing | 0:33:49 | 0:33:52 | |
cupboard, you know, for the little boy who lives next door, | 0:33:52 | 0:33:55 | |
he has chickens but no sense of where they come from. | 0:33:55 | 0:33:57 | |
So, well, anyway, on Tuesday last, the long and the short of it is, the egg | 0:33:57 | 0:34:00 | |
in my lunch box, it wasn't so much hard boiled as alive and kicking. | 0:34:00 | 0:34:04 | |
Like a tiny velociraptor, it was, | 0:34:05 | 0:34:07 | |
with no chance of the salt making things better. | 0:34:07 | 0:34:11 | |
Anyway, if you shine a torch through the egg, | 0:34:11 | 0:34:13 | |
you can see what's going on in there. | 0:34:13 | 0:34:15 | |
A very reasonable explanation, Jack. Sorry, I'm still a bit disorganised. | 0:34:15 | 0:34:19 | |
We only got allocated the incident room this morning and I've spent | 0:34:19 | 0:34:22 | |
a lot of time since trying to organise a desk | 0:34:22 | 0:34:24 | |
and a phone and the video conferencing thing, as you know. | 0:34:24 | 0:34:28 | |
So where would you like to start? Well, I think first, | 0:34:28 | 0:34:30 | |
we should see what our four suspects have to say for themselves. Right. | 0:34:30 | 0:34:33 | |
Hi. Good afternoon, we're here to see Frank Henderson. | 0:34:47 | 0:34:50 | |
15th floor. Just through there. Thank you. | 0:34:50 | 0:34:54 | |
May I? Of course. | 0:34:54 | 0:34:55 | |
OK, JP, so, we've got Frank Henderson. | 0:35:11 | 0:35:16 | |
Frank Henderson. 52 years of age. Head of Acquisitions. | 0:35:16 | 0:35:20 | |
Been at City Met for 25 years. Single. No kids. | 0:35:20 | 0:35:23 | |
Married to the job. Got it. | 0:35:23 | 0:35:25 | |
Dominic Green... Dominic Green. | 0:35:25 | 0:35:28 | |
26. This is his first job. | 0:35:28 | 0:35:30 | |
He got a double first in mathematics from Imperial College, | 0:35:30 | 0:35:33 | |
then went on to Harvard to do an MBA. | 0:35:33 | 0:35:36 | |
Steve Thomas... Steve Thomas. Also 26. | 0:35:36 | 0:35:40 | |
Didn't do too well at school. Left at 16. | 0:35:40 | 0:35:44 | |
Joined the bank a year later | 0:35:44 | 0:35:45 | |
and has never risen above the level of team secretary. | 0:35:45 | 0:35:48 | |
And, finally, we've got Martin West. | 0:35:48 | 0:35:51 | |
Senior Investment Analyst. Only been here for four years. | 0:35:51 | 0:35:54 | |
Worked in Hong Kong before that. Came home after he got married. | 0:35:54 | 0:35:58 | |
Recently became a father. | 0:35:58 | 0:35:59 | |
Well, Dwayne, sounds like you've been busy. | 0:36:00 | 0:36:03 | |
I'm not here on holiday, you know, JP. | 0:36:03 | 0:36:06 | |
This is an international investigation. | 0:36:06 | 0:36:09 | |
PHONES RING MURMUR OF CONVERSATION | 0:36:11 | 0:36:14 | |
Thank you for seeing us so promptly. | 0:36:32 | 0:36:33 | |
Didn't sound like we had much choice. What's this about? | 0:36:33 | 0:36:36 | |
We were told it was something to do with the boat captain in | 0:36:36 | 0:36:39 | |
Saint Marie? | 0:36:39 | 0:36:40 | |
The one who died in a storm. | 0:36:40 | 0:36:42 | |
Yes, that's right. But why do you want to speak to us? | 0:36:42 | 0:36:46 | |
