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Chapter three. Jim Harvey was tired of people trying to kill him... | 0:00:03 | 0:00:08 | |
Hmm... To shoot him - no, that's too on the nose. | 0:00:10 | 0:00:13 | |
To rub him out. | 0:00:13 | 0:00:16 | |
To whack him. | 0:00:16 | 0:00:18 | |
KNOCK ON DOOR | 0:00:18 | 0:00:20 | |
Sorry to interrupt you, darling. He's here. | 0:00:21 | 0:00:24 | |
-Oh. -Don't worry. -No, no. | 0:00:28 | 0:00:30 | |
-I can print out another. -Oh, no. | 0:00:33 | 0:00:36 | |
I'm, I'm Larry, Larry South, I'm the old sod's agent. | 0:00:36 | 0:00:40 | |
And you must be, erm...? Yes, Gillian P White. | 0:00:40 | 0:00:44 | |
Er, Frank's told me so much about you. | 0:00:46 | 0:00:48 | |
All lies, I'm sure. | 0:00:48 | 0:00:50 | |
Oh! Talk of the devil! | 0:00:52 | 0:00:54 | |
There he is! Larry! | 0:00:54 | 0:00:56 | |
CLAPPING | 0:00:58 | 0:01:00 | |
40 years! | 0:01:04 | 0:01:06 | |
For the life of me, I can't think where they've gone. | 0:01:06 | 0:01:08 | |
But I do know how lucky I've been to have your unswerving support. | 0:01:08 | 0:01:12 | |
My loyal agent. | 0:01:14 | 0:01:16 | |
My darling wife. | 0:01:16 | 0:01:17 | |
Without you, I would've long since chucked in the towel. | 0:01:17 | 0:01:19 | |
So, here's to you both. | 0:01:19 | 0:01:21 | |
And here's to another 40! | 0:01:24 | 0:01:26 | |
-Another 40! -40 more! | 0:01:26 | 0:01:29 | |
Erm...I'd just like to say, Frank, I've learned so much from you | 0:01:30 | 0:01:38 | |
and Valerie, I'm so grateful to you for letting me stay here. | 0:01:38 | 0:01:44 | |
CHAIR SCRAPES | 0:01:44 | 0:01:45 | |
Shall I get coffee on? | 0:01:45 | 0:01:47 | |
No. Who wants coffee? More champagne! | 0:01:47 | 0:01:51 | |
Oh, Larry! | 0:01:54 | 0:01:55 | |
Whoa! | 0:01:55 | 0:01:56 | |
Have you seen Frank? | 0:02:52 | 0:02:53 | |
Won't he be in his office? | 0:02:53 | 0:02:55 | |
If he was, I wouldn't be asking, would I? | 0:02:55 | 0:02:57 | |
He left a note saying he'd gone for a swim to cool off. | 0:02:59 | 0:03:02 | |
He should be back by now. | 0:03:02 | 0:03:03 | |
I'm going to go down, see if he's still there. | 0:03:03 | 0:03:06 | |
What's going on? | 0:03:09 | 0:03:10 | |
Frank? | 0:03:16 | 0:03:17 | |
HE MURMURS | 0:04:02 | 0:04:03 | |
ECHOING: Dwayne! Wake up! | 0:04:03 | 0:04:06 | |
Hmm? What? | 0:04:06 | 0:04:07 | |
Made you a brew. | 0:04:07 | 0:04:08 | |
-RADIO: -Yes, listeners, are you feeling the heat, | 0:04:10 | 0:04:13 | |
are you ready to rumble? | 0:04:13 | 0:04:15 | |
Because it's that | 0:04:15 | 0:04:16 | |
time of year again when Saint Marie becomes an island of love. | 0:04:16 | 0:04:20 | |
Erzulie time! | 0:04:20 | 0:04:22 | |
Great thing about being just us fellas, you can have a | 0:04:22 | 0:04:24 | |
dirty big fry-up any day of the week and there's no-one to stop you. | 0:04:24 | 0:04:28 | |
How many sausages would you like? | 0:04:28 | 0:04:30 | |
I don't think I could handle anything this early, Chief. | 0:04:30 | 0:04:32 | |
Of course you can. Can't go to work on an empty stomach. | 0:04:32 | 0:04:35 | |
Here! What's this Erzulie business they're on about? | 0:04:35 | 0:04:38 | |
It's a festival. It honours the voodoo Goddess of Love. | 0:04:38 | 0:04:42 | |
The whole island goes mad for it. | 0:04:42 | 0:04:44 | |
Which reminds me, it's tomorrow night! | 0:04:44 | 0:04:47 | |
We've got to get ourselves a date, Chief! | 0:04:47 | 0:04:50 | |
Not sure I'm ready to fish in that particular river just yet. | 0:04:50 | 0:04:53 | |
Yeah. Of course. | 0:04:53 | 0:04:55 | |
Yeah, but you go on ahead. Did you lose something, Dwayne? | 0:04:55 | 0:04:59 | |
Ah. My uniform trousers. I've got to iron them! | 0:05:01 | 0:05:04 | |
Never saw the point in ironing myself. | 0:05:04 | 0:05:06 | |
A good shake works just as well. | 0:05:06 | 0:05:09 | |
PHONE RINGS | 0:05:09 | 0:05:10 | |
Florence! What can I do for you? | 0:05:13 | 0:05:15 | |
There's been a murder. | 0:05:15 | 0:05:17 | |
Gotcha. OK. Be right there. | 0:05:17 | 0:05:20 | |
Dwayne! Better get those pants on. There's been a murder. | 0:05:21 | 0:05:24 | |
Frank O'Toole. This is his estate. | 0:05:25 | 0:05:27 | |
The house is up there. | 0:05:27 | 0:05:29 | |
Not Frank O'Toole the novelist? | 0:05:29 | 0:05:31 | |
That's right, sir. He's lived on the island for 20 years. | 0:05:31 | 0:05:34 | |
He went for a swim early this morning and some fishermen | 0:05:34 | 0:05:37 | |
found his body floating a couple of hours later. | 0:05:37 | 0:05:39 | |
Right. What time are we talking? | 0:05:39 | 0:05:41 | |
About seven. They were on their way in with the morning catch. | 0:05:41 | 0:05:45 | |
That was some catch. | 0:05:45 | 0:05:46 | |
35 snapper and a dead novelist. | 0:05:46 | 0:05:48 | |
I'm really sorry about this, by the way. | 0:05:48 | 0:05:50 | |
Had to leave in a hurry, couldn't bear to waste it. | 0:05:50 | 0:05:53 | |
Siobhan sends them over specially. | 0:05:53 | 0:05:54 | |
Whoa! Looks like she means business. | 0:05:54 | 0:05:57 | |
That's the voodoo goddess Erzulie Dantor. | 0:05:57 | 0:05:59 | |
She's the reason for the festival. | 0:05:59 | 0:06:01 | |
Jeepers! Wouldn't want to meet her on a dark night. | 0:06:01 | 0:06:04 | |
What have we got so far, fellas? | 0:06:10 | 0:06:12 | |
Well, I just spoke to the fishermen, | 0:06:12 | 0:06:14 | |
and they said they saw Frank wading into the water on their way | 0:06:14 | 0:06:17 | |
out, around five. | 0:06:17 | 0:06:18 | |
Five! That's an ungodly hour for a swim. | 0:06:18 | 0:06:21 | |
It would only just be getting light. | 0:06:21 | 0:06:23 | |
Did they see anyone go in after him? | 0:06:23 | 0:06:25 | |
Not that they mentioned. | 0:06:25 | 0:06:26 | |
Frank left his towel and his shoes over there on the rocks. | 0:06:26 | 0:06:30 | |
And some time during the next two hours... | 0:06:30 | 0:06:33 | |
Someone stabbed him in the heart out at sea. | 0:06:33 | 0:06:35 | |
Is that a diving knife? | 0:06:35 | 0:06:36 | |
Yes, Chief. Very common round here. | 0:06:36 | 0:06:39 | |
Be very difficult to trace. | 0:06:39 | 0:06:41 | |
There's a thousand ways to kill a man. | 0:06:44 | 0:06:47 | |
Shoot him, strangle him, run him over, poison his tea. | 0:06:47 | 0:06:51 | |
They all get the job done. | 0:06:51 | 0:06:53 | |
So what the heck would possess you to stab | 0:06:53 | 0:06:55 | |
a man in the middle of the ocean? | 0:06:55 | 0:06:56 | |
Five o'clock this morning, Frank went for a swim. | 0:06:59 | 0:07:02 | |
Was that out of character? | 0:07:02 | 0:07:04 | |
No, not the swimming, but the timing was. | 0:07:04 | 0:07:07 | |
I... I was usually awake before he was. | 0:07:07 | 0:07:11 | |
And this swim was unplanned? Nobody knew he was going? | 0:07:11 | 0:07:14 | |
No. We were all asleep. He left me this. | 0:07:14 | 0:07:18 | |
"Too hot to sleep. Gone for a quick dip. F." | 0:07:22 | 0:07:25 | |
Could he not just've switched on the air conditioning? | 0:07:25 | 0:07:28 | |
It's given up the ghost. | 0:07:28 | 0:07:30 | |
And what time did you all go to bed last night? | 0:07:31 | 0:07:34 | |
I went first, at about a quarter to 12. | 0:07:34 | 0:07:38 | |
And then I was asleep when he came to bed. | 0:07:38 | 0:07:41 | |
And I wasn't far behind you. Ten minutes or so. | 0:07:42 | 0:07:45 | |
Frank and I stayed up, hitting the cognac for a while. | 0:07:46 | 0:07:51 | |
No idea when we called it a night. Late. | 0:07:51 | 0:07:54 | |
So you were the last person to see Frank alive? | 0:07:54 | 0:07:56 | |
I suppose...I must've been, yeah. | 0:07:56 | 0:07:59 | |
Apart from the killer. | 0:08:00 | 0:08:01 | |
And how was Frank the day before he died? Any unusual behaviour? | 0:08:04 | 0:08:09 | |
No. He finished work about midday, when Larry turned up, and then... | 0:08:10 | 0:08:16 | |
Champagne stocks look perilously low. | 0:08:16 | 0:08:18 | |
I think I'll nip into town and, er, replenish. | 0:08:18 | 0:08:21 | |
I'll come with you. | 0:08:22 | 0:08:23 | |
No, no, you're our guest, Larry. You make yourself at home. | 0:08:23 | 0:08:27 | |
May I? | 0:08:30 | 0:08:31 | |
Whose work is this? | 0:08:38 | 0:08:39 | |
It's mine. Why? | 0:08:39 | 0:08:40 | |
It's absolutely top-notch. | 0:08:41 | 0:08:43 | |
Do I detect a hint of coconut in that icing? | 0:08:43 | 0:08:46 | |
