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We can send a small team to the UK to work on the case. | 0:00:03 | 0:00:06 | |
'You are to liaise with Detective Inspector Jack Mooney.' | 0:00:06 | 0:00:11 | |
I think I may have found him. | 0:00:11 | 0:00:12 | |
Like a tiny velociraptor, it was. | 0:00:12 | 0:00:14 | |
Grrr. | 0:00:14 | 0:00:16 | |
Is it good to be back, sir? | 0:00:18 | 0:00:20 | |
You know what, Florence? Yes. | 0:00:20 | 0:00:21 | |
We're in London. So is Martha. | 0:00:21 | 0:00:24 | |
So what do you think you'll do? | 0:00:24 | 0:00:26 | |
Go see her? | 0:00:26 | 0:00:27 | |
Sorry, drive on. | 0:00:27 | 0:00:30 | |
I promised I'd go and look up my Auntie Lilibeth. | 0:00:30 | 0:00:33 | |
Dwayne? | 0:00:33 | 0:00:34 | |
Running back to your mummy again, eh, boy? | 0:00:34 | 0:00:37 | |
The suspects got the first flight back to London at 6am. | 0:00:38 | 0:00:42 | |
Good work. | 0:00:42 | 0:00:44 | |
-We've got him. -Great. | 0:00:44 | 0:00:45 | |
What's going on? | 0:00:45 | 0:00:47 | |
Thank God you're here. | 0:00:47 | 0:00:48 | |
He's dead. | 0:00:52 | 0:00:53 | |
OK, here he comes. | 0:01:07 | 0:01:09 | |
Mike Wilson's jet landed at City Airport 20 minutes ago. | 0:01:18 | 0:01:22 | |
-So it's happening? -It's happening. | 0:01:22 | 0:01:24 | |
Dominic, in reception to greet him, take him up to the roof. | 0:01:26 | 0:01:30 | |
Martin, check the caterers know what they're doing for the drinks. | 0:01:30 | 0:01:34 | |
And, Steve, he's a cigar man - nip across the road to the Whisky Club | 0:01:34 | 0:01:40 | |
-and get a couple of their specials for after he's signed. -Right. | 0:01:40 | 0:01:44 | |
-Welcome to London, Mr Wilson. -Thank you. | 0:02:02 | 0:02:04 | |
-How was your flight? -It was good. | 0:02:04 | 0:02:06 | |
Whisky, please. | 0:02:18 | 0:02:19 | |
'Hello, this is Martin West. Please leave a message.' | 0:02:25 | 0:02:28 | |
Martin, you're supposed to be up here now. Where are you? | 0:02:28 | 0:02:31 | |
HE SIGHS | 0:02:37 | 0:02:39 | |
PHONE VIBRATES | 0:02:39 | 0:02:40 | |
DISTANT GUNSHOT | 0:03:00 | 0:03:01 | |
I'm telling you, I know what a gunshot sounds like, | 0:03:05 | 0:03:07 | |
and that was a gunshot! | 0:03:07 | 0:03:08 | |
-What the hell was that noise? -The door's locked! | 0:03:08 | 0:03:12 | |
-Hold on! -What happened? | 0:03:12 | 0:03:14 | |
Get away from the door. | 0:03:14 | 0:03:16 | |
-Oh, God! -What's going on? | 0:03:16 | 0:03:18 | |
Keep back. | 0:03:18 | 0:03:19 | |
Argh! | 0:03:20 | 0:03:22 | |
Oh, God! | 0:03:22 | 0:03:24 | |
He shot himself! | 0:03:24 | 0:03:25 | |
-What's going on? -Thank God you're here. | 0:03:26 | 0:03:29 | |
He's dead. | 0:03:37 | 0:03:38 | |
And you're saying the door to the office was locked | 0:04:13 | 0:04:17 | |
-when you got there? -That's right. | 0:04:17 | 0:04:19 | |
-Sorry, Miss Baxter? -Yes? | 0:04:21 | 0:04:23 | |
You're certain there was no-one inside when the door was broken in? | 0:04:23 | 0:04:26 | |
-I couldn't see anyone else, no. -OK. | 0:04:26 | 0:04:28 | |
Get in touch with head of security. | 0:04:28 | 0:04:30 | |
-Find out who has keys to Frank Henderson's office, please. -Sir. | 0:04:30 | 0:04:33 | |
HE SIGHS | 0:04:39 | 0:04:40 | |
Any sign of a key? | 0:04:46 | 0:04:48 | |
Yeah. There was one in his trousers pocket. | 0:04:48 | 0:04:51 | |
So he could've locked the door from the inside, but... | 0:04:53 | 0:04:56 | |
Why lock your office door in the middle of a working day? | 0:04:56 | 0:04:58 | |
Unless you're up to no good, of course. | 0:04:58 | 0:05:00 | |
Yeah, or about to blow your brains out. Excuse me. | 0:05:00 | 0:05:03 | |
There's something else you need to see. | 0:05:03 | 0:05:06 | |
The single cufflink. | 0:05:09 | 0:05:11 | |
Suggesting that Frank Henderson murdered Tom Lewis in the Caribbean, | 0:05:11 | 0:05:15 | |
and now he's taken his own life in remorse. | 0:05:15 | 0:05:17 | |
Clearly not enough remorse to leave a confession. | 0:05:17 | 0:05:20 | |
PHONE RINGS | 0:05:21 | 0:05:22 | |
"Unknown number." Should we? | 0:05:31 | 0:05:34 | |
Be rude not to. | 0:05:34 | 0:05:35 | |
Hello? | 0:05:36 | 0:05:37 | |
Er, no, he's not at his desk. | 0:05:38 | 0:05:41 | |
Actually, he is at his desk, but he's, erm...indisposed. | 0:05:41 | 0:05:45 | |
Who's this? | 0:05:45 | 0:05:47 | |
Oh, I see. | 0:05:47 | 0:05:49 | |
No, sorry, that won't be necessary. | 0:05:49 | 0:05:51 | |
Thank you. | 0:05:51 | 0:05:52 | |
-A restaurant in Knightsbridge. -Oh? | 0:05:54 | 0:05:56 | |
Frank Henderson tried to book a table an hour ago. | 0:05:56 | 0:05:59 | |
They were ringing back with availability. | 0:05:59 | 0:06:02 | |
An hour before taking his own life, he felt a bit peckish? | 0:06:02 | 0:06:05 | |
So he WAS murdered. | 0:06:05 | 0:06:07 | |
OK, thank you. | 0:06:07 | 0:06:09 | |
Sir, that was the bank's head of security. | 0:06:09 | 0:06:12 | |
There are only two keys to this office. | 0:06:12 | 0:06:15 | |
Their copy, which is still in their safe, | 0:06:15 | 0:06:17 | |
and the key that Mr Henderson has. | 0:06:17 | 0:06:20 | |
In that case, we have a bit of a problem, because this... | 0:06:20 | 0:06:23 | |
..was not suicide. | 0:06:25 | 0:06:27 | |
This was murder staged to look like suicide. | 0:06:28 | 0:06:31 | |
Wait a minute, hang on - so either our killer murdered poor Frank, | 0:06:31 | 0:06:35 | |
then left the room with the key... | 0:06:35 | 0:06:37 | |
locked the door from the outside... | 0:06:37 | 0:06:40 | |
and then somehow managed to magic | 0:06:40 | 0:06:42 | |
the key back through the locked door and into Frank's pocket? | 0:06:42 | 0:06:46 | |
Or he committed murder, left the key in Frank's pocket, | 0:06:46 | 0:06:50 | |
locked the door from the inside... | 0:06:50 | 0:06:53 | |
and then somehow managed to magic himself out of the locked room. | 0:06:53 | 0:06:57 | |
Either way, it's impossible. | 0:06:57 | 0:06:59 | |
What crate number's that? | 0:07:06 | 0:07:08 | |
That's number eight, sir. | 0:07:13 | 0:07:15 | |
There's some kind of metal box in here, sir. | 0:07:19 | 0:07:21 | |
I mean, it's locked, but it must be important | 0:07:23 | 0:07:25 | |
if it was hidden in there, you know? | 0:07:25 | 0:07:27 | |
PHONE RINGS | 0:07:27 | 0:07:29 | |
Inspector. Do you have your man? | 0:07:33 | 0:07:35 | |
He was in this room only half an hour ago. | 0:07:40 | 0:07:43 | |
Why would he commit suicide? | 0:07:43 | 0:07:44 | |
He didn't. | 0:07:44 | 0:07:45 | |
I'm sorry to say, gentlemen, that Frank Henderson was murdered. | 0:07:49 | 0:07:52 | |
-What?! -No! That's not possible! | 0:07:52 | 0:07:54 | |
So, if you can all start by telling me where you were | 0:07:54 | 0:07:56 | |
when you heard the gunshot. | 0:07:56 | 0:07:58 | |
Well, I was in the stairwell, | 0:08:00 | 0:08:02 | |
heading down from the roof to meet Frank. | 0:08:02 | 0:08:04 | |
He was supposed to be in the reception, but he was late. | 0:08:04 | 0:08:07 | |
Was anyone else with you? | 0:08:07 | 0:08:09 | |
No, I was on my own. | 0:08:09 | 0:08:11 | |
Mr West? | 0:08:11 | 0:08:12 | |
I'd just been to the toilet on this floor. | 0:08:12 | 0:08:14 | |
Was heading back up to the party when it happened. | 0:08:14 | 0:08:16 | |
Can anyone confirm that? | 0:08:16 | 0:08:18 | |
No. | 0:08:18 | 0:08:19 | |