Erm, well... May I...? | 0:36:46 | 0:36:48 | |
The fact is, this is now a murder inquiry and we understand | 0:36:50 | 0:36:57 | |
you saw Tom Lewis the night he died. | 0:36:57 | 0:36:59 | |
Yeah, he was telling us about his boat. | 0:36:59 | 0:37:02 | |
Ah! After a spot of fishing, were you? Yes. | 0:37:02 | 0:37:05 | |
Can't say I blame you, | 0:37:05 | 0:37:06 | |
I would've done the same myself if I was out in the Caribbean. | 0:37:06 | 0:37:09 | |
It was me and Dominic that were talking to him, | 0:37:09 | 0:37:11 | |
but it was, what...a few minutes? Yeah. | 0:37:11 | 0:37:14 | |
I asked him if we could use his boat the next day for | 0:37:14 | 0:37:16 | |
a fishing trip for a party of five, he said yes | 0:37:16 | 0:37:18 | |
and to meet him at the harbour at two o'clock the following day. | 0:37:18 | 0:37:22 | |
And did you see him again after this conversation? | 0:37:22 | 0:37:25 | |
No, no, we didn't. | 0:37:25 | 0:37:26 | |
OK, so where were you from, say, 10pm onwards? | 0:37:29 | 0:37:33 | |
We'd had a heavy one the night before. | 0:37:33 | 0:37:36 | |
So it was a quick nightcap back at the hotel and then bed. | 0:37:36 | 0:37:39 | |
You said a party of five. | 0:37:39 | 0:37:41 | |
We were closing a deal with a client who lives on Saint Marie. | 0:37:41 | 0:37:43 | |
He was going to join us. Name? | 0:37:43 | 0:37:46 | |
Mike Wilson. We were negotiating terms for a portfolio acquisition. | 0:37:46 | 0:37:50 | |
We were there to wine and dine him, take him fishing, | 0:37:50 | 0:37:54 | |
kiss his backside, if that's what it took. | 0:37:54 | 0:37:57 | |
And was it a successful trip? | 0:37:57 | 0:37:59 | |
He flies in tomorrow to sign the papers. | 0:37:59 | 0:38:02 | |
Well, that doesn't surprise me at all. | 0:38:02 | 0:38:05 | |
You look like four very persuasive fellas. | 0:38:05 | 0:38:08 | |
You still haven't explained why a five-minute chat with this guy | 0:38:08 | 0:38:11 | |
about hiring his boat is such a big deal. It isn't. | 0:38:11 | 0:38:15 | |
But this is. | 0:38:17 | 0:38:18 | |
Do you recognise it? | 0:38:20 | 0:38:22 | |
It's your logo, I believe. | 0:38:22 | 0:38:24 | |
Looks like a badge or something. | 0:38:24 | 0:38:26 | |
It's part of a cufflink. | 0:38:27 | 0:38:30 | |
I had a set made for all of us, to commemorate the trip. | 0:38:30 | 0:38:33 | |
Cufflink, I see. | 0:38:33 | 0:38:34 | |
And you, er, you all have a set of these? Yes. | 0:38:35 | 0:38:39 | |
And how many pairs were made? Just the four. Four. | 0:38:42 | 0:38:45 | |
Well, then you should know... | 0:38:46 | 0:38:49 | |
this was found on the boat where Mr Lewis was murdered. | 0:38:49 | 0:38:52 | |
My uncle used to collect cufflinks, must've had about 100 pairs. | 0:39:06 | 0:39:11 | |
I know on the surface that may not appear to be unusual, | 0:39:11 | 0:39:16 | |
until I tell you he only had the one arm. | 0:39:16 | 0:39:19 | |
Yeah. He lost it in a... I'll spare you the details. | 0:39:20 | 0:39:25 | |
I'd love to see yours, your cufflinks. Are you wearing them now? | 0:39:25 | 0:39:32 | |
