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You can go ahead. | 0:00:12 | 0:00:14 | |
SHE BOOMS GONG | 0:00:17 | 0:00:18 | |
Right, let's really open up about our feelings in this session. | 0:00:23 | 0:00:29 | |
Isn't our time up? I thought I heard the gong. | 0:00:29 | 0:00:31 | |
We'll happily sit here until you feel ready to open your heart to us. | 0:00:31 | 0:00:34 | |
-Won't we, Bryn? -Yeah, before I came here, life was a struggle. | 0:00:36 | 0:00:40 | |
But now I know you're never going to find self-acceptance | 0:00:40 | 0:00:45 | |
unless you face your feelings. | 0:00:45 | 0:00:47 | |
Makes me feel like everything's broken. | 0:00:47 | 0:00:51 | |
And no matter how hard I try, | 0:00:51 | 0:00:54 | |
I'll never be able to fix it. | 0:00:54 | 0:00:56 | |
Thank you for your courage, Gabe. | 0:00:56 | 0:00:58 | |
Come on, let's go eat. | 0:00:58 | 0:01:00 | |
I hope it tastes better than it looks. | 0:01:08 | 0:01:11 | |
I'm sure it's delicious, Eva. | 0:01:11 | 0:01:13 | |
Well, back home, it's usually takeaways | 0:01:13 | 0:01:16 | |
followed by too many glasses of Pinot Grigio. | 0:01:16 | 0:01:21 | |
I don't suppose there's any alcohol in that green tea, is there? | 0:01:21 | 0:01:25 | |
What could be more important than the food we put into our bodies? | 0:01:25 | 0:01:30 | |
If your life is so hectic, there isn't time to cook a healthy meal, | 0:01:30 | 0:01:34 | |
then you must change your life. | 0:01:34 | 0:01:36 | |
So, this afternoon, I want to focus on the healing power of the breath. | 0:01:53 | 0:01:57 | |
Enjoy your swim, my love. | 0:01:59 | 0:02:01 | |
Enjoy your meditation! | 0:02:01 | 0:02:03 | |
So, let's begin in the usual way, | 0:02:03 | 0:02:07 | |
by closing our eyes | 0:02:07 | 0:02:09 | |
and taking a few deep breaths. | 0:02:09 | 0:02:13 | |
And you can slowly... | 0:02:29 | 0:02:31 | |
..open your eyes. | 0:02:33 | 0:02:35 | |
Gabe, would you'd care to join me | 0:02:41 | 0:02:43 | |
in making a small offering in the Contemplation Garden? | 0:02:43 | 0:02:46 | |
So if we can achieve one thing for you during your time here, Gabe - | 0:02:49 | 0:02:53 | |
-what would it be? -Peace of mind, I suppose. | 0:02:53 | 0:02:56 | |
Same as everyone. | 0:02:56 | 0:02:57 | |
I don't know that it is the same for everyone. | 0:02:57 | 0:03:00 | |
People come here for all sorts of different... | 0:03:00 | 0:03:02 | |
-Daniel? -Wait here. | 0:03:02 | 0:03:04 | |
He's dead. | 0:03:12 | 0:03:13 | |
Tonight, we celebrate a man | 0:03:46 | 0:03:48 | |
who quite literally needs no introduction. | 0:03:48 | 0:03:51 | |
However, I've got the job of giving him one. | 0:03:51 | 0:03:55 | |
What can you say about Commissioner Selwyn Patterson? | 0:03:55 | 0:03:58 | |
That's not a rhetorical question, Harry. | 0:03:58 | 0:04:02 | |
I need some help here. | 0:04:02 | 0:04:04 | |
Selwyn Patterson is...inscrutable. | 0:04:04 | 0:04:08 | |
A hard taskmaster. | 0:04:08 | 0:04:10 | |
-Doesn't suffer fools. -HE GROANS | 0:04:10 | 0:04:11 | |
I'm supposed to be bigging the man up here. | 0:04:11 | 0:04:14 | |
-Sir? -Oh, perfect timing, Florence. Just the person I need. | 0:04:15 | 0:04:18 | |
This speech I've got to make for the commissioner's award. | 0:04:18 | 0:04:21 | |
-What about it? -Well, it's driving me mad. | 0:04:21 | 0:04:23 | |
In two days' time, I've got to stand up | 0:04:23 | 0:04:25 | |
in front of the great and good of Saint Marie | 0:04:25 | 0:04:27 | |
and say what a special man the Commissioner is. | 0:04:27 | 0:04:29 | |
I don't have a notion where to start. | 0:04:29 | 0:04:31 | |
I mean how, how am I supposed to make a speech | 0:04:31 | 0:04:33 | |
-about someone I hardly know? -I don't know, sir. I'm sorry. | 0:04:33 | 0:04:36 | |
I'm just going to have to clear the decks | 0:04:36 | 0:04:38 | |
and spend every minute of the next two days working on it. | 0:04:38 | 0:04:41 | |
-Sir, someone's been found dead... -Oh... | 0:04:41 | 0:04:43 | |
..at a place called the Calming Breath Spiritual Retreat. | 0:04:43 | 0:04:46 | |
It's up on the north shore. | 0:04:46 | 0:04:48 | |
To the north shore we must go, then. | 0:04:48 | 0:04:50 | |
I heard it's been here for three years. | 0:04:54 | 0:04:57 | |
So, what exactly happens at a "spiritual retreat"? | 0:04:57 | 0:05:00 | |
According to their website, it's a chance | 0:05:00 | 0:05:03 | |
to reenergise your mind, body and spirit holistically. | 0:05:03 | 0:05:06 | |
Sounds exhausting, so how much will that set you back? | 0:05:06 | 0:05:09 | |
2,000 a week. | 0:05:09 | 0:05:11 | |
2,000? | 0:05:11 | 0:05:12 | |
What, to have some hippy fella walking all over your back | 0:05:12 | 0:05:15 | |
and sticking pins in your face? Really?! | 0:05:15 | 0:05:17 | |
To be fair, getting rid of the gadgets, | 0:05:19 | 0:05:21 | |
I can definitely see the appeal of that. | 0:05:21 | 0:05:23 | |
Our victim is a Daniel Friend. | 0:05:26 | 0:05:28 | |
35 years old, British. | 0:05:28 | 0:05:31 | |
He owns this place with his wife Cressida. | 0:05:31 | 0:05:34 | |
-Yeah, and she's the one who found the body... -Poor woman. | 0:05:34 | 0:05:37 | |
Was she on her own when she came across him? | 0:05:37 | 0:05:40 | |
Ah, no, she was with one of the other guests. | 0:05:40 | 0:05:43 | |
They were on their way to something called the Contemplation Garden. | 0:05:43 | 0:05:46 | |
-A Contemplation Garden? -I know. I did ask, Chief. | 0:05:46 | 0:05:50 | |
But, if I'm honest, I didn't really understand the answer. | 0:05:50 | 0:05:53 | |
Ligature marks on the neck. | 0:05:57 | 0:05:59 | |
In a band about an inch and a half wide. | 0:05:59 | 0:06:02 | |
Cause of death, strangulation. | 0:06:02 | 0:06:04 | |
No defence wounds or any other signs of injury. | 0:06:05 | 0:06:09 | |
You would expect a fella this size to put up some sort of a fight. | 0:06:09 | 0:06:12 | |
Maybe the attacker surprised him from behind? | 0:06:12 | 0:06:15 | |
Possibly. | 0:06:15 | 0:06:16 | |
His belt. It's the exact same width as the marks on his neck. | 0:06:19 | 0:06:23 | |
But I assume he wasn't killed with his own belt, | 0:06:23 | 0:06:25 | |
what with him wearing it and all. | 0:06:25 | 0:06:27 | |
HE SIGHS | 0:06:27 | 0:06:29 | |
Dwayne, if you're done here, | 0:06:29 | 0:06:31 | |
-we can release the body. -Yes, Chief! | 0:06:31 | 0:06:33 | |
-Did you find anything on his person? -Er, nothing, sir. But... | 0:06:33 | 0:06:37 | |
..I found this towel on the ground | 0:06:38 | 0:06:41 | |
a few feet from where the victim was lying. | 0:06:41 | 0:06:43 | |
I assume he dropped it when he was being attacked. | 0:06:43 | 0:06:45 | |
So, what? He was on his way for a swim? | 0:06:45 | 0:06:47 | |
Maybe there's a pool somewhere in the Contemplation Garden? | 0:06:47 | 0:06:50 | |
Chief! A key. I found it under the body. | 0:06:52 | 0:06:55 | |
For a locker or a padlock or something. | 0:06:56 | 0:06:59 | |
We should dust it for prints. | 0:06:59 | 0:07:02 | |
If it was underneath the victim, then it either belongs to him... | 0:07:02 | 0:07:06 | |
Or to the killer. | 0:07:06 | 0:07:08 | |
Huh. You would think. | 0:07:08 | 0:07:10 | |
Dwayne. JP. Why don't you finish processing the scene. | 0:07:10 | 0:07:13 | |
-We should have a quick word with the witnesses. -Chief. | 0:07:13 | 0:07:16 | |
So, when was the last time you all saw Mr Friend alive? | 0:07:17 | 0:07:20 | |
It was about half past two. We'd just finished lunch. | 0:07:20 | 0:07:24 | |
Daniel headed off for his swim as usual. | 0:07:24 | 0:07:27 | |
"As usual"? It was a regular thing? | 0:07:27 | 0:07:30 | |
Every day. Same time. | 0:07:30 | 0:07:32 | |
Daniel said a dip in the sea was the best form of therapy he knew. | 0:07:32 | 0:07:35 | |
You have to go through the Contemplation Garden | 0:07:35 | 0:07:38 | |
-to get to the beach? -No, no. | 0:07:38 | 0:07:39 | |
You literally have to go in another direction. | 0:07:39 | 0:07:42 | |
So, why was he heading for the garden then? | 0:07:42 | 0:07:44 | |
I don't know. It's not like him. Daniel relished routine. | 0:07:44 | 0:07:47 | |
And when Daniel left, what were the rest of you doing? | 0:07:47 | 0:07:50 | |
We were all together. | 0:07:50 | 0:07:52 | |
Cressida was running a meditation circle. | 0:07:53 | 0:07:56 | |
A meditation circle? Does that mean you all had your eyes closed? | 0:07:58 | 0:08:02 | |
ALL: Yes. | 0:08:02 | 0:08:03 | |
How long did that last? | 0:08:03 | 0:08:05 | |
About 30 minutes. | 0:08:05 | 0:08:07 | |
-And, afterwards, when you were done? -WINDCHIME TINKLES | 0:08:07 | 0:08:09 | |
Gabe and I headed for a walk. | 0:08:12 | 0:08:14 | |
