Browse content similar to Episode 3. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
This programme contains strong language and some scenes which some viewers may find upsetting | 0:00:02 | 0:00:05 | |
-TORI: -All of our victims live in Bondi. So does Real Man. Why was he at the beach that day? | 0:00:05 | 0:00:09 | |
-He's thumbing his nose at us. -The killer keeps the victim's phones and he uses them as bait for the next. | 0:00:09 | 0:00:13 | |
-You know about this? -Yeah, it's me. There's someone luring people with that app. | 0:00:13 | 0:00:16 | |
-Don will flip if he finds out. -Don doesn't want to know a thing about any of it. | 0:00:16 | 0:00:19 | |
1989. The Pointers. | 0:00:19 | 0:00:22 | |
Secrets you know could give answers to grieving families. | 0:00:22 | 0:00:25 | |
The O'Donohues were Hammer's bullyboys. | 0:00:25 | 0:00:27 | |
They got off on violence. They haven't changed. | 0:00:27 | 0:00:29 | |
A gay man went missing the same night | 0:00:29 | 0:00:31 | |
that Toohey and Hammers had a bloodied weapon taken off them. | 0:00:31 | 0:00:35 | |
I'd like to have it tested for DNA. | 0:00:35 | 0:00:36 | |
Chalmers parted with this, did he? | 0:00:36 | 0:00:38 | |
He thinks that it might link to an unsolved murder. | 0:00:38 | 0:00:41 | |
Your brother - you think he was murdered. | 0:00:41 | 0:00:44 | |
Is Toohey going to talk? Cos if he talks, we'll all go down. | 0:00:44 | 0:00:46 | |
Who did you see killed? | 0:00:46 | 0:00:48 | |
Wear a wire, get Hammers to talk. | 0:00:48 | 0:00:50 | |
It's Toohey. | 0:00:50 | 0:00:52 | |
-PEEL: -Toohey. | 0:01:08 | 0:01:09 | |
He was like a bloody son. | 0:01:11 | 0:01:13 | |
I watched that kid grow up. I coached him in the Colts. | 0:01:14 | 0:01:18 | |
-NICK: -Yeah, I know you two were close, boss. | 0:01:18 | 0:01:20 | |
Yeah, I want the prick who did it. | 0:01:20 | 0:01:22 | |
Yeah, yeah, we'll get him. | 0:01:22 | 0:01:23 | |
Who found him? | 0:01:23 | 0:01:25 | |
Oscar Taylor. | 0:01:25 | 0:01:27 | |
Oh, that mate of yours. | 0:01:27 | 0:01:29 | |
He's Eddy Everywhere. | 0:01:31 | 0:01:33 | |
-TAYLOR: -I was up there taking photos. | 0:01:34 | 0:01:38 | |
I wanted to get that moment | 0:01:38 | 0:01:39 | |
when the moon looks like it's rising out of the ocean. | 0:01:39 | 0:01:42 | |
Right, right. And that's when you saw the body in the water? | 0:01:42 | 0:01:45 | |
No, not at first. | 0:01:45 | 0:01:48 | |
At first it was just a shadow in the pool. | 0:01:48 | 0:01:50 | |
Tori. | 0:01:51 | 0:01:53 | |
Just a second, Oz. | 0:01:53 | 0:01:55 | |
Look, I know he's your mate and everything, | 0:01:57 | 0:01:59 | |
but let him answer, don't lead him. | 0:01:59 | 0:02:02 | |
He's not a suspect. | 0:02:04 | 0:02:05 | |
Everyone's a suspect, you know that. | 0:02:05 | 0:02:07 | |
What have forensics got? | 0:02:10 | 0:02:12 | |
Clothes folded neatly over there. | 0:02:12 | 0:02:14 | |
They reckon from the blood on the towel and on the ground, | 0:02:16 | 0:02:20 | |
that he was stabbed and then either pushed or fell into the pool. | 0:02:20 | 0:02:24 | |
All right. | 0:02:24 | 0:02:25 | |
There was also something else on the towel - possibly semen. | 0:02:25 | 0:02:28 | |
So it could have been a Thrustr hook-up? | 0:02:28 | 0:02:30 | |
-Have you found a phone? -Still looking. | 0:02:32 | 0:02:35 | |
TORI: Toohey was preparing to give up Hammers and the O'Donohue brothers. | 0:03:28 | 0:03:32 | |
What are you talking about? | 0:03:34 | 0:03:35 | |
We think he had evidence connecting them to assaults and murders | 0:03:35 | 0:03:39 | |
in the '80s and '90s. | 0:03:39 | 0:03:40 | |
-Why wasn't I told about this? -I was going to tell you, sir. | 0:03:40 | 0:03:44 | |
We spoke last night. | 0:03:44 | 0:03:46 | |
He was going to come in this morning, make a statement. | 0:03:46 | 0:03:49 | |
Fuck me. | 0:03:50 | 0:03:52 | |
My money is on the O'Donohue brothers. | 0:03:52 | 0:03:54 | |
Can we get a warrant, please? | 0:03:54 | 0:03:55 | |
No, let's just sit back. | 0:03:55 | 0:03:58 | |
We'll monitor their chatter on the phone taps. | 0:03:58 | 0:04:01 | |
Any joy with the murder weapon? | 0:04:02 | 0:04:04 | |
Ah, uniforms are still searching. | 0:04:04 | 0:04:06 | |
And I spoke to the council and asked them to hold off | 0:04:07 | 0:04:09 | |
picking up the garbage until we're done. | 0:04:09 | 0:04:10 | |
Well, can we get on with it? I don't want to be smelling this case from here. | 0:04:10 | 0:04:13 | |
Has anybody got any good news? | 0:04:13 | 0:04:15 | |
We recovered Toohey's phone. | 0:04:15 | 0:04:17 | |
He made three calls last night, | 0:04:17 | 0:04:18 | |
