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Finn, I'm going to the auction at the yacht club now. | 0:00:22 | 0:00:27 | |
-Are you sure you won't come? -Positive. | 0:00:27 | 0:00:29 | |
Fine. I'll see you later. | 0:00:31 | 0:00:33 | |
DRUMBEAT | 0:00:48 | 0:00:50 | |
CHEERING | 0:00:50 | 0:00:53 | |
The dance represents an offering to Baron Leve. | 0:01:01 | 0:01:04 | |
Who is this Baron fella? | 0:01:04 | 0:01:06 | |
-He's the master of the dead during Fete Mouri. -Tu vois? | 0:01:06 | 0:01:10 | |
That's Baron Leve over there. | 0:01:10 | 0:01:11 | |
-Oh, right. -The infamous top hat and skull face. | 0:01:11 | 0:01:14 | |
Fantastic. Dwayne! | 0:01:16 | 0:01:18 | |
Everything OK? You look haunted. | 0:01:18 | 0:01:21 | |
It's Darlene. She's got her niece staying with her for the whole week. | 0:01:21 | 0:01:24 | |
-This is a bad thing? -You haven't met her, chief. | 0:01:24 | 0:01:27 | |
Uncle Dwayne, can I have a coconut ice? | 0:01:27 | 0:01:30 | |
How can I possibly say no to you, Elise? | 0:01:30 | 0:01:33 | |
And after, can we join the parade, please, Uncle Dwayne? | 0:01:33 | 0:01:36 | |
Of course we can! | 0:01:36 | 0:01:38 | |
I don't suppose you've seen Dwayne? | 0:01:41 | 0:01:43 | |
That way. | 0:01:43 | 0:01:45 | |
There you go, sir. | 0:01:45 | 0:01:47 | |
So tell me more about this Baron Leve. | 0:01:47 | 0:01:49 | |
Is he somebody I should be scared of? | 0:01:49 | 0:01:51 | |
Oh, I'd say so, sir. | 0:01:51 | 0:01:53 | |
On Fete Mouri, it's claimed he returns to the living world | 0:01:53 | 0:01:57 | |
in search of a companion to join him in the afterlife. | 0:01:57 | 0:02:00 | |
Whoo! | 0:02:00 | 0:02:01 | |
Ca va? Hello. | 0:02:10 | 0:02:12 | |
Selwyn, old boy. | 0:02:12 | 0:02:14 | |
So pleased you could make it. | 0:02:14 | 0:02:15 | |
Delighted to be here, Hugh. | 0:02:15 | 0:02:17 | |
Always happy to support local charities. | 0:02:17 | 0:02:20 | |
Oh, indeed. I really must get you aboard the boat this year. | 0:02:20 | 0:02:23 | |
Don't worry, we won't do anything so vulgar as sailing it. | 0:02:23 | 0:02:26 | |
Let me get you a drink. | 0:02:26 | 0:02:28 | |
Rum, comme d'habitude, for our noble officer of the law, please, Antoine. | 0:02:28 | 0:02:32 | |
I'm so glad you could make it. | 0:02:32 | 0:02:35 | |
-Ah, Catherine! -Charlotte! | 0:02:35 | 0:02:37 | |
-Lovely to see you. -Thank you for inviting me. | 0:02:37 | 0:02:40 | |
I feel honoured to be here. | 0:02:40 | 0:02:42 | |
Nonsense, we're the honoured ones. | 0:02:42 | 0:02:44 | |
Having the mayor herself to host our auction. | 0:02:44 | 0:02:46 | |
I just hope I raise enough money. | 0:02:46 | 0:02:48 | |
Oh, you've no worries there. | 0:02:48 | 0:02:49 | |
We're a generous lot at the yacht club. | 0:02:49 | 0:02:52 | |
Hugh, sweetie. | 0:02:52 | 0:02:54 | |
Have you seen Daisy? She and Finn really ought to be here by now. | 0:02:54 | 0:02:57 | |
Not seen hide nor hair of her since this morning. | 0:02:57 | 0:03:00 | |
Hi, Catherine. | 0:03:00 | 0:03:01 | |
Let's go and look at the prizes. | 0:03:03 | 0:03:05 | |
So, Dwayne, what happened to Elise? | 0:03:28 | 0:03:30 | |
Darlene's taken her home for dinner. | 0:03:31 | 0:03:34 | |
Thank goodness. | 0:03:34 | 0:03:35 | |
You know, sometimes I don't really think I've earned my evening beer. | 0:03:39 | 0:03:44 | |
But this one? | 0:03:44 | 0:03:47 | |
-Most definitely. -Excuse me. | 0:03:47 | 0:03:49 | |
-You're the police, right? -Can we help you at all? | 0:03:49 | 0:03:52 | |
It's my wife. I think she's been murdered. | 0:03:52 | 0:03:54 | |
I saw a message had been left on my answerphone, so I played it. | 0:04:36 | 0:04:40 | |
It was Daisy, and... | 0:04:41 | 0:04:43 | |
..something's happened to her, something awful. | 0:04:43 | 0:04:46 | |
-ANSWERING MACHINE: -Message received, | 0:04:48 | 0:04:50 | |
Thursday, 1st February, 2018, at 4.57pm. | 0:04:50 | 0:04:55 | |
What are you doing? Put the knife down. | 0:04:55 | 0:04:58 | |
Please, put it down. | 0:04:58 | 0:05:01 | |
Get off me! No! | 0:05:01 | 0:05:04 | |
SHE SCREAMS | 0:05:04 | 0:05:07 | |
How could someone do that to her? | 0:05:08 | 0:05:10 | |
Well, we don't know anything for certain yet. | 0:05:10 | 0:05:13 | |
Do you have any idea where Daisy was supposed to be this afternoon? | 0:05:13 | 0:05:16 | |
At the yacht club. She's a member. | 0:05:16 | 0:05:19 | |
There was some charity event on there. | 0:05:19 | 0:05:21 | |
And so when was the last time you saw her? | 0:05:21 | 0:05:24 | |
Just after four. | 0:05:24 | 0:05:26 | |
That's when she left for the club. | 0:05:26 | 0:05:28 | |
And apart from this message left at 4.57pm, | 0:05:28 | 0:05:30 | |
did you hear from her or see her after that? | 0:05:30 | 0:05:33 | |
No. I assumed she was at the clubhouse enjoying herself. | 0:05:33 | 0:05:36 | |
Right. If Mrs Anderson was last seen heading for the yacht club, | 0:05:36 | 0:05:39 | |
then we start the search there. | 0:05:39 | 0:05:41 | |
Dwayne, JP. Finn, I want you to wait here until we have some news. | 0:05:41 | 0:05:45 | |
DS Cassell will stay with you and look after you, OK? | 0:05:45 | 0:05:48 | |
Sold to Charlotte Hamilton for 1,000. | 0:05:58 | 0:06:01 | |
Now on to our next lot, | 0:06:07 | 0:06:10 | |
a course of private lessons with the yacht club's own sailing instructor | 0:06:10 | 0:06:15 | |
Adam Warner. Adam, where are you? | 0:06:15 | 0:06:17 | |
I'll open the bidding myself. 200. | 0:06:19 | 0:06:23 | |
300. 400. | 0:06:25 | 0:06:27 | |
Excuse me, Commissioner. | 0:06:27 | 0:06:29 | |
-Inspector? -I'm sorry to bother you. | 0:06:29 | 0:06:32 | |
Can you spare a minute? | 0:06:32 | 0:06:33 | |
Come on. Ten... | 0:06:35 | 0:06:37 | |
..11... | 0:06:38 | 0:06:40 | |
Daisy Anderson? | 0:06:40 | 0:06:42 | |
-I know her. -We believe someone attacked her with a knife. | 0:06:42 | 0:06:45 | |
Selwyn, what's going on? | 0:06:45 | 0:06:48 | |
It's Daisy. We're concerned something may have happened to her, | 0:06:48 | 0:06:51 | |
but, as far as we're aware, she didn't make it to the auction. | 0:06:51 | 0:06:55 | |
No, although I'm sure someone said | 0:06:55 | 0:06:57 | |
they saw her car parked out at the front. | 0:06:57 | 0:06:59 | |
Of course. It's locked. | 0:07:05 | 0:07:06 | |
If her car's here, in theory, she must be as well. | 0:07:06 | 0:07:09 | |
OK, let's search the place. | 0:07:09 | 0:07:10 | |
Dwayne, JP, you take inside. | 0:07:10 | 0:07:12 | |
Commissioner, if you wouldn't mind pitching in with the troops, | 0:07:12 | 0:07:15 | |
-perhaps we could search the grounds. -Glad to be of help, Inspector. | 0:07:15 | 0:07:18 | |
Inspector! | 0:07:38 | 0:07:40 | |
It's Daisy Anderson. | 0:07:43 | 0:07:44 | |
PHONE RINGS | 0:08:05 | 0:08:07 | |
DS Cassell. | 0:08:07 | 0:08:10 | |
Oh, I see. | 0:08:10 | 0:08:11 | |
I'll let him know. | 0:08:11 | 0:08:12 | |
I'm really sorry. | 0:08:18 | 0:08:19 | |
We don't need a postmortem to tell us she was stabbed. | 0:08:27 | 0:08:30 | |
Single stroke to the chest. | 0:08:30 | 0:08:32 | |
One and a half inch blade, by the looks of things. | 0:08:32 | 0:08:35 | |
Non-serrated. | 0:08:35 | 0:08:36 | |
Defensive wounds to her forearms | 0:08:38 | 0:08:42 | |
would suggest she put up some sort of a fight. | 0:08:42 | 0:08:44 | |
Poor girl. | 0:08:44 | 0:08:45 | |
Make-up, car keys, mobile phone. | 0:08:47 | 0:08:50 | |
Last call was made this afternoon to Finn. | 0:08:52 | 0:08:55 | |
4.57? | 0:08:55 | 0:08:57 | |
Yeah. Tallies with the message left on his answerphone. | 0:08:57 | 0:09:00 | |
We were all inside taking part in the auction then. | 0:09:00 | 0:09:03 | |
So if she did scream for help, that's why nobody heard her. | 0:09:04 | 0:09:08 | |
She probably reached for her phone in desperation. | 0:09:08 | 0:09:11 | |
This little posy, I saw others wearing it at the carnival. | 0:09:14 | 0:09:17 | |
Is it a Fete Mouri thing? | 0:09:17 | 0:09:18 | |
It's from a plant called jatropha. | 0:09:18 | 0:09:21 | |
It's meant to ward off evil beings. | 0:09:21 | 0:09:23 | |
Hang on. There's something wedged behind the flowers. | 0:09:26 | 0:09:28 | |
A butterfly. | 0:09:32 | 0:09:33 | |
May I? | 0:09:33 | 0:09:35 | |
I'm something of a lepidopterist. | 0:09:35 | 0:09:37 | |