That's when we found him. | 0:08:15 | 0:08:17 | |
Daniel! | 0:08:17 | 0:08:18 | |
Wait here. | 0:08:18 | 0:08:19 | |
He was just lying there. | 0:08:22 | 0:08:23 | |
I checked for vital signs. | 0:08:23 | 0:08:25 | |
First we heard about it is when they came back and told us. | 0:08:25 | 0:08:28 | |
And then Gabe went to get his phone, | 0:08:30 | 0:08:31 | |
and then that's when we called your lot. | 0:08:31 | 0:08:33 | |
HE TAKES A DEEP BREATH | 0:08:33 | 0:08:35 | |
Now, can any of you think of a reason | 0:08:35 | 0:08:38 | |
why someone might want to murder Mr Friend? | 0:08:38 | 0:08:41 | |
Well, I mean I only met the man yesterday. So, I hardly knew him. | 0:08:41 | 0:08:45 | |
Same. I got here a few days ago, | 0:08:45 | 0:08:47 | |
but he didn't seem like the kind of person to have enemies. | 0:08:47 | 0:08:50 | |
And what about outside the retreat? | 0:08:50 | 0:08:51 | |
Was there anyone on the island who he'd fallen out with? | 0:08:51 | 0:08:54 | |
He didn't really know anyone on the island. | 0:08:54 | 0:08:56 | |
I see. | 0:08:56 | 0:08:57 | |
So, that means the only people on Saint Marie | 0:08:59 | 0:09:03 | |
that Daniel actually knew - | 0:09:03 | 0:09:05 | |
were you four. | 0:09:05 | 0:09:06 | |
Yes, but, I mean, you don't think it was one of us | 0:09:10 | 0:09:12 | |
because we were all out there on the lawn when it happened. | 0:09:12 | 0:09:16 | |
Forgive me, it's just, well... | 0:09:16 | 0:09:18 | |
The thing is, we think whoever strangled Daniel | 0:09:20 | 0:09:22 | |
might have used one of those belts you're all wearing to do it. | 0:09:22 | 0:09:26 | |
And what with this being such an isolated spot | 0:09:26 | 0:09:29 | |
and as you said, Cressida, Daniel keeping himself to himself. | 0:09:29 | 0:09:32 | |
Well, when you put all that together - I can't help thinking | 0:09:32 | 0:09:36 | |
that our killer is someone within the retreat. | 0:09:36 | 0:09:39 | |
This one! It's missing a belt. | 0:09:49 | 0:09:51 | |
It was there this morning. | 0:09:52 | 0:09:54 | |
Are you sure? | 0:09:54 | 0:09:55 | |
I was doing the laundry. They were all here. I'm sure of it. | 0:09:55 | 0:09:57 | |
So you and your guests are the only ones who have access to this room? | 0:09:57 | 0:10:01 | |
Florence, tell Dwayne and JP to search the retreat. | 0:10:01 | 0:10:04 | |
High up and low down. | 0:10:04 | 0:10:05 | |
Let's see if we can find our missing belt. | 0:10:05 | 0:10:08 | |
2.20 this afternoon, | 0:10:25 | 0:10:27 | |
Daniel Friend tucked his towel under his arm | 0:10:27 | 0:10:30 | |
and set off for his daily swim. | 0:10:30 | 0:10:32 | |
But, instead, of going to the beach as he normally would... | 0:10:32 | 0:10:35 | |
..and for reasons we don't yet know... | 0:10:35 | 0:10:36 | |
..he decided to head to the retreat's Contemplation Garden. | 0:10:36 | 0:10:40 | |
Here. | 0:10:40 | 0:10:41 | |
However, his journey was cut short when he was accosted - | 0:10:41 | 0:10:45 | |
we think by one of the other residents - and strangled to death. | 0:10:45 | 0:10:48 | |
Just...here. | 0:10:48 | 0:10:50 | |
So, what do we have on our victim? | 0:10:51 | 0:10:52 | |
I haven't been able to dig up that much so far. | 0:10:52 | 0:10:55 | |
The retreat only has a basic website | 0:10:55 | 0:10:58 | |
and he seems to have no presence on social media. | 0:10:58 | 0:11:01 | |
Seems technology was an anathema to Mr Friend. | 0:11:01 | 0:11:03 | |
Now the only four people, as far as we're aware, | 0:11:03 | 0:11:07 | |
who knew Daniel are the three paying guests and, of course, his wife. | 0:11:07 | 0:11:10 | |
Cressida Friend. | 0:11:10 | 0:11:11 | |
A qualified yoga teacher. | 0:11:11 | 0:11:14 | |
Their business accounts show they opened the retreat | 0:11:14 | 0:11:17 | |
-using money from her trust fund. -Trust fund? | 0:11:17 | 0:11:20 | |
Apparently, her family are big landowners in Dorset. | 0:11:20 | 0:11:22 | |
Oh, well, in that case we should do a full financial check. | 0:11:22 | 0:11:25 | |
As an old mucker of mine at the Met used to say, | 0:11:25 | 0:11:28 | |
-"Where there's money, there's motive." -What's a mucker? | 0:11:28 | 0:11:30 | |
Oh, it's just a friend, Florence. Like you and me. | 0:11:30 | 0:11:33 | |
We're a couple of muckers. | 0:11:33 | 0:11:34 | |
Hmm. Muckers? OK! | 0:11:34 | 0:11:35 | |
Gabriel Lee. 26. Junior doctor, | 0:11:38 | 0:11:41 | |
currently taking a year-long sabbatical from Bristol General. | 0:11:41 | 0:11:45 | |
-Do we know why? -Not yet. | 0:11:45 | 0:11:47 | |
But I've got details for his consultant. I'll get in touch. | 0:11:47 | 0:11:51 | |
Right. So, who's next? | 0:11:51 | 0:11:52 | |
Erm, Eva Ingram. | 0:11:52 | 0:11:55 | |
Single. A successful entrepreneur | 0:11:55 | 0:11:58 | |
who runs her own business importing wine. | 0:11:58 | 0:12:01 | |
She owns a number of shops around the UK. | 0:12:01 | 0:12:04 | |
And she arrived on the island only yesterday? | 0:12:04 | 0:12:06 | |
Claims she'd never met Daniel before. | 0:12:06 | 0:12:08 | |
We need to confirm that for ourselves. | 0:12:08 | 0:12:11 | |
And, finally, Bryn Williams. 51. | 0:12:11 | 0:12:14 | |
Lives in London, but originally from, um... | 0:12:14 | 0:12:18 | |
"Pwel" - "Pwill" - "Pywell", I'm sorry, how do you say that? | 0:12:18 | 0:12:21 | |
I've no idea. I'm Irish. | 0:12:21 | 0:12:23 | |
-Let's just say "Wales". -SHE CHUCKLES | 0:12:23 | 0:12:25 | |
So, what do we have on Bryn? | 0:12:25 | 0:12:27 | |
Hmm, so far, not much. | 0:12:27 | 0:12:29 | |
His Facebook page states his profession as a Maths teacher. | 0:12:29 | 0:12:32 | |
But I'm struggling to find evidence of that. | 0:12:32 | 0:12:35 | |
There are two significant questions | 0:12:36 | 0:12:38 | |
that lie at the heart of this case, Florence. | 0:12:38 | 0:12:41 | |
The first - if our victim went to the beach for a swim | 0:12:41 | 0:12:43 | |
at the same time every day... | 0:12:43 | 0:12:45 | |
Daniel headed off for his swim as usual. | 0:12:45 | 0:12:47 | |
..then who or what made him change his mind today? | 0:12:47 | 0:12:50 | |
And the second - if our killer is one of these four people | 0:12:50 | 0:12:53 | |
who were sitting in this meditation circle... | 0:12:53 | 0:12:58 | |
..then how did one of them slip out unnoticed and commit murder? | 0:13:02 | 0:13:07 | |
JP, you find anything yet? | 0:13:15 | 0:13:19 | |
JP? | 0:13:20 | 0:13:21 | |
JP? | 0:13:25 | 0:13:26 | |
Ohhhh! | 0:13:31 | 0:13:34 | |
Why don't you make yourself at home, JP? | 0:13:34 | 0:13:36 | |
Put your feet up. | 0:13:36 | 0:13:38 | |
And why don't I make you a nice cold planters while I'm at it?! | 0:13:38 | 0:13:42 | |
I'm sorry, Dwayne. It's just I started flicking through this book | 0:13:42 | 0:13:45 | |
-and I just couldn't put it down. -Oh! -It's really fascinating! | 0:13:45 | 0:13:48 | |
HE GRUNTS | 0:13:48 | 0:13:49 | |
Believe by Daniel Friend. | 0:13:51 | 0:13:52 | |
Hey. | 0:13:52 | 0:13:54 | |
The victim wrote it? | 0:13:54 | 0:13:55 | |
Yes, he's got a whole box of them. I think it's for the guests to buy. | 0:13:55 | 0:13:58 | |
"Using the power of positive thinking | 0:13:59 | 0:14:02 | |
"to access your life's goals"? | 0:14:02 | 0:14:06 | |
Oh, come on! | 0:14:06 | 0:14:07 | |
Er, Dwayne, basically, | 0:14:07 | 0:14:09 | |
it says that if there's something you want in life, | 0:14:09 | 0:14:12 | |
and you project it in your mind. | 0:14:12 | 0:14:14 | |
You can actually make it happen! | 0:14:14 | 0:14:17 | |
-Oh, really? -Mmm. | 0:14:17 | 0:14:18 | |
Well, let's put it to the test. | 0:14:18 | 0:14:20 | |
I'm projecting, in my mind, | 0:14:22 | 0:14:25 | |
that JP will get up off of his backside and start doing some work. | 0:14:25 | 0:14:29 | |
HE SIGHS | 0:14:29 | 0:14:32 | |
Amazing. | 0:14:33 | 0:14:34 | |
It worked. | 0:14:34 | 0:14:35 | |
-Very funny, Dwayne. -Never mind all that! | 0:14:35 | 0:14:38 | |
How did you get on here? Any sign of the belt? | 0:14:38 | 0:14:41 | |
Well, I found a whole load of Daniel's papers and journals, | 0:14:41 | 0:14:45 | |
and I boxed them up, but no belt. You? | 0:14:45 | 0:14:47 | |
Diddly squat. | 0:14:47 | 0:14:49 | |
We'd better get back to the station and update the chief, you know? Uh! | 0:14:49 | 0:14:52 | |
Positive thinking...! | 0:14:53 | 0:14:54 | |
I'm sorry, Chief. | 0:15:03 | 0:15:05 | |
We searched inside, outside, upstairs and downstairs. | 0:15:05 | 0:15:09 | |
It has to be there. | 0:15:09 | 0:15:11 | |
If our killer is... | 0:15:11 | 0:15:13 | |
Well, then, how, when and where did they manage to dispose of the belt | 0:15:13 | 0:15:18 | |
when none of them left the retreat after the murder? | 0:15:18 | 0:15:20 | |