all of them to his lawyer, Simon Mawbrey. | 0:04:18 | 0:04:21 | |
I called Mawbrey this morning. He's not picking up, called in sick. | 0:04:21 | 0:04:24 | |
I think somebody should pay him a visit. | 0:04:24 | 0:04:27 | |
-I'll do that. -All right, that's it. | 0:04:27 | 0:04:29 | |
You two...just a word. | 0:04:30 | 0:04:33 | |
-DOOR CLOSES -Oscar Taylor. | 0:04:38 | 0:04:41 | |
With all due respect... | 0:04:42 | 0:04:44 | |
Everyone knows he frequents the beach at all hours | 0:04:44 | 0:04:47 | |
with some bullshit photographic blog or something. | 0:04:47 | 0:04:50 | |
Investigations are continuing, detective. | 0:04:50 | 0:04:53 | |
So for now you treat him like a witness, not like an old mate. | 0:04:53 | 0:04:58 | |
Yes, sir. | 0:05:00 | 0:05:01 | |
And it goes without saying | 0:05:01 | 0:05:04 | |
that I need to have complete faith in the integrity of every officer under my command. | 0:05:04 | 0:05:08 | |
Yes, sir. | 0:05:09 | 0:05:11 | |
The newspaper article. | 0:05:11 | 0:05:13 | |
Sir? | 0:05:13 | 0:05:15 | |
I'm prepared to overlook the odd lapse of judgment | 0:05:18 | 0:05:21 | |
and the odd investigative fuck-up. | 0:05:21 | 0:05:25 | |
But I will not be lied to. | 0:05:25 | 0:05:28 | |
And I will not be made a fool of. | 0:05:28 | 0:05:30 | |
That'll be all. | 0:05:33 | 0:05:35 | |
-BRENDA: -Toohey's postmortem report. | 0:05:40 | 0:05:42 | |
OK. | 0:05:42 | 0:05:44 | |
Blood splatter suggests the first wound, the deepest one, see here, | 0:05:46 | 0:05:50 | |
that happened when Toohey was lying on the towel, face-up. | 0:05:50 | 0:05:53 | |
And we nearly missed this. | 0:05:53 | 0:05:55 | |
Traces of hair. Shaved. | 0:05:55 | 0:05:57 | |
Is it the same hair found at Haris' and Cohen's? | 0:05:57 | 0:06:00 | |
We're running a DNA comparison. No results back yet. | 0:06:00 | 0:06:03 | |
-But... -Educated guess? | 0:06:03 | 0:06:06 | |
They could be the same. | 0:06:06 | 0:06:09 | |
So the person who killed Haris and Cohen also killed Toohey. | 0:06:09 | 0:06:12 | |
Assuming the DNA matches. | 0:06:12 | 0:06:14 | |
What about animal fur? | 0:06:14 | 0:06:16 | |
Nup. Nothing yet. | 0:06:16 | 0:06:18 | |
And we're still waiting on test results for the semen and the blood. | 0:06:18 | 0:06:21 | |
It's the same killer, but the psychology, it's totally different. | 0:06:21 | 0:06:25 | |
The attack on Toohey, it's in a public place, | 0:06:25 | 0:06:29 | |
there's no ligatures, there's no trophies. | 0:06:29 | 0:06:31 | |
It's a frenzied assault. | 0:06:31 | 0:06:34 | |
Yeah, it's like this one was personal. | 0:06:34 | 0:06:37 | |
So, whoever killed him took him by surprise | 0:06:37 | 0:06:40 | |
or was someone he knew and trusted. | 0:06:40 | 0:06:42 | |
Yeah, like a lawyer. | 0:06:42 | 0:06:44 | |
KNOCK AT DOOR | 0:06:54 | 0:06:55 | |
-MAWBREY: -Piss off! | 0:06:55 | 0:06:58 | |
KNOCKING CONTINUES | 0:06:58 | 0:07:00 | |
I heard it on the news this morning. | 0:07:05 | 0:07:07 | |
That must have come as quite a shock. | 0:07:07 | 0:07:09 | |
Oh, thank you for that statement of the bleeding obvious, detective. | 0:07:09 | 0:07:13 | |
We believe you spoke to Mr Toohey last night. | 0:07:13 | 0:07:16 | |
I spoke with my client quite regularly. | 0:07:17 | 0:07:19 | |
We also believe you met him at Bronte Baths. | 0:07:19 | 0:07:24 | |
HE CHUCKLES | 0:07:24 | 0:07:25 | |
Really? | 0:07:25 | 0:07:27 | |
Can I ask you where you were between 9:30 and 11:00 last night? | 0:07:27 | 0:07:30 | |
You can ask all you like, I'm not going to make any comment. | 0:07:30 | 0:07:32 | |
So you don't deny that you were there? | 0:07:32 | 0:07:35 | |
Nice try, detective, | 0:07:35 | 0:07:36 | |
but I'm not confirming or denying I was anywhere last night. | 0:07:36 | 0:07:39 | |
Did he talk to you about Kyle Hampton or the O'Donohues? | 0:07:43 | 0:07:46 | |
OK, I think this conversation is over. | 0:07:49 | 0:07:52 | |
Did he tell you he was planning on speaking to the police? | 0:07:52 | 0:07:54 | |
He was going to tell us what he knew | 0:07:54 | 0:07:56 | |
about murders committed by the Pointers gang. | 0:07:56 | 0:07:58 | |
Please leave. | 0:07:58 | 0:07:59 | |
You know, I would like to find the person that killed Toohey. | 0:08:05 | 0:08:08 | |
I would have thought you'd want to help with that. | 0:08:08 | 0:08:10 | |
I'm dismayed and devastated at the news of my client's death. | 0:08:10 | 0:08:13 | |
I have nothing further to add. Goodbye. | 0:08:13 | 0:08:15 | |
-NICK: -"Dismayed and devastated", my arse. | 0:08:19 | 0:08:22 | |
You think he's hiding something? | 0:08:22 | 0:08:24 | |
