Browse content similar to The Rings Of Akhaten. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
MUSIC: "Ghost Town" by The Specials | 0:00:09 | 0:00:11 | |
CAR HORN BLARES | 0:00:33 | 0:00:35 | |
Oh, my stars. Are you all right? | 0:00:35 | 0:00:37 | |
Yeah. I'm fine. | 0:00:37 | 0:00:39 | |
THUNDER CLAPS | 0:00:49 | 0:00:50 | |
So I've got something for you. | 0:00:59 | 0:01:00 | |
What? | 0:01:00 | 0:01:01 | |
You kept it? | 0:01:07 | 0:01:08 | |
Of course I kept it. | 0:01:08 | 0:01:10 | |
Why? | 0:01:10 | 0:01:11 | |
Because this exact leaf had to grow in that exact way in that | 0:01:11 | 0:01:14 | |
exact place so that precise wind | 0:01:14 | 0:01:16 | |
could tear it from that precise branch and make it fly into this | 0:01:16 | 0:01:20 | |
exact face at that exact moment. | 0:01:20 | 0:01:23 | |
And if just one of those tiny little things had never happened, | 0:01:25 | 0:01:30 | |
I'd never have met you. | 0:01:30 | 0:01:31 | |
Which makes this the most important leaf in human history. | 0:01:34 | 0:01:38 | |
Oh, my stars! Are you all right? | 0:02:02 | 0:02:05 | |
Fine! Marvellous. Refulgent. Possibly a touch embarrassed. | 0:02:05 | 0:02:10 | |
-That's not dangerous, is it? -What's not? -Embarrassment. | 0:02:10 | 0:02:13 | |
Not usually. Not to my knowledge. | 0:02:13 | 0:02:15 | |
Good. Hey, phew! | 0:02:15 | 0:02:17 | |
Mate, I'm so sorry. She wants to be Bryan Robson. | 0:02:17 | 0:02:19 | |
No worries, my fault. No harm done. | 0:02:19 | 0:02:21 | |
Hello, there. | 0:02:23 | 0:02:25 | |
-Clara. -Ah. | 0:02:25 | 0:02:28 | |
Hello there, Clara. | 0:02:28 | 0:02:29 | |
She's just a girl. | 0:03:05 | 0:03:07 | |
How can she be? | 0:03:07 | 0:03:08 | |
She can't be. She is. | 0:03:09 | 0:03:12 | |
She can't be. | 0:03:12 | 0:03:13 | |
She's not possible. | 0:03:15 | 0:03:17 | |
METALLIC THRUMMING | 0:03:59 | 0:04:01 | |
DOOR BELL | 0:04:07 | 0:04:08 | |
So we're moving through actual time? | 0:04:08 | 0:04:11 | |
So what's it made of? Time? | 0:04:14 | 0:04:16 | |
If you can just rotor through it, it must be made of stuff, | 0:04:16 | 0:04:18 | |
like jam's made of strawberries. So what's it made of? | 0:04:18 | 0:04:20 | |
Well. Not strawberries. No. No, no, no. | 0:04:20 | 0:04:23 | |
That would be unacceptable. | 0:04:23 | 0:04:24 | |
-And we can go anywhere? -Within reason. Well, I say reason. | 0:04:26 | 0:04:29 | |
-So, we could go backwards in time? -And space. Yes. | 0:04:29 | 0:04:31 | |
-And forwards in time. -And space. Totally. | 0:04:31 | 0:04:33 | |
So, where do you want to go? What do you want to see? | 0:04:33 | 0:04:36 | |
I don't know. You know when someone asks you | 0:04:40 | 0:04:43 | |
your favourite book and you forget every book you've read? | 0:04:43 | 0:04:46 | |
-No. Totally not. -Well. That's a thing. That happens. | 0:04:46 | 0:04:49 | |
And? Back to the question. | 0:04:49 | 0:04:50 | |
OK. So... So... | 0:04:50 | 0:04:54 | |
So... | 0:04:54 | 0:04:55 | |
So, I'd like to see... I would like to see... | 0:04:57 | 0:05:01 | |
What I would like to see is... | 0:05:01 | 0:05:02 | |
..something awesome. | 0:05:06 | 0:05:09 | |
-Can you feel the light on your eyelids? -Mm-hm. | 0:05:18 | 0:05:20 | |
That's the light of an alien sun. | 0:05:23 | 0:05:26 | |
Forward a couple of steps. | 0:05:26 | 0:05:29 | |
OK. | 0:05:29 | 0:05:30 | |
Are you ready? | 0:05:33 | 0:05:34 | |
Yes. No. Yes. | 0:05:34 | 0:05:37 | |
Welcome to the Rings of Akhaten. | 0:05:43 | 0:05:45 | |
-It's... -It is. It so completely is. | 0:05:53 | 0:05:55 | |
-But wait! There's more. -More what? -Wait, wait, wait. | 0:05:55 | 0:05:58 | |
In about five, four, three, two... | 0:05:58 | 0:06:05 | |
