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This programme contains some violent scenes, some strong language | 0:00:02 | 0:00:04 | |
and some scenes which some viewers may find upsetting. | 0:00:04 | 0:00:06 | |
They were going to throw me off the cliff. Hammers' girlfriend was shouting..."Kill the fag." | 0:00:06 | 0:00:10 | |
It was a sport back then, and the Pointers took to the sport with a vengeance, led by a Kyle Hampton. | 0:00:10 | 0:00:14 | |
-TORI: -Greg Mills. Dr Peter Levy. Ned Davies. | 0:00:14 | 0:00:16 | |
I knew a couple of the local coppers. | 0:00:16 | 0:00:18 | |
They weren't interested in Ned. They reckoned he was asking for it. | 0:00:18 | 0:00:20 | |
-Nick, the numbers are growing. -26 years later. | 0:00:20 | 0:00:23 | |
These men were killed just like Haris? | 0:00:23 | 0:00:26 | |
It's a frenzied assault. | 0:00:28 | 0:00:29 | |
Yeah, it's like this one was personal. | 0:00:29 | 0:00:32 | |
The DNA test results you requested? The blood on the lead pipe? | 0:00:32 | 0:00:34 | |
You're related. | 0:00:35 | 0:00:37 | |
Shane was not gay. | 0:00:37 | 0:00:39 | |
OSCAR: You bash innocent men and you throw them to their death. | 0:00:40 | 0:00:44 | |
Is that right? | 0:00:44 | 0:00:45 | |
-Sally... -I don't want anything to do with the cops. | 0:00:45 | 0:00:47 | |
I don't want anything to do with Hammers. | 0:00:47 | 0:00:49 | |
There's someone luring people with that app and then killing them. | 0:00:49 | 0:00:52 | |
You shouldn't be on it yourself. | 0:00:52 | 0:00:53 | |
-Your Thrustr guy. He's online. -Wh...what?! | 0:00:53 | 0:00:57 | |
-MAN: -Tori, it's not Hammers. | 0:00:57 | 0:00:59 | |
-TORI: -Oscar! | 0:01:20 | 0:01:22 | |
NICK: Pulse is steady. Ambos should be here soon. | 0:01:24 | 0:01:27 | |
Oscar! | 0:01:28 | 0:01:29 | |
-WOMAN: -I was having a smoke... | 0:01:29 | 0:01:31 | |
Oscar! | 0:01:31 | 0:01:33 | |
..and saw this fella waiting for someone, | 0:01:33 | 0:01:35 | |
then this other fella arrives. | 0:01:35 | 0:01:36 | |
Oscar! | 0:01:36 | 0:01:38 | |
Then I heard a thud and a groan and I called out, "Everything all right?" | 0:01:38 | 0:01:41 | |
Can you move? Now! Move! | 0:01:41 | 0:01:44 | |
Then I walk around and see him lying there. | 0:01:44 | 0:01:46 | |
Oscar, can you hear me? Oscar. | 0:01:46 | 0:01:48 | |
I saw a boy killed here. Exact same spot. Back in the struggle days. | 0:01:48 | 0:01:53 | |
He died in my arms. You cops didn't give a damn! | 0:01:53 | 0:01:58 | |
-MAN: -Step back, please. | 0:01:58 | 0:01:59 | |
Fuckin' bastards. | 0:01:59 | 0:02:01 | |
Could have been him. | 0:02:16 | 0:02:17 | |
Well, we need you to be certain. | 0:02:19 | 0:02:21 | |
It was dark! | 0:02:21 | 0:02:23 | |
What about weapons? | 0:02:23 | 0:02:25 | |
He had something in his fist. Not a gun or a knife, but, um... | 0:02:25 | 0:02:29 | |
No. | 0:02:30 | 0:02:32 | |
It was HIM. | 0:02:32 | 0:02:34 | |
He's a thug, sir. | 0:02:38 | 0:02:40 | |
He was a thug when he was a kid | 0:02:40 | 0:02:42 | |
and he's a thug now. | 0:02:42 | 0:02:44 | |
You can't turn a blind eye forever. | 0:02:44 | 0:02:46 | |
I beg your pardon? | 0:02:48 | 0:02:49 | |
I've come across old paperwork that's left me with some questions. | 0:02:51 | 0:02:55 | |
Old charge sheets. Charges dropped on your authority. | 0:02:55 | 0:02:58 | |
You called me here in the middle of the night to tell me that? | 0:02:58 | 0:03:02 | |
HE CHUCKLES | 0:03:02 | 0:03:04 | |
Who the bloody hell do you think you are? | 0:03:04 | 0:03:06 | |
-Is he an informant? -That's classified. | 0:03:06 | 0:03:08 | |
Hammers is a businessman. | 0:03:10 | 0:03:12 | |
He's got a local bar, and intel suggests that he's involved | 0:03:12 | 0:03:15 | |
in the O'Donohues' drug network, but nothing's proven. | 0:03:15 | 0:03:17 | |
Look, boss, everybody knows | 0:03:19 | 0:03:21 | |
you've got an impeccable record for drug busts. | 0:03:21 | 0:03:23 | |
Now, maybe Hammers helped you get those and you can't say. | 0:03:23 | 0:03:27 | |
Well, we all understand that. | 0:03:27 | 0:03:29 | |
But Hammers is in deep shit, | 0:03:30 | 0:03:33 | |
and sometimes you've just got to cut your informants loose. | 0:03:33 | 0:03:36 | |
-I'll tell you tomorrow. -We need to go tonight. | 0:03:40 | 0:03:43 | |
What do you hope to find? | 0:03:43 | 0:03:44 | |
A club with Oscar's blood on it would be pretty useful, sir. | 0:03:44 | 0:03:48 | |
There's no way I'm going to ring a magistrate | 0:03:48 | 0:03:50 | |
in the middle of the bloody night on such flimsy hope. | 0:03:50 | 0:03:53 | |
Hammers, he's a manipulative piece of work, | 0:03:53 | 0:03:56 | |
but the sick fuck we're after is something else altogether. | 0:03:56 | 0:04:00 | |
DOOR LOCKS | 0:04:23 | 0:04:25 | |