A little bit. | 0:08:46 | 0:08:48 | |
Ooh, forgive me, but we have to ask, | 0:08:48 | 0:08:51 | |
can anyone think of a reason someone might want Frank dead? | 0:08:51 | 0:08:54 | |
No. Dear God, no. | 0:08:55 | 0:08:56 | |
He could be a belligerent old bugger, | 0:09:01 | 0:09:03 | |
but no-one had any reason to bump him off. | 0:09:03 | 0:09:07 | |
Oh, would you look at that? | 0:09:08 | 0:09:10 | |
You'd never go thirsty around here, would you? | 0:09:10 | 0:09:12 | |
There's a good case-and-a-half of champagne | 0:09:12 | 0:09:15 | |
and the dust tells me it's been there for a while. | 0:09:15 | 0:09:18 | |
But Frank didn't think there'd be enough for the four of you? | 0:09:18 | 0:09:21 | |
Well, he must've forgotten that they were there. | 0:09:23 | 0:09:25 | |
So, besides "belligerent", how would any of you describe Frank? | 0:09:28 | 0:09:32 | |
Well, if you want to know who my husband was, | 0:09:33 | 0:09:37 | |
you should start by reading him. | 0:09:37 | 0:09:39 | |
With My Little Eye. | 0:09:43 | 0:09:45 | |
"Hard-bitten code-breaker Jim Harvey | 0:09:45 | 0:09:47 | |
"tracks a deadly assassin to Ecuador." | 0:09:47 | 0:09:50 | |
Thanks, I'll give it a read. Sounds like a real page-turner. | 0:09:50 | 0:09:53 | |
Right. Well, if any of you think of anything that might be relevant, | 0:09:55 | 0:09:59 | |
please be sure to drop me a line. | 0:09:59 | 0:10:01 | |
Detective Jack Money? | 0:10:04 | 0:10:06 | |
Ah. No. That's a typo. | 0:10:06 | 0:10:09 | |
I only got these done yesterday, and wouldn't you know it, | 0:10:09 | 0:10:12 | |
they've misspelled my name. | 0:10:12 | 0:10:14 | |
Should say Mooney. | 0:10:17 | 0:10:19 | |
Still, close enough, eh? No point wasting another tree. | 0:10:21 | 0:10:25 | |
You know what's niggling me? | 0:10:32 | 0:10:34 | |
How on earth did the killer know that Frank'd be going for a swim? | 0:10:34 | 0:10:37 | |
Maybe they'd been keeping watch? | 0:10:37 | 0:10:39 | |
Yeah, but why would they be watching the house at five in the morning? | 0:10:39 | 0:10:42 | |
On the off-chance? Which makes me | 0:10:42 | 0:10:43 | |
think it's more likely to be someone inside the house. | 0:10:43 | 0:10:46 | |
Someone who just happened to hear or see Frank leave | 0:10:46 | 0:10:49 | |
and seized their moment. | 0:10:49 | 0:10:50 | |
We know his wife was sleeping beside him. | 0:10:50 | 0:10:52 | |
If anyone was going to notice him go for a swim... | 0:10:52 | 0:10:55 | |
True. But all the bedrooms face that way. | 0:10:55 | 0:10:57 | |
So the killer could've been any one of those three people? | 0:10:57 | 0:11:00 | |
You would think. Hmm. Right. | 0:11:00 | 0:11:03 | |
Let's start by finding out who this man was. Dwayne, JP... | 0:11:03 | 0:11:06 | |
I need you to turn the place inside out. | 0:11:06 | 0:11:08 | |
-Anything that could remotely be of interest. -Yes, sir. | 0:11:08 | 0:11:11 | |
Here. Let me! | 0:11:14 | 0:11:16 | |
No. No, need, it's all right. | 0:11:16 | 0:11:18 | |
No, I insist. | 0:11:18 | 0:11:19 | |
It's Gilly, isn't it? You're the housekeeper? | 0:11:19 | 0:11:22 | |
No. I'm, er, well, I was Frank's research assistant. | 0:11:22 | 0:11:27 | |
And protege, I suppose. | 0:11:27 | 0:11:29 | |
I'm so sorry. A fellow scribe? | 0:11:29 | 0:11:32 | |
Yeah! Well, no! I aspire to be. | 0:11:32 | 0:11:36 | |
Not published anything. Yet. | 0:11:36 | 0:11:38 | |
Right. And what brought you out to the island? | 0:11:38 | 0:11:40 | |
Frank. He invited me out. | 0:11:40 | 0:11:43 | |
I've always been a fan, as long as I can remember. | 0:11:43 | 0:11:47 | |
Looks like it was quite a party. | 0:11:48 | 0:11:50 | |
Yeah. I'm afraid I made a bit of a fool of myself. | 0:11:50 | 0:11:55 | |
Champagne! | 0:11:55 | 0:11:56 | |
It was a mistake to try and keep up with Frank and Larry. | 0:11:59 | 0:12:02 | |
Earlier, when DS Cassell asked if anyone could think of a reason | 0:12:02 | 0:12:06 | |
why someone might want Frank dead, you didn't say anything. | 0:12:06 | 0:12:10 | |
But I couldn't help noticing you looked at Larry. | 0:12:10 | 0:12:12 | |
I didn't. I mean, I wouldn't read anything into that. | 0:12:16 | 0:12:19 | |
Well, I'm afraid that's what I do. Read things into things. | 0:12:19 | 0:12:23 | |
Sort of goes along with being a detective. | 0:12:23 | 0:12:25 | |
I mean, I'm sure it's probably nothing, but, I sat | 0:12:28 | 0:12:31 | |
in the garden after dinner last night, I was trying to sober up... | 0:12:31 | 0:12:34 | |
Frank and Larry had gone inside to drink cognac but, | 0:12:34 | 0:12:37 | |
after about 20 minutes, they started arguing. | 0:12:37 | 0:12:40 | |
Like I said, it's, it's probably nothing. | 0:12:41 | 0:12:44 | |
I wasn't really operating at full capacity. | 0:12:44 | 0:12:47 | |
Well, thanks all the same. It all helps to paint a picture. | 0:12:47 | 0:12:50 | |
Lovely cake! | 0:12:54 | 0:12:55 | |
Just as I suspected. | 0:13:02 | 0:13:03 | |
Nobody forgets they've got 18 bottles of champagne. | 0:13:03 | 0:13:06 | |
This is the exact same stuff that was in the house. | 0:13:06 | 0:13:08 | |
Even got the same dust on it. | 0:13:08 | 0:13:10 | |
So Frank didn't go into town to buy champagne? | 0:13:10 | 0:13:12 | |
He may have gone into town, but it wasn't to buy champagne, that's for sure. | 0:13:12 | 0:13:15 | |
Trouble is, he went alone. | 0:13:15 | 0:13:17 | |
So your guess is as good as mine as to where he went. | 0:13:17 | 0:13:19 | |
Sir. See here. Tyre tracks. | 0:13:21 | 0:13:24 | |
They're fresh. Let's get Dwayne and JP onto it. | 0:13:24 | 0:13:28 | |
See if anyone in the house owns a motorbike | 0:13:28 | 0:13:30 | |
or had any deliveries this morning. | 0:13:30 | 0:13:32 | |
This Frank O'Toole was a pretty big deal. | 0:13:39 | 0:13:43 | |
11 awards. | 0:13:43 | 0:13:44 | |
But check the dates. Nothing since 1989. | 0:13:44 | 0:13:47 | |
-And take a look around. -Hmmm. | 0:13:47 | 0:13:49 | |
Manual typewriter. Fax machine. | 0:13:49 | 0:13:51 | |
The man was stuck in a time warp! | 0:13:51 | 0:13:53 | |
Of course, this would be a lot quicker | 0:13:59 | 0:14:00 | |
if I had a bit more help, Dwayne! | 0:14:00 | 0:14:02 | |
Huh? Listen! It's all right for you, you know! | 0:14:02 | 0:14:06 | |
You've already got a beautiful wife. | 0:14:06 | 0:14:08 | |
I've got less than a day to find someone. | 0:14:08 | 0:14:11 | |
And you know what they say. | 0:14:11 | 0:14:13 | |
Alone for Erzulie, alone all year long! | 0:14:13 | 0:14:16 | |
And I don't like being on my own. | 0:14:16 | 0:14:18 | |
WHIRRING | 0:14:18 | 0:14:19 | |
What did you press? | 0:14:20 | 0:14:22 | |
"Last message received." | 0:14:22 | 0:14:24 | |
My castaway this week is a prolific author, | 0:14:29 | 0:14:31 | |
writer of the bestselling Jim Harvey spy thrillers. | 0:14:31 | 0:14:35 | |
Frank O'Toole. Welcome, Frank. | 0:14:35 | 0:14:36 | |
Pleasure to be here, Sue. | 0:14:36 | 0:14:38 | |
I love this show. It's a real institution back home. | 0:14:38 | 0:14:41 | |
He has to choose eight records to take to a desert island. | 0:14:41 | 0:14:45 | |
-They leave him on an island? Alone? -Er, no, no, no, no, no. | 0:14:45 | 0:14:48 | |
It's not a real island. It's hypothetical. | 0:14:48 | 0:14:52 | |
-So, tell me about your first record? -I've chosen The British Grenadiers | 0:14:52 | 0:14:56 | |
by the marching band of the Blues and Royals. | 0:14:56 | 0:14:59 | |
A marching band? Really? | 0:14:59 | 0:15:01 | |
What's wrong with you? | 0:15:01 | 0:15:03 | |
You could've had Dylan or The Beatles! And you chose this? | 0:15:03 | 0:15:07 | |
But if you're stranded on an island, why do you care about music? You just want to stay alive, no? | 0:15:07 | 0:15:13 | |
No, Florence, er, you're still not getting it. | 0:15:13 | 0:15:15 | |
It's not a real island, | 0:15:15 | 0:15:17 | |
it's just a, a way to get the person to reveal something of themselves. | 0:15:17 | 0:15:21 | |
I was hoping it might give me some insight into Frank, | 0:15:21 | 0:15:23 | |
but all it's told me so far is... he had woeful taste in music. | 0:15:23 | 0:15:27 | |
And what about his book? What does that tell you? | 0:15:27 | 0:15:31 | |
Yeah, well, this Jim Harvey's a bit of an idiot, to be honest with ya. | 0:15:31 | 0:15:34 | |