What about you, Mr Thomas? | 0:08:19 | 0:08:20 | |
Where were you when the gunshot went off? | 0:08:20 | 0:08:22 | |
I was in this room, trying to get everything straight | 0:08:22 | 0:08:24 | |
-for the contract signings. -I see. | 0:08:24 | 0:08:26 | |
So, none of you have an actual alibi for the time of the murder? | 0:08:26 | 0:08:29 | |
But we don't need one, do we? | 0:08:29 | 0:08:30 | |
You didn't get to sign the big deal, then, after all, did you? | 0:08:34 | 0:08:37 | |
-No. -Pity. | 0:08:37 | 0:08:39 | |
Can only imagine how much work you put into that. | 0:08:39 | 0:08:41 | |
Terrible shame. | 0:08:41 | 0:08:43 | |
What was this deal again? | 0:08:43 | 0:08:44 | |
We're supposed to be buying a property portfolio from | 0:08:44 | 0:08:47 | |
-Mike Wilson's company today. -Property? | 0:08:47 | 0:08:49 | |
£24 million worth of residential and commercial units. | 0:08:49 | 0:08:52 | |
-Oh. -Look, whatever happened to Frank, it had nothing to do with us. | 0:08:52 | 0:08:56 | |
And that's where you're wrong. | 0:08:56 | 0:08:58 | |
Because common sense tells me that the murder of Frank Henderson | 0:08:59 | 0:09:02 | |
has to be connected to the murder of Tom Lewis. | 0:09:02 | 0:09:04 | |
And there are only three people in the whole world who I can | 0:09:04 | 0:09:07 | |
place both in the Caribbean for the time of Mr Lewis's murder | 0:09:07 | 0:09:10 | |
and here for Frank Henderson's murder today. | 0:09:10 | 0:09:11 | |
You three. | 0:09:11 | 0:09:13 | |
He has a point, fellas. | 0:09:13 | 0:09:14 | |
See, I know one of you is the killer. | 0:09:14 | 0:09:17 | |
It's just a question of working out who. | 0:09:17 | 0:09:19 | |
Dwayne, get our three suspects out of their jackets and shirts. | 0:09:22 | 0:09:25 | |
I want their clothes bagged | 0:09:25 | 0:09:26 | |
and tested for evidence of gunshot residue, | 0:09:26 | 0:09:28 | |
and I want swabs taken from their hands as well. Thank you. | 0:09:28 | 0:09:31 | |
Yes, Chief. | 0:09:31 | 0:09:32 | |
The murders have to be linked. | 0:09:38 | 0:09:40 | |
Absolutely, they are, | 0:09:40 | 0:09:42 | |
but trying to connect a huge property deal in the City of London | 0:09:42 | 0:09:45 | |
with a fishing trip in the Caribbean... Not going to be easy. | 0:09:45 | 0:09:49 | |
Or working out how it's connected to smuggling. | 0:09:49 | 0:09:51 | |
Maybe the commissioner and JP can help us with that. | 0:09:51 | 0:09:54 | |
Where is the key to open this? | 0:09:56 | 0:09:58 | |
Where did you find that? | 0:09:59 | 0:10:01 | |
Amongst the crates of bootleg rum and the bag of cash | 0:10:01 | 0:10:05 | |
you and Mr Lewis stashed in the secret compartment of your boat. | 0:10:05 | 0:10:09 | |
It's a little, silver key...on the main ring of keys for the boat. | 0:10:12 | 0:10:16 | |
I had nothing to do with that side of the business. It was all Tom. | 0:10:20 | 0:10:23 | |
How very convenient for you. | 0:10:23 | 0:10:25 | |
It's the truth. He wouldn't listen to me. | 0:10:25 | 0:10:27 | |
He said it was harmless. | 0:10:27 | 0:10:28 | |
So, he smuggled tobacco, alcohol? | 0:10:28 | 0:10:33 | |
Sometimes. | 0:10:33 | 0:10:34 | |
It was why Tom went back to the boat the night he was killed. | 0:10:37 | 0:10:41 | |
He was taking delivery on the crates of rum that you found. | 0:10:41 | 0:10:44 | |
'We'd get 500 if we delivered them to a bar in St Lucia.' | 0:10:45 | 0:10:49 | |
Ms Boyd, is this the key? | 0:10:49 | 0:10:51 | |
Yes. | 0:10:51 | 0:10:52 | |
It's all there, everything you want to know - | 0:10:59 | 0:11:02 | |
names, numbers, addresses. | 0:11:02 | 0:11:04 | |
No, no, that's perfectly clear. Thank you. | 0:11:11 | 0:11:14 | |
Now, that's interesting. | 0:11:16 | 0:11:18 | |
If I understood the financial mumbo jumbo properly, | 0:11:18 | 0:11:21 | |
it seems that Mike Wilson's company was selling his property portfolio | 0:11:21 | 0:11:25 | |
to City Met to solve a huge cash flow problem. | 0:11:25 | 0:11:28 | |
Mike Wilson and Frank Henderson were friends. | 0:11:28 | 0:11:30 | |
Now, the feeling was he'd only deal with him, nobody else. | 0:11:30 | 0:11:33 | |
So with Frank Henderson dead, the deal's off? | 0:11:33 | 0:11:36 | |
Yeah, well, that seems to be the case, | 0:11:36 | 0:11:39 | |
but this deal was due to earn the bank a fortune. | 0:11:39 | 0:11:41 | |
Now, why would any of our banker friends kill him | 0:11:41 | 0:11:44 | |
before it was signed? | 0:11:44 | 0:11:46 | |
Yeah... Is there anything more on our three suspects? | 0:11:46 | 0:11:49 | |
Well, Chief, I've been looking through their e-mails, | 0:11:49 | 0:11:51 | |
trying to find any links to the Caribbean, | 0:11:51 | 0:11:53 | |
but nothing at the moment. | 0:11:53 | 0:11:55 | |
I may have found something. Steve Thomas's HR file. | 0:11:55 | 0:11:59 | |
This is his initial application to join the bank. | 0:11:59 | 0:12:01 | |
Look - there's a handwritten note on the side. | 0:12:01 | 0:12:05 | |
Frank has known Mr Thomas for years. He's his preferred candidate. | 0:12:05 | 0:12:10 | |
So Steve Thomas knew Frank Henderson before he joined the bank? | 0:12:10 | 0:12:14 | |
Now, why has he not told us that, do you think? | 0:12:14 | 0:12:17 | |
That's very deceitful. | 0:12:17 | 0:12:20 | |
Frank was a family friend when I was a teenager. | 0:12:20 | 0:12:23 | |
How did your family know him? | 0:12:23 | 0:12:24 | |
Well, it was my mum, really. Er, Frank was our neighbour. | 0:12:24 | 0:12:29 | |
It was years ago now. Frank lost his licence for drink-driving. | 0:12:29 | 0:12:32 | |
Anyway, my mum was out of work, | 0:12:33 | 0:12:35 | |
so Frank employed her to be his driver | 0:12:35 | 0:12:37 | |
until he got his licence back. | 0:12:37 | 0:12:39 | |
Do you mind me asking, Steve, how old were you at the time? | 0:12:39 | 0:12:43 | |
14. | 0:12:43 | 0:12:45 | |
And I liked him. | 0:12:45 | 0:12:47 | |
And when I didn't do that great at school, | 0:12:47 | 0:12:48 | |
he offered me a job here and I've been working here ever since. | 0:12:48 | 0:12:52 | |
I should've told you this sooner, shouldn't I? | 0:12:55 | 0:12:58 | |
It's just, I didn't think it was relevant. | 0:12:58 | 0:13:00 | |
But you have to believe me, pretty much everything that is good | 0:13:02 | 0:13:06 | |
in my life now, I owe to Frank Henderson. | 0:13:06 | 0:13:08 | |
Are you sure it was murder? | 0:13:10 | 0:13:11 | |
Well, how do you mean? | 0:13:13 | 0:13:14 | |
Only we had to break Frank's door down to get into his office, | 0:13:14 | 0:13:17 | |
and there was no-one else in there when we got inside, | 0:13:17 | 0:13:20 | |
so if it was murder rather than suicide, how did the killer | 0:13:20 | 0:13:24 | |
get out of a locked room before we'd even arrived? | 0:13:24 | 0:13:27 | |
Yes, it's something of a puzzler. | 0:13:27 | 0:13:28 | |
And it was Frank who was missing his cufflink. | 0:13:28 | 0:13:31 | |
The one you were looking for. | 0:13:31 | 0:13:33 | |
-How do you know that? -How do I know what? | 0:13:37 | 0:13:39 | |
That Frank only had one cufflink. | 0:13:39 | 0:13:41 | |
Well, it's obvious, isn't it? | 0:13:42 | 0:13:45 | |
If Frank committed suicide, | 0:13:45 | 0:13:46 | |
it would be because he killed that guy in the Caribbean, | 0:13:46 | 0:13:49 | |
for whatever reason. | 0:13:49 | 0:13:50 | |