He's a lawyer. Of course he's hiding something. | 0:08:24 | 0:08:27 | |
DNA results? | 0:08:28 | 0:08:29 | |
Settle, petal. | 0:08:29 | 0:08:31 | |
They'll get onto it, hopefully this year. | 0:08:31 | 0:08:33 | |
This bloke just called in, wants to speak to a detective. | 0:08:33 | 0:08:36 | |
Looks like all that publicity's flushed out a former victim. | 0:08:36 | 0:08:40 | |
-MAN: -Looking good. | 0:08:47 | 0:08:49 | |
I was walking through Cardinal Park rattling car keys. | 0:08:50 | 0:08:54 | |
That's a kind of signal - looking for company. | 0:08:54 | 0:08:58 | |
And... Ah, with the others. | 0:08:58 | 0:09:01 | |
And a young man stood up, unzipped his fly. | 0:09:01 | 0:09:07 | |
I realised it was Brett O'Donohue. | 0:09:07 | 0:09:09 | |
I was shocked. I said, "What do you think you're doing?" | 0:09:09 | 0:09:13 | |
I was struck down from behind. Didn't see it coming. | 0:09:13 | 0:09:16 | |
They cracked my skull. | 0:09:16 | 0:09:19 | |
I still get headaches. | 0:09:19 | 0:09:21 | |
Hammers was shouting instructions. | 0:09:21 | 0:09:24 | |
How did you know their names? | 0:09:24 | 0:09:27 | |
I was a football umpire. Under-16s. | 0:09:27 | 0:09:30 | |
I knew their names from their jerseys. | 0:09:30 | 0:09:32 | |
They were going to... throw me off the cliff. | 0:09:32 | 0:09:37 | |
Hammers' girlfriend was shouting, "Kill the fag!" | 0:09:37 | 0:09:42 | |
Jeremy, how did you get away? | 0:09:44 | 0:09:46 | |
Back then I was fit. I ran. They came after, but I was faster. | 0:09:46 | 0:09:50 | |
I hid in some bushes, they ran past. | 0:09:50 | 0:09:55 | |
One stopped. I could see a tattoo on his foot, a tear. | 0:09:55 | 0:10:00 | |
I remember wondering what the kid was crying for. | 0:10:00 | 0:10:05 | |
Then they ran on. | 0:10:06 | 0:10:08 | |
Did you go to the police? | 0:10:09 | 0:10:11 | |
Yeah. But the interrogation was like I was the one who committed a crime. | 0:10:11 | 0:10:15 | |
Couldn't push it, so...gave up. | 0:10:15 | 0:10:20 | |
Sorry. | 0:10:21 | 0:10:22 | |
-How's tricks, Tommy Tom cat? -Please leave. | 0:10:49 | 0:10:52 | |
You're not welcome here. | 0:10:52 | 0:10:53 | |
That's not nice. We're old mates, remember? | 0:10:53 | 0:10:56 | |
Yeah, that friendship ended a long time ago, I'm afraid. | 0:10:56 | 0:10:58 | |
Wrong answer. | 0:10:58 | 0:11:00 | |
Talk to us, Thomas. | 0:11:20 | 0:11:22 | |
It was the O'Donohue brothers, wasn't it? | 0:11:26 | 0:11:29 | |
Bit of a warning. Keep your mouth shut. | 0:11:29 | 0:11:32 | |
All I know is that some things are meant to stay buried. | 0:11:32 | 0:11:35 | |
Like what happened on those cliffs at Cardinal Park, hey? | 0:11:35 | 0:11:39 | |
No... | 0:11:39 | 0:11:41 | |
We can protect you. | 0:11:41 | 0:11:43 | |
I put my trust in a higher power. | 0:11:44 | 0:11:47 | |
This body is just a vessel, detective. | 0:11:47 | 0:11:50 | |
When my body dies, my spirit lives on. | 0:11:50 | 0:11:53 | |
Thomas, will you tell us what the teardrop tattoos mean? | 0:11:57 | 0:12:02 | |
I don't know. | 0:12:02 | 0:12:04 | |
There's going to be nowhere to hide | 0:12:14 | 0:12:16 | |
when the O'Donohues find out you ratted Brett to the cops. | 0:12:16 | 0:12:20 | |
No. You...you can't say that. | 0:12:23 | 0:12:26 | |
Then talk to us. | 0:12:27 | 0:12:30 | |
Or are you in a hurry to find out where you spirit goes next? | 0:12:30 | 0:12:33 | |
The tatts were like a medal of honour... | 0:12:40 | 0:12:42 | |
..for taking a life. | 0:12:44 | 0:12:47 | |
The first noble truth of life is suffering. | 0:12:57 | 0:13:00 | |
To live, you must endure. | 0:13:00 | 0:13:03 | |
I can't escape the past, but...I can't live with it either. | 0:13:04 | 0:13:09 | |
Trust me, Tommy won't say a thing. | 0:13:18 | 0:13:21 | |
And the other fuckers... Brett's on all, mate. | 0:13:21 | 0:13:23 | |
He's very thorough. Ticking them off one by one. | 0:13:23 | 0:13:25 | |
-What about the bitch? -Shit. | 0:13:27 | 0:13:30 | |
She's going to be trouble. | 0:13:30 | 0:13:31 | |
Don't worry. This will be right up Brett's alley. | 0:13:31 | 0:13:35 | |
Who's the bitch? | 0:13:37 | 0:13:39 | |
They always had girls hanging around. Beats me why. | 0:13:39 | 0:13:43 | |
Any girls in particular? | 0:13:43 | 0:13:45 | |
Yeah. Sally Williams. | 0:13:45 | 0:13:47 | |
Came in by train from the west. | 0:13:47 | 0:13:50 | |
-She was into footy players. -Like Toohey. | 0:13:50 | 0:13:53 | |
Except Toohey played the field. | 0:13:53 | 0:13:55 | |
She took up with Hammers on the rebound. | 0:13:55 | 0:13:57 | |
Didn't last long. | 0:13:57 | 0:13:59 | |