13 pages in, he's already slept with a woman he's supposed to be spying on - while drunk. | 0:15:34 | 0:15:38 | |
I assume Frank's ex-military? | 0:15:38 | 0:15:39 | |
-How did you...? -Only an old soldier goes misty-eyed for a marching band. | 0:15:39 | 0:15:44 | |
Was Frank O'Toole his real name or a nom de what's it? | 0:15:44 | 0:15:47 | |
Plume. Oh, no. He was born Francis Toole. | 0:15:47 | 0:15:50 | |
He just added the "O". | 0:15:50 | 0:15:52 | |
Wanted to sound like a real Irishman. And who can blame him? | 0:15:52 | 0:15:55 | |
He wrote 40 novels, one a year. | 0:15:55 | 0:15:57 | |
Last night, they celebrated 40 years since his first publication. | 0:15:57 | 0:16:02 | |
Frank had two failed marriages until he met | 0:16:02 | 0:16:05 | |
Valerie O'Toole. 54. | 0:16:05 | 0:16:07 | |
She was an actress but she gave it all up | 0:16:07 | 0:16:10 | |
when she married Frank 23 years ago. Then there's... | 0:16:10 | 0:16:13 | |
-The ten percenter. -Larry South. Late 60s. | 0:16:13 | 0:16:16 | |
He discovered Frank when he was just a local reporter. | 0:16:16 | 0:16:19 | |
Right. But we know from Gilly there was tension. | 0:16:19 | 0:16:22 | |
They were arguing just last night. And there she is. | 0:16:22 | 0:16:25 | |
The research assistant slash protege slash cake baker. | 0:16:25 | 0:16:28 | |
Gilly White. Late 30s. | 0:16:28 | 0:16:30 | |
Worked in a bookshop until three months ago, somewhere called Stoke? | 0:16:30 | 0:16:35 | |
Ah, yes, Stoke. A lovely spot. | 0:16:35 | 0:16:37 | |
So, how did she get from there to here? | 0:16:37 | 0:16:39 | |
I'm working on it. | 0:16:39 | 0:16:41 | |
All we know so far is Frank invited her, we don't yet know how they met. | 0:16:41 | 0:16:44 | |
And now we come to your luxury. | 0:16:46 | 0:16:47 | |
What have you chosen to take with you? | 0:16:47 | 0:16:49 | |
Well, Sue. Er, the one item I really couldn't live without is a decent | 0:16:49 | 0:16:54 | |
cup of English breakfast tea. | 0:16:54 | 0:16:55 | |
A cup of tea? That's the one thing you'd take? | 0:16:56 | 0:17:00 | |
You're stuck on an island, for flip's sake! | 0:17:00 | 0:17:03 | |
One word for you, sir. Sausages. | 0:17:03 | 0:17:06 | |
That's not the same thing at all, Florence. | 0:17:06 | 0:17:09 | |
They were exceptional sausages. | 0:17:09 | 0:17:11 | |
Here we go, Chief. | 0:17:11 | 0:17:12 | |
Every single thing from Frank's house | 0:17:12 | 0:17:14 | |
that might conceivably be of interest. | 0:17:14 | 0:17:16 | |
But you might want to look at this first, sir. | 0:17:16 | 0:17:18 | |
Frank was sent this fax late last night. | 0:17:18 | 0:17:21 | |
He was about to sign with a new agent? | 0:17:21 | 0:17:23 | |
So Larry not only faced the threat of being discarded by an old | 0:17:25 | 0:17:28 | |
friend after, what, 40 years, | 0:17:28 | 0:17:30 | |
but also losing what must've been a fairly hefty income. | 0:17:30 | 0:17:34 | |
No wonder they were arguing. | 0:17:34 | 0:17:35 | |
Just so you know, I don't normally hit the sauce this early. | 0:17:37 | 0:17:40 | |
My nerves are a tad jangly just now. | 0:17:41 | 0:17:43 | |
It pains me to tell you this, but... Frank's best days were behind him. | 0:17:45 | 0:17:49 | |
No-one would publish his last two novels. He blamed me. | 0:17:49 | 0:17:52 | |
That's what you were arguing about last night? After the dinner? | 0:17:54 | 0:17:57 | |
Oh, that was just a bit of nonsense really. | 0:17:57 | 0:17:59 | |
We were both three sheets to the wind. | 0:17:59 | 0:18:01 | |
Frank was telling me that he was going to sign with a new agent. | 0:18:01 | 0:18:05 | |
I need someone young and dynamic. | 0:18:05 | 0:18:08 | |
And you think that'd make the blindest bit of difference, do you? | 0:18:08 | 0:18:11 | |
It won't! | 0:18:11 | 0:18:12 | |
He just did that to get a rise out of me. | 0:18:12 | 0:18:14 | |
I'm sorry to be the one to tell you. | 0:18:16 | 0:18:18 | |
Ah! Well, there you go. | 0:18:25 | 0:18:28 | |
Frank switching agents. | 0:18:28 | 0:18:30 | |
I assume there'd be financial implications for you. | 0:18:30 | 0:18:33 | |
As I told you, the golden goose had stopped laying eggs some time ago. | 0:18:33 | 0:18:37 | |
Thank you for your time, Mr South. | 0:18:39 | 0:18:41 | |
I dare say Frank's murder won't do his book sales any harm. | 0:18:43 | 0:18:46 | |
I suppose you're right. | 0:18:46 | 0:18:47 | |
I just haven't thought of it in those terms. | 0:18:47 | 0:18:50 | |
No? | 0:18:50 | 0:18:52 | |
Well, it seems to me that a thriller writer dying in mysterious | 0:18:52 | 0:18:55 | |
circumstances, well, you can't buy that sort of publicity, can you? | 0:18:55 | 0:18:59 | |
What's your point? | 0:18:59 | 0:19:00 | |
It just strikes me that poor Frank is not really in a position | 0:19:02 | 0:19:05 | |
to enjoy his renaissance, but you'll still get your, | 0:19:05 | 0:19:08 | |
what is it, 10% of every penny he makes. | 0:19:08 | 0:19:11 | |
Jesus! I may be an agent, but I'm not THAT ruthless! | 0:19:11 | 0:19:15 | |
So, JP, what's the story with those financial checks? | 0:19:18 | 0:19:22 | |
So I've gone back over the last five years, sir, and it seems the | 0:19:22 | 0:19:26 | |
O'Tooles didn't have a lot of money - not as much as we'd think, anyway. | 0:19:26 | 0:19:30 | |
So Larry was right. Book sales aren't what they were. | 0:19:30 | 0:19:33 | |
I guess, from his wife's perspective, | 0:19:33 | 0:19:35 | |
he's worth a lot more dead than alive. | 0:19:35 | 0:19:38 | |
Chief, I checked out those tyre tracks like you asked. | 0:19:38 | 0:19:42 | |
They belong to a small scooter, but no-one in the house owns one, | 0:19:42 | 0:19:45 | |
and they've had no deliveries in the last week. | 0:19:45 | 0:19:48 | |
Well, someone was outside that house on a scooter, and recently. | 0:19:48 | 0:19:51 | |
I've managed to pull up some more information about Gilly White. | 0:19:51 | 0:19:55 | |
Here's the home page of her social media profile. Take a look. | 0:19:55 | 0:20:00 | |
Ah, the social media page. God's gift to detectives. | 0:20:00 | 0:20:03 | |
A year ago, she got engaged to the manager of the bookshop | 0:20:05 | 0:20:08 | |
in Stoke, Dean Shanks, and if the comments from their friends | 0:20:08 | 0:20:11 | |
are anything to go by - "Where are you, Gilly?" | 0:20:11 | 0:20:15 | |
"How could you do this to Dean?" | 0:20:15 | 0:20:16 | |
And here's one from Dean himself, "Call me! Please! I need answers!" | 0:20:16 | 0:20:21 | |
She recently cut off all contact. | 0:20:22 | 0:20:24 | |
Right, let's see if we can't set up a video chat with this Dean fella. | 0:20:24 | 0:20:28 | |
Hear what he has to say for himself. | 0:20:28 | 0:20:30 | |
Frank O'Toole decides, on the spur of the moment, | 0:20:31 | 0:20:33 | |
to go for an early-morning dip. | 0:20:33 | 0:20:36 | |
He tells no-one he's going, | 0:20:36 | 0:20:37 | |
just leaves a note on his pillow. | 0:20:37 | 0:20:39 | |
Yet, one of these three - the wife, the agent, the protege - | 0:20:39 | 0:20:42 | |
gets wind of the fact, rouses themselves from their heavy | 0:20:42 | 0:20:44 | |
post-champagne slumber, and follows him down to the beach. | 0:20:44 | 0:20:47 | |
No sign of a boat. | 0:20:47 | 0:20:49 | |
So we assume they swim out after him, and then... | 0:20:49 | 0:20:52 | |
But why not stab him on the beach or in the house? | 0:20:52 | 0:20:55 | |
Why wait till he's out to sea? | 0:20:55 | 0:20:57 | |
-No witnesses, I suppose. -Ah. | 0:21:00 | 0:21:03 | |
Not much chance of recovering DNA, | 0:21:03 | 0:21:04 | |
not from a million square miles of open water. | 0:21:04 | 0:21:07 | |
She's been following me around the island. | 0:21:13 | 0:21:15 | |
I thought I'd seen just about every saint going. She's something else. | 0:21:15 | 0:21:19 | |
They say, if you make her an offering, she will bring you love. | 0:21:20 | 0:21:23 | |
What sort of offering? | 0:21:23 | 0:21:25 | |
She loves knives, rum and unfiltered cigarettes. | 0:21:25 | 0:21:28 | |
Oh, I knew a girl like that once back in County Cork. | 0:21:28 | 0:21:31 | |
Butcher's daughter. Eimear. Biggest hands I've ever seen on a woman. | 0:21:31 | 0:21:35 | |
Look, I know we didn't really talk a lot at school, Darlene, but I always... | 0:21:36 | 0:21:40 | |