Butterflies. A hobby of mine since childhood. | 0:09:40 | 0:09:44 | |
-Oh. -It's a Pieridae, a yellow passion. | 0:09:44 | 0:09:47 | |
But it shouldn't be here. | 0:09:47 | 0:09:49 | |
-What do you mean, sir? -I mean, it shouldn't be anywhere. | 0:09:49 | 0:09:52 | |
The yellow passion emerges from the chrysalis in early summer. | 0:09:52 | 0:09:55 | |
It lives about six weeks. | 0:09:55 | 0:09:57 | |
It would have died six months ago. | 0:09:57 | 0:10:00 | |
Well, then, why was it lodged in the victim's clothing? | 0:10:00 | 0:10:02 | |
Inspector, this is Hugh Davenport, | 0:10:13 | 0:10:18 | |
chairman here at the yacht club. | 0:10:18 | 0:10:21 | |
And this is Charlotte Hamilton, club secretary and treasurer. | 0:10:21 | 0:10:24 | |
Please, don't worry, | 0:10:26 | 0:10:27 | |
I'm going to try and keep this as brief as possible. | 0:10:27 | 0:10:30 | |
Finn, could I trouble you to go over Mrs Anderson's movements this | 0:10:30 | 0:10:33 | |
afternoon just one more time? | 0:10:33 | 0:10:36 | |
OK. | 0:10:36 | 0:10:38 | |
Daisy got back from setting up the auction at the club around three, | 0:10:38 | 0:10:41 | |
showered, got changed, left again just after four. | 0:10:41 | 0:10:46 | |
And how was she, in good spirits? | 0:10:46 | 0:10:48 | |
Yeah, I suppose. | 0:10:48 | 0:10:51 | |
-She was fine. -Nothing out of the ordinary about her behaviour? | 0:10:51 | 0:10:55 | |
Daisy seemed really upbeat when she was with us at the club earlier. | 0:10:55 | 0:10:58 | |
The three of us spent the morning preparing the function room. | 0:10:58 | 0:11:01 | |
And Finn, if you don't mind me asking, | 0:11:06 | 0:11:09 | |
why did you not want to come with her this afternoon? | 0:11:09 | 0:11:11 | |
This place, it's not really my scene, you know? | 0:11:13 | 0:11:16 | |
So you went to the festival in town instead? | 0:11:16 | 0:11:18 | |
Must've got there around half four. | 0:11:20 | 0:11:22 | |
Had a beer at Ziggy's bar. | 0:11:22 | 0:11:24 | |
Which is where you picked up the answerphone message? | 0:11:24 | 0:11:27 | |
Yeah. That's when I came to find you guys. | 0:11:27 | 0:11:30 | |
Can any of you think of a reason why | 0:11:33 | 0:11:35 | |
someone might want to do this to Daisy? | 0:11:35 | 0:11:37 | |
I mean, | 0:11:40 | 0:11:42 | |
she hardly knew anyone on the island. | 0:11:42 | 0:11:45 | |
Just her mates at the club. | 0:11:45 | 0:11:47 | |
Finn and Daisy moved here less than a year ago. | 0:11:47 | 0:11:49 | |
That's why Daisy joined the club, to make new friends. | 0:11:49 | 0:11:52 | |
Must have been someone got into the club, don't you think? | 0:11:54 | 0:11:57 | |
Yeah. I suppose it must. Thank you. | 0:11:58 | 0:12:01 | |
Well, thanks for your cooperation. | 0:12:02 | 0:12:05 | |
I really do appreciate your help at this sensitive time. | 0:12:05 | 0:12:07 | |
I almost forgot - did Daisy have | 0:12:08 | 0:12:10 | |
anything at all to do with butterflies, | 0:12:10 | 0:12:13 | |
-collect them or anything? -No. | 0:12:13 | 0:12:15 | |
-Why? -It's probably nothing. | 0:12:15 | 0:12:17 | |
Ah, chief, the crime scene's been | 0:12:23 | 0:12:25 | |
processed and the body's been released. | 0:12:25 | 0:12:27 | |
Good stuff. JP, did you get to search Mrs Anderson's car? | 0:12:27 | 0:12:30 | |
-Yes, I did. -Find anything that might lead to our killer? | 0:12:30 | 0:12:33 | |
Well, the only thing I found is this. | 0:12:33 | 0:12:35 | |
It was shoved in the back of the glove box. | 0:12:35 | 0:12:38 | |
It's from Boutique Fleur. | 0:12:38 | 0:12:39 | |
Probably means it's expensive. | 0:12:39 | 0:12:41 | |
Well, I'll have to take your word for it. | 0:12:41 | 0:12:43 | |
Let's get it back to the station. | 0:12:43 | 0:12:45 | |
There's nothing else you'd like us to do now, chief? | 0:12:45 | 0:12:47 | |
I'm afraid so, Dwayne. | 0:12:47 | 0:12:49 | |
There are 40 plus guests waiting to have their statements taken and | 0:12:49 | 0:12:51 | |
-photographs. -So we won't be getting back to the festival any time soon, | 0:12:51 | 0:12:55 | |
-then? -Sorry, not a chance. | 0:12:55 | 0:12:57 | |
Inspector. | 0:12:57 | 0:12:58 | |
If there's nothing else you need him for, | 0:13:01 | 0:13:04 | |
I've said Mr Anderson can go home now. | 0:13:04 | 0:13:06 | |
Of course. Thanks again. | 0:13:06 | 0:13:08 | |
Can I see her? | 0:13:08 | 0:13:09 | |
I'll do it. | 0:13:11 | 0:13:12 | |
Florence, how was he, Finn, you know, when you broke the news? | 0:13:16 | 0:13:20 | |
As you'd expect, devastated. | 0:13:20 | 0:13:21 | |
Just something about him. It's been bothering me ever since | 0:13:24 | 0:13:27 | |
he came up to us at Catherine's bar. It's what he said... | 0:13:27 | 0:13:30 | |
-It's my wife. -That he thought his wife had been murdered. | 0:13:30 | 0:13:33 | |
-And? -Well, up to that point, | 0:13:33 | 0:13:36 | |
he didn't know for sure that she had been murdered, did he? | 0:13:36 | 0:13:39 | |
The thing is, in the phone message that we listened to, | 0:13:39 | 0:13:43 | |
you could hear Daisy being attacked, | 0:13:43 | 0:13:44 | |
but there was nothing definite to say she was dead. | 0:13:44 | 0:13:47 | |
Well, maybe he made an assumption. | 0:13:47 | 0:13:50 | |
Yeah, but do you not find that | 0:13:50 | 0:13:51 | |
relatives tend to cling to the idea that | 0:13:51 | 0:13:53 | |
their loved ones are still alive? | 0:13:53 | 0:13:55 | |
They're not willing to entertain the possibility that they might be dead. | 0:13:55 | 0:13:59 | |
-Almost always the case. -That's true. | 0:13:59 | 0:14:02 | |
So why was Finn so ready to leap to | 0:14:02 | 0:14:03 | |
the conclusion that his wife had been murdered? | 0:14:03 | 0:14:06 | |
You think he knew she was already dead? | 0:14:08 | 0:14:10 | |
I'm just saying, in my book, it's suspicious. | 0:14:10 | 0:14:13 | |
Harry? Your breakfast, it's on the table. | 0:15:09 | 0:15:12 | |
Harry? | 0:15:18 | 0:15:20 | |
Come on. | 0:15:23 | 0:15:25 | |
Stop your messing. I know you're here somewhere. | 0:15:25 | 0:15:28 | |
Not like you not to eat your breakfast. | 0:15:29 | 0:15:31 | |
Ah, there you are. | 0:15:31 | 0:15:32 | |
He's definitely a bit green around the gills. | 0:15:40 | 0:15:43 | |
Isn't he supposed to be that colour, being he's a lizard? | 0:15:43 | 0:15:46 | |
I suppose he does look a bit... | 0:15:46 | 0:15:48 | |
-Peaky? -Exactly, sir, yes, peaky. | 0:15:48 | 0:15:51 | |
Well, listen, let's keep him here under observation, | 0:15:51 | 0:15:53 | |
and if the symptoms get worse... | 0:15:53 | 0:15:55 | |
We will put the little fella out of his misery. | 0:15:55 | 0:15:57 | |
No, Dwayne, we'll take him to the vet. | 0:15:57 | 0:16:00 | |
-Vet? -In the meantime, we've got a murder case to solve. | 0:16:00 | 0:16:03 | |
He's going to take a lizard to the vet? | 0:16:03 | 0:16:06 | |
I've seen everything now. | 0:16:06 | 0:16:08 | |
Now, yesterday, just after four o'clock, | 0:16:08 | 0:16:11 | |
Daisy Anderson left her house and | 0:16:11 | 0:16:13 | |
drove to the Saint Marie yacht club... | 0:16:13 | 0:16:15 | |
..to attend their Fete Mouri charity auction. | 0:16:16 | 0:16:19 | |
Now, at 4.57 exactly, | 0:16:19 | 0:16:21 | |
a message was left from her mobile onto her husband's answerphone, | 0:16:21 | 0:16:26 | |
and in it she was heard being attacked by someone with a knife. | 0:16:26 | 0:16:29 | |
Her body was then discovered by the commissioner and myself, | 0:16:29 | 0:16:33 | |
at 6.15 of the same evening. | 0:16:33 | 0:16:35 | |
So, between leaving her house here and being stabbed here, | 0:16:35 | 0:16:39 | |
something drew our victim's attention | 0:16:39 | 0:16:41 | |
to the yacht club lookout point. | 0:16:41 | 0:16:42 | |
Now, our job is to work out who | 0:16:42 | 0:16:44 | |
lured poor Daisy Anderson to her death. | 0:16:44 | 0:16:46 | |
So, Dwayne, what do we have so far on our victim? | 0:16:46 | 0:16:48 | |
32 years of age, originally from Wiltshire. | 0:16:48 | 0:16:51 | |
Now, up until two years ago, she was working as a personal trainer. | 0:16:51 | 0:16:54 | |
That's how she met her husband. | 0:16:54 | 0:16:56 | |
He was a member of a gym she was working at. | 0:16:56 | 0:16:58 | |
-Finn Anderson. -The man's really rich. | 0:16:58 | 0:17:01 | |