-What is it? -The Pyramid of the Rings of Akhaten. | 0:06:12 | 0:06:15 | |
It's a holy site for the Sun-singers of Akhet. | 0:06:15 | 0:06:18 | |
-The who of what? -Seven worlds orbiting the same star. | 0:06:18 | 0:06:21 | |
All of them sharing a belief that life in the universe | 0:06:21 | 0:06:24 | |
originated here. | 0:06:24 | 0:06:27 | |
On that planet. | 0:06:27 | 0:06:28 | |
-All life? -In the universe. | 0:06:28 | 0:06:30 | |
-Did it? -Well. It's what they believe. | 0:06:31 | 0:06:35 | |
It's a nice story. | 0:06:37 | 0:06:38 | |
Can we see it? Up close? | 0:06:41 | 0:06:43 | |
CHATTER OF VARIOUS ALIEN TONGUES | 0:07:01 | 0:07:03 | |
Where are they from? | 0:07:16 | 0:07:18 | |
Oh, you know, the local system mostly. | 0:07:18 | 0:07:20 | |
What do I call them? | 0:07:20 | 0:07:22 | |
Well, let's see. There go some Panbabylonians. | 0:07:22 | 0:07:27 | |
A Lugal-Irra-Kush. | 0:07:27 | 0:07:29 | |
Some Lucanians. | 0:07:29 | 0:07:31 | |
A Hooloovoo. | 0:07:31 | 0:07:33 | |
Ah! Qom VoTivig. | 0:07:33 | 0:07:36 | |
IT GRUNTS | 0:07:38 | 0:07:40 | |
That chap's a Terraberserker of the Kodion Belt. | 0:07:40 | 0:07:42 | |
You don't see many of them around any more. Oh! That's an Ultramancer. | 0:07:42 | 0:07:47 | |
You know, I forget how much I like it here, | 0:07:47 | 0:07:50 | |
-we should come here more often. -You've been here before? | 0:07:50 | 0:07:53 | |
Yes, I came here a long time ago with my granddaughter. | 0:07:53 | 0:07:57 | |
Hang on. | 0:07:57 | 0:07:59 | |
Exotic fruit of some description. Non-toxic. Non-hallucinogenic. | 0:08:09 | 0:08:15 | |
High in free radicals. | 0:08:15 | 0:08:16 | |
And low in other stuff, I shouldn't wonder. No? | 0:08:16 | 0:08:20 | |
So, why's everyone here? | 0:08:20 | 0:08:23 | |
For the Festival of Offerings. | 0:08:23 | 0:08:25 | |
Takes place every thousand years or so, when the rings align. | 0:08:25 | 0:08:28 | |
It's quite a big thing, locally. Like Pancake Tuesday. | 0:08:28 | 0:08:31 | |
Whoa! | 0:08:34 | 0:08:35 | |
IT BARKS AND SNARLS | 0:08:35 | 0:08:37 | |
Erm, Doctor? | 0:08:37 | 0:08:39 | |
HE YAPS | 0:08:39 | 0:08:42 | |
What's happening? Why's it angry? | 0:08:42 | 0:08:44 | |
This isn't an it. It's a she. | 0:08:44 | 0:08:45 | |
Dor'een, meet Clara. Clara, meet Dor'een. | 0:08:45 | 0:08:48 | |
-Doreen? -Loose translation. | 0:08:48 | 0:08:49 | |
She sounds a bit grumpy but she's a total love, actually, aren't you? | 0:08:49 | 0:08:52 | |
Yes, you are. She's just asking if we fancy renting a moped. | 0:08:52 | 0:08:56 | |
Rrrruff! | 0:09:00 | 0:09:02 | |
SHE BARKS | 0:09:02 | 0:09:03 | |
So, how much does it cost? | 0:09:03 | 0:09:05 | |
Not money. Something valuable. Sentimental value. A photograph, | 0:09:05 | 0:09:09 | |
love letter, something like that. | 0:09:09 | 0:09:11 | |
That's what's used for currency here. | 0:09:11 | 0:09:13 | |
Psychometry. Objects psychically imprinted with their history. | 0:09:13 | 0:09:16 | |
The more treasured they are, the more value they hold. | 0:09:16 | 0:09:18 | |
-That's horrible. -Better than using bits of paper. | 0:09:18 | 0:09:21 | |
-Then you pay. -With what? | 0:09:21 | 0:09:22 | |
You're a thousand years old. You must have something you care about. | 0:09:22 | 0:09:26 | |
Doctor? | 0:09:32 | 0:09:33 | |
Doctor? | 0:09:35 | 0:09:36 | |
Are you OK? | 0:09:44 | 0:09:45 | |
-Have you seen her? -Who? -The Queen of Years. -Who? | 0:09:50 | 0:09:54 | |
Hello? | 0:10:19 | 0:10:20 | |
CRASHING THUD | 0:10:27 | 0:10:29 | |
Hey! | 0:10:40 | 0:10:41 | |
Are you OK? Are you lost? | 0:10:41 | 0:10:43 | |
Are you all right? | 0:11:17 | 0:11:19 | |
-What are you doing? -Hiding. -Oh. Why? | 0:11:20 | 0:11:24 | |
You don't know me? | 0:11:24 | 0:11:26 | |