No, mine are still at home. Still in the box, I think. | 0:39:34 | 0:39:38 | |
No. | 0:39:40 | 0:39:41 | |
It was just a thought. | 0:39:44 | 0:39:46 | |
We'll pop back in tomorrow. | 0:39:48 | 0:39:49 | |
So, if it's no trouble, maybe you can bring them in then. | 0:39:49 | 0:39:52 | |
Well, that put the fox amongst the chickens. | 0:39:56 | 0:39:58 | |
One of them is lying. One of them was on that boat. | 0:39:58 | 0:40:01 | |
And one of them - despite what they're saying - knew Tom Lewis. | 0:40:01 | 0:40:04 | |
Exactly. | 0:40:04 | 0:40:05 | |
Our officer back in Saint Marie is speaking with Mr Lewis' partner. | 0:40:05 | 0:40:08 | |
Maybe she can help us with that one. | 0:40:08 | 0:40:10 | |
OK, look really carefully. | 0:40:12 | 0:40:15 | |
Now, are these the four men who spoke to your partner about hiring | 0:40:15 | 0:40:18 | |
the boat for a fishing trip? | 0:40:18 | 0:40:20 | |
Yes. He spoke to these two. | 0:40:20 | 0:40:22 | |
'But it was just for a few minutes.' | 0:40:26 | 0:40:28 | |
And had you ever seen them before that night? No. | 0:40:28 | 0:40:33 | |
Did you ever carry any cash on the boat? | 0:40:37 | 0:40:39 | |
No. Well, just a few Eastern Caribbean dollars for provisions. | 0:40:39 | 0:40:44 | |
But not a large amount? No, of course not. | 0:40:45 | 0:40:47 | |
All our bookings are made in advance on credit card. | 0:40:47 | 0:40:50 | |
Do you know if your partner had a second mobile phone? | 0:40:50 | 0:40:53 | |
I'm sorry, why are you asking me these questions? | 0:40:53 | 0:40:55 | |
Miss Boyd, can you answer, please? | 0:40:55 | 0:40:56 | |
No, he didn't have another bloody phone, OK? What's all this about? | 0:40:56 | 0:41:01 | |
OK. | 0:41:01 | 0:41:02 | |
Since we last spoke to you, | 0:41:04 | 0:41:06 | |
we got some new information that your partner was seen with | 0:41:06 | 0:41:10 | |
a large amount of cash and making a call from a phone we can't trace. | 0:41:10 | 0:41:14 | |
Now, would either of those things mean anything to you? | 0:41:14 | 0:41:17 | |
No. They wouldn't. | 0:41:17 | 0:41:18 | |
SIRENS WAIL | 0:41:20 | 0:41:23 | |
OK, thank you, JP. | 0:41:25 | 0:41:27 | |
HE WHISTLES HAPPILY | 0:41:27 | 0:41:29 | |
Wow, someone's been busy. | 0:41:31 | 0:41:33 | |
It was very easy once I found everything I needed. | 0:41:33 | 0:41:36 | |
But where did you get all this stuff? | 0:41:36 | 0:41:38 | |
I had trouble getting a box of pens. | 0:41:38 | 0:41:40 | |
Marjorie in Logistics and Planning. | 0:41:40 | 0:41:42 | |
Her grandfather's from St Lucia, you know? | 0:41:42 | 0:41:44 | |
Well, it's not what you know, Dwayne, it's who you know. You know! | 0:41:44 | 0:41:48 | |
Anything new? | 0:41:48 | 0:41:49 | |
Well, I just heard back from JP. | 0:41:49 | 0:41:52 | |
Now, Sophie Boyd hadn't met any of our guys until that evening. | 0:41:52 | 0:41:55 | |
She knows nothing about the cash or a second mobile phone. | 0:41:55 | 0:41:59 | |
And does JP think she's telling the truth? Well, he thinks so. | 0:41:59 | 0:42:01 | |
He's going to start digging deeper into the victim's history, | 0:42:01 | 0:42:04 | |