Did we ever speak? | 0:21:40 | 0:21:41 | |
Well, not with, you know, actual words. | 0:21:43 | 0:21:45 | |
But you were a bit younger than me! | 0:21:45 | 0:21:48 | |
Only a bit? | 0:21:48 | 0:21:49 | |
All right, a lot. | 0:21:50 | 0:21:51 | |
But if I'd known you was going to grow up to look like this! | 0:21:51 | 0:21:54 | |
-Oh, wow! -So now, years later, the day before Erzulie, | 0:21:54 | 0:21:58 | |
you find yourself | 0:21:58 | 0:21:59 | |
without a date, so you run around the bar in a panic to see | 0:21:59 | 0:22:03 | |
the only woman standing on her own. | 0:22:03 | 0:22:04 | |
No! It's not because you're on your own, Darlene. | 0:22:04 | 0:22:07 | |
And it's not because I'm panicking. | 0:22:07 | 0:22:09 | |
It's because you're the most beautiful woman on the island. | 0:22:11 | 0:22:14 | |
You know what? | 0:22:16 | 0:22:18 | |
Every year at Erzulie, I get taken to the same restaurant, | 0:22:19 | 0:22:23 | |
and I eat the same meal. | 0:22:23 | 0:22:24 | |
Just once, I wish someone would make a real effort. | 0:22:26 | 0:22:30 | |
I like a man who can cook. Can you cook, Dwayne? | 0:22:32 | 0:22:38 | |
Excuse me a minute. | 0:22:42 | 0:22:43 | |
Don't look now, but the most beautiful woman on the island | 0:22:47 | 0:22:50 | |
just agreed to let me cook her an Erzulie meal. | 0:22:50 | 0:22:53 | |
So I decided I was going to cook her some of my "sure thing" chicken, | 0:22:55 | 0:22:58 | |
but then I remembered I don't live on my own. | 0:22:58 | 0:23:01 | |
Oh. Right. No, don't you worry, Dwayne. | 0:23:03 | 0:23:05 | |
Understood. I'll make myself scarce. | 0:23:05 | 0:23:08 | |
You won't even know I'm there. | 0:23:08 | 0:23:10 | |
SHOWER RUNS | 0:23:14 | 0:23:16 | |
DWAYNE SINGS | 0:23:16 | 0:23:17 | |
Pete's sake, Dwayne, you must be clean by now? | 0:23:21 | 0:23:25 | |
Hold on there, Chief. You can't rush the regime. | 0:23:25 | 0:23:28 | |
It takes a lot of time and effort to look this good. | 0:23:28 | 0:23:31 | |
I swear you take longer in the bathroom than anyone I've ever met. | 0:23:31 | 0:23:34 | |
And I've got four sisters! And they're big girls! | 0:23:34 | 0:23:36 | |
It's like he's never heard of personal space. | 0:23:40 | 0:23:42 | |
I guess it's a while since he lived with anyone that wasn't family. | 0:23:42 | 0:23:46 | |
But I'm not family. He's meant to be my boss! | 0:23:46 | 0:23:50 | |
Pathology reports have come through. | 0:23:50 | 0:23:52 | |
Cause of death, definitely the stab wound. | 0:23:52 | 0:23:55 | |
And they found some tiny fibres under Frank's fingernails - | 0:23:55 | 0:23:59 | |
iron oxide and polyurethane. | 0:23:59 | 0:24:00 | |
Iron oxide's used for making paint and polyurethane's | 0:24:01 | 0:24:04 | |
a type of varnish, you might use it to make something water-resistant. | 0:24:04 | 0:24:07 | |
That's it! Of course. There're must have been a boat. | 0:24:07 | 0:24:11 | |
Frank wasn't stabbed in the water. The killer had a boat. | 0:24:12 | 0:24:14 | |
And the paint and the varnish were under Frank's nails, | 0:24:14 | 0:24:17 | |
so he must've... What was he doing? | 0:24:17 | 0:24:19 | |
Why was he clambering onto a boat in the middle of the sea? | 0:24:19 | 0:24:22 | |
And where did this boat come from? | 0:24:22 | 0:24:24 | |
Is it possible the killer had it stashed around the bay? | 0:24:24 | 0:24:26 | |
But even if they did, that doesn't really explain how | 0:24:26 | 0:24:29 | |
they got from the house to the boat in time to meet Frank out there. | 0:24:29 | 0:24:33 | |
-Unless. -Unless? | 0:24:33 | 0:24:36 | |
They had a scooter. | 0:24:36 | 0:24:38 | |
Oh, that's very good, Florence. Stick a pin in that thought. | 0:24:38 | 0:24:40 | |
First things first. Dwayne, JP, ring round the marinas, | 0:24:40 | 0:24:43 | |
speak to the harbour masters. | 0:24:43 | 0:24:45 | |
See if anyone saw a grey boat coming or going between five | 0:24:45 | 0:24:48 | |
and seven yesterday morning. | 0:24:48 | 0:24:49 | |
Aye, aye, Captain. | 0:24:49 | 0:24:50 | |
Any luck with Gilly's fiance? | 0:24:50 | 0:24:52 | |
He's expecting our video call any time. | 0:24:52 | 0:24:54 | |
So this was found floating out to sea | 0:24:56 | 0:24:59 | |
and the harbour master said, as far as he can tell, it's unregistered. | 0:24:59 | 0:25:02 | |
As you know, all boats on the island have to be registered. | 0:25:02 | 0:25:05 | |
Hang on a minute. | 0:25:10 | 0:25:11 | |
Got you. | 0:25:17 | 0:25:19 | |
Er, Dwayne... | 0:25:19 | 0:25:20 | |
Ah? | 0:25:21 | 0:25:23 | |
Looks like blood. | 0:25:23 | 0:25:24 | |
Frank came to do a signing about a year ago. Don't get it myself. | 0:25:27 | 0:25:32 | |
Always seemed like a budget Le Carre to me. | 0:25:32 | 0:25:35 | |
But Gilly did this online thriller writing course | 0:25:35 | 0:25:37 | |
and he was like a rock star to her. | 0:25:37 | 0:25:40 | |
Now, they met at the bookshop where you were both working? | 0:25:40 | 0:25:43 | |
She asked him to sign a book. | 0:25:43 | 0:25:44 | |
Told him she was a writer. | 0:25:44 | 0:25:45 | |
Next thing I know, he's only invited her to stay with him | 0:25:45 | 0:25:48 | |
and his wife on some tropical island. | 0:25:48 | 0:25:51 | |
At first, she was a bit homesick, she used to call me every day. | 0:25:51 | 0:25:54 | |
But then she changed. She became obsessed with her novel. | 0:25:55 | 0:25:58 | |
Her last book got rejected by 15 publishers | 0:25:58 | 0:26:01 | |
and she was terrified of it happening again. | 0:26:01 | 0:26:03 | |
It was all she could talk about. | 0:26:03 | 0:26:05 | |
Then, two months ago, she just stopped answering her phone. | 0:26:05 | 0:26:10 | |
E-mails. Texts. Ignored 'em all. | 0:26:10 | 0:26:12 | |
All right, Dean, well, thanks for your time. | 0:26:12 | 0:26:15 | |
If she wanted to end it, why didn't she just say so? | 0:26:17 | 0:26:21 | |
Why did she just ghost him? | 0:26:21 | 0:26:23 | |
Why don't we ask her? | 0:26:23 | 0:26:25 | |
Paradise Mislaid. | 0:26:25 | 0:26:26 | |
This the novel you've been working on? | 0:26:28 | 0:26:29 | |
Well, it's very much a work in progress. | 0:26:29 | 0:26:32 | |
Sadly, Frank never got to read my latest draft. | 0:26:33 | 0:26:36 | |
I've been working on it day and night these past two weeks. | 0:26:36 | 0:26:39 | |
These are his notes? Not one to mince his words, was he? | 0:26:39 | 0:26:44 | |
I came out here to learn. It was always constructive. | 0:26:44 | 0:26:47 | |
And this is what he signed at your bookshop, | 0:26:50 | 0:26:52 | |
-the day you met? -How did you know? | 0:26:52 | 0:26:54 | |
We just spoke with Dean Shanks. | 0:26:54 | 0:26:56 | |
Why? Dean's not a part of my life any more. | 0:26:56 | 0:27:00 | |
So the engagement's off? Your decision? | 0:27:00 | 0:27:03 | |
Yeah, it was. We wanted different things. | 0:27:03 | 0:27:06 | |
I had to focus on me writing. | 0:27:06 | 0:27:08 | |
Sometimes you've got to be a bit hard-nosed, don't you? | 0:27:08 | 0:27:12 | |
I know that seems selfish, but I'm never going | 0:27:12 | 0:27:15 | |
to have this chance again. | 0:27:15 | 0:27:16 | |
So, tell me, how long ago did Frank end your affair? | 0:27:17 | 0:27:20 | |
What? | 0:27:20 | 0:27:22 | |
Well, Frank's criticism isn't cruel, | 0:27:22 | 0:27:25 | |
but it is intimate. "Clumsy, darling! | 0:27:25 | 0:27:27 | |
"I know you're better than this." | 0:27:27 | 0:27:29 | |
And there's a lingering scent of aftershave on your towel. | 0:27:29 | 0:27:31 | |
And the shower's set to a man's height. Also... | 0:27:31 | 0:27:34 | |
This should be a prized memento of that first meeting. | 0:27:34 | 0:27:36 | |
You wouldn't tear it up unless you were in a blind, passionate rage. | 0:27:36 | 0:27:40 | |
I didn't tear it up. Dean did. | 0:27:41 | 0:27:44 | |
He couldn't understand why I'd want to come out here. | 0:27:47 | 0:27:50 | |
He's never been further than Spain. | 0:27:50 | 0:27:51 | |
And I wouldn't call it an affair. | 0:27:53 | 0:27:55 | |
It was just a, a silly fling. | 0:27:55 | 0:27:57 | |
But, but for what it's worth, Frank didn't end it. | 0:27:58 | 0:28:01 | |
In fact, he'd just booked these. | 0:28:03 | 0:28:06 | |
A trip to Prague? | 0:28:07 | 0:28:08 | |
He wanted to show me his favourite city. | 0:28:09 | 0:28:11 | |
It was a research trip, | 0:28:13 | 0:28:15 | |