Sorry, actually not. | 0:11:27 | 0:11:29 | |
So, why did you follow me? | 0:11:30 | 0:11:32 | |
To help. You looked lost. | 0:11:32 | 0:11:33 | |
I don't believe you. | 0:11:35 | 0:11:36 | |
I've got no idea who you might be. I've never been here before, | 0:11:40 | 0:11:44 | |
I've never even been anywhere like here before. | 0:11:44 | 0:11:47 | |
I just saw a little girl who looked like she needed help. | 0:11:47 | 0:11:49 | |
-Really? -Really, really. | 0:11:49 | 0:11:51 | |
-Can you help me? -That's why I'm still here. | 0:11:53 | 0:11:55 | |
Because I need to hide. | 0:11:55 | 0:11:57 | |
-SINISTER VOICE: -Merry, where are you? | 0:12:01 | 0:12:06 | |
I know the perfect box. | 0:12:08 | 0:12:10 | |
Merry, where are you? | 0:12:13 | 0:12:20 | |
Merry. | 0:12:20 | 0:12:23 | |
Merry. Merry. | 0:12:26 | 0:12:30 | |
SHE WHISTLES | 0:12:46 | 0:12:48 | |
-What's this? -A space-shippy thing. Timey, spacey. | 0:12:55 | 0:12:59 | |
It's teeny. | 0:12:59 | 0:13:00 | |
You wait! | 0:13:00 | 0:13:01 | |
Oh, come on. | 0:13:04 | 0:13:05 | |
What's wrong? | 0:13:05 | 0:13:07 | |
I don't know. | 0:13:07 | 0:13:09 | |
I don't think it likes me. | 0:13:12 | 0:13:13 | |
Come on. Let me in. | 0:13:15 | 0:13:17 | |
Hey! Hey, little girl! | 0:13:17 | 0:13:20 | |
My name's Merry. | 0:13:20 | 0:13:21 | |
So what's happening? | 0:13:32 | 0:13:35 | |
Is someone trying to hurt you? | 0:13:35 | 0:13:36 | |
No. | 0:13:36 | 0:13:37 | |
-I'm just scared. -Of what? | 0:13:39 | 0:13:41 | |
Getting it wrong. | 0:13:41 | 0:13:42 | |
OK. Can you pretend like I'm totally a space alien and explain? | 0:13:42 | 0:13:46 | |
I'm Merry Gejelh. | 0:13:47 | 0:13:48 | |
Really not local. Sorry. | 0:13:49 | 0:13:51 | |
The Queen of Years? | 0:13:51 | 0:13:53 | |
They chose me when I was a baby, the day the last Queen of Years died. | 0:13:53 | 0:13:57 | |
-OK. -I'm the vessel of our history. I know every chronicle. Every poem. | 0:13:57 | 0:14:02 | |
Every legend. Every song. | 0:14:02 | 0:14:04 | |
Every single one? | 0:14:04 | 0:14:06 | |
Blimey. I hated history. | 0:14:07 | 0:14:08 | |
And now I have to sing a song in front of everyone. | 0:14:08 | 0:14:10 | |
A special song. I have to sing it to a God. | 0:14:10 | 0:14:13 | |
And I'm really scared. | 0:14:16 | 0:14:17 | |
Everyone's scared when they're little. | 0:14:23 | 0:14:25 | |
I used to be terrified of getting lost. | 0:14:25 | 0:14:27 | |
Used to have nightmares about it. And then I got lost. | 0:14:27 | 0:14:32 | |
Blackpool beach, bank holiday Monday. About ten billion people. | 0:14:32 | 0:14:35 | |
I was about six. My worst nightmare come true. | 0:14:35 | 0:14:38 | |
What happened? | 0:14:39 | 0:14:40 | |
The world ended. My heart broke. | 0:14:40 | 0:14:43 | |
And then my mum found me. | 0:14:45 | 0:14:47 | |
We had fish and chips and she drove me home and she tucked me up | 0:14:48 | 0:14:51 | |
and she told me a story. | 0:14:51 | 0:14:52 | |
'It doesn't matter where you are' | 0:14:53 | 0:14:55 | |
in the jungle or the desert or on the moon. | 0:14:55 | 0:14:59 | |
However lost you may feel, you'll never really be lost. Not really. | 0:15:00 | 0:15:06 | |
Because I'll always be here. And I'll always come and find you. | 0:15:06 | 0:15:11 | |
Every single time. | 0:15:14 | 0:15:15 | |
'Every single time.' | 0:15:18 | 0:15:20 | |
And you were never scared again? | 0:15:23 | 0:15:25 | |
Oh, I was scared lots of times. | 0:15:26 | 0:15:28 | |
But never of being lost. | 0:15:28 | 0:15:31 | |
So, this special song. What are you scared of, exactly? | 0:15:33 | 0:15:38 | |
Getting it wrong. Making Grandfather angry. | 0:15:38 | 0:15:41 | |
And do you think you'll get it wrong? | 0:15:41 | 0:15:44 | |