In which case... | 0:13:51 | 0:13:53 | |
it must've been Frank who left one of his cufflinks on the boat. | 0:13:53 | 0:13:57 | |
OK. | 0:14:01 | 0:14:03 | |
Thank you very much for your time. | 0:14:03 | 0:14:05 | |
-We've got no more questions. -I'm free to go? | 0:14:05 | 0:14:07 | |
Yeah, unless there's anything else you'd like to tell us. | 0:14:07 | 0:14:10 | |
-No, no. I've told you everything I know. -Thank you. | 0:14:10 | 0:14:13 | |
Slip of the tongue? | 0:14:18 | 0:14:19 | |
Oh, it was that all right. | 0:14:20 | 0:14:23 | |
The question is, whether he thought it through like he said... | 0:14:23 | 0:14:27 | |
or because he's our killer. | 0:14:27 | 0:14:29 | |
I don't know why yet, and I'm not even sure how... | 0:14:29 | 0:14:32 | |
but I think he's our man. | 0:14:32 | 0:14:34 | |
OK, this is your bail document relating to the smuggling charge. | 0:14:38 | 0:14:41 | |
We need to know where you're staying each night until the court hearing. | 0:14:41 | 0:14:45 | |
I understand. | 0:14:45 | 0:14:47 | |
Please, catch his killer. | 0:14:47 | 0:14:49 | |
OK, will do. | 0:14:49 | 0:14:51 | |
Well, that was the Inspector. | 0:14:51 | 0:14:55 | |
He's pretty sure we've found our killer. | 0:14:55 | 0:14:58 | |
We have, sir? Great! | 0:14:58 | 0:14:59 | |
He wants us to concentrate on Steve Thomas, | 0:14:59 | 0:15:02 | |
find anything that links him to the victim, | 0:15:02 | 0:15:04 | |
so I suggest we start working through Mr Lewis's papers | 0:15:04 | 0:15:09 | |
and phone records. | 0:15:09 | 0:15:11 | |
If the Inspector's right, | 0:15:11 | 0:15:14 | |
-we may find a reference to him somewhere in here. -Yes, sir. | 0:15:14 | 0:15:20 | |
I'll start with this. You do the rest. | 0:15:22 | 0:15:24 | |
Yes, sir. | 0:15:25 | 0:15:26 | |
HE SIGHS | 0:15:33 | 0:15:34 | |
OK, financials have come in. | 0:16:27 | 0:16:29 | |
There's nothing suspicious in Steve Thomas's bank statements. | 0:16:29 | 0:16:33 | |
Has no major debt, as far as I can see. | 0:16:33 | 0:16:36 | |
But there's something interesting on Frank's bank statements. | 0:16:36 | 0:16:40 | |
Dwayne? | 0:16:44 | 0:16:45 | |
-Huh? -Are you listening? | 0:16:45 | 0:16:47 | |
Frank Henderson has a standing order every month of £280 | 0:16:49 | 0:16:53 | |
that goes to a company called Beaumont Street Health Clinic. | 0:16:53 | 0:16:57 | |
I just looked them up and they offer psychiatric counselling. | 0:16:57 | 0:17:01 | |
He was in therapy? | 0:17:01 | 0:17:03 | |
Maybe Frank wasn't as together as everyone thought. | 0:17:04 | 0:17:07 | |
You think maybe he did kill Tom Lewis, then shot himself? | 0:17:07 | 0:17:11 | |
I'd better tell the Inspector. | 0:17:11 | 0:17:13 | |
Good idea. | 0:17:13 | 0:17:14 | |
OK, thanks, Florence. | 0:17:20 | 0:17:22 | |
Call the clinic, see what else you can find out. | 0:17:22 | 0:17:24 | |
So what do we do now? | 0:17:24 | 0:17:26 | |
We wait. | 0:17:26 | 0:17:27 | |
Tea, man. | 0:17:39 | 0:17:41 | |
Cheers. | 0:17:42 | 0:17:43 | |
-Are you all right, Dwayne? -Me? Why shouldn't I be? | 0:17:43 | 0:17:46 | |
No reason. You just seem quiet. | 0:17:46 | 0:17:48 | |
Well, they've got me working underground like a rabbit, | 0:17:48 | 0:17:51 | |
what do you expect? | 0:17:51 | 0:17:52 | |
Is that all it is? | 0:17:52 | 0:17:54 | |
No, there's also the fact that it's freezing cold outside. | 0:17:54 | 0:17:57 | |
Oh, I checked - 14 degrees! How do people live here?! | 0:17:57 | 0:18:01 | |
It's noisy, it's smelly and the air is so polluted, you can eat it! | 0:18:01 | 0:18:05 | |
Sorry, Sarge. | 0:18:07 | 0:18:09 | |
Missing home, then? | 0:18:09 | 0:18:10 | |
What do you think? | 0:18:11 | 0:18:13 | |
Maybe you should go see your Aunt Lilibeth. | 0:18:13 | 0:18:16 | |
That might cheer you up. | 0:18:16 | 0:18:18 | |
I don't think I'll have time, you know. | 0:18:18 | 0:18:20 | |
PHONE RINGS | 0:18:20 | 0:18:22 | |
Sergeant Cassell. | 0:18:24 | 0:18:25 | |
So, er, your daughter... Does she have any brothers or sisters? | 0:18:29 | 0:18:33 | |
No. Just the one. | 0:18:33 | 0:18:35 | |
-I'd've liked more, but... -Ah, it's never too late. | 0:18:38 | 0:18:42 | |
Nah, my wife, she was ill for a long time, you see. | 0:18:43 | 0:18:48 | |
We lost her last year. | 0:18:50 | 0:18:52 | |
I'm so sorry. | 0:18:52 | 0:18:53 | |
Ah, no, don't be sorry, no, no. | 0:18:53 | 0:18:55 | |
No, I was a lucky man, to have had her for as long as I did. | 0:18:56 | 0:19:00 | |
She was an amazing woman. | 0:19:02 | 0:19:04 | |
Putting up with me for a start. | 0:19:05 | 0:19:08 | |
No mean feat, I can tell you. | 0:19:08 | 0:19:10 | |
That's a great way to think about it. | 0:19:10 | 0:19:12 | |
There's no other way. | 0:19:12 | 0:19:13 | |
She had a good heart, you know? | 0:19:15 | 0:19:17 | |
Kind. | 0:19:17 | 0:19:18 | |
What about you, Humphrey? You married at all? | 0:19:26 | 0:19:28 | |
Not any more. It's for the best. | 0:19:30 | 0:19:34 | |
Nobody since, no? | 0:19:34 | 0:19:35 | |
One. | 0:19:37 | 0:19:38 | |
Oh? | 0:19:38 | 0:19:40 | |
Sort of a holiday romance, I suppose. | 0:19:40 | 0:19:43 | |
-In the Caribbean? -Yeah. | 0:19:43 | 0:19:45 | |
She was travelling. She stayed on in Saint Marie for a while. | 0:19:46 | 0:19:50 | |
She came back here to London, only a few weeks ago. | 0:19:51 | 0:19:54 | |
Have you been to see her? | 0:19:55 | 0:19:57 | |
Ha! That's everyone's worst nightmare, isn't it? | 0:19:57 | 0:20:00 | |
Someone you met on holiday turning up on your doorstep | 0:20:00 | 0:20:02 | |
when you get home? "Surprise!" | 0:20:02 | 0:20:04 | |
Do you love her? | 0:20:06 | 0:20:07 | |
My grandfather told me a story once, | 0:20:14 | 0:20:17 | |
about these two wolves fighting inside all of us. | 0:20:17 | 0:20:21 | |
And one of them is anger, envy, self-pity, regret. | 0:20:21 | 0:20:27 | |
The other one is love, truth, faith, hope, that sort of thing. | 0:20:27 | 0:20:30 | |
And I asked him, which one of the wolves would win? | 0:20:30 | 0:20:34 | |
And do you know what he said? | 0:20:34 | 0:20:36 | |
"The one you feed." | 0:20:37 | 0:20:39 | |
For all you know, she's thinking, why would you want to see her? | 0:20:43 | 0:20:46 | |
You know, when you've got this marvellous life | 0:20:46 | 0:20:48 | |
out in the Caribbean. | 0:20:48 | 0:20:50 | |
HE SIGHS | 0:20:50 | 0:20:51 | |
Look, if he moves, I'll call you straight away. | 0:20:54 | 0:20:56 | |
It's a promise. | 0:20:58 | 0:20:59 | |
Humphrey? | 0:21:25 | 0:21:26 | |
Hello, Martha. | 0:21:28 | 0:21:29 | |
What are you doing here? | 0:21:30 | 0:21:32 | |
Do you mean "here" as in what am I doing in the UK | 0:21:32 | 0:21:34 | |
or do you mean "here" as in talking to you? | 0:21:34 | 0:21:37 | |
Both! I mean, the second one. | 0:21:37 | 0:21:39 | |
Well, erm... | 0:21:39 | 0:21:40 | |
Erm, look, erm, why don't you come and sit over here? | 0:21:42 | 0:21:46 | |
I'll... I'll get you a drink and, erm... Have you...have you eaten? | 0:21:46 | 0:21:50 | |
-No. -Right. Erm, OK, I'll... I'll sort you some food | 0:21:50 | 0:21:54 | |
and then, when it's quiet, we can talk. | 0:21:54 | 0:21:58 | |
OK. Thank you. | 0:21:58 | 0:22:00 | |
HE GROANS | 0:22:33 | 0:22:35 | |
DISTANT SIREN | 0:22:37 | 0:22:38 | |
I-I'm sorry, I should've rung, let you know I was coming. | 0:22:54 | 0:22:58 | |