The beatings must have got too much. | 0:13:59 | 0:14:01 | |
That'd be right. | 0:14:01 | 0:14:04 | |
She didn't report it, or he wasn't charged? | 0:14:04 | 0:14:06 | |
Well, cops usually look the other way for a reason. | 0:14:06 | 0:14:10 | |
Are you saying he was somebody's informant? | 0:14:11 | 0:14:14 | |
Maybe still is. | 0:14:14 | 0:14:15 | |
SHE SIGHS | 0:14:17 | 0:14:19 | |
Sally Williams. | 0:14:28 | 0:14:30 | |
What's this? | 0:14:30 | 0:14:32 | |
I'm Detective Lustigman. | 0:14:32 | 0:14:33 | |
I wondered if I could come inside and have a talk? | 0:14:33 | 0:14:35 | |
What about? | 0:14:35 | 0:14:36 | |
Kyle Hampton. | 0:14:36 | 0:14:39 | |
Who is it, Mum? | 0:14:39 | 0:14:41 | |
Um, no-one, Jason. Go to your room. | 0:14:41 | 0:14:43 | |
Uh...don't know any Kyle Hampton. | 0:14:46 | 0:14:48 | |
I don't think you understand. | 0:14:50 | 0:14:51 | |
We believe he might be looking for you. | 0:14:51 | 0:14:54 | |
We can protect you. We can make sure he can't get to you. | 0:14:54 | 0:14:57 | |
Like he couldn't get to Toohey. | 0:14:57 | 0:14:59 | |
Do you know something about Mr Toohey's death? | 0:15:00 | 0:15:03 | |
No. Don't know anything. | 0:15:04 | 0:15:07 | |
I... | 0:15:07 | 0:15:08 | |
-Sally. -I don't want anything to do with the cops or with Hammers. | 0:15:08 | 0:15:11 | |
I just want to live my... | 0:15:11 | 0:15:13 | |
Oh, Christ. | 0:15:13 | 0:15:16 | |
SHE SIGHS | 0:15:16 | 0:15:17 | |
Please go. | 0:15:17 | 0:15:19 | |
Nick, yep, I've got eyes on a black ute. | 0:15:25 | 0:15:29 | |
DOOR OPENS | 0:15:51 | 0:15:53 | |
It's gotta be the headquarters. I don't know who's cooking for them. | 0:15:56 | 0:15:59 | |
Hammers is involved - I just don't know how. | 0:15:59 | 0:16:02 | |
How do you want to play it? Get a warrant and see what they've got? | 0:16:02 | 0:16:05 | |
I know Peel's gagging for results, but let's keep our powder dry. | 0:16:05 | 0:16:09 | |
Hammers is slippery. | 0:16:09 | 0:16:11 | |
I don't want him going away for a couple of years for drugs. | 0:16:11 | 0:16:13 | |
I want him for murder. | 0:16:13 | 0:16:15 | |
PHONE BUZZES | 0:16:33 | 0:16:36 | |
Brillo. Shit. | 0:16:38 | 0:16:40 | |
Different name, same avatar. | 0:16:40 | 0:16:42 | |
He's within 200m, Nick. | 0:16:42 | 0:16:44 | |
Pull over. | 0:16:45 | 0:16:47 | |
He's got to be in one of these apartments. | 0:17:05 | 0:17:07 | |
Where'd he go? | 0:17:10 | 0:17:12 | |
There. This one, I reckon. | 0:17:12 | 0:17:14 | |
50m. | 0:17:17 | 0:17:18 | |
30m. | 0:17:20 | 0:17:22 | |
This way. | 0:17:22 | 0:17:23 | |
MAN SHOUTS | 0:17:34 | 0:17:36 | |
HE SHOUTS | 0:17:40 | 0:17:42 | |
HE SHOUTS IN AGONY | 0:17:46 | 0:17:48 | |
Fuck! | 0:17:54 | 0:17:56 | |
We're police officers. You're OK. | 0:18:00 | 0:18:03 | |
Can you tell me, are you hurt anywhere? | 0:18:03 | 0:18:05 | |
-No. -No? OK. | 0:18:05 | 0:18:06 | |
Let me untie you. You're all right. | 0:18:06 | 0:18:08 | |
The deal was quite straightforward. Um... | 0:18:11 | 0:18:13 | |
I would lie on my bed naked and leave the front door unlocked | 0:18:14 | 0:18:19 | |
and he would come in and have sex with me. | 0:18:19 | 0:18:21 | |
And what happened after he arrived, Mr Andrews? | 0:18:22 | 0:18:26 | |
Said he wanted to tie me up. | 0:18:29 | 0:18:30 | |
He said that that would make him get hard. | 0:18:30 | 0:18:33 | |
That's when I saw the knife and I freaked. | 0:18:35 | 0:18:37 | |
He said, "It's time to die, bitch." | 0:18:40 | 0:18:42 | |
HE SNIFFS | 0:18:43 | 0:18:44 | |
That's when I screamed and you saved me. | 0:18:44 | 0:18:47 | |
Can you describe his face? | 0:18:49 | 0:18:50 | |
It's just that he had a baseball cap on pulled low and sunglasses. | 0:18:51 | 0:18:56 | |
I couldn't see much. | 0:18:56 | 0:18:58 | |
Um, what about his voice? | 0:18:58 | 0:19:01 | |
He was Australian, no accent. | 0:19:01 | 0:19:03 | |
How old would you say this man was? | 0:19:04 | 0:19:07 | |
Anywhere from 25 to 35. | 0:19:11 | 0:19:14 | |
His Thrustr name was Brillo. | 0:19:18 | 0:19:20 | |
Yeah. | 0:19:20 | 0:19:22 | |
Like 'brilliant'. | 0:19:22 | 0:19:23 | |
It's also a cleaning product. | 0:19:24 | 0:19:26 | |
Look, we'd like you to work with one of our officers | 0:19:28 | 0:19:31 | |
to build-up a comfit of this man's face. | 0:19:31 | 0:19:34 | |
Like I said, I didn't get a good look at him. | 0:19:35 | 0:19:38 | |
You'll do your best. | 0:19:39 | 0:19:41 | |
I'd know his abs anywhere. | 0:19:44 | 0:19:45 | |
Great. So we're going to have | 0:19:52 | 0:19:54 | |
wanted posters of six-packs plastered all over Bondi. | 0:19:54 | 0:19:58 | |
-Here you go. -What's that? | 0:19:58 | 0:20:00 | |
