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This programme contains some strong language and some scenes which some viewers may find upsetting. | 0:00:02 | 0:00:07 | |
-Victim's name is Mr Haris Rexhaj. -Did your brother use Thrustr to meet men? | 0:00:07 | 0:00:10 | |
Users can send messages to one another | 0:00:10 | 0:00:12 | |
and they don't show on phone records. | 0:00:12 | 0:00:14 | |
Well, it's the perfect tool for our killer to lure his victim. | 0:00:14 | 0:00:18 | |
Sir, there was a prior murder at Cardinal Park. | 0:00:18 | 0:00:20 | |
And the victim profile's the same. | 0:00:20 | 0:00:22 | |
-They're both gay men. -26 years apart. | 0:00:22 | 0:00:24 | |
Just find me the rejected lover. | 0:00:24 | 0:00:26 | |
I wanted to ask about Shane. | 0:00:26 | 0:00:28 | |
Shane was a happy boy. The ocean took him. | 0:00:28 | 0:00:31 | |
This is blood. | 0:00:31 | 0:00:32 | |
It is. No victim came forward. But then they often didn't. | 0:00:32 | 0:00:36 | |
They came from behind and smacked him over the head. | 0:00:36 | 0:00:39 | |
The point is, led by a vicious kid called Kyle Hampton. | 0:00:39 | 0:00:42 | |
Hammers? He runs the Greenroom. | 0:00:42 | 0:00:44 | |
That's where our victim had his last drink. | 0:00:44 | 0:00:46 | |
I did not hurt Harris! | 0:00:46 | 0:00:47 | |
-I know you didn't! -Put the knife down now! | 0:00:47 | 0:00:49 | |
You let her go! | 0:00:49 | 0:00:51 | |
GUNSHOT | 0:00:51 | 0:00:52 | |
Hey. | 0:02:14 | 0:02:15 | |
Get any sleep? | 0:02:17 | 0:02:20 | |
Not much. You? | 0:02:20 | 0:02:23 | |
The storm woke me. Would have washed away a lot of the evidence. | 0:02:23 | 0:02:26 | |
Sorry. I shouldn't have said that. | 0:02:27 | 0:02:30 | |
The critical incident team are going to want to take your statement. | 0:02:31 | 0:02:34 | |
Well, I don't know what they're going to ask. | 0:02:34 | 0:02:37 | |
But I'm not going to lie. | 0:02:38 | 0:02:40 | |
I don't want you to. | 0:02:41 | 0:02:43 | |
I had to assume he was going to kill you, so I stopped him. | 0:02:44 | 0:02:46 | |
I don't want to talk about it. | 0:02:49 | 0:02:50 | |
Can you show me that message again? | 0:02:52 | 0:02:53 | |
See, from that angle, it has to have been taken from the north. | 0:02:55 | 0:02:58 | |
While we were pursuing the wrong man, the killer was watching us. | 0:03:00 | 0:03:03 | |
Have you two got your story straight? | 0:03:12 | 0:03:13 | |
Um, we haven't talked - I didn't think it was appropriate. | 0:03:13 | 0:03:17 | |
Appropriate? What are you fucking talking about? | 0:03:18 | 0:03:21 | |
What's appropriate is you support your colleague, you comply with CIT, | 0:03:21 | 0:03:25 | |
get back to work. The minister wants this off the front page. | 0:03:25 | 0:03:29 | |
Yeah, the front page is the least of it. | 0:03:29 | 0:03:31 | |
There's footage all over the internet. | 0:03:31 | 0:03:33 | |
Whoever filmed it might have footage of RealMan. | 0:03:33 | 0:03:35 | |
He was there, he was watching. He had to have been to take that photo. | 0:03:35 | 0:03:38 | |
Since we don't know and as I have no desire to make us | 0:03:38 | 0:03:41 | |
the butt of cartoonists' humour, we don't advertise that. | 0:03:41 | 0:03:43 | |
What we do know is that RealMan used Haris Rexhaj's phone | 0:03:43 | 0:03:47 | |
-to send that message. Why? -Because he's thumbing his nose at us. | 0:03:47 | 0:03:51 | |
We also know that Haris Rexhaj received a call | 0:03:51 | 0:03:53 | |
an hour before he was killed | 0:03:53 | 0:03:55 | |
from an Adrian Cohen who lives at Brompton Avenue. | 0:03:55 | 0:03:58 | |
I've called him several times, he hasn't returned. | 0:03:58 | 0:04:00 | |
Well, check it out. | 0:04:00 | 0:04:02 | |
Tori, you take Brenda, will you? | 0:04:02 | 0:04:04 | |
The CIT are here. | 0:04:04 | 0:04:06 | |
-Just tell the truth. -The truth is subjective. | 0:04:07 | 0:04:10 | |
Just stick to the facts. He pulled a knife and you shot him. | 0:04:10 | 0:04:13 | |
You'll be all right. | 0:04:13 | 0:04:15 | |
KNOCK AT DOOR | 0:04:16 | 0:04:18 | |
KNOCKING CONTINUES | 0:04:21 | 0:04:23 | |
Hey, hey, hey! Hey, we should be calling this in! | 0:04:27 | 0:04:30 | |
Yeah, you do what you need to do. | 0:04:30 | 0:04:32 | |
FLY BUZZES | 0:04:35 | 0:04:37 | |
Oh. | 0:04:43 | 0:04:44 | |
I hope you packed your Vick's! | 0:04:44 | 0:04:46 | |
Shit. | 0:04:53 | 0:04:54 | |
Jesus. | 0:04:59 | 0:05:01 | |
Adrian Cohen was last seen | 0:05:01 | 0:05:03 | |
leaving his gallery opening on January 15th, | 0:05:03 | 0:05:06 | |
and we presume that's the night he was killed. | 0:05:06 | 0:05:08 | |
He was also assaulted with a friend a few weeks before, | 0:05:08 | 0:05:12 | |
after leaving synagogue. We don't know if it's related. | 0:05:12 | 0:05:15 | |
It could be nothing. | 0:05:15 | 0:05:16 | |
So when he called Haris Rexhaj on the 25th, | 0:05:16 | 0:05:20 | |
just before he was murdered, | 0:05:20 | 0:05:21 | |
the real Cohen had been dead for up to ten days. | 0:05:21 | 0:05:23 | |
So the killer keeps the victims' phones | 0:05:23 | 0:05:26 | |
and he uses them as bait for the next. | 0:05:26 | 0:05:28 | |
We printed the flat. | 0:05:28 | 0:05:30 | |
Nothing came up on the Helles lager bottle. | 0:05:30 | 0:05:32 | |
The blows and the injuries were similar to Rexhaj. | 0:05:32 | 0:05:35 | |
The killer is using Thrustr. | 0:05:37 | 0:05:39 | |
Both of our victims let somebody in that they were expecting. | 0:05:39 | 0:05:43 | |
You sent messages to all of Harris's Thrustr contacts. | 0:05:43 | 0:05:46 | |
-Did you have any luck? -No. | 0:05:46 | 0:05:48 | |
Did you say police business? | 0:05:48 | 0:05:50 | |
-Yes. -Maybe you should exaggerate. | 0:05:50 | 0:05:53 | |
Well-built, hung, horny. That should do it. | 0:05:53 | 0:05:56 | |
Well, why don't you do it, Tori? | 0:05:57 | 0:05:59 | |
Dig in, find your inner male. | 0:05:59 | 0:06:00 | |
Use it for a change. | 0:06:01 | 0:06:03 | |