It doesn't make any sense. | 0:15:20 | 0:15:22 | |
OK, let's call it a day. | 0:15:22 | 0:15:24 | |
-Crack on anew in the morning. -Chief. | 0:15:24 | 0:15:26 | |
Have you got something there, Florence? | 0:15:26 | 0:15:29 | |
Sir, it's from the items JP found in Daniel's room. | 0:15:29 | 0:15:32 | |
It's a notebook. | 0:15:32 | 0:15:33 | |
Shorthand. | 0:15:33 | 0:15:35 | |
-We should see if we can get it deciphered. -Will do. | 0:15:35 | 0:15:38 | |
Ah, sarge? We're going for a quick drink to Catherine's bar. | 0:15:39 | 0:15:42 | |
-Fancy joining us? -No, I might stay and make a couple of calls. | 0:15:42 | 0:15:45 | |
-Chief? -Oh, I'd love to, Dwayne. | 0:15:45 | 0:15:47 | |
But this speech is not going to write itself. | 0:15:47 | 0:15:49 | |
The commissioner's award is in two days. | 0:15:49 | 0:15:51 | |
OK, well, a small rum might be just what you need | 0:15:51 | 0:15:53 | |
to get your creative juices flowing, ah? Hm? | 0:15:53 | 0:15:57 | |
Maybe you're right, Dwayne. Maybe that's exactly what I need, yeah! | 0:15:57 | 0:16:01 | |
Just a small one, then. | 0:16:01 | 0:16:02 | |
Absolutely, Chief. Just a small one. | 0:16:02 | 0:16:05 | |
Or two! Or three... | 0:16:05 | 0:16:06 | |
GROANING | 0:16:20 | 0:16:22 | |
Morning, sir! | 0:16:22 | 0:16:24 | |
You look terrible. Have you slept? | 0:16:24 | 0:16:26 | |
Yeah! I think I might've nodded off for about five minutes around four. | 0:16:26 | 0:16:30 | |
Four? You haven't been working on your speech all night? | 0:16:30 | 0:16:33 | |
It got to the point where words ceased to have any meaning. | 0:16:33 | 0:16:36 | |
They were just dancing in front of my eyes. | 0:16:36 | 0:16:38 | |
But then, just before you arrived, a breakthrough! | 0:16:38 | 0:16:40 | |
-Really? -I decided to seek professional help. | 0:16:40 | 0:16:42 | |
This guy! He's written biographies about everyone | 0:16:42 | 0:16:45 | |
from Churchill to George Best. | 0:16:45 | 0:16:46 | |
He says the key to writing about someone | 0:16:46 | 0:16:49 | |
is to know your subject inside out. | 0:16:49 | 0:16:51 | |
Get to know them intimately. | 0:16:51 | 0:16:52 | |
And how are you going to do that? | 0:16:52 | 0:16:54 | |
I'm going to invite the commissioner to spend some quality time with me. | 0:16:54 | 0:16:57 | |
Anyway, we've got more pressing issues. | 0:16:57 | 0:16:59 | |
-How did you get on last night? -I paid my cousin a visit. | 0:16:59 | 0:17:02 | |
He's a clerk at Honore Town Court. | 0:17:02 | 0:17:04 | |
And did he manage to translate Daniel's scribblings? | 0:17:04 | 0:17:06 | |
Well, first off, I don't think this was written by Daniel Friend. | 0:17:06 | 0:17:10 | |
It's mainly about him and it's written in the third person. | 0:17:10 | 0:17:13 | |
So, someone was keeping a journal ABOUT Daniel? | 0:17:13 | 0:17:15 | |
It's all about their stay as a guest at the retreat | 0:17:15 | 0:17:18 | |
and it's very critical of him. | 0:17:18 | 0:17:20 | |
Is there any way of working out who the author might be? | 0:17:20 | 0:17:22 | |
All the guests are mentioned in it, except for one. | 0:17:22 | 0:17:26 | |
Bryn Williams. | 0:17:28 | 0:17:29 | |
Bryn Williams. | 0:17:31 | 0:17:33 | |
Yesterday, you said that Bryn's social media | 0:17:38 | 0:17:41 | |
-maintained he was a maths teacher... -DEODORANT SPRAYS | 0:17:41 | 0:17:44 | |
..but you didn't find any evidence of that? | 0:17:44 | 0:17:46 | |
No, nothing. | 0:17:46 | 0:17:48 | |
I wonder... | 0:17:48 | 0:17:49 | |
Very few jobs left that call for shorthand. | 0:17:51 | 0:17:53 | |
But the one trade that still uses it... | 0:17:55 | 0:17:57 | |
is journalism. | 0:17:57 | 0:17:59 | |
Nothing. | 0:18:03 | 0:18:05 | |
"William Bryn" maybe? | 0:18:05 | 0:18:06 | |
His pseudonym! | 0:18:11 | 0:18:12 | |
Will you drive? I'm going to make a call | 0:18:14 | 0:18:17 | |
to an old press officer friend of mine back in London. | 0:18:17 | 0:18:19 | |
See if I can't find a number for Mr Williams' editor. | 0:18:19 | 0:18:22 | |
-That's got nothing to do with what happened with Daniel. -No? | 0:18:31 | 0:18:34 | |
Because, from where I'm standing, | 0:18:34 | 0:18:36 | |
this gives you a pretty strong motive for murder. | 0:18:36 | 0:18:39 | |
-Oh, you're joking, right? -Not in the slightest. | 0:18:39 | 0:18:42 | |
How about you start by explaining why your notebook | 0:18:42 | 0:18:44 | |
-was in Daniel's possession. -Was he on to you? | 0:18:44 | 0:18:47 | |
I don't know how, but he sussed that I was onto something, yeah. | 0:18:50 | 0:18:53 | |
Like ourselves, he "sussed" that you weren't | 0:18:53 | 0:18:55 | |
the common-or-garden maths teacher you claimed to be? | 0:18:55 | 0:18:58 | |
-He worked out that I was writing an expose. -And he confronted you? | 0:18:58 | 0:19:01 | |
You know, for a man who spent his time | 0:19:01 | 0:19:03 | |
banging on about inner peace, he didn't half get angry. | 0:19:03 | 0:19:06 | |
-And what did he say? -He told me to get on the next flight home ASAP. | 0:19:06 | 0:19:09 | |
-When did this happen? -Couple of days ago. | 0:19:09 | 0:19:11 | |
-So, how come you're still here? -We came to an arrangement. | 0:19:11 | 0:19:15 | |
I offered to write a complimentary article about the place. | 0:19:15 | 0:19:18 | |
Right, yes... | 0:19:18 | 0:19:19 | |
And why didn't you inform your editor about this? | 0:19:19 | 0:19:23 | |
-I just spoke with him. Half an hour ago. -Really? -Yeah. | 0:19:23 | 0:19:25 | |
He had no idea Daniel was on to you. But he did have some | 0:19:25 | 0:19:28 | |
very interesting information to pass on about you. | 0:19:28 | 0:19:30 | |
Like how things aren't going too well | 0:19:30 | 0:19:32 | |
in your personal life at the moment. | 0:19:32 | 0:19:34 | |
Halfway through a divorce. | 0:19:34 | 0:19:36 | |
About to lose custody of your children. | 0:19:36 | 0:19:38 | |
And your work was suffering as a result. | 0:19:38 | 0:19:40 | |
According to him - this undercover gig here at the retreat, | 0:19:40 | 0:19:43 | |
is pretty much last chance saloon. | 0:19:43 | 0:19:45 | |
So, Daniel Friend blowing your cover and sending you packing - | 0:19:45 | 0:19:47 | |
I imagine that's the last thing you need. | 0:19:47 | 0:19:49 | |
I can see how this might look. | 0:19:50 | 0:19:52 | |
It looks, Bryn - despite your protestations - | 0:19:52 | 0:19:55 | |
that you benefit from Daniel Friend's death. Big time. | 0:19:55 | 0:19:58 | |
The man's clearly desperate, Florence. | 0:20:01 | 0:20:03 | |
But is he desperate enough to commit murder? | 0:20:03 | 0:20:06 | |
-Morning, Cressida. -Morning. | 0:20:06 | 0:20:08 | |
Wow! They're really, really... | 0:20:08 | 0:20:11 | |
What are they exactly? | 0:20:11 | 0:20:13 | |
We call them emotional expression sculptures. | 0:20:13 | 0:20:15 | |
They're from an art therapy class I ran with Bryn and Gabe yesterday. | 0:20:15 | 0:20:19 | |
"Emotional expression sculptures"? | 0:20:19 | 0:20:21 | |
I thought I'd put them out in the sun so they can dry quicker. | 0:20:23 | 0:20:26 | |
Anything to keep busy. | 0:20:26 | 0:20:27 | |
Inspector? | 0:20:29 | 0:20:30 | |
The day before yesterday, I happened to see Gabe with Daniel and... | 0:20:31 | 0:20:35 | |
it looked like Gabe was pretty livid at him. | 0:20:35 | 0:20:39 | |
Gabe was pointing and jabbing Daniel in the chest. | 0:20:39 | 0:20:43 | |
-What time was this? -Er, about 10.30 in the morning. | 0:20:43 | 0:20:46 | |
-Did you hear any of what was said? -No, but... | 0:20:46 | 0:20:48 | |
The thing is, Gabe then walked out of the retreat | 0:20:48 | 0:20:51 | |
and we didn't see him again until yesterday morning. | 0:20:51 | 0:20:54 | |
He just disappeared for 24 hours. | 0:20:54 | 0:20:56 | |
And did you ask Daniel about this? | 0:20:56 | 0:20:59 | |
He said it was nothing to worry about. | 0:20:59 | 0:21:01 | |
But you think there was something to it? Some issue between them? | 0:21:01 | 0:21:04 | |
All I know is he still had a lot of anger in him when he made this. | 0:21:04 | 0:21:08 | |
I'll chase the consultant at the hospital Gabe works at. | 0:21:25 | 0:21:28 | |
Yeah, let's see how Dwayne and JP | 0:21:28 | 0:21:30 | |
are getting on with his phone records and financial checks. | 0:21:30 | 0:21:33 | |
Anything that might tell us where Gabe went | 0:21:33 | 0:21:36 | |
during that missing 24 hours. | 0:21:36 | 0:21:38 | |
Commissioner! | 0:21:38 | 0:21:40 | |
What an unexpected pleasure! | 0:21:40 | 0:21:43 | |
I wondered if you might have five minutes for a chat, Inspector? | 0:21:43 | 0:21:46 | |
For you, sir, I've got the whole day. | 0:21:46 | 0:21:49 | |