-WOMAN: -Rhys? | 0:04:28 | 0:04:30 | |
Coming. | 0:04:34 | 0:04:36 | |
Where were you last night? | 0:04:42 | 0:04:45 | |
At work. | 0:04:47 | 0:04:49 | |
I worry about leaving you, Rhys. | 0:05:03 | 0:05:06 | |
You should get yourself a nice girl. | 0:05:09 | 0:05:13 | |
Like you? | 0:05:20 | 0:05:22 | |
No, where are you going? | 0:05:36 | 0:05:37 | |
Thanks. | 0:05:43 | 0:05:44 | |
That the hospital? | 0:05:46 | 0:05:47 | |
Yeah. Brain scan's normal. | 0:05:47 | 0:05:49 | |
-They'll discharge Oscar today. -Good. | 0:05:49 | 0:05:51 | |
That's a warrant for Hammers. | 0:05:51 | 0:05:53 | |
You control your emotions, and you, don't get cocky. | 0:05:53 | 0:05:55 | |
Either of you fuck me around, | 0:05:55 | 0:05:57 | |
I'll drop-kick your arses right out of here. | 0:05:57 | 0:05:59 | |
Where was your husband last night? | 0:06:13 | 0:06:15 | |
At the Green Room, then home with me. | 0:06:15 | 0:06:18 | |
Where is he now? | 0:06:18 | 0:06:20 | |
No idea. We lead independent lives. | 0:06:20 | 0:06:22 | |
What time did he get in last night? | 0:06:22 | 0:06:24 | |
Don't know. I was asleep. | 0:06:24 | 0:06:26 | |
Oh, are you a smoker, Cheryl? | 0:06:28 | 0:06:29 | |
Uh, I'm a fitness trainer. They're Kyle's. | 0:06:31 | 0:06:33 | |
What's this? | 0:06:34 | 0:06:36 | |
A sex toy? | 0:06:38 | 0:06:39 | |
Fancy dress night at the club. | 0:06:39 | 0:06:42 | |
Yeah, I heard the fancy dress doesn't stay on long. | 0:06:42 | 0:06:44 | |
These are illegal. | 0:06:45 | 0:06:47 | |
Nick? | 0:06:50 | 0:06:52 | |
Do you or your husband have any fur garments in the house? | 0:06:52 | 0:06:56 | |
I belong to an organisation that's against cruelty to animals. | 0:06:56 | 0:06:59 | |
TORI LAUGHS Just going to continue the search. | 0:06:59 | 0:07:01 | |
Please go. When Kyle turns up, I'll tell him to call you. | 0:07:01 | 0:07:04 | |
Oh, you thought we just wanted to talk to Kyle? No, no, no, no, no. | 0:07:04 | 0:07:08 | |
Where were YOU Christmas Eve 1989? | 0:07:08 | 0:07:10 | |
A man was killed. I know you were there. I have a witness. | 0:07:10 | 0:07:13 | |
You can't rely on the words of a madwoman. She's insane! | 0:07:15 | 0:07:18 | |
You have no idea who my witness is. | 0:07:18 | 0:07:20 | |
The past is the past. We've all done things we regret. | 0:07:22 | 0:07:24 | |
And each morning, we are born again a new person. | 0:07:24 | 0:07:26 | |
-I'm not the person I was yesterday. -No, no, no. | 0:07:26 | 0:07:28 | |
You don't get to get off the hook by mouthing some half-baked philosophy. | 0:07:28 | 0:07:31 | |
You really want to pay for Hammers? | 0:07:31 | 0:07:33 | |
You need to talk to me, Cheryl. | 0:07:35 | 0:07:37 | |
I'm racking my brain. Nothing's coming to me. | 0:07:38 | 0:07:41 | |
Watching a murder and doing nothing to prevent it | 0:07:41 | 0:07:44 | |
leaves you equally culpable. | 0:07:44 | 0:07:46 | |
A young man was bashed and you were heard screaming, "Kill the faggot." | 0:07:48 | 0:07:53 | |
What kind of a person does that? | 0:07:53 | 0:07:55 | |
Let me go. | 0:07:58 | 0:07:59 | |
Why does your husband have a gun beside the bed? | 0:08:01 | 0:08:04 | |
In case he meets you on the beach. | 0:08:06 | 0:08:08 | |
-PEEL: -One firearm. That's all you found. | 0:08:16 | 0:08:18 | |
Can you at least tell me it was unlicensed? | 0:08:18 | 0:08:20 | |
Uh, we're not sure what the weapon used on Oscar Taylor was yet, boss. | 0:08:20 | 0:08:23 | |
-Any blood? -Uh, not to the naked eye. It could have been wiped clean. | 0:08:23 | 0:08:26 | |
But the Thrustr killer, | 0:08:26 | 0:08:28 | |
he definitely met one or more victims at the Green Room. | 0:08:28 | 0:08:30 | |
Hammers is connected, but we're just not sure how yet. | 0:08:30 | 0:08:32 | |
Well, pull your fingers out, will you? | 0:08:32 | 0:08:34 | |
The public want the head of the prick who topped Toohey. | 0:08:34 | 0:08:36 | |
-They don't want false trails. -Yes, boss. | 0:08:36 | 0:08:39 | |
Hey, Tori. | 0:08:41 | 0:08:43 | |
Have a look at those. | 0:08:44 | 0:08:45 | |
I appropriated them - sublegally. They weren't on the warrant. | 0:08:45 | 0:08:48 | |
Hmm. O'Donohue brothers. | 0:08:48 | 0:08:51 | |
And the Pointers. Hmm. | 0:08:51 | 0:08:54 | |
Do we know who this is? | 0:08:54 | 0:08:55 | |
Dunno. | 0:08:57 | 0:08:58 | |
Hey. Any wolves at Hammers'? | 0:08:58 | 0:09:01 | |
Oh, I'm tempted to say yes, but no. Why? | 0:09:01 | 0:09:04 | |
The lab just came back with the results on that fur. | 0:09:04 | 0:09:08 | |
All right. | 0:09:08 | 0:09:11 | |
"Arctic wolf." | 0:09:11 | 0:09:13 | |
Found in Canada. | 0:09:15 | 0:09:17 | |
Beautiful animal. Predator. | 0:09:17 | 0:09:19 | |
-Brenda, you're a legend! -I know. | 0:09:19 | 0:09:22 | |