We have an invite list from the night of the gallery opening. | 0:06:05 | 0:06:09 | |
Cohen's business partner said Cohen | 0:06:09 | 0:06:11 | |
got into a fight with Christopher Toohey. | 0:06:11 | 0:06:13 | |
THE Chris Toohey? I've known him since he was a kid. | 0:06:13 | 0:06:16 | |
He's no killer, except on the footy field. | 0:06:16 | 0:06:19 | |
What was the fight about? | 0:06:19 | 0:06:20 | |
We're not sure, but we should probably check it out. | 0:06:20 | 0:06:23 | |
Well, you just be discreet. | 0:06:23 | 0:06:25 | |
You know, it's not actually the first time | 0:06:26 | 0:06:29 | |
I've heard Toohey's name mentioned. | 0:06:29 | 0:06:31 | |
Detective Chalmers... | 0:06:31 | 0:06:33 | |
EX-detective Chalmers, and conspiracy theorist. | 0:06:33 | 0:06:36 | |
Chalmers has more than theories, sir. | 0:06:36 | 0:06:38 | |
He has evidence. | 0:06:38 | 0:06:40 | |
This lead pipe was taken off Toohey and Hammers. | 0:06:40 | 0:06:44 | |
1989. | 0:06:44 | 0:06:45 | |
The handle is bound in leather, just as our club is. | 0:06:45 | 0:06:50 | |
HE SCOFFS | 0:06:50 | 0:06:52 | |
You know, one is wooden and carved. | 0:06:52 | 0:06:54 | |
The other one is a lead pipe. | 0:06:54 | 0:06:56 | |
Now, I don't want anyone talking to the press. | 0:06:57 | 0:06:59 | |
I don't want anybody leaking anything. | 0:06:59 | 0:07:00 | |
Sir, shouldn't we alert the gay press so they can issue a warning? | 0:07:00 | 0:07:03 | |
Yeah, well, just keep it subtle and general. | 0:07:03 | 0:07:06 | |
Just on gay meeting sites. | 0:07:06 | 0:07:08 | |
And for goodness' sake, do not mention the word serial. | 0:07:08 | 0:07:10 | |
So I take it it didn't go well with CIT? | 0:07:16 | 0:07:18 | |
Well, you clearly think I fucked up. | 0:07:20 | 0:07:22 | |
He wasn't going to stab me. | 0:07:22 | 0:07:23 | |
How do you know that, Tori? | 0:07:24 | 0:07:26 | |
You don't. | 0:07:27 | 0:07:28 | |
Yeah, look, sorry. Toohey's doing publicity shots for the new season, | 0:07:29 | 0:07:32 | |
-and... -Yeah, that's great. Look, we can make a big deal of this, | 0:07:32 | 0:07:35 | |
or a small one. You choose. | 0:07:35 | 0:07:37 | |
January 15th, Adrian Cohen's gallery. | 0:07:39 | 0:07:42 | |
We heard you had a bit of a fight. | 0:07:42 | 0:07:44 | |
Can you tell us about that? | 0:07:44 | 0:07:45 | |
Well, I wanted to buy a painting and Adrian wouldn't sell it. | 0:07:45 | 0:07:50 | |
The picture's of me and I said, "Where's my moral rights?" | 0:07:50 | 0:07:54 | |
Was there anything off-key that night? | 0:07:55 | 0:07:57 | |
Did he seem on edge in any way? | 0:07:57 | 0:07:59 | |
-No. -You ever been to his house? | 0:08:00 | 0:08:03 | |
No. | 0:08:04 | 0:08:06 | |
Why would I go to his house? | 0:08:06 | 0:08:07 | |
Could you tell us what you did that night | 0:08:09 | 0:08:11 | |
after you had your little fight? | 0:08:11 | 0:08:12 | |
Well, I toddled up the hill with Teens and fell into bed | 0:08:12 | 0:08:16 | |
-and woke up on Saturday. -Do you know a bloke called Rexhaj? | 0:08:16 | 0:08:19 | |
-Prop forward? -Murdered man. | 0:08:19 | 0:08:22 | |
Cardinal Park. | 0:08:22 | 0:08:24 | |
Does that remind you of something? | 0:08:26 | 0:08:28 | |
No. It's the first I'm hearing of it. | 0:08:29 | 0:08:31 | |
Back in the day, you used to hang out with a gang called the Pointers. | 0:08:33 | 0:08:37 | |
Hang out with? | 0:08:37 | 0:08:38 | |
It was a beach suburb. | 0:08:39 | 0:08:41 | |
You go to school with kids, you meet them everywhere. | 0:08:41 | 0:08:43 | |
Yeah, I think it was a bit more than that. | 0:08:43 | 0:08:46 | |
Christmas Eve, 1989. | 0:08:47 | 0:08:51 | |
You and your pal Hammers were stopped by the police | 0:08:51 | 0:08:53 | |
and they took a weapon off you. | 0:08:53 | 0:08:55 | |
Sorry, what the hell has 1989 got to do with Adrian? | 0:08:57 | 0:09:00 | |
You tell us. | 0:09:02 | 0:09:03 | |
In 1989, my life was training and more training. | 0:09:05 | 0:09:10 | |
I didn't have any time for gangs! | 0:09:10 | 0:09:11 | |
Only weapon in my hand was a football. | 0:09:13 | 0:09:14 | |
Next time, make an appointment through my lawyer. | 0:09:21 | 0:09:24 | |
What do you think? | 0:09:29 | 0:09:31 | |
Look like the sort of bloke who'd hop on Thrustr, | 0:09:31 | 0:09:34 | |
lure a man to his death? | 0:09:34 | 0:09:35 | |
No. But he's hiding something. | 0:09:35 | 0:09:38 | |
Youths attacked Cohen - could we be dealing with some kind of copycat? | 0:09:40 | 0:09:43 | |
In the Cohen assault report he said they were local kids. | 0:09:43 | 0:09:48 | |
Three of them were laying into him and then one of them yelled out, | 0:09:48 | 0:09:51 | |
"Tex, cops are here!" | 0:09:51 | 0:09:53 | |
It was Friday night. There were brawls in every pub | 0:10:02 | 0:10:04 | |
up and down the strip. | 0:10:04 | 0:10:05 | |
We grabbed a youth, a kid called Tex. | 0:10:05 | 0:10:08 | |
Did you get an address? | 0:10:08 | 0:10:09 | |
Samaritan House, Bondi. | 0:10:10 | 0:10:12 | |
A week later, I called Mr Cohen in for an ID. | 0:10:12 | 0:10:15 | |
He never called back. | 0:10:15 | 0:10:17 | |
Samaritan House. | 0:10:17 | 0:10:18 | |
Is that a refuge or something? | 0:10:18 | 0:10:20 | |
Yeah, full of juvies. | 0:10:21 | 0:10:23 | |
Man called Thomas Katz runs the place. | 0:10:23 | 0:10:25 | |
Hates cops. | 0:10:25 | 0:10:26 | |
That'll be fun. | 0:10:27 | 0:10:29 | |
-What's -he done? We want to talk to Tex about an assault. | 0:10:35 | 0:10:38 | |
Assault or fight? | 0:10:38 | 0:10:40 | |
Boys are 16, 17, they fight. | 0:10:40 | 0:10:42 | |
It's primal. It's a way of expressing strength. | 0:10:42 | 0:10:46 | |
When you're a kid you're powerless, but then the hormones kick in, | 0:10:46 | 0:10:49 | |
you think you're acting like a real man. | 0:10:49 | 0:10:51 | |
A real man knows that masculinity's not about being macho, | 0:10:53 | 0:10:56 | |
it's about emotional self-awareness, mindfulness, discipline. | 0:10:56 | 0:10:59 | |