see what that turns up. OK. Good. | 0:42:04 | 0:42:06 | |
While he's doing that, we should approach it from the other direction. | 0:42:06 | 0:42:09 | |
See if we can find any links from our four bankers | 0:42:09 | 0:42:11 | |
back to the Caribbean. | 0:42:11 | 0:42:12 | |
I'll get their phone records up | 0:42:12 | 0:42:14 | |
and take a look at their e-mail correspondence. | 0:42:14 | 0:42:17 | |
I'll start looking into their finances. And get onto immigration. | 0:42:17 | 0:42:19 | |
Very good. | 0:42:19 | 0:42:20 | |
You have a good team here, Humphrey. Yes, yes, I do. | 0:42:23 | 0:42:27 | |
Commissioner. | 0:42:37 | 0:42:38 | |
Carry on, Officer Hooper. | 0:42:38 | 0:42:40 | |
Yes, sir. | 0:42:41 | 0:42:43 | |
So. Are you coping all right? Yes, sir. | 0:42:45 | 0:42:48 | |
I'm just doing further background checks on the deceased, sir. | 0:42:48 | 0:42:52 | |
And how is that going? | 0:42:52 | 0:42:54 | |
Yes, er, fine, sir. I mean...I've only just started. | 0:42:54 | 0:42:57 | |
I know I need to go further back. | 0:42:57 | 0:42:59 | |
But I haven't worked out a way to do it. | 0:42:59 | 0:43:02 | |
Well, you may find it's easier to work forwards than back. | 0:43:02 | 0:43:06 | |
Start with his passport. Really? | 0:43:06 | 0:43:09 | |
It will not only give you the date but also the place of his birth. | 0:43:09 | 0:43:13 | |
11th of May, 1967. In Chichester. | 0:43:18 | 0:43:22 | |
Then you have a starting point. | 0:43:22 | 0:43:24 | |
School, first job, driver's licence, voting register, first bank account. | 0:43:24 | 0:43:30 | |
Yes, sir. Thank you, sir. | 0:43:30 | 0:43:32 | |
I don't seem to have had your appraisal back from the Inspector. | 0:43:44 | 0:43:48 | |
Er, er, no, we haven't done it yet, sir. | 0:43:48 | 0:43:51 | |
Then I suggest perhaps I watch how you cope over the coming days, | 0:43:51 | 0:43:57 | |
do the appraisal myself on what I see. How does that sound? | 0:43:57 | 0:44:02 | |
Right, everyone, there's not much more we can do today. | 0:44:24 | 0:44:27 | |
It's late, we've all had a long flight, | 0:44:27 | 0:44:29 | |
and I, for one, fancy a pint in a good old-fashioned British pub. | 0:44:29 | 0:44:33 | |
Ah. A man after my own heart, Humphrey. | 0:44:33 | 0:44:35 | |
Florence? Dwayne? Of course. | 0:44:35 | 0:44:38 | |
Er, not me, I'm afraid, Chief. | 0:44:38 | 0:44:39 | |
I promised I'd go and look up my Auntie Lilibeth. | 0:44:39 | 0:44:42 | |
Oh, you've family here? | 0:44:42 | 0:44:43 | |
Yes, my Auntie Lilibeth and her husband James came here in the '60s. | 0:44:43 | 0:44:46 | |
I, of course, was just a young boy. Of course. | 0:44:46 | 0:44:50 | |
OK. So...Hackerny? | 0:44:50 | 0:44:53 | |
Hackney? Yes, Hackerney. | 0:44:53 | 0:44:55 | |
Yes, I think you'll probably need to get the Tube. Tube? | 0:44:55 | 0:44:59 | |
I'll show you. Come on. | 0:44:59 | 0:45:01 | |
Thank you, Jack. | 0:45:05 | 0:45:06 | |
Ah, I can't tell you how long I've been waiting for this. | 0:45:20 | 0:45:22 | |
Thank you, Jack. | 0:45:22 | 0:45:23 | |
Cheers. | 0:45:25 | 0:45:26 | |