"The arctic wolf hunts alone or in packs. | 0:09:22 | 0:09:25 | |
"It may look like a loner, | 0:09:25 | 0:09:26 | |
"but the wolf may be out seeking prey for the pack | 0:09:26 | 0:09:29 | |
"or looking to make its own pack. | 0:09:29 | 0:09:31 | |
"Only the alpha male can mate." | 0:09:31 | 0:09:33 | |
-SALLY: -Please don't ask me about the past. | 0:09:45 | 0:09:48 | |
Sally. You can't stay quiet forever. | 0:09:48 | 0:09:52 | |
If you covered up a crime, you're part of it. | 0:09:52 | 0:09:55 | |
No matter how long ago it was. | 0:09:55 | 0:09:57 | |
How do you want to appear in court, | 0:09:59 | 0:10:01 | |
as a witness or as an accessory to murder? | 0:10:01 | 0:10:04 | |
Cos that one can carry a life sentence. | 0:10:04 | 0:10:07 | |
Just give me something so I can say you were cooperative, all right? | 0:10:08 | 0:10:14 | |
Can you tell me who these people are? | 0:10:14 | 0:10:16 | |
That's, um...Cheryl, me, Hammers, | 0:10:19 | 0:10:22 | |
Brett, Terry, | 0:10:22 | 0:10:24 | |
Adamski, | 0:10:24 | 0:10:25 | |
uh, Tomcat... | 0:10:25 | 0:10:27 | |
-Uh, that's Thomas Katz? -Yeah. | 0:10:27 | 0:10:29 | |
And who's this young boy here? | 0:10:29 | 0:10:32 | |
Um... | 0:10:33 | 0:10:35 | |
It...it wasn't like there was a regular gang, you know? | 0:10:35 | 0:10:38 | |
Hammers would pick up random kids, | 0:10:38 | 0:10:39 | |
feed them fish and chips, make them feel special. | 0:10:39 | 0:10:41 | |
The kid was such a weed. What was his name? Um... | 0:10:42 | 0:10:45 | |
Pee-Sticks. | 0:10:45 | 0:10:47 | |
Pee-Sticks. | 0:10:48 | 0:10:49 | |
Do you remember his proper name? | 0:10:49 | 0:10:51 | |
Mmm... | 0:10:51 | 0:10:53 | |
No, he was just a skinny kid who did Hammers' errands. I don't... | 0:10:54 | 0:10:57 | |
I think he was a... relative of Hammers'. | 0:10:57 | 0:11:00 | |
Do you think he would have witnessed any of the murders? | 0:11:00 | 0:11:03 | |
Sally. These secrets, they must be driving you crazy. | 0:11:09 | 0:11:14 | |
Imagine what it's doing to the families of the victims. | 0:11:15 | 0:11:19 | |
Imagine if it was your son. | 0:11:22 | 0:11:24 | |
-BOY: -Mum? | 0:11:28 | 0:11:30 | |
What's going on? | 0:11:31 | 0:11:32 | |
Nothing. | 0:11:32 | 0:11:34 | |
Um...the detective's just asking me about a missing person. | 0:11:35 | 0:11:38 | |
SHE COUGHS, GASPS | 0:12:26 | 0:12:28 | |
SCUFFLING | 0:12:36 | 0:12:38 | |
-BOY SCREAMS: -Mum! | 0:12:38 | 0:12:40 | |
Will! | 0:12:40 | 0:12:41 | |
TYRES SQUEAL | 0:12:56 | 0:12:57 | |
Jason! Jason! | 0:12:57 | 0:13:00 | |
PHONE RINGS | 0:13:00 | 0:13:02 | |
They've come to the house. They've taken Jason! | 0:13:02 | 0:13:06 | |
They've taken my son! | 0:13:06 | 0:13:07 | |
Whatever you think of me, my son's innocent. | 0:13:09 | 0:13:12 | |
-You've got to get him back. -OK, Sally, I need you to focus. | 0:13:12 | 0:13:15 | |
Focus on what you heard and what you saw. | 0:13:15 | 0:13:17 | |
Um... | 0:13:17 | 0:13:18 | |
Brett O'Donohue called, said I made a mistake talking to the cops. | 0:13:18 | 0:13:22 | |
He said Hammers warned him the cops were digging around. | 0:13:22 | 0:13:26 | |
That, um...that the Pointers were going to be set up | 0:13:26 | 0:13:29 | |
for the murder of Toohey and some Arab. | 0:13:29 | 0:13:31 | |
-Payback. -Payback? Payback for what? | 0:13:31 | 0:13:33 | |
For...for an act in the past? | 0:13:33 | 0:13:35 | |
I said it didn't matter what I told you - you already knew the truth. | 0:13:35 | 0:13:38 | |
He called me a fuckin' bitch and hung up. | 0:13:38 | 0:13:40 | |
He's a good boy. | 0:13:40 | 0:13:43 | |
I don't want them getting to him. | 0:13:43 | 0:13:45 | |
Sally, they are afraid. They're afraid you can put them in prison. | 0:13:45 | 0:13:49 | |
And that is one way we can deal with them, all right? | 0:13:49 | 0:13:51 | |
Get my son back. Please. | 0:13:51 | 0:13:54 | |
Can you do that? | 0:13:55 | 0:13:56 | |
SHE SIGHS | 0:13:56 | 0:13:58 | |
MAN SNORTS | 0:14:04 | 0:14:06 | |
Going to go have a piss. | 0:14:06 | 0:14:07 | |
Get us a coffee! | 0:14:09 | 0:14:11 | |
-Oh, fuck off. -Two sugars! | 0:14:11 | 0:14:14 | |
Get it yourself. | 0:14:14 | 0:14:16 | |
Brett! Cops! | 0:14:18 | 0:14:21 | |
-TORI: -Hands on your head! | 0:14:21 | 0:14:23 | |
Hands on your head! | 0:14:23 | 0:14:25 | |
-Brett! -NICK: Drop the weapon, Terry! | 0:14:26 | 0:14:29 | |
Drop the gun now, Terry. | 0:14:31 | 0:14:33 | |
-PEEL: -Uh, search the rest of the place. | 0:14:40 | 0:14:43 | |
Oh, fuck... | 0:14:45 | 0:14:47 | |
Where's the kid? | 0:14:49 | 0:14:51 | |
Where is Jason?! | 0:14:52 | 0:14:54 | |
-Dunno what you're talking about. -Where is he?! | 0:14:54 | 0:14:56 | |
-TERRY: -We're not saying nothing till we get our lawyer. | 0:14:56 | 0:14:58 | |
All right, Brett? Nothing! | 0:14:58 | 0:15:00 | |
