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It's time. | 0:00:22 | 0:00:23 | |
It was a day like this... | 0:00:35 | 0:00:37 | |
when the wonders of God's creation were on display | 0:00:37 | 0:00:40 | |
for all to see. | 0:00:40 | 0:00:41 | |
A day just like this when Jesus healed! | 0:00:43 | 0:00:46 | |
-ALL: Hallelujah! -Made the blind see! | 0:00:46 | 0:00:48 | |
-Hallelujah! -Made the deaf hear his word! | 0:00:48 | 0:00:51 | |
-Hallelujah! -The word of the Lord! | 0:00:51 | 0:00:54 | |
Praise the lord. | 0:00:54 | 0:00:55 | |
Now, tell me, you all ready to hear the word? | 0:00:55 | 0:00:58 | |
-Amen! -ALL: Amen! | 0:00:58 | 0:01:00 | |
Amen. | 0:01:01 | 0:01:02 | |
# Joyful, joyful, we adore thee... # | 0:01:04 | 0:01:07 | |
You hear that, Dashel? You hear that!? | 0:01:10 | 0:01:12 | |
It's like they know that you're coming. | 0:01:12 | 0:01:14 | |
I'm on my way, Lord! | 0:01:14 | 0:01:16 | |
I am on my way! | 0:01:16 | 0:01:19 | |
Welcome, brother Marius. | 0:01:22 | 0:01:24 | |
Brother Marius... | 0:01:24 | 0:01:26 | |
are you here to receive the Lord into your heart and soul? | 0:01:26 | 0:01:29 | |
Amen! | 0:01:29 | 0:01:30 | |
Lord, may you take brother Marius into your heart | 0:01:35 | 0:01:38 | |
and cure him of this illness. | 0:01:38 | 0:01:40 | |
Look upon him with the eyes of your mercy... | 0:01:40 | 0:01:42 | |
Do you feel his power, Marius? | 0:01:55 | 0:01:57 | |
Do you feel his power?! | 0:02:00 | 0:02:03 | |
Hallelujah! | 0:02:03 | 0:02:04 | |
If there's anyone else out here seeking a better life, | 0:02:10 | 0:02:14 | |
come on forward and be healed. | 0:02:14 | 0:02:17 | |
Come on, brother! | 0:02:17 | 0:02:18 | |
-What's your name, son? -William. | 0:02:20 | 0:02:22 | |
-You made it. -Bless you, Amelia. | 0:02:31 | 0:02:34 | |
Come. You've waited long enough. | 0:02:35 | 0:02:37 | |
You remember Fabienne ? | 0:02:41 | 0:02:43 | |
My dear old friend. | 0:02:43 | 0:02:44 | |
Your side has been failing you, but you never once lost your faith, | 0:02:46 | 0:02:49 | |
and he will reward you. | 0:02:49 | 0:02:51 | |
For it is written, "He made the blind see." | 0:02:51 | 0:02:54 | |
-Made the blind see! -ALL: Amen! | 0:02:54 | 0:02:57 | |
Do you feel his power? | 0:03:18 | 0:03:19 | |
Do you feel his power?! | 0:03:21 | 0:03:23 | |
GASPS | 0:03:24 | 0:03:26 | |
Aunt Fabienne! | 0:03:27 | 0:03:29 | |
Someone call an ambulance! Call an ambulance! | 0:03:31 | 0:03:33 | |
-We may be a small island police force... -But perfectly formed, sir. | 0:04:06 | 0:04:09 | |
But we should always strive to improve performance. | 0:04:11 | 0:04:14 | |
So we will be introducing policing methods | 0:04:14 | 0:04:17 | |
that are new to us, in order to enhance our results. | 0:04:17 | 0:04:21 | |
Would I be right in thinking that's got something to do with it? | 0:04:21 | 0:04:25 | |
That is Pico. | 0:04:25 | 0:04:26 | |
A star graduate from the Saint Helene Police Force Dog Unit. | 0:04:26 | 0:04:30 | |
We have him for one week. Should he prove himself useful to us, | 0:04:31 | 0:04:35 | |
we will be applying for a dog of our own. | 0:04:35 | 0:04:37 | |
Any questions? | 0:04:39 | 0:04:41 | |
Tiny one, sir. | 0:04:41 | 0:04:43 | |
Does it matter at all, that none of us | 0:04:43 | 0:04:45 | |
have any training whatsoever in dog handling? | 0:04:45 | 0:04:47 | |
On the contrary, Inspector. | 0:04:47 | 0:04:49 | |
Having checked the files, I believe Officer Hooper here has experience. | 0:04:49 | 0:04:54 | |
Well, I done half a module at police college. | 0:04:55 | 0:04:57 | |
Perfect. | 0:04:57 | 0:04:59 | |
Then I will bid you all a good day. | 0:04:59 | 0:05:01 | |
PHONE RINGS | 0:05:02 | 0:05:03 | |
I'll get that. | 0:05:03 | 0:05:05 | |
Lively fella, isn't he? | 0:05:05 | 0:05:06 | |
-Not a dog lover, Dwayne? -No. | 0:05:08 | 0:05:10 | |
Sir, I think Pico could make a real contribution to the team. | 0:05:10 | 0:05:13 | |
Sniffing for evidence, chasing suspects. | 0:05:13 | 0:05:16 | |
Doing his business all over our crime scenes. | 0:05:16 | 0:05:18 | |
Sir, there's been a death over at Sandy Bay. | 0:05:18 | 0:05:21 | |
Well, it looks like Pico's going to get his first taste of the action. | 0:05:21 | 0:05:24 | |
According to paramedics, the victim is a woman called Fabienne Jordan. | 0:05:27 | 0:05:30 | |
56 years of age. | 0:05:30 | 0:05:32 | |
She came with her nephew to visit the faith healer. | 0:05:32 | 0:05:35 | |
This fella here, I take it? Steadman King. | 0:05:35 | 0:05:37 | |
Reverend King was in the middle of healing her | 0:05:37 | 0:05:39 | |
when she started convulsing. She died before the ambulance arrived. | 0:05:39 | 0:05:42 | |
-Cause of death? -Paramedics think she suffered some sort of seizure. | 0:05:42 | 0:05:46 | |
OK, Dwayne. Hit me, what have we got? | 0:05:49 | 0:05:52 | |
So, the nephew said that Fabienne came here to have her | 0:05:52 | 0:05:54 | |
eyesight restored. | 0:05:54 | 0:05:56 | |
She'd come up onto the stage and taken a sip of the holy water. | 0:05:56 | 0:05:59 | |
The Pastor placed his hands on her, and then boom, down she went. | 0:05:59 | 0:06:02 | |
-This hers? -Yes, Chief, but there's nothing much of interest inside it. | 0:06:04 | 0:06:08 | |
Her purse, house keys, | 0:06:08 | 0:06:10 | |
some tissues. | 0:06:10 | 0:06:12 | |
Old sweet wrappers, you know that kind of thing. | 0:06:12 | 0:06:15 | |
Poor woman. | 0:06:15 | 0:06:16 | |
She came here expecting a new lease of life, she ends up dead. | 0:06:16 | 0:06:19 | |
Hmm. | 0:06:19 | 0:06:21 | |
What is it, sir? | 0:06:34 | 0:06:35 | |
Looks like burn marks on her lips. | 0:06:36 | 0:06:38 | |
And inside her mouth too. | 0:06:38 | 0:06:39 | |
You mean the kind you get when you... | 0:06:39 | 0:06:41 | |
When you've ingested poison? Yeah, exactly like that. | 0:06:41 | 0:06:44 | |
And the convulsions started just after she drank from this? | 0:06:44 | 0:06:47 | |
Yes, Chief. | 0:06:47 | 0:06:48 | |
Well, there's nothing there. | 0:06:56 | 0:06:58 | |
But there's something in this cup. | 0:06:59 | 0:07:01 | |
Sharp. It's not pleasant. | 0:07:02 | 0:07:04 | |
Someone wanted her dead? | 0:07:05 | 0:07:06 | |
I'm afraid it's looking that way, Florence. | 0:07:08 | 0:07:10 | |
-Murdered?! -That can't be right? | 0:07:16 | 0:07:19 | |
There's strong evidence to suggest that Fabienne was poisoned. | 0:07:19 | 0:07:21 | |
-No. -Explain to me what led you to this conclusion, Inspector? | 0:07:21 | 0:07:25 | |
Well, we'd need to have it confirmed by our lab. | 0:07:25 | 0:07:28 | |
But an initial examination of the crime scene would indicate that the | 0:07:28 | 0:07:31 | |
poison may have been in the water that you gave her to drink, Pastor. | 0:07:31 | 0:07:34 | |
-It can't be! -And you're sure about this? | 0:07:34 | 0:07:37 | |
It's still early days, but that's what we believe. | 0:07:37 | 0:07:40 | |
If it was in the water, three others drank from the cup before Fabienne. | 0:07:40 | 0:07:44 | |
I suggest you get them checked by the paramedics. | 0:07:44 | 0:07:48 | |
I'm on it, sir. | 0:07:48 | 0:07:49 | |
That's quick thinking, Pastor. Thank you. | 0:07:49 | 0:07:52 | |
Can you talk me through what happened? | 0:07:52 | 0:07:54 | |
Dashel, it was you who brought your auntie here? | 0:07:54 | 0:07:57 | |
Yes. | 0:07:57 | 0:07:58 | |
Aunt Fabienne was diagnosed with a benign brain tumour five years ago. | 0:07:58 | 0:08:02 | |
It caused her eyesight to deteriorate. | 0:08:02 | 0:08:04 | |
When she heard that the Pastor was back on the island, | 0:08:04 | 0:08:07 | |
-she jumped at the chance to visit him. -You've been away? | 0:08:07 | 0:08:10 | |
It's 35 years now since I left for the US. | 0:08:10 | 0:08:13 | |
And you've been doing the faith healing malarkey | 0:08:13 | 0:08:15 | |
-over there ever since? -It's a big country. | 0:08:15 | 0:08:17 | |
Takes a lot of healing. | 0:08:17 | 0:08:18 | |
And I'd prefer it if you didn't refer to my life's work | 0:08:18 | 0:08:20 | |
-as "malarkey," Inspector. -A turn of phrase, Pastor. | 0:08:20 | 0:08:23 | |
Nothing more. | 0:08:23 | 0:08:24 | |
Can I ask, why have you returned now? | 0:08:25 | 0:08:27 | |
The Lord told me it was time to come and give something back. | 0:08:29 | 0:08:32 | |
Well, that's reason enough, isn't it? | 0:08:32 | 0:08:33 | |
Fabienne was so happy she was going to get to see you again. | 0:08:33 | 0:08:36 | |
You already knew each other? | 0:08:38 | 0:08:39 | |
We grew up in the same village, same school. | 0:08:39 | 0:08:42 | |
We were childhood friends. | 0:08:42 | 0:08:43 | |
And today was the first time you'd seen her in over 35 years? | 0:08:43 | 0:08:47 | |