No, it's all right. It's...it's lovely seeing you... | 0:22:58 | 0:23:01 | |
even if it is a little unexpected. | 0:23:01 | 0:23:04 | |
There's a case. People from London. | 0:23:04 | 0:23:07 | |
Well, whatever it is, I'm glad you're here. | 0:23:07 | 0:23:11 | |
Me, too. | 0:23:12 | 0:23:13 | |
I'm so sorry I didn't say goodbye properly. It was just... | 0:23:16 | 0:23:20 | |
..difficult. | 0:23:21 | 0:23:22 | |
Have you heard the story about the two wolves? | 0:23:26 | 0:23:30 | |
I don't think so. | 0:23:30 | 0:23:31 | |
One's full of doubt and regret, | 0:23:31 | 0:23:33 | |
and the other's full of love and hope and stuff. | 0:23:33 | 0:23:37 | |
And, well, they're fighting and the one that wins is the one you feed. | 0:23:37 | 0:23:40 | |
Oh. | 0:23:40 | 0:23:42 | |
Does that make any sense? | 0:23:42 | 0:23:43 | |
-None at all. -Right. | 0:23:43 | 0:23:46 | |
Maybe if you just said it, you know, whatever it is... | 0:23:46 | 0:23:48 | |
-Without the wolves? -Probably best. -Right. | 0:23:48 | 0:23:51 | |
When I bumped into you, you'd just travelled the world, | 0:23:55 | 0:23:58 | |
deciding what you wanted to do with your life, | 0:23:58 | 0:24:00 | |
and this is what you chose. | 0:24:00 | 0:24:02 | |
The thing is... Or, rather, the point is... | 0:24:04 | 0:24:07 | |
Or the thing is... | 0:24:07 | 0:24:09 | |
..I really, very much hoped you'd have chosen me. | 0:24:13 | 0:24:15 | |
You're right, this is what I chose. | 0:24:21 | 0:24:24 | |
-And, in my heart of hearts, it's where I want to be. -Excellent. | 0:24:25 | 0:24:29 | |
If things were different, | 0:24:31 | 0:24:32 | |
I would've loved to have seen where it went, | 0:24:32 | 0:24:36 | |
but I could never ask you to give up Saint Marie. | 0:24:36 | 0:24:39 | |
It's where your friends are. | 0:24:40 | 0:24:42 | |
Your job. | 0:24:42 | 0:24:44 | |
-Where you're happy. -Yeah. | 0:24:44 | 0:24:45 | |
So if you're happy there and I'm happy here... | 0:24:47 | 0:24:53 | |
then anything else will always have 4,100 miles in between. | 0:24:53 | 0:24:58 | |
That's very precise. | 0:25:00 | 0:25:01 | |
I looked it up. | 0:25:01 | 0:25:02 | |
And we can't change that? | 0:25:05 | 0:25:07 | |
I don't see how. | 0:25:09 | 0:25:10 | |
At least this time I can say to your face | 0:25:13 | 0:25:16 | |
what I should've said last time. | 0:25:16 | 0:25:18 | |
-We can stay friends. -Yes, of course. | 0:25:21 | 0:25:23 | |
-Go on, you say it first! -(No, you say it.) | 0:25:29 | 0:25:31 | |
Goodbye, Martha. | 0:25:37 | 0:25:38 | |
Goodbye, Humphrey. | 0:25:44 | 0:25:45 | |
HE SIGHS | 0:26:00 | 0:26:02 | |
Bingo. | 0:26:51 | 0:26:52 | |
-Good morning. -Good morning, Chief! | 0:26:57 | 0:26:59 | |
-Morning. -Any news from Inspector Mooney on the stakeout? | 0:26:59 | 0:27:03 | |
Yes, Steve Thomas hasn't moved from his flat. | 0:27:03 | 0:27:05 | |
Any joy from the clinic? | 0:27:05 | 0:27:06 | |
No, they won't release their patient case files without a court order. | 0:27:06 | 0:27:10 | |
-I've applied for one. -Oh, good. Anything else? | 0:27:10 | 0:27:13 | |
Well, we went through all the financials last night. | 0:27:13 | 0:27:15 | |
Martin West and Dominic Green each paid £100,000 | 0:27:15 | 0:27:18 | |
to a company called London Equity Trading five weeks ago. | 0:27:18 | 0:27:21 | |
-And? -I called London Equity Trading. | 0:27:21 | 0:27:24 | |
Mr West and Mr Green gave them the money | 0:27:25 | 0:27:28 | |
to go short on Mr Wilson's company. | 0:27:28 | 0:27:30 | |
I-I'm sorry, Dwayne, what does this mean? | 0:27:30 | 0:27:32 | |
Turns out it means they bet their money that the share price | 0:27:32 | 0:27:35 | |
of Mike Wilson's company was about to go down. | 0:27:35 | 0:27:37 | |
They bet £200,000 on this? | 0:27:37 | 0:27:40 | |
-Yep. -That doesn't make sense. | 0:27:40 | 0:27:42 | |
Cos it was going to go up when they'd signed the deal, surely? | 0:27:42 | 0:27:45 | |
Exactly, sir. | 0:27:45 | 0:27:47 | |
But since the deal fell through, the share price of Mr Wilson's | 0:27:47 | 0:27:50 | |
company has collapsed, just like Martin and Dominic bet it would. | 0:27:50 | 0:27:54 | |
So maybe Steve Thomas isn't our man after all. | 0:27:54 | 0:27:57 | |
There is more. | 0:27:57 | 0:27:58 | |
Forensics. | 0:28:01 | 0:28:03 | |
The gun used to kill Frank Henderson was wiped clean, or whoever killed | 0:28:03 | 0:28:06 | |
him tried to wipe it clean, but it looks like they only did the handle. | 0:28:06 | 0:28:11 | |
There were three clean fingerprints on the barrel. | 0:28:11 | 0:28:13 | |
Belonging to Martin West! | 0:28:13 | 0:28:15 | |
-We'll be in touch. -Wonderful, thanks very much. | 0:28:25 | 0:28:27 | |
Why don't you say what you came here to say so we can get this over with? | 0:28:32 | 0:28:35 | |
Very well. Martin, can you tell us why we found your prints | 0:28:35 | 0:28:38 | |
on the gun that was used to kill Frank Henderson? | 0:28:38 | 0:28:40 | |
I told you they'd find out. | 0:28:40 | 0:28:41 | |
What is this? | 0:28:41 | 0:28:43 | |
OK, I can explain. | 0:28:43 | 0:28:45 | |
The gun belongs to me, | 0:28:45 | 0:28:47 | |
although it was my father's, originally, | 0:28:47 | 0:28:49 | |
from the Second World War. | 0:28:49 | 0:28:51 | |
I took it into the office years ago, | 0:28:51 | 0:28:54 | |
you know, to impress the lads. | 0:28:54 | 0:28:56 | |
It's been in the drawer of my desk ever since. | 0:28:56 | 0:28:58 | |
Was it kept under lock and key? | 0:28:58 | 0:29:00 | |
So anyone could have taken it? | 0:29:02 | 0:29:03 | |
Anyone with a motive. | 0:29:03 | 0:29:05 | |
It's interesting you say that, Mr Green. Detective Sergeant? | 0:29:05 | 0:29:09 | |
You each bet £100,000 that the share price of Mr Wilson's company | 0:29:09 | 0:29:15 | |
was going to go down, even as you were putting together | 0:29:15 | 0:29:18 | |
a deal to save his company. | 0:29:18 | 0:29:21 | |
Can you explain that? | 0:29:21 | 0:29:22 | |
OK. Wilson had always said | 0:29:23 | 0:29:25 | |
that he'd never sell any portion of the company. | 0:29:25 | 0:29:28 | |
Not to anyone. | 0:29:28 | 0:29:30 | |
Martin and I never thought it would happen, | 0:29:30 | 0:29:33 | |
so we decided to place a little side bet. | 0:29:33 | 0:29:35 | |
And the moment the deal was signed, you'd both stand to lose £100,000. | 0:29:35 | 0:29:40 | |
So? That's how it goes in the City. | 0:29:40 | 0:29:42 | |
The smart guys always hedge their bets. | 0:29:42 | 0:29:44 | |
That's all that we were doing. It's standard practice. | 0:29:44 | 0:29:48 | |
And do you really think that Martin would be so stupid as to use his own | 0:29:48 | 0:29:51 | |
gun to commit murder and then fail to wipe the prints off afterwards? | 0:29:51 | 0:29:54 | |
Good point. | 0:29:54 | 0:29:55 | |
So maybe the real killer used Mr West's gun to frame him? | 0:29:56 | 0:30:01 | |
Look, I know that I'm innocent, | 0:30:01 | 0:30:02 | |
so maybe you should be looking elsewhere. | 0:30:02 | 0:30:04 | |
Where? | 0:30:04 | 0:30:05 | |
Steve Thomas. | 0:30:10 | 0:30:12 | |
You know that he's been seeing a psychiatrist for years. | 0:30:12 | 0:30:15 | |
Is this the psychiatrist Frank Henderson pays for each month? | 0:30:15 | 0:30:19 | |
Steve said that Frank paid for it. | 0:30:19 | 0:30:21 | |