He created a download game. | 0:17:01 | 0:17:03 | |
It was so popular that just over a year ago | 0:17:03 | 0:17:05 | |
he sold it to a social media company for £7 million. | 0:17:05 | 0:17:08 | |
Seven million for a game? | 0:17:08 | 0:17:10 | |
The world's gone bonkers, JB. | 0:17:10 | 0:17:11 | |
Finn and Daisy got married when he sold the company | 0:17:11 | 0:17:14 | |
and moved to the island shortly after that. | 0:17:14 | 0:17:16 | |
Now, her millionaire husband is our only suspect so far. | 0:17:16 | 0:17:20 | |
But he claims he was in Ziggy's bar at the time of the murder. | 0:17:20 | 0:17:23 | |
Well, we went to Ziggy's bar early in the morning, sir, | 0:17:23 | 0:17:26 | |
and we can confirm that Finn was seen arriving at the bar at 4.30pm. | 0:17:26 | 0:17:31 | |
And was seen leaving, looking worried, just before 5.30pm. | 0:17:32 | 0:17:36 | |
-You're sure about this? -100% positive. | 0:17:39 | 0:17:42 | |
100%. That's pretty conclusive. | 0:17:42 | 0:17:45 | |
So, if Finn Anderson was seen at a bar | 0:17:45 | 0:17:50 | |
in Honore between 4.30pm | 0:17:50 | 0:17:53 | |
to 5.30, well, | 0:17:53 | 0:17:55 | |
then he couldn't very well have | 0:17:55 | 0:17:57 | |
killed his wife at the yacht club two miles away at 4.57pm, | 0:17:57 | 0:18:00 | |
could he? | 0:18:00 | 0:18:02 | |
So, if it wasn't Finn who killed her, | 0:18:02 | 0:18:04 | |
it must have been one of the witnesses we questioned last night. | 0:18:04 | 0:18:07 | |
No way. We interviewed over 40 people in that room | 0:18:07 | 0:18:10 | |
and not one of them said they saw anybody leave. | 0:18:10 | 0:18:13 | |
Well, what about CCTV? | 0:18:13 | 0:18:15 | |
Well, there's one camera in reception. | 0:18:15 | 0:18:17 | |
I checked the footage but it doesn't even show | 0:18:17 | 0:18:19 | |
the entrance of the function room. | 0:18:19 | 0:18:21 | |
Right. Well, why don't you lads head over to Mr and Mrs Anderson's | 0:18:22 | 0:18:26 | |
house and see what you can find there? | 0:18:26 | 0:18:28 | |
-Yes, chief. -Yes, sir. | 0:18:28 | 0:18:29 | |
-Sarge. -Well, Florence. | 0:18:30 | 0:18:33 | |
-What's the story? -The bracelet JP found in the victim's car. | 0:18:33 | 0:18:36 | |
-What about it? -It was obviously a gift and it's very expensive. | 0:18:36 | 0:18:40 | |
So, why was it just pushed to the back of the glove compartment? | 0:18:40 | 0:18:44 | |
-Like it was unwanted. -Exactly. | 0:18:44 | 0:18:46 | |
So, I went to Boutique Fleur and | 0:18:46 | 0:18:48 | |
asked them to give me all the details they had for | 0:18:48 | 0:18:51 | |
the sale of the bracelet. | 0:18:51 | 0:18:52 | |
-And? -It was sold two weeks ago for 395 to a guy called Adam Warner. | 0:18:52 | 0:18:58 | |
Adam Warner. | 0:18:58 | 0:18:59 | |
Adam Warner. | 0:19:01 | 0:19:02 | |
Here. | 0:19:06 | 0:19:08 | |
He's the club sailing instructor. | 0:19:08 | 0:19:10 | |
Yeah. So what's he doing giving one of its female members | 0:19:10 | 0:19:14 | |
400 pieces of jewellery? | 0:19:14 | 0:19:16 | |
I mean, I suppose. | 0:19:27 | 0:19:29 | |
Yeah, there was a brief dalliance | 0:19:30 | 0:19:32 | |
-of sorts between myself and Mrs Anderson. -Dalliance. | 0:19:32 | 0:19:35 | |
And what does that mean, playing footsie under the table? | 0:19:35 | 0:19:38 | |
We slept together. A handful of times or so. | 0:19:38 | 0:19:41 | |
It was a physical thing, you know, no more than that. | 0:19:41 | 0:19:44 | |
So, why the expensive present? | 0:19:44 | 0:19:47 | |
Just being gentlemanly, I suppose. | 0:19:47 | 0:19:49 | |
Look, I admit, I liked Daisy. She was a good sort. | 0:19:49 | 0:19:52 | |
But we both knew what we were doing was never going to last. | 0:19:54 | 0:19:57 | |
-I'm not sure I believe you, Adam. -I don't know what you mean. | 0:19:57 | 0:20:01 | |
I mean, I just find it hard to believe that a young man | 0:20:01 | 0:20:03 | |
like yourself, earning what, 200 a week... | 0:20:03 | 0:20:05 | |
-210, actually. -I stand corrected. | 0:20:05 | 0:20:07 | |
Would spend half his monthly salary on a gift for a lady | 0:20:07 | 0:20:10 | |
unless he had very strong feelings for the said lady. | 0:20:10 | 0:20:13 | |
All right, yeah. | 0:20:15 | 0:20:16 | |
I did have feelings for Daisy. | 0:20:20 | 0:20:21 | |
She wasn't like the other members, | 0:20:24 | 0:20:26 | |
banging on about their bank accounts and BMWs. | 0:20:26 | 0:20:29 | |
I thought she felt the same about me. | 0:20:32 | 0:20:34 | |
Until I gave her that. | 0:20:38 | 0:20:39 | |
Her face when she opened it. | 0:20:42 | 0:20:43 | |
She wasn't impressed? | 0:20:43 | 0:20:44 | |
Told me there and then it was over between us, | 0:20:44 | 0:20:46 | |
that we'd obviously got crossed wires. | 0:20:46 | 0:20:48 | |
Felt like I'd made a total fool of myself. | 0:20:48 | 0:20:50 | |
Tell me, when was this exactly? | 0:20:50 | 0:20:52 | |
A couple of weeks ago. | 0:20:52 | 0:20:54 | |
She switched instructors the next day after that, she just blanked me. | 0:20:54 | 0:20:58 | |
Must have hurt. Made you angry. | 0:20:58 | 0:21:00 | |
Sorry? | 0:21:04 | 0:21:05 | |
You don't think I did it, do you? | 0:21:06 | 0:21:08 | |
You wouldn't be the first to kill someone over a broken heart. | 0:21:08 | 0:21:10 | |
So, our victim had an affair, albeit a short-lived one. | 0:21:13 | 0:21:16 | |
Finn never mentioned that, did he? | 0:21:16 | 0:21:18 | |
-Maybe he didn't know. -Or maybe he did. | 0:21:18 | 0:21:20 | |
Had a feeling he was hiding something, | 0:21:20 | 0:21:22 | |
perhaps it's the fact he had motive. | 0:21:22 | 0:21:24 | |
We need to talk to him. | 0:21:24 | 0:21:25 | |
Now, is it me or did Mr Davenport run off like a scalded cat | 0:21:28 | 0:21:32 | |
-at the sight of us? -I'll see if I can find out what he was up to. | 0:21:32 | 0:21:35 | |
Hi. I'm a police officer, investigating... | 0:21:38 | 0:21:41 | |
Sir? | 0:21:46 | 0:21:47 | |
Mr Davenport was asking the receptionist | 0:21:48 | 0:21:51 | |
for yesterday's recordings from the CCTV camera. | 0:21:51 | 0:21:53 | |
Did she say why he wanted them? | 0:21:53 | 0:21:55 | |
Just that he seemed really keen to get his hands on the discs. | 0:21:55 | 0:21:58 | |
I thought it might be worth taking a look. | 0:21:58 | 0:22:01 | |
Good idea. | 0:22:01 | 0:22:02 | |
Come on, let's go and see what Finn Anderson has to say for himself. | 0:22:02 | 0:22:05 | |
You don't mind, do you? | 0:22:18 | 0:22:20 | |
No, no, you dig in, there. | 0:22:20 | 0:22:21 | |
Looks lovely. | 0:22:23 | 0:22:25 | |
-Would you like a slice? -Are you sure you don't mind? | 0:22:25 | 0:22:27 | |
All right. | 0:22:31 | 0:22:33 | |
So, we were just wondering, | 0:22:36 | 0:22:38 | |
can you tell us how were things between yourself and your wife | 0:22:38 | 0:22:41 | |
over the past couple of months? | 0:22:41 | 0:22:42 | |
I think we can take it from that pause that things weren't exactly rosy. | 0:22:44 | 0:22:47 | |
No. I mean, we were having a rough patch. | 0:22:47 | 0:22:50 | |
-You were arguing? -Sometimes. | 0:22:50 | 0:22:52 | |
What about? | 0:22:52 | 0:22:54 | |
I'm not very outgoing, you know. | 0:22:54 | 0:22:55 | |
I just like staying in, playing computer games and stuff. | 0:22:55 | 0:22:58 | |
I think she felt she sometimes wanted a bit more from life. | 0:22:59 | 0:23:02 | |
And tell me now, Finn, do you think that's why | 0:23:02 | 0:23:04 | |
your wife started sleeping with another man? | 0:23:04 | 0:23:07 | |
A-ha! You see, you hesitated again. | 0:23:08 | 0:23:11 | |
You gave yourself away, which tells me you already knew. | 0:23:11 | 0:23:14 | |
She told me a few days ago, | 0:23:17 | 0:23:19 | |
said she was sorry but that maybe it was a wake-up call | 0:23:19 | 0:23:21 | |
that we needed to make some changes in our marriage. | 0:23:21 | 0:23:23 | |
-And what did you say? -I agreed. We both needed to try harder. | 0:23:23 | 0:23:27 | |
Then why did you not mention this yesterday? | 0:23:27 | 0:23:29 | |
I guess it didn't cross my mind. | 0:23:29 | 0:23:30 | |
You know it wasn't me, right? | 0:23:32 | 0:23:33 | |
I was in a bar when Daisy was killed. | 0:23:34 | 0:23:36 | |
We know, we already checked. | 0:23:36 | 0:23:38 | |
Do you think maybe I should take his temperature? | 0:23:48 | 0:23:51 | |