Does Tex know Adrian Cohen? | 0:11:02 | 0:11:05 | |
No, but I know him. He's one of the local benefactors. | 0:11:05 | 0:11:08 | |
Not any more. He's dead. | 0:11:08 | 0:11:10 | |
Thomas, did you pick up an attitude of bias or fanaticism | 0:11:12 | 0:11:15 | |
with Tex or any of the other kids? | 0:11:15 | 0:11:17 | |
If Tex has done something wrong he's got to deal with the consequences. | 0:11:17 | 0:11:20 | |
But there's a right and wrong way of bringing him to you. | 0:11:20 | 0:11:22 | |
What's the wrong way? | 0:11:22 | 0:11:23 | |
KATZ SIGHS | 0:11:23 | 0:11:24 | |
Compelling him. | 0:11:24 | 0:11:26 | |
I know how to protect these kids, how to reach out to them. | 0:11:26 | 0:11:29 | |
Protect them from what? | 0:11:29 | 0:11:30 | |
From people like you, quite frankly. | 0:11:31 | 0:11:33 | |
I know who you are - the cop on the beach. | 0:11:34 | 0:11:36 | |
Last time I helped the cops, someone was hanged. | 0:11:37 | 0:11:39 | |
-Adamski. -Get out, I'm done. | 0:11:41 | 0:11:42 | |
Get out, I'm done. | 0:11:44 | 0:11:45 | |
Typical smug Bondi Buddhist. | 0:11:59 | 0:12:00 | |
-Why are you so down on Buddhists? -I'm not - I was one for years. | 0:12:01 | 0:12:04 | |
But a lot of these Johnny-come-lately Buddhists | 0:12:04 | 0:12:06 | |
tend to think enlightenment shines out their arse. | 0:12:06 | 0:12:08 | |
Are Thrustr going to come through with our killer's name? | 0:12:10 | 0:12:12 | |
Thrustr only keep records of users who upgrade with credit. | 0:12:14 | 0:12:17 | |
Otherwise, anyone can sign in. | 0:12:17 | 0:12:19 | |
Once they do, their messages are trapped on each other's phones, | 0:12:19 | 0:12:22 | |
which we don't have. | 0:12:22 | 0:12:23 | |
Hmm. | 0:12:23 | 0:12:24 | |
Everyone's masking themselves. | 0:12:24 | 0:12:26 | |
That's a lot of torso images. | 0:12:26 | 0:12:28 | |
Could we do a photo match? | 0:12:30 | 0:12:32 | |
Huh. | 0:12:36 | 0:12:38 | |
RealMan and Macho, same photo. | 0:12:38 | 0:12:40 | |
All of our victims live in Bondi. | 0:12:42 | 0:12:45 | |
Most likely, so does RealMan. | 0:12:45 | 0:12:47 | |
He watches them before he meets them. | 0:12:47 | 0:12:49 | |
But why was he at the beach that day? | 0:12:49 | 0:12:52 | |
Maybe Rohan knew something. | 0:12:52 | 0:12:54 | |
Or maybe Thomas Katz is RealMan. | 0:12:54 | 0:12:56 | |
Hey, I took your advice. | 0:12:57 | 0:13:00 | |
I joined Thrustr. | 0:13:00 | 0:13:01 | |
TidalBoy. Who's that? | 0:13:02 | 0:13:04 | |
It's my brother, Shane. | 0:13:05 | 0:13:07 | |
Shane cool with that? | 0:13:07 | 0:13:09 | |
He drowned. Long time ago. | 0:13:10 | 0:13:12 | |
Thomas Katz. | 0:13:23 | 0:13:24 | |
-What's your take on him? -I would have thought he was a good kid. | 0:13:24 | 0:13:28 | |
Until he fell in with the likes of Hammers. | 0:13:28 | 0:13:31 | |
You questioned him about a 1989 October assault, | 0:13:31 | 0:13:36 | |
on a man named Ned Davies, | 0:13:36 | 0:13:39 | |
who later went missing, presumed dead. | 0:13:39 | 0:13:41 | |
On December 17th. | 0:13:41 | 0:13:43 | |
December 17th. That's close enough | 0:13:45 | 0:13:48 | |
to when you picked up the weapon of Hammers and Toohey. | 0:13:48 | 0:13:51 | |
I'd like to have it tested for DNA. | 0:13:51 | 0:13:52 | |
But does Peel? | 0:13:54 | 0:13:55 | |
Why wouldn't he? | 0:13:57 | 0:13:58 | |
Justice wasn't done back then. | 0:13:59 | 0:14:00 | |
Are you saying he prevented it? | 0:14:02 | 0:14:04 | |
I don't know. | 0:14:07 | 0:14:08 | |
Peel went after me at the Royal Commission. | 0:14:10 | 0:14:12 | |
My real crime? | 0:14:13 | 0:14:15 | |
I didn't fit in. | 0:14:15 | 0:14:16 | |
If the DNA amounts to nothing, I want it back. | 0:14:20 | 0:14:23 | |
Of course. | 0:14:24 | 0:14:26 | |
Can I ask you, when you picked up the weapon off the boys, | 0:14:27 | 0:14:30 | |
did either of them have blood on them? | 0:14:30 | 0:14:33 | |
Hammers was wearing a brand-new pair of white Nikes. | 0:14:33 | 0:14:36 | |
One was covered in fresh blood. | 0:14:38 | 0:14:40 | |
It never concerned me that Ned was a poofter. | 0:14:47 | 0:14:50 | |
Unfortunately, not everyone felt the same. | 0:14:50 | 0:14:52 | |
Last known sighting of Ned was right here. | 0:14:54 | 0:14:56 | |
Missing ever since. | 0:14:57 | 0:14:58 | |
He's not missing. | 0:15:00 | 0:15:02 | |
He's dead. | 0:15:02 | 0:15:04 | |
You know, I knew a couple of local coppers. | 0:15:04 | 0:15:06 | |
That made no difference. | 0:15:06 | 0:15:08 | |
They weren't interested in Ned - they reckon he was asking for it. | 0:15:08 | 0:15:11 | |
So a mate of his, Wozzer, and I - we went looking for him. | 0:15:13 | 0:15:17 | |
We found his glasses. | 0:15:18 | 0:15:19 | |
Where? | 0:15:20 | 0:15:22 | |
Just over there. | 0:15:22 | 0:15:23 | |
How did you know they were his? | 0:15:27 | 0:15:29 | |
Checked the prescription. | 0:15:30 | 0:15:32 | |
Ned went missing on the 17th of December. | 0:15:35 | 0:15:37 | |
That's right. | 0:15:39 | 0:15:40 | |
Look, it'll probably come to nothing, | 0:15:42 | 0:15:43 | |
but I'd like you to come into the station, give a DNA sample, | 0:15:43 | 0:15:48 | |
see if it matches to DNA found on a weapon | 0:15:48 | 0:15:51 | |
that the cops picked up in 1989. | 0:15:51 | 0:15:53 | |
OK. | 0:15:56 | 0:15:57 | |
-Chalmers parted with this, did he? -Mm. | 0:16:05 | 0:16:07 | |
He thinks that it might link to an unsolved murder from 1989. | 0:16:07 | 0:16:11 | |
Who's the victim? | 0:16:11 | 0:16:13 | |
I don't know. But I'd like to find out. | 0:16:13 | 0:16:16 | |
It might be Ned Davies, | 0:16:16 | 0:16:18 | |
so I have his father coming in to give a DNA sample, | 0:16:18 | 0:16:22 | |
see if there's a match. | 0:16:22 | 0:16:23 | |
Got some info on the kid who assaulted Cohen. | 0:16:23 | 0:16:26 | |
His name's Tex Palmer - uniforms picked him up for a prior assault. | 0:16:27 | 0:16:31 | |
Guess who went to court as his character reference? | 0:16:33 | 0:16:36 | |
-Katz. -Eddie Mack. | 0:16:36 | 0:16:38 | |