The DNA results from the Toohey murder. | 0:20:00 | 0:20:03 | |
The shaved hairs matched the ones found at the other murder scenes. | 0:20:03 | 0:20:06 | |
That's not all. | 0:20:06 | 0:20:08 | |
They found evidence of two different seminal fluids on the towel. | 0:20:08 | 0:20:12 | |
Toohey's DNA and an unidentified male. | 0:20:12 | 0:20:15 | |
Well, if it isn't Miss Marple. | 0:20:24 | 0:20:26 | |
I wanted to ask you how well you know the art dealer Adrian Cohen. | 0:20:27 | 0:20:31 | |
Well, I know him in passing but I know nothing about his death. | 0:20:33 | 0:20:36 | |
You bought this painting from him a month ago. | 0:20:37 | 0:20:39 | |
I did. | 0:20:39 | 0:20:41 | |
It's a portrait of Christopher Toohey. | 0:20:41 | 0:20:43 | |
-HE CHUCKLES -Please, I buy a lot of art. | 0:20:43 | 0:20:45 | |
Simon. | 0:20:48 | 0:20:50 | |
Listen, we believe that Toohey's death may be connected | 0:20:51 | 0:20:54 | |
with the murders of other gay men. | 0:20:54 | 0:20:56 | |
We believe the same person or persons might be involved. | 0:20:56 | 0:21:00 | |
Now, if you had nothing to do with Toohey's death, | 0:21:00 | 0:21:03 | |
then we need your help, or other men might die. | 0:21:03 | 0:21:07 | |
OK. | 0:21:13 | 0:21:15 | |
-OK, what? -Toohey did call me. | 0:21:15 | 0:21:17 | |
And what did he want? | 0:21:19 | 0:21:21 | |
He told me to meet him at Bronte Baths. | 0:21:22 | 0:21:24 | |
I didn't know what it was about but I just assumed it was the usual. | 0:21:24 | 0:21:27 | |
I'm sorry, the usual? | 0:21:27 | 0:21:29 | |
Well, either he'd had a fight with that bitch of a wife of his | 0:21:30 | 0:21:33 | |
or he'd had a few too many lines and was horny as fuck. | 0:21:33 | 0:21:36 | |
Can't hang a man for that, can you? | 0:21:38 | 0:21:40 | |
And how long have you had this arrangement? | 0:21:41 | 0:21:44 | |
-HE CHUCKLES -Arrangement. | 0:21:44 | 0:21:46 | |
I'd prefer to call it a relationship. | 0:21:46 | 0:21:49 | |
I'm sorry. Relationship? | 0:21:50 | 0:21:52 | |
15 years next March. | 0:21:52 | 0:21:54 | |
That's a crystal anniversary. | 0:21:54 | 0:21:56 | |
Although he'd never think of it that way. | 0:21:57 | 0:22:00 | |
Oh, don't pity me, Detective. | 0:22:01 | 0:22:02 | |
I knew what the rules were. | 0:22:02 | 0:22:05 | |
Wasn't like it was a regular thing. | 0:22:05 | 0:22:06 | |
We'd go months or years without. | 0:22:06 | 0:22:10 | |
But sooner or later, he would call. | 0:22:10 | 0:22:13 | |
I was the one that he would turn to. | 0:22:16 | 0:22:18 | |
And what happened when you met him? | 0:22:18 | 0:22:21 | |
Oh, he was...strangely calm. | 0:22:23 | 0:22:27 | |
It wasn't like Toohey at all. | 0:22:27 | 0:22:28 | |
He said he was going to tell the police | 0:22:28 | 0:22:30 | |
what he knew about the newspaper story and I told him he was crazy, | 0:22:30 | 0:22:34 | |
I told him to forget the past, I told him he didn't have to do this. | 0:22:34 | 0:22:39 | |
People would forgive him. | 0:22:39 | 0:22:40 | |
He's untouchable. He's Toohey. | 0:22:41 | 0:22:43 | |
People love him. | 0:22:46 | 0:22:48 | |
I loved him. | 0:22:52 | 0:22:54 | |
How did he react to that? | 0:22:58 | 0:22:59 | |
Well, he got very, very hard, Detective, | 0:23:02 | 0:23:05 | |
and then I did for him what I've always done. | 0:23:05 | 0:23:07 | |
And then I went home. | 0:23:10 | 0:23:13 | |
Simon, would you be willing to give us a DNA sample? | 0:23:15 | 0:23:19 | |
Yeah, sure. | 0:23:23 | 0:23:25 | |
NICK: Your son's body will be released into your care | 0:23:33 | 0:23:37 | |
and you can make arrangements to lay him to rest. | 0:23:37 | 0:23:39 | |
Thank you. | 0:23:41 | 0:23:43 | |
For you. | 0:23:44 | 0:23:47 | |
You know that... | 0:23:47 | 0:23:48 | |
The photo your police officers took away, I think this one is better. | 0:23:48 | 0:23:54 | |
How handsome he is. | 0:23:54 | 0:23:57 | |
Yeah. Yeah, he is. | 0:23:57 | 0:23:59 | |
Amir tells me there... there were others? | 0:24:01 | 0:24:05 | |
Yeah, there were two others. | 0:24:06 | 0:24:09 | |
Two? These men were killed just like Haris? | 0:24:09 | 0:24:13 | |
So many mothers, so many tears. | 0:24:19 | 0:24:23 | |
Tell me, that... | 0:24:28 | 0:24:30 | |
..Rohan Asad, do you... | 0:24:30 | 0:24:33 | |
Do you think he loved my son? | 0:24:36 | 0:24:38 | |
Well, his... HE CLEARS HIS THROAT | 0:24:40 | 0:24:43 | |
His last words were for Haris. It was... | 0:24:43 | 0:24:47 | |
"Tell him, 'the wound is where the light enters.'" | 0:24:47 | 0:24:53 | |
Does that mean something to you? | 0:24:57 | 0:25:00 | |
Yes, it's... | 0:25:00 | 0:25:02 | |