There must be a thermometer in the first aid kit. | 0:23:51 | 0:23:53 | |
Do you even know what a lizard's temperature is supposed to be? | 0:23:53 | 0:23:56 | |
Fair point, Florence. | 0:23:56 | 0:23:58 | |
Where would I stick it? | 0:23:58 | 0:24:00 | |
Maybe I'll just give him some fresh water. | 0:24:01 | 0:24:03 | |
Good idea. If he's still like this by the end of the day, | 0:24:03 | 0:24:06 | |
we'll take him to the vet. | 0:24:06 | 0:24:07 | |
All right, let's stick our suspect number two up on the whiteboard. | 0:24:10 | 0:24:13 | |
Though after speaking to Finn Anderson again, | 0:24:13 | 0:24:16 | |
I'm even more convinced that he's our man. | 0:24:16 | 0:24:18 | |
But if it's him, we still have no idea how he was able | 0:24:18 | 0:24:21 | |
to stab Daisy at the yacht club. | 0:24:21 | 0:24:22 | |
When he was seen at the exact time it happened in a bar full of people. | 0:24:22 | 0:24:27 | |
And if it wasn't him, then how could anyone else have done it | 0:24:27 | 0:24:29 | |
when the rest of our suspects were seen at the auction when it happened? | 0:24:29 | 0:24:32 | |
Oh, sir. The CCTV from the club reception. | 0:24:32 | 0:24:36 | |
Ah, yes. JP, we believe there's something on it | 0:24:36 | 0:24:39 | |
that Hugh Davenport doesn't want us to see. | 0:24:39 | 0:24:41 | |
We just don't know what. | 0:24:41 | 0:24:42 | |
OK. I'll go through it. | 0:24:42 | 0:24:44 | |
And go back as far as you can on the day of the murder, | 0:24:44 | 0:24:46 | |
we know that Hugh and Daisy were there together getting the club ready. | 0:24:46 | 0:24:50 | |
I'll help Dwayne sort through the items we recovered from the victim's study. | 0:24:50 | 0:24:54 | |
Great. And while you're at that, | 0:24:54 | 0:24:56 | |
I think I'll pay a visit to our local mayor. | 0:24:56 | 0:24:58 | |
She knows who's who at the yacht club. | 0:24:58 | 0:25:00 | |
So, as host of the auction, I'd take it you'd a good view of the room, | 0:25:04 | 0:25:07 | |
seeing who was coming or going. | 0:25:07 | 0:25:10 | |
-Yes. -I was on stage through the whole thing. | 0:25:10 | 0:25:13 | |
Sold, 25! | 0:25:14 | 0:25:16 | |
I could see everyone. | 0:25:16 | 0:25:17 | |
Right. And did anyone leave the room between the time the auction started | 0:25:19 | 0:25:22 | |
at 4.30pm and when we turned up? | 0:25:22 | 0:25:24 | |
No-one. | 0:25:26 | 0:25:27 | |
There was something I wanted to tell you about, though. | 0:25:30 | 0:25:33 | |
About Daisy Anderson. | 0:25:33 | 0:25:34 | |
Oh, yes? | 0:25:34 | 0:25:35 | |
Two weeks ago, Daisy was alone at the bar, | 0:25:35 | 0:25:40 | |
going over some papers. | 0:25:40 | 0:25:41 | |
It's so hot today. | 0:25:41 | 0:25:43 | |
She ordered a drink, and was asking me what I knew | 0:25:43 | 0:25:46 | |
-about a charity called... -Project Saint Marie. | 0:25:46 | 0:25:49 | |
I told her I'd never heard of it. | 0:25:49 | 0:25:51 | |
She looked puzzled. | 0:25:51 | 0:25:53 | |
Said I must have got it wrong. | 0:25:53 | 0:25:55 | |
But it's part of my job as mayor to be across all the island charities | 0:25:55 | 0:25:58 | |
and there's no such thing as Project Saint Marie. | 0:25:58 | 0:26:01 | |
And what would this have to do with the yacht club? | 0:26:01 | 0:26:05 | |
I saw that the papers she was going over had the club logo at the top. | 0:26:05 | 0:26:09 | |
Daisy saw I'd noticed and covered them up. | 0:26:11 | 0:26:14 | |
What sort of papers, could you tell? | 0:26:14 | 0:26:15 | |
It looked like they were from the club's accounts. | 0:26:15 | 0:26:18 | |
And Daisy was definitely troubled? | 0:26:18 | 0:26:20 | |
Very. | 0:26:20 | 0:26:22 | |
Saint Marie National Bank never heard of Project Saint Marie, | 0:26:29 | 0:26:32 | |
let alone have an account registered in that name. | 0:26:32 | 0:26:35 | |
What about the cooperative? | 0:26:35 | 0:26:37 | |
They have a business account, set up two years ago in that name, | 0:26:37 | 0:26:40 | |
receives 1,000 a month in untaxed donations. | 0:26:40 | 0:26:43 | |
It's not a registered charity on the island? | 0:26:43 | 0:26:45 | |
It's basically a cover for the account holder's personal finance. | 0:26:45 | 0:26:48 | |
They are funnelling money from the yacht club into their own account | 0:26:48 | 0:26:51 | |
under the pretence of charitable donations. | 0:26:51 | 0:26:53 | |
Whose name is the account in? | 0:26:53 | 0:26:55 | |
Wait for it. | 0:26:55 | 0:26:56 | |
Club secretary and treasurer, Charlotte Hamilton no less. | 0:26:56 | 0:26:58 | |
Afternoon, Inspector. | 0:27:16 | 0:27:17 | |
Afternoon, Mrs Hamilton. | 0:27:17 | 0:27:19 | |
Very impressive. Do you have a moment? | 0:27:19 | 0:27:21 | |
Yes, of course. How can I help? | 0:27:21 | 0:27:23 | |
Well, might be better if we went inside. | 0:27:23 | 0:27:26 | |
I see. Well, do come in. | 0:27:26 | 0:27:28 | |
Lovely place you've got here. | 0:27:35 | 0:27:36 | |
-Thank you. -Takes some upkeep, I imagine. | 0:27:36 | 0:27:39 | |
Well, I have help. And I've lived in this house ever since I moved | 0:27:39 | 0:27:42 | |
to the island with my husband, | 0:27:42 | 0:27:44 | |
so there's a fair few memories I'm not quite ready to let go of. | 0:27:44 | 0:27:47 | |
And when did he pass away, your husband, | 0:27:47 | 0:27:49 | |
if you don't mind me asking? | 0:27:49 | 0:27:51 | |
Four years ago. | 0:27:51 | 0:27:52 | |
Cancer. | 0:27:52 | 0:27:54 | |
Sorry about that. | 0:27:54 | 0:27:55 | |
So, did he not leave you much in his inheritance, then? | 0:27:56 | 0:27:59 | |
-I beg your pardon? -It's just... | 0:27:59 | 0:28:01 | |
..I've been trying to work out why you're fleecing the yacht club. | 0:28:01 | 0:28:03 | |
For what is it, 1,000 every month? | 0:28:03 | 0:28:05 | |
What on earth are you talking about? | 0:28:05 | 0:28:07 | |
Does Project Saint Marie mean anything to you? | 0:28:07 | 0:28:10 | |
I imagine you might prefer something a little stronger. | 0:28:11 | 0:28:15 | |
Yes, I think I rather would, do you mind? | 0:28:15 | 0:28:17 | |
-I don't suppose you... -No, you're grand. | 0:28:22 | 0:28:24 | |
May I ask how you found out? | 0:28:25 | 0:28:28 | |
Mrs Anderson was seen studying the club accounts | 0:28:28 | 0:28:31 | |
and overheard asking questions about Project Saint Marie. | 0:28:31 | 0:28:35 | |
You were right about my husband. | 0:28:36 | 0:28:39 | |
He was a banker. Liked taking risks, ended up taking one too many. | 0:28:39 | 0:28:43 | |
He left me with very little. | 0:28:44 | 0:28:46 | |
Which is why you stole money from the club. | 0:28:47 | 0:28:50 | |
I didn't st... | 0:28:50 | 0:28:51 | |
I didn't think anyone would notice. | 0:28:52 | 0:28:55 | |
I'm the treasurer, so I oversee where all the money is allocated. | 0:28:55 | 0:28:59 | |
Nobody has ever shown the least interest. | 0:28:59 | 0:29:01 | |
But then Mrs Henderson did. | 0:29:01 | 0:29:02 | |
As soon as Daisy arrived, | 0:29:04 | 0:29:05 | |
she threw herself into everything to do with the club. | 0:29:05 | 0:29:08 | |
Including its charity work? | 0:29:08 | 0:29:09 | |
Yeah. | 0:29:09 | 0:29:11 | |
Could you not just have got yourself a job? | 0:29:11 | 0:29:13 | |
Doing what? I have a reputation to uphold, I'm the club's secretary, | 0:29:14 | 0:29:19 | |
its treasurer. People respect me. | 0:29:19 | 0:29:22 | |
I can hardly be seen manning the checkout in the local minimart. | 0:29:22 | 0:29:27 | |
I assume Daisy finding out the truth had you worried. | 0:29:27 | 0:29:30 | |
Could be charged with theft, fraud. | 0:29:30 | 0:29:32 | |
I was go... Well, I am going to pay all the money back. | 0:29:34 | 0:29:38 | |
I'm selling what I can. | 0:29:38 | 0:29:39 | |
Paintings, furniture. | 0:29:41 | 0:29:42 | |
It's why I was washing down the speedboat. | 0:29:43 | 0:29:45 | |
I admit, I haven't acted with much dignity this past couple of years. | 0:29:47 | 0:29:52 | |
But I can assure you I haven't sunk to the depths of committing murder | 0:29:52 | 0:29:56 | |
in order to solve my financial problems. | 0:29:56 | 0:29:58 | |
And then there were three. | 0:30:03 | 0:30:04 | |
Charlotte Hamilton, Adam Warner and Finn Anderson. | 0:30:04 | 0:30:08 | |
They all have motives. | 0:30:08 | 0:30:09 | |
And all of them have alibis. | 0:30:09 | 0:30:11 | |