So why is Steve in therapy? | 0:30:21 | 0:30:23 | |
Why don't you ask him? | 0:30:23 | 0:30:24 | |
Now if you'll excuse us, we've got to get back to work. | 0:30:25 | 0:30:29 | |
Officer Hooper? | 0:30:44 | 0:30:45 | |
Officer Hooper! | 0:30:48 | 0:30:50 | |
Commissioner! | 0:30:50 | 0:30:51 | |
Commissioner. | 0:30:51 | 0:30:52 | |
I wasn't sleeping on the job. | 0:30:52 | 0:30:53 | |
-You weren't? -No, sir. | 0:30:53 | 0:30:56 | |
Although maybe I was. | 0:30:56 | 0:30:58 | |
But I came back to the office yesterday evening and I found | 0:30:58 | 0:31:00 | |
a memory card hidden in the bottom of Mr Lewis's cashbox. | 0:31:00 | 0:31:03 | |
It turned out that it was a copy of his old hard drive from the 1990s, | 0:31:03 | 0:31:07 | |
before he fled the UK, when he was still working in the city of London. | 0:31:07 | 0:31:11 | |
So, erm, I printed out everything I could find on it. | 0:31:11 | 0:31:14 | |
Yeah, old e-mails, correspondence, photos. | 0:31:14 | 0:31:18 | |
There's even a contacts list. | 0:31:18 | 0:31:20 | |
Any mention of Steve Thomas? | 0:31:20 | 0:31:22 | |
Well, I was going through it, sir, when I... | 0:31:24 | 0:31:27 | |
Fell asleep? | 0:31:28 | 0:31:29 | |
But we don't need to mention that on my appraisal. | 0:31:32 | 0:31:35 | |
Do we...sir? | 0:31:35 | 0:31:36 | |
I suggest we crack on. Don't you? | 0:31:39 | 0:31:43 | |
There you go. Thought you might be in need of a little sustenance. | 0:31:55 | 0:31:58 | |
Oh, that's very good of you, Humphrey. Thank you. | 0:31:58 | 0:32:01 | |
So. Anything? | 0:32:01 | 0:32:03 | |
Still in there. | 0:32:03 | 0:32:04 | |
I think. He hasn't moved all night. | 0:32:04 | 0:32:06 | |
So how did it go? | 0:32:08 | 0:32:09 | |
Go? | 0:32:09 | 0:32:10 | |
Oh, right, erm... | 0:32:11 | 0:32:12 | |
Er...good. Good. | 0:32:12 | 0:32:15 | |
We got some closure. | 0:32:15 | 0:32:16 | |
I think that was important. | 0:32:16 | 0:32:18 | |
I'm glad I went. Thank you. | 0:32:18 | 0:32:20 | |
There he is! | 0:32:22 | 0:32:24 | |
Stop! | 0:32:24 | 0:32:25 | |
Right, you are under arrest. | 0:32:36 | 0:32:37 | |
It looks like he was planning to do a runner. | 0:32:40 | 0:32:43 | |
I've also been through his mobile phone. | 0:32:43 | 0:32:45 | |
No calls of any significance since yesterday - | 0:32:45 | 0:32:47 | |
just a few to his mum, that's it. | 0:32:47 | 0:32:49 | |
So, Mr Thomas... | 0:33:01 | 0:33:02 | |
Where were you off to this morning? | 0:33:04 | 0:33:06 | |
I was just going to get a train somewhere. Anywhere. | 0:33:06 | 0:33:08 | |
Get away for the weekend. | 0:33:08 | 0:33:09 | |
If it was that innocent, why did you run? | 0:33:09 | 0:33:11 | |
I don't know, I just panicked. | 0:33:11 | 0:33:14 | |
I've done nothing wrong. | 0:33:14 | 0:33:16 | |
Even though you hid the truth of your relationship with Mr Henderson? | 0:33:16 | 0:33:19 | |
Just like you hid your weekly therapy sessions from us. | 0:33:19 | 0:33:22 | |
And the fact that Mr Henderson pays for them. | 0:33:22 | 0:33:24 | |
-Does he? -Mmm. | 0:33:24 | 0:33:26 | |
Well, that's going to take some explaining. | 0:33:26 | 0:33:29 | |
Listen, when I first met Frank, | 0:33:30 | 0:33:33 | |
I wasn't just doing badly at school, like I told you, | 0:33:33 | 0:33:35 | |
I was seriously messed up. | 0:33:35 | 0:33:37 | |
And I just lost it one day. | 0:33:37 | 0:33:40 | |
Couldn't cope. | 0:33:40 | 0:33:41 | |
Took an overdose of pills and vodka. | 0:33:41 | 0:33:44 | |
But it was Frank who found me and took me to hospital. | 0:33:46 | 0:33:50 | |
He saved my life. | 0:33:50 | 0:33:51 | |
And he's been helping me with therapy as well. | 0:33:53 | 0:33:56 | |
That's why I'd never harm him. | 0:33:56 | 0:33:58 | |
If it wasn't for him, I wouldn't even be alive today. | 0:33:58 | 0:34:01 | |
Sir! | 0:34:04 | 0:34:05 | |
Inspector. | 0:34:07 | 0:34:08 | |
The gunshot residue results are in. | 0:34:16 | 0:34:18 | |
There was no gunshot residue found anywhere on Frank Henderson's hand. | 0:34:18 | 0:34:22 | |
That's not surprising as we don't believe he killed himself. | 0:34:22 | 0:34:24 | |
There was no gunshot residue on Steve Thomas's hands, either. | 0:34:24 | 0:34:28 | |
Or on his shirt or his jacket | 0:34:28 | 0:34:31 | |
or anywhere on his clothes, in fact. | 0:34:31 | 0:34:33 | |
He didn't fire the gun? | 0:34:33 | 0:34:34 | |
It gets worse. | 0:34:34 | 0:34:35 | |
There was no gunshot residue on Mr Green or Mr West's clothes or hands. | 0:34:35 | 0:34:39 | |
None of them fired that gun. | 0:34:40 | 0:34:42 | |
Can I go now? | 0:34:48 | 0:34:49 | |
-You're not going anywhere except to our cells. -But I didn't do it! | 0:34:52 | 0:34:56 | |
Dwayne, to the cells. Thank you. | 0:34:56 | 0:34:57 | |
Come on. | 0:34:57 | 0:34:58 | |
How did Steve pull the trigger without touching the gun? | 0:35:03 | 0:35:06 | |
How'd he get out of a locked room afterwards? | 0:35:06 | 0:35:09 | |
HE SIGHS Er, Florence, get onto that cleaner | 0:35:09 | 0:35:12 | |
-who was first on the scene. What was her name? -Katherine Baxter. | 0:35:12 | 0:35:14 | |
Yes. Let's speak to her again. Go over her statement. | 0:35:14 | 0:35:17 | |
Maybe she'll remember something about where Steve was or... | 0:35:17 | 0:35:19 | |
-or what he was doing just before she arrived. -Yes, sir. | 0:35:19 | 0:35:22 | |
And we still need to work out why Steve Thomas would want to | 0:35:22 | 0:35:25 | |
kill the man who once saved his life. | 0:35:25 | 0:35:27 | |
And how on earth that murder is linked to the murder of | 0:35:27 | 0:35:30 | |
Tom Lewis in the Caribbean. | 0:35:30 | 0:35:31 | |
Yes! | 0:36:06 | 0:36:08 | |
This is it! | 0:36:08 | 0:36:09 | |
Sir, I just rang Katherine Baxter on the contact number she gave us | 0:36:14 | 0:36:17 | |
and it doesn't exist. | 0:36:17 | 0:36:19 | |
So I looked up the address she gave in her statement | 0:36:19 | 0:36:21 | |
and that doesn't exist, either. | 0:36:21 | 0:36:23 | |
-It doesn't? -No. | 0:36:23 | 0:36:24 | |
So I called the HR department of City Met Bank and they said | 0:36:24 | 0:36:27 | |
the strangest thing. | 0:36:27 | 0:36:28 | |
Wait. | 0:36:28 | 0:36:29 | |
There's no Kath Baxter working as a cleaner on the payroll, right? | 0:36:29 | 0:36:33 | |
Thank you, sir. Chief! | 0:36:33 | 0:36:35 | |
-Yes? -The Commissioner's on conference calling. | 0:36:35 | 0:36:37 | |
-Says he's got something. -OK, Commissioner. | 0:36:37 | 0:36:39 | |
-Inspector...? -Yes, sir? | 0:36:39 | 0:36:41 | |
-Are you there? -Yes, what have you got for us? | 0:36:41 | 0:36:43 | |
It turns out we found a memory card hidden in a box on Mr Lewis's boat. | 0:36:43 | 0:36:49 | |
Officer Hooper has e-mailed one particular photo over to you. | 0:36:49 | 0:36:53 | |
Hold on, sir. Let me get that up. | 0:36:53 | 0:36:55 | |
Now, where are we? Where are we? | 0:36:55 | 0:36:57 | |
Have you got it yet? | 0:37:02 | 0:37:04 | |
Hang on, it's Tom Lewis with his wife and his son? | 0:37:04 | 0:37:07 | |
Not just his one son. | 0:37:07 | 0:37:09 | |
According to his records, he had two sons. | 0:37:09 | 0:37:11 | |
And look who the younger one is. | 0:37:11 | 0:37:13 | |
That's Steve Thomas. | 0:37:15 | 0:37:17 | |
He's Tom Lewis' son? | 0:37:19 | 0:37:21 | |
Florence, can you get hold of his birth certificate? | 0:37:21 | 0:37:23 | |