It's Rumi. It's a poem. | 0:25:02 | 0:25:05 | |
"The wound is where the light enters you." | 0:25:05 | 0:25:09 | |
Suffering brings illumination, freedom. | 0:25:09 | 0:25:14 | |
I never wanted to believe the truth. | 0:25:19 | 0:25:22 | |
I never thought Haris could be happy. | 0:25:24 | 0:25:26 | |
How could he be happy? | 0:25:26 | 0:25:28 | |
But I was wrong. | 0:25:29 | 0:25:31 | |
Because he was happy. | 0:25:33 | 0:25:35 | |
And he was loved. | 0:25:35 | 0:25:37 | |
And now... | 0:25:37 | 0:25:39 | |
You know... | 0:25:45 | 0:25:47 | |
I think... | 0:25:49 | 0:25:51 | |
I think I would like that Rohan guy. | 0:25:52 | 0:25:56 | |
Please promise me one thing, please. | 0:26:01 | 0:26:04 | |
If I can. | 0:26:04 | 0:26:06 | |
Find a way. Find them. | 0:26:06 | 0:26:09 | |
You need to stop whoever is bringing all this pain. | 0:26:09 | 0:26:14 | |
HELICOPTER HOVERS | 0:26:24 | 0:26:26 | |
The DNA test results you requested. The blood on the lead pipe. | 0:26:51 | 0:26:55 | |
You're related. | 0:26:57 | 0:26:58 | |
Is there something you want to tell me? | 0:26:59 | 0:27:01 | |
-It's a familial match? Are you sure? -Yeah. | 0:27:03 | 0:27:06 | |
Uh, can we just keep this between us, just for now? | 0:27:08 | 0:27:12 | |
SHE SIGHS | 0:27:12 | 0:27:14 | |
You know you're not allowed to work on a case that involves a relative. | 0:27:14 | 0:27:17 | |
This is different. | 0:27:19 | 0:27:21 | |
It's not strictly an active investigation. | 0:27:22 | 0:27:24 | |
Yeah, right. | 0:27:24 | 0:27:26 | |
Please, Brenda. | 0:27:27 | 0:27:28 | |
Put it down to the sisterhood. | 0:27:32 | 0:27:34 | |
-Hey, thank you. I...I owe you one. -Big-time. | 0:27:37 | 0:27:40 | |
SCRAPING | 0:28:20 | 0:28:22 | |
-Hey, Mum. -Hi. | 0:28:47 | 0:28:49 | |
-What are you doing? -I'm just happy to see you. | 0:28:51 | 0:28:53 | |
-You see me every day. -I know. | 0:28:54 | 0:28:57 | |
-Where's Oscar? -Inside. | 0:28:57 | 0:29:00 | |
-Oscar? -Hey. | 0:29:08 | 0:29:11 | |
Christmas Eve 1989. | 0:29:11 | 0:29:13 | |
Some police officers took a weapon, a lead pipe, | 0:29:14 | 0:29:19 | |
off two teenage boys near Cardinal Park. | 0:29:19 | 0:29:22 | |
So, what are you saying? | 0:29:22 | 0:29:24 | |
It had Shane's blood on it. | 0:29:26 | 0:29:27 | |
What? | 0:29:28 | 0:29:30 | |
Ha. Nah. Bullshit. | 0:29:30 | 0:29:33 | |
No way. | 0:29:33 | 0:29:35 | |
I had it DNA tested. It's a familial match. | 0:29:35 | 0:29:39 | |
To me. | 0:29:39 | 0:29:41 | |
I'm sorry. | 0:29:43 | 0:29:45 | |
Sorry. | 0:29:58 | 0:30:00 | |
I loved your brother. | 0:30:15 | 0:30:17 | |
I wanted to tell the world, but Shane said he wasn't ready. | 0:30:18 | 0:30:22 | |
He said he was waiting for the right time to tell your dad. | 0:30:24 | 0:30:26 | |
There's never a right time to tell my dad anything. | 0:30:28 | 0:30:31 | |
The night Shane died, he was meeting me. | 0:30:33 | 0:30:37 | |
The wind over there does strange things at night. | 0:30:40 | 0:30:44 | |
Sounds swirl around. | 0:30:44 | 0:30:47 | |
Someone can be just a few metres away, | 0:30:47 | 0:30:49 | |
you think they're calling from way out at sea. | 0:30:49 | 0:30:51 | |
Did you hear something that night? | 0:30:54 | 0:30:57 | |
Shouting. | 0:30:57 | 0:30:58 | |
In those days you heard a lot of that. It wasn't unusual. | 0:31:00 | 0:31:03 | |
Do you think it was Shane? | 0:31:05 | 0:31:07 | |
I don't know. | 0:31:10 | 0:31:11 | |
But those shouts... | 0:31:14 | 0:31:15 | |
..now I'm wondering. | 0:31:19 | 0:31:21 | |
No...don't do that. | 0:31:21 | 0:31:23 | |
Who was it? | 0:32:18 | 0:32:19 | |
Tori, I need to know. | 0:32:22 | 0:32:24 | |
It was the Pointers. | 0:32:27 | 0:32:29 | |
Hi, sweetheart. How was work? | 0:33:02 | 0:33:04 | |
Dad, we need to talk about Shane. | 0:33:05 | 0:33:07 | |
In the course of my work some evidence has come to light. | 0:33:10 | 0:33:12 | |
It's not official yet, but I think I know almost certainly how he died. | 0:33:12 | 0:33:17 | |
Yep, he drowned. | 0:33:17 | 0:33:19 | |
Death by misadventure - that's what Peel said. | 0:33:19 | 0:33:22 | |
Misadventure's pretty much just an open finding, Dad. | 0:33:22 | 0:33:24 | |
But I think I can prove that he was bashed. | 0:33:25 | 0:33:30 | |
-Somewhere near Cardinal Park. -What? | 0:33:31 | 0:33:34 | |
-And possibly thrown off the cliff. -No. | 0:33:34 | 0:33:36 | |
Dad, now, I need you to listen to me. | 0:33:36 | 0:33:38 | |
-Tori. -I know it's hard. | 0:33:38 | 0:33:39 | |
Dad, listen. | 0:33:39 | 0:33:41 | |
-He did not go swimming. -Tori. | 0:33:41 | 0:33:43 | |
He did not drown, he was set on by a gang of boys. | 0:33:43 | 0:33:46 | |