-PEEL: -There's enough drugs here | 0:15:04 | 0:15:06 | |
to keep them out of Bondi till they're pensioners. | 0:15:06 | 0:15:08 | |
Here. Get a shot of them against the police car. | 0:15:08 | 0:15:10 | |
-Get the lights? -Yep. | 0:15:10 | 0:15:12 | |
Righto. | 0:15:12 | 0:15:13 | |
Terry's full of himself, | 0:15:19 | 0:15:20 | |
so I'll take him back to the office and just let him stew a bit. | 0:15:20 | 0:15:23 | |
You and Lustigman, you try and open up Brett a bit, hey? | 0:15:23 | 0:15:26 | |
I think our guest, well, he deserves the scenic route. | 0:15:28 | 0:15:31 | |
Let him enjoy the outside view. | 0:15:31 | 0:15:33 | |
Cos it's going to be his last. | 0:15:33 | 0:15:35 | |
This never happened. OK? | 0:16:33 | 0:16:35 | |
Let's go get the kid. | 0:16:38 | 0:16:40 | |
Sally, we've got Hammers | 0:16:53 | 0:16:55 | |
for abduction, assault, deprivation of liberty, | 0:16:55 | 0:16:57 | |
and when we get the DNA results, murder. | 0:16:57 | 0:16:59 | |
He's going away for a very long time. | 0:16:59 | 0:17:02 | |
He won't hurt you or Jason ever again. | 0:17:02 | 0:17:05 | |
Now will you talk? | 0:17:06 | 0:17:08 | |
Did you kill Haris Rexhaj? | 0:17:14 | 0:17:17 | |
No. | 0:17:17 | 0:17:18 | |
Did you kill Christopher Toohey? | 0:17:18 | 0:17:20 | |
No way. Toohey was a mate. | 0:17:22 | 0:17:25 | |
Did you kill Greg Mills? | 0:17:29 | 0:17:30 | |
I did my time for that. | 0:17:33 | 0:17:35 | |
Well, your lawyer, she's on her way, um... | 0:17:39 | 0:17:42 | |
but in the meantime, it would be useful | 0:17:42 | 0:17:44 | |
if we could go over the Greg Mills murder in 1990. | 0:17:44 | 0:17:47 | |
HE SIGHS | 0:17:49 | 0:17:50 | |
-SALLY: -We were just kids out for a good time. | 0:17:50 | 0:17:54 | |
This night was different. | 0:17:54 | 0:17:56 | |
There was this, um... | 0:17:56 | 0:17:58 | |
..electricity in the air, like there was going to be a storm. | 0:17:59 | 0:18:03 | |
The boys were preparing... | 0:18:03 | 0:18:06 | |
like, for a hunt. | 0:18:06 | 0:18:08 | |
-BRETT: -Saturday night. You know, what are you going to do? | 0:18:09 | 0:18:11 | |
We go down the park and bash fags. | 0:18:11 | 0:18:14 | |
We get money out of it, well, we have a piss-up or something. | 0:18:14 | 0:18:16 | |
I'm not proud of it, but we weren't the only ones doing it. | 0:18:16 | 0:18:19 | |
It was up and down the coast. | 0:18:19 | 0:18:21 | |
Fag-bashing. | 0:18:22 | 0:18:24 | |
I'm just telling you like it is. | 0:18:24 | 0:18:27 | |
They'd done it before. | 0:18:28 | 0:18:30 | |
You could tell. | 0:18:30 | 0:18:32 | |
It was all mapped out. | 0:18:33 | 0:18:35 | |
Every move. | 0:18:35 | 0:18:36 | |
Hey, faggot! | 0:18:39 | 0:18:41 | |
THEY LAUGH | 0:18:41 | 0:18:42 | |
He jumped up, lost his glasses stumbling. | 0:18:43 | 0:18:45 | |
Hammer...Adamski started hitting him. | 0:18:45 | 0:18:49 | |
Faggot! | 0:18:49 | 0:18:51 | |
CHERYL: Kill the faggot! Kill the faggot! | 0:18:51 | 0:18:53 | |
Greg Mills didn't wear glasses. | 0:19:01 | 0:19:03 | |
That was a man called Ned Davies. | 0:19:05 | 0:19:07 | |
Turn the tape off. | 0:19:11 | 0:19:13 | |
I'm not saying nothing till my lawyer gets here. | 0:19:14 | 0:19:17 | |
He was bleeding pretty bad. | 0:19:26 | 0:19:28 | |
Hammers was freaking out. | 0:19:28 | 0:19:30 | |
"We've got to chuck him over." | 0:19:31 | 0:19:33 | |
I called out. | 0:19:35 | 0:19:36 | |
"Don't. Please don't." | 0:19:36 | 0:19:39 | |
And, um... | 0:19:41 | 0:19:43 | |
..they swung him over the cliff... | 0:19:44 | 0:19:47 | |
..and let go... | 0:19:48 | 0:19:49 | |
..and there was a thud. | 0:19:51 | 0:19:53 | |
Sally, you're doing really well. | 0:19:56 | 0:20:00 | |
SALLY EXHALES | 0:20:05 | 0:20:07 | |
The waves were crashing over the rocks. | 0:20:07 | 0:20:09 | |
Uh, I thought... | 0:20:10 | 0:20:12 | |
..I hoped... | 0:20:14 | 0:20:16 | |
maybe it was a dream. | 0:20:16 | 0:20:18 | |
A bad dream. | 0:20:20 | 0:20:22 | |
BOYS WHOOP AND LAUGH | 0:20:27 | 0:20:29 | |
-Sally? -Mmm? | 0:20:35 | 0:20:37 | |
Do you recognise... | 0:20:38 | 0:20:40 | |
any of these men? | 0:20:40 | 0:20:42 | |
SALLY SIGHS | 0:20:45 | 0:20:47 | |
It was one of them. | 0:20:50 | 0:20:51 | |
"Him", Sally. | 0:20:51 | 0:20:53 | |
The victim was a person. | 0:20:53 | 0:20:55 | |
-WHISPERS: -I'm sorry. | 0:21:00 | 0:21:02 | |
It was him. | 0:21:12 | 0:21:14 | |
-SOBS: -He wasn't the first. | 0:21:19 | 0:21:21 | |
I recognise...him. | 0:21:30 | 0:21:32 | |
His beautiful black hair. | 0:21:35 | 0:21:37 | |
SALLY SOBS | 0:21:39 | 0:21:41 | |
-WHISPERS: -Sorry. | 0:21:45 | 0:21:46 | |
-SCOFFS: -Prisoner! Listen. | 0:21:51 | 0:21:54 | |
Jason is the son of an old mate of mine. I was taking him fishing. | 0:21:54 | 0:21:58 | |