Excuse me, gentlemen. | 0:21:49 | 0:21:51 | |
As I'm sure you can imagine, | 0:22:04 | 0:22:06 | |
receiving the island's Special Award tomorrow night | 0:22:06 | 0:22:10 | |
-is a great honour for me. -Course. | 0:22:10 | 0:22:12 | |
-I'm not, by nature, a sentimental man. -No. | 0:22:12 | 0:22:15 | |
And yet I must admit I am deeply moved by this acknowledgement. | 0:22:15 | 0:22:19 | |
I can only imagine. | 0:22:19 | 0:22:20 | |
So, you can see why I would hate to see the evening marred in any way. | 0:22:20 | 0:22:26 | |
Well, it goes without saying, sir. | 0:22:26 | 0:22:28 | |
Mayor Bordey tells me | 0:22:28 | 0:22:30 | |
you are giving the speech before the award is presented so... | 0:22:30 | 0:22:33 | |
That's right. Yes. And don't you worry. | 0:22:33 | 0:22:36 | |
It's coming along a treat. | 0:22:36 | 0:22:37 | |
I've got some lovely material already. | 0:22:37 | 0:22:40 | |
Although... | 0:22:41 | 0:22:42 | |
Why is there an "although"? | 0:22:42 | 0:22:45 | |
Well, I just have the tiniest concern that parts of it | 0:22:45 | 0:22:49 | |
are a bit, well, general. | 0:22:49 | 0:22:51 | |
And I couldn't help feeling that | 0:22:51 | 0:22:53 | |
if you and I could sit down, | 0:22:53 | 0:22:55 | |
have a drink, at Catherine's bar, say...? | 0:22:55 | 0:22:58 | |
It's on. Me and the commissioner. | 0:23:03 | 0:23:06 | |
7pm. Catherine's bar. | 0:23:06 | 0:23:08 | |
-Really? -Yeah! | 0:23:08 | 0:23:09 | |
Couple of rums, some gentle encouragement | 0:23:09 | 0:23:12 | |
and he'll be regaling me with anecdotes. | 0:23:12 | 0:23:13 | |
I'll have him singing like a bird. | 0:23:13 | 0:23:15 | |
QUIETLY: He asked the commissioner for a drink?! | 0:23:15 | 0:23:17 | |
PHONE RINGS Excuse me. | 0:23:17 | 0:23:19 | |
So, what's the story? | 0:23:19 | 0:23:21 | |
-JP, is that a postmortem I see before me? -Yes, it is. | 0:23:21 | 0:23:25 | |
And it confirms Daniel Friend died due to asphyxiation. | 0:23:25 | 0:23:28 | |
Also, the fibres found around the victim's neck | 0:23:28 | 0:23:30 | |
are the same kind of fabric used to make the robe belts at the retreat. | 0:23:30 | 0:23:34 | |
Except we still have no idea how the murderer | 0:23:34 | 0:23:37 | |
managed to get rid of the belt, | 0:23:37 | 0:23:38 | |
-when not one of them left the retreat. -Oh! | 0:23:38 | 0:23:40 | |
-Also, I dusted the key as requested. -And? | 0:23:40 | 0:23:43 | |
There's only one set of prints on them and they're Daniel's. | 0:23:43 | 0:23:46 | |
If we could only figure out what exactly it unlocks. | 0:23:46 | 0:23:49 | |
There's a locksmith in town, isn't there? | 0:23:49 | 0:23:51 | |
Er, yes, Dread Locks. | 0:23:51 | 0:23:53 | |
Why don't you pop down as soon as you get a chance | 0:23:53 | 0:23:55 | |
-and see if he can give us a steer. -OK. | 0:23:55 | 0:23:57 | |
-Sir? -Yes, Florence? -I've had an e-mail back from Bristol General. | 0:23:57 | 0:24:01 | |
Gabe took his sabbatical after his twin sister, Ruth, | 0:24:01 | 0:24:04 | |
died six months ago. | 0:24:04 | 0:24:06 | |
Apparently, he was finding it hard to get over her death. | 0:24:06 | 0:24:09 | |
-She took her own life. -Whoo! What a terrible thing. | 0:24:09 | 0:24:12 | |
And here's a link to a website Gabe set up in her memory. | 0:24:12 | 0:24:15 | |
Poor girl. And so young. | 0:24:16 | 0:24:18 | |
Makes sense of what he was doing at the retreat. | 0:24:18 | 0:24:20 | |
Trying to deal with his grief, I suppose. | 0:24:20 | 0:24:22 | |
..Yes, see you, then. | 0:24:22 | 0:24:24 | |
Chief, I've got something for you. | 0:24:24 | 0:24:27 | |
So, I checked Gabe's phone records like you suggested | 0:24:27 | 0:24:29 | |
and the only phone call he made on the morning | 0:24:29 | 0:24:31 | |
he went off the radar was to one of the local taxi firms. | 0:24:31 | 0:24:34 | |
Apparently, he wanted to be dropped off at the nearest bar. | 0:24:34 | 0:24:37 | |
-Which is? -The Blue Parrot. | 0:24:37 | 0:24:38 | |
You want us to go over there and see if we can find out anything, Chief? | 0:24:38 | 0:24:41 | |
It's like you can read my mind! | 0:24:41 | 0:24:43 | |
Impossible! | 0:24:43 | 0:24:45 | |
JP! | 0:24:45 | 0:24:46 | |
Let's go! | 0:24:46 | 0:24:47 | |
Oh, yes, of course! | 0:24:49 | 0:24:51 | |
Little Michael who runs the place just got three months for theft. | 0:24:51 | 0:24:54 | |
Oy, oy, oy, oy, oy, oy, oy! | 0:24:54 | 0:24:56 | |
His brother Tino must be running it. | 0:24:56 | 0:24:59 | |
And nothing keeps Tino away from his cricket. | 0:24:59 | 0:25:02 | |
OK, so let's go and find him, then. | 0:25:02 | 0:25:03 | |
Whoa, whoa, whoa, whoa, whoa, whoa! | 0:25:03 | 0:25:05 | |
He could be anywhere on the island. | 0:25:05 | 0:25:08 | |
His sister's place. His brother's. Either of his girlfriends'. | 0:25:08 | 0:25:11 | |
OK, Well, I guess we just wait here | 0:25:11 | 0:25:15 | |
until Tino turns up. | 0:25:15 | 0:25:18 | |
You know, I was reading a little bit more | 0:25:22 | 0:25:24 | |
of this book last night, Dwayne. Positive thinking. | 0:25:24 | 0:25:26 | |
And it says if things aren't exactly working out the way you want, | 0:25:26 | 0:25:30 | |
there are these visualisation exercises you can use. | 0:25:30 | 0:25:34 | |
And how the hell is that going to be of any use to us now? | 0:25:34 | 0:25:37 | |
Well, what we want is for Tino to turn up | 0:25:37 | 0:25:39 | |
-so we can ask him some questions. -Uh-huh. | 0:25:39 | 0:25:42 | |
So, if I close my eyes | 0:25:42 | 0:25:45 | |
and I picture the path ahead | 0:25:45 | 0:25:48 | |
and I visualise Tino walking around the bend. | 0:25:48 | 0:25:52 | |
OK. Yes. | 0:25:52 | 0:25:54 | |
Yeah, OK. so now I've visualised it, | 0:25:54 | 0:25:56 | |
what I've willed to happen should actually happen. | 0:25:56 | 0:25:59 | |
Oh! | 0:25:59 | 0:26:01 | |
OK! | 0:26:02 | 0:26:04 | |
Maybe you should try another book. | 0:26:13 | 0:26:15 | |
Yeah, I probably need to do, you know, a bit more practice on it. | 0:26:15 | 0:26:18 | |
That's an understatement. | 0:26:18 | 0:26:20 | |
No way. | 0:26:23 | 0:26:24 | |
Is that Tino? | 0:26:24 | 0:26:26 | |
-That's him! The Rasta! -Oh, my...! It actually worked! | 0:26:26 | 0:26:29 | |
-JP LAUGHS -You just have to believe! | 0:26:29 | 0:26:32 | |
Sir, have you ever heard of a thing called "confrontation therapy"? | 0:26:32 | 0:26:38 | |
Yeah, a colleague of mine tried it after a tough case. Why? | 0:26:38 | 0:26:40 | |
Well, I've been looking at the retreat's schedule | 0:26:40 | 0:26:43 | |
and at 9am the morning Gabe disappeared, | 0:26:43 | 0:26:45 | |
he was booked in for a one-to-one therapy session with Daniel. | 0:26:45 | 0:26:48 | |
Which would've been just before Cressida saw them arguing? | 0:26:48 | 0:26:51 | |
So, what does confrontation therapy involve? | 0:26:51 | 0:26:54 | |
Well, as far as I can tell, | 0:26:54 | 0:26:55 | |
it's about taking responsibility for your problems. | 0:26:55 | 0:26:59 | |
It's pretty extreme. A lot of shrinks reckon it's dangerous. | 0:26:59 | 0:27:01 | |
Especially if the subject is trying to deal with a significant trauma. | 0:27:01 | 0:27:05 | |
Like the death of a sister? | 0:27:05 | 0:27:07 | |
Like the death of a twin sister, yeah. | 0:27:07 | 0:27:09 | |
OK, Chief, we just spoke to the barman | 0:27:09 | 0:27:12 | |
who was there on the day Gabe Lee turned up. | 0:27:12 | 0:27:14 | |
-A guy called Tino. -And what did Tino have to say? | 0:27:14 | 0:27:16 | |
That Gabe was clearly very angry when he arrived at the bar. | 0:27:16 | 0:27:19 | |
And the more he drank, the angrier he got. | 0:27:19 | 0:27:21 | |
Apparently, he spent the whole time telling Tino | 0:27:21 | 0:27:24 | |
exactly how much he hated Daniel Friend. | 0:27:24 | 0:27:26 | |
And get this! Gabe's very last words before he left the bar was... | 0:27:26 | 0:27:29 | |
"Daniel Friend's got it coming." | 0:27:29 | 0:27:31 | |
What are you planting? | 0:27:37 | 0:27:39 | |
Celery or... | 0:27:39 | 0:27:41 | |
peas? | 0:27:41 | 0:27:42 | |
Sorry to hear about your sister. | 0:27:44 | 0:27:46 | |
Why? You didn't know her. | 0:27:48 | 0:27:50 | |
Well, I know how complicated grief can be. | 0:27:52 | 0:27:55 | |
It's not just the pain. | 0:27:55 | 0:27:57 | |
It's the anger and regret... | 0:27:58 | 0:28:00 | |
..and the guilt. | 0:28:02 | 0:28:04 | |
She'd split up with her boyfriend. | 0:28:06 | 0:28:08 | |
They'd been together a couple of years | 0:28:08 | 0:28:11 | |
and he really messed her around. | 0:28:11 | 0:28:13 | |
She kept telling me she was fine. | 0:28:13 | 0:28:16 | |
But she wasn't. | 0:28:16 | 0:28:17 | |
And I should've seen that. That's what I regret. | 0:28:19 | 0:28:21 | |