in theory. | 0:28:15 | 0:28:16 | |
Only, please, don't tell Valerie. | 0:28:16 | 0:28:18 | |
She's been through enough. | 0:28:18 | 0:28:20 | |
Wife and mistress under the same roof. And he wasn't even French! | 0:28:22 | 0:28:26 | |
So Valerie had a motive. Assuming that she knew... | 0:28:26 | 0:28:29 | |
Sorry to disturb you, Mrs O'Toole. May I? | 0:28:36 | 0:28:38 | |
Frank would never let anyone sit in his chair. | 0:28:42 | 0:28:44 | |
Or, God forbid, touch his beloved Irene. | 0:28:45 | 0:28:48 | |
He was superstitious like that. | 0:28:50 | 0:28:52 | |
He was working on something new? | 0:28:52 | 0:28:54 | |
Mmm. Novel 41. The Moscow Mule. | 0:28:54 | 0:28:58 | |
Mmm. | 0:28:58 | 0:28:59 | |
Did he always plan it all out like this? | 0:29:01 | 0:29:03 | |
He never just made it up as he went along, no? | 0:29:04 | 0:29:06 | |
Frank would never start until he knew the ending. | 0:29:06 | 0:29:09 | |
It was one of the few rules that he never broke. | 0:29:09 | 0:29:12 | |
He always says a good writer plots backwards. | 0:29:13 | 0:29:18 | |
Said. | 0:29:20 | 0:29:22 | |
I'm sorry, I can't. I'm sorry. | 0:29:24 | 0:29:28 | |
We can go somewhere more comfortable, if you prefer? | 0:29:29 | 0:29:32 | |
You and Frank had been together 23 years? | 0:29:33 | 0:29:36 | |
I was in the TV version of one of his books. | 0:29:36 | 0:29:38 | |
He was married to someone else at the time. | 0:29:40 | 0:29:43 | |
The papers were scandalised. | 0:29:43 | 0:29:45 | |
He was a good husband? | 0:29:46 | 0:29:48 | |
He loved me. I loved him. | 0:29:49 | 0:29:51 | |
Must be strange, though, being married to a well-known writer. | 0:29:51 | 0:29:54 | |
All those readers who feel they know him intimately. | 0:29:54 | 0:29:57 | |
Did it never feel like you were sharing him? | 0:29:57 | 0:30:00 | |
I suppose occasionally it bothered me | 0:30:00 | 0:30:02 | |
that he was so receptive to his prettier, younger fans. | 0:30:02 | 0:30:07 | |
But you were happy enough to welcome one into your home? | 0:30:09 | 0:30:12 | |
I wouldn't say happy. It was pragmatism on my part. | 0:30:12 | 0:30:15 | |
Frank needed the validation of adoring younger women. | 0:30:15 | 0:30:20 | |
Better it happen under my roof, where I could keep an eye on him. | 0:30:20 | 0:30:23 | |
So you turned a blind eye? | 0:30:23 | 0:30:25 | |
No. My eyes were wide open. She's the one with blinkers on. | 0:30:25 | 0:30:28 | |
Poor, naive little girl. I knew he'd tire of her soon enough. | 0:30:28 | 0:30:32 | |
Did you know he'd booked a trip to Prague for the two of them? | 0:30:34 | 0:30:37 | |
A research trip. | 0:30:37 | 0:30:39 | |
It was my idea. | 0:30:39 | 0:30:40 | |
Your idea? | 0:30:40 | 0:30:42 | |
I knew a week alone with her would put him off for good. | 0:30:42 | 0:30:45 | |
How could you be so sure? | 0:30:47 | 0:30:48 | |
Because she was clingy. And Frank couldn't bare clingy. | 0:30:48 | 0:30:51 | |
We had to send her off to Montserrat last weekend just | 0:30:51 | 0:30:53 | |
so that we could breathe. | 0:30:53 | 0:30:55 | |
Forgive me, Mrs O'Toole, I know you | 0:30:55 | 0:30:56 | |
and Frank had been struggling financially. | 0:30:56 | 0:30:59 | |
But the terrible irony is that, with Frank's death... | 0:30:59 | 0:31:02 | |
Do you think I'd give a damn about book sales? Or money? | 0:31:02 | 0:31:04 | |
My husband was murdered yesterday and I would give everything | 0:31:04 | 0:31:07 | |
I have, everything, to bring him back again. | 0:31:07 | 0:31:10 | |
You have no idea what we had. | 0:31:13 | 0:31:16 | |
Well, if it isn't Inspector Jack Money. | 0:31:16 | 0:31:19 | |
Is this how you conduct your investigations? | 0:31:19 | 0:31:21 | |
Sitting around sipping tea! | 0:31:21 | 0:31:23 | |
-There's a killer out there, man! -Sir. | 0:31:23 | 0:31:26 | |
Who knows, deciding which of us to bump off next! | 0:31:26 | 0:31:28 | |
Stop it, Larry. You're not helping. | 0:31:28 | 0:31:31 | |
Yes, so once we had the number, it didn't take us | 0:31:39 | 0:31:42 | |
long to find the boat's last registered owner. | 0:31:42 | 0:31:44 | |
Zeke the Crab Man. | 0:31:44 | 0:31:45 | |
Zeke the Crab Man? | 0:31:45 | 0:31:46 | |
Zeke the Crab Man. | 0:31:46 | 0:31:47 | |
Took a while for Zeke to sober up enough to speak but, | 0:31:47 | 0:31:50 | |
when he did, he told us he sold the boat two weeks ago. | 0:31:50 | 0:31:52 | |
Did he say to whom? | 0:31:52 | 0:31:53 | |
Mr Otis Falconer. | 0:31:53 | 0:31:55 | |
Otis Falconer? Well, there's a name to conjure with. | 0:31:55 | 0:31:58 | |
Any description of the man. | 0:31:58 | 0:31:59 | |
Zeke said it was all done by e-mail, and the cash posted to him. | 0:31:59 | 0:32:02 | |
They never met. | 0:32:02 | 0:32:03 | |
Right, well, I think | 0:32:03 | 0:32:05 | |
we can safely file that under suspicious behaviour. | 0:32:05 | 0:32:07 | |
Oh, I was so certain it had to be one of these three. | 0:32:07 | 0:32:10 | |
We've got motives, we've got proximity. | 0:32:10 | 0:32:13 | |
And then, suddenly, enter stage left Mr Otis Falconer, | 0:32:13 | 0:32:17 | |
a mysterious man with a boat, | 0:32:17 | 0:32:19 | |
and all the cards are thrown up in the air. | 0:32:19 | 0:32:23 | |
Right. Let's find this Otis and bring him in for questioning. | 0:32:23 | 0:32:28 | |
Er, about that, Chief. | 0:32:28 | 0:32:29 | |
We checked with the Land Registry and Immigration | 0:32:29 | 0:32:32 | |
and there's absolutely no record of an Otis Falconer on Saint Marie. | 0:32:32 | 0:32:36 | |
I also called the O'Toole household. | 0:32:36 | 0:32:38 | |
They'd never even heard of the name. | 0:32:38 | 0:32:40 | |
So we don't know what Otis looks like, or where Otis lives, | 0:32:40 | 0:32:45 | |
or what Otis's connection to Frank is. | 0:32:45 | 0:32:47 | |
All we have is a name and a boat. | 0:32:47 | 0:32:49 | |
And, possibly, a scooter. | 0:32:49 | 0:32:51 | |
Ah, yes! The scooter! Right. | 0:32:51 | 0:32:54 | |
What if it was Otis who was sitting outside the house watching and | 0:32:54 | 0:32:58 | |
waiting for the moment Frank emerged | 0:32:58 | 0:33:00 | |
so as he could zip round to his boat? | 0:33:00 | 0:33:01 | |
Dwayne, JP, I need you to visit every scooter shop on the island. | 0:33:01 | 0:33:04 | |
Find out if anyone's rented or sold a scooter to | 0:33:04 | 0:33:07 | |
a Mr Otis Falconer in the last few days. | 0:33:07 | 0:33:09 | |
You mean right now, Chief? | 0:33:11 | 0:33:13 | |
Well, yes. Given this is a murder investigation, I think | 0:33:13 | 0:33:15 | |
there's some small degree of urgency. | 0:33:15 | 0:33:17 | |
Right. Don't tell me. | 0:33:18 | 0:33:21 | |
-Erzulie. -Erzulie. | 0:33:21 | 0:33:23 | |
OK. OK. | 0:33:25 | 0:33:27 | |
Wow, Dwayne! That smells good! | 0:33:30 | 0:33:32 | |
Can I just have a little...? | 0:33:32 | 0:33:34 | |
-Hey... -A tiny bit! | 0:33:34 | 0:33:36 | |
Mmm. What's that you added? Allspice? | 0:33:37 | 0:33:40 | |
Gives it quite a kick. I might just... | 0:33:40 | 0:33:43 | |
-OK. -If you wouldn't mind... Oh. | 0:33:44 | 0:33:47 | |
My mother used to put allspice in her Christmas cake but, then, | 0:33:49 | 0:33:52 | |
one year, she forgot her glasses and she added black pepper by mistake. | 0:33:52 | 0:33:56 | |
We were still sneezing halfway through March! | 0:33:56 | 0:33:59 | |
Chief, please! I, I'm sorry. | 0:33:59 | 0:34:00 | |
Look, look, I don't want to be disrespectful or anything, but | 0:34:00 | 0:34:03 | |
Darlene's going to be here at any second, so do you think maybe, | 0:34:03 | 0:34:07 | |
just for one minute, you could possibly | 0:34:07 | 0:34:09 | |
give me just a tiny little bit of space? | 0:34:09 | 0:34:11 | |
Well, of course, Dwayne. Why didn't you just say so before? | 0:34:12 | 0:34:15 | |
I'll get out of your hair. | 0:34:15 | 0:34:16 | |
-That's it, thank you, Chief. -KNOCK ON DOOR | 0:34:16 | 0:34:19 | |
Right, that'll be her. | 0:34:19 | 0:34:20 | |
Right, just pretend I'm not here. | 0:34:20 | 0:34:22 | |
-I'll be out the back doing battle with this. -Well, go na! | 0:34:22 | 0:34:24 | |
Yeah. Knock her dead, Dwayne. | 0:34:24 | 0:34:26 | |
I mean, not literally, obviously, that would be disastrous. | 0:34:26 | 0:34:28 | |
-Chief, go! -OK! | 0:34:28 | 0:34:30 | |
Happy Erzulie! | 0:34:32 | 0:34:33 | |