What is that? | 0:45:26 | 0:45:28 | |
Well, you did say you'd try what I was having. | 0:45:28 | 0:45:31 | |
Not having one, Jack? | 0:45:34 | 0:45:35 | |
No, can't abide the stuff, it's like drinking liquid Marmite. | 0:45:35 | 0:45:39 | |
Told you... | 0:45:47 | 0:45:49 | |
No! | 0:45:49 | 0:45:50 | |
Pork scratchings? | 0:45:50 | 0:45:52 | |
BELL RINGS | 0:46:00 | 0:46:01 | |
What do you want? | 0:46:06 | 0:46:07 | |
Oh. I was looking for Lilibeth Myers. | 0:46:09 | 0:46:11 | |
She's away. I'm looking after the house until she gets back. | 0:46:11 | 0:46:15 | |
I'm her brother, Nelson. | 0:46:15 | 0:46:17 | |
And you are...? | 0:46:18 | 0:46:19 | |
Dwayne? | 0:46:21 | 0:46:22 | |
Running back to your mummy again, eh, boy? | 0:46:29 | 0:46:32 | |
Last time I saw you, hiding behind your mum's skirt, | 0:46:32 | 0:46:35 | |
wouldn't even give your old man a hug. | 0:46:35 | 0:46:37 | |
You were screaming at us. I was terrified. | 0:46:45 | 0:46:49 | |
Now you're all grown up. And a policeman. | 0:46:49 | 0:46:52 | |
Listen, I didn't even know you was living in London. | 0:46:53 | 0:46:56 | |
I go where life takes me. Hmm, just never back home. | 0:46:56 | 0:47:01 | |
You judging me, boy? I'm not a boy any more, old man. | 0:47:02 | 0:47:05 | |
Look at you, all righteous. You don't know my story. | 0:47:05 | 0:47:10 | |
And you don't know mine. You're right. | 0:47:10 | 0:47:13 | |
When it comes right down to it, there's nothing to say. | 0:47:13 | 0:47:16 | |
Is there? I'll tell Lilibeth you stopped by. | 0:47:16 | 0:47:20 | |
..It fell off but I had it replaced, it's fine. | 0:47:30 | 0:47:34 | |
He seems nice. Yes. | 0:47:34 | 0:47:37 | |
A little odd, though. | 0:47:37 | 0:47:38 | |
Odd's not necessarily a bad thing, Florence. | 0:47:39 | 0:47:42 | |
Talking of which, | 0:47:42 | 0:47:43 | |
I wonder how Dwayne's getting along with his family reunion. | 0:47:43 | 0:47:47 | |
If I know Dwayne, it will be quite a party. | 0:47:47 | 0:47:49 | |
What about you? What about me? | 0:47:52 | 0:47:55 | |
We're in London. And? And so is Martha. | 0:47:55 | 0:47:59 | |
Ah, yes. It had crossed my mind. Hard for it not to, really. | 0:48:00 | 0:48:04 | |
So what do you think you'll do? Go see her? | 0:48:04 | 0:48:06 | |
Not quite sure, Florence. Still working that one out, really. | 0:48:08 | 0:48:11 | |
You know what I'm like when it comes to making a decision. | 0:48:11 | 0:48:14 | |
Indecisive. Exactly. | 0:48:14 | 0:48:16 | |
Good morning, Officer Hooper. | 0:48:31 | 0:48:32 | |
Oh, good morning, sir. Progress? Ah, yes, sir. | 0:48:32 | 0:48:35 | |
Good. At least, I think so. Go on. | 0:48:35 | 0:48:40 | |
So, I've been focusing on the Chichester area - | 0:48:40 | 0:48:42 | |
just like you said. | 0:48:42 | 0:48:44 | |
And birth, medical and driving licence records weren't any use. | 0:48:44 | 0:48:47 | |
You see, the name Tom Lewis is far too common. | 0:48:47 | 0:48:50 | |
But then I decided to do a search on the Chichester newspaper | 0:48:50 | 0:48:53 | |
website for any Tom Lewises there. | 0:48:53 | 0:48:55 | |