Coming here - has it helped? | 0:28:23 | 0:28:24 | |
I understand you were having therapy sessions with Daniel. | 0:28:24 | 0:28:28 | |
Confrontation therapy. | 0:28:28 | 0:28:30 | |
Daniel kept talking about taking responsibility - | 0:28:31 | 0:28:34 | |
how we can't move on unless we do. | 0:28:34 | 0:28:37 | |
It felt like he was telling me it was my fault | 0:28:37 | 0:28:40 | |
my sister killed herself. | 0:28:40 | 0:28:42 | |
And this is what prompted your argument with Daniel. | 0:28:43 | 0:28:46 | |
It's not my fault. It's yours! | 0:28:46 | 0:28:48 | |
Just before you left the retreat and headed for the | 0:28:48 | 0:28:52 | |
Blue Parrot? | 0:28:52 | 0:28:53 | |
I knew... if I'd stayed that I'd... | 0:28:55 | 0:28:59 | |
-What? Hit him? -Yes. -Or worse? | 0:28:59 | 0:29:01 | |
No! No! | 0:29:01 | 0:29:03 | |
I left so I could get him out of my sight. So, I could calm down. | 0:29:03 | 0:29:06 | |
Yeah, but you didn't calm down, did you, Gabe? | 0:29:06 | 0:29:09 | |
Tino at the Blue Parrot told us that hours after the argument, | 0:29:09 | 0:29:12 | |
you were still ranting and raving angry towards Daniel. | 0:29:12 | 0:29:14 | |
But I didn't kill him. Even if I wanted to, I couldn't have. | 0:29:14 | 0:29:18 | |
I was sitting in that meditation circle with everyone else, wasn't I? | 0:29:18 | 0:29:22 | |
Gabe's right, Florence. We've got four suspects. | 0:29:25 | 0:29:28 | |
Each of them has an alibi - | 0:29:28 | 0:29:30 | |
the same alibi for the time the murder was committed. | 0:29:30 | 0:29:32 | |
They were all sat together in a meditation circle | 0:29:32 | 0:29:35 | |
-inside the retreat. -Exactly. | 0:29:35 | 0:29:36 | |
So, just how did one of them do it? | 0:29:36 | 0:29:38 | |
Sir, I just come back from the locksmith | 0:29:38 | 0:29:41 | |
and he said this type of key would fit some sort of cash-box. | 0:29:41 | 0:29:44 | |
-A cash-box? -Hmm. | 0:29:44 | 0:29:46 | |
Well, you searched the retreat. | 0:29:46 | 0:29:47 | |
-Did you spot anything like that? -I'm afraid not, sir. -Great. | 0:29:47 | 0:29:50 | |
So as well as the belt that was used to kill the victim, | 0:29:50 | 0:29:52 | |
we now have a cashbox - two items that have gone missing. | 0:29:52 | 0:29:55 | |
Chief, I've finished going through all the phone records | 0:29:55 | 0:29:57 | |
and the e-mail correspondence from the retreat. | 0:29:57 | 0:29:59 | |
-Anything of interest? -Just one thing. | 0:29:59 | 0:30:02 | |
Two months ago, someone from the retreat | 0:30:02 | 0:30:04 | |
called the emergency services. | 0:30:04 | 0:30:05 | |
Now, it wasn't for us, | 0:30:05 | 0:30:06 | |
so that means it was either for the fire brigade or an ambulance. | 0:30:06 | 0:30:10 | |
-Do we know which? -I'm waiting for a return call. | 0:30:10 | 0:30:12 | |
-OK. Well, let's see what turns up there. -Yes, Chief. | 0:30:12 | 0:30:15 | |
So, how're we getting on sorting through Daniel's paperwork? | 0:30:16 | 0:30:18 | |
Ah, we've gone through the first box | 0:30:18 | 0:30:20 | |
which has all his papers since he moved here. | 0:30:20 | 0:30:22 | |
Nothing before that. Haven't started on the second box yet. | 0:30:22 | 0:30:25 | |
Well, I guess that's my homework for tonight, then. | 0:30:25 | 0:30:28 | |
Oh, sir, don't forget your drink with the commissioner. | 0:30:28 | 0:30:31 | |
Sort the speech out first. And then I'll get stuck into that lot. | 0:30:31 | 0:30:33 | |
I'm just trying to get a sense of you | 0:30:37 | 0:30:39 | |
as a...civilian, as well as a commissioner. | 0:30:39 | 0:30:41 | |
What you look like when you take off your uniform. | 0:30:41 | 0:30:44 | |
Excuse me? | 0:30:44 | 0:30:45 | |
Could've put that better. | 0:30:46 | 0:30:48 | |
Erm, no, I just want to get a feel for the real Selwyn Patterson. | 0:30:48 | 0:30:51 | |
-I mean, I don't even know if you're married? -Why would you? | 0:30:51 | 0:30:54 | |
Well, why don't you take me back to where it all began? | 0:30:57 | 0:30:59 | |
-Were you born here on the island? -Yes. | 0:30:59 | 0:31:02 | |
-And do you have any family nearby or... -No. | 0:31:03 | 0:31:06 | |
So, what are some of your earliest memories? | 0:31:06 | 0:31:11 | |
I'm not sure that's relevant. | 0:31:12 | 0:31:14 | |
You're hardly going to use that in your speech, are you? | 0:31:14 | 0:31:17 | |
Ah, Catherine! | 0:31:17 | 0:31:19 | |
Here we are, gentlemen. | 0:31:19 | 0:31:20 | |
Thank you, Mayor Bordey. | 0:31:20 | 0:31:22 | |
So, what's the occasion? | 0:31:22 | 0:31:24 | |
I've been helping the inspector | 0:31:24 | 0:31:27 | |
put the final touches to his speech for tomorrow night. | 0:31:27 | 0:31:29 | |
But it's getting late. | 0:31:29 | 0:31:31 | |
Ah! I hope I've been of use. | 0:31:35 | 0:31:37 | |
Yes! Very helpful. | 0:31:37 | 0:31:39 | |
JACK CHUCKLES | 0:31:41 | 0:31:43 | |
Marvellous! | 0:31:43 | 0:31:44 | |
I've got nothing. I'll be honest, Catherine. | 0:31:44 | 0:31:47 | |
I am way out of my comfort zone here - miles! | 0:31:47 | 0:31:49 | |
HE SIGHS | 0:31:50 | 0:31:52 | |
When I became mayor, | 0:31:52 | 0:31:54 | |
I was terrified of speaking in public. | 0:31:54 | 0:31:57 | |
But I've realised there are only two things to remember. | 0:31:57 | 0:32:00 | |
And what are they? | 0:32:00 | 0:32:01 | |
-Number one, keep it short. -And number two? | 0:32:01 | 0:32:04 | |
-Keep it short. -I can do short. | 0:32:04 | 0:32:05 | |
How about I just say, "Fair play to you, Commissioner. | 0:32:05 | 0:32:08 | |
-"You're a great fella, here's your award." -Mm-hm. | 0:32:08 | 0:32:11 | |
HE SIGHS | 0:32:19 | 0:32:21 | |
-Ah, that's brilliant, thank you. -No problem. | 0:33:07 | 0:33:10 | |
Ah, Florence! Good morning. | 0:33:14 | 0:33:16 | |
-Morning, sir. JP told me you were here. -I am. | 0:33:16 | 0:33:19 | |
Was that Archie Martindale you were talking to? | 0:33:19 | 0:33:21 | |
-It was indeed. Do you know him? -Everyone knows Archie. | 0:33:21 | 0:33:24 | |
He's a legend on the island. | 0:33:24 | 0:33:26 | |
He must be, what, 83 now? | 0:33:26 | 0:33:28 | |
84, and he's still driving the ambulance. It's amazing! | 0:33:28 | 0:33:31 | |
So, what were you talking to him about? | 0:33:31 | 0:33:33 | |
Ah, yes, sit down. I'll explain. | 0:33:33 | 0:33:35 | |
Sorry, monsieur, two more coffees, please. | 0:33:35 | 0:33:38 | |
Right, so last night, I came across these. | 0:33:38 | 0:33:42 | |
Letters to Cressida, all unopened. | 0:33:42 | 0:33:44 | |
Daniel must've been keeping them from her. | 0:33:44 | 0:33:47 | |
They're from her parents. | 0:33:47 | 0:33:48 | |
From what I can glean, | 0:33:51 | 0:33:53 | |
Daniel insisted that Cressida cut off all communication | 0:33:53 | 0:33:55 | |
between friends and family after they got married and moved out here. | 0:33:55 | 0:33:58 | |
-Really? -For his all Zen-like calm, | 0:33:58 | 0:34:00 | |
Daniel Friend, it seems, was a very controlling man. | 0:34:00 | 0:34:03 | |
I've come across people like that before. I know how they operate. | 0:34:03 | 0:34:06 | |
And then I remembered Dwayne saying that the emergency services | 0:34:06 | 0:34:09 | |
had been called to the retreat just a couple of months ago. | 0:34:09 | 0:34:12 | |
You think Daniel might've hurt Cressida? | 0:34:12 | 0:34:14 | |
-There you go. -It's just a hunch. That's all. | 0:34:14 | 0:34:16 | |
But I chased the call and yes, | 0:34:16 | 0:34:17 | |
the ambulance was called to tend to injuries that Cressida had received. | 0:34:17 | 0:34:21 | |
Thank you. | 0:34:21 | 0:34:22 | |
-Which is why you were talking to Archie? -Exactly. | 0:34:22 | 0:34:25 | |
He says that Cressida had treatment for a broken rib. | 0:34:25 | 0:34:28 | |
Daniel was with her. | 0:34:28 | 0:34:30 | |
-Did either of them say what had happened? -Yeah. | 0:34:30 | 0:34:33 | |
They said she fell off a ladder fixing something or other. | 0:34:33 | 0:34:36 | |
But Archie had doubts? | 0:34:36 | 0:34:38 | |
He was suspicious. | 0:34:38 | 0:34:40 | |
Said that Cressida was tearful, on edge, | 0:34:40 | 0:34:42 | |
but they both stuck to the ladder story. | 0:34:42 | 0:34:44 | |
Nothing he could do about it. | 0:34:44 | 0:34:46 | |
So, what? You think maybe Cressida had had enough and fought back? | 0:34:46 | 0:34:50 | |
She's the one who killed Daniel? | 0:34:50 | 0:34:52 | |
Well, only she can answer that. | 0:34:52 | 0:34:55 | |
-This is where he used to swim every day. -Lovely. | 0:35:14 | 0:35:18 | |
We found these in Daniel's personal effects. | 0:35:19 | 0:35:21 | |
They're all addressed to you and most of them unopened. | 0:35:21 | 0:35:25 | |
Daniel was always threatened by Mum and Dad. | 0:35:27 | 0:35:30 | |