Tori, stop. | 0:33:46 | 0:33:48 | |
It's ridiculous. | 0:33:48 | 0:33:50 | |
He had no reason to go to Cardinal Park. | 0:33:50 | 0:33:53 | |
Dad, he was there to meet somebody who he cared about. | 0:33:57 | 0:34:01 | |
Who cared about him. | 0:34:02 | 0:34:04 | |
He was there to meet Oscar. | 0:34:09 | 0:34:11 | |
Please, Dad, just...have a look. | 0:34:15 | 0:34:17 | |
Oscar's a fuckin' liar. | 0:34:19 | 0:34:21 | |
Oscar is your friend, Dad. Why would he lie to you? | 0:34:21 | 0:34:24 | |
Shane was not gay. | 0:34:25 | 0:34:27 | |
So, it's OK for Oscar, but not your son? | 0:34:28 | 0:34:30 | |
You know Oscar's somebody's son too, Dad. | 0:34:30 | 0:34:32 | |
Hey, just don't twist my words. | 0:34:32 | 0:34:34 | |
Please, Dad, speak to Oscar. Listen to what he has to say. | 0:34:34 | 0:34:38 | |
No. This is just another one of your little stories. | 0:34:39 | 0:34:43 | |
You were always telling stories about Shane. | 0:34:43 | 0:34:46 | |
Huh. How can you... | 0:34:50 | 0:34:52 | |
Broke your mother's heart when Shane was taken from us. | 0:34:52 | 0:34:55 | |
Yes, but not by the sea, Dad. | 0:34:55 | 0:34:57 | |
Shane was gay | 0:35:04 | 0:35:05 | |
and some bastards killed him for that. | 0:35:05 | 0:35:08 | |
DOOR SLAMS | 0:35:18 | 0:35:19 | |
He's walking around like he owns the place, and I tap him on the back | 0:35:35 | 0:35:39 | |
and I'm like, "You want to meet the guy who owns the place? | 0:35:39 | 0:35:42 | |
"He's right here." | 0:35:42 | 0:35:43 | |
What an idiot. | 0:35:43 | 0:35:45 | |
-I know. -Good for you, Toots. | 0:35:47 | 0:35:50 | |
I know what you did. | 0:35:52 | 0:35:53 | |
Cardinal Park. Shark Point. | 0:35:59 | 0:36:02 | |
I know how it worked. | 0:36:04 | 0:36:05 | |
Who the fuck are you and what the fuck are you talking about? | 0:36:06 | 0:36:09 | |
You stake out a beat, you and the Pointers. | 0:36:09 | 0:36:12 | |
It's all right, mate. | 0:36:12 | 0:36:14 | |
You bash innocent men and you throw them to their death. | 0:36:15 | 0:36:19 | |
Is that right? | 0:36:19 | 0:36:20 | |
I was there. I saw you. | 0:36:23 | 0:36:25 | |
-Bullshit. -That's what I'm telling the cops. | 0:36:28 | 0:36:31 | |
I saw you bash a man, then throw him off the cliff at Cardinal Park. | 0:36:33 | 0:36:37 | |
You're lying. | 0:36:39 | 0:36:41 | |
Doesn't matter if I am or not. | 0:36:42 | 0:36:44 | |
All that matters is if the cops believe me. | 0:36:44 | 0:36:46 | |
GRUNTING | 0:36:49 | 0:36:50 | |
GLASSES CLINK AND SHATTER WOMAN SHRIEKS | 0:36:50 | 0:36:52 | |
-OSCAR: -And that's all that happened, mate. | 0:36:53 | 0:36:55 | |
-TORI: -Are you OK? | 0:36:55 | 0:36:57 | |
Yeah, I'm great. | 0:36:57 | 0:36:59 | |
-I want him charged. -Fuck off, Hammers. | 0:36:59 | 0:37:02 | |
Hey, he comes in here threatening to verbal me, | 0:37:02 | 0:37:06 | |
threatening to lie about something I didn't do some 20-odd years ago?! | 0:37:06 | 0:37:11 | |
-What? -Oh, some shit at Cardinal Park. | 0:37:11 | 0:37:14 | |
You got something to say about Cardinal Park? | 0:37:14 | 0:37:18 | |
I think you're forgetting, missy, I'm the victim here. | 0:37:21 | 0:37:23 | |
My boys were simply trying to protect me | 0:37:24 | 0:37:27 | |
from the fuckin' queer avenger here! | 0:37:27 | 0:37:29 | |
What is it that they say? | 0:37:32 | 0:37:33 | |
Nothing's lower than a copper's dog | 0:37:34 | 0:37:37 | |
ratting out his mates to cover his own arse. | 0:37:37 | 0:37:40 | |
-That's enough. -I like her. She's crazy. | 0:37:40 | 0:37:44 | |
Yeah? You want crazy? I'll give you crazy, you piece of shit! | 0:37:44 | 0:37:46 | |
Lustigman! A word now. | 0:37:46 | 0:37:49 | |
-What did you say? -What? | 0:37:56 | 0:37:59 | |
What did you tell Oscar? | 0:37:59 | 0:38:01 | |
Nothing. Nothing he didn't need to know. | 0:38:01 | 0:38:03 | |
Shit, you've been feeding him information about the investigation, haven't you? | 0:38:05 | 0:38:09 | |
Look, he would have found out anyway. | 0:38:09 | 0:38:11 | |
You wound him up to verbal Hammers. | 0:38:12 | 0:38:14 | |
Listen, the weapon that Chalmers took off the Pointers... | 0:38:17 | 0:38:21 | |
..there's a blood match - it's a familial link. | 0:38:23 | 0:38:25 | |
Oh, shit. | 0:38:26 | 0:38:28 | |
And you told Oscar and that's why he came after Hammers. | 0:38:30 | 0:38:34 | |
This is bullshit! | 0:38:38 | 0:38:40 | |
You don't even know what happened that night. | 0:38:40 | 0:38:43 | |
How did they get the club? Who struck the first blow? | 0:38:43 | 0:38:45 | |
Was it one of them, all of them? Was it someone else? | 0:38:45 | 0:38:48 | |