And what did you find? | 0:48:55 | 0:48:56 | |
An article about a Mr Tom Lewis winning a local sailing race. | 0:48:56 | 0:49:01 | |
But how do we know that this particular Tom Lewis is our | 0:49:01 | 0:49:04 | |
Tom Lewis? | 0:49:04 | 0:49:05 | |
OK, er, come and have a look...please...sir. | 0:49:05 | 0:49:08 | |
That's him. | 0:49:16 | 0:49:17 | |
And that's interesting because? | 0:49:17 | 0:49:20 | |
Because look who was in his crew for the race. | 0:49:20 | 0:49:23 | |
One of our four suspects who denied knowing him. | 0:49:23 | 0:49:26 | |
Frank Henderson. | 0:49:26 | 0:49:27 | |
Sorry. Drive on. Thank you. | 0:49:49 | 0:49:52 | |
Morning, all. Sorry, slept in a little. | 0:50:01 | 0:50:04 | |
You're grand. We were just having a bit of a recap. | 0:50:04 | 0:50:06 | |
Oh, good. Er, Dwayne, how'd the visit with your aunt go? | 0:50:06 | 0:50:11 | |
Oh, oh, I missed her, Chief. She was out. | 0:50:11 | 0:50:15 | |
Shame. But you managed the Tube all right? | 0:50:15 | 0:50:18 | |
What? 500 people crammed into a space designed for ten. | 0:50:18 | 0:50:22 | |
I've been to calypso parties that weren't so up close and personal. | 0:50:22 | 0:50:26 | |
Yes, I know what you mean. | 0:50:26 | 0:50:27 | |
PHONE RINGS | 0:50:27 | 0:50:29 | |
JP? | 0:50:31 | 0:50:32 | |
What about you? | 0:50:34 | 0:50:35 | |
Me? Did you go and see Martha? Ah, no. | 0:50:35 | 0:50:38 | |
Chief! Check your e-mail! | 0:50:38 | 0:50:40 | |
Apparently one of our bankers has been lying to us. | 0:50:40 | 0:50:43 | |
What are we looking at here? | 0:50:44 | 0:50:46 | |
The photo. That's Tom Lewis about 20 years ago. | 0:50:46 | 0:50:50 | |
Jeepers, isn't that...? | 0:50:53 | 0:50:54 | |
Yeah. That's exactly who it is. | 0:50:54 | 0:50:57 | |
Tom was a friend. A trader here in the City. | 0:51:08 | 0:51:12 | |
He worked for a rival bank but he was very successful. | 0:51:12 | 0:51:16 | |
We were both into sailing and that's how we got to know each other. | 0:51:16 | 0:51:19 | |
You said you didn't know him. | 0:51:19 | 0:51:20 | |
I know. That was a mistake, I thought it might complicate things. | 0:51:20 | 0:51:24 | |
Well, you're right about that, Frank. I mean, what are we to think? | 0:51:24 | 0:51:28 | |
It was a mistake, an error of judgment. | 0:51:28 | 0:51:31 | |
OK, let's not dwell on that, we all make mistakes. | 0:51:31 | 0:51:35 | |
But can you answer me this? | 0:51:35 | 0:51:36 | |
If Tom, Mr Lewis, was such a huge success here in the City of London, | 0:51:36 | 0:51:40 | |
how did he end up selling fishing trips in the Caribbean? | 0:51:40 | 0:51:44 | |
I don't know what you mean. | 0:51:44 | 0:51:45 | |
Simple question, Frank. | 0:51:45 | 0:51:47 | |
What happened to turn his life upside down? | 0:51:47 | 0:51:50 | |
You know, this lot are a tenacious bunch, they're sure to find out. | 0:51:50 | 0:51:54 | |
All right - I haven't got anything to hide. | 0:51:54 | 0:51:57 | |
Tom was a brilliant sailor, he really was, | 0:51:57 | 0:52:01 | |
but one day, he went out when a storm was forecast. | 0:52:01 | 0:52:04 | |