-They were suspicious of him. -Why was that? | 0:35:30 | 0:35:32 | |
Because of the family trust, | 0:35:32 | 0:35:34 | |
-they assumed that everyone was on the make. -But Daniel wasn't? -No. | 0:35:34 | 0:35:39 | |
Daniel wasn't interested in money. He rejected any kind of materialism. | 0:35:39 | 0:35:42 | |
The retreat, whose idea was it? | 0:35:46 | 0:35:48 | |
Daniel's. | 0:35:49 | 0:35:50 | |
Initially. | 0:35:50 | 0:35:52 | |
But I didn't need much convincing. | 0:35:52 | 0:35:54 | |
-Did he always get what he wanted? -Two months ago | 0:35:54 | 0:35:56 | |
you were taken to hospital. A broken rib. | 0:35:56 | 0:35:59 | |
What happened? | 0:36:00 | 0:36:01 | |
It was an accident, that's all. I fell off a step ladder. | 0:36:03 | 0:36:06 | |
Are you absolutely sure about that, Cressida? | 0:36:06 | 0:36:08 | |
He's not here now. | 0:36:09 | 0:36:11 | |
He can't hurt you any more. | 0:36:11 | 0:36:13 | |
It was a row that got out of hand, that's all. | 0:36:15 | 0:36:19 | |
I wanted to go home to England for my brother's wedding. | 0:36:19 | 0:36:22 | |
-Daniel didn't want me to go. -So, he hurt you? | 0:36:22 | 0:36:24 | |
Not on purpose. | 0:36:24 | 0:36:26 | |
If you'd seen him afterwards, | 0:36:26 | 0:36:28 | |
he was always so contrite and loving. | 0:36:28 | 0:36:30 | |
"Always"? So this happened more than once? | 0:36:30 | 0:36:33 | |
You must have been desperate to get away, to escape. | 0:36:33 | 0:36:37 | |
I imagine you were prepared to do anything? | 0:36:37 | 0:36:39 | |
I could've walked away if I wanted to. | 0:36:39 | 0:36:43 | |
I didn't need to kill him to escape our marriage, | 0:36:43 | 0:36:45 | |
-if that's what you're insinuating. -Mmm. | 0:36:45 | 0:36:48 | |
-Ah! Chief! You're back just in time. -What've you got? | 0:36:51 | 0:36:54 | |
You see, we couldn't find anything on Daniel Friend | 0:36:54 | 0:36:57 | |
that dated back farther than three years. | 0:36:57 | 0:36:59 | |
His tax affairs. Bank records. E-mail accounts. | 0:36:59 | 0:37:02 | |
-Even his current passport were issued three years ago. -Go on... | 0:37:02 | 0:37:06 | |
Now, me and JP are starting to think that Daniel Friend | 0:37:06 | 0:37:09 | |
isn't actually Daniel Friend. | 0:37:09 | 0:37:11 | |
So, who was Daniel Friend before he was Daniel Friend? | 0:37:11 | 0:37:14 | |
That's what we don't yet know. | 0:37:14 | 0:37:15 | |
If he did change his name, it wasn't done officially. | 0:37:15 | 0:37:18 | |
So, our victim had a previous identity. | 0:37:18 | 0:37:22 | |
I was on a fraud case once, back when I first started. | 0:37:24 | 0:37:26 | |
Months, we were after this fella. | 0:37:26 | 0:37:28 | |
He was so slippery, we used to call him "The Eel." | 0:37:28 | 0:37:30 | |
He kept reinventing himself, new identities, the lot. | 0:37:30 | 0:37:34 | |
But, finally, he tripped himself up. | 0:37:34 | 0:37:36 | |
You see, he'd stashed mementoes of his previous life | 0:37:36 | 0:37:39 | |
under the floorboards. Couldn't quite let go, I suppose. | 0:37:39 | 0:37:42 | |
But we haven't found anything like that in Daniel's possessions. | 0:37:42 | 0:37:45 | |
Mmm, not a whiff. | 0:37:45 | 0:37:46 | |
Yeah, but when we found Daniel, there was a key... | 0:37:46 | 0:37:50 | |
Chief! | 0:37:50 | 0:37:52 | |
..for a cashbox which we haven't yet found. | 0:37:52 | 0:37:54 | |
Now, what if this box contains the remnants of his previous life? | 0:37:54 | 0:37:58 | |
I think the answer lies somewhere in the ground here. | 0:38:01 | 0:38:03 | |
Dwayne, do your thing. | 0:38:03 | 0:38:04 | |
Ah, Chief, there's quite a lot to cover, here, you know? | 0:38:04 | 0:38:08 | |
Any specific place you want me to start? | 0:38:08 | 0:38:10 | |
Your guess is as good as mine. | 0:38:10 | 0:38:12 | |
Maybe we try visualising finding it, | 0:38:14 | 0:38:16 | |
just like you saw me do earlier. | 0:38:16 | 0:38:18 | |
But what if I'm not like you? What if I haven't got the gift? | 0:38:18 | 0:38:22 | |
It's worth a try. | 0:38:22 | 0:38:23 | |
HE SIGHS | 0:38:24 | 0:38:26 | |
It was never going to happen, was it? | 0:38:36 | 0:38:38 | |
METAL-DETECTOR BUZZES | 0:38:38 | 0:38:40 | |
It worked! | 0:38:41 | 0:38:43 | |
-Sorry, what just happened there? -No idea! | 0:38:44 | 0:38:47 | |
You were right, sir. | 0:38:54 | 0:38:56 | |
Yes, well, let's see if this tells us | 0:38:56 | 0:38:59 | |
just who Daniel Friend really is. | 0:38:59 | 0:39:01 | |
Hello, Michael Bennett. | 0:39:11 | 0:39:13 | |
Yes, uh-huh. | 0:39:17 | 0:39:18 | |
Unlike Daniel Friend, Michael Bennett has a past. | 0:39:18 | 0:39:21 | |
And a pretty colourful one, too, by the looks of things. | 0:39:21 | 0:39:24 | |
A string of failed businesses, investigated for embezzlement. | 0:39:24 | 0:39:27 | |
Thank you very much. That was the airport. | 0:39:27 | 0:39:29 | |
Now there was a Michael Bennett | 0:39:29 | 0:39:30 | |
booked on a flight to South Africa the day Daniel died. | 0:39:30 | 0:39:33 | |
So, that's what he was up to. Why he was going to dig up the box. | 0:39:33 | 0:39:36 | |
He was making a break for it! | 0:39:36 | 0:39:37 | |
So, this cash must have been his running-away fund. | 0:39:37 | 0:39:40 | |
But what was he running away from? | 0:39:40 | 0:39:43 | |
Sir, take a look at this. | 0:39:43 | 0:39:44 | |
Four years ago, Michael Bennett was the co-owner | 0:39:44 | 0:39:47 | |
of a homoeopathic business in Hertfordshire which went bust, | 0:39:47 | 0:39:51 | |
leaving his partner 100,000 in debt. | 0:39:51 | 0:39:54 | |
Why is that significant? | 0:39:54 | 0:39:55 | |
-Look who co-owned it. -CLACKS KEY | 0:39:55 | 0:39:57 | |
Eva Ingram! | 0:40:02 | 0:40:04 | |
-HE KNOCKS ON DOOR -Eva? | 0:40:09 | 0:40:11 | |
Eva? | 0:40:13 | 0:40:14 | |
She's not there. | 0:40:14 | 0:40:16 | |
Oh, she said she'd cleared it with you, Inspector. | 0:40:16 | 0:40:19 | |
Did she now? So where did she go? | 0:40:19 | 0:40:21 | |
Oh, she took a taxi to the harbour. | 0:40:21 | 0:40:23 | |
The harbour! | 0:40:23 | 0:40:25 | |
She's here somewhere! | 0:40:32 | 0:40:34 | |
There she is. | 0:40:36 | 0:40:37 | |
Just a one way ticket, please. | 0:40:39 | 0:40:41 | |
Going somewhere nice, Miss Ingram? | 0:40:48 | 0:40:50 | |
Michael Bennett ripped you off, | 0:40:52 | 0:40:54 | |
left you £100,000 in debt, | 0:40:54 | 0:40:56 | |
and then vanished off the face of the Earth. | 0:40:56 | 0:40:59 | |
I'd say that gives you a pretty good reason to want revenge. | 0:40:59 | 0:41:02 | |
-Well, I didn't come here to kill him. -No? So, why did you come here? | 0:41:02 | 0:41:05 | |
What, you just fancied a bit of spiritual rejuvenation? | 0:41:05 | 0:41:09 | |
-And then by sheer coincidence. -No. | 0:41:09 | 0:41:11 | |
-I mean, there was one coincidence involved. -Which was? | 0:41:11 | 0:41:15 | |
One day, a friend of mine called me | 0:41:15 | 0:41:17 | |
and said she'd happened upon this review of the retreat online. | 0:41:17 | 0:41:21 | |
And there was a photo of Michael? | 0:41:21 | 0:41:22 | |
Right, so you booked yourself a place, what then? | 0:41:22 | 0:41:24 | |
-What was the plan? -Well, I mean to confront him. | 0:41:24 | 0:41:28 | |
And demand an apology. | 0:41:28 | 0:41:30 | |
And what he owed me. | 0:41:30 | 0:41:31 | |
He looked so shocked. | 0:41:31 | 0:41:33 | |
He couldn't believe that I'd found him. | 0:41:33 | 0:41:36 | |
Welcome. | 0:41:36 | 0:41:37 | |
-And what did he say? -That he'd have the money | 0:41:38 | 0:41:40 | |
by the end of the week but, um, | 0:41:40 | 0:41:42 | |
-he begged me not to mention it to Cressida. -And you believed him? | 0:41:42 | 0:41:45 | |
Even though you'd been here before, left high and dry? | 0:41:45 | 0:41:48 | |
Well, I'm not sure if I believed him, | 0:41:48 | 0:41:50 | |
but I knew I wasn't going to leave here without my money. | 0:41:50 | 0:41:53 | |
Well, I'm sure you weren't. But Daniel was. | 0:41:53 | 0:41:55 | |
He had a flight booked and a big load of cash. | 0:41:55 | 0:41:58 | |
I think he was about to do exactly what he'd done to you before - | 0:41:58 | 0:42:01 | |
his disappearing act, leaving you with only one option. | 0:42:01 | 0:42:04 | |
If you couldn't get your money, then you'd have to settle for revenge. | 0:42:04 | 0:42:08 | |
One man, two names. | 0:42:13 | 0:42:15 | |
Daniel Friend and Michael Bennett. | 0:42:15 | 0:42:17 | |
Four suspects, each of them with a motive. | 0:42:17 | 0:42:20 | |
And yet not one of them had the opportunity | 0:42:20 | 0:42:23 | |
to follow Daniel down that path and then strangle him | 0:42:23 | 0:42:26 | |
because they were all sitting together in a circle | 0:42:26 | 0:42:29 | |