Yes, sir. | 0:37:23 | 0:37:25 | |
Because this is it, isn't it? | 0:37:25 | 0:37:27 | |
The link between Steve Thomas and Tom Lewis | 0:37:27 | 0:37:30 | |
that we've been looking for all this time. | 0:37:30 | 0:37:32 | |
And we know that Frank Henderson is a friend of the family. | 0:37:32 | 0:37:35 | |
So Steve Thomas is the only link between these two men. But... | 0:37:35 | 0:37:38 | |
There was no gunshot residue on Steve Thomas' hands. | 0:37:38 | 0:37:41 | |
He didn't fire the gun that killed Frank Henderson. | 0:37:41 | 0:37:45 | |
And even if he did, | 0:37:45 | 0:37:46 | |
we still don't know how he got outside the locked room. | 0:37:46 | 0:37:50 | |
-Yeah. -Assuming, of course, it was actually... | 0:37:50 | 0:37:54 | |
Oh, my word. | 0:37:54 | 0:37:55 | |
Get away from the door. | 0:37:55 | 0:37:57 | |
Ah! | 0:37:57 | 0:37:58 | |
'You're certain there was no-one inside when the door was broken into? | 0:37:58 | 0:38:01 | |
'I couldn't see anyone else, no.' | 0:38:01 | 0:38:03 | |
Frank has known Mr Thomas for years. | 0:38:03 | 0:38:05 | |
How does your family know him? | 0:38:05 | 0:38:07 | |
It was my mum, really. | 0:38:07 | 0:38:08 | |
Tom was a brilliant sailor. | 0:38:08 | 0:38:10 | |
But one day, he went out when a storm was forecast. | 0:38:10 | 0:38:13 | |
And he took his son... | 0:38:13 | 0:38:15 | |
I was seriously messed up. | 0:38:15 | 0:38:17 | |
-Took an overdose. -When there is no possible way | 0:38:17 | 0:38:19 | |
for something to have happened, it probably didn't. | 0:38:19 | 0:38:22 | |
But that's not possible, is it? | 0:38:22 | 0:38:24 | |
What? | 0:38:24 | 0:38:25 | |
Er...hang on. | 0:38:25 | 0:38:26 | |
I'm not sure I'm following. | 0:38:30 | 0:38:32 | |
That's it! | 0:38:32 | 0:38:34 | |
What is? | 0:38:34 | 0:38:35 | |
You get it? | 0:38:35 | 0:38:36 | |
Of course! | 0:38:40 | 0:38:42 | |
That's very clever. | 0:38:42 | 0:38:43 | |
That's very devious. | 0:38:43 | 0:38:45 | |
But if Steve Thomas isn't our man, | 0:38:45 | 0:38:48 | |
then what's the best way of using that information | 0:38:48 | 0:38:50 | |
to bring Frank Henderson's killer out of the shadows? | 0:38:50 | 0:38:53 | |
Exactly. | 0:38:53 | 0:38:54 | |
Steve's phone. | 0:38:55 | 0:38:57 | |
Steve's phone, where is it? | 0:38:57 | 0:38:58 | |
-Shall I? -Be my guest. | 0:39:00 | 0:39:03 | |
I have no idea what's going on. You? | 0:39:03 | 0:39:05 | |
"Police know everything. Meet me at the office in half an hour." | 0:39:05 | 0:39:12 | |
I like it. | 0:39:12 | 0:39:14 | |
And send. | 0:39:14 | 0:39:15 | |
Have you got eyeball on our suspect yet? | 0:39:23 | 0:39:26 | |
Yes, Chief. | 0:39:26 | 0:39:28 | |
The eagle has landed. | 0:39:28 | 0:39:30 | |
The eagle has landed. | 0:39:30 | 0:39:31 | |
Ah, Florence! | 0:39:35 | 0:39:36 | |
OK, so what is it you want us to see? | 0:39:36 | 0:39:39 | |
I thought you might be interested to meet Frank Henderson's killer | 0:39:39 | 0:39:42 | |
who is coming up in the lift | 0:39:42 | 0:39:44 | |
right now. | 0:39:44 | 0:39:45 | |
Sorry. Went to the little boys' room. What's going on? | 0:39:48 | 0:39:52 | |
I don't understand. If Frank's killer's in the lift | 0:39:52 | 0:39:55 | |
and the three of us are already here... | 0:39:55 | 0:39:56 | |
BELL PINGS Katherine Baxter, | 0:39:56 | 0:39:58 | |
our mysterious cleaner. | 0:39:58 | 0:40:00 | |
Arrest her, Florence, for murder. | 0:40:00 | 0:40:02 | |
So, what's as big as an elephant, looks like an elephant | 0:40:15 | 0:40:19 | |
and weighs nothing at all? | 0:40:19 | 0:40:21 | |
Well, the answer is, of course, a shadow - | 0:40:24 | 0:40:26 | |
if it's the shadow of an elephant. | 0:40:26 | 0:40:28 | |
DWAYNE CHUCKLES | 0:40:28 | 0:40:29 | |
Well, because there's been a shadow in this case all along. | 0:40:29 | 0:40:33 | |
That was you, Ms Baxter, wasn't it? | 0:40:36 | 0:40:38 | |
Because it was you who killed Frank Henderson. | 0:40:40 | 0:40:43 | |
Why would an office cleaner want to kill Frank? | 0:40:46 | 0:40:48 | |
Well, because, Mr Green... | 0:40:49 | 0:40:51 | |
..she's not really an office cleaner. | 0:40:53 | 0:40:55 | |
She's Steve's mother. | 0:40:59 | 0:41:00 | |
Here we have all the evidence we need. | 0:41:02 | 0:41:04 | |
Steve's mother's listed as Katherine Thomas and his father, Tom Lewis. | 0:41:06 | 0:41:13 | |
I suppose you took your mother's surname after your father | 0:41:13 | 0:41:15 | |
-left the country. -Yes. | 0:41:15 | 0:41:17 | |
You might want to see this. | 0:41:19 | 0:41:21 | |
-Where did you get...? -Because it turns out Mr Lewis | 0:41:22 | 0:41:25 | |
couldn't leave his past entirely behind. | 0:41:25 | 0:41:28 | |
But now we can finally understand why Tom Lewis had to die. | 0:41:31 | 0:41:35 | |
Because back in the day he and his family were great friends with | 0:41:36 | 0:41:40 | |
a fellow broker, Frank Henderson. | 0:41:40 | 0:41:43 | |
That's when you first got to know him, wasn't it? | 0:41:45 | 0:41:47 | |
You and your older brother. | 0:41:47 | 0:41:50 | |
Then one day tragedy struck. | 0:41:50 | 0:41:52 | |
I remember Frank made a slip of the tongue when he told us the story. | 0:41:52 | 0:41:56 | |
And they were both swept overboard. | 0:41:56 | 0:41:58 | |
It sounded like he meant that both Mr Lewis and his son | 0:41:58 | 0:42:01 | |
were swept overboard. | 0:42:01 | 0:42:03 | |
But what he really meant was that both Mr Lewis' children were | 0:42:03 | 0:42:06 | |
on board the boat that day and both of them were swept overboard. | 0:42:06 | 0:42:10 | |
Isn't that right, Steve? | 0:42:12 | 0:42:13 | |
You and your brother were swept into the sea. | 0:42:14 | 0:42:18 | |
Your father must have been faced with every parent's worst nightmare. | 0:42:18 | 0:42:21 | |
He could only dive in and save one of his children. | 0:42:24 | 0:42:27 | |
So who did he choose? | 0:42:27 | 0:42:29 | |
Wasn't you, was it? | 0:42:32 | 0:42:33 | |
Tom should never have gone out that day. | 0:42:36 | 0:42:38 | |
He knew there was a storm forecast. | 0:42:40 | 0:42:42 | |
You're both brilliant sailors. It's amazing. We're going to go out | 0:42:42 | 0:42:45 | |
as far as we can go. | 0:42:45 | 0:42:47 | |
When it all happened, he tried to save John, our eldest. | 0:42:47 | 0:42:52 | |
But it was no good. | 0:42:52 | 0:42:54 | |
He drowned. | 0:42:54 | 0:42:56 | |
-Tom thought Steve had drowned as well... -Steve! Steve! | 0:42:56 | 0:42:59 | |
..that he'd lost both of them. | 0:42:59 | 0:43:00 | |
Steve was picked up by a lifeboat a little while after. | 0:43:02 | 0:43:05 | |
Said when he saw Steve and realised he was alive | 0:43:05 | 0:43:10 | |
he should've been happy. | 0:43:10 | 0:43:12 | |
But he knew what Steve was thinking... | 0:43:12 | 0:43:14 | |
..that his own father hadn't tried to save him. | 0:43:16 | 0:43:19 | |
I can't even begin to think how you felt every time you looked at | 0:43:30 | 0:43:32 | |
your father... | 0:43:32 | 0:43:35 | |
and knowing you were the one he left to die. | 0:43:35 | 0:43:37 | |
Leave him alone! | 0:43:37 | 0:43:39 | |
I was the one that killed Frank Henderson. | 0:43:40 | 0:43:42 | |
You got that exactly right. | 0:43:42 | 0:43:43 | |
I know. | 0:43:43 | 0:43:45 | |
But you killed Frank because he was going to tell us who killed | 0:43:45 | 0:43:49 | |