-TORI: -Did you have his mother's permission? | 0:21:58 | 0:21:59 | |
The kid's old enough to go fishing without a note from his mummy. | 0:21:59 | 0:22:02 | |
He was dragged out of bed by the O'Donohues at 2am. | 0:22:02 | 0:22:05 | |
Ah, you see, that's when the fish are biting. | 0:22:05 | 0:22:07 | |
Do you recognise these leather bindings? | 0:22:09 | 0:22:11 | |
No, I've never seen that before. | 0:22:11 | 0:22:13 | |
What about this? | 0:22:15 | 0:22:17 | |
Fuck. What is that? | 0:22:17 | 0:22:18 | |
Not mine. | 0:22:19 | 0:22:21 | |
Huh. Maybe it belongs to your cousin, Pee-Sticks. | 0:22:21 | 0:22:25 | |
"Pee-Sticks"! | 0:22:25 | 0:22:26 | |
I haven't got a cousin. | 0:22:26 | 0:22:28 | |
Do you recognise this boy? | 0:22:28 | 0:22:30 | |
No. | 0:22:32 | 0:22:34 | |
He could have been hanging round like a bad smell back in the day, | 0:22:34 | 0:22:36 | |
but no... | 0:22:36 | 0:22:38 | |
When you say "hanging around", he was part of your gang? | 0:22:38 | 0:22:42 | |
-The gang that hunted gay men? -"Hunted"? | 0:22:42 | 0:22:45 | |
Whoo-whoo-whoo-whoo! "Hunted"? | 0:22:46 | 0:22:48 | |
Jesus Christ. Sally tell you that, did she? Hmm? Head case? | 0:22:48 | 0:22:52 | |
It'll be her word against mine, and she's a nobody. | 0:22:52 | 0:22:56 | |
So was that fuck-knuckle, who I do not know, | 0:22:56 | 0:22:58 | |
and where did you get that? | 0:22:58 | 0:22:59 | |
DNA's a match. | 0:22:59 | 0:23:01 | |
Do you recognise these men? | 0:23:14 | 0:23:16 | |
No. | 0:23:17 | 0:23:19 | |
This is Dr Peter Levy. | 0:23:19 | 0:23:21 | |
October 1989, his body was found | 0:23:21 | 0:23:24 | |
at the base of the cliffs at Cardinal Park. | 0:23:24 | 0:23:26 | |
Did you push him off the ledge? | 0:23:26 | 0:23:28 | |
No. | 0:23:28 | 0:23:30 | |
This is Ned Davies. | 0:23:31 | 0:23:33 | |
December 1989, he went for a walk and he didn't return, | 0:23:33 | 0:23:37 | |
and I've been hearing stories that he met with his death at your hands. | 0:23:37 | 0:23:40 | |
HE SCOFFS | 0:23:40 | 0:23:42 | |
No! | 0:23:42 | 0:23:43 | |
HE CHUCKLES | 0:23:43 | 0:23:46 | |
Another young man was killed December 1989. | 0:23:46 | 0:23:50 | |
It was Christmas Eve. | 0:23:50 | 0:23:52 | |
The same night that Detectives Chalmers and Peel | 0:23:52 | 0:23:55 | |
pulled an improvised weapon off you. | 0:23:55 | 0:23:57 | |
That weapon...had his blood on it. | 0:23:58 | 0:24:01 | |
And that weapon... | 0:24:01 | 0:24:03 | |
has your DNA on it. | 0:24:03 | 0:24:05 | |
Your arrogance might almost be impressive | 0:24:12 | 0:24:14 | |
if it didn't make me sick. | 0:24:14 | 0:24:16 | |
And you thought you'd get away with | 0:24:16 | 0:24:18 | |
all those years of violence and murder | 0:24:18 | 0:24:20 | |
and it wouldn't matter. | 0:24:20 | 0:24:22 | |
That no-one would come for you. | 0:24:22 | 0:24:24 | |
Your brother... | 0:24:31 | 0:24:33 | |
..got what was coming to him. | 0:24:34 | 0:24:36 | |
Tori, outside! Now! | 0:24:41 | 0:24:43 | |
DOOR OPENS, CLOSES | 0:24:50 | 0:24:53 | |
You picked up Hammers. You had evidence. You did nothing! | 0:24:54 | 0:24:57 | |
We HAD nothing! | 0:24:57 | 0:24:59 | |
There was no body. There was no complaint. | 0:25:00 | 0:25:02 | |
Jesus, come on. It was Christmas Eve. | 0:25:02 | 0:25:04 | |
I thought the boys got in a bit of a scrap. | 0:25:04 | 0:25:06 | |
"Bit of a scrap"? | 0:25:06 | 0:25:08 | |
My father trusted you! | 0:25:08 | 0:25:10 | |
Did you even read Shane's autopsy report? | 0:25:13 | 0:25:15 | |
You did! | 0:25:19 | 0:25:21 | |
You thought it was a suicide! | 0:25:22 | 0:25:24 | |
Oh, fuck! | 0:25:24 | 0:25:26 | |
You can't go back in there. | 0:25:26 | 0:25:27 | |
I can't have you dealing with him or the O'Donohues | 0:25:29 | 0:25:32 | |
or Oscar Taylor's assault. | 0:25:32 | 0:25:34 | |
You go back in there, your participation jeopardises | 0:25:34 | 0:25:37 | |
any charges we want to make against Hammers. | 0:25:37 | 0:25:40 | |
Murder. | 0:25:41 | 0:25:42 | |
Davies, Levy and Shane. | 0:25:43 | 0:25:47 | |
HE SIGHS | 0:25:54 | 0:25:56 | |
We got him, Dad. | 0:26:22 | 0:26:24 | |
We got the guy that killed Shane. | 0:26:25 | 0:26:27 | |
He didn't drown. | 0:26:31 | 0:26:33 | |
He was murdered because he was gay. | 0:26:35 | 0:26:37 | |
He was in the wrong place at the wrong time. | 0:26:37 | 0:26:40 | |
-TORI: -Are you OK? | 0:27:45 | 0:27:47 | |
One hell of a headache. | 0:27:47 | 0:27:48 | |
So, what you were doing? | 0:27:50 | 0:27:52 | |
You were out there hunting the Thrustr killer all by yourself, huh? | 0:27:52 | 0:27:55 | |
We got Hammers. | 0:27:59 | 0:28:01 | |
That's a result for Shane, it's a result for the others. | 0:28:01 | 0:28:03 | |
That's just it. | 0:28:03 | 0:28:05 | |