in the half hour between Daniel being seen alive | 0:42:29 | 0:42:32 | |
and being found dead. | 0:42:32 | 0:42:33 | |
So, just how on earth did our killer manage to do it? | 0:42:34 | 0:42:37 | |
Anyone? | 0:42:38 | 0:42:39 | |
It's impossible. | 0:42:41 | 0:42:42 | |
-Except it can't be. Because it did happen. -Sir... | 0:42:42 | 0:42:45 | |
-The time. Don't we need to get ready for the award ceremony? -Oh! | 0:42:45 | 0:42:48 | |
It starts in less than an hour and I've still got no speech. | 0:42:48 | 0:42:51 | |
What am I going to do? | 0:42:51 | 0:42:52 | |
If we put together everything we know about the commissioner, | 0:42:52 | 0:42:55 | |
I'm sure we can come up with something. So... | 0:42:55 | 0:42:58 | |
What have we got? | 0:42:59 | 0:43:00 | |
OK, so, erm, | 0:43:00 | 0:43:02 | |
-Yes, we know that the commissioner was born on the island. -Mm-hmm. | 0:43:02 | 0:43:07 | |
So, erm, yes, anyone else? | 0:43:07 | 0:43:10 | |
Well, he... | 0:43:10 | 0:43:12 | |
-He's, um... -He is, erm... | 0:43:12 | 0:43:14 | |
..the commissioner, let's think... | 0:43:14 | 0:43:16 | |
ALL MURMUR | 0:43:16 | 0:43:18 | |
Chief, the man is an enigma! | 0:43:18 | 0:43:20 | |
HE SIGHS | 0:43:20 | 0:43:23 | |
It is my great pleasure... It is my great pleasure... | 0:43:24 | 0:43:28 | |
It is my great pleasure... It is my great pleasure, | 0:43:28 | 0:43:33 | |
this evening, to say a few words in honour... | 0:43:33 | 0:43:36 | |
APPLAUSE | 0:43:45 | 0:43:46 | |
And, finally, we come to the last, and most important, | 0:43:46 | 0:43:49 | |
of our civic awards this evening. | 0:43:49 | 0:43:52 | |
The Lifetime Award for Services to the Island. | 0:43:52 | 0:43:56 | |
And here, to present the award, | 0:43:56 | 0:43:59 | |
is Detective Inspector Jack Mooney. | 0:43:59 | 0:44:02 | |
-QUIETLY: -God help me... -APPLAUSE | 0:44:02 | 0:44:04 | |
You'll be great, sir. | 0:44:04 | 0:44:06 | |
What can you say about Commissioner Selwyn Patterson? | 0:44:14 | 0:44:17 | |
FEEDBACK SQUEAKS, HE TAPS | 0:44:20 | 0:44:22 | |
HE CLEARS HIS THROAT | 0:44:22 | 0:44:24 | |
Selwyn Patterson was born here in Saint Marie. | 0:44:25 | 0:44:29 | |
And, as you all know, he's been our Commissioner for quite a while now. | 0:44:29 | 0:44:33 | |
And even if some of you aren't certain | 0:44:33 | 0:44:36 | |
of what a commissioner actually does, | 0:44:36 | 0:44:38 | |
well I'm sure you'll all agree that | 0:44:38 | 0:44:40 | |
he seems to know exactly what he's doing. | 0:44:40 | 0:44:43 | |
SCATTERED COUGHS | 0:44:43 | 0:44:45 | |
Hand on heart, I don't really know the commissioner that well. | 0:44:51 | 0:44:55 | |
I mean, I've only been on the island for less than a year. | 0:44:55 | 0:44:58 | |
But I'd like to think, even in that short time, | 0:44:58 | 0:45:01 | |
I've got to know something about the people of Saint Marie. | 0:45:01 | 0:45:04 | |
People like the team I work with, | 0:45:04 | 0:45:07 | |
who'll come around to keep you company | 0:45:07 | 0:45:08 | |
when your daughter flies off to the other side of the world. | 0:45:08 | 0:45:11 | |
Or bring dinner to the office when you've been working too hard. | 0:45:11 | 0:45:15 | |
In short, the people of this island are among the most friendly, | 0:45:15 | 0:45:20 | |
decent, good-hearted people I've ever had the pleasure to meet. | 0:45:20 | 0:45:23 | |
And if you've decided that Selwyn Patterson deserves this award, | 0:45:23 | 0:45:28 | |
well, then he must be a very fine man indeed. | 0:45:28 | 0:45:31 | |
Congratulations, Commissioner. | 0:45:32 | 0:45:33 | |
APPLAUSE | 0:45:33 | 0:45:35 | |
APPROVING MURMURS | 0:45:35 | 0:45:38 | |
Well said, sir. | 0:45:48 | 0:45:50 | |
It's typical, isn't it? | 0:45:50 | 0:45:51 | |
I mean, you can spend days trying to plan something | 0:45:51 | 0:45:54 | |
or you can make something up on the spot, | 0:45:54 | 0:45:56 | |
and the result is exactly the same. | 0:45:56 | 0:45:58 | |
Thank you, DI Mooney, for those kind and well-chosen words. | 0:45:58 | 0:46:02 | |
Make something up on the spot. | 0:46:02 | 0:46:04 | |
Sir? | 0:46:04 | 0:46:05 | |
What if that's what the killer did? | 0:46:05 | 0:46:06 | |
Because Daniel wasn't where he was supposed to be. | 0:46:06 | 0:46:09 | |
Closing our eyes... | 0:46:12 | 0:46:14 | |
And then Gabe went to get his phone | 0:46:17 | 0:46:19 | |
and then that's when we called your lot. | 0:46:19 | 0:46:21 | |
It's not my fault! | 0:46:21 | 0:46:23 | |
We call them emotional expression sculptures. | 0:46:23 | 0:46:25 | |
She'd split up with her boyfriend. | 0:46:25 | 0:46:27 | |
Hello, Michael Bennett. | 0:46:34 | 0:46:36 | |
I've got it! | 0:46:36 | 0:46:38 | |
CONCERNED MURMURS | 0:46:38 | 0:46:40 | |
I believe that sound you've just heard is DI Mooney solving a case. | 0:46:43 | 0:46:48 | |
Sounds like you have urgent matters to attend to. | 0:46:50 | 0:46:53 | |
That's it. That's exactly it! | 0:46:54 | 0:46:56 | |
All this time, I've had it the wrong way around. | 0:46:56 | 0:46:59 | |
Dwayne, call the undertaker. We need to get Daniel's body back. | 0:46:59 | 0:47:02 | |
And wake up the pathologist. We need him to run one more test. | 0:47:02 | 0:47:05 | |
Everything's all set, sir. | 0:47:11 | 0:47:13 | |
A camera-phone. | 0:47:17 | 0:47:19 | |
Ubiquitous these days. We all have one. | 0:47:19 | 0:47:22 | |
Our every moment is recorded. | 0:47:22 | 0:47:24 | |
No-one, it seems, can eat a sandwich | 0:47:24 | 0:47:25 | |
without wanting to take a selfie with it. | 0:47:25 | 0:47:28 | |
Yet, these little fellas are strictly verboten | 0:47:28 | 0:47:30 | |
here at the Calming Breath. Why? | 0:47:30 | 0:47:32 | |
Well, Daniel claims it was for holistic reasons. | 0:47:32 | 0:47:36 | |
But that wasn't the case. | 0:47:36 | 0:47:38 | |
His obsession with privacy wasn't for his guests' benefit. | 0:47:38 | 0:47:41 | |
It was for his own benefit, | 0:47:41 | 0:47:42 | |
because the truth is Daniel was terrified | 0:47:42 | 0:47:45 | |
-of being exposed for who he really was. Michael Bennett. -Who? | 0:47:45 | 0:47:50 | |
But Daniel wasn't the only liar here at the retreat. | 0:47:50 | 0:47:53 | |
You've all got your secrets, | 0:47:53 | 0:47:54 | |
but only one of you has been lying | 0:47:54 | 0:47:57 | |
to cover up the fact that you're a murderer. | 0:47:57 | 0:47:59 | |
Now, all of you sitting there are confident | 0:48:00 | 0:48:03 | |
that you've got the perfect alibi. | 0:48:03 | 0:48:05 | |
But truth be told, the question that's been eating away at me | 0:48:05 | 0:48:08 | |
for the last few days is how on earth | 0:48:08 | 0:48:10 | |
did our killer manage to strangle | 0:48:10 | 0:48:11 | |
Daniel while sitting in a meditation circle? | 0:48:11 | 0:48:13 | |
You don't still think it was one of us, do you? | 0:48:13 | 0:48:16 | |
Oh, more than ever. | 0:48:16 | 0:48:18 | |
As a matter of fact, I know for certain it was. | 0:48:18 | 0:48:20 | |
I mean, I know the real reason why Daniel | 0:48:20 | 0:48:23 | |
didn't go for his swim that day was because he was on his way | 0:48:23 | 0:48:27 | |
to retrieve this from where he'd buried it. | 0:48:27 | 0:48:29 | |
It contained the few remnants of Daniel's former life. | 0:48:29 | 0:48:32 | |
Michael Bennett's passport. | 0:48:32 | 0:48:34 | |
His birth certificate. | 0:48:34 | 0:48:35 | |
And a significant amount of cash. | 0:48:35 | 0:48:38 | |
An escape fund, if you will. | 0:48:38 | 0:48:39 | |
Now that his cover had been blown, | 0:48:39 | 0:48:41 | |
by the woman he used to own a business with, | 0:48:41 | 0:48:43 | |
he knew it was high time to scarper. | 0:48:43 | 0:48:45 | |
He had his flights to South Africa booked and ready. | 0:48:45 | 0:48:48 | |
But Daniel would never make it as far as Johannesburg. | 0:48:48 | 0:48:51 | |
He wouldn't even make it as far as the cash box. | 0:48:51 | 0:48:53 | |
Because while he was on his way to get that... | 0:48:53 | 0:48:55 | |
he collapsed and fell down in the dirt. | 0:48:55 | 0:48:59 | |
Unconscious. | 0:48:59 | 0:49:01 | |
Unconscious? Why? | 0:49:02 | 0:49:04 | |
Because he'd been drugged. | 0:49:04 | 0:49:06 | |
Drugged? You said he'd been strangled. | 0:49:06 | 0:49:08 | |
Oh, Daniel was strangled all right, that's for sure. | 0:49:08 | 0:49:11 | |
But that wasn't the way he was meant to die. No. | 0:49:11 | 0:49:14 | |
He was supposed to drown. | 0:49:14 | 0:49:16 | |
Wasn't he... | 0:49:16 | 0:49:17 | |
..Gabe? | 0:49:19 | 0:49:21 | |
-Me? You can't be serious? -Yeah! | 0:49:23 | 0:49:25 | |
We went back to the pathologist | 0:49:25 | 0:49:27 | |