Actually, Dashel brought Fabienne to see us the day before yesterday. | 0:08:47 | 0:08:51 | |
I didn't recognise her at first, but when she said her name... | 0:08:53 | 0:08:56 | |
..well, the memories came flooding back. | 0:08:58 | 0:09:00 | |
Right. | 0:09:00 | 0:09:02 | |
And when she came here today, who did she interact with, | 0:09:02 | 0:09:05 | |
or talk to? Who else knew her? | 0:09:05 | 0:09:07 | |
No-one. We'd only just arrived. | 0:09:07 | 0:09:10 | |
I took Fabienne straight up on stage to see Steadman. | 0:09:10 | 0:09:13 | |
-You remember Fabienne? -My dear old friend. | 0:09:13 | 0:09:16 | |
And did you see anyone go near the cup during the service? | 0:09:16 | 0:09:19 | |
No-one touched it but Steadman. | 0:09:19 | 0:09:21 | |
-We would have seen. You must be wrong about the poison. -Mm-hm. | 0:09:21 | 0:09:24 | |
Is something wrong, Inspector? | 0:09:27 | 0:09:29 | |
No, no, no, no, it's just, well, it's just a bit odd. | 0:09:29 | 0:09:32 | |
Isn't it? I mean, the Pastor here hasn't been back to the island | 0:09:32 | 0:09:35 | |
in decades. | 0:09:35 | 0:09:37 | |
Yet, the very week he puts in an appearance, | 0:09:37 | 0:09:39 | |
his long lost childhood friend ends up being murdered. | 0:09:39 | 0:09:42 | |
I do hope you're not suggesting I did it? | 0:09:42 | 0:09:44 | |
No, of course not! | 0:09:44 | 0:09:45 | |
But you can't deny, the timing, it's a little coincidental. | 0:09:45 | 0:09:50 | |
I am a faith healer, Inspector. | 0:09:52 | 0:09:54 | |
Do you understand what that means? | 0:09:54 | 0:09:56 | |
God has blessed me with the gift to cure people's illnesses. | 0:09:56 | 0:09:59 | |
I give them their lives back. | 0:10:00 | 0:10:01 | |
I do not, on any account, take them away. | 0:10:03 | 0:10:05 | |
My apologies, Pastor. | 0:10:05 | 0:10:07 | |
But I have to ask the difficult questions. | 0:10:08 | 0:10:10 | |
Well, I'll leave you all be. | 0:10:11 | 0:10:13 | |
I'm so sorry for your loss. | 0:10:15 | 0:10:16 | |
Dwayne, JP, we can release the body. | 0:10:22 | 0:10:25 | |
And could you get the contents of that jug and cup to the lab? | 0:10:25 | 0:10:28 | |
Yes, Chief. | 0:10:28 | 0:10:29 | |
Oh, and could you search everyone who was at the healing ceremony | 0:10:29 | 0:10:32 | |
for any signs of the poison? A vial or a bottle maybe. | 0:10:32 | 0:10:34 | |
Yes, sir. | 0:10:34 | 0:10:35 | |
Time to give something back, eh? | 0:10:42 | 0:10:44 | |
Sir, paramedics have checked the three people who drank from | 0:10:44 | 0:10:46 | |
that cup before Fabienne and none of them have ingested any poison. | 0:10:46 | 0:10:50 | |
Which means it must've been added directly before Fabienne | 0:10:50 | 0:10:52 | |
sipped from it. | 0:10:52 | 0:10:53 | |
But wasn't the Pastor the only one in that time to touch the cup? | 0:10:53 | 0:10:56 | |
Well, that's what they're saying. | 0:10:56 | 0:10:58 | |
Then that means he's the only one that could've done it? | 0:10:58 | 0:11:00 | |
But how could it be him? | 0:11:00 | 0:11:02 | |
Surely no-one kills like that, in front of all these people. | 0:11:02 | 0:11:05 | |
It's brazen beyond belief. | 0:11:06 | 0:11:07 | |
But if it wasn't, | 0:11:07 | 0:11:09 | |
how else did someone get the poison into the cup, | 0:11:09 | 0:11:11 | |
-if they never went near it? -I don't know, Florence. | 0:11:11 | 0:11:14 | |
However you look at this, it doesn't much make sense, does it? | 0:11:14 | 0:11:17 | |
So how'd you get on searching your witnesses? | 0:11:25 | 0:11:27 | |
-Nothing. You? -Same. | 0:11:27 | 0:11:30 | |
-Come on, let's make our way back to the station. -Sure. It's just... | 0:11:30 | 0:11:33 | |
Oh, for goodness' sake. | 0:11:33 | 0:11:35 | |
Hey, dog. | 0:11:37 | 0:11:38 | |
As your superior officer, I command you to get up. | 0:11:39 | 0:11:42 | |
Stand up! | 0:11:42 | 0:11:43 | |
Part-timer. | 0:11:44 | 0:11:45 | |
So what do we do? | 0:11:46 | 0:11:48 | |
We? | 0:11:48 | 0:11:49 | |
You're the one with the dog training certificate! He's all yours. | 0:11:49 | 0:11:53 | |
HE SIGHS | 0:11:54 | 0:11:55 | |
OK. Let's do this. | 0:11:55 | 0:11:57 | |
OK, gents, and lady, of course. | 0:12:08 | 0:12:10 | |
Let's go through what we have so far. | 0:12:10 | 0:12:12 | |
Fabienne Jordan, 56. | 0:12:12 | 0:12:14 | |
Graduated teacher training when she was 22. | 0:12:14 | 0:12:16 | |
Taught at Jean Roix Primary School ever since. | 0:12:16 | 0:12:19 | |
Took sick leave three years ago when her eyesight started to deteriorate. | 0:12:19 | 0:12:23 | |
Now Fabienne, we suspect, was poisoned | 0:12:23 | 0:12:26 | |
when she took a sip from a cup of water this man gave to her. | 0:12:26 | 0:12:32 | |
According to all our witnesses, no-one else went near the cup. | 0:12:32 | 0:12:35 | |
So, in theory, Steadman is the only one who could've added the poison. | 0:12:35 | 0:12:38 | |
But do we really believe someone would commit murder so publicly? | 0:12:38 | 0:12:41 | |
Dwayne, what do we have so far on the Very Reverend Steadman King? | 0:12:41 | 0:12:44 | |
He doesn't seem to be affiliated to any particular church. | 0:12:44 | 0:12:47 | |
He's worked as a faith healer touring his shows all over | 0:12:47 | 0:12:49 | |
the US for the past 35 years. | 0:12:49 | 0:12:51 | |
Now, Steadman claims that there was no contact between him | 0:12:51 | 0:12:54 | |
and Fabienne since he left the island. | 0:12:54 | 0:12:56 | |
But we need to confirm that for ourselves. | 0:12:56 | 0:12:58 | |
So let's check with local and US immigration, | 0:12:58 | 0:13:00 | |
see if they could have crossed paths. | 0:13:00 | 0:13:02 | |
And we should get in touch with e-mail and phone service providers. | 0:13:02 | 0:13:05 | |
See if there was any communication that way. | 0:13:05 | 0:13:07 | |
Now, only two people in that marquee knew Fabienne | 0:13:07 | 0:13:10 | |
and had contact with her just before she was killed. | 0:13:10 | 0:13:13 | |
Steadman's wife, Amelia, and the victim's nephew, Dashel Jordan. | 0:13:13 | 0:13:20 | |
So if it wasn't the healer who killed her, has to be one of them. | 0:13:21 | 0:13:24 | |
But how did they manage to get poison into a cup of water | 0:13:24 | 0:13:27 | |
they didn't go anywhere near? | 0:13:27 | 0:13:29 | |
Precisely, Florence. | 0:13:29 | 0:13:31 | |
JP, the wife, Amelia King. | 0:13:31 | 0:13:32 | |
Actually, sir, she's still Amelia Carris. | 0:13:32 | 0:13:35 | |
-From what I can tell, her and Steadman never got married. -Oh. | 0:13:35 | 0:13:38 | |
So, born and raised in Mississippi, | 0:13:38 | 0:13:41 | |
studied Business Management at college, | 0:13:41 | 0:13:43 | |
and worked at a whisky distillery firm until she met Steadman. | 0:13:43 | 0:13:46 | |
Lucky her! | 0:13:46 | 0:13:47 | |
But as Amelia only met Fabienne for the first time two days ago, | 0:13:47 | 0:13:51 | |
-it's unlikely she has a motive to want her dead? -Yeah. | 0:13:51 | 0:13:54 | |
And finally, Dashel Jordan, aged 30, Fabienne's nephew, | 0:13:54 | 0:13:59 | |
married, one child, aged two. | 0:13:59 | 0:14:01 | |
Owner of a restaurant called The Rum Cafe, lives with his family nearby. | 0:14:01 | 0:14:05 | |
Dashel's the only person to have known Fabienne in the present. | 0:14:05 | 0:14:08 | |
Well, let's see what we can find out about their relationship. | 0:14:08 | 0:14:11 | |
I know the chef who used to run The Rum Cafe before Dashel bought | 0:14:11 | 0:14:14 | |
it off of her. I could see if she knows anything. | 0:14:14 | 0:14:16 | |
-Go for it, Dwayne. -I'll head over there first thing | 0:14:16 | 0:14:19 | |
-in the morning, Chief. -Yeah. Well, until we get the postmortem | 0:14:19 | 0:14:22 | |
and toxicology results, very little we can do here. | 0:14:22 | 0:14:25 | |
Let's pick it up afresh again in the morning. | 0:14:25 | 0:14:27 | |
So you think there's something wrong with him? | 0:14:36 | 0:14:38 | |
-Who? The Inspector? -No. Your new friend. | 0:14:38 | 0:14:40 | |
Rip Van Pico. | 0:14:40 | 0:14:42 | |
Oh, no, no, no, he's just, you know, preserving his energy. | 0:14:42 | 0:14:45 | |
Oh, really! | 0:14:45 | 0:14:46 | |
CAR HORN HONKS | 0:14:46 | 0:14:48 | |
Ah, Darlene! | 0:14:48 | 0:14:49 | |
It's been a hot day and I was wondering | 0:14:52 | 0:14:55 | |
if you fancied cooling off with me in the bar? | 0:14:55 | 0:14:57 | |
You know, Darlene, I can think of nothing I'd like more. | 0:14:57 | 0:15:00 | |
Then jump in, Officer Myers. | 0:15:00 | 0:15:02 | |
But I've only just agreed this minute to meet up with | 0:15:02 | 0:15:05 | |
another friend of mine! | 0:15:05 | 0:15:06 | |
Another time maybe? | 0:15:08 | 0:15:10 | |