Adam and Charlotte were inside the clubhouse. | 0:30:11 | 0:30:13 | |
And Finn was at a bar in town. | 0:30:13 | 0:30:15 | |
Which means none of them could have done it, | 0:30:15 | 0:30:17 | |
-so if it wasn't one of them, then who? -And why? | 0:30:17 | 0:30:19 | |
Why did Daisy Henderson have to die yesterday? | 0:30:19 | 0:30:22 | |
And while we're asking questions with unfathomable answers, | 0:30:22 | 0:30:25 | |
can someone also tell me what this little chap was doing | 0:30:25 | 0:30:27 | |
at our crime scene? I went online and the commissioner was right. | 0:30:27 | 0:30:30 | |
This type of butterfly should have been deep in hibernation. | 0:30:30 | 0:30:32 | |
Or whatever it is butterflies do. | 0:30:32 | 0:30:34 | |
So what was it doing tucked under our victim's posy of flowers? | 0:30:34 | 0:30:36 | |
Sir, I've got something for you. | 0:30:36 | 0:30:38 | |
OK. I've been checking through the CCTV at the reception, like you asked, | 0:30:40 | 0:30:45 | |
and just before one o'clock, Hugh and Daisy can be seen leaving. | 0:30:45 | 0:30:48 | |
Just before they go, they stop and talk for a moment. | 0:30:49 | 0:30:52 | |
Look. | 0:30:52 | 0:30:53 | |
Whatever he said, she clearly didn't like it, at all. | 0:30:58 | 0:31:01 | |
Chief, if it's any help, | 0:31:02 | 0:31:03 | |
my Auntie Jean has been hearing impaired since birth | 0:31:03 | 0:31:06 | |
but she's a real dab hand at reading lips. | 0:31:06 | 0:31:07 | |
Really? And do you think she'd be up for looking at the footage for us? | 0:31:07 | 0:31:11 | |
Help solve a murder case? | 0:31:11 | 0:31:12 | |
She'd be over the moon. | 0:31:12 | 0:31:13 | |
Great. Well, first thing tomorrow, we'll see if Dwayne's Auntie Jean | 0:31:13 | 0:31:16 | |
can work out exactly what Hugh said to upset Daisy Anderson. | 0:31:16 | 0:31:20 | |
Until then, I say we call it a day. | 0:31:20 | 0:31:22 | |
Goodbye. | 0:31:22 | 0:31:23 | |
OK, Harry. Enough's enough. | 0:31:25 | 0:31:27 | |
Time to get you to the vet's. | 0:31:27 | 0:31:29 | |
You're not coming, Dwayne? | 0:31:35 | 0:31:37 | |
I might stay a while, do some paperwork, you know? | 0:31:37 | 0:31:40 | |
What? | 0:31:40 | 0:31:42 | |
Dwayne. | 0:31:42 | 0:31:44 | |
Look, if I give it an hour or so before I go over to Darlene's house, | 0:31:44 | 0:31:47 | |
Elise will be asleep which means I don't have to spend | 0:31:47 | 0:31:49 | |
any time with her, OK? | 0:31:49 | 0:31:51 | |
OK. | 0:31:54 | 0:31:56 | |
KNOCKING ON DOOR | 0:32:08 | 0:32:09 | |
-Coming. -I'm really sorry I couldn't get here earlier, Darlene. | 0:32:09 | 0:32:13 | |
I'm afraid we've got a really demanding murder investigation going on. | 0:32:13 | 0:32:17 | |
Here. | 0:32:19 | 0:32:21 | |
Sounds like you earned this. | 0:32:21 | 0:32:23 | |
Thank you. | 0:32:23 | 0:32:24 | |
Wait, you're not joining me? | 0:32:26 | 0:32:29 | |
I need something a bit stronger. | 0:32:29 | 0:32:31 | |
Oh. | 0:32:31 | 0:32:32 | |
Everything all right? | 0:32:32 | 0:32:34 | |
I'm just a bit tired, that's all. | 0:32:34 | 0:32:36 | |
I didn't get a wink of sleep last night. | 0:32:36 | 0:32:39 | |
Elise kept waking up with nightmares. | 0:32:39 | 0:32:41 | |
I think taking her to Fete Mouri wasn't the best idea. | 0:32:42 | 0:32:44 | |
Auntie Darlene... | 0:32:46 | 0:32:47 | |
..I can't sleep, I'm scared. | 0:32:48 | 0:32:50 | |
Oh, darling. | 0:32:50 | 0:32:52 | |
Why don't you go back to bed? | 0:32:54 | 0:32:55 | |
I will come read you a story, OK? | 0:32:55 | 0:32:57 | |
Go on. | 0:32:59 | 0:33:00 | |
Look. If Elise is scared, and you're tired, | 0:33:03 | 0:33:06 | |
why don't I go in there and tell her the story and you stay here | 0:33:06 | 0:33:10 | |
and finish your rum, hmm? | 0:33:10 | 0:33:12 | |
-You sure? -Of course. | 0:33:12 | 0:33:14 | |
I mean, who better than Officer Dwayne Myers to go in and reassure her? | 0:33:14 | 0:33:17 | |
So when Carlton got back to the hideout on the beach, | 0:33:22 | 0:33:24 | |
he saw Beatrice was there waiting for him. | 0:33:24 | 0:33:27 | |
And she did not look happy. | 0:33:27 | 0:33:29 | |
Elise, your Auntie Darlene tells me you've been having some nightmares. | 0:33:33 | 0:33:38 | |
-Is that right? -Yes. | 0:33:38 | 0:33:41 | |
Well, let me tell you a real story. | 0:33:41 | 0:33:43 | |
When I was young, and I had a bad dream, | 0:33:45 | 0:33:47 | |
I would draw a picture of whatever was frightening me. | 0:33:47 | 0:33:51 | |
Fold the paper over, and throw it into the bin. | 0:33:51 | 0:33:55 | |
And if I did that, all the bad thoughts would go away, guaranteed. | 0:33:55 | 0:34:00 | |
So, if you ever have another bad dream, you do that. | 0:34:01 | 0:34:07 | |
-OK? -OK. | 0:34:07 | 0:34:09 | |
Where were we? | 0:34:11 | 0:34:12 | |
"There you are," said Beatrice! | 0:34:12 | 0:34:15 | |
"I've been waiting here all day." | 0:34:15 | 0:34:17 | |
-Morning, sir. -Morning, Florence. | 0:34:29 | 0:34:31 | |
How did things go at the vet's? | 0:34:31 | 0:34:33 | |
He said Harry's definitely not well. | 0:34:33 | 0:34:35 | |
And I did the right thing bringing him in. | 0:34:35 | 0:34:37 | |
The thing about lizards, they're small and fragile. | 0:34:37 | 0:34:39 | |
If anything goes wrong, well, not much you can do. | 0:34:39 | 0:34:42 | |
Anyway, he's kept Harry in overnight, | 0:34:45 | 0:34:46 | |
said he'd call me this morning and let me know what's happening. | 0:34:46 | 0:34:49 | |
I'm sorry, sir. | 0:34:49 | 0:34:50 | |
Just can't believe... | 0:34:50 | 0:34:52 | |
I mean, he's just a lizard, for Pete's sake. | 0:34:52 | 0:34:55 | |
Maybe he's more than that. | 0:34:55 | 0:34:57 | |
Like it or not, perhaps Harry's become a part of your new life here. | 0:34:57 | 0:35:00 | |
Maybe. | 0:35:02 | 0:35:04 | |
All I know is sitting here moping's not going to help. | 0:35:04 | 0:35:07 | |
So come on, let's see what Dwayne's Auntie Jean's got for us. | 0:35:07 | 0:35:09 | |
Amazing, Auntie. | 0:35:12 | 0:35:15 | |
JP, how are we getting on? | 0:35:15 | 0:35:17 | |
Auntie Jean is basically amazing. | 0:35:18 | 0:35:20 | |
She managed to tell us everything that Hugh Davenport said | 0:35:20 | 0:35:23 | |
to Mrs Anderson on the CCTV footage. | 0:35:23 | 0:35:25 | |
Brilliant, does it give us anything? | 0:35:25 | 0:35:27 | |
If you ask me, sir, Mr Davenport is a nasty piece of work. | 0:35:27 | 0:35:30 | |
-How so? -Well, we think he was blackmailing Daisy. | 0:35:30 | 0:35:34 | |
You see, he'd somehow found out about her affair with Adam Warner. | 0:35:34 | 0:35:37 | |
Said he'd tell her husband unless, and I quote, | 0:35:37 | 0:35:40 | |
"We can come to some kind of arrangement." | 0:35:40 | 0:35:43 | |
-Meaning? -Well, he says it while he was stroking her cheek. | 0:35:43 | 0:35:46 | |
I think he was blackmailing her to sleep with him, sir. | 0:35:46 | 0:35:48 | |
Creepy old lech. | 0:35:48 | 0:35:50 | |
We need to talk to him. | 0:35:50 | 0:35:51 | |
Here, give these to Auntie Jean. | 0:35:51 | 0:35:54 | |
Auntie. | 0:35:55 | 0:35:56 | |
You're after these, I believe, Mr Davenport. | 0:36:08 | 0:36:11 | |
I thought I'd just check to see if there was any sign | 0:36:11 | 0:36:14 | |
of who might have killed Mrs Anderson. | 0:36:14 | 0:36:16 | |
So it wasn't because you wanted to destroy the evidence | 0:36:16 | 0:36:19 | |
of your conversation with Daisy the day she was killed? | 0:36:19 | 0:36:22 | |
Conversation? We... | 0:36:22 | 0:36:23 | |
We spoke about quite a bit that day. | 0:36:25 | 0:36:27 | |
About club stuff and such. | 0:36:27 | 0:36:29 | |
The conversation in which you promised not to reveal | 0:36:29 | 0:36:33 | |
Mrs Anderson's affair with Alan Warner in return for sexual favours. | 0:36:33 | 0:36:37 | |
Ringing any bells, Hugh? | 0:36:37 | 0:36:38 | |
You make it sound so sordid. | 0:36:40 | 0:36:41 | |
You know, when I came out to the Caribbean? 1974. | 0:36:43 | 0:36:47 | |
I was chief engineer for the oilfields | 0:36:48 | 0:36:50 | |
off the coast of Trinidad and Tobago. | 0:36:50 | 0:36:53 | |
By the time I retired, I was rich. | 0:36:53 | 0:36:55 | |
But I had never stopped to find someone | 0:36:57 | 0:37:01 | |
to share my life with. | 0:37:01 | 0:37:02 | |
And here was a young woman you thought you could manipulate. | 0:37:02 | 0:37:06 | |