Trains with him most mornings, apparently. | 0:16:39 | 0:16:41 | |
Right. | 0:16:41 | 0:16:42 | |
Ah. 7:50, we might be in luck. | 0:16:42 | 0:16:45 | |
Yeah, I think it'll have to wait. | 0:16:47 | 0:16:49 | |
-CIT have still got some more questions. -Sorry, can't wait. | 0:16:49 | 0:16:51 | |
One, two. | 0:17:05 | 0:17:07 | |
One, two. | 0:17:07 | 0:17:08 | |
Go for it! | 0:17:08 | 0:17:10 | |
One, two. One, two. Attack! | 0:17:13 | 0:17:15 | |
Tex Palmer? I'd like to ask you a few questions, if I might. | 0:17:15 | 0:17:20 | |
Don't say a word, Tex. | 0:17:20 | 0:17:22 | |
-Call Thomas. -Yeah, call Thomas. Tell him to get down here now. | 0:17:22 | 0:17:25 | |
In relation to? | 0:17:25 | 0:17:26 | |
Assault. And murder. | 0:17:26 | 0:17:29 | |
We have CCTV footage from Roscoe Street | 0:17:33 | 0:17:35 | |
that clearly identifies you and your two mates. | 0:17:35 | 0:17:38 | |
I don't know who they are. | 0:17:38 | 0:17:40 | |
Well, you knew them well enough to go looking for someone to bash. | 0:17:40 | 0:17:43 | |
I was pushed, so I hit back. | 0:17:43 | 0:17:45 | |
Mmm. | 0:17:45 | 0:17:47 | |
So you said you were partying on the beach? | 0:17:47 | 0:17:50 | |
Maybe you had something to drink, maybe you took some drugs? | 0:17:50 | 0:17:53 | |
Smoked some ice with the fellas. | 0:17:57 | 0:17:59 | |
Where did you get that from? | 0:17:59 | 0:18:01 | |
Listen, Tex. I'm not interested in drugs. | 0:18:05 | 0:18:08 | |
You're not dobbing. | 0:18:08 | 0:18:10 | |
I just want to know what happened to Mr Cohen. | 0:18:10 | 0:18:13 | |
This heavy dude, down the strip, he came... | 0:18:17 | 0:18:21 | |
-Rat's tail, he came up to us and offered it. -Mm-hmm. | 0:18:21 | 0:18:24 | |
Is that man all right? | 0:18:27 | 0:18:29 | |
He's dead. | 0:18:30 | 0:18:31 | |
The hell do you think YOU'RE doing? | 0:18:37 | 0:18:39 | |
I am well within my rights to report you. | 0:18:42 | 0:18:44 | |
For what? For talking? | 0:18:44 | 0:18:46 | |
Tex isn't under arrest, not yet. | 0:18:46 | 0:18:49 | |
Tex didn't kill Adrian Cohen. | 0:18:49 | 0:18:51 | |
No, but he did assault him. | 0:18:51 | 0:18:53 | |
You are walking a dangerous line, Detective. | 0:18:54 | 0:18:56 | |
Am I? | 0:18:56 | 0:18:58 | |
I was talking to Ned Davies' father last night, | 0:19:00 | 0:19:03 | |
and he is desperate to find out what happened to his son, | 0:19:03 | 0:19:08 | |
missing since December 1989. | 0:19:08 | 0:19:11 | |
He went for a walk in Cardinal Park. | 0:19:11 | 0:19:12 | |
Yeah, well, Cardinal Park was pretty dangerous those days. | 0:19:13 | 0:19:16 | |
Yeah, well, the danger's back with us. | 0:19:16 | 0:19:19 | |
Secrets you know could give answers to grieving families. | 0:19:19 | 0:19:22 | |
What secrets? What are you talking about? | 0:19:22 | 0:19:24 | |
1989. | 0:19:24 | 0:19:25 | |
The Pointers. | 0:19:25 | 0:19:27 | |
I was 12, all right? | 0:19:30 | 0:19:33 | |
I had to choose. Hang out with them or become a victim. | 0:19:33 | 0:19:36 | |
And were you still hanging out with Hammers on Christmas Eve, 1989? | 0:19:36 | 0:19:41 | |
No. | 0:19:42 | 0:19:44 | |
By then I was over Hammers. | 0:19:44 | 0:19:46 | |
He was manipulative, sadistic. | 0:19:46 | 0:19:47 | |
He liked to cause pain, make you watch, make you participate. | 0:19:47 | 0:19:51 | |
-In what? -Violence, sex, crime. | 0:19:51 | 0:19:54 | |
Would you be willing to talk about it? | 0:19:54 | 0:19:56 | |
I have already. | 0:19:58 | 0:19:59 | |
You're the unidentified witness in the Mills murder. | 0:20:02 | 0:20:06 | |
And what about the Davies killing? | 0:20:07 | 0:20:08 | |
I wasn't there. | 0:20:08 | 0:20:11 | |
Did Toohey see Davies killed? | 0:20:11 | 0:20:13 | |
-How would I know? -Do you still see him? | 0:20:13 | 0:20:16 | |
Yeah, on telly. | 0:20:16 | 0:20:17 | |
I am dealing with the families of the dead, | 0:20:20 | 0:20:24 | |
and they need to know the truth. | 0:20:24 | 0:20:26 | |
The truth is, you need to find the pricks who sell the ice to kids, | 0:20:26 | 0:20:29 | |
and get them off the streets. Tex got his ice from O'Donahue. | 0:20:29 | 0:20:32 | |
The O'Donahues were Hammers' bully boys. | 0:20:32 | 0:20:35 | |
They got off on violence. They haven't changed. | 0:20:35 | 0:20:37 | |
Good. | 0:20:40 | 0:20:42 | |
Brett O'Donahue's prison record reflects a violent temperament, | 0:20:44 | 0:20:48 | |
an unhealthy interest in Nazis, | 0:20:48 | 0:20:51 | |
and he's suspected of killing a transgender woman, Ada, | 0:20:51 | 0:20:55 | |
on the inside. | 0:20:55 | 0:20:56 | |
She was stripped, her head was shaved before she was hanged. | 0:20:56 | 0:21:01 | |
-Charming(!) -Oh, yeah. It gets better. | 0:21:01 | 0:21:04 | |
Ada was in fact Adamski, who transitioned on the inside. | 0:21:04 | 0:21:09 | |
Brett's friend. Brett was released a year ago on parole | 0:21:09 | 0:21:13 | |
to his brother, Terry. | 0:21:13 | 0:21:15 | |
He sells ice, he's got history. | 0:21:16 | 0:21:19 | |
Hangs around the beach. Could've taken the shot. | 0:21:19 | 0:21:22 | |
Let's go. | 0:21:22 | 0:21:23 | |
Police! Stop! | 0:21:48 | 0:21:50 | |
I know who you are. | 0:22:16 | 0:22:18 | |
You stay away from me, you bitch. | 0:22:18 | 0:22:21 | |
HE LAUGHS | 0:22:24 | 0:22:26 | |
Fucking... | 0:22:30 | 0:22:33 | |
-You all right? -Yeah, yeah, yeah. | 0:22:34 | 0:22:36 | |
I lost him. | 0:22:36 | 0:22:37 | |
But I did get this. | 0:22:39 | 0:22:40 | |
If we can match this to the ice | 0:22:45 | 0:22:47 | |
we found at Haris's flat, then we've got him. | 0:22:47 | 0:22:50 | |
All we need to do is lay down a few LDs in the meantime, | 0:22:50 | 0:22:53 | |
listen to the conversations, | 0:22:53 | 0:22:55 | |
and then we'll know if we're barking up the wrong tree or not. | 0:22:55 | 0:22:57 | |
Well, you are barking up the wrong fucking tree. | 0:22:57 | 0:22:59 | |
So is that a yes, boss? | 0:22:59 | 0:23:00 | |
Look, we could have this whole case cleared in a couple of days, | 0:23:02 | 0:23:05 | |