I don't know, | 0:38:48 | 0:38:50 | |
but I do know that someone has to be held responsible for this. | 0:38:50 | 0:38:54 | |
Yes. And they will be. | 0:38:54 | 0:38:57 | |
But you can't be on this case. | 0:38:58 | 0:39:00 | |
No. Nick, I have to be. | 0:39:00 | 0:39:03 | |
Listen, Brenda is the only one who knows about the blood. Please. | 0:39:03 | 0:39:06 | |
It's not about that, Tori. | 0:39:08 | 0:39:09 | |
I won't live with a guilty man walking free | 0:39:12 | 0:39:14 | |
because you perverted the course of justice. | 0:39:14 | 0:39:17 | |
If you want me off this case, you're going to have to tell Peel yourself. | 0:39:23 | 0:39:27 | |
The ice found on Brett O'Donohue | 0:39:50 | 0:39:52 | |
matches the ice found at the Rexhaj and Cohen murder scenes. | 0:39:52 | 0:39:55 | |
It's the same chemical composition. | 0:39:55 | 0:39:57 | |
But it still doesn't put them there, does it? | 0:39:57 | 0:39:59 | |
Well, if they're not our killers, then one of their clients is. | 0:39:59 | 0:40:03 | |
Yeah, or someone who gets their ice from one of their clients, | 0:40:03 | 0:40:06 | |
which could be about half of bloody Bondi. | 0:40:06 | 0:40:08 | |
So, we're no closer to cracking this. | 0:40:08 | 0:40:10 | |
Little steps, boss. We are making progress. | 0:40:11 | 0:40:14 | |
Well, I need more than just busting the O'Donohues for a few bags of ice. | 0:40:14 | 0:40:17 | |
-Nick. -Cheers, Brenda. | 0:40:19 | 0:40:22 | |
-Hey, mate. -How are you going? | 0:41:37 | 0:41:40 | |
That boy of mine around? | 0:41:44 | 0:41:45 | |
I gave him an early mark. | 0:41:46 | 0:41:48 | |
He's out there product testing. | 0:41:48 | 0:41:50 | |
He's got the makings of a good little surfer, that boy. | 0:41:51 | 0:41:54 | |
Remind you of someone? | 0:41:55 | 0:41:57 | |
He attacks the waves like Shane did. | 0:41:57 | 0:41:59 | |
He's got his uncle's good looks, too. | 0:42:01 | 0:42:02 | |
What happened, Oscar? | 0:42:07 | 0:42:08 | |
What did you do to... | 0:42:14 | 0:42:15 | |
To what? | 0:42:16 | 0:42:18 | |
You know... | 0:42:28 | 0:42:30 | |
..to make... | 0:42:30 | 0:42:32 | |
..make him... | 0:42:33 | 0:42:35 | |
Gay? | 0:42:36 | 0:42:37 | |
You think I made Shane gay? | 0:42:41 | 0:42:43 | |
Is that what this is about? | 0:42:45 | 0:42:47 | |
You want to blame someone for your loss, | 0:42:57 | 0:42:59 | |
blame the pricks that killed him. | 0:42:59 | 0:43:01 | |
Fuck. | 0:43:03 | 0:43:05 | |
MUSIC: Made of Stone by Matt Corby | 0:43:16 | 0:43:18 | |
# See, I left my mother's arms | 0:43:23 | 0:43:30 | |
# I left my father's home | 0:43:32 | 0:43:39 | |
# And I fell into a well of hope | 0:43:41 | 0:43:49 | |
# I'm carrying my heart but it's made of stone | 0:43:56 | 0:44:02 | |
# I'm carrying my heart but my heart is made of stone | 0:44:04 | 0:44:11 | |
# I left my mother's arms | 0:44:23 | 0:44:30 | |
# I left my father's home | 0:44:31 | 0:44:38 | |
# And I fell into a well of hope... # | 0:44:39 | 0:44:50 | |
ENGINE STOPS | 0:45:07 | 0:45:09 | |
HE CLEARS HIS THROAT | 0:45:27 | 0:45:29 | |
KNOCKING | 0:45:31 | 0:45:33 | |
PHONE RINGS Boss? | 0:45:33 | 0:45:36 | |
That's not going to answer itself. | 0:45:37 | 0:45:38 | |
Oscar, can it wait? | 0:45:43 | 0:45:44 | |
I think I know where he is. | 0:45:44 | 0:45:46 | |
What? | 0:45:46 | 0:45:48 | |
Your Thrustr guy. He's online. | 0:45:48 | 0:45:51 | |
Tell me exactly what you're talking about. | 0:45:51 | 0:45:53 | |
He's changed his name, but I recognised his avatar. | 0:45:53 | 0:45:56 | |
Tori, I messaged him to meet me. | 0:45:58 | 0:46:00 | |
You did what?! | 0:46:00 | 0:46:02 | |
If it is Hammers, I want to be here when you take him down. | 0:46:02 | 0:46:07 | |
I'm at the Q Bar. | 0:46:07 | 0:46:09 | |
Nick, it's Oscar. He's with Real Man. | 0:46:16 | 0:46:19 | |
Tell me you didn't put Oscar up to this. | 0:46:31 | 0:46:33 | |
You can get out now if you want to. | 0:46:33 | 0:46:35 | |
Did you call for backup? | 0:46:38 | 0:46:39 | |
If anyone asks, there wasn't time. | 0:46:43 | 0:46:45 | |
Oscar. | 0:47:50 | 0:47:51 | |
-This is him, yeah? -Yeah, that's him. | 0:47:51 | 0:47:54 | |
What did you say to him? | 0:47:54 | 0:47:56 | |
Hook-up here, then party time. | 0:47:56 | 0:47:58 | |
-Tori, it's not Hammers. -OK. | 0:47:59 | 0:48:02 | |
So, we'll go in, split up, maintain visual. | 0:48:02 | 0:48:04 | |
Use the app to triangulate the position, yeah? | 0:48:04 | 0:48:06 | |
-Sounds good. -What do I do? | 0:48:06 | 0:48:09 | |
How about you stay the fuck out of the way? That would be really good. | 0:48:09 | 0:48:11 | |
Just let us handle it. | 0:48:12 | 0:48:14 |