And he took his son. His eight-year-old son. | 0:52:05 | 0:52:09 | |
And when the storm hit, it was much bigger than he expected. | 0:52:11 | 0:52:15 | |
And they were both swept overboard. | 0:52:17 | 0:52:19 | |
I mean, his son was swept overboard and Tom dived into the sea | 0:52:21 | 0:52:28 | |
to save him, but it was too late. | 0:52:28 | 0:52:30 | |
The poor boy drowned. | 0:52:33 | 0:52:35 | |
He fell apart. | 0:52:35 | 0:52:37 | |
He blamed himself for the kid's death. He started drinking, | 0:52:37 | 0:52:40 | |
getting violent. | 0:52:40 | 0:52:42 | |
Within the year, he'd been sacked from his work, | 0:52:42 | 0:52:44 | |
and then one day he was gone. | 0:52:44 | 0:52:47 | |
How do you mean, "gone"? | 0:52:48 | 0:52:50 | |
He walked out of his life. | 0:52:50 | 0:52:52 | |
According to his wife, he said he was going out one day and he never came back. | 0:52:52 | 0:52:55 | |
So when did you discover that he was, in fact, on Saint Marie? | 0:52:55 | 0:52:58 | |
Well, that's the thing. I haven't seen Tom for two decades. | 0:52:58 | 0:53:02 | |
And I didn't even know he was on Saint Marie when we were there. | 0:53:02 | 0:53:06 | |
So you're saying that although Mr Lewis was | 0:53:06 | 0:53:09 | |
a friend of yours in the past, you want us to believe it was nothing | 0:53:09 | 0:53:15 | |
more than a coincidence that you happened to be on the same island | 0:53:15 | 0:53:19 | |
and in the process of hiring his boat when he was brutally murdered?! | 0:53:19 | 0:53:23 | |
Yes. | 0:53:26 | 0:53:27 | |
I hate coincidences. | 0:53:50 | 0:53:53 | |
So you think he's your man? | 0:53:53 | 0:53:54 | |
I think he's the most likely option and the chances are that | 0:53:54 | 0:53:59 | |
piece of cufflink belonged to him. | 0:53:59 | 0:54:01 | |
But? But if he did kill Tom Lewis, how did he get back to shore? | 0:54:01 | 0:54:06 | |
I mean, if we...if we could just work out how he did it, | 0:54:06 | 0:54:09 | |
then I'd say we've got our man. | 0:54:09 | 0:54:11 | |
Of course, there is one explanation for how | 0:54:13 | 0:54:18 | |
he got off the boat and back to the shore. | 0:54:18 | 0:54:21 | |
Which is? Maybe he didn't. What? | 0:54:21 | 0:54:24 | |
Did you ever do cross-country running at school? | 0:54:25 | 0:54:27 | |
Yes, yes, I did. Great. | 0:54:27 | 0:54:29 | |
So you know the way you might run the first half-mile, | 0:54:29 | 0:54:31 | |
then maybe nip off to a cafe for a bacon and egg sandwich or whatever. | 0:54:31 | 0:54:35 | |
Yeah. Then get the number 7 bus, muddy yourself up a bit | 0:54:35 | 0:54:38 | |
then rejoin the lads and run the last half-mile back to school? | 0:54:38 | 0:54:41 | |
You mean...? | 0:54:41 | 0:54:43 | |
When there is no possible way for something to have happened, | 0:54:43 | 0:54:46 | |
it probably didn't. It's a bit like when you lot first arrived. | 0:54:46 | 0:54:49 | |
You-you didn't think I was here, but I kind of was, wasn't I? | 0:54:49 | 0:54:52 | |
You just hadn't seen me. You're right. | 0:54:52 | 0:54:54 | |