Because I don't. I don't think you'll get it wrong. | 0:15:44 | 0:15:47 | |
I think you, Merry Gejelh, will get it very, very right. | 0:15:48 | 0:15:51 | |
-What have you been doing? -Exploring. | 0:16:22 | 0:16:25 | |
Where are we going now? | 0:16:29 | 0:16:30 | |
# Sleep, my precious, sleep | 0:16:33 | 0:16:40 | |
# Lay down | 0:16:40 | 0:16:46 | |
# My warrior | 0:16:46 | 0:16:52 | |
# Now, my king. | 0:16:55 | 0:17:03 | |
Shh! Shh! Sorry, Sorry, excuse me. | 0:17:23 | 0:17:25 | |
-Sorry. Excuse me. -Sorry. Sorry. | 0:17:25 | 0:17:28 | |
-Are we even supposed to be here? -Shh. -But are we? -Shh! Sorry. | 0:17:31 | 0:17:36 | |
IT GROWLS | 0:17:36 | 0:17:37 | |
# Akhaten | 0:17:55 | 0:18:06 | |
# Lay down, my king | 0:18:07 | 0:18:15 | |
# Sleep now eternal | 0:18:16 | 0:18:24 | |
# Sleep, my precious king | 0:18:24 | 0:18:31 | |
# Lay down | 0:18:31 | 0:18:36 | |
# Oh, god of Akhaaaten... # | 0:18:36 | 0:18:40 | |
They're singing to the Mummy in the Temple. | 0:18:40 | 0:18:43 | |
They call it the Old God. Sometimes Grandfather. | 0:18:43 | 0:18:48 | |
# Oh, god of Akhaaaten... # | 0:18:48 | 0:18:55 | |
What are they singing? | 0:18:55 | 0:18:57 | |
The Long Song. A lullaby without end. To feed the old god. | 0:18:57 | 0:19:04 | |
Keep him asleep. | 0:19:04 | 0:19:05 | |
It's been going for millions of years. | 0:19:06 | 0:19:08 | |
Chorister handing over to Chorister. | 0:19:08 | 0:19:10 | |
Generation after generation after generation. | 0:19:10 | 0:19:13 | |
# Akhaten... # | 0:19:13 | 0:19:17 | |
What are they doing? | 0:19:20 | 0:19:21 | |
Those are offerings. Gifts of value. | 0:19:21 | 0:19:25 | |
Mementoes to feed the Old God. | 0:19:26 | 0:19:28 | |
# Oh, god of... Oh, god of... | 0:19:30 | 0:19:35 | |
-# Oh god of Akhaaaten... -Sleep, my precious king | 0:19:35 | 0:19:42 | |
CHORAL SINGING CONTINUES | 0:19:45 | 0:19:48 | |
# Lay... | 0:19:56 | 0:19:58 | |
# Lay down... | 0:19:58 | 0:20:03 | |
# Akhaaaten... | 0:20:03 | 0:20:07 | |
# Oh, god of... Oh, god of... Oh, god of... | 0:20:07 | 0:20:13 | |
# Oh, god of Akhaten. # | 0:20:13 | 0:20:19 | |
LOW RUMBLING | 0:20:20 | 0:20:22 | |
# Old god, protect us | 0:20:33 | 0:20:40 | |
# Old god, protect... # | 0:20:40 | 0:20:45 | |
OK. What's happening? Is this supposed to happen? | 0:20:46 | 0:20:49 | |
-Help! -Is somebody going to do something? | 0:20:49 | 0:20:52 | |
Excuse me? Is somebody going to help her? | 0:20:52 | 0:20:54 | |
Why are we walking away? | 0:20:58 | 0:21:00 | |
We can't just walk away. This is my fault! | 0:21:00 | 0:21:03 | |
-I talked her into doing this! -Listen. | 0:21:03 | 0:21:06 | |
There's one thing you need to know about travelling with me - | 0:21:06 | 0:21:08 | |
well, one thing apart from the blue box and the two hearts. | 0:21:08 | 0:21:11 | |
We don't walk away. | 0:21:11 | 0:21:12 | |
HE YAPS | 0:21:20 | 0:21:22 | |
SHE BARKS AND SNARLS | 0:21:22 | 0:21:24 | |
I need something precious. | 0:21:26 | 0:21:28 | |
Well, you must have something, all the places you've seen. | 0:21:28 | 0:21:30 | |
This. I don't want to give it away. It comes in handy. | 0:21:30 | 0:21:33 | |
-You're 1,000 years old. And that's it, your spanner? -Screwdriver. | 0:21:33 | 0:21:36 | |
It's my Mum's. | 0:21:42 | 0:21:43 | |
Merry! | 0:22:20 | 0:22:21 | |
MERRY SCREAMS | 0:22:27 | 0:22:30 | |
Brakes! Brakes! | 0:22:30 | 0:22:31 | |
THEY SCREAM | 0:22:31 | 0:22:34 | |
-OK, time to let go. -I can't. | 0:22:38 | 0:22:40 | |
-Clara, you have to. -Why? | 0:22:40 | 0:22:42 | |
-Because it really hurts. -Sorry. | 0:22:42 | 0:22:43 | |
Oh, that's interesting. A frequency modulated acoustic lock. | 0:22:46 | 0:22:49 | |
The key changes ten million, zillion, squillion times a second. | 0:22:49 | 0:22:52 | |