and off the front pages. | 0:23:05 | 0:23:06 | |
Yeah, OK. It's worth a punt. | 0:23:08 | 0:23:09 | |
-I'll give the magistrate a call. But it's phone taps only. -Yep. | 0:23:09 | 0:23:12 | |
You... | 0:23:15 | 0:23:16 | |
Your CIT interview is scheduled for tomorrow. | 0:23:17 | 0:23:20 | |
Remember, we're a team... | 0:23:20 | 0:23:22 | |
..and loyalty's important. | 0:23:23 | 0:23:25 | |
SHE WINCES | 0:23:31 | 0:23:32 | |
-See you, guys. -Oh, see you, Brenda. | 0:23:32 | 0:23:34 | |
Hey. | 0:23:37 | 0:23:38 | |
You been in front of the CIT before? | 0:23:41 | 0:23:43 | |
I can't say it's high on my list of career goals. | 0:23:44 | 0:23:47 | |
You want some advice? | 0:23:47 | 0:23:49 | |
No. | 0:23:49 | 0:23:50 | |
Look, you're new around here, Tori. | 0:23:51 | 0:23:54 | |
People don't know who you are yet. | 0:23:54 | 0:23:55 | |
But there's one thing that they ARE going to want to know, | 0:23:55 | 0:23:58 | |
and that's whether you've got their back. | 0:23:58 | 0:24:00 | |
In other words, don't be a snitch. OK. | 0:24:00 | 0:24:03 | |
You too, huh? | 0:24:03 | 0:24:04 | |
That lead pipe you gave me... | 0:24:14 | 0:24:16 | |
-..have you spoken to Peel about it? -No. -The paperwork rolled up with it. | 0:24:17 | 0:24:22 | |
It's got his name all over it. | 0:24:22 | 0:24:23 | |
"Thanks, Brenda." | 0:24:27 | 0:24:28 | |
-There you go. -Thank you. | 0:24:30 | 0:24:34 | |
Fuck! | 0:25:12 | 0:25:13 | |
SHE SIGHS | 0:25:14 | 0:25:15 | |
October 2nd, Ned Davies makes the complaint. | 0:26:02 | 0:26:06 | |
He mentions Kyle Hampton is one of his attackers. | 0:26:06 | 0:26:10 | |
He recognises him from his parents' fish and chip shop. | 0:26:10 | 0:26:13 | |
He also recognises a footballer | 0:26:13 | 0:26:17 | |
who plays for Easts, name unknown. | 0:26:17 | 0:26:20 | |
9th of October, Davies no longer wishes | 0:26:21 | 0:26:24 | |
to take the investigation further. | 0:26:24 | 0:26:26 | |
Closed. See? You can't blame Peel. | 0:26:26 | 0:26:27 | |
No. That is not what his father said. | 0:26:27 | 0:26:30 | |
Well, maybe he lied to his father. It happens, doesn't it? | 0:26:30 | 0:26:33 | |
The footballer's gotta be Toohey. | 0:26:34 | 0:26:37 | |
It can't be. It says the complainant's missing or dead. | 0:26:37 | 0:26:40 | |
Come on, Nick. That means not once, but twice, | 0:26:41 | 0:26:45 | |
Peel has covered for Hampton. | 0:26:45 | 0:26:47 | |
No, no, no. | 0:26:47 | 0:26:49 | |
I know Peel. | 0:26:49 | 0:26:50 | |
All right? | 0:26:50 | 0:26:52 | |
He's just not corrupt. | 0:26:52 | 0:26:53 | |
Look, there's corrupt and then there's supporting a mate. | 0:26:54 | 0:26:58 | |
I'd say he's dancing pretty close to the line, huh? | 0:26:58 | 0:27:01 | |
PHONE RINGS | 0:27:01 | 0:27:02 | |
Brenda? | 0:27:03 | 0:27:05 | |
Yep. OK. | 0:27:05 | 0:27:07 | |
Thanks. | 0:27:07 | 0:27:08 | |
Adrian Cohen's phone record. | 0:27:09 | 0:27:11 | |
Last person to call him was Toohey. | 0:27:11 | 0:27:13 | |
-Pass it here. -Sit. Good work. Back in to me. | 0:27:15 | 0:27:18 | |
Yes, yes, yes! | 0:27:18 | 0:27:20 | |
Wahey! That's it. | 0:27:20 | 0:27:23 | |
-Nice. -What do you reckon? | 0:27:23 | 0:27:25 | |
PHONE BEEPS | 0:27:32 | 0:27:34 | |
This just in from the techies. | 0:27:36 | 0:27:39 | |
All right, they've triangulated his calls. | 0:27:41 | 0:27:43 | |
On the 25th, his phone's pinging off the mobile tower at Cardinal Park. | 0:27:43 | 0:27:49 | |
On the 15th, he goes home, to the gallery... | 0:27:51 | 0:27:54 | |
Back home, then around midnight, | 0:27:56 | 0:27:59 | |
he's in the vicinity of Cohen's. | 0:27:59 | 0:28:01 | |
Hangs around there for a bit and then down to Bondi. | 0:28:02 | 0:28:05 | |
Let's not do this in front of the kids. Let's try and be discreet. | 0:28:11 | 0:28:14 | |
Listen, I'm getting a lot of pressure from everyone | 0:28:20 | 0:28:24 | |
about this CIT interview, and I just... | 0:28:24 | 0:28:27 | |
Thought we'd been through your misgivings. | 0:28:27 | 0:28:30 | |
I know you didn't MEAN to kill him. | 0:28:34 | 0:28:36 | |
Thank you. | 0:28:37 | 0:28:38 | |
But I've got to tell the truth. | 0:28:42 | 0:28:44 | |
You do what you've got to do, Tori. | 0:28:52 | 0:28:53 | |
See you, boys. | 0:29:04 | 0:29:06 | |
-Bye, Dad. -Bye, Dad. -See you later on. -See you! | 0:29:06 | 0:29:10 | |
CAR ENGINE STARTS | 0:29:12 | 0:29:14 | |
Where's he going? | 0:29:38 | 0:29:40 | |
Here we go. | 0:30:12 | 0:30:13 | |
HE TUTS Oh, Toohey. | 0:30:19 | 0:30:21 | |
Should we go and have a look? | 0:30:21 | 0:30:23 | |
Catch them in one act or another. | 0:30:24 | 0:30:26 | |
Open up. | 0:30:43 | 0:30:44 | |
Come on. Open up, please, Mr Toohey. | 0:30:44 | 0:30:47 | |
-Detectives? -Give us your phone, will you, Toohey? | 0:30:48 | 0:30:51 | |
Don't have it. | 0:30:51 | 0:30:53 | |
What are you charging me with? | 0:30:57 | 0:30:59 | |
-At this stage, nothing. -Look, I'm a family man. | 0:30:59 | 0:31:03 | |
I was stressed. | 0:31:03 | 0:31:05 | |
I was just getting a bit of relief, massage. | 0:31:05 | 0:31:07 | |
You meet all your masseurs on Thrustr? | 0:31:09 | 0:31:11 | |
Where's Peel? | 0:31:13 | 0:31:14 | |
We just want to go over your movements for the 15th of January. | 0:31:16 | 0:31:21 | |
Now, I have here Adrian Cohen's phone records, | 0:31:21 | 0:31:25 | |
and I think you told us you last saw him at the gallery. | 0:31:25 | 0:31:29 | |
Is that right? | 0:31:29 | 0:31:30 | |
Oh... | 0:31:32 | 0:31:33 | |
Actually, I went to his house. | 0:31:33 | 0:31:36 | |
I think on our last interview, | 0:31:36 | 0:31:38 | |
you told us you'd never been to his house. | 0:31:38 | 0:31:41 | |
Why were you visiting him? | 0:31:44 | 0:31:46 | |
My wife wanted me to apologise. | 0:31:49 | 0:31:51 | |
What, at midnight, in person? | 0:31:51 | 0:31:54 | |
Who cares what bloody time it was? | 0:31:55 | 0:31:57 | |
I wanted to buy the painting. | 0:31:57 | 0:31:59 | |