Which of course would explain how Frank Henderson killed | 0:54:54 | 0:54:57 | |
Tom Lewis and then managed to make it the five miles back to shore. | 0:54:57 | 0:55:00 | |
Florence. | 0:55:00 | 0:55:01 | |
Call JP, get him back to the boat, tell him to search it again. | 0:55:01 | 0:55:04 | |
Specifically near where we found the cufflink. | 0:55:04 | 0:55:06 | |
What's he looking for? | 0:55:06 | 0:55:08 | |
Somewhere to hide. | 0:55:08 | 0:55:09 | |
The Inspector said... | 0:55:15 | 0:55:17 | |
the cufflink was on the bed under the framed photo of | 0:55:17 | 0:55:21 | |
the victim and Sophie Boyd. | 0:55:21 | 0:55:23 | |
OK. | 0:55:25 | 0:55:26 | |
Why would Tom Lewis have a hiding space on his boat? | 0:55:27 | 0:55:31 | |
The Inspector thinks that maybe he was involved in smuggling. | 0:55:31 | 0:55:34 | |
But he was definitely up to something. | 0:55:34 | 0:55:37 | |
And what with the bag of cash that he was seen with... | 0:55:37 | 0:55:40 | |
and the second mobile phone... Second phone maybe? | 0:55:40 | 0:55:43 | |
If so, we never found it. | 0:55:43 | 0:55:46 | |
..it's very possible it wasn't just a boat charter business... | 0:55:47 | 0:55:51 | |
..he was running. | 0:55:54 | 0:55:55 | |
Sir? | 0:55:56 | 0:55:58 | |
So...the Inspector was right. | 0:56:03 | 0:56:06 | |
After he killed Tom Lewis, Frank Henderson made his way down | 0:56:06 | 0:56:09 | |
here and hid in that compartment. | 0:56:09 | 0:56:11 | |
And stayed there all the time we were searching the boat. | 0:56:11 | 0:56:14 | |
Until it was back in the harbour and safe to make his escape. | 0:56:14 | 0:56:18 | |
That's excellent, JP. | 0:56:20 | 0:56:21 | |
I want you to log everything you've found and send over the | 0:56:21 | 0:56:24 | |
images as soon as you can. | 0:56:24 | 0:56:25 | |
Good work. We've got him. | 0:56:25 | 0:56:28 | |
Great! | 0:56:28 | 0:56:29 | |
After you. | 0:56:29 | 0:56:31 | |
Wait! | 0:56:35 | 0:56:38 | |
What's going on? Thank God you're here. | 0:56:38 | 0:56:40 | |
He's dead! | 0:56:48 | 0:56:50 | |
I know one of you is the killer. | 0:56:57 | 0:56:58 | |
It's just a question of working out who. | 0:56:58 | 0:57:01 | |
Whatever happened to Frank, it had nothing to do with us. You're wrong. | 0:57:01 | 0:57:03 | |
Officer Hooper! | 0:57:03 | 0:57:04 | |
Commissioner! I wasn't sleeping on the job. | 0:57:04 | 0:57:07 | |
Why's he not told us that? That's very deceitful. | 0:57:07 | 0:57:09 | |
You're not going anywhere except to our cells. I didn't do it! | 0:57:09 | 0:57:11 | |
I don't need this. Well, I do. | 0:57:11 | 0:57:13 | |
Hi, Dad. Ah. | 0:57:13 | 0:57:15 | |
It's something of a puzzler. Do you have your man? | 0:57:15 | 0:57:18 | |
Hello, Martha. | 0:57:18 | 0:57:19 | |
Humphrey? | 0:57:21 | 0:57:22 | |
MARCHING | 0:57:53 | 0:57:55 | |
The response of this community has been absolutely amazing. | 0:58:01 | 0:58:02 | |
Police emergency? Want to report me daughter as missing, please. | 0:58:04 | 0:58:07 | |
What do they call her? Shannon Matthews. | 0:58:07 | 0:58:09 | |
I just want her found. We'll find her, love. | 0:58:09 | 0:58:11 |