-Can you open it? -Technically, no. In reality, also no. But still... | 0:22:52 | 0:22:55 | |
-let's give it a stab. -SHE SQUEALS | 0:22:55 | 0:22:58 | |
# Don't ever wake from slumber | 0:22:59 | 0:23:02 | |
# Old god, never wake from slumber... # | 0:23:02 | 0:23:05 | |
How can they just stand there and watch? | 0:23:05 | 0:23:07 | |
Because this is sacred ground. | 0:23:07 | 0:23:08 | |
And she's a child. | 0:23:08 | 0:23:10 | |
And he's a God. Well, he is to them, anyway. | 0:23:10 | 0:23:13 | |
# Do not wake from slumber Old god, do not wake from slumber | 0:23:13 | 0:23:19 | |
# Rest your weary, holy head and cast our lives asunder | 0:23:19 | 0:23:25 | |
# Do not wake from slumber... # | 0:23:25 | 0:23:27 | |
I don't know what to do next. | 0:23:27 | 0:23:29 | |
What happens? | 0:23:31 | 0:23:33 | |
Aaargh! | 0:23:33 | 0:23:35 | |
Merry! Merry, hold on! We'll be there soon! Doctor? | 0:23:35 | 0:23:39 | |
-Yes. Yes, yes, yes. Oh! Hello! -Hello what? | 0:23:39 | 0:23:41 | |
-The sonic's locked on to the acoustic tumblers. -Meaning? | 0:23:41 | 0:23:43 | |
Meaning, I get to do this. | 0:23:43 | 0:23:45 | |
Hello there. I'm the Doctor. And you've met Clara. | 0:23:56 | 0:23:59 | |
She was supposed to be having a nice day out. Still, it's early yet. | 0:23:59 | 0:24:03 | |
Are you coming, then? | 0:24:03 | 0:24:05 | |
Did I mention that the door is immensely heavy? | 0:24:05 | 0:24:07 | |
Leave. You'll wake him! | 0:24:07 | 0:24:09 | |
Really quite extraordinarily heavy. | 0:24:09 | 0:24:12 | |
-Clara? -Uh-huh? | 0:24:13 | 0:24:15 | |
# Never wake from slumber... # | 0:24:17 | 0:24:19 | |
-Merry, we need to leave. -No. Go away! -Not without you. | 0:24:19 | 0:24:23 | |
You said I wouldn't get it wrong and then I got it wrong! | 0:24:23 | 0:24:26 | |
And now this has happened. Look! | 0:24:26 | 0:24:28 | |
You didn't get it wrong. | 0:24:28 | 0:24:29 | |
How do you know? You don't know anything! You have to go! | 0:24:29 | 0:24:32 | |
-Go now! Or he'll eat us all. -Well, he's ugly. | 0:24:32 | 0:24:36 | |
But, you know, to be honest... | 0:24:36 | 0:24:37 | |
..I don't think he looks big enough. | 0:24:41 | 0:24:42 | |
Not our meat. Our souls. | 0:24:42 | 0:24:45 | |
He doesn't want you, he wants me. | 0:24:58 | 0:25:00 | |
If you don't leave, he'll eat you all up too. | 0:25:00 | 0:25:02 | |
Yes and you don't want that, do you? You want us to walk out | 0:25:02 | 0:25:05 | |
of this really quite astonishingly heavy door | 0:25:05 | 0:25:09 | |
and never come back. | 0:25:09 | 0:25:11 | |
-Yes. -I see. Right. Clara's right. | 0:25:11 | 0:25:14 | |
Absolutely never going to happen. | 0:25:14 | 0:25:16 | |
Oooh-ooh-ooh. | 0:25:18 | 0:25:20 | |
-Did you just lock us in? -Yep. | 0:25:26 | 0:25:29 | |
-With the soul-eating monster. -Yep. | 0:25:29 | 0:25:31 | |
And is there actually a way to get out? | 0:25:31 | 0:25:33 | |
-What? Before it eats our souls? -Ideally, yes. | 0:25:33 | 0:25:35 | |
Possibly. Probably. There usually seems to be. | 0:25:35 | 0:25:40 | |
Doctor, | 0:25:40 | 0:25:41 | |
why is he still singing? | 0:25:41 | 0:25:43 | |
# ..rest your weary, holy head... # | 0:25:43 | 0:25:45 | |
He's trying to sing the Old God back to sleep. | 0:25:45 | 0:25:47 | |
It's not going to happen. He's waking up, mate. | 0:25:47 | 0:25:49 | |
He coming, ready or not. | 0:25:49 | 0:25:52 | |
-You want to run. -# ..holy head and. # | 0:25:52 | 0:25:54 | |
That's it, then? Song's over? | 0:25:59 | 0:26:01 | |
The song is over. | 0:26:01 | 0:26:02 | |
My name is Chorister Rezh Baphix, and the Long Song ended with me. | 0:26:07 | 0:26:14 | |
That's it, then! Song's over! | 0:26:17 | 0:26:21 | |
AKHATEN ROARS | 0:26:21 | 0:26:23 | |