-I'll hold you to it. -I'll make sure you do. | 0:15:10 | 0:15:12 | |
So, you fancy a beer at Catherine's? | 0:15:18 | 0:15:20 | |
But I just heard you say you're meeting up with a... | 0:15:20 | 0:15:22 | |
Yes, I know what I said. | 0:15:22 | 0:15:24 | |
But what I said wasn't true. | 0:15:24 | 0:15:26 | |
I thought things were going well with you and Darlene? | 0:15:26 | 0:15:29 | |
It's tactics, JP. Gamesmanship! | 0:15:29 | 0:15:32 | |
And I'm playing a particularly sophisticated game here, | 0:15:32 | 0:15:34 | |
in case you hadn't noticed. | 0:15:34 | 0:15:36 | |
I hadn't. | 0:15:36 | 0:15:38 | |
Page one of the dating textbook - | 0:15:38 | 0:15:40 | |
if you want to keep a woman interested, | 0:15:40 | 0:15:42 | |
make her think that you are not. | 0:15:42 | 0:15:44 | |
-Comprendez? -And that actually works? | 0:15:44 | 0:15:47 | |
Hasn't failed me yet. | 0:15:47 | 0:15:48 | |
So you and poochy coming for a drink or what? | 0:15:48 | 0:15:50 | |
How do I serve God? | 0:15:57 | 0:15:59 | |
And I have to tell you, friends, my heart hung heavy. | 0:15:59 | 0:16:02 | |
I had to pray on that. | 0:16:02 | 0:16:03 | |
And I walked in here and I realised, there's no one way to serve God. | 0:16:04 | 0:16:08 | |
-Can I get an Amen on that? -ALL: -Amen! | 0:16:08 | 0:16:11 | |
Takes some bottle, doesn't it? | 0:16:11 | 0:16:12 | |
Standing up on stage, trying to convince a whole room | 0:16:12 | 0:16:15 | |
full of people that you can heal their ills. | 0:16:15 | 0:16:17 | |
You know, back in Ireland, we've got faith healers by the dozen. | 0:16:17 | 0:16:20 | |
Having the cure, we call it. | 0:16:20 | 0:16:21 | |
But over there it's a community thing. | 0:16:21 | 0:16:23 | |
They don't, by and large, charge you for it! | 0:16:23 | 0:16:26 | |
So when I see someone like this making literally | 0:16:26 | 0:16:28 | |
bucket-loads of money from it, brings out the sceptic in me. | 0:16:28 | 0:16:30 | |
You think he scams people? | 0:16:30 | 0:16:32 | |
Well, I don't think God's work - | 0:16:32 | 0:16:34 | |
if that's what this is - requires a fee paying. | 0:16:34 | 0:16:37 | |
Then if he's a fake, maybe he could be the killer too? | 0:16:37 | 0:16:40 | |
Maybe, Florence. Maybe. | 0:16:40 | 0:16:41 | |
So you're coming or staying? | 0:16:41 | 0:16:43 | |
Oh, no, you go on ahead. I won't be much longer. | 0:16:43 | 0:16:46 | |
DOOR SHUTS | 0:17:21 | 0:17:23 | |
Right, Fabienne, let's see who you really are. | 0:17:26 | 0:17:28 | |
Think of your waistline, Jack. | 0:17:49 | 0:17:51 | |
"Fabienne, Steadman and Wallace." | 0:18:26 | 0:18:28 | |
-Morning, sir. -Ah, Florence. How are you? -I'm very well, sir. | 0:18:40 | 0:18:44 | |
And I bring good news. | 0:18:44 | 0:18:46 | |
Postmortem and lab results were e-mailed through first thing. | 0:18:46 | 0:18:49 | |
And you were right - cause of death was poisoning. | 0:18:49 | 0:18:52 | |
When they tested the water in the cup, they found... | 0:18:52 | 0:18:55 | |
"Significant traces of nicotine syrup." | 0:18:55 | 0:18:57 | |
Nicotine poisoning? | 0:18:57 | 0:18:59 | |
I checked online and it's fairly easy to make. | 0:18:59 | 0:19:01 | |
You just boil down cigarette tobacco in water. | 0:19:01 | 0:19:03 | |
So, in theory, any of our suspects could have the means to make it. | 0:19:03 | 0:19:07 | |
What's all this? | 0:19:07 | 0:19:08 | |
Last night, I had a little shufty round Fabienne's house. | 0:19:08 | 0:19:11 | |
And I found these diaries, late teens, early twenties. | 0:19:11 | 0:19:15 | |
Sounds like you've found something. | 0:19:15 | 0:19:17 | |
I have, and it's Steadman. | 0:19:17 | 0:19:19 | |
He's been lying to us. | 0:19:19 | 0:19:20 | |
He told us that he and Fabienne were just childhood friends. | 0:19:20 | 0:19:23 | |
But it was more than that? | 0:19:23 | 0:19:24 | |
Yeah, since the age of 18, they were an item the best part of two years. | 0:19:24 | 0:19:28 | |
Here, look at this. | 0:19:28 | 0:19:29 | |
June 25th, 1984. | 0:19:29 | 0:19:30 | |
"Marrying Steadman will be a dream come true. | 0:19:30 | 0:19:33 | |
"I can't wait for us to start making the arrangements." | 0:19:33 | 0:19:36 | |
-They were engaged? -Yeah, all set to be married. | 0:19:36 | 0:19:39 | |
Until he and his mate, this fella, Wallace Miller, | 0:19:39 | 0:19:43 | |
they left for a short trip to America together. | 0:19:43 | 0:19:45 | |
Steadman was going to study the Bible over there. | 0:19:45 | 0:19:47 | |
-And what happened? -Well, completely out of the blue, | 0:19:47 | 0:19:50 | |
Steadman sends her a letter saying their relationship's over | 0:19:50 | 0:19:52 | |
and he's not coming back. Just like that. | 0:19:52 | 0:19:54 | |
Does he say why? | 0:19:54 | 0:19:55 | |
I can't find anything in the diaries. | 0:19:55 | 0:19:58 | |
But what I'd like to know is, why did Steadman keep that from us? | 0:19:58 | 0:20:01 | |
Why did he lie? | 0:20:01 | 0:20:02 | |
I realise how this must look, Inspector. | 0:20:03 | 0:20:05 | |
I'm very happy to explain. | 0:20:05 | 0:20:07 | |
What it looks, Mr King, | 0:20:07 | 0:20:09 | |
is that you were lying to police officers investigating a murder. | 0:20:09 | 0:20:12 | |
I just didn't think it was relevant. | 0:20:12 | 0:20:14 | |
My relationship with Fabienne ended decades ago. | 0:20:14 | 0:20:17 | |
What possible link could that have to her being murdered now? | 0:20:17 | 0:20:20 | |
But surely you can see the only link is you? | 0:20:20 | 0:20:22 | |
And it's not for you to decide what is or isn't relevant. | 0:20:22 | 0:20:25 | |
I understand. | 0:20:25 | 0:20:26 | |
Everything all right, sweetheart? | 0:20:26 | 0:20:28 | |
-Amelia, would you fetch that box I keep my personal stuff in? -Yeah. | 0:20:28 | 0:20:32 | |
I was 20 when I arrived in the States. | 0:20:36 | 0:20:39 | |
Had a great ambition to serve the Lord, | 0:20:40 | 0:20:42 | |
and I knew I would never achieve what He wanted | 0:20:42 | 0:20:45 | |
if I returned to Saint Marie and settled down with Fabienne. | 0:20:45 | 0:20:48 | |
Thanks, hun. | 0:20:51 | 0:20:52 | |
These are letters Fabienne sent to me in America. | 0:20:55 | 0:20:57 | |
You'll see, although she's upset, | 0:20:59 | 0:21:02 | |
she accepts the reasons I gave for breaking up our relationship. | 0:21:02 | 0:21:06 | |
There was nothing sinister in how things ended | 0:21:06 | 0:21:08 | |
between Fabienne and me. | 0:21:08 | 0:21:10 | |
And certainly nothing that would lead to my poisoning her | 0:21:10 | 0:21:13 | |
all these years later. | 0:21:13 | 0:21:14 | |
Ah, morning, sir. Serg. | 0:21:19 | 0:21:21 | |
Morning, JP. | 0:21:21 | 0:21:22 | |
And morning, Pico. | 0:21:22 | 0:21:24 | |
And how are you today? | 0:21:24 | 0:21:26 | |
Sir, I've just been to the school that Fabienne taught at. | 0:21:26 | 0:21:28 | |
I spoke to the headmistress. She told me that Fabienne | 0:21:28 | 0:21:31 | |
and Steadman were a couple back in the day. | 0:21:31 | 0:21:33 | |
We've just been speaking to Steadman about it. | 0:21:33 | 0:21:36 | |
Well, apparently Fabienne never got over it. | 0:21:36 | 0:21:38 | |
She felt Steadman was the only man she could ever love. | 0:21:38 | 0:21:41 | |
In fact, she never met anyone else. | 0:21:41 | 0:21:43 | |
-It hurt that much. -Mmm. | 0:21:43 | 0:21:44 | |
Where's Dwayne got to? | 0:21:45 | 0:21:47 | |
He's gone to visit the chef who used to own The Rum Cafe. | 0:21:47 | 0:21:49 | |
Ah, that's very pro-active of him. | 0:21:49 | 0:21:51 | |
Going the extra mile. Good to hear it. | 0:21:51 | 0:21:53 | |
Creole spiced eggs! | 0:21:55 | 0:21:57 | |
It was always my favourite dish of yours, you know, Marjorie? | 0:21:57 | 0:22:01 | |
So, we better get down to business. | 0:22:01 | 0:22:04 | |
Tell me about the guy who's running your old restaurant. | 0:22:04 | 0:22:07 | |
So I checked with local and US immigration, | 0:22:08 | 0:22:10 | |
-seems Fabienne never even left the island. -Never? | 0:22:10 | 0:22:13 | |
As for Steadman and Amelia King, neither has set foot in Saint Marie | 0:22:13 | 0:22:17 | |
since he left the island 35 years ago. | 0:22:17 | 0:22:20 | |
What about phone or e-mail records? | 0:22:20 | 0:22:22 | |
Nothing to link Fabienne to either the faith healer or his wife. | 0:22:22 | 0:22:25 | |
So Steadman really didn't communicate with her | 0:22:25 | 0:22:27 | |
since that last letter. | 0:22:27 | 0:22:29 | |
Which gives him even less reason to want her dead. | 0:22:29 | 0:22:32 | |
Why would you murder someone with nicotine poison you haven't | 0:22:32 | 0:22:34 | |
clapped eyes on in 35 years? | 0:22:34 | 0:22:36 | |
Sir. I think I might have something for you. | 0:22:37 | 0:22:40 | |