I got to tell you, Dwayne, that is one of the best thing I ever eaten. | 0:34:50 | 0:34:54 | |
You must give me the recipe. | 0:34:55 | 0:34:57 | |
My secret recipe? You'll have to torture it out of me. | 0:34:57 | 0:35:01 | |
Now that sound like a challenge. | 0:35:02 | 0:35:04 | |
You better believe it! | 0:35:04 | 0:35:06 | |
So what do you call it? | 0:35:06 | 0:35:07 | |
I call it "sure thing" chicken. | 0:35:11 | 0:35:13 | |
Do you now? And why you call it that? | 0:35:14 | 0:35:17 | |
Erm, well... | 0:35:19 | 0:35:20 | |
..I suppose people always asking me for my recipe and I say, | 0:35:20 | 0:35:24 | |
"Sure thing," you know? | 0:35:24 | 0:35:25 | |
But you just said it was a secret. | 0:35:25 | 0:35:27 | |
Did I? | 0:35:29 | 0:35:30 | |
So it's not because you're under the illusion that all this chilli | 0:35:32 | 0:35:35 | |
and spice might put a woman in a certain mood? | 0:35:35 | 0:35:38 | |
TOILET FLUSHES | 0:35:39 | 0:35:41 | |
Who's that? | 0:35:42 | 0:35:43 | |
Ah, erm, oh, that's, erm... | 0:35:43 | 0:35:45 | |
Sorry. Ignore me. I'm not here. | 0:35:49 | 0:35:52 | |
Is that an Irish accent I hear? | 0:35:52 | 0:35:54 | |
Er, no. | 0:35:55 | 0:35:57 | |
It is! A real Irishman! | 0:35:57 | 0:36:00 | |
Like Liam Neeson. | 0:36:00 | 0:36:02 | |
Well, no, not really like him. | 0:36:02 | 0:36:03 | |
I mean, he's from Ballymena, which is... | 0:36:03 | 0:36:05 | |
You've not been back there all this time? | 0:36:05 | 0:36:07 | |
Erm... | 0:36:07 | 0:36:09 | |
Look, you must try some of this chicken. | 0:36:09 | 0:36:11 | |
No, no, no, no, no, no! | 0:36:11 | 0:36:13 | |
I insist. Pull up a chair, honey. | 0:36:13 | 0:36:16 | |
Dwayne, get the man a plate. | 0:36:16 | 0:36:18 | |
Really, it's, it's not... | 0:36:18 | 0:36:20 | |
Do not say no to Darlene. Come! | 0:36:20 | 0:36:23 | |
You are going to love this. It's a "sure thing", right, Dwayne? | 0:36:26 | 0:36:32 | |
Right... | 0:36:33 | 0:36:34 | |
Now, what I need to know is, what is a good-looking Irishman | 0:36:34 | 0:36:39 | |
like yourself doing alone at Erzulie? | 0:36:39 | 0:36:41 | |
Anyone for cheesecake? | 0:36:45 | 0:36:46 | |
Who knew there could be | 0:36:58 | 0:36:59 | |
so many scooter shops on one little island, eh? | 0:36:59 | 0:37:02 | |
This'll be number six! | 0:37:02 | 0:37:04 | |
Oh, erm, by the way, how did it go last night | 0:37:04 | 0:37:06 | |
with your "sure thing" chicken? | 0:37:06 | 0:37:07 | |
Listen, I don't want to talk about it, OK! Eh, Eddie... | 0:37:07 | 0:37:10 | |
-Hmmm? -You rent a scooter to an Otis Falconer lately? | 0:37:10 | 0:37:13 | |
You're sure now, Eddie? Cos this is vitally important. | 0:37:15 | 0:37:18 | |
We think this Otis might hold the key to the Frank O'Toole murder. | 0:37:18 | 0:37:22 | |
Ah. | 0:37:22 | 0:37:24 | |
Chief! We've got a description! | 0:37:25 | 0:37:26 | |
Otis! We went to every scooter shop on the island. | 0:37:26 | 0:37:29 | |
And no-one know the name Otis Falconer. Until... | 0:37:29 | 0:37:31 | |
..we got to the last one, Eddie's Scooters. | 0:37:31 | 0:37:34 | |
Now, Eddie is very, very laid-back. | 0:37:34 | 0:37:37 | |
Never writes anything down, never bothers taking names, | 0:37:37 | 0:37:39 | |
but he said, and I quote, "This dude in his 30s or 40s, | 0:37:39 | 0:37:44 | |
"maybe British, maybe Australian, rented a red scooter, wore | 0:37:44 | 0:37:47 | |
"a yellow T-shirt, was medium built and paid a cash deposit." | 0:37:47 | 0:37:52 | |
And get this - he asked Eddie where Frank O'Toole lived. | 0:37:52 | 0:37:56 | |
-It has to be him. -Yeah. | 0:37:56 | 0:37:58 | |
Not the most detailed description I've ever heard, but it's got to be. | 0:37:58 | 0:38:01 | |
So, who is Otis Falconer? | 0:38:01 | 0:38:03 | |
And what motive could he have to murder Frank? | 0:38:03 | 0:38:06 | |
A deranged fan, or did Frank owe him money? | 0:38:07 | 0:38:10 | |
Some sort of military connection? | 0:38:10 | 0:38:12 | |
But we know he has no footprint on Saint Marie. | 0:38:12 | 0:38:14 | |
So how're we going to find him? | 0:38:14 | 0:38:16 | |
We know he has a boat. | 0:38:17 | 0:38:19 | |
So what's to say he's based on this island? | 0:38:19 | 0:38:21 | |
Dwayne, JP, run a search on all the neighbouring islands. | 0:38:21 | 0:38:24 | |
Meanwhile, we'll see | 0:38:24 | 0:38:25 | |
if we can find any more witnesses back here besides Scooter Eddie. | 0:38:25 | 0:38:28 | |
Where's the first place you'd expect to find a Brit with a moped? | 0:38:28 | 0:38:32 | |
I'm afraid I'm not open yet. | 0:38:34 | 0:38:36 | |
Alas, Catherine, we're not here for a drink. | 0:38:36 | 0:38:38 | |
We're here on police business. | 0:38:38 | 0:38:39 | |
Oh? Is it something to do with the Frank O'Toole murder? | 0:38:39 | 0:38:43 | |
Yes, proving to be a puzzle, like something out of one of his novels. | 0:38:43 | 0:38:47 | |
We're searching for a man called Otis Falconer. | 0:38:47 | 0:38:50 | |
Sorry, I don't know that name. | 0:38:50 | 0:38:52 | |
No-one does. | 0:38:52 | 0:38:53 | |
All we know is he's a man in his 30s or 40s, medium build, | 0:38:53 | 0:38:57 | |
a yellow T-shirt and a red scooter. | 0:38:57 | 0:38:58 | |
I think I might know the man you mean. | 0:38:58 | 0:39:01 | |
-You do? -Yes. | 0:39:01 | 0:39:03 | |
He was in here a couple of days ago, asking | 0:39:03 | 0:39:06 | |
if I could recommend a cheap place to stay. | 0:39:06 | 0:39:08 | |
I sent him to Queenie's Guest House. | 0:39:08 | 0:39:10 | |
Mayor Bordey, I think I love you. | 0:39:10 | 0:39:13 | |
OK, you go on up. I'll keep watch out here. | 0:39:23 | 0:39:25 | |
He's in there. | 0:39:35 | 0:39:36 | |
Otis Falconer! Police! Open up, please. | 0:39:36 | 0:39:39 | |
There he is. | 0:39:47 | 0:39:48 | |
He's getting away! | 0:39:52 | 0:39:53 | |
I don't think so. | 0:39:53 | 0:39:54 | |
ENGINE SPLUTTERS | 0:39:58 | 0:40:00 | |
Of course, a potato is best, but you work with what you have. | 0:40:06 | 0:40:09 | |
Otis Falconer, I'm arresting you on suspicion of the murder of... | 0:40:11 | 0:40:16 | |
Dean Shanks? | 0:40:18 | 0:40:19 | |
Would you rather we called you Dean or Otis? | 0:40:21 | 0:40:24 | |
Who's Otis? | 0:40:24 | 0:40:26 | |
Otis Falconer is the identity you assumed | 0:40:26 | 0:40:29 | |
when you landed in Saint Marie two days ago. | 0:40:29 | 0:40:32 | |
I'm sorry. I don't... | 0:40:32 | 0:40:34 | |
The thing is, Dean, we're not that inclined to trust you. | 0:40:34 | 0:40:37 | |
Given that you lied in a police interview, | 0:40:37 | 0:40:39 | |
pretending that you were in Stoke, when in reality... | 0:40:39 | 0:40:41 | |
I didn't. I mean, you, you never asked. | 0:40:41 | 0:40:44 | |
You just assumed. | 0:40:44 | 0:40:45 | |
You also scarpered when we tried to question you just now, | 0:40:45 | 0:40:48 | |
and I suspect your tyre treads are an exact match for the tracks | 0:40:48 | 0:40:52 | |
we found outside Frank's house. | 0:40:52 | 0:40:54 | |
I know! I know! It, it looks terrible. | 0:40:54 | 0:40:56 | |
Yeah, not great, to be fair. | 0:40:56 | 0:40:58 | |
This is your chance to explain yourself. | 0:40:58 | 0:41:00 | |
Well, Gilly and me, it's... I love her, you know? | 0:41:04 | 0:41:09 | |
I mean, we're supposed to be getting married. | 0:41:09 | 0:41:11 | |
I couldn't just give her up without a fight! | 0:41:11 | 0:41:13 | |
So you flew to Saint Marie. You hired a scooter. | 0:41:13 | 0:41:16 | |
You asked around till you found out where Frank lived. And then? | 0:41:16 | 0:41:20 | |
I thought I'd go round there first thing in the morning, | 0:41:20 | 0:41:22 | |
before everyone else was awake. | 0:41:22 | 0:41:24 | |
Find Gilly, say my piece. Then, when I get there... | 0:41:24 | 0:41:28 | |
I don't know, I just lost my nerve. | 0:41:30 | 0:41:31 | |
I thought, "What if I've come all this way and she just tells me | 0:41:33 | 0:41:37 | |
"to get lost?" | 0:41:37 | 0:41:38 | |
So...I bolted. Like a coward. | 0:41:39 | 0:41:43 | |
I'll ask you one last time. | 0:41:43 | 0:41:45 | |
Are you, or are you not, Otis Falconer? | 0:41:45 | 0:41:48 | |
I've never heard of him. I swear. | 0:41:48 | 0:41:50 | |
We had him. I honestly thought we had Otis Falconer in custody. | 0:41:54 | 0:41:58 | |
But now he's back to being nothing more than a big, fat question mark. | 0:41:58 | 0:42:02 | |