We're still dying, Tori. | 0:28:05 | 0:28:07 | |
And that piece of shit is responsible. | 0:28:07 | 0:28:09 | |
You need to promise me you're not going to do anything stupid. | 0:28:09 | 0:28:13 | |
You have to leave this to us. | 0:28:13 | 0:28:16 | |
NICK: I thought you were off the case. | 0:28:29 | 0:28:31 | |
I can't stop thinking about Pee-Sticks. | 0:28:31 | 0:28:33 | |
Sally said he was related to Hammers. Hammers denies it. | 0:28:33 | 0:28:36 | |
I'm wondering if somehow he could be a relative of the O'Donohues. | 0:28:36 | 0:28:40 | |
The only O'Donohues coming up are, um, Terry and Brett. | 0:28:50 | 0:28:53 | |
And their father, Bert. | 0:28:54 | 0:28:56 | |
He died inside Long Bay after the stabbing of a brothel owner. | 0:28:56 | 0:29:00 | |
What about on the mother's side? | 0:29:00 | 0:29:03 | |
Uh, mother's maiden name was Birnie. | 0:29:03 | 0:29:06 | |
She was sentenced for handling stolen goods. | 0:29:06 | 0:29:09 | |
I have seen that name before. | 0:29:09 | 0:29:11 | |
In here. | 0:29:11 | 0:29:13 | |
Chalmers' case files. Are you game? | 0:29:13 | 0:29:16 | |
HE SIGHS | 0:29:43 | 0:29:45 | |
Tori. | 0:29:54 | 0:29:55 | |
Rhys Callahan. | 0:29:58 | 0:30:01 | |
Committed murder, 16, Newcastle. | 0:30:01 | 0:30:05 | |
Mother - Belinda Birnie, Deborah's sister. | 0:30:05 | 0:30:07 | |
The victim was a social worker in Newcastle | 0:30:09 | 0:30:11 | |
who was known for working with troubled youths. | 0:30:11 | 0:30:13 | |
He was discovered by a neighbour in a blood-splattered room. | 0:30:13 | 0:30:17 | |
His head had been caved in before being stabbed to death. | 0:30:17 | 0:30:20 | |
SHE SIGHS | 0:30:20 | 0:30:21 | |
Graduated from the School of Hammers. | 0:30:21 | 0:30:23 | |
Hello. He was released on parole three months ago. | 0:30:29 | 0:30:32 | |
PRINTER WHIRS | 0:30:32 | 0:30:33 | |
Guess he gave away the surfer look. | 0:30:43 | 0:30:45 | |
We have Pee-Sticks. | 0:30:46 | 0:30:48 | |
LIFEGUARDS CHAT AND CHUCKLE | 0:30:54 | 0:30:56 | |
-WOMAN: -Rhys was assigned to me as a juvenile. | 0:31:16 | 0:31:19 | |
His mother was a prostitute and his father abusive. | 0:31:19 | 0:31:24 | |
He punished Rhys for being a "sissy boy". | 0:31:24 | 0:31:27 | |
And in fact was charged for sexual misconduct with a minor, | 0:31:27 | 0:31:32 | |
but the case never made it to court, | 0:31:32 | 0:31:33 | |
and Rhys insists his father never touched him. | 0:31:33 | 0:31:36 | |
Did you believe him? | 0:31:36 | 0:31:38 | |
He had all the hallmarks of a severely abused boy. | 0:31:39 | 0:31:42 | |
Rhys can be very charming. Charismatic, plausible. | 0:31:45 | 0:31:50 | |
He lives calmly in a controlled environment, like the prison, | 0:31:51 | 0:31:56 | |
but he's manipulative, psychopathic. | 0:31:56 | 0:32:00 | |
He was 16 when he committed the murder. Did he offer up any excuse? | 0:32:01 | 0:32:07 | |
The man hit on him and he panicked. | 0:32:07 | 0:32:10 | |
This signature - | 0:32:16 | 0:32:19 | |
it doesn't fit with impulsive lashing out. | 0:32:19 | 0:32:23 | |
He'd taken his time. | 0:32:23 | 0:32:25 | |
I think he'd fantasised about it. | 0:32:25 | 0:32:27 | |
When Rhys was 11 years old, he hung around with a youth named Hammers, | 0:32:29 | 0:32:33 | |
who held sway over a group of boys who hunted and bashed gay men. | 0:32:33 | 0:32:38 | |
He'd certainly witnessed murder. | 0:32:38 | 0:32:40 | |
Are we talking about a Kyle Hampton? | 0:32:53 | 0:32:56 | |
Rhys hated him. | 0:32:56 | 0:32:58 | |
In fact, a day before the murder, he had gone to visit Kyle Hampton | 0:32:58 | 0:33:04 | |
and been told to piss off. | 0:33:04 | 0:33:06 | |
So he went out to prove himself worthy. | 0:33:06 | 0:33:09 | |
That's why he meets his victims at the Green Room. | 0:33:09 | 0:33:11 | |
Rhys's dad fell off a cliff just five days after Rhys was released. | 0:33:26 | 0:33:31 | |
"Death by misadventure." | 0:33:31 | 0:33:33 | |
Yeah, sounds more like revenge. | 0:33:33 | 0:33:35 | |
Any address on the parole card? | 0:33:36 | 0:33:38 | |
Uh, his dad's address was in Gateshead. | 0:33:38 | 0:33:42 | |
What about the mother? | 0:33:42 | 0:33:44 | |
There's a Birnie in Ramsgate Ave, Bondi. | 0:33:49 | 0:33:53 | |
KNOCK AT DOOR | 0:34:03 | 0:34:06 | |
Hello? Is anyone home? | 0:34:09 | 0:34:11 | |
-SLEEPILY: -Rhys? | 0:34:13 | 0:34:15 | |
Police. | 0:34:21 | 0:34:23 | |
No need to be afraid. | 0:34:23 | 0:34:26 | |
Just want to speak to your son, Rhys. | 0:34:26 | 0:34:29 | |
Has Rhys seemed...distressed, disturbed at the moment? | 0:34:42 | 0:34:46 | |
Rhys would never have done what he did | 0:34:46 | 0:34:49 | |
-if the old man hadn't pushed him! -SHE BREATHES LABORIOUSLY | 0:34:49 | 0:34:52 | |
And what has Rhys done? Where is he? Where can we find him? | 0:34:52 | 0:34:55 | |