So I've just been speaking to the solicitor that's been | 0:22:40 | 0:22:42 | |
handling Fabienne's estate. | 0:22:42 | 0:22:44 | |
And it turns out she changed her will just under a month ago. | 0:22:44 | 0:22:46 | |
-In whose favour? -Her nephew's, Dashel Jordan. | 0:22:46 | 0:22:50 | |
Fabienne told the solicitor that Dashel had been looking after her | 0:22:50 | 0:22:52 | |
and she wanted to reward him. | 0:22:52 | 0:22:54 | |
But the solicitor advised caution. | 0:22:54 | 0:22:56 | |
He says Dashel had only been back in her life for a matter of months. | 0:22:56 | 0:22:59 | |
So the loving nephew didn't look after | 0:22:59 | 0:23:01 | |
her for as long as he made out. | 0:23:01 | 0:23:02 | |
And what does he stand to inherit? | 0:23:02 | 0:23:04 | |
What cash she has left, assets, house. | 0:23:04 | 0:23:06 | |
In total, it's around 65,000. | 0:23:06 | 0:23:09 | |
That's a fair few bob. | 0:23:09 | 0:23:10 | |
Question is, how desperate was Dashel for the cash? | 0:23:10 | 0:23:13 | |
I'd say very. | 0:23:13 | 0:23:14 | |
I just spoke to my chef friend, Marjorie, and apparently ever since | 0:23:14 | 0:23:17 | |
Dashel took over the restaurant, business has been far from booming. | 0:23:17 | 0:23:21 | |
-Well, I never. -You better believe it. | 0:23:21 | 0:23:23 | |
She's still in touch with the staff there. | 0:23:23 | 0:23:25 | |
And they said that all the customers have as good as disappeared. | 0:23:25 | 0:23:28 | |
There's final demand bills landing all over the doormat. | 0:23:28 | 0:23:32 | |
Only last week, the bailiffs turned up. | 0:23:32 | 0:23:34 | |
So, Dashel needs a big injection of money. | 0:23:34 | 0:23:37 | |
And now Fabienne's dead, that's exactly what he's got. | 0:23:37 | 0:23:39 | |
-Do this one as well, all right? -OK. | 0:23:42 | 0:23:44 | |
Inspector, how can I help? | 0:23:46 | 0:23:48 | |
Ah, just a quick chat, Dashel. | 0:23:48 | 0:23:50 | |
Of course. | 0:23:51 | 0:23:53 | |
Let's go over here. | 0:23:53 | 0:23:54 | |
It's fairly quiet, isn't it? | 0:23:55 | 0:23:57 | |
Just waiting on the lunchtime rush to start, you know? | 0:23:57 | 0:23:59 | |
At quarter to two in the afternoon? | 0:23:59 | 0:24:01 | |
Well, people round here generally like to have a late lunch. | 0:24:01 | 0:24:03 | |
Right. Interesting. | 0:24:03 | 0:24:05 | |
I never knew that. | 0:24:05 | 0:24:06 | |
Only, we've heard that things have been quiet for some time now. | 0:24:06 | 0:24:10 | |
Pretty much ever since you took over two years ago. | 0:24:10 | 0:24:12 | |
Is that true? | 0:24:12 | 0:24:13 | |
When the previous owner left, people stopped coming. | 0:24:13 | 0:24:16 | |
I think they thought with a different chef, | 0:24:16 | 0:24:17 | |
-it wouldn't be the same. -So what are you going to do? | 0:24:17 | 0:24:20 | |
We'll manage. Somehow. | 0:24:20 | 0:24:23 | |
Well, we've just spoken with your aunt's solicitor | 0:24:23 | 0:24:25 | |
and apparently she left everything to you. | 0:24:25 | 0:24:28 | |
But I'm guessing you probably know that? | 0:24:28 | 0:24:31 | |
Aunt Fabienne was very generous. | 0:24:31 | 0:24:33 | |
I'm grateful to her. | 0:24:33 | 0:24:34 | |
Oh, I'd say you are, all right. | 0:24:34 | 0:24:36 | |
You're up that creek with the paddle shortage | 0:24:36 | 0:24:38 | |
and your aunt has just thrown you one hell of a lifeline. | 0:24:38 | 0:24:41 | |
You're not saying that I killed her? | 0:24:41 | 0:24:43 | |
I wouldn't, I couldn't! | 0:24:43 | 0:24:45 | |
Well, if I had a dollar for every time I heard that, | 0:24:45 | 0:24:48 | |
I'd be able to take early retirement. | 0:24:48 | 0:24:49 | |
Buy a couple of acres back in Cork, small cottage, some chickens. | 0:24:49 | 0:24:53 | |
Mmm. Maybe even a goat or two. | 0:24:53 | 0:24:54 | |
I tried everything to make this place work. | 0:24:54 | 0:24:57 | |
I came this close to losing it all. | 0:24:57 | 0:24:59 | |
And then you remembered, good old Aunt Fabienne! | 0:24:59 | 0:25:01 | |
I admit it. | 0:25:03 | 0:25:05 | |
If I didn't need the money, I would never have made contact. | 0:25:05 | 0:25:08 | |
I'm not proud of that, Inspector, but I'm not a killer. | 0:25:09 | 0:25:12 | |
Ask anyone inside of that marquee, | 0:25:14 | 0:25:16 | |
I didn't go anywhere near the cup that poisoned my aunt. | 0:25:16 | 0:25:19 | |
Apart from Reverend King, no-one did. | 0:25:19 | 0:25:21 | |
PHONE VIBRATES | 0:25:24 | 0:25:25 | |
Is that Darlene? | 0:25:27 | 0:25:28 | |
She has quite a way with words. | 0:25:28 | 0:25:31 | |
She wants to meet up later. | 0:25:31 | 0:25:33 | |
But you're not going to reply, no? | 0:25:33 | 0:25:35 | |
-Chief. -Sarg. | 0:25:35 | 0:25:37 | |
As police dogs go, he'd make a good draft excluder, wouldn't he? | 0:25:37 | 0:25:41 | |
No, you're grand, JP. | 0:25:41 | 0:25:43 | |
Let sleeping dogs lie and all that. | 0:25:43 | 0:25:44 | |
I don't suppose you lads have managed to solve the entire case, | 0:25:46 | 0:25:48 | |
-by any chance? -Sorry, Chief, not quite. | 0:25:48 | 0:25:51 | |
But we have had the financial checks back on Steadman and Amelia. | 0:25:51 | 0:25:54 | |
Ooh, I'm all ears. | 0:25:54 | 0:25:56 | |
They're doing very well for themselves. | 0:25:56 | 0:25:58 | |
Between them, they've got savings of up to 600,000. | 0:25:58 | 0:26:01 | |
-Ooh. -I told you, Florence. | 0:26:01 | 0:26:02 | |
It's not a charitable endeavour Steadman's running. | 0:26:02 | 0:26:05 | |
-It's a lucrative business. -I also noticed that recently | 0:26:05 | 0:26:07 | |
they moved their accounts from the US to banks based in Europe. | 0:26:07 | 0:26:10 | |
-Really? And do we know why? -I called their accountant, | 0:26:10 | 0:26:13 | |
but he was reluctant to talk to me. | 0:26:13 | 0:26:14 | |
But I got chatting to his secretary, Tiffany, | 0:26:14 | 0:26:18 | |
and she liked my accent, so I got her to open up. | 0:26:18 | 0:26:20 | |
And what did Tiffany have to say? | 0:26:20 | 0:26:22 | |
As far as she knew, the faith healer had left the States for good. | 0:26:22 | 0:26:25 | |
There was a scandal brewing and he needed to get out | 0:26:25 | 0:26:27 | |
and start afresh in a different country. | 0:26:27 | 0:26:30 | |
Scandal? What kind of scandal? | 0:26:30 | 0:26:31 | |
I'm afraid Tiffany wouldn't give me any more than that. | 0:26:31 | 0:26:34 | |
She said she wasn't one to spread gossip. | 0:26:34 | 0:26:36 | |
So there's more to Steadman's return than divine calling. | 0:26:36 | 0:26:40 | |
Everything comes back to him, doesn't it? Every time. | 0:26:40 | 0:26:45 | |
If Steadman has killed Fabienne, then it must have something | 0:26:45 | 0:26:49 | |
to do with the last time they knew each other 35 years ago. | 0:26:49 | 0:26:51 | |
-Wallace Miller... -What about him? | 0:26:51 | 0:26:53 | |
Well, it looks like he grew up with them both. | 0:26:53 | 0:26:56 | |
Dwayne, JP, see if you can track Wallace down. | 0:26:56 | 0:26:59 | |
Now, we know he travelled to the US when Steadman moved there. | 0:26:59 | 0:27:01 | |
Beyond that, it's a bit of a blank. See what you can do. | 0:27:01 | 0:27:04 | |
Yes, sir. | 0:27:04 | 0:27:05 | |
The village Steadman and Fabienne grew up in, | 0:27:05 | 0:27:08 | |
-where is it? -San Boullestre. | 0:27:08 | 0:27:10 | |
I think it's on the other side of the island. | 0:27:10 | 0:27:13 | |
Well, I think we should go there, see if we can find any old friends | 0:27:13 | 0:27:15 | |
of theirs, neighbours, anyone who knows them. | 0:27:15 | 0:27:18 | |
"Let's go to San Boullestre," he said. | 0:27:31 | 0:27:32 | |
"Let's interview the locals." | 0:27:34 | 0:27:36 | |
If we could only find some. | 0:27:36 | 0:27:38 | |
Sorry to startle you. DI Mooney, DS Cassell. | 0:27:42 | 0:27:45 | |
You been on the night shift by any chance? | 0:27:45 | 0:27:47 | |
And the day shift. | 0:27:47 | 0:27:49 | |
We wanted to ask the locals a few questions, but it looks like... | 0:27:49 | 0:27:52 | |
They're long gone. | 0:27:52 | 0:27:54 | |
Developers moved everyone. | 0:27:55 | 0:27:56 | |
No-one here but me and a few goats. | 0:27:56 | 0:27:59 | |
We won't get much out of them. | 0:27:59 | 0:28:01 | |
Do you have any of the residents' contact details? | 0:28:01 | 0:28:03 | |
Got the number of the building company, if that helps? | 0:28:03 | 0:28:06 | |
Great. | 0:28:06 | 0:28:07 | |
Here we go. | 0:28:09 | 0:28:10 | |
Must get lonely around here. | 0:28:12 | 0:28:13 | |
You know, it's the most company I've had for ages. | 0:28:13 | 0:28:16 | |
You guys today, the preacher man yesterday. | 0:28:16 | 0:28:19 | |
-Preacher man? -Faith healer. | 0:28:21 | 0:28:23 | |
Came to see his family home before it's knocked down. | 0:28:23 | 0:28:26 | |