Sir! | 0:42:02 | 0:42:04 | |
I just heard back from Linton Williams, | 0:42:04 | 0:42:07 | |
a rental manager from St Michel, one of the neighbouring islands. | 0:42:07 | 0:42:10 | |
Four months ago, he rented a house to an Otis Falconer. | 0:42:10 | 0:42:14 | |
And guess what? He's never met him. Never spoken to him. | 0:42:14 | 0:42:17 | |
It was all done via e-mail. | 0:42:17 | 0:42:20 | |
And apparently this Otis wanted the most secluded house he had to offer. | 0:42:20 | 0:42:24 | |
How far is St Michel from here? | 0:42:24 | 0:42:25 | |
Not far at all. About 5km. | 0:42:25 | 0:42:28 | |
Right, this must be the place. | 0:42:31 | 0:42:32 | |
It's the only one here, sir. | 0:42:34 | 0:42:37 | |
Sshhh. | 0:42:37 | 0:42:38 | |
Otis Falconer? | 0:42:40 | 0:42:42 | |
Don't we need a search permit, sir? | 0:42:50 | 0:42:52 | |
Probably. Don't tell anyone. | 0:42:52 | 0:42:54 | |
I'll say this for Otis. He doesn't go in for clutter. | 0:43:11 | 0:43:14 | |
Otis's laptop. | 0:43:16 | 0:43:17 | |
If there's nothing on it, let's bag it and check it for prints. | 0:43:17 | 0:43:21 | |
Frank was killed on the boat. | 0:43:21 | 0:43:23 | |
The boat was bought by Otis. Otis rented this house. | 0:43:23 | 0:43:27 | |
What else do we have? | 0:43:28 | 0:43:29 | |
Well, we've got zero motive. | 0:43:29 | 0:43:31 | |
Zero idea who Otis is, no-one's ever seen him or spoken to him. | 0:43:31 | 0:43:35 | |
You're right, Dwayne. Our number one suspect is an invisible man. | 0:43:35 | 0:43:39 | |
He's only communicated with two people on this laptop - | 0:43:40 | 0:43:43 | |
Zeke the Crab Man, and the letting agent for this house. | 0:43:43 | 0:43:47 | |
And there is no internet here, | 0:43:47 | 0:43:48 | |
so he must've sent the e-mails from somewhere else. | 0:43:48 | 0:43:50 | |
Wow! It's like we're looking for a ghost. | 0:43:50 | 0:43:53 | |
Or a voodoo goddess. Except there's more proof flipping Erzulie exists. | 0:43:54 | 0:43:58 | |
Maybe that's it. What if Otis doesn't exist? | 0:44:01 | 0:44:05 | |
Yeah! What if he was one of our suspects all along? | 0:44:05 | 0:44:08 | |
And now we come to your luxury. | 0:44:24 | 0:44:26 | |
"Jack Money?" | 0:44:30 | 0:44:32 | |
Frank would never start until he knew the ending. | 0:44:32 | 0:44:34 | |
They found some tiny fibres under Frank's fingernails. | 0:44:34 | 0:44:37 | |
He left me this. | 0:44:37 | 0:44:38 | |
As I told you, the golden goose had stopped laying eggs. | 0:44:38 | 0:44:42 | |
I would give everything to bring him back again. | 0:44:42 | 0:44:44 | |
I've been working on it day and night these past two weeks. | 0:44:44 | 0:44:47 | |
There's a good case-and-a-half of champagne, | 0:44:47 | 0:44:49 | |
but Frank didn't think there'd be enough for the four of you. | 0:44:49 | 0:44:52 | |
Of course. | 0:44:52 | 0:44:53 | |
You beauty! We have to get back to Saint Marie. | 0:44:53 | 0:44:55 | |
Dwayne, when we do, I need you to check something with Immigration. | 0:44:55 | 0:44:57 | |
-Will do, Chief. -What's in a name? | 0:44:57 | 0:45:00 | |
I tell you I'm Jack Mooney, you take me at my word. | 0:45:00 | 0:45:03 | |
But what's the difference between Jack Mooney and Jack Money? | 0:45:03 | 0:45:06 | |
The letter O? | 0:45:06 | 0:45:08 | |
The letter O is exactly right, JP. That is it. Yes! | 0:45:08 | 0:45:12 | |
It all comes down to the missing letter O. | 0:45:13 | 0:45:15 | |
I know who Otis Falconer is. I know who killed Frank O'Toole. | 0:45:15 | 0:45:18 | |
And I know how. | 0:45:18 | 0:45:19 | |
Gilly? | 0:45:23 | 0:45:26 | |
Dean? What, what are you doing here? | 0:45:26 | 0:45:28 | |
I flew out here cos I couldn't let you give up on us. | 0:45:29 | 0:45:32 | |
We're meant to be together, you know we are. | 0:45:32 | 0:45:35 | |
You shouldn't have come. I'm sorry, Dean. | 0:45:36 | 0:45:39 | |
The wife. The mistress. The agent. The jilted boyfriend. | 0:45:52 | 0:45:57 | |
And then there's our fifth suspect, who you'll notice isn't here yet. | 0:45:57 | 0:46:01 | |
Mr Otis Falconer. Which one of these five is our killer? | 0:46:01 | 0:46:05 | |
Right, yes. | 0:46:07 | 0:46:09 | |
With My Little Eye by Frank O'Toole. | 0:46:09 | 0:46:12 | |
Full disclosure, I wasn't too sold on Jim Harvey to begin with but, | 0:46:12 | 0:46:15 | |
by the end, when Jim cracks the Russian code, | 0:46:15 | 0:46:17 | |
I have to admit the plotting is ingenious. | 0:46:17 | 0:46:20 | |
Yeah! A real feat of reverse engineering. | 0:46:20 | 0:46:23 | |
Which put me in mind of something that Valerie said - | 0:46:23 | 0:46:26 | |
Frank could never start writing a novel until he knew the ending. | 0:46:26 | 0:46:30 | |
-Yeah? -Yeah. | 0:46:30 | 0:46:32 | |
For Frank, a good plot was a puzzle, a, a code to crack in itself. | 0:46:33 | 0:46:39 | |
It was the letter O that solved it for me. | 0:46:39 | 0:46:41 | |
Now, we all know the O in O'Toole was a late addition. | 0:46:43 | 0:46:46 | |
But our man of letters, he couldn't resist one last literary flourish. | 0:46:46 | 0:46:50 | |
The last plot he constructed... | 0:47:03 | 0:47:06 | |
..the last character he created was a pseudonym, | 0:47:06 | 0:47:08 | |
but it was also an anagram of his name. | 0:47:08 | 0:47:10 | |
Otis Falconer. | 0:47:12 | 0:47:13 | |
But why did he feel the need to create Otis? | 0:47:15 | 0:47:17 | |
Well, the fact is Frank and Valerie had run out of money. | 0:47:18 | 0:47:21 | |
And Frank decided that the only answer was to fake his own death. | 0:47:21 | 0:47:25 | |
Step one... | 0:47:28 | 0:47:29 | |
..he'd buy a boat. | 0:47:29 | 0:47:31 | |
Step two, he'd rent a hidey-hole on a neighbouring island, | 0:47:31 | 0:47:34 | |
filling it with just the bare essentials. | 0:47:34 | 0:47:36 | |
Clothes, groceries. Of course - English breakfast tea, | 0:47:36 | 0:47:40 | |
his Desert Island luxury item. | 0:47:40 | 0:47:42 | |
Step three, on the afternoon of the party... | 0:47:42 | 0:47:45 | |
Champagne stocks are perilously low. | 0:47:45 | 0:47:47 | |
I'll nip into town and replenish them. | 0:47:47 | 0:47:49 | |
..when he was supposedly buying champagne, | 0:47:49 | 0:47:52 | |
he'd pre-set the boat into position. | 0:47:52 | 0:47:53 | |
Step four... | 0:47:55 | 0:47:56 | |
..the following morning, | 0:47:56 | 0:47:58 | |
a few minutes before five, he'd leave a note for his wife, before | 0:47:58 | 0:48:01 | |
heading down to the beach. | 0:48:01 | 0:48:02 | |
He'd wave at a fishing boat just setting out, | 0:48:03 | 0:48:05 | |
as it did every morning, to make sure that he had witnesses. | 0:48:05 | 0:48:08 | |
And then he'd stride out into the ocean, never to be seen again. | 0:48:08 | 0:48:12 | |
Missing, presumed drowned. | 0:48:13 | 0:48:16 | |
Being sure to leave behind a pile of unfinished business - | 0:48:16 | 0:48:18 | |
a contract with a new agent that he'd never sign, | 0:48:18 | 0:48:21 | |
a trip to Prague that he'd never make, | 0:48:21 | 0:48:23 | |
and a novel he'd never finish - so as nobody would suspect the truth. | 0:48:23 | 0:48:27 | |
At least that was the plan. Wasn't it, Valerie? | 0:48:27 | 0:48:29 | |
You knew, as a former actress, that you could play | 0:48:31 | 0:48:33 | |
the part of the grieving widow convincingly | 0:48:33 | 0:48:35 | |
until it was safe to join Frank...on St Michel, | 0:48:35 | 0:48:41 | |
where you'd spend the rest of your lives | 0:48:41 | 0:48:44 | |
living off Frank's newly-reinvigorated book sales. | 0:48:44 | 0:48:47 | |
Frank had planned his death down to the very last detail. | 0:48:49 | 0:48:52 | |
All except for one tiny, tiny thing - the dying part. | 0:48:52 | 0:48:57 | |
It was never meant to end like this. | 0:48:57 | 0:48:59 | |
He wasn't supposed to die. | 0:49:02 | 0:49:03 | |
No. Certainly you didn't mean for him to die. | 0:49:05 | 0:49:08 | |
But you did... | 0:49:08 | 0:49:09 | |
..didn't you, Gilly? | 0:49:12 | 0:49:13 | |
Frank had already done all the planning for you. | 0:49:16 | 0:49:19 | |
All you had to do was swim out ahead of him and lie in wait. | 0:49:20 | 0:49:24 | |
This is ridiculous. Why would I want to kill Frank? | 0:49:31 | 0:49:36 | |
Well, because you were head over heels in love with him. | 0:49:36 | 0:49:40 | |
Up till now, you'd barely left Stoke. | 0:49:40 | 0:49:42 | |