Mr Lewis out in the Caribbean. | 0:43:49 | 0:43:51 | |
Wasn't he? | 0:43:51 | 0:43:52 | |
That person being your son - Steve. | 0:43:53 | 0:43:55 | |
And in the cruellest coincidence of all, on an island in the Caribbean, | 0:43:56 | 0:44:01 | |
you recognised the father who left you to die | 0:44:01 | 0:44:04 | |
but he didn't recognise you. | 0:44:04 | 0:44:06 | |
And once Steve realised who the local boat captain was, | 0:44:06 | 0:44:09 | |
this man who left them with nothing, who left him to drown... | 0:44:09 | 0:44:12 | |
..all those years of hate boiled up, didn't they? | 0:44:15 | 0:44:19 | |
And later that night you followed your father back to his boat. | 0:44:19 | 0:44:22 | |
And is that where you saw him open the secret compartment to | 0:44:26 | 0:44:30 | |
take delivery of the smuggled rum? | 0:44:30 | 0:44:32 | |
You confronted him. | 0:44:34 | 0:44:35 | |
And things escalated, didn't they? | 0:44:35 | 0:44:37 | |
Remember me? | 0:44:37 | 0:44:38 | |
Because if your father was prepared to leave you for dead all those | 0:44:38 | 0:44:41 | |
years ago, well, then you were prepared to return the favour. | 0:44:41 | 0:44:45 | |
But once you'd wreaked your revenge | 0:44:49 | 0:44:52 | |
you were stuck with a bit of a problem - | 0:44:52 | 0:44:54 | |
the dead body of your long-estranged father | 0:44:54 | 0:44:57 | |
and a partner, Sophie, who was coming back to the boat at any moment. | 0:44:57 | 0:45:00 | |
Which is when, I assume, you remembered a storm was coming in. | 0:45:00 | 0:45:03 | |
I bet you thought it was fate. | 0:45:03 | 0:45:04 | |
Just as your betrayal had happened on a boat in a storm, | 0:45:05 | 0:45:09 | |
so your revenge would be the same. | 0:45:09 | 0:45:12 | |
You took the boat out to sea and when the storm had blown through | 0:45:12 | 0:45:15 | |
you set the scene. | 0:45:15 | 0:45:17 | |
Pulling down the rigging, dropping the boom. | 0:45:17 | 0:45:19 | |
You dressed your father to make it look like he'd wrestled with | 0:45:19 | 0:45:21 | |
the storm all night. | 0:45:21 | 0:45:22 | |
But your masterstroke, | 0:45:28 | 0:45:30 | |
absolute masterstroke, | 0:45:30 | 0:45:33 | |
was to do the one thing that no killer ever does. | 0:45:33 | 0:45:36 | |
And that was to stay at the scene of the crime. | 0:45:38 | 0:45:40 | |
Oh, it's brilliant. | 0:45:40 | 0:45:41 | |
Knowing that if you could hold your nerve, | 0:45:50 | 0:45:52 | |
well, you could employ some pretty novel accomplices to get you back | 0:45:52 | 0:45:56 | |
to shore. | 0:45:56 | 0:45:57 | |
Namely the Saint Marie Police Force. | 0:45:57 | 0:45:59 | |
Then, once the coast was clear, | 0:46:05 | 0:46:08 | |
just leave at your own convenience. | 0:46:08 | 0:46:11 | |
But you made one mistake. | 0:46:14 | 0:46:17 | |
When you were fighting your dad, your cufflink tore off. | 0:46:17 | 0:46:21 | |
Which meant we came looking for you in London. | 0:46:21 | 0:46:24 | |
And the moment Frank Henderson learned that Tom Lewis had been | 0:46:24 | 0:46:26 | |
the man who'd been killed that day... | 0:46:26 | 0:46:29 | |
well, he knew there was only one person it could've been. | 0:46:29 | 0:46:33 | |
I mean, this was a man who made a living out of making deals. | 0:46:33 | 0:46:37 | |
I'll wager he tried to convince you to hand yourself in, | 0:46:37 | 0:46:40 | |
to get a reduced sentence for doing so. | 0:46:40 | 0:46:43 | |
But that's not how you saw it. | 0:46:43 | 0:46:45 | |
It's not how your mother saw it, either. | 0:46:45 | 0:46:47 | |
It...it's just, I think she then set in motion a plan. | 0:46:50 | 0:46:55 | |
Only to be enacted if Frank refused to back down, mind. | 0:46:56 | 0:46:59 | |
-KATH: -Frank's got to see reason! -Come in! | 0:46:59 | 0:47:01 | |
But unfortunately, Frank couldn't do that, could he? | 0:47:03 | 0:47:05 | |
You must confess. If you don't confess... | 0:47:05 | 0:47:08 | |
-Look, I can't confess. -I'm ringing them now. | 0:47:08 | 0:47:10 | |
-No! Don't touch that phone. -Come on, you're not going to use that. | 0:47:10 | 0:47:13 | |
-I will. -You won't use it. | 0:47:13 | 0:47:14 | |
I'm not being silly. Touch that... | 0:47:14 | 0:47:16 | |
So you shot him dead. | 0:47:25 | 0:47:28 | |
Yeah. In cold blood. | 0:47:28 | 0:47:30 | |
Leaving your son to set the scene to make it look like a suicide. | 0:47:30 | 0:47:34 | |
I imagine that's when Steve took Frank's cufflink. | 0:47:36 | 0:47:39 | |
But your plan required one final flourish. | 0:47:40 | 0:47:44 | |
After all, why would a passing cleaner say that | 0:47:44 | 0:47:46 | |
a room was locked when it wasn't? | 0:47:46 | 0:47:49 | |
The door's locked! | 0:47:49 | 0:47:50 | |
And who'd be looking if she only engaged the lock after... | 0:47:50 | 0:47:54 | |
..after the door had been bashed in? | 0:47:55 | 0:47:58 | |
Oh, God! | 0:47:58 | 0:47:59 | |
He's shot himself. | 0:48:00 | 0:48:01 | |
It was an apparently impossible murder. | 0:48:07 | 0:48:10 | |
It only made sense once you realised the real identities | 0:48:13 | 0:48:17 | |
of the two people involved - | 0:48:17 | 0:48:20 | |
a son who killed his father | 0:48:20 | 0:48:23 | |
and a mother who'd already lost one son | 0:48:23 | 0:48:26 | |
and wasn't prepared to lose another. | 0:48:26 | 0:48:28 | |
SHE WEEPS | 0:48:28 | 0:48:31 | |
Well, we got there in the end, Officer Hooper. | 0:48:50 | 0:48:54 | |
Yes, we did, sir. | 0:48:54 | 0:48:55 | |
You'll maybe want to see this. | 0:48:57 | 0:48:58 | |
What is it? | 0:48:58 | 0:49:00 | |
What is it? Your appraisal. | 0:49:00 | 0:49:03 | |
Oh. | 0:49:04 | 0:49:05 | |
Exceptional? | 0:49:14 | 0:49:16 | |
You were the one who stayed up all night, | 0:49:16 | 0:49:18 | |
who found the memory card, the photo, | 0:49:18 | 0:49:21 | |
who cracked the case wide open. | 0:49:21 | 0:49:23 | |
You didn't give up. | 0:49:25 | 0:49:28 | |
And when you don't give up, you've always got a chance. | 0:49:28 | 0:49:32 | |
Oh, thank you, thank you, sir! | 0:49:32 | 0:49:35 | |
Thank you, sir. Thank you. | 0:49:35 | 0:49:37 | |
Thank you very much. | 0:49:37 | 0:49:38 | |
Ah, come in, son. | 0:50:01 | 0:50:03 | |
I'm not here to play happy families, you know. | 0:50:04 | 0:50:07 | |
I don't need this. | 0:50:07 | 0:50:08 | |
Well, I do. | 0:50:08 | 0:50:09 | |
Then let's hear it. | 0:50:11 | 0:50:12 | |
I was six when you left. | 0:50:13 | 0:50:15 | |
No big deal. | 0:50:15 | 0:50:17 | |
A lot of kids have to cope with their parents breaking up. | 0:50:17 | 0:50:20 | |
Then, what's your problem? | 0:50:20 | 0:50:23 | |
My problem is that you and me | 0:50:23 | 0:50:24 | |
had nothing to do with you and Mum splitting up. | 0:50:24 | 0:50:28 | |
How could it? | 0:50:28 | 0:50:29 | |
You came to see me every other Saturday for about - what - | 0:50:29 | 0:50:33 | |
six months? You remember that? | 0:50:33 | 0:50:35 | |
I remember. | 0:50:35 | 0:50:37 | |
And do you remember us talking about the dog you were going to buy me? | 0:50:37 | 0:50:41 | |
And what we'd do when I grew up? | 0:50:42 | 0:50:43 | |
You weren't there every day but I had a dad. | 0:50:45 | 0:50:47 | |
I knew you wanted me because you came. | 0:50:48 | 0:50:52 | |
Then one Saturday you never turned up. | 0:50:52 | 0:50:53 | |