What did he do when he was in here? | 0:28:31 | 0:28:34 | |
-Had a look around. -And how long did he stay? | 0:28:34 | 0:28:36 | |
-Half an hour? -OK if we have a look? -Sure. | 0:28:36 | 0:28:38 | |
-You think he was here just for old times' sake, sir? -Maybe. | 0:28:43 | 0:28:47 | |
Or maybe there's something he left here and he came back to collect it? | 0:28:47 | 0:28:50 | |
He's up to something, I'm sure of it. | 0:28:50 | 0:28:52 | |
Yeah. In the morning when the court opens, we request a warrant | 0:28:52 | 0:28:55 | |
-and we go search his villa. -Yeah. | 0:28:55 | 0:28:57 | |
Aye, aye, aye. | 0:29:06 | 0:29:07 | |
Good to see you, Darlene. | 0:29:07 | 0:29:09 | |
Looking lovely as usual. | 0:29:09 | 0:29:11 | |
So what can I get you to drink? | 0:29:15 | 0:29:18 | |
I'm going to give you one chance to apologise. | 0:29:18 | 0:29:21 | |
And if you want this relationship to have any kind of future, | 0:29:21 | 0:29:24 | |
I suggest you take it. | 0:29:24 | 0:29:26 | |
Apologise, Darlene? What for? | 0:29:26 | 0:29:28 | |
I know what you've been up to, Dwayne Myers. | 0:29:28 | 0:29:30 | |
Ignoring my texts, cancelling dates. | 0:29:30 | 0:29:32 | |
You've been playing hard to get, haven't you? | 0:29:32 | 0:29:34 | |
Never! I wouldn't do that. | 0:29:34 | 0:29:36 | |
Especially with you, Darlene. | 0:29:36 | 0:29:38 | |
I'll say it again. | 0:29:38 | 0:29:39 | |
One chance. | 0:29:39 | 0:29:41 | |
Say you're sorry and we can just start enjoying the evening. | 0:29:41 | 0:29:44 | |
I... Well... | 0:29:46 | 0:29:47 | |
-You know... -HORN HONKS | 0:29:48 | 0:29:50 | |
Right. | 0:29:52 | 0:29:53 | |
That means your time's up. | 0:29:53 | 0:29:55 | |
What?! | 0:29:55 | 0:29:56 | |
This is Gerald. My substitute date. | 0:29:57 | 0:29:59 | |
Night, Dwayne. | 0:30:01 | 0:30:03 | |
Who the hell is Gerald?! | 0:30:08 | 0:30:09 | |
I made us dinner. | 0:30:13 | 0:30:14 | |
I had a feeling you were going to come back and work. | 0:30:14 | 0:30:17 | |
Oh, fair play to you, Florence. What is it? | 0:30:17 | 0:30:20 | |
Ta-daam! | 0:30:20 | 0:30:21 | |
Mooney's meatballs! Good on you. | 0:30:21 | 0:30:23 | |
I found the recipe online. I hope they're OK. | 0:30:23 | 0:30:25 | |
I'm sure they'll be fantastic. | 0:30:25 | 0:30:27 | |
Tell you what, you grab the plates and the cutlery. | 0:30:27 | 0:30:29 | |
I'll see if there's a few beers lurking in that fridge. | 0:30:29 | 0:30:32 | |
So, you're working late a lot, sir. | 0:30:32 | 0:30:34 | |
Since Dwayne moved out, you seem to be spending all your evenings here. | 0:30:34 | 0:30:38 | |
You're not worried about me, I hope, Florence? | 0:30:38 | 0:30:40 | |
I'm just checking if you're all right. Is that allowed? | 0:30:40 | 0:30:42 | |
It's allowed. | 0:30:42 | 0:30:45 | |
Yeah, I guess you're right about me staying late a bit. | 0:30:45 | 0:30:48 | |
Just not accustomed to having the shack to myself. | 0:30:48 | 0:30:51 | |
So used to having a daughter around. | 0:30:51 | 0:30:53 | |
It's not that long ago I had a wife as well. | 0:30:53 | 0:30:55 | |
Ah, the shack is great. | 0:30:58 | 0:31:00 | |
It doesn't really feel like home yet. | 0:31:00 | 0:31:02 | |
Then you need to make it your own. | 0:31:03 | 0:31:05 | |
Make it somewhere you want to go after a day's work. | 0:31:05 | 0:31:08 | |
And how would I do that? | 0:31:08 | 0:31:09 | |
What do you miss the most about your home back in London? | 0:31:11 | 0:31:14 | |
My record player. | 0:31:16 | 0:31:17 | |
Sunday afternoons, I used to cook a big roast, | 0:31:18 | 0:31:20 | |
sink into an armchair, pull on the old headphones, | 0:31:20 | 0:31:23 | |
stick on the vinyl. | 0:31:23 | 0:31:24 | |
Yeah, heaven. | 0:31:25 | 0:31:27 | |
There you go. That's your answer. | 0:31:27 | 0:31:29 | |
You know, I like your thinking, Florence. | 0:31:29 | 0:31:31 | |
A record player. | 0:31:31 | 0:31:32 | |
So... | 0:31:34 | 0:31:35 | |
..how're the meatballs? | 0:31:37 | 0:31:38 | |
Mmm. Excellent. Delicious. | 0:31:38 | 0:31:40 | |
Nearly as good as mine. | 0:31:41 | 0:31:42 | |
OK, thanks for your help. | 0:32:12 | 0:32:13 | |
I've been through these diaries and letters a dozen times now. | 0:32:17 | 0:32:20 | |
Not even a hint of why Steadman might kill Fabienne. | 0:32:20 | 0:32:23 | |
How are you getting on? | 0:32:24 | 0:32:25 | |
-I've called round all of the old residents of San Boullestre. -And? | 0:32:25 | 0:32:28 | |
Most people just remember Fabienne and Steadman being happy | 0:32:28 | 0:32:32 | |
and very much in love. | 0:32:32 | 0:32:34 | |
But there were a few who also remembered the friend | 0:32:34 | 0:32:36 | |
Steadman went to the US with. | 0:32:36 | 0:32:38 | |
Oh, yes! Wallace Miller. | 0:32:38 | 0:32:40 | |
They said there was a rift between Steadman and Wallace | 0:32:40 | 0:32:43 | |
when Steadman got engaged to Fabienne. | 0:32:43 | 0:32:45 | |
Apparently Wallace didn't approve. | 0:32:45 | 0:32:48 | |
Really? Did they say why? | 0:32:48 | 0:32:50 | |
No-one ever really knew. | 0:32:50 | 0:32:52 | |
Well, hopefully Dwayne'll manage to get a hold of this Wallace fella. | 0:32:52 | 0:32:56 | |
Steadman King. | 0:32:56 | 0:32:57 | |
Returns to Saint Marie after a hiatus of 35 years. | 0:32:57 | 0:33:01 | |
And within a week of his return, his old high school sweetheart is dead. | 0:33:01 | 0:33:06 | |
As he's the only person who touched the cup that contained | 0:33:06 | 0:33:08 | |
the poison that killed her, it has to be him that did it. | 0:33:08 | 0:33:12 | |
Yeah. Well, the man's arrogant enough to think that | 0:33:12 | 0:33:15 | |
he can perform miracles. | 0:33:15 | 0:33:17 | |
But is he really arrogant enough to commit murder in a room | 0:33:17 | 0:33:20 | |
full of witnesses and get away with it? | 0:33:20 | 0:33:22 | |
And if he is, how do we prove it, when there is no sign of a motive? | 0:33:22 | 0:33:27 | |
Why would he come back here to kill a woman | 0:33:27 | 0:33:29 | |
he hasn't seen for 35 years? | 0:33:29 | 0:33:30 | |
What I wouldn't give for a bit of divine intervention right now. | 0:33:31 | 0:33:34 | |
PHONE RINGS | 0:33:34 | 0:33:36 | |
DS Cassell. | 0:33:36 | 0:33:37 | |
Oh, that's great news. Thank you. We're on our way. | 0:33:38 | 0:33:43 | |
The court, our search warrant has been granted. | 0:33:43 | 0:33:45 | |
What's going on? | 0:33:50 | 0:33:51 | |
They have a search warrant. | 0:33:51 | 0:33:53 | |
Tell me, what exactly do you expect to find here, Inspector? | 0:33:53 | 0:33:57 | |
Well, that's what we're going to find out. | 0:33:57 | 0:33:59 | |
OK, Pico. | 0:34:01 | 0:34:02 | |
Saint Helene's finest. | 0:34:02 | 0:34:04 | |
Now's your chance to shine. | 0:34:04 | 0:34:06 | |
I guess we do this the old-fashioned way. | 0:34:09 | 0:34:11 | |
You think there's poison in my cosmetics? | 0:34:51 | 0:34:53 | |
I wouldn't be doing my job properly if I didn't at least consider it. | 0:34:55 | 0:34:58 | |
So where would I find Steadman's toiletries? | 0:34:58 | 0:35:02 | |
In his bedroom. | 0:35:02 | 0:35:03 | |
You have separate bedrooms? | 0:35:03 | 0:35:05 | |
You know full well we have, Inspector. | 0:35:05 | 0:35:07 | |
You were in there less than a minute ago. | 0:35:07 | 0:35:09 | |
I'm a very light sleeper. | 0:35:10 | 0:35:12 | |
Steadman is a very heavy snorer. | 0:35:12 | 0:35:14 | |
A crime I've been accused of myself manys a time. | 0:35:14 | 0:35:17 | |
Used to drive my missus up the wall. | 0:35:17 | 0:35:19 | |
Said it was like sleeping with a walrus. | 0:35:19 | 0:35:21 | |
Although, how she'd know that! | 0:35:21 | 0:35:24 | |
Can I ask, what's with the wedding rings? | 0:35:24 | 0:35:26 | |
You know, with you two not actually being married? | 0:35:26 | 0:35:29 | |
We've been together years, the bond between us is very strong. | 0:35:29 | 0:35:34 | |
But you're right. | 0:35:34 | 0:35:35 | |
We're not husband and wife, we're manager and client. | 0:35:35 | 0:35:39 | |
Jesus is your product and Steadman's your salesman. | 0:35:39 | 0:35:42 | |
Our customers are not the type who'd take too kindly to us | 0:35:42 | 0:35:45 | |
not being wed, so... | 0:35:45 | 0:35:46 | |
A little white lie. | 0:35:46 | 0:35:47 | |
-To protect Steadman. -From what? | 0:35:48 | 0:35:50 | |
Exposure. | 0:35:50 | 0:35:51 | |
Some of our congregation may not take too kindly to his... | 0:35:53 | 0:35:57 | |
leanings. | 0:35:57 | 0:35:58 | |
He's gay. | 0:35:59 | 0:36:00 | |
Is that why he left the island all those years ago? | 0:36:02 | 0:36:04 | |
I think, deep down in his subconscious, | 0:36:04 | 0:36:07 | |
he recognised that marrying Fabienne was not the right thing to do. | 0:36:07 | 0:36:10 | |