He told me someone had bought it. | 0:31:59 | 0:32:01 | |
He slammed the door in my face. | 0:32:01 | 0:32:02 | |
OK. Was he with anyone? | 0:32:02 | 0:32:04 | |
I didn't get that impression. | 0:32:05 | 0:32:07 | |
But I didn't go inside. | 0:32:08 | 0:32:10 | |
Do you have any, er, masseurs in common? | 0:32:13 | 0:32:16 | |
He is gay. | 0:32:20 | 0:32:21 | |
I am not. | 0:32:22 | 0:32:24 | |
Look, Chris, I really don't care how you get your jollies, but, er, | 0:32:25 | 0:32:30 | |
Section 61M of the Crime Act states that any person | 0:32:30 | 0:32:33 | |
committing an act of indecency with or towards another person | 0:32:33 | 0:32:37 | |
faces prosecution and up to 18 months in jail. | 0:32:37 | 0:32:41 | |
Your private life is one step away from becoming very public. | 0:32:41 | 0:32:46 | |
Hey, Toohey. | 0:32:48 | 0:32:49 | |
Don't worry, we'll sort this out. | 0:32:51 | 0:32:53 | |
Now, I would like a word with my client alone, with that thing off. | 0:32:53 | 0:32:57 | |
Now, thank you. | 0:32:57 | 0:32:58 | |
No, he's not gay, he just likes having sex with men. | 0:33:04 | 0:33:07 | |
Who knows what kind of secrets he's keeping? | 0:33:07 | 0:33:09 | |
Calm down, I'll sort it out. Consenting sexual activity | 0:33:09 | 0:33:12 | |
between two adults is legal, as you well know. | 0:33:12 | 0:33:15 | |
Police department should be charged for wasting my client's time. | 0:33:15 | 0:33:18 | |
I know you want this to go away, but it's not going to. | 0:33:18 | 0:33:20 | |
You were picked up with Hammers | 0:33:20 | 0:33:22 | |
with a bloody weapon in your hand in 1989. | 0:33:22 | 0:33:25 | |
Does the name Ned Davies mean anything to you? | 0:33:25 | 0:33:27 | |
Get out of my way. | 0:33:27 | 0:33:29 | |
-Whose blood is on that weapon? -This interview is over. | 0:33:29 | 0:33:32 | |
Talk to Hammers. | 0:33:33 | 0:33:34 | |
MUFFLED DANCE MUSIC | 0:33:39 | 0:33:42 | |
PHONE VIBRATES | 0:33:56 | 0:33:57 | |
SHE GASPS | 0:34:05 | 0:34:07 | |
ENGINE STARTS | 0:34:12 | 0:34:14 | |
Will! | 0:34:27 | 0:34:28 | |
Will! | 0:34:30 | 0:34:32 | |
Oh, thank God! | 0:34:36 | 0:34:38 | |
What's the matter? | 0:34:42 | 0:34:44 | |
Oh, you're OK. You're OK? | 0:34:44 | 0:34:47 | |
Yeah. | 0:34:47 | 0:34:48 | |
How did Rohan get a hold of you? | 0:35:14 | 0:35:16 | |
I moved in close to get the knife. | 0:35:17 | 0:35:19 | |
You've been taught defensive measures, | 0:35:19 | 0:35:21 | |
how to deal with a mentally ill person with a knife? | 0:35:21 | 0:35:23 | |
-Yes. -And did you do any of these things? | 0:35:23 | 0:35:26 | |
-Not strictly, but... -And why not? | 0:35:27 | 0:35:29 | |
The situation was unique. | 0:35:31 | 0:35:32 | |
Where was your baton? | 0:35:34 | 0:35:36 | |
-It was in the car. -Well, you should've drawn your pistol | 0:35:36 | 0:35:38 | |
and used your voice to take control. | 0:35:38 | 0:35:40 | |
I did use my voice. | 0:35:41 | 0:35:43 | |
I was trying to get him to lower the weapon. | 0:35:43 | 0:35:45 | |
I was letting the other officers know that he wasn't our killer. | 0:35:45 | 0:35:49 | |
OK, so he grabbed you, you pulled away and then what happened? | 0:35:49 | 0:35:52 | |
I could see they were going to shoot. | 0:35:55 | 0:35:57 | |
They? | 0:35:57 | 0:35:59 | |
Detective Manning and the other officers. | 0:36:00 | 0:36:03 | |
Oh, so it wasn't just Detective Manning | 0:36:03 | 0:36:05 | |
who made the decision to shoot? | 0:36:05 | 0:36:07 | |
I... I don't know. | 0:36:08 | 0:36:09 | |
I was trying to tell the other officers he wasn't our man, | 0:36:11 | 0:36:14 | |
and the suspect was getting increasingly agitated. | 0:36:14 | 0:36:17 | |
I managed to get out of his grasp, | 0:36:17 | 0:36:20 | |
and that's when he raised the knife, and... | 0:36:20 | 0:36:24 | |
Nick took the shot. | 0:36:24 | 0:36:25 | |
Must have been very close to his heart, because Rohan died quickly. | 0:36:25 | 0:36:29 | |
Mmm. | 0:36:29 | 0:36:30 | |
So...would you say that Detective Manning behaved appropriately | 0:36:30 | 0:36:35 | |
under the circumstances? | 0:36:35 | 0:36:36 | |
It was a hasty shot... | 0:36:41 | 0:36:43 | |
No, you put your fellow officer | 0:36:43 | 0:36:44 | |
in a situation where he felt that he had no other option. | 0:36:44 | 0:36:48 | |
So I'm going to recommend | 0:36:49 | 0:36:51 | |
that you repeat basic training in defensive tactics. | 0:36:51 | 0:36:53 | |
Sir, yes, sir. | 0:36:53 | 0:36:55 | |
You've just moved from the country, haven't you? | 0:36:56 | 0:36:58 | |
-Yes, sir. -What, Goulburn? | 0:36:58 | 0:37:00 | |
You want to be careful. City's dangerous. | 0:37:01 | 0:37:04 | |
Don't put your fellow officers in jeopardy again. | 0:37:05 | 0:37:07 | |
Are you happy now? | 0:37:18 | 0:37:20 | |
You, Peel, your old boys' club. | 0:37:20 | 0:37:22 | |
Five minutes' time, you'll be down at the pub, | 0:37:22 | 0:37:24 | |
slapping each other on the back | 0:37:24 | 0:37:25 | |
while that poor man lies in the morgue. | 0:37:25 | 0:37:27 | |
Didn't go well, then? | 0:37:29 | 0:37:30 | |
The truth is, Rohan Asad was gay and illegal | 0:37:32 | 0:37:36 | |
and because of that, no-one gives a shit, including you. | 0:37:36 | 0:37:39 | |
Well, actually, I do, Tori. | 0:37:42 | 0:37:44 | |
I keep going over it, | 0:37:50 | 0:37:53 | |
hoping the outcome is different. | 0:37:53 | 0:37:55 | |
What did he say to you on the beach? | 0:38:02 | 0:38:04 | |
His last words were, | 0:38:07 | 0:38:09 | |
"Tell Harris... | 0:38:09 | 0:38:11 | |
"the wound is where the light enters." | 0:38:11 | 0:38:14 | |
What does that mean? | 0:38:14 | 0:38:15 | |
-I don't know. -Sorry to break up the party. | 0:38:17 | 0:38:20 | |
Police doctor's here. So is your DNA match. | 0:38:20 | 0:38:22 | |
Thanks. | 0:38:35 | 0:38:37 | |
I don't know why they couldn't have done this back then. | 0:38:37 | 0:38:40 | |
Well, the technology didn't exist then. | 0:38:40 | 0:38:42 | |
Thanks for coming in. | 0:38:43 | 0:38:45 | |