But here you were in paradise with the man you idolised | 0:49:42 | 0:49:45 | |
reading your words and sharing your bed. | 0:49:45 | 0:49:47 | |
Dean told us how obsessive you can be. | 0:49:47 | 0:49:50 | |
He thought it was your novel you were obsessed by. | 0:49:50 | 0:49:52 | |
But really it was Frank. | 0:49:52 | 0:49:54 | |
And you believed that Frank felt the same way. | 0:49:54 | 0:49:56 | |
I mean, what were the tickets to Prague, | 0:49:58 | 0:50:00 | |
if not a declaration of love? | 0:50:00 | 0:50:02 | |
You had no idea that they were just another of Frank's red herrings. | 0:50:03 | 0:50:06 | |
Until last weekend, believing they had safely despatched you to Montserrat... | 0:50:06 | 0:50:11 | |
We had to send her off to Montserrat last weekend just | 0:50:11 | 0:50:14 | |
so that we could breathe. | 0:50:14 | 0:50:15 | |
..Frank and Valerie were finally able to talk about their plan | 0:50:15 | 0:50:18 | |
out in the open. | 0:50:18 | 0:50:20 | |
The hardest part will be swimming out to the boat. | 0:50:20 | 0:50:22 | |
The hardest part will be living without you for six months. | 0:50:24 | 0:50:28 | |
Little did they know that you hadn't gone to Montserrat. | 0:50:29 | 0:50:32 | |
We checked with Immigration and you never left the island. | 0:50:32 | 0:50:35 | |
Instead, you decided to stay behind and work on your novel. | 0:50:35 | 0:50:39 | |
I've been working on it day and night these past two weeks. | 0:50:39 | 0:50:42 | |
Which is when we assume that you overhead | 0:50:42 | 0:50:45 | |
the conversation and you became suspicious. | 0:50:45 | 0:50:48 | |
You must've started snooping around, which is | 0:50:48 | 0:50:51 | |
when you discovered Frank's laptop, | 0:50:51 | 0:50:53 | |
and that would've revealed the existence of two things. | 0:50:53 | 0:50:56 | |
A boat and a hideaway on a nearby island. | 0:50:56 | 0:51:01 | |
For someone with such a deep-rooted fear of rejection, | 0:51:01 | 0:51:04 | |
this must have been unbearable. | 0:51:04 | 0:51:06 | |
Her last book got rejected by 15 publishers | 0:51:06 | 0:51:08 | |
and she was terrified of it happening again. | 0:51:08 | 0:51:11 | |
It wasn't Dean who tore this up, was it? It was you. | 0:51:11 | 0:51:14 | |
You were prepared to give up everything for Frank. | 0:51:21 | 0:51:25 | |
And then you realised that the only woman that he was truly in love | 0:51:25 | 0:51:29 | |
with, the woman he was planning a future with, was his wife. | 0:51:29 | 0:51:33 | |
So, on the afternoon of the party... | 0:51:34 | 0:51:36 | |
Champagne stocks look perilously low, I'll nip into town | 0:51:36 | 0:51:40 | |
and replenish. | 0:51:40 | 0:51:41 | |
..you knew going to buy champagne was just a ruse. | 0:51:41 | 0:51:44 | |
You do most of the catering in here. | 0:51:44 | 0:51:46 | |
You knew exactly how much champagne was in that cupboard. | 0:51:46 | 0:51:49 | |
So you followed Frank. | 0:51:49 | 0:51:50 | |
And you discovered exactly where the boat would be. | 0:51:54 | 0:51:56 | |
And then, after that, all you had to do was feign drunkenness to | 0:52:03 | 0:52:05 | |
put everyone off the scent, swim out to the boat and lie in wait. | 0:52:05 | 0:52:09 | |
This is ridiculous! You've got no proof. | 0:52:10 | 0:52:14 | |
Well, except for a small grey boat, the paint on which exactly | 0:52:16 | 0:52:21 | |
matches the paint fibres that we found under Frank's fingernails. | 0:52:21 | 0:52:26 | |
And I've no doubt that our lab will confirm | 0:52:26 | 0:52:28 | |
that you left your DNA all over it... | 0:52:28 | 0:52:30 | |
..when you brutally stabbed Frank O'Toole to death. | 0:52:32 | 0:52:34 | |
Before setting the boat adrift, hoping that it would never be found. | 0:52:45 | 0:52:49 | |
Hoping that you might, indeed, get away with murder. | 0:52:49 | 0:52:52 | |
After everything he did for you? | 0:53:01 | 0:53:04 | |
Did for me? He destroyed my life. | 0:53:04 | 0:53:08 | |
Oh, I was happy when I met him. | 0:53:09 | 0:53:10 | |
But then he had to let me believe that I was special. | 0:53:10 | 0:53:13 | |
That I had talent. That he loved me. | 0:53:13 | 0:53:17 | |
And all the while you knew. | 0:53:17 | 0:53:19 | |
Frank felt nothing for you. How could he? | 0:53:20 | 0:53:24 | |
You're a monster. | 0:53:26 | 0:53:27 | |
DI Money? Mooney! Mooney! Sorry! Sorry! | 0:53:43 | 0:53:46 | |
I just wanted to apologise for doubting you. | 0:53:46 | 0:53:48 | |
I see now that there's a certain method in your madness. | 0:53:48 | 0:53:51 | |
Oh, thank you. What are you going to do now, Larry? | 0:53:51 | 0:53:54 | |
On the hunt for another golden goose? | 0:53:54 | 0:53:56 | |
Oh, no, no, no, no, as you pointed out, | 0:53:56 | 0:53:57 | |
the irony is that now the old sod's going to keep me busier than ever. | 0:53:57 | 0:54:02 | |
But it seems to me that you have a certain gift for spinning a yarn. | 0:54:02 | 0:54:06 | |
If you ever decide to turn to writing... | 0:54:06 | 0:54:08 | |
..give me a call. | 0:54:10 | 0:54:11 | |
Well, I'll bear it in mind. | 0:54:13 | 0:54:15 | |
I mean it now! Bye! | 0:54:15 | 0:54:17 | |
Why is she still up? Thought I'd seen the last of her. | 0:54:26 | 0:54:29 | |
Even when you can't see Erzulie, she's always there - | 0:54:31 | 0:54:34 | |
tricking people into falling in love, so she can break their hearts. | 0:54:34 | 0:54:38 | |
You're not really that cynical, are you? | 0:54:38 | 0:54:41 | |
What have we just seen? One man dead, two lives ruined - by what? | 0:54:41 | 0:54:47 | |
Well, it wasn't love that killed him. It was envy. | 0:54:47 | 0:54:50 | |
Precisely because, in its own way, Frank | 0:54:50 | 0:54:52 | |
and Valerie's love was the real deal. | 0:54:52 | 0:54:54 | |
The kind of love that nothing can break, not infidelity, | 0:54:54 | 0:54:56 | |
not time, not even death. | 0:54:56 | 0:54:58 | |
Does that really exist? | 0:54:59 | 0:55:01 | |
Oh, it does. Trust me. | 0:55:01 | 0:55:02 | |
Talking of which... | 0:55:02 | 0:55:04 | |
It was such a lovely surprise to receive your voicemail. | 0:55:19 | 0:55:22 | |
Whenever I feel blue, | 0:55:22 | 0:55:24 | |
I'm just going to listen to your lovely Irish voice | 0:55:24 | 0:55:27 | |
cooing in my ear. | 0:55:27 | 0:55:29 | |
Ah, that's great! | 0:55:30 | 0:55:31 | |
Well, the reason I asked you here, Darlene, | 0:55:31 | 0:55:34 | |
is because, well, last night I feel I interrupted something. | 0:55:34 | 0:55:37 | |
Now, it seemed to me that you were striking sparks off each other. | 0:55:37 | 0:55:40 | |
And that's rare. | 0:55:40 | 0:55:42 | |
You don't seem too convinced. | 0:55:42 | 0:55:43 | |
But, frankly, you should be, because Dwayne, he's got a good heart, and, | 0:55:43 | 0:55:47 | |
and, and a great sense of humour, and a magic way with chicken! | 0:55:47 | 0:55:51 | |
So you can't judge a man on half a date, now, can you? | 0:55:51 | 0:55:54 | |
You've got to give him a fair crack at the whip. | 0:55:54 | 0:55:57 | |
So, I know it's not Erzulie any more, | 0:56:00 | 0:56:02 | |
but maybe you could ask him to dance. What do you say? | 0:56:02 | 0:56:06 | |
You're a good man, Jack Mooney. Come here. | 0:56:08 | 0:56:12 | |
Come, Dwayne! Come. | 0:56:24 | 0:56:26 | |
What about you, Jack? | 0:56:29 | 0:56:31 | |
What about me? | 0:56:31 | 0:56:32 | |
Not dancing? | 0:56:32 | 0:56:33 | |
No, no, no, no. Not ready for that just yet. | 0:56:33 | 0:56:37 | |
But I'm happy to watch, you know? For now. | 0:56:37 | 0:56:39 | |
MUSIC DROWNS SPEECH | 0:56:48 | 0:56:49 | |
Amen! | 0:57:03 | 0:57:05 | |
Do you feel his power? | 0:57:05 | 0:57:06 | |
Looks like burn marks on her lips. | 0:57:07 | 0:57:08 | |
You mean the kind you get when you...? | 0:57:08 | 0:57:10 | |
When you've ingested poison. | 0:57:10 | 0:57:12 | |
We will be introducing policing methods that are new to us. | 0:57:12 | 0:57:14 | |
Would I be right in thinking that's something to do with it? | 0:57:14 | 0:57:17 | |
Is he really arrogant enough to commit murder? | 0:57:17 | 0:57:20 | |
I'm playing a particularly sophisticated game here. | 0:57:20 | 0:57:22 | |
-And that actually works? -Hasn't failed me yet. | 0:57:22 | 0:57:24 | |
Night, Dwayne. | 0:57:24 | 0:57:26 | |
Who the hell is Gerald? | 0:57:26 | 0:57:27 |