Where is he? | 0:34:55 | 0:34:57 | |
You want Rhys, you find him yourself. | 0:34:57 | 0:34:59 | |
FRONT DOOR UNLOCKS AND OPENS | 0:35:01 | 0:35:04 | |
Run, Rhys! Run! | 0:35:04 | 0:35:06 | |
Stop! Police! | 0:35:07 | 0:35:09 | |
Police! Stop! | 0:35:32 | 0:35:33 | |
HE GRUNTS | 0:35:34 | 0:35:36 | |
Freeze, you little prick! | 0:35:37 | 0:35:39 | |
HANDCUFFS CLICK | 0:35:44 | 0:35:46 | |
Do you know Christopher Toohey? | 0:35:55 | 0:35:56 | |
Never met the guy. | 0:35:56 | 0:35:58 | |
See, Rhys, the problem is, when you, uh... | 0:35:58 | 0:36:01 | |
when you tell a small lie, it becomes a big lie, | 0:36:01 | 0:36:03 | |
and then all of a sudden, you're in a big pile of shit. | 0:36:03 | 0:36:06 | |
Now, see, I thought you and Toohey were both members | 0:36:08 | 0:36:10 | |
of the Bondi Pointers gang back in '89. | 0:36:10 | 0:36:13 | |
You remember that far back? | 0:36:14 | 0:36:16 | |
Can you identify...this person and...that one? | 0:36:17 | 0:36:22 | |
Well, that was me. | 0:36:22 | 0:36:24 | |
We just went to Bondi on holidays. | 0:36:24 | 0:36:27 | |
In '89, I was 11. | 0:36:27 | 0:36:29 | |
That one was Toohey. | 0:36:30 | 0:36:32 | |
You can see he's quite a bit older than me. | 0:36:32 | 0:36:34 | |
Well, Toohey's been murdered. | 0:36:36 | 0:36:38 | |
And since you knew Toohey... | 0:36:38 | 0:36:40 | |
..I thought you might know why. | 0:36:42 | 0:36:43 | |
Well, Toohey wasn't... who he pretended to be, so... | 0:36:46 | 0:36:51 | |
And what was that? | 0:36:51 | 0:36:53 | |
HE SIGHS | 0:36:53 | 0:36:55 | |
Strong. Someone you can look up to. A real man. | 0:36:55 | 0:36:57 | |
Did you kill Christopher Toohey? | 0:37:00 | 0:37:02 | |
No. | 0:37:02 | 0:37:04 | |
Did you kill Haris Rexhaj? | 0:37:04 | 0:37:06 | |
No. | 0:37:06 | 0:37:07 | |
Adrian Cohen? | 0:37:07 | 0:37:09 | |
Who? No. | 0:37:09 | 0:37:11 | |
But you did kill a man in Newcastle, right? | 0:37:12 | 0:37:15 | |
Well, he was a...piece of filth who got what was coming. | 0:37:15 | 0:37:19 | |
How about your father? How did he die? | 0:37:19 | 0:37:22 | |
He fell off a cliff. | 0:37:23 | 0:37:25 | |
Did HE have it coming? | 0:37:26 | 0:37:28 | |
Some might say so. | 0:37:28 | 0:37:30 | |
Well, we've been talking to your cousins, um, | 0:37:31 | 0:37:34 | |
and I guess you know that Brett was convicted | 0:37:34 | 0:37:36 | |
of murdering a gay man in Cardinal Park back in 1990. | 0:37:36 | 0:37:39 | |
Well, the names of the men that I've asked you about, they were gay men. | 0:37:41 | 0:37:44 | |
And they were murdered. | 0:37:44 | 0:37:47 | |
What's this got to do with me? | 0:37:47 | 0:37:48 | |
Well, there were other murders back in '89, 1990, | 0:37:49 | 0:37:54 | |
and we have reason to believe that you were a witness to them. | 0:37:54 | 0:37:57 | |
Now, look, Rhys, we know you were a kid. | 0:38:00 | 0:38:02 | |
You were easily led. | 0:38:02 | 0:38:04 | |
See, the problem is, you've got this conviction in Newcastle, | 0:38:06 | 0:38:09 | |
so it's very easy to say, "It's all his fault," | 0:38:09 | 0:38:13 | |
you know, point the finger at you. | 0:38:13 | 0:38:14 | |
It was such a long time ago. | 0:38:17 | 0:38:19 | |
Nobody cared back then. | 0:38:21 | 0:38:23 | |
Why now? | 0:38:23 | 0:38:25 | |
Have you got Thrustr on your phone, Rhys? | 0:38:27 | 0:38:29 | |
Why would I use an app for fags? | 0:38:31 | 0:38:33 | |
Where were you at midnight on January 25th? | 0:38:35 | 0:38:38 | |
Um... | 0:38:40 | 0:38:41 | |
HE CLICKS HIS TONGUE | 0:38:45 | 0:38:46 | |
Let me see. I was looking after my mum. | 0:38:46 | 0:38:48 | |
I do that most nights. | 0:38:49 | 0:38:51 | |
NICK CLEARS HIS THROAT | 0:38:57 | 0:38:59 | |
DNA profiling on the suspect's going to take at least a week. | 0:39:11 | 0:39:14 | |
Oh, shit. | 0:39:14 | 0:39:16 | |
His computer's pretty sick. | 0:39:16 | 0:39:19 | |
Full of neo-Nazi stuff. Violent porn. | 0:39:19 | 0:39:22 | |
He's tracking the investigation, | 0:39:22 | 0:39:24 | |
but there's nothing to actually link him to the killings. | 0:39:24 | 0:39:28 | |
We're going to have to let this prick go. | 0:39:30 | 0:39:32 | |
-That's no suicide. -Uh-uh. | 0:40:03 | 0:40:06 | |
DANCE MUSIC PLAYS | 0:40:33 | 0:40:35 | |
# When I'm with you | 0:40:35 | 0:40:37 | |
# When I'm with you it's a beautiful world | 0:40:37 | 0:40:39 | |
# It's a beautiful world | 0:40:41 | 0:40:43 | |
# It's a beautiful world | 0:40:45 | 0:40:47 | |
# It's a beautiful world | 0:40:49 | 0:40:52 | |
-# It's a beautiful world -It's a beautiful world... # | 0:40:52 | 0:40:55 | |
NICK: There's nothing on his hard drive to indicate | 0:40:57 | 0:40:59 | |
he's got any other properties, residences. | 0:40:59 | 0:41:01 | |