-It's a long shot. -No, thank you, Detective. | 0:38:45 | 0:38:48 | |
-I appreciate it. -Yeah. | 0:38:48 | 0:38:50 | |
You know that Ned could have slipped and drowned? | 0:38:50 | 0:38:52 | |
Yeah, well, maybe. But, er, | 0:38:53 | 0:38:56 | |
if he was killed, I want to know. | 0:38:56 | 0:38:58 | |
Jill will show you out. Jill? | 0:38:59 | 0:39:00 | |
Just this way, sir. | 0:39:00 | 0:39:02 | |
Can you take mine as well? | 0:39:03 | 0:39:05 | |
-Contamination. -Sure. | 0:39:06 | 0:39:08 | |
SEAGULLS CALL | 0:39:49 | 0:39:52 | |
What's going on, Tori? | 0:40:01 | 0:40:03 | |
If I tell you, you have to tell Peel, and I'll be off the case. | 0:40:04 | 0:40:08 | |
I can't put you in a position where you know. | 0:40:08 | 0:40:10 | |
Your brother - you think he was murdered. | 0:40:15 | 0:40:18 | |
Oh. | 0:40:22 | 0:40:23 | |
If I said a gay man went missing at the same location, | 0:40:24 | 0:40:31 | |
the same night, that Toohey and Hammers | 0:40:31 | 0:40:33 | |
had a bloody weapon taken off them... | 0:40:33 | 0:40:35 | |
Well... | 0:40:38 | 0:40:40 | |
..I could see why you'd want to look at it as a cold case. | 0:40:41 | 0:40:44 | |
Nick, it's the weapon, the location, the O'Donahues... | 0:40:45 | 0:40:50 | |
There was a killing epidemic that went on in the past. | 0:40:51 | 0:40:54 | |
It went under the radar, and it is back because it was not dealt with. | 0:40:54 | 0:40:58 | |
Toohey ran with the Pointers. | 0:41:00 | 0:41:01 | |
He knows things. | 0:41:01 | 0:41:03 | |
He won't talk. I need a way to break through that silence. | 0:41:04 | 0:41:08 | |
I don't need any more shit. | 0:41:09 | 0:41:11 | |
If I help... | 0:41:21 | 0:41:24 | |
my assistance has to be buried so far under the cone of silence, | 0:41:24 | 0:41:28 | |
it never existed. | 0:41:28 | 0:41:30 | |
People can't remember yesterday's news, | 0:41:44 | 0:41:47 | |
let alone what happened 26 years ago. | 0:41:47 | 0:41:49 | |
-Who cares? -I think you'll find the public cares, Mr Stout. | 0:41:49 | 0:41:52 | |
I need the contact details of the detective who investigated | 0:41:54 | 0:41:57 | |
these past murders, the victims, survivors... | 0:41:57 | 0:41:59 | |
..and an insider. | 0:42:07 | 0:42:09 | |
Someone in the gang that saw things. | 0:42:09 | 0:42:11 | |
Thomas Katz. Or Christopher Toohey - he'd be a hard nut to crack. | 0:42:12 | 0:42:16 | |
THE Toohey? He was a Pointer? | 0:42:16 | 0:42:19 | |
-Yeah. -Oh, yeah, baby. Now you're talking. | 0:42:20 | 0:42:23 | |
Can I quote you about the current murders? | 0:42:23 | 0:42:25 | |
I don't think that would be in the public interest. | 0:42:25 | 0:42:27 | |
Look, Detective, you scratch my back, I scratch yours. | 0:42:27 | 0:42:30 | |
Thrustr. The killer's using Thrustr to contact victims. | 0:42:30 | 0:42:34 | |
He has different identities. | 0:42:34 | 0:42:36 | |
Back in '89 and '90, | 0:42:36 | 0:42:38 | |
gangs like the Pointers preyed on gay beats like Cardinal Park. | 0:42:38 | 0:42:42 | |
Now, the killer's using Thrustr. | 0:42:42 | 0:42:43 | |
-You look like shit. -Yeah, whatever. | 0:42:46 | 0:42:48 | |
PHONE RINGS | 0:42:59 | 0:43:00 | |
Toohey. | 0:43:03 | 0:43:04 | |
No, Mr Stout, I don't have a comment. | 0:43:07 | 0:43:09 | |
"NRL legend Christopher Toohey has been named among witnesses | 0:43:29 | 0:43:32 | |
"to the murder of a man thrown from a cliff in Bondi in 1989... | 0:43:32 | 0:43:35 | |
"..one of a spate of gay hate killings and bashings | 0:43:37 | 0:43:39 | |
"linked to a gang of local teenagers. | 0:43:39 | 0:43:42 | |
"Former detective Abel Chalmers | 0:43:42 | 0:43:44 | |
"believes it's among a hidden epidemic | 0:43:44 | 0:43:46 | |
"of about 80 gay hate murders in New South Wales | 0:43:46 | 0:43:49 | |
"over three decades, as many as 30 of which remain unsolved." | 0:43:49 | 0:43:52 | |
Fucking tosspot. | 0:43:52 | 0:43:54 | |
"It was a blood sport, hunting gay men and bashing them, | 0:43:54 | 0:43:57 | |
"Mr Chalmers said this week. | 0:43:57 | 0:43:58 | |
"Now, the Herald does not suggest" - this is nice of them - "that Toohey, | 0:43:58 | 0:44:02 | |
"who was 17" - 17! - "at the time, | 0:44:02 | 0:44:04 | |
"is directly involved in the assault or killing, | 0:44:04 | 0:44:08 | |
"and when asked about the case, | 0:44:08 | 0:44:10 | |
"Toohey replied, 'No, I do not have a comment.' " | 0:44:10 | 0:44:13 | |
Did either of you go to the press? | 0:44:15 | 0:44:17 | |
What, with the Critical Incident Team breathing down my neck? | 0:44:17 | 0:44:20 | |
Chalmers. I never trusted that prick. | 0:44:21 | 0:44:24 | |
How'd he know about Thrustr? | 0:44:24 | 0:44:26 | |
-Did you tell him? -No, sir. | 0:44:27 | 0:44:30 | |
It was in the gay press, sir, on your authority. | 0:44:30 | 0:44:32 | |
Look, Stout's a bloodhound. If it was out there, he'd find it. | 0:44:32 | 0:44:35 | |
It's already getting a reaction. Jill, can you play the tape? | 0:44:35 | 0:44:38 | |
'Brett's got to go. He's a fucking loose cannon. | 0:44:41 | 0:44:44 | |
'He attacked a female cop, and you know who she is.' | 0:44:44 | 0:44:46 | |
'You're paranoid. No-one's talked to us. | 0:44:46 | 0:44:49 | |
-'We're not under any suspicion.' -'Toohey's freaking.' | 0:44:49 | 0:44:52 | |
'Is Toohey going to talk? Cos if he talks, we'll all go down.' | 0:44:53 | 0:44:56 | |
'No. No, Toohey won't talk. He's got too much to lose. | 0:44:56 | 0:44:59 | |
'He might as well top himself.' | 0:44:59 | 0:45:01 | |
Bloody hell. | 0:45:03 | 0:45:04 | |
KNOCKS AT DOOR | 0:45:19 | 0:45:21 | |
You know about this? | 0:45:29 | 0:45:30 | |
-Yeah, it's me. -Take it down. | 0:45:33 | 0:45:36 | |
No, I'm not taking it down. | 0:45:36 | 0:45:37 | |
There's someone luring people with that app and then killing them. | 0:45:39 | 0:45:42 | |
-You shouldn't be on it yourself. -And neither should you. | 0:45:42 | 0:45:45 | |
Don will flip if he finds out. | 0:45:45 | 0:45:47 | |