Would this have anything to do with the scandal that | 0:36:10 | 0:36:13 | |
I hear's brewing back in the States? | 0:36:13 | 0:36:15 | |
One of our regular congregation caught Steadman in a bar, | 0:36:15 | 0:36:18 | |
with a man. | 0:36:18 | 0:36:19 | |
He'd had one drink too many. | 0:36:19 | 0:36:21 | |
Should never have even been there. | 0:36:21 | 0:36:23 | |
We tried to deal with it. | 0:36:23 | 0:36:25 | |
But money holds little sway over a devout believer. | 0:36:25 | 0:36:28 | |
She felt people had a right to know the truth. | 0:36:28 | 0:36:30 | |
-So what happens now? -We keep going. | 0:36:30 | 0:36:33 | |
-There's a whole world out there needs our help. -Oh, yeah. | 0:36:33 | 0:36:36 | |
We'll be heading to Europe when we're done here. | 0:36:36 | 0:36:39 | |
So how does this all reckon with the big man upstairs? | 0:36:41 | 0:36:45 | |
The hypocrisy, the lies. | 0:36:45 | 0:36:48 | |
Oh, come on, Inspector. | 0:36:48 | 0:36:49 | |
There's no big man upstairs. | 0:36:50 | 0:36:52 | |
There's no upstairs. | 0:36:54 | 0:36:55 | |
She's loyal, ruthlessly so. | 0:37:04 | 0:37:07 | |
Knows exactly where her bread is buttered. | 0:37:07 | 0:37:09 | |
So, what? You think she killed Fabienne to protect Steadman? | 0:37:09 | 0:37:13 | |
Maybe. | 0:37:13 | 0:37:14 | |
But even if she was the one who did it, we still come back to the | 0:37:14 | 0:37:17 | |
same problem. We can't find a reason for Steadman to want Fabienne dead. | 0:37:17 | 0:37:22 | |
Think of your waistline, Jack. | 0:37:43 | 0:37:45 | |
Well, I never! | 0:37:47 | 0:37:48 | |
Fabienne had the same make of sweet in her handbag | 0:37:51 | 0:37:54 | |
and at her house. | 0:37:54 | 0:37:55 | |
Which means it's either another coincidence, or she was here. | 0:37:55 | 0:37:59 | |
She never set foot inside the place. | 0:38:00 | 0:38:02 | |
Ah, fair enough. We'll just get it checked for prints. | 0:38:02 | 0:38:04 | |
Tell me, Steadman, | 0:38:06 | 0:38:07 | |
how did the visit to your old house in San Boullestre go? | 0:38:07 | 0:38:10 | |
I heard it was going to be demolished. | 0:38:14 | 0:38:15 | |
Wanted one last look. | 0:38:15 | 0:38:17 | |
Nothing wrong with that, is there? | 0:38:17 | 0:38:19 | |
-You're a smoker, I see? -Yes, a habit I can't seem to kick. | 0:38:20 | 0:38:24 | |
It's just the poison that killed Fabienne was nicotine, | 0:38:25 | 0:38:27 | |
and here you are with a packet of fags. | 0:38:27 | 0:38:29 | |
They're freely available, Inspector. | 0:38:29 | 0:38:32 | |
Yet another one of those coincidences that we keep | 0:38:32 | 0:38:34 | |
stumbling across. | 0:38:34 | 0:38:35 | |
Sir, I found it in the bins out the back. | 0:38:35 | 0:38:39 | |
Steadman? | 0:38:46 | 0:38:47 | |
Nicotine poison. | 0:38:47 | 0:38:48 | |
I want a lawyer. | 0:38:51 | 0:38:52 | |
I couldn't agree more, because I'm arresting you | 0:38:52 | 0:38:55 | |
on suspicion of murder. | 0:38:55 | 0:38:56 | |
So why you arrest him, Chief? | 0:39:04 | 0:39:06 | |
We found some rather incriminating evidence, Dwayne. | 0:39:06 | 0:39:08 | |
I'll check it for his prints, sir. | 0:39:08 | 0:39:10 | |
But while the physical evidence is damning, | 0:39:10 | 0:39:13 | |
we still have no idea what his motive is. | 0:39:13 | 0:39:15 | |
Dwayne, any joy getting hold of Wallace Miller? | 0:39:15 | 0:39:18 | |
OK, so, I tried all the usual routes in the US, you know, | 0:39:18 | 0:39:21 | |
IRS, Benefit Agencies, | 0:39:21 | 0:39:23 | |
health care, and he does not show up anywhere on their radar. | 0:39:23 | 0:39:26 | |
-Nothing at all? -Nope. | 0:39:26 | 0:39:28 | |
So I checked with their immigration. | 0:39:28 | 0:39:30 | |
And the reason Wallace doesn't show up | 0:39:30 | 0:39:32 | |
anywhere on the records in the US is because he was never there. | 0:39:32 | 0:39:35 | |
Well, then why did Steadman write letters, claiming he was with him? | 0:39:35 | 0:39:38 | |
Then I checked to see what evidence there was of him | 0:39:38 | 0:39:40 | |
-staying here on the island. -And? | 0:39:40 | 0:39:42 | |
Nothing. | 0:39:42 | 0:39:43 | |
No sign of any financial activity, rent payments or bank accounts. | 0:39:43 | 0:39:48 | |
As far as Saint Marie is concerned, | 0:39:48 | 0:39:50 | |
Wallace Miller hasn't existed for the past 35 years. | 0:39:50 | 0:39:54 | |
So if Wallace never left the island for the US, | 0:39:54 | 0:39:57 | |
but he isn't here either, where is he? | 0:39:57 | 0:40:01 | |
If someone stops existing, goes off the radar, then it's either | 0:40:01 | 0:40:06 | |
because they've done something very bad and don't want to be found. | 0:40:06 | 0:40:09 | |
But Wallace never had a police record. | 0:40:09 | 0:40:11 | |
Exactly. | 0:40:11 | 0:40:13 | |
Or it's because they're dead. | 0:40:13 | 0:40:15 | |
-You think Wallace Miller is dead? -It's possible. | 0:40:16 | 0:40:19 | |
But as Steadman claims in his letters that Wallace was | 0:40:19 | 0:40:22 | |
there with him in America, when we know for definite that he wasn't, | 0:40:22 | 0:40:25 | |
well, then that looks an awful lot like Steadman was covering up | 0:40:25 | 0:40:28 | |
-Wallace's death. -But why would he do that? | 0:40:28 | 0:40:31 | |
He'd do it if he was somehow involved in causing it. | 0:40:31 | 0:40:33 | |
So where's the body? | 0:40:33 | 0:40:35 | |
Well, it's just a hunch, all right? | 0:40:35 | 0:40:36 | |
But I'd say somewhere buried in the grounds of Steadman's | 0:40:36 | 0:40:39 | |
old house in San Boullestre. | 0:40:39 | 0:40:40 | |
That's why Steadman was there a few days ago. | 0:40:40 | 0:40:43 | |
That's why he came back to Saint Marie. | 0:40:43 | 0:40:45 | |
And if he found out his old village was being redeveloped, | 0:40:45 | 0:40:47 | |
then he'd know the body could be discovered. | 0:40:47 | 0:40:49 | |
So he went to the village to retrieve the body and move it. | 0:40:49 | 0:40:52 | |
And that's exactly what he would've done, had it not been | 0:40:52 | 0:40:54 | |
for the security guard. Call the commissioner. | 0:40:54 | 0:40:56 | |
We need to go back to San Boullestre. | 0:40:56 | 0:40:58 | |
-You're certain there's a body? -100%, sir. | 0:41:01 | 0:41:04 | |
Maybe 90. | 0:41:04 | 0:41:05 | |
75. Until we find it, I can't be certain of anything, | 0:41:05 | 0:41:08 | |
but it's just that hunch, you know? | 0:41:08 | 0:41:10 | |
OK, team. Let's see if we can find any sign of where | 0:41:15 | 0:41:18 | |
the body might be buried - raised ground, loose concrete, anything. | 0:41:18 | 0:41:21 | |
Inspector. | 0:41:27 | 0:41:28 | |
Tell me, why would Steadman kill his friend? | 0:41:30 | 0:41:32 | |
Wallace Miller didn't approve of Steadman's relationship | 0:41:34 | 0:41:36 | |
-with Fabienne. -Because? -Well, I think... | 0:41:36 | 0:41:40 | |
because he knew Fabienne's heart would be broken, and Steadman's gay | 0:41:40 | 0:41:44 | |
so perhaps Wallace threatened to expose his friend's secret. | 0:41:44 | 0:41:48 | |
So they argued and things got out of hand. | 0:41:48 | 0:41:51 | |
And next thing Wallace is dead. | 0:41:51 | 0:41:53 | |
But why kill Fabienne all these years later? | 0:41:53 | 0:41:55 | |
I don't know how, but I think she discovered the truth. | 0:41:57 | 0:42:00 | |
Somehow she worked it out. | 0:42:00 | 0:42:01 | |
Now, we have evidence she went to his villa. | 0:42:01 | 0:42:04 | |
And I think she went there to confront him about what | 0:42:04 | 0:42:06 | |
he did to Wallace. | 0:42:06 | 0:42:07 | |
We'd need to fly in the radar equipment from Guadeloupe, | 0:42:07 | 0:42:10 | |
along with a team to operate it, all because you are 75% certain | 0:42:10 | 0:42:15 | |
that a crime was maybe committed over 35 years ago. | 0:42:15 | 0:42:21 | |
Because you have a hunch? | 0:42:21 | 0:42:24 | |
-OK. -Please, sir. | 0:42:32 | 0:42:34 | |
If Wallace Miller is buried here, he deserves to be given... | 0:42:34 | 0:42:37 | |
-What? -I said yes. | 0:42:37 | 0:42:39 | |
PICO BARKS He never barks! | 0:42:43 | 0:42:45 | |
Maybe he's found a bone. | 0:42:46 | 0:42:47 | |
Or bones. | 0:42:48 | 0:42:50 | |
Inspector, bad news I'm afraid. | 0:42:52 | 0:42:54 | |
The team at Guadeloupe can't get here until the weekend. | 0:42:54 | 0:42:57 | |
I don't think we'll be needing them, sir. | 0:42:57 | 0:42:59 | |
I'll get a dig team up here ASAP. | 0:43:04 | 0:43:06 | |
Ah! See, ye of little faith, Dwayne! | 0:43:10 | 0:43:13 | |
Yes, boy! | 0:43:13 | 0:43:14 | |
If you miss her, tell her. | 0:43:22 | 0:43:24 | |
I don't think she wants to hear it, JP. | 0:43:26 | 0:43:28 | |
Dwayne, you like her, don't you? | 0:43:28 | 0:43:29 | |
-Mmm. -And I think she likes you too. | 0:43:31 | 0:43:34 | |