Ha-ha! Look at that. | 0:26:23 | 0:26:25 | |
You've woken him! | 0:26:25 | 0:26:26 | |
It's awake? What's it doing? | 0:26:26 | 0:26:28 | |
Oh, you know, having a nice stretch. No, we didn't wake him. | 0:26:28 | 0:26:32 | |
And you didn't wake him, either. | 0:26:32 | 0:26:33 | |
He's waking because it's his time to wake. And feed. | 0:26:33 | 0:26:36 | |
On you, apparently. On your stories. | 0:26:36 | 0:26:38 | |
She didn't say stories, She said souls. | 0:26:38 | 0:26:40 | |
Same thing. The soul's made of stories, not atoms. | 0:26:40 | 0:26:43 | |
Everything that ever happened to us. People we love. People we lost. | 0:26:43 | 0:26:47 | |
People we found again, against all the odds. | 0:26:47 | 0:26:49 | |
He threatens to wake, they offer him a pure soul. | 0:26:49 | 0:26:52 | |
-The Soul of the Queen of Years. -Stop it. You're scaring her. | 0:26:52 | 0:26:54 | |
Good. She should be scared! She's sacrificing herself. | 0:26:54 | 0:26:57 | |
She should know what that means. Do you know what it means, Merry? | 0:26:57 | 0:27:01 | |
A God chose me. | 0:27:01 | 0:27:02 | |
It's not a God! | 0:27:02 | 0:27:04 | |
It'll feed on your soul, but that doesn't make it a God. | 0:27:04 | 0:27:06 | |
It is a vampire. | 0:27:06 | 0:27:08 | |
And you don't need to give yourself to it. | 0:27:08 | 0:27:11 | |
Hey, do you mind if I tell you a story? | 0:27:11 | 0:27:13 | |
One you might not have heard? | 0:27:13 | 0:27:15 | |
All the elements in your body were forged many, many millions | 0:27:15 | 0:27:18 | |
of years ago, in the heart of a far away star that exploded and died. | 0:27:18 | 0:27:23 | |
That explosion scattered those | 0:27:25 | 0:27:28 | |
elements across the desolations of deep space. | 0:27:28 | 0:27:31 | |
After so, so many millions of years, | 0:27:31 | 0:27:35 | |
these elements came together to form new stars and new planets. | 0:27:35 | 0:27:39 | |
And on and on it went. The elements came together and burst apart, | 0:27:39 | 0:27:44 | |
forming shoes and ships and sealing-wax and cabbages and kings. | 0:27:44 | 0:27:48 | |
Until eventually, they came together to make you. | 0:27:49 | 0:27:54 | |
You're unique in the universe. | 0:27:57 | 0:27:59 | |
There is only one Merry Gejelh. | 0:28:00 | 0:28:03 | |
And there will never be another. | 0:28:05 | 0:28:07 | |
Getting rid of that existence isn't a sacrifice. It is a waste. | 0:28:09 | 0:28:14 | |
So, if I don't, then everyone else... | 0:28:17 | 0:28:21 | |
Will be fine. | 0:28:21 | 0:28:22 | |
-How? -There's always a way. | 0:28:25 | 0:28:27 | |
You promise? | 0:28:27 | 0:28:29 | |
Cross my hearts. | 0:28:31 | 0:28:33 | |
Having a nice stretch?! | 0:28:47 | 0:28:49 | |
Something's coming. What's coming? | 0:28:52 | 0:28:54 | |
The Vigil. | 0:28:55 | 0:28:56 | |
And what's the Vigil? | 0:28:56 | 0:28:58 | |
-If the Queen of Years is unwilling to be feasted upon... -Yes? | 0:28:58 | 0:29:02 | |
..it's their job to feed her to Grandfather. | 0:29:02 | 0:29:05 | |
I'm sorry! I'm sorry! | 0:29:11 | 0:29:14 | |
Don't you dare. | 0:29:14 | 0:29:15 | |
Yeah, stay back. I'm armed. | 0:29:15 | 0:29:17 | |
With a screwdriver. | 0:29:17 | 0:29:19 | |
IT ROARS | 0:29:31 | 0:29:34 | |
IT ROARS | 0:29:43 | 0:29:48 | |
Clara. Sonic. | 0:29:50 | 0:29:52 | |
Aargh! | 0:30:05 | 0:30:06 | |
You know all the stories. You must know if there's another way out. | 0:30:06 | 0:30:10 | |
There's the tale. A secret song. | 0:30:10 | 0:30:13 | |
The Thief of the Temple and the Nimmer's Door. | 0:30:13 | 0:30:15 | |
And the secret songs open the secret door? How does it go? | 0:30:15 | 0:30:18 | |
Can you sing it? | 0:30:18 | 0:30:20 | |
# Ah-ah-ah-ah-aah-ah-ah. # | 0:30:21 | 0:30:28 | |
Go! | 0:30:32 | 0:30:33 | |