She wasn't blameless. | 0:37:06 | 0:37:07 | |
She was the one that was sleeping around. | 0:37:07 | 0:37:09 | |
OK. So it's her own fault she was blackmailed? | 0:37:09 | 0:37:12 | |
It wasn't blackmail. | 0:37:12 | 0:37:14 | |
No? Threatening to reveal her secret if she didn't do | 0:37:14 | 0:37:17 | |
your grubby bidding, what was it? | 0:37:17 | 0:37:19 | |
Well, I wasn't going to go through with it, was I? | 0:37:19 | 0:37:22 | |
I was just trying it on, that's all. | 0:37:22 | 0:37:25 | |
Tell me, Hugh, what did she say when she left here, | 0:37:26 | 0:37:28 | |
at the end of the conversation? | 0:37:28 | 0:37:30 | |
-What do you mean? -I mean, did she threaten to tell the club officials | 0:37:30 | 0:37:33 | |
or go to the police? | 0:37:33 | 0:37:35 | |
Do you mean, did she say something that might give me reason | 0:37:35 | 0:37:38 | |
-to murder her? -Yeah. -Don't be ridiculous. | 0:37:38 | 0:37:41 | |
She told me where to go, that's about the sum of it. | 0:37:43 | 0:37:47 | |
And just to be clear, as she walked away, | 0:37:47 | 0:37:50 | |
I just thought to myself, | 0:37:50 | 0:37:51 | |
"Well, there goes another one." | 0:37:51 | 0:37:53 | |
Mr Davenport is clearly a horrible person, | 0:37:58 | 0:38:01 | |
but I don't think he sees what he did as wrong, | 0:38:01 | 0:38:04 | |
so would he commit murder over it? | 0:38:04 | 0:38:05 | |
Sir? | 0:38:07 | 0:38:09 | |
Sorry, Florence, I was listening. And I quite agree, I don't think | 0:38:09 | 0:38:12 | |
he has a clue how appallingly he's behaved. | 0:38:12 | 0:38:14 | |
What is it, sir, something's bothering you? | 0:38:14 | 0:38:16 | |
There's a gap in our timeline. | 0:38:16 | 0:38:17 | |
I don't know why I didn't pick up on it before. | 0:38:17 | 0:38:19 | |
-What do you mean? -Well, the CCTV of Hugh and Daisy's conversation | 0:38:19 | 0:38:23 | |
shows her leaving the clubhouse at 1pm... | 0:38:23 | 0:38:26 | |
Daisy! | 0:38:26 | 0:38:28 | |
..on the day of her murder. | 0:38:28 | 0:38:30 | |
But when we questioned Finn the same day, he told us... | 0:38:30 | 0:38:32 | |
Daisy got back from setting up the auction at the club around three. | 0:38:32 | 0:38:37 | |
That's a whole two hours unaccounted for. | 0:38:37 | 0:38:39 | |
You're right, sir. | 0:38:39 | 0:38:41 | |
-So where did she go? -I mean, it could be anywhere on the island. | 0:38:41 | 0:38:44 | |
Sat nav. | 0:38:49 | 0:38:50 | |
OK, let's see. Here we go. | 0:39:01 | 0:39:04 | |
Recent destinations. | 0:39:04 | 0:39:05 | |
The last journey programmed in. | 0:39:07 | 0:39:09 | |
Four minutes past one, two days ago. | 0:39:09 | 0:39:11 | |
Just when she was leaving the yacht club after speaking with Hugh. | 0:39:11 | 0:39:14 | |
Hugh Davenport. | 0:39:14 | 0:39:15 | |
35 Rue Dauphin, mean anything? | 0:39:15 | 0:39:17 | |
Let me find out. | 0:39:17 | 0:39:19 | |
Here we are, 35 Rue Dauphin is a business address, Johnson & Bird. | 0:39:20 | 0:39:26 | |
They're a solicitors who specialise in family law. | 0:39:26 | 0:39:29 | |
So Daisy Anderson went to see a solicitor the afternoon she was killed? | 0:39:29 | 0:39:32 | |
A visit to a solicitor specialising in family law when her own marriage | 0:39:34 | 0:39:37 | |
wasn't in the best of nick? | 0:39:37 | 0:39:38 | |
Well, it's got to be filing for divorce. | 0:39:38 | 0:39:40 | |
You wait right there, OK? | 0:39:44 | 0:39:46 | |
Dwayne. | 0:39:47 | 0:39:48 | |
Huh? | 0:39:48 | 0:39:50 | |
Darlene, what you doing here? | 0:39:51 | 0:39:53 | |
I was clearing out Elise's room... | 0:39:53 | 0:39:55 | |
..when I find this in her bin. | 0:39:56 | 0:39:59 | |
I think I know why she's been having these nightmares. | 0:39:59 | 0:40:01 | |
JP. | 0:40:01 | 0:40:02 | |
Wasn't Daisy Anderson wearing a black and white dress | 0:40:08 | 0:40:10 | |
-when she was murdered? -Mm. | 0:40:10 | 0:40:13 | |
It also looks a hell of a lot like Finn. | 0:40:13 | 0:40:14 | |
Now, Elise, you're sure this is what you saw? | 0:40:19 | 0:40:22 | |
And it was here in the town when... when the big festival was going on? | 0:40:22 | 0:40:25 | |
I'd run and hid from Uncle Dwayne because I wanted a coconut ice. | 0:40:25 | 0:40:29 | |
And then you saw a man looking like this and he was holding a knife | 0:40:29 | 0:40:32 | |
up to a lady looking like this? | 0:40:32 | 0:40:34 | |
You're being so brave, Elise. | 0:40:36 | 0:40:37 | |
Now, my last question, Elise, | 0:40:37 | 0:40:39 | |
and then I'm sure your Auntie Darlene is going to buy you | 0:40:39 | 0:40:42 | |
the biggest coconut ice you've ever seen. | 0:40:42 | 0:40:44 | |
Can you remember where this happened? | 0:40:45 | 0:40:47 | |
Right, let's spread out. | 0:40:56 | 0:40:57 | |
Sir. | 0:41:11 | 0:41:13 | |
JP, do your thing. | 0:41:16 | 0:41:18 | |
Yeah, it's blood, sir. | 0:41:34 | 0:41:36 | |
So potentially this is where Daisy Anderson was killed. | 0:41:36 | 0:41:39 | |
And it looks like you were right, it was Finn who did it. | 0:41:39 | 0:41:42 | |
Dwayne, JP, I want samples of this blood sent to the lab ASAP. | 0:41:42 | 0:41:45 | |
But if the murder happened here and Elise witnessed it | 0:41:45 | 0:41:48 | |
just before she was taken home at half three... | 0:41:48 | 0:41:50 | |
..that's an hour and a half before the voice message was left, | 0:41:51 | 0:41:54 | |
when we heard Daisy being killed. | 0:41:54 | 0:41:55 | |
I know, I can't figure it out either. | 0:41:55 | 0:41:57 | |
But if we've got the time of death wrong, | 0:41:57 | 0:41:59 | |
and it was earlier than we thought, well, then, | 0:41:59 | 0:42:01 | |
that means Finn Anderson no longer has an alibi. | 0:42:01 | 0:42:03 | |
It means he could have done it after all. | 0:42:03 | 0:42:05 | |
What do you mean you've got a witness who saw me do it? | 0:42:07 | 0:42:10 | |
Someone saw you stabbing Daisy Anderson in an alleyway in Honore | 0:42:10 | 0:42:14 | |
-at 3.30 two days ago. -That's impossible. | 0:42:14 | 0:42:17 | |
Her body was found at the yacht club and it was three minutes to five. | 0:42:17 | 0:42:20 | |
We've also found evidence of blood in an alleyway, | 0:42:20 | 0:42:22 | |
which we're convinced will prove to be Daisy's. | 0:42:22 | 0:42:25 | |
And there's something else we found. | 0:42:25 | 0:42:27 | |
Yeah, it's been a busy old day for us, Finn. | 0:42:27 | 0:42:30 | |
Daisy was filing for divorce. | 0:42:30 | 0:42:32 | |
-I didn't know that. -You see, you did it again, you paused. | 0:42:33 | 0:42:37 | |
If you want us to believe you didn't know, | 0:42:37 | 0:42:38 | |
you need to come straight out with it, really sell it to us, | 0:42:38 | 0:42:41 | |
like this is the first time you heard any mention of divorce. | 0:42:41 | 0:42:44 | |
Now, I'll tell you what I think happened, | 0:42:44 | 0:42:46 | |
and you feel free to tell me if I've got it right or wrong. | 0:42:46 | 0:42:50 | |
I think Daisy didn't leave your house at four, as you suggested. | 0:42:50 | 0:42:54 | |
I think it was earlier than that. | 0:42:54 | 0:42:55 | |
Some time around three. | 0:42:55 | 0:42:58 | |
But something stopped her. | 0:42:58 | 0:42:59 | |
And I'll hazard a guess that she decided to come back, | 0:43:00 | 0:43:03 | |
as you two had unfinished business. | 0:43:03 | 0:43:06 | |
Now, we know things have been strained between you. | 0:43:08 | 0:43:10 | |
A lot of arguing. Daisy had an affair. | 0:43:10 | 0:43:12 | |
And that afternoon she'd gone to a solicitor to discuss divorce. | 0:43:12 | 0:43:16 | |
And according to him, she said she was going to speak to you | 0:43:16 | 0:43:19 | |
about it the same day. | 0:43:19 | 0:43:20 | |
And I imagine you probably didn't want to. | 0:43:20 | 0:43:23 | |
You probably knew what was coming. | 0:43:23 | 0:43:24 | |
So you walked out of there, | 0:43:24 | 0:43:26 | |
insisting you were going to the festival. | 0:43:26 | 0:43:29 | |
But Daisy came with you. | 0:43:29 | 0:43:30 | |
She forced you to listen to what she had to say. | 0:43:31 | 0:43:33 | |
Finn! | 0:43:33 | 0:43:35 | |
It's over. OK? | 0:43:35 | 0:43:38 | |
It's over. | 0:43:38 | 0:43:40 | |
And I imagine you didn't take too kindly to hearing that Daisy | 0:43:40 | 0:43:43 | |
was leaving you. Because there's one thing I've come to learn | 0:43:43 | 0:43:46 | |