But Darlene, she's a straight-up girl, | 0:43:34 | 0:43:35 | |
so you have to behave like a straight-up guy. | 0:43:35 | 0:43:38 | |
Cos that's who you are. | 0:43:39 | 0:43:41 | |
They found a body. | 0:43:41 | 0:43:42 | |
Decades old. | 0:43:42 | 0:43:44 | |
4:32 this afternoon. | 0:43:44 | 0:43:46 | |
Damage to the skull indicates death was caused by a heavy blow, | 0:43:46 | 0:43:49 | |
-or blows to the head. -So we were right. | 0:43:49 | 0:43:51 | |
We cracked it. | 0:43:51 | 0:43:52 | |
However, the pathologist carrying out the initial investigation using | 0:43:52 | 0:43:57 | |
the dental records of Wallace Miller, informed me that the | 0:43:57 | 0:44:00 | |
remains found are not those of Wallace Miller. | 0:44:00 | 0:44:04 | |
Consult Missing Person files, see if there's a match. | 0:44:04 | 0:44:07 | |
As of 4:32pm, we have a John Doe on our hands. | 0:44:07 | 0:44:10 | |
But it doesn't make any sense. | 0:44:10 | 0:44:13 | |
It has to be Wallace! | 0:44:13 | 0:44:14 | |
I mean, who else could it be? | 0:44:14 | 0:44:16 | |
I suggest we all go home, re-group tomorrow. | 0:44:16 | 0:44:20 | |
No, we need to check the body again. | 0:44:20 | 0:44:22 | |
It's a mistake, it has to be. | 0:44:22 | 0:44:23 | |
Inspector, there's no mistake. | 0:44:23 | 0:44:26 | |
-Even if it was Wallace, it still wouldn't make any sense. -Why not? | 0:44:26 | 0:44:30 | |
Because if Fabienne confronted Steadman about killing Wallace, | 0:44:30 | 0:44:33 | |
why would she then want to be healed by a man | 0:44:33 | 0:44:35 | |
she believed to be a murderer? | 0:44:35 | 0:44:36 | |
Go home. Sleep. | 0:44:39 | 0:44:41 | |
Start again with a clear head. | 0:44:41 | 0:44:44 | |
Yes, Commissioner. | 0:44:44 | 0:44:45 | |
I'll head off now. | 0:44:46 | 0:44:47 | |
You should do the same. | 0:44:49 | 0:44:50 | |
It must've been added directly before Fabienne sipped from it. | 0:44:58 | 0:45:01 | |
Dashel brought Fabienne to see us the day before yesterday. | 0:45:01 | 0:45:04 | |
"Marrying Steadman will be a dream come true." | 0:45:05 | 0:45:08 | |
The remains found are not those of Wallace Miller. | 0:45:08 | 0:45:10 | |
You're absolutely right. | 0:45:11 | 0:45:13 | |
Why would Fabienne allow herself to be healed by a man | 0:45:13 | 0:45:16 | |
she believed to be a murderer? | 0:45:16 | 0:45:18 | |
That's what you said, sir, and you were right! | 0:45:18 | 0:45:20 | |
Why would she go to a faith healer she knew was a killer? Why? | 0:45:20 | 0:45:23 | |
Sir, I could kiss you, but I won't. | 0:45:23 | 0:45:25 | |
Dwayne, JP, we need to find the pathologist, | 0:45:25 | 0:45:27 | |
she needs to re-check the dental records of the John Doe. | 0:45:27 | 0:45:30 | |
Inspector, I told you, | 0:45:30 | 0:45:31 | |
the pathologist is certain the body is not that of Wallace Miller. | 0:45:31 | 0:45:34 | |
And so am I! | 0:45:34 | 0:45:36 | |
I know exactly who the John Doe is and I know who murdered him. | 0:45:36 | 0:45:39 | |
You know, a lot of what we do as detectives is based on faith. | 0:45:52 | 0:45:56 | |
Only, we call it something different. We call it instinct. | 0:45:56 | 0:45:59 | |
That thing that you can't quite explain, but you're sure is true. | 0:45:59 | 0:46:02 | |
Now, my instincts were telling me, for a long time during this case | 0:46:02 | 0:46:05 | |
that Steadman here had to be our killer. | 0:46:05 | 0:46:08 | |
But would someone really commit murder in front of a marquee | 0:46:08 | 0:46:11 | |
full of witnesses? | 0:46:11 | 0:46:12 | |
Mmm, and as far as we could tell, | 0:46:12 | 0:46:13 | |
Steadman had no motive to kill Fabienne. | 0:46:13 | 0:46:15 | |
So how could it be him? | 0:46:15 | 0:46:17 | |
In the end, it turned out it wasn't Steadman who poisoned Fabienne. | 0:46:17 | 0:46:21 | |
Was it you, Dashel? You're the one who inherited Fabienne's estate, | 0:46:21 | 0:46:25 | |
and you sure could use the money. | 0:46:25 | 0:46:27 | |
Or was it you, Amelia? | 0:46:27 | 0:46:28 | |
You're clearly very protective of your business partner. | 0:46:28 | 0:46:32 | |
We now know it was neither of you. | 0:46:32 | 0:46:34 | |
Simple fact is that no-one murdered Fabienne Jordan. | 0:46:34 | 0:46:37 | |
She took her own life. | 0:46:39 | 0:46:40 | |
When Fabienne entered this marquee three days ago, | 0:46:43 | 0:46:46 | |
she did so knowing she was going to die. | 0:46:46 | 0:46:48 | |
In her handbag, she was carrying a capsule of nicotine poison. | 0:46:48 | 0:46:51 | |
I imagine, with the crowd's attention on Steadman, | 0:46:53 | 0:46:56 | |
no-one noticed as she slipped the capsule into her mouth. | 0:46:56 | 0:47:00 | |
And as she was taken up onto the stage, | 0:47:00 | 0:47:03 | |
she let the capsule dissolve, release its contents. | 0:47:03 | 0:47:05 | |
Then when Steadman gave her the water to sip, she let | 0:47:05 | 0:47:09 | |
the poison rinse from her mouth out into the cup... | 0:47:09 | 0:47:12 | |
And back again, before swallowing it. | 0:47:13 | 0:47:15 | |
So as when we tested the water in the cup, we'd find traces | 0:47:17 | 0:47:19 | |
of the nicotine and assume the poison was put there by the killer. | 0:47:19 | 0:47:23 | |
And as no-one else touched the cup, | 0:47:23 | 0:47:25 | |
we assumed only Steadman could have put the poison there. | 0:47:25 | 0:47:28 | |
-But why would she kill herself? -And why would she make it look like | 0:47:28 | 0:47:31 | |
Steadman had done it? | 0:47:31 | 0:47:32 | |
Because she knew this man's deep dark secret, didn't she? | 0:47:32 | 0:47:35 | |
The man sitting here before me is not Steadman King. | 0:47:35 | 0:47:38 | |
These are the dental records from a body that we discovered | 0:47:41 | 0:47:44 | |
this afternoon, buried in the garden of Steadman's old house. | 0:47:44 | 0:47:48 | |
Who is it? | 0:47:48 | 0:47:49 | |
Steadman King. | 0:47:49 | 0:47:50 | |
This man here sitting before me is actually called Wallace Miller. | 0:47:52 | 0:47:55 | |
-Who? -I don't understand. | 0:47:57 | 0:47:59 | |
Wallace Miller was a school friend of both Fabienne and Steadman. | 0:47:59 | 0:48:03 | |
And when Steadman left for America all those years ago, | 0:48:03 | 0:48:06 | |
Fabienne was under the impression that Wallace went with him. | 0:48:06 | 0:48:09 | |
But that's not the case, is it? Steadman never left the island. | 0:48:09 | 0:48:12 | |
How could he when he was already dead? | 0:48:12 | 0:48:15 | |
So what happened all those years ago? | 0:48:16 | 0:48:18 | |
Well, we know that Fabienne was madly in love with | 0:48:18 | 0:48:21 | |
the real Steadman King. They'd just got engaged. | 0:48:21 | 0:48:23 | |
We also know that Wallace Miller didn't approve of the relationship. | 0:48:23 | 0:48:27 | |
So what was it, Wallace? Were you jealous? | 0:48:27 | 0:48:29 | |
Were you in love with Steadman? | 0:48:31 | 0:48:32 | |
We were close. | 0:48:37 | 0:48:38 | |
He was handsome, funny, charismatic, confident. | 0:48:40 | 0:48:44 | |
And I fell for him... | 0:48:47 | 0:48:48 | |
..so completely. | 0:48:49 | 0:48:50 | |
The night before he was due to leave for America, I told him how I felt. | 0:48:55 | 0:48:58 | |
How much I loved him. | 0:49:00 | 0:49:01 | |
And he told me, in no uncertain terms... | 0:49:02 | 0:49:04 | |
..it couldn't work. | 0:49:06 | 0:49:07 | |
Leaving you hurt. | 0:49:07 | 0:49:09 | |
Humiliated, I imagine. | 0:49:09 | 0:49:11 | |
He was walking away... | 0:49:13 | 0:49:14 | |
..saying it was better if we didn't see each other again. | 0:49:15 | 0:49:18 | |
And I.. | 0:49:21 | 0:49:22 | |
..just snapped. | 0:49:23 | 0:49:25 | |
I pushed him and he fell down the stairs. | 0:49:26 | 0:49:29 | |
Just lay there. | 0:49:30 | 0:49:31 | |
I knew straightaway he was dead. | 0:49:32 | 0:49:34 | |
I'd killed him. | 0:49:36 | 0:49:37 | |
Steadman had already packed for his trip. | 0:49:40 | 0:49:42 | |
I saw the case. | 0:49:45 | 0:49:46 | |
-His passport. -And you realised you could escape... | 0:49:47 | 0:49:50 | |
..if you became him, if you actually became Steadman King. | 0:49:51 | 0:49:55 | |
You could leave the island and start a new life. | 0:49:55 | 0:49:57 | |
So you buried him in the yard. | 0:49:59 | 0:50:00 | |
And then you went and got on the plane in his place. | 0:50:00 | 0:50:04 | |
They say if you tell a lie often enough you start to believe it. | 0:50:04 | 0:50:07 | |
Is that what happened to you, Wallace, over the years? | 0:50:07 | 0:50:10 | |
You forgot who you were. | 0:50:10 | 0:50:12 | |
You genuinely believed you were Steadman. | 0:50:12 | 0:50:15 | |
Until a few weeks ago | 0:50:15 | 0:50:16 | |
when you found out your old village was to be demolished. | 0:50:16 | 0:50:19 | |