and we asked him to run an additional test on Daniel's body. | 0:49:27 | 0:49:31 | |
And that showed that around 65 milligram | 0:49:31 | 0:49:33 | |
of a strong, fast-acting sedative was in his system. | 0:49:33 | 0:49:37 | |
I remember Cressida saying... | 0:49:37 | 0:49:39 | |
It was about 2.30. | 0:49:39 | 0:49:40 | |
We had just finished lunch. | 0:49:40 | 0:49:42 | |
I'm guessing that's how you got the sedative into Daniel's system. | 0:49:44 | 0:49:47 | |
In his green tea. | 0:49:47 | 0:49:48 | |
You knew what time Daniel went for his swim every day, 2.30. | 0:49:51 | 0:49:55 | |
Enjoy your swim, my love. | 0:49:55 | 0:49:57 | |
It was only a few minutes' walk from here to the beach. | 0:49:58 | 0:50:01 | |
And you knew what time lunch was served, so it wasn't very difficult | 0:50:01 | 0:50:04 | |
to work out what kind of a dose to give him. | 0:50:04 | 0:50:06 | |
Especially, as you're a trained doctor. | 0:50:08 | 0:50:10 | |
Just enough to kick in as he was swimming out into the ocean. | 0:50:10 | 0:50:13 | |
Causing him to fall into a deep sleep and drown. | 0:50:13 | 0:50:16 | |
Best case scenario - his body would be lost to the ocean. | 0:50:16 | 0:50:18 | |
-Never to return. -Worst case, | 0:50:18 | 0:50:21 | |
cause of death would be dismissed as a tragic accident. | 0:50:21 | 0:50:24 | |
Meaning no-one would bother to ask for a blood analysis of the victim. | 0:50:24 | 0:50:28 | |
Not any more than they would if the cause of death was strangulation. | 0:50:28 | 0:50:32 | |
Unlucky for you, Daniel decided not to go for a swim that day. | 0:50:32 | 0:50:36 | |
Instead he headed for the Contemplation Garden. | 0:50:36 | 0:50:39 | |
No wonder finding him lying on the path knocked you sideways. | 0:50:39 | 0:50:42 | |
That was the last thing you were expecting. | 0:50:42 | 0:50:45 | |
And worst of all, he was still alive. | 0:50:45 | 0:50:46 | |
He was still alive?! | 0:50:46 | 0:50:49 | |
In that moment, you realised you needed to improvise. | 0:50:49 | 0:50:52 | |
So thinking on your feet you made a bold decision. You told Cressida... | 0:50:52 | 0:50:56 | |
He's dead. | 0:50:56 | 0:50:58 | |
While Eva was comforting you, | 0:51:03 | 0:51:05 | |
Gabe offered to go and get his phone so as he could call the police, | 0:51:05 | 0:51:09 | |
knowing that this would give him enough time | 0:51:09 | 0:51:11 | |
to get back to Daniel and finish the job. | 0:51:11 | 0:51:14 | |
So, Gabe ran and grabbed his phone. | 0:51:14 | 0:51:17 | |
And then, he headed back to Daniel's body. | 0:51:18 | 0:51:21 | |
And then...so as he wouldn't leave any fingerprints, | 0:51:22 | 0:51:25 | |
he used the only weapon that he had on him... | 0:51:25 | 0:51:28 | |
..the belt from around his robe... | 0:51:29 | 0:51:32 | |
..and he strangled Daniel. | 0:51:37 | 0:51:39 | |
There was no struggle. | 0:51:45 | 0:51:47 | |
How could there be? | 0:51:47 | 0:51:49 | |
The man was unconscious | 0:51:49 | 0:51:50 | |
and utterly defenceless. | 0:51:50 | 0:51:52 | |
And that left only one more thing for you to do | 0:51:54 | 0:51:57 | |
before returning to the others. Dispose of the belt. | 0:51:57 | 0:52:00 | |
So, where did you hide it? | 0:52:02 | 0:52:04 | |
No? Dwayne, JP, if you would? | 0:52:07 | 0:52:10 | |
On the morning of Daniel's death, Cressida, here | 0:52:13 | 0:52:17 | |
held an art therapy session with Bryn and Gabe. | 0:52:17 | 0:52:21 | |
It was only a few hours later that Daniel was killed. | 0:52:21 | 0:52:24 | |
The clay would have still been wet. | 0:52:24 | 0:52:27 | |
SMASHING | 0:52:31 | 0:52:33 | |
THEY GASP | 0:52:33 | 0:52:34 | |
Once you'd hidden the incriminating belt with Daniel's DNA on it, | 0:52:36 | 0:52:41 | |
you then took a clean belt from the storeroom, | 0:52:41 | 0:52:44 | |
and tied it round your own robe. | 0:52:44 | 0:52:46 | |
Why? What did Daniel ever do to you? | 0:52:47 | 0:52:50 | |
It wasn't about what Daniel did to Gabe. | 0:52:50 | 0:52:53 | |
Was it? It was what he did to Gabe's sister. | 0:52:53 | 0:52:56 | |
He really messed her around. | 0:52:56 | 0:52:59 | |
She kept telling me she was fine. | 0:52:59 | 0:53:02 | |
But she wasn't. | 0:53:02 | 0:53:03 | |
The man you married, Cressida, | 0:53:03 | 0:53:05 | |
was once in a relationship with Ruth Lee. | 0:53:05 | 0:53:08 | |
But she knew him as Michael Bennett. | 0:53:09 | 0:53:11 | |
Now as far as I can tell, Michael Bennett, | 0:53:11 | 0:53:14 | |
he only ever achieved real success at one thing. Screwing over women. | 0:53:14 | 0:53:17 | |
BOTH SIGH | 0:53:17 | 0:53:20 | |
Ruth was totally in love with Michael. | 0:53:26 | 0:53:29 | |
And then, he just vanished. | 0:53:31 | 0:53:32 | |
Took her savings, her car and broke her heart so badly. | 0:53:32 | 0:53:38 | |
She...she never came back from it. | 0:53:38 | 0:53:40 | |
Daniel Friend spent a lifetime running away. | 0:53:40 | 0:53:43 | |
From his debt. | 0:53:44 | 0:53:45 | |
From responsibility. | 0:53:45 | 0:53:47 | |
From himself. | 0:53:47 | 0:53:49 | |
But like I say, in an age where our every move is recorded, | 0:53:49 | 0:53:53 | |
no-one can outrun their past. | 0:53:53 | 0:53:55 | |
Of course, the irony here is | 0:53:55 | 0:53:57 | |
that if Daniel hadn't been trying to run away on this occasion, | 0:53:57 | 0:54:01 | |
there's every chance that his killer would have got away with murder. | 0:54:01 | 0:54:05 | |
You know, when he saw me, he didn't even recognise me. | 0:54:05 | 0:54:08 | |
That's how little my sister meant to him. | 0:54:08 | 0:54:11 | |
I don't regret what I did. He deserved it! | 0:54:11 | 0:54:14 | |
At least, now Ruth can rest in peace. | 0:54:14 | 0:54:16 | |
JP. | 0:54:18 | 0:54:19 | |
OK, up you get. | 0:54:21 | 0:54:23 | |
Well, I can't deny what my eyes saw, JP. | 0:54:36 | 0:54:41 | |
This book really does have magic in it. | 0:54:41 | 0:54:43 | |
For instance right now, | 0:54:43 | 0:54:45 | |
Catherine is going to bring us both over a free beer. | 0:54:45 | 0:54:50 | |
And how did you come to that? | 0:54:50 | 0:54:51 | |
Well, how do you think, man? I visualised it! Remember? | 0:54:51 | 0:54:56 | |
Here you are, gentlemen. Two beers. | 0:54:57 | 0:55:00 | |
You see? Cheers! | 0:55:01 | 0:55:03 | |
Oh! | 0:55:03 | 0:55:04 | |
And your bill, Dwayne! | 0:55:04 | 0:55:07 | |
HE CHUCKLES | 0:55:07 | 0:55:08 | |
But, Catherine, how come this says, "ten beers"? | 0:55:08 | 0:55:12 | |
The last time you were in, you forgot to pay. | 0:55:12 | 0:55:14 | |
But you don't mind settling up now, do you? | 0:55:14 | 0:55:18 | |
Oh, come on, no. | 0:55:18 | 0:55:19 | |
Later. | 0:55:19 | 0:55:20 | |
HE CHUCKLES | 0:55:20 | 0:55:22 | |
Like I said, it's all a big con. | 0:55:26 | 0:55:29 | |
You sure you're all right to finish off here, sir? | 0:55:34 | 0:55:36 | |
Yeah, you go on ahead. | 0:55:36 | 0:55:38 | |
-See you in the morning. -Night, sir. | 0:55:38 | 0:55:41 | |
DS Cassell. | 0:55:43 | 0:55:44 | |
Commissioner. | 0:55:46 | 0:55:47 | |
It might not have been quite the speech I was hoping for, | 0:55:53 | 0:55:57 | |
but in its own peculiar way, I appreciated the sentiment. | 0:55:57 | 0:56:01 | |
Well, it was from the heart. | 0:56:01 | 0:56:03 | |
I gathered. | 0:56:03 | 0:56:05 | |
I was pleased to note how well you're settling into island life. | 0:56:05 | 0:56:08 | |
Saint Marie's clearly got under your skin. | 0:56:08 | 0:56:11 | |
Has indeed, sir. | 0:56:11 | 0:56:12 | |
Cricket. | 0:56:20 | 0:56:21 | |
Sorry? | 0:56:21 | 0:56:23 | |
Watching my father play cricket. | 0:56:23 | 0:56:25 | |
You wanted to know what was my earliest memory. | 0:56:25 | 0:56:27 | |
-Just for the record. -Right. | 0:56:27 | 0:56:29 | |
-It's too bad I couldn't put that in my speech. -Who knows? | 0:56:30 | 0:56:34 | |
Maybe in time, we might get to know each other a little better. | 0:56:34 | 0:56:38 | |
I'd like that. | 0:56:38 | 0:56:39 | |
Perhaps we could go for another drink. | 0:56:39 | 0:56:42 | |
Let's not get ahead of ourselves, Inspector. | 0:56:42 | 0:56:44 | |
Police, please! | 0:57:06 | 0:57:08 | |
GRUNTING | 0:57:08 | 0:57:10 | |
Cordell Thomas... | 0:57:10 | 0:57:11 | |
Now why would our victim be clutching a peanut? | 0:57:11 | 0:57:13 | |
I. Didn't. Do it. Inspector. | 0:57:13 | 0:57:17 | |
You have hot-footed it up here to stuff your face, | 0:57:17 | 0:57:20 | |
while the rest of your poor colleagues | 0:57:20 | 0:57:22 | |
-are working through the night. -But it's my birthday! | 0:57:22 | 0:57:24 | |
First girl I ever kissed had the same initials. | 0:57:24 | 0:57:26 | |
Leony Brennan. Terrifying, she was. | 0:57:26 | 0:57:28 | |
God, I hope it's not her... | 0:57:28 | 0:57:29 |