Then three months later you turn up drunk, shouting and screaming | 0:50:53 | 0:50:56 | |
and asking Mum to sell some of our furniture to give you half. | 0:50:56 | 0:51:00 | |
I didn't see you again after that, huh? | 0:51:00 | 0:51:02 | |
That was 46 years ago. | 0:51:03 | 0:51:04 | |
You see, old man, that little boy waiting for his father to turn up | 0:51:07 | 0:51:11 | |
is still inside here somewhere. | 0:51:11 | 0:51:13 | |
I'm here for him - to tell you that he didn't need you. | 0:51:13 | 0:51:16 | |
That he grew up, | 0:51:17 | 0:51:20 | |
took care of his family, buried his mother. | 0:51:20 | 0:51:22 | |
That he's got a home, a life, friends, people who care about him. | 0:51:22 | 0:51:27 | |
That he survived you. | 0:51:28 | 0:51:30 | |
Is there any food in this country that isn't fried? | 0:51:46 | 0:51:48 | |
Hi, Dad. | 0:51:49 | 0:51:51 | |
Ah, here she is. | 0:51:51 | 0:51:53 | |
Siobhan, this is Humphrey and Florence. | 0:51:53 | 0:51:56 | |
Very pleased to meet you. | 0:51:56 | 0:51:57 | |
-Hello. -Dad's told me all about you. | 0:51:57 | 0:51:59 | |
Yeah, only the good stuff. | 0:51:59 | 0:52:01 | |
So, you're Dad's unofficial taxi? | 0:52:01 | 0:52:03 | |
You know, whenever Dad needs to get home from the pub. | 0:52:03 | 0:52:06 | |
-What'll I get you? -Lemonade, please. | 0:52:06 | 0:52:08 | |
Not seen him smile like this for a while. | 0:52:12 | 0:52:14 | |
Yes, he told us about your mum. I'm so sorry. | 0:52:14 | 0:52:17 | |
Bet he didn't tell you it was only a month ago. | 0:52:17 | 0:52:20 | |
No. No, he didn't. | 0:52:20 | 0:52:22 | |
He thinks if he makes it sound like it's a long time ago, | 0:52:22 | 0:52:25 | |
people won't feel so sorry for him. | 0:52:25 | 0:52:27 | |
So, how did you end up being a detective in the Caribbean? | 0:52:30 | 0:52:33 | |
It's a very long story. | 0:52:33 | 0:52:34 | |
With a happy ending, I hope. | 0:52:34 | 0:52:36 | |
I think it's still in the balance. | 0:52:36 | 0:52:38 | |
-Chief, Sarge. -Where did you get to? | 0:52:40 | 0:52:42 | |
No need to know. | 0:52:42 | 0:52:44 | |
This mine? | 0:52:44 | 0:52:45 | |
-There we are, love. -Thank you. | 0:52:52 | 0:52:54 | |
Dwayne, this is for you. Rum. | 0:52:54 | 0:52:56 | |
Oh, thank you very much. | 0:52:57 | 0:52:58 | |
So, back to paradise for you lot tomorrow, is it? | 0:53:00 | 0:53:04 | |
Yes, yes. Yes, it is. Yes. | 0:53:04 | 0:53:05 | |
I'll drink to that! | 0:53:05 | 0:53:06 | |
Although, strictly speaking, paradise is a state of mind. | 0:53:07 | 0:53:12 | |
You know that, right? | 0:53:12 | 0:53:13 | |
I mean, the dung beetle - very different idea of paradise, | 0:53:13 | 0:53:16 | |
doesn't he? | 0:53:16 | 0:53:17 | |
And then you have the dust mite. | 0:53:17 | 0:53:18 | |
You know what, Jack? | 0:53:18 | 0:53:20 | |
You're absolutely right. | 0:53:21 | 0:53:23 | |
I am? | 0:53:24 | 0:53:26 | |
Chief? | 0:53:28 | 0:53:30 | |
GLASSES CLINK I'm terribly sorry, it's my mistake. | 0:53:31 | 0:53:33 | |
Humphrey? | 0:53:33 | 0:53:35 | |
I just wanted to say... | 0:53:41 | 0:53:43 | |
Well, I suddenly realised it's all a matter of perception, really, | 0:53:43 | 0:53:47 | |
some of us are dung beetles, some of us are butterflies or parrots. | 0:53:47 | 0:53:51 | |
The thing is, paradise is very much what you make it | 0:53:53 | 0:53:56 | |
or, more to the point, who you make it with. | 0:53:56 | 0:53:58 | |
The honest, simple and very plain truth is that there's no point | 0:53:58 | 0:54:03 | |
me being in the Caribbean if you're going to be over here. | 0:54:03 | 0:54:07 | |
Because where you are is where my paradise is and where you are | 0:54:07 | 0:54:10 | |
is where I want to be. | 0:54:10 | 0:54:11 | |
I love you. | 0:54:14 | 0:54:15 | |
Not quite love you or rather love you, but massively, | 0:54:17 | 0:54:20 | |
heart-pumpingly love you and I'd like to stay in London with you. | 0:54:20 | 0:54:26 | |
Forever. | 0:54:26 | 0:54:27 | |
If you'll have me, of course. | 0:54:29 | 0:54:30 | |
Did I say I love you? | 0:54:32 | 0:54:33 | |
Yes. | 0:54:34 | 0:54:35 | |
And the staying bit? | 0:54:36 | 0:54:37 | |
I think this is the bit where you kiss me. | 0:54:44 | 0:54:46 | |
You mean? | 0:54:47 | 0:54:48 | |
What about your job? | 0:54:59 | 0:55:01 | |
Don't worry, I've got a plan for that. | 0:55:01 | 0:55:03 | |
Wow! Look at this. | 0:55:17 | 0:55:18 | |
It's amazing. | 0:55:18 | 0:55:20 | |
It's incredible. | 0:55:20 | 0:55:22 | |
Very kind of Humphrey to let us have his house like this. | 0:55:22 | 0:55:24 | |
I told him you needed a holiday. | 0:55:24 | 0:55:26 | |
Well, I have to say, a change of scenery is very nice indeed. | 0:55:26 | 0:55:29 | |
-There you are. -Ah, cheers. | 0:55:32 | 0:55:33 | |
Oh, there's a pet lizard we should tell you about. | 0:55:34 | 0:55:38 | |
-A lizard? -Harry. | 0:55:38 | 0:55:39 | |
So, how will we recognise him? | 0:55:39 | 0:55:41 | |
-ALL: -He's green. | 0:55:41 | 0:55:43 | |
Right, that narrows it down a bit, thank you. | 0:55:43 | 0:55:45 | |
Hello. Commissioner. | 0:55:45 | 0:55:48 | |
Sir, | 0:55:48 | 0:55:49 | |
this is Detective Inspector Jack Mooney and his daughter, Siobhan. | 0:55:49 | 0:55:53 | |
Inspector Goodman has told me all about you. | 0:55:55 | 0:55:58 | |
Ah. Humphrey's a great fella. | 0:55:58 | 0:56:00 | |
I was just saying how nice of him it was to offer us his house for | 0:56:00 | 0:56:02 | |
a couple of weeks. | 0:56:02 | 0:56:04 | |
Though I understand he's not entirely sure when he'll be back, | 0:56:04 | 0:56:07 | |
so who knows, | 0:56:07 | 0:56:09 | |
you could take a little longer. | 0:56:09 | 0:56:11 | |
You don't know my boss. | 0:56:12 | 0:56:14 | |
He's one fierce individual. | 0:56:14 | 0:56:15 | |
I spoke to Chief Inspector Harris this afternoon. | 0:56:15 | 0:56:18 | |
Did you? He wasn't rude to you, was he? | 0:56:18 | 0:56:20 | |
I mean, he genuinely is a terrible man. | 0:56:20 | 0:56:23 | |
He spoke very highly of you. | 0:56:23 | 0:56:25 | |
He wasn't drunk, was he? | 0:56:25 | 0:56:26 | |
He said that you should take all the time you needed. | 0:56:28 | 0:56:30 | |
And if necessary we could call it some kind of exchange programme. | 0:56:30 | 0:56:34 | |
Really? Well... | 0:56:35 | 0:56:37 | |
That was very considerate of him. | 0:56:37 | 0:56:38 | |
Yeah. | 0:56:38 | 0:56:39 | |
So, on behalf of the Saint Marie Police Department, | 0:56:39 | 0:56:43 | |
Detective Inspector, Siobhan, | 0:56:43 | 0:56:47 | |
welcome to paradise. | 0:56:47 | 0:56:48 | |
-Welcome to paradise! -Welcome to paradise. | 0:56:51 | 0:56:53 | |
This festival I keep hearing about... | 0:57:04 | 0:57:06 | |
Saint Ursula's Day. | 0:57:06 | 0:57:07 | |
You drink a lot of rum and party wildly in the street. | 0:57:07 | 0:57:10 | |
Ay-yay-yay! | 0:57:10 | 0:57:12 | |
I have some very important information about | 0:57:12 | 0:57:13 | |
a murder of Julie Matlock. | 0:57:13 | 0:57:15 | |
You got the wrong person. | 0:57:15 | 0:57:17 | |
Inspector, you answered the call to arms, I see. | 0:57:17 | 0:57:20 | |
-So what do we do now? -Reopen the case. | 0:57:20 | 0:57:22 | |
If every police officer looked like you, I wouldn't mind being arrested. | 0:57:22 | 0:57:25 | |
Unfortunately, Tony, most police officers look like me. | 0:57:25 | 0:57:28 |