And Steadman's body would be found. | 0:50:19 | 0:50:21 | |
Forcing you to come back to Saint Marie with the | 0:50:21 | 0:50:24 | |
sole purpose of moving the body and reburying it. | 0:50:24 | 0:50:27 | |
The one problem was Fabienne. | 0:50:28 | 0:50:30 | |
Would she recognise you as an impostor? | 0:50:30 | 0:50:32 | |
I have a feeling that you knew she was losing her sight. | 0:50:32 | 0:50:35 | |
Otherwise, why take the risk of returning to your home island? | 0:50:35 | 0:50:38 | |
She wrote to me two years ago. | 0:50:38 | 0:50:39 | |
Told me about her illness, asked for my help at that time. | 0:50:41 | 0:50:46 | |
I ignored the letter. | 0:50:46 | 0:50:47 | |
But when I realised I'd have to return... | 0:50:49 | 0:50:51 | |
You knew her eyesight was failing | 0:50:51 | 0:50:53 | |
and it was unlikely that she'd recognise you. | 0:50:53 | 0:50:55 | |
But she worked it out, didn't she? | 0:50:55 | 0:50:58 | |
Fabienne's vision may well have been deteriorating. | 0:50:58 | 0:51:01 | |
But she realised that the man in front of her was not Steadman, | 0:51:01 | 0:51:04 | |
but Wallace Miller. | 0:51:04 | 0:51:06 | |
And once she knew that, well, I think she figured out what happened. | 0:51:06 | 0:51:09 | |
You killed the only man that she ever loved. | 0:51:09 | 0:51:11 | |
And she realised all that she'd lost - future husband, children - | 0:51:12 | 0:51:18 | |
any chance of happiness. | 0:51:18 | 0:51:19 | |
You'd taken all that away from her. | 0:51:20 | 0:51:23 | |
So she came to see you, didn't she? | 0:51:23 | 0:51:26 | |
I assume that's why we found the sweet wrapper at your house? | 0:51:26 | 0:51:29 | |
And she confronted you. | 0:51:30 | 0:51:32 | |
She came straight out with it, accused me of killing Steadman. | 0:51:33 | 0:51:38 | |
I denied it. | 0:51:39 | 0:51:40 | |
Told her no-one would believe her, they'd laugh in her face, | 0:51:41 | 0:51:44 | |
this mad old woman slandering a man of God. | 0:51:44 | 0:51:47 | |
I thought I'd succeeded. | 0:51:50 | 0:51:51 | |
Clearly, I was wrong. | 0:51:53 | 0:51:54 | |
And there and then, she decided that you must pay. | 0:51:54 | 0:51:57 | |
So, meticulously, she started to leave a trail of evidence | 0:51:59 | 0:52:02 | |
that would lead all the way back to you. | 0:52:02 | 0:52:04 | |
She must have smelt the cigarettes off you, | 0:52:04 | 0:52:07 | |
and that's what gave her the idea for the nicotine poison. | 0:52:07 | 0:52:10 | |
So, she bought tobacco and boiled it down. | 0:52:11 | 0:52:13 | |
We knew she was on medication for her illness, so she emptied | 0:52:15 | 0:52:17 | |
a capsule, filling it with the now deadly nicotine syrup. | 0:52:17 | 0:52:22 | |
And she put more of the poison in a bottle with your prints on it. | 0:52:23 | 0:52:26 | |
Put it in your bin. | 0:52:26 | 0:52:27 | |
The evidence she planted would point to him, | 0:52:29 | 0:52:32 | |
would point to you as the killer. | 0:52:32 | 0:52:34 | |
Punishment for murdering the man she loved. | 0:52:34 | 0:52:37 | |
The perfect plan. | 0:52:37 | 0:52:38 | |
Apart from the fact that the one thing we couldn't find | 0:52:39 | 0:52:41 | |
was a motive. I mean, why kill a woman after decades? | 0:52:41 | 0:52:44 | |
But we trusted our instincts that our prime suspect | 0:52:44 | 0:52:47 | |
was a guilty man. | 0:52:47 | 0:52:48 | |
And we were proven right. | 0:52:48 | 0:52:50 | |
Only, it turns out... | 0:52:50 | 0:52:52 | |
well, he was guilty of a different murder. | 0:52:52 | 0:52:54 | |
One committed 35 years ago. | 0:52:54 | 0:52:56 | |
Aunt Fabienne took her own life to get justice. | 0:52:58 | 0:53:01 | |
The last piece of the jigsaw. | 0:53:01 | 0:53:03 | |
We know that your Aunt Fabienne had a benign brain tumour. | 0:53:03 | 0:53:06 | |
What we didn't realise, until we checked her medical records, | 0:53:06 | 0:53:09 | |
was that this tumour had turned malignant. | 0:53:09 | 0:53:11 | |
It was now inoperable. | 0:53:11 | 0:53:13 | |
So killing herself was a way of... | 0:53:13 | 0:53:14 | |
Well, it was a way of hurrying up her imminent death. | 0:53:14 | 0:53:17 | |
Fabienne took her own life to avenge Steadman's murder. | 0:53:17 | 0:53:21 | |
Now, of course, she couldn't guarantee as a result of her actions | 0:53:21 | 0:53:24 | |
that Wallace Miller would be arrested or that we would | 0:53:24 | 0:53:26 | |
get to the bottom of it all. | 0:53:26 | 0:53:28 | |
But she took a risk that it would. | 0:53:28 | 0:53:30 | |
She had faith that her actions would lead to justice being done. | 0:53:30 | 0:53:34 | |
And that faith, I'm glad to say, has paid off. | 0:53:36 | 0:53:38 | |
Wallace Miller, I'm arresting you for the murder of Steadman King. | 0:53:40 | 0:53:43 | |
Stand up. | 0:53:48 | 0:53:49 | |
Well, we did it. Two murders in one. | 0:53:56 | 0:53:58 | |
-Well, we couldn't have done it without Pico. -Ah, yes. | 0:53:58 | 0:54:01 | |
-On that subject... -Sir? | 0:54:01 | 0:54:03 | |
So the Commissioner had a quick word before we left. | 0:54:03 | 0:54:06 | |
Turns out he assumed the addition of a dog would be | 0:54:06 | 0:54:08 | |
classed as an increase in staff numbers, | 0:54:08 | 0:54:10 | |
which in turn would entitle the department to | 0:54:10 | 0:54:12 | |
-an increase in funding. -And it doesn't? | 0:54:12 | 0:54:14 | |
Seems the funding council don't class dogs as detectives. | 0:54:14 | 0:54:17 | |
Sorry, fella. | 0:54:17 | 0:54:18 | |
Ah, it's not going to be the same without you, boy. | 0:54:20 | 0:54:23 | |
You OK to finish up here, JP? | 0:54:25 | 0:54:26 | |
Sure. Everything OK? | 0:54:26 | 0:54:29 | |
No, but I hope it will be. | 0:54:29 | 0:54:31 | |
Darlene, you need an apology. | 0:54:57 | 0:54:59 | |
I need to apologise. | 0:55:01 | 0:55:02 | |
OK, look. | 0:55:04 | 0:55:06 | |
I was playing it cool, which was a big mistake. | 0:55:06 | 0:55:09 | |
So I'd like another chance to make it right before things get | 0:55:09 | 0:55:13 | |
too serious between you and Gerald! | 0:55:13 | 0:55:14 | |
Well? | 0:55:16 | 0:55:17 | |
How about it? | 0:55:17 | 0:55:19 | |
The relationship between me and Gerald is already | 0:55:19 | 0:55:21 | |
very well established. | 0:55:21 | 0:55:23 | |
-He's my brother. -What? You led me to believe that... | 0:55:26 | 0:55:28 | |
To teach you a lesson, Dwayne Myers. | 0:55:28 | 0:55:31 | |
You see, I don't do cool. I do grown-up. | 0:55:31 | 0:55:33 | |
So, apology accepted. | 0:55:36 | 0:55:38 | |
One more chance. | 0:55:41 | 0:55:43 | |
You step out of line, you're out on your backside. | 0:55:43 | 0:55:47 | |
Got it? | 0:55:47 | 0:55:49 | |
Got it. | 0:55:49 | 0:55:50 | |
Yeah, I found it in the For Sale section | 0:56:01 | 0:56:02 | |
at the back of the Saint Marie Times. | 0:56:02 | 0:56:05 | |
It's a bit dusty, I think its best days are behind it. | 0:56:05 | 0:56:07 | |
But the turntable turns and the speakers speak, | 0:56:07 | 0:56:10 | |
and the fella selling it threw in a few records as well. | 0:56:10 | 0:56:12 | |
Hmm, yes, I can tell, sir. There's some great ones here. | 0:56:12 | 0:56:15 | |
Your choice, JP. Bung one on there. | 0:56:15 | 0:56:17 | |
Well, you were right. | 0:56:20 | 0:56:22 | |
A home's not a home until you've made it your own. | 0:56:22 | 0:56:24 | |
-So thanks for the advice. -Any time, sir. | 0:56:24 | 0:56:27 | |
MUSIC: Come Down by Lord Tanamo | 0:56:27 | 0:56:30 | |
Good call, JP. | 0:56:30 | 0:56:31 | |
I'd like to make a toast, to the simple things in life - | 0:56:32 | 0:56:35 | |
-good music, good friends. -Mmm. Yes. | 0:56:35 | 0:56:38 | |
So, fancy a dance? | 0:56:38 | 0:56:40 | |
Not in the slightest, Florence. We've got this lovely view, | 0:56:40 | 0:56:43 | |
cold beers in our hands. | 0:56:43 | 0:56:45 | |
Why spoil it all with unnecessary physical activity? | 0:56:45 | 0:56:48 | |
Whatever you say, sir. | 0:56:48 | 0:56:49 | |
-Who is this Baron fellah? -He's the master of the dead during | 0:57:05 | 0:57:07 | |
-Fete Mouri. -Can we help you at all? | 0:57:07 | 0:57:10 | |
It's my wife, something's happened to her. | 0:57:10 | 0:57:12 | |
Everything OK? You look haunted. | 0:57:12 | 0:57:14 | |
It's Darlene. She's got her niece staying with her | 0:57:14 | 0:57:16 | |
-for the whole week. -I imagine you might prefer something | 0:57:16 | 0:57:18 | |
-a little stronger? -Yes, I think I rather would. Do you mind? | 0:57:18 | 0:57:20 | |
You make it sound so sordid. | 0:57:20 | 0:57:22 | |
You're sure this is what you saw? | 0:57:22 | 0:57:24 | |
He's definitely a bit green around the gills. | 0:57:24 | 0:57:26 | |
Isn't he supposed to be that colour, being he's a lizard? | 0:57:26 | 0:57:29 |