ROARING | 0:30:50 | 0:30:51 | |
Doctor! | 0:30:57 | 0:30:58 | |
IT ROARS | 0:31:19 | 0:31:21 | |
-BREATHY VOICE: -Where are you? Where are you? | 0:31:21 | 0:31:25 | |
Where did they go? | 0:31:31 | 0:31:33 | |
Grandfather's awake. They're of no function any more. | 0:31:33 | 0:31:37 | |
Well, you could sound happier about it. | 0:31:37 | 0:31:39 | |
DISTANT EXPLOSION | 0:31:39 | 0:31:41 | |
Actually, I think I may have made a tactical boo-boo. | 0:31:45 | 0:31:48 | |
-More of a semantics mix-up, really. -What boo-boo? | 0:31:48 | 0:31:50 | |
I thought the Old God was Grandfather but he wasn't. | 0:31:50 | 0:31:53 | |
-It was just the Grandfather's alarm clock. -Sorry, a bit lost. | 0:31:53 | 0:31:56 | |
-Who's the Old God? Is there an Old God? -Unfortunately, yes. | 0:31:56 | 0:31:59 | |
Oh, my stars. | 0:32:08 | 0:32:10 | |
What do we do? | 0:32:12 | 0:32:13 | |
Against that? I don't know. | 0:32:13 | 0:32:15 | |
Do you know? I don't know. Any ideas? | 0:32:15 | 0:32:17 | |
But you promised! | 0:32:17 | 0:32:19 | |
-You promised! -I did. I did promise. | 0:32:19 | 0:32:22 | |
He'll eat us all. | 0:32:22 | 0:32:24 | |
He'll spread across the system, consuming the Seven Worlds. | 0:32:24 | 0:32:27 | |
And when there's no more to eat, | 0:32:27 | 0:32:28 | |
he'll embark on a new odyssey among the stars. | 0:32:28 | 0:32:31 | |
-I say leg it. -Leg it where, exactly? | 0:32:36 | 0:32:38 | |
Don't know. Lake District? | 0:32:38 | 0:32:40 | |
Oh, the Lake District's lovely. Let's definitely go there. | 0:32:40 | 0:32:42 | |
We can eat scones. They do great scones in 19...27. | 0:32:42 | 0:32:46 | |
You're going to fight it, aren't you? | 0:32:48 | 0:32:50 | |
Regrettably, yes. I think I may be about to do that. | 0:32:50 | 0:32:52 | |
-It's really big. -I've seen bigger. -Really? | 0:32:52 | 0:32:54 | |
Are you joking? It's massive. | 0:32:54 | 0:32:56 | |
-I'm staying with you. -No, you're not. | 0:32:56 | 0:32:58 | |
Yes, I am. I can...assist. | 0:32:58 | 0:33:00 | |
-No, you can't. -What about that stuff you said? | 0:33:00 | 0:33:03 | |
"We don't walk away." | 0:33:03 | 0:33:04 | |
No. We don't walk away. | 0:33:11 | 0:33:13 | |
But when we're holding on to something precious, | 0:33:13 | 0:33:16 | |
we run. We run and run as fast as we can | 0:33:16 | 0:33:20 | |
and we don't stop running until we're out from under the shadow. | 0:33:20 | 0:33:24 | |
Now, off you pop. Take the moped. | 0:33:26 | 0:33:29 | |
I'll walk. | 0:33:30 | 0:33:31 | |
Any ideas? | 0:33:42 | 0:33:43 | |
No, didn't think so. | 0:33:45 | 0:33:47 | |
Righty-ho, then. | 0:33:49 | 0:33:50 | |
Lordy. | 0:34:07 | 0:34:08 | |
Isn't he frightened? | 0:34:09 | 0:34:11 | |
I think he is. | 0:34:11 | 0:34:13 | |
I think he's very frightened. | 0:34:13 | 0:34:15 | |
-I want to help. -So do I. | 0:34:15 | 0:34:17 | |
# Rest now | 0:34:26 | 0:34:31 | |
# My warrior... # | 0:34:32 | 0:34:40 | |
OK, then. That's what I'll do. | 0:34:43 | 0:34:46 | |
I'll tell you a story. | 0:34:49 | 0:34:50 | |
# Oh, oh-oh, oh-oh Oh-oh, oh-oh... # | 0:34:50 | 0:34:55 | |
# Way-ay-ay-ay-ay-ay-ay | 0:34:59 | 0:35:04 | |
# Wake up | 0:35:04 | 0:35:08 | |
-CROWD JOIN IN: -# Wake up | 0:35:08 | 0:35:11 | |
# And let the cloak | 0:35:11 | 0:35:16 | |
# Of life cling to your bones... # | 0:35:16 | 0:35:23 | |
Can you hear them? | 0:35:23 | 0:35:25 | |
All these people who've lived in terror of you and your judgement? | 0:35:25 | 0:35:30 | |
All these people whose ancestors devoted themselves. | 0:35:30 | 0:35:33 | |
Sacrificed themselves. To you. | 0:35:33 | 0:35:35 | |
Can you hear them singing? | 0:35:38 | 0:35:39 | |
# Way-ay-ay-ay-ay-ay-ay | 0:35:39 | 0:35:44 | |
# Wake up... # | 0:35:44 | 0:35:47 | |
You like to think you're a God. | 0:35:47 | 0:35:50 | |