about you, Finn, you don't like not having things your own way. | 0:43:46 | 0:43:49 | |
On top of which, if Daisy did leave you, | 0:43:49 | 0:43:52 | |
she'd take a share of your £7 million. | 0:43:52 | 0:43:54 | |
I can imagine that made you angry. | 0:43:54 | 0:43:56 | |
So in the heat of the moment, you got your hands on a knife. | 0:43:58 | 0:44:00 | |
And when you were out of sight from the crowds, you stabbed your wife. | 0:44:04 | 0:44:07 | |
What are you do...? | 0:44:07 | 0:44:08 | |
Killing her stone dead. | 0:44:08 | 0:44:11 | |
So, Finn, am I right? | 0:44:11 | 0:44:13 | |
If it was me and I stabbed her in that alleyway, explain this - | 0:44:15 | 0:44:18 | |
how come she was found at the yacht club? | 0:44:18 | 0:44:20 | |
I assume you moved her body. | 0:44:20 | 0:44:22 | |
In the middle of Honore on the day of the festival. | 0:44:22 | 0:44:24 | |
You guys were there, you saw the place, it was heaving. | 0:44:24 | 0:44:27 | |
How did I manage to take a body across the street | 0:44:27 | 0:44:29 | |
and into a boot of a car and not get caught? | 0:44:29 | 0:44:31 | |
I don't know what it was that your witness saw, | 0:44:34 | 0:44:37 | |
but it wasn't me killing Daisy. | 0:44:37 | 0:44:39 | |
From the start, one suspect has been the main focus of our attention, | 0:44:43 | 0:44:46 | |
-Finn Anderson. -He's lied to us more than once. | 0:44:46 | 0:44:49 | |
We know Daisy had betrayed him and was also about to abandon him. | 0:44:49 | 0:44:52 | |
He's steeped in motive. | 0:44:52 | 0:44:53 | |
On top of which we have a witness who claims she saw him | 0:44:53 | 0:44:56 | |
stabbing Daisy during the festival in Honore. | 0:44:56 | 0:44:58 | |
So why haven't we arrested him, then? | 0:44:58 | 0:45:00 | |
Because if Finn murdered his wife at the festival in Honore at 3.30, | 0:45:00 | 0:45:03 | |
then we still have no idea how he managed to move the body two miles | 0:45:03 | 0:45:06 | |
across the island to the yacht club. | 0:45:06 | 0:45:07 | |
And there's something else I've realised doesn't make any sense. | 0:45:09 | 0:45:11 | |
The answerphone message, where we hear Daisy being stabbed. | 0:45:11 | 0:45:14 | |
-What about it? -Well, there's no noise in the background. | 0:45:14 | 0:45:17 | |
If the murder took place in town, we would have heard the festival going on! | 0:45:17 | 0:45:20 | |
You're right, sir, we would. | 0:45:20 | 0:45:21 | |
PHONE RINGS | 0:45:21 | 0:45:23 | |
I'll get it, sir. | 0:45:23 | 0:45:24 | |
So if Daisy wasn't killed at the festival by Finn, | 0:45:24 | 0:45:28 | |
then it must have happened at the yacht club, | 0:45:28 | 0:45:30 | |
which brings us back to the three members we've found so far | 0:45:30 | 0:45:34 | |
-who have motives. -Sir, it's the vet. | 0:45:34 | 0:45:37 | |
Hello. | 0:45:39 | 0:45:40 | |
Oh. | 0:45:42 | 0:45:44 | |
Yeah. | 0:45:44 | 0:45:46 | |
OK. Thank you. | 0:45:46 | 0:45:47 | |
He's on the mend. | 0:45:49 | 0:45:51 | |
They still have no idea what was wrong with him, | 0:45:51 | 0:45:53 | |
it was touch and go there for a while. | 0:45:53 | 0:45:55 | |
My little fella fought it off and he pulled through. | 0:45:55 | 0:45:57 | |
-That's a relief. -Yeah, that's great news, sir. | 0:45:57 | 0:45:59 | |
Oh, yes, and the little lizard gets to fight another day. | 0:45:59 | 0:46:02 | |
Hooray! | 0:46:02 | 0:46:04 | |
The little lizard lives to fight another day. | 0:46:06 | 0:46:08 | |
I just said that. | 0:46:08 | 0:46:10 | |
He fought it off and pulled through. | 0:46:10 | 0:46:12 | |
Are you all right, sir? | 0:46:12 | 0:46:14 | |
But that's what happens at the Fete Mouri, isn't it? | 0:46:14 | 0:46:16 | |
The dead come back to life, don't they? | 0:46:16 | 0:46:18 | |
Of course they do. I don't know why it's taken me so long to realise it. | 0:46:18 | 0:46:21 | |
Get off! | 0:46:26 | 0:46:27 | |
And she valued our friendship. | 0:46:29 | 0:46:30 | |
You make it sound so sordid. | 0:46:32 | 0:46:34 | |
She wasn't like the other members, | 0:46:43 | 0:46:44 | |
banging on about their bank accounts and BMWs. | 0:46:44 | 0:46:47 | |
Are you OK, sir? You know who did it? | 0:46:53 | 0:46:55 | |
Florence, I do. And what's more, I know where they did it. | 0:46:55 | 0:46:58 | |
OK, so which one was it, sir? | 0:46:58 | 0:46:59 | |
Was Daisy Anderson murdered in the alleyway in the town | 0:46:59 | 0:47:02 | |
during the festival or up at the yacht club? | 0:47:02 | 0:47:04 | |
Neither, JP. It happened somewhere else entirely. | 0:47:04 | 0:47:07 | |
Tradition has it that the leaves of the Jatropha plant | 0:47:14 | 0:47:17 | |
carry mystic powers to ward off evil spirits. | 0:47:17 | 0:47:20 | |
Now sadly this old Saint Marie custom is no more than folklore, a myth, | 0:47:20 | 0:47:25 | |
because despite wearing this, someone who's sitting here right now | 0:47:25 | 0:47:29 | |
plunged the knife deep into Daisy Anderson's heart and killed her. | 0:47:29 | 0:47:34 | |
So which one of you did it? | 0:47:34 | 0:47:35 | |
At every turn during this investigation, | 0:47:38 | 0:47:41 | |
the evidence we uncovered kept bringing us back to Finn. | 0:47:41 | 0:47:43 | |
First it was the fact that he neglected to tell us | 0:47:44 | 0:47:47 | |
about Daisy's infidelity. | 0:47:47 | 0:47:48 | |
But then we discovered that Daisy had been to see a solicitor | 0:47:48 | 0:47:52 | |
and told Finn she wanted a divorce. | 0:47:52 | 0:47:54 | |
Yes, and the final nail in his coffin, we found a witness, | 0:47:54 | 0:47:57 | |
who saw him attack Daisy with a knife in an alleyway in Honore | 0:47:57 | 0:48:01 | |
during the recent festivities. | 0:48:01 | 0:48:03 | |
Except if Finn was the man seen stabbing Daisy, | 0:48:03 | 0:48:07 | |
at 3.30 the afternoon of the Fete Mouri festival, | 0:48:07 | 0:48:11 | |
then how come we've got an answerphone recording of the murder | 0:48:11 | 0:48:15 | |
taking place an hour and a half later at 4.57pm? | 0:48:15 | 0:48:18 | |
It's baffling. | 0:48:18 | 0:48:19 | |
Message received Thursday 1st February 2018 at 4.57pm. | 0:48:19 | 0:48:26 | |
What are you doing? | 0:48:26 | 0:48:27 | |
Put the knife down. | 0:48:27 | 0:48:30 | |
Please, put it down. | 0:48:30 | 0:48:32 | |
Get off me! | 0:48:32 | 0:48:33 | |
No! | 0:48:33 | 0:48:35 | |
SHE SCREAMS | 0:48:36 | 0:48:38 | |
So who was it? Come on! | 0:48:39 | 0:48:42 | |
Who was it wielding the knife when that was recorded? | 0:48:42 | 0:48:46 | |
Who was it who stabbed and killed Daisy? | 0:48:46 | 0:48:49 | |
It was you, Charlotte, wasn't it? | 0:48:56 | 0:48:58 | |
I'm sorry, you... | 0:49:00 | 0:49:01 | |
-You think it was me? -You murdered Daisy Anderson in cold blood. | 0:49:01 | 0:49:05 | |
I'm going to tell you how it happened. | 0:49:05 | 0:49:07 | |
Strange as it may sound, Finn did attempt to kill Daisy, | 0:49:07 | 0:49:11 | |
in the alleyway that afternoon, but he didn't succeed. | 0:49:11 | 0:49:14 | |
Now, we know Daisy had defensive wounds on her arms. | 0:49:14 | 0:49:16 | |
She must have lashed out, tried to protect herself. | 0:49:16 | 0:49:18 | |
Must have hurt. | 0:49:18 | 0:49:19 | |
Caused her to cry out in pain. | 0:49:19 | 0:49:22 | |
And in that moment, as she looked at you, terrified and bewildered, | 0:49:22 | 0:49:25 | |
I think you suddenly realised what you were doing, Finn. | 0:49:25 | 0:49:28 | |
Because I think at heart you're a weak person, aren't you? | 0:49:28 | 0:49:31 | |
You said yourself that you don't find life easy. | 0:49:31 | 0:49:33 | |
You'd much rather sit at home and eat pizza and play computer games. | 0:49:33 | 0:49:36 | |
So when it comes to doing something that requires bravado, | 0:49:36 | 0:49:39 | |
like trying to kill someone, for example, | 0:49:39 | 0:49:42 | |
I don't think you were up to it. | 0:49:42 | 0:49:44 | |
And in that moment, Daisy saw her chance to escape. | 0:49:44 | 0:49:48 | |
She grabbed the knife and ran. | 0:49:48 | 0:49:49 | |
Stay away. Stay back! | 0:49:49 | 0:49:52 | |
The question is, where, or rather who, did Daisy run to? | 0:49:53 | 0:49:56 | |
You must have been shocked when she arrived at your house, Charlotte. | 0:49:58 | 0:50:01 | |
With her arms bloody, a knife in her hand. | 0:50:01 | 0:50:03 | |