-TORI: -Bills? Banking? | 0:41:01 | 0:41:03 | |
Nothing. | 0:41:03 | 0:41:04 | |
"Real estate lease." There. | 0:41:04 | 0:41:06 | |
Righto, uniforms are all over this. All points has gone out. | 0:41:08 | 0:41:11 | |
There's over 200 cops with that prick's photo patrolling Mardi Gras. | 0:41:11 | 0:41:14 | |
Tori. | 0:41:16 | 0:41:17 | |
Oh, my God. | 0:41:20 | 0:41:22 | |
NICK SIGHS | 0:41:33 | 0:41:34 | |
Get your arses down there. | 0:41:34 | 0:41:36 | |
LOUD DANCE MUSIC PLAYS | 0:41:42 | 0:41:45 | |
-RHYS: -My place is this way. | 0:42:51 | 0:42:53 | |
Whatcha doing? | 0:42:58 | 0:43:00 | |
Texting I got lucky. | 0:43:00 | 0:43:01 | |
TEXT MESSAGE ALERT | 0:43:03 | 0:43:05 | |
Shit! | 0:43:08 | 0:43:09 | |
I need an urgent trace. | 0:43:14 | 0:43:15 | |
You hear about that nut job running around killing guys? | 0:43:17 | 0:43:21 | |
No. | 0:43:21 | 0:43:22 | |
It's not in the papers. | 0:43:24 | 0:43:26 | |
Gay press. | 0:43:26 | 0:43:27 | |
SIREN WAILS, ENGINE ROARS | 0:43:34 | 0:43:36 | |
Try the mobile tower in Surry Hills. | 0:43:36 | 0:43:39 | |
Surry Hills! | 0:43:39 | 0:43:41 | |
OK, they've got it. | 0:43:47 | 0:43:49 | |
Travelling down Nobbs. | 0:43:49 | 0:43:50 | |
Just took a left into Bourke. | 0:43:51 | 0:43:53 | |
So, where IS your place? | 0:43:59 | 0:44:01 | |
Oh, it's not far. | 0:44:01 | 0:44:02 | |
HE GROANS | 0:44:08 | 0:44:10 | |
HE BREATHES WEAKLY | 0:44:34 | 0:44:40 | |
HE GRUNTS | 0:44:46 | 0:44:48 | |
The signal's here. | 0:45:12 | 0:45:13 | |
HE GRUNTS | 0:45:13 | 0:45:15 | |
The pain goes away. | 0:45:30 | 0:45:31 | |
HE YELPS | 0:45:38 | 0:45:40 | |
Did you hear that? | 0:45:40 | 0:45:42 | |
The phone's down the drain. | 0:45:43 | 0:45:45 | |
Nick. | 0:45:49 | 0:45:51 | |
Do we know what brothel Belinda Birnie used to work at? | 0:45:51 | 0:45:54 | |
OSCAR CRIES OUT | 0:45:59 | 0:46:01 | |
You're marked now. | 0:46:12 | 0:46:14 | |
Everyone will know what you are. | 0:46:16 | 0:46:17 | |
OSCAR SCREAMS | 0:46:29 | 0:46:31 | |
MUFFLED SCREAMING | 0:46:32 | 0:46:34 | |
DOOR CRASHES OPEN | 0:46:39 | 0:46:40 | |
Arggh! | 0:46:46 | 0:46:47 | |
BOTH GRUNT | 0:46:54 | 0:46:55 | |
Oscar, I'm here. | 0:46:55 | 0:46:57 | |
Shoot the prick! | 0:47:01 | 0:47:02 | |
Let him go! | 0:47:02 | 0:47:03 | |
Let him go or I will shoot! | 0:47:05 | 0:47:08 | |
You know, I know who you are. | 0:47:08 | 0:47:10 | |
And your brother, Shane. | 0:47:10 | 0:47:12 | |
He was my first. | 0:47:14 | 0:47:16 | |
BOTH YELP | 0:47:22 | 0:47:24 | |
Nick, talk to me. | 0:47:30 | 0:47:32 | |
Are you OK? | 0:47:32 | 0:47:33 | |
Yeah. Yeah, whatever. | 0:47:33 | 0:47:35 | |
KNOCK AT DOOR | 0:48:02 | 0:48:04 | |
Hey. | 0:48:04 | 0:48:05 | |
Well, well done. Well done, you. | 0:48:06 | 0:48:08 | |
You and Nick. Good work. | 0:48:09 | 0:48:11 | |
I...I think I know how you feel. | 0:48:14 | 0:48:16 | |
You don't know how I feel. | 0:48:16 | 0:48:17 | |
You don't know how any of the families of the victims feel. | 0:48:17 | 0:48:20 | |
Well, I know I'm a father myself. | 0:48:20 | 0:48:21 | |
SHE CHUCKLES | 0:48:21 | 0:48:23 | |
Do you know how many files I have on my desk right now? | 0:48:23 | 0:48:27 | |
Unexplained gay deaths and assaults | 0:48:28 | 0:48:32 | |
in Sydney over those years? | 0:48:32 | 0:48:34 | |
How does that happen? | 0:48:34 | 0:48:36 | |
Tori. Tori... | 0:48:36 | 0:48:39 | |
Sometimes... | 0:48:40 | 0:48:42 | |
things, they just fall through the cracks. | 0:48:42 | 0:48:44 | |
Oh, "fall through the cracks"? Right, right. | 0:48:44 | 0:48:46 | |
Or - there was indifference on a grand scale. | 0:48:46 | 0:48:51 | |
Hammers was your informant. | 0:48:51 | 0:48:52 | |
You look the other way, you keep your stats up, | 0:48:52 | 0:48:54 | |
he gets rid of all his enemies. | 0:48:54 | 0:48:56 | |
If I'd known he'd hurt your brother... | 0:48:56 | 0:48:58 | |
My brother? Anybody. Anybody! | 0:48:58 | 0:49:00 | |
Hammers got away with murdering my brother. | 0:49:00 | 0:49:03 | |
And other men. Good men. | 0:49:03 | 0:49:05 | |
Listen. | 0:49:05 | 0:49:07 | |
There were two kids in trouble | 0:49:07 | 0:49:09 | |
and they had a chance of a good future if I stepped in and helped. | 0:49:09 | 0:49:11 | |
I chose to do that. | 0:49:11 | 0:49:13 | |
One turned out to be a hero, the other didn't. I mean... | 0:49:13 | 0:49:16 | |
..what would you have done? | 0:49:17 | 0:49:18 | |
My job. I would have done my job. | 0:49:18 | 0:49:21 | |
SOMBRE MUSIC | 0:49:28 | 0:49:31 | |
SOMBRE MUSIC CONTINUES | 0:49:43 | 0:49:45 | |
Shane... | 0:51:32 | 0:51:34 | |
It's for the 19 precious years we had you. | 0:51:34 | 0:51:37 | |
Who you were. | 0:51:39 | 0:51:41 | |
Who you would have become. | 0:51:43 | 0:51:44 | |
Son, I'm proud of you. | 0:51:48 | 0:51:50 |