Why? Because his son was gay? | 0:45:47 | 0:45:49 | |
Because this will hurt him, Tori. | 0:45:49 | 0:45:52 | |
Look, Don's not going to know, | 0:45:52 | 0:45:53 | |
cos Don doesn't want to know a thing about any of it. | 0:45:53 | 0:45:56 | |
Do you realise we've never even once | 0:46:00 | 0:46:02 | |
talked about the night that Shane died? | 0:46:02 | 0:46:04 | |
Do you know we've never had one fucking conversation? | 0:46:04 | 0:46:07 | |
Oscar, it was me. | 0:46:10 | 0:46:13 | |
I went into his room. | 0:46:14 | 0:46:15 | |
I found those magazines. | 0:46:15 | 0:46:17 | |
And I went and told Mum and Dad about it. | 0:46:17 | 0:46:19 | |
I still don't fucking know why I did that. | 0:46:19 | 0:46:22 | |
You were 11, for Christ's sake. | 0:46:29 | 0:46:31 | |
No, I knew what I was doing. I was trying to get him in trouble. | 0:46:31 | 0:46:34 | |
And the fight... | 0:46:35 | 0:46:36 | |
Mum was just crying, and Dad screaming and screaming. | 0:46:38 | 0:46:41 | |
Shane walks out the door. | 0:46:41 | 0:46:42 | |
It was Christmas Eve. | 0:46:44 | 0:46:45 | |
I never saw my brother again. | 0:46:50 | 0:46:51 | |
SHE SOBS | 0:47:06 | 0:47:08 | |
Hey. Hey, it's all right. | 0:47:08 | 0:47:11 | |
Thanks for your call. | 0:47:38 | 0:47:40 | |
I did all I could to make my life good... | 0:47:43 | 0:47:45 | |
...and then you ruin that with one story. | 0:47:47 | 0:47:49 | |
Best and fairest is a thug. | 0:47:50 | 0:47:52 | |
But I didn't do anything. | 0:47:54 | 0:47:56 | |
I have a witness, Toohey. | 0:47:57 | 0:47:59 | |
I was a witness myself. | 0:48:00 | 0:48:02 | |
-That's not a crime. -But you didn't come forward, and that is. | 0:48:02 | 0:48:05 | |
And now two men, maybe more, have been killed. | 0:48:06 | 0:48:09 | |
Look, I'm convinced that what you witnessed | 0:48:11 | 0:48:14 | |
is connected to these present-day killings. | 0:48:14 | 0:48:17 | |
You just have to talk. | 0:48:18 | 0:48:19 | |
Speaking out has a price. | 0:48:23 | 0:48:25 | |
You knew this day would come. | 0:48:25 | 0:48:27 | |
I can't predict anything, but I do know | 0:48:29 | 0:48:32 | |
people value honesty. | 0:48:32 | 0:48:34 | |
Really? | 0:48:34 | 0:48:36 | |
Christmas Eve, Chalmers and Peel took a weapon off you and Hammers. | 0:48:36 | 0:48:40 | |
Who was the victim? | 0:48:40 | 0:48:43 | |
I don't know. | 0:48:44 | 0:48:46 | |
Oh, for fuck's sake. | 0:48:46 | 0:48:48 | |
You are wasting my time. | 0:48:48 | 0:48:49 | |
Look, I grew up with Hammers, but I never liked him. | 0:48:49 | 0:48:52 | |
I bumped into him on the way home from the team Christmas party. | 0:48:54 | 0:48:58 | |
He was... | 0:48:59 | 0:49:01 | |
pissed, out of it, and he was waving a lead pipe in my face, | 0:49:01 | 0:49:05 | |
and saying that he'd killed another faggot. | 0:49:05 | 0:49:07 | |
And I asked him who, and he said, "Oh, you'll never believe it." | 0:49:09 | 0:49:12 | |
Then the cops grabbed us, and Peel drove me home that night. | 0:49:12 | 0:49:16 | |
He said to me, "You want a career in professional football, | 0:49:16 | 0:49:19 | |
"you've got to turn your back on scum like Hammers." | 0:49:19 | 0:49:22 | |
And I did. | 0:49:22 | 0:49:23 | |
My brother was gay. | 0:49:25 | 0:49:26 | |
He died Christmas Eve, 1989. | 0:49:29 | 0:49:32 | |
I can't tell you what I don't know. | 0:49:37 | 0:49:39 | |
Who did you see killed? | 0:49:44 | 0:49:46 | |
We were young. | 0:49:49 | 0:49:51 | |
High on speed. | 0:49:52 | 0:49:53 | |
Hammers was revving up the boys, and... | 0:49:55 | 0:49:58 | |
And this bloke came along, they just jumped on him. | 0:49:58 | 0:50:01 | |
Set on him with clubs and... | 0:50:01 | 0:50:02 | |
He was pleading. | 0:50:04 | 0:50:06 | |
"I'm a fireman. You made a mistake. Let me walk on." | 0:50:06 | 0:50:09 | |
They just picked him up and threw him over the edge. | 0:50:10 | 0:50:12 | |
What did you do? | 0:50:15 | 0:50:17 | |
I shut my eyes. | 0:50:18 | 0:50:20 | |
I was afraid to see. | 0:50:22 | 0:50:24 | |
But the sound he made when he went over... | 0:50:26 | 0:50:29 | |
When that poor bastard hit the rocks, | 0:50:29 | 0:50:31 | |
I knew I had to hide who I was for the rest of my life. | 0:50:31 | 0:50:33 | |
The victim was Ned Davies. | 0:50:40 | 0:50:42 | |
His father needs to know. | 0:50:43 | 0:50:44 | |
No. No, I did this for you. | 0:50:49 | 0:50:51 | |
You ask me to repeat this, I'll deny it. | 0:50:52 | 0:50:54 | |
This has to finish. | 0:50:54 | 0:50:55 | |
The only choice you have is whether you come in, | 0:50:57 | 0:50:59 | |
make a statement, make it official, | 0:50:59 | 0:51:01 | |
or you wear a wire and you get Hammers to talk. | 0:51:01 | 0:51:04 | |
I'll come in with Mawbrey first thing. | 0:51:16 | 0:51:19 | |
I'll make a statement, but that's all. | 0:51:19 | 0:51:23 | |
What you do after that, that's up to you. | 0:51:23 | 0:51:25 | |
When I was a boy... | 0:52:04 | 0:52:06 | |
..my father told me that God knew everything about me, | 0:52:07 | 0:52:11 | |
the good and bad... | 0:52:11 | 0:52:13 | |
..but he loved me anyway. | 0:52:14 | 0:52:16 | |
And Dad said, | 0:52:28 | 0:52:30 | |
since there could be no secrets from God... | 0:52:30 | 0:52:33 | |
..then there should be no secrets between me and Dad. | 0:52:35 | 0:52:37 | |
But I was afraid... | 0:52:39 | 0:52:41 | |
..and I kept some secrets that I shouldn't have... | 0:52:42 | 0:52:45 | |
..and a man was killed. | 0:52:47 | 0:52:50 | |
Now I'm going to speak out. | 0:52:53 | 0:52:55 | |
And some people might say things about me that might be hurtful, | 0:52:58 | 0:53:02 | |
and your friends... | 0:53:02 | 0:53:04 | |
Your friends might even reject you. | 0:53:12 | 0:53:14 | |
But... | 0:53:15 | 0:53:17 | |
if that happens, | 0:53:17 | 0:53:19 | |
..come to me, and we'll work it out together. | 0:53:20 | 0:53:23 | |
PHONE VIBRATES | 0:53:41 | 0:53:42 | |
SHE COUGHS | 0:53:48 | 0:53:49 | |
Nick? | 0:53:49 | 0:53:51 | |
It's Toohey. | 0:54:12 | 0:54:14 |