But as she told you what happened, I think you sensed an opportunity presenting itself. | 0:50:04 | 0:50:08 | |
An opportunity to deal with two of your problems in one fell swoop. | 0:50:08 | 0:50:13 | |
To get rid of the one person who knew about the money | 0:50:13 | 0:50:15 | |
you'd stolen from the club. | 0:50:15 | 0:50:17 | |
And also to make yourself financially secure again. | 0:50:17 | 0:50:20 | |
So you made your decision, | 0:50:20 | 0:50:22 | |
you were going to finish the job that Finn had started. | 0:50:22 | 0:50:24 | |
So what did you do? You grabbed your phone and, I assume, | 0:50:24 | 0:50:27 | |
under the pretence of calling the police, | 0:50:27 | 0:50:29 | |
you pressed record on the voice memo app. | 0:50:29 | 0:50:32 | |
And I imagine poor, trusting Daisy, | 0:50:34 | 0:50:36 | |
she had no idea that her life was in danger until it was too late. | 0:50:36 | 0:50:39 | |
What are you doing? Put the knife down. | 0:50:39 | 0:50:41 | |
Please, put it down. Get off me! | 0:50:41 | 0:50:43 | |
No! | 0:50:43 | 0:50:45 | |
Next, you needed to find Finn, am I right, Finn? | 0:50:54 | 0:50:57 | |
Finn, don't. | 0:50:57 | 0:50:59 | |
I was headed home. I was desperate to find Daisy. | 0:51:00 | 0:51:03 | |
Try and sort it. Charlotte was already at the house waiting. | 0:51:04 | 0:51:08 | |
She told me Daisy had come to her, told her how I tried to kill her. | 0:51:08 | 0:51:12 | |
Daisy was going to get me arrested for attempted murder. | 0:51:12 | 0:51:14 | |
And if she divorced me... | 0:51:15 | 0:51:17 | |
..I'd be left with nothing. | 0:51:18 | 0:51:19 | |
So then I take it she told you she'd sorted everything out? | 0:51:19 | 0:51:23 | |
Daisy was no longer a problem. | 0:51:26 | 0:51:27 | |
All you had to do was play along. | 0:51:28 | 0:51:31 | |
And with Finn committing to the plan, | 0:51:31 | 0:51:33 | |
Charlotte, you moved on to the next stage. | 0:51:33 | 0:51:36 | |
Establishing your alibi. | 0:51:38 | 0:51:40 | |
And seeing as you were supposed to be at a party at the yacht club, | 0:51:40 | 0:51:43 | |
you decided that was where you'd have to do it. | 0:51:43 | 0:51:46 | |
But how to transport the body? | 0:51:46 | 0:51:49 | |
So what were you really up to the day after the murder | 0:51:49 | 0:51:52 | |
when we called around? | 0:51:52 | 0:51:53 | |
You were cleaning, all right, that's for sure, | 0:51:53 | 0:51:56 | |
but it wasn't the boat that you were interested in. | 0:51:56 | 0:51:59 | |
It was the tarpaulin that was bothering you. | 0:51:59 | 0:52:02 | |
Because that's how you transported the body, isn't it? | 0:52:02 | 0:52:04 | |
Which explains one of the oddities of this investigation. | 0:52:04 | 0:52:07 | |
How come a long dead butterfly ended up at the crime scene? | 0:52:07 | 0:52:10 | |
You see, it must have crawled under the tarpaulin many months previously | 0:52:10 | 0:52:14 | |
and died. | 0:52:14 | 0:52:15 | |
But that afternoon it got rolled up with the body. | 0:52:15 | 0:52:18 | |
It was then a simple matter to drive to the club in Daisy's car... | 0:52:21 | 0:52:25 | |
..and straight to the lookout point... | 0:52:28 | 0:52:30 | |
..where you dumped the body before returning to the clubhouse. | 0:52:35 | 0:52:38 | |
We assume you hid the tarpaulin somewhere you could later retrieve it. | 0:52:41 | 0:52:45 | |
All you had to do then was establish an apparent time of death. | 0:52:45 | 0:52:48 | |
Easy enough for someone who had the foresight to record the whole murder. | 0:52:48 | 0:52:53 | |
You'd already made sure to bring Daisy's phone with you | 0:52:53 | 0:52:55 | |
and you were wearing gloves as part of your extravagant outfit. | 0:52:55 | 0:52:58 | |
Now it was just a question of calling Finn with Daisy's phone, | 0:52:58 | 0:53:03 | |
as previously arranged with him, and when it went to voicemail, | 0:53:03 | 0:53:07 | |
pressing play on your own phone. | 0:53:07 | 0:53:09 | |
And then all that was left was for Finn to find us, play the message, | 0:53:11 | 0:53:15 | |
and for you to return Daisy's phone to her possession. | 0:53:15 | 0:53:17 | |
It was you who steered us towards Daisy's car in the club car park | 0:53:17 | 0:53:20 | |
while we were out looking for her. | 0:53:20 | 0:53:23 | |
And when we went to find it, the car, | 0:53:23 | 0:53:25 | |
I imagine you seized your moment to nip back to Daisy's body, | 0:53:25 | 0:53:28 | |
and return the phone. | 0:53:28 | 0:53:29 | |
I don't understand. | 0:53:29 | 0:53:30 | |
Why would Charlotte do all this for Finn, why would she help him? | 0:53:30 | 0:53:34 | |
It's an excellent question, Hugh, | 0:53:34 | 0:53:36 | |
and I think Finn can help us to answer that. | 0:53:36 | 0:53:38 | |
Money. She wanted money. | 0:53:42 | 0:53:45 | |
£1 million. | 0:53:45 | 0:53:46 | |
Simple, really. | 0:53:47 | 0:53:49 | |
Money. Boring old money. | 0:53:49 | 0:53:51 | |
That's what it boils down to. | 0:53:51 | 0:53:53 | |
That's what Charlotte has lived for most of her life. | 0:53:53 | 0:53:55 | |
The luxuries it brings. | 0:53:55 | 0:53:57 | |
Lovely place you've got here. | 0:53:57 | 0:53:58 | |
The status it gives you. | 0:53:58 | 0:53:59 | |
I have a reputation to uphold. | 0:53:59 | 0:54:01 | |
You wanted back the comfortable, affluent life | 0:54:01 | 0:54:03 | |
to which you'd become accustomed. | 0:54:03 | 0:54:05 | |
And you found a way to do it. | 0:54:05 | 0:54:07 | |
By killing an entirely innocent woman. | 0:54:07 | 0:54:09 | |
Arrest them both, would you? | 0:54:12 | 0:54:14 | |
Finn for attempted murder. | 0:54:14 | 0:54:16 | |
Charlotte, full charge. | 0:54:16 | 0:54:18 | |
You pathetic... | 0:54:19 | 0:54:20 | |
Charlotte Hamilton, I'm arresting you for murder. | 0:54:20 | 0:54:23 | |
Be good to have him back, Florence. | 0:54:29 | 0:54:31 | |
It really wasn't the same without him. | 0:54:31 | 0:54:33 | |
And I'm sure Harry agrees. | 0:54:33 | 0:54:35 | |
Welcome home, buddy. | 0:54:35 | 0:54:37 | |
You feeling better? | 0:54:37 | 0:54:39 | |
I'll go get us a couple of beers to celebrate. | 0:54:41 | 0:54:44 | |
Give you both a moment. | 0:54:44 | 0:54:45 | |
You know, you really had me worried there. | 0:54:47 | 0:54:51 | |
I know, it's probably my fault for overfeeding you, | 0:54:51 | 0:54:54 | |
but you don't have to eat everything you see on the plate, do you? | 0:54:54 | 0:54:56 | |
Now, the vet says you've got to go on a diet. | 0:54:56 | 0:54:59 | |
Sorry. | 0:54:59 | 0:55:00 | |
This is our little secret, OK? | 0:55:00 | 0:55:03 | |
Go on, off you scuttle, enjoy yourself. | 0:55:04 | 0:55:07 | |
Here. | 0:55:09 | 0:55:11 | |
You're right. Harry, he is a part of my life. | 0:55:18 | 0:55:23 | |
Don't know when it happened, but... | 0:55:25 | 0:55:28 | |
..I'm starting to feel like I belong here. | 0:55:28 | 0:55:31 | |
I think you do, sir. | 0:55:31 | 0:55:32 | |
So this afternoon I want to focus | 0:55:46 | 0:55:48 | |
on the healing power of the breath. | 0:55:48 | 0:55:50 | |
Enjoy your swim, my love. | 0:55:50 | 0:55:51 | |
Enjoy your meditation. | 0:55:51 | 0:55:53 | |
-Daniel? -Wait here. | 0:55:53 | 0:55:54 | |
He's dead. | 0:55:54 | 0:55:55 | |
His belt, it's the exact same width as the marks on his neck. | 0:55:55 | 0:55:58 | |
This one, it's missing a belt. | 0:55:58 | 0:55:59 | |
This speech I've got to make for the commissioner's award. | 0:55:59 | 0:56:02 | |
It's driving me mad. How am I supposed to make a speech | 0:56:02 | 0:56:04 | |
about someone I hardly know? | 0:56:04 | 0:56:06 | |
Believe by Daniel Friend. It's really fascinating. | 0:56:06 | 0:56:08 | |
It says that if there's something you want in life, | 0:56:08 | 0:56:11 | |
there are these visualisation exercises you can use. | 0:56:11 | 0:56:14 | |
I'm just trying to get a sense of you as a civilian | 0:56:14 | 0:56:16 | |
as well as a commissioner. | 0:56:16 | 0:56:17 | |
What do you look like when you take off your uniform? | 0:56:17 | 0:56:19 | |
Excuse me? | 0:56:19 | 0:56:21 | |
If I close my eyes and I visualise Tino walking round the bend. | 0:56:21 | 0:56:24 | |
What I've willed to happen should actually happen. | 0:56:24 | 0:56:27 | |
Maybe you should try another book. | 0:56:29 | 0:56:30 |