But you're not a God. | 0:35:50 | 0:35:52 | |
You're just a parasite eaten out with jealousy and envy | 0:35:52 | 0:35:57 | |
and longing for the lives of others. | 0:35:57 | 0:36:00 | |
You feed on them. | 0:36:00 | 0:36:02 | |
On the memory of love and loss and birth and death and joy and sorrow. | 0:36:02 | 0:36:07 | |
So... | 0:36:07 | 0:36:09 | |
So... | 0:36:09 | 0:36:11 | |
come on, then. Take mine. | 0:36:11 | 0:36:15 | |
Take my memories. | 0:36:17 | 0:36:20 | |
But I hope you've got a big appetite. | 0:36:21 | 0:36:23 | |
Because I've lived a long life and I've seen a few things. | 0:36:24 | 0:36:30 | |
# Wake up | 0:36:30 | 0:36:34 | |
# And let the cloak | 0:36:34 | 0:36:38 | |
# Of life cling to your bones... # | 0:36:38 | 0:36:43 | |
I walked away from the Last Great Time War. | 0:36:43 | 0:36:46 | |
I marked the passing of the Time Lords. | 0:36:46 | 0:36:49 | |
I saw the birth of the universe and I watched as time ran out, | 0:36:49 | 0:36:54 | |
moment by moment, until nothing remained. | 0:36:54 | 0:36:57 | |
No time. No space. | 0:36:57 | 0:36:59 | |
Just me. | 0:37:00 | 0:37:02 | |
I've walked in universes where the laws of physics were | 0:37:02 | 0:37:05 | |
devised by the mind of a madman. | 0:37:05 | 0:37:08 | |
I've watched universes freeze and creations burn. | 0:37:10 | 0:37:15 | |
I've seen things you wouldn't believe. | 0:37:15 | 0:37:18 | |
I've lost things you'll never understand. | 0:37:18 | 0:37:22 | |
And I know things. Secrets that must never be told. | 0:37:22 | 0:37:25 | |
Knowledge that must never be spoken. | 0:37:25 | 0:37:28 | |
Knowledge that will make parasite gods blaze. | 0:37:28 | 0:37:33 | |
So come on then! | 0:37:33 | 0:37:36 | |
Take it! Take it all, baby! | 0:37:36 | 0:37:40 | |
Have it! You have it all! | 0:37:40 | 0:37:43 | |
# Wake up | 0:37:48 | 0:37:52 | |
# Wake u-u-u-up. # | 0:37:52 | 0:37:57 | |
RUMBLING EXPLOSIONS | 0:38:01 | 0:38:04 | |
And I will always come and find you. | 0:38:14 | 0:38:17 | |
Every single time. | 0:38:19 | 0:38:21 | |
We don't walk away. | 0:38:24 | 0:38:26 | |
Still hungry? | 0:38:54 | 0:38:55 | |
Well, I brought something for you. | 0:38:59 | 0:39:01 | |
This. The most important leaf in human history. | 0:39:04 | 0:39:08 | |
The most important leaf in human history. | 0:39:13 | 0:39:15 | |
It's full of stories, full of history. | 0:39:20 | 0:39:23 | |
And full of a future that never got lived. | 0:39:27 | 0:39:29 | |
Days that should have been that never were. | 0:39:31 | 0:39:33 | |
Passed onto me. | 0:39:35 | 0:39:36 | |
This leaf isn't just the past, it's a whole future that never happened. | 0:39:43 | 0:39:47 | |
There are billions and millions of unlived days for every day we live. | 0:39:47 | 0:39:50 | |
An infinity. All the days that never came. | 0:39:50 | 0:39:52 | |
And these are all my mum's. | 0:39:54 | 0:39:55 | |
Well, come on then. | 0:39:55 | 0:39:57 | |
Eat up. | 0:39:59 | 0:40:00 | |
Are you full? | 0:40:02 | 0:40:03 | |
I expect so | 0:40:04 | 0:40:07 | |
because there's quite a difference, isn't there, between what was | 0:40:07 | 0:40:11 | |
and what should have been? | 0:40:11 | 0:40:13 | |
There's an awful lot of one, but there's an infinity of the other. | 0:40:15 | 0:40:19 | |
And infinity's too much. | 0:40:26 | 0:40:28 | |
Even for your appetite. | 0:40:30 | 0:40:32 | |
METALLIC THRUMMING | 0:40:50 | 0:40:52 | |
Home again, home again, jiggity jig! | 0:40:57 | 0:41:01 | |
It looks different. | 0:41:06 | 0:41:08 | |
Nope. Same house. Same city. Same planet. | 0:41:08 | 0:41:11 | |
Same day, actually. Not bad. | 0:41:11 | 0:41:14 | |
Hole in one! | 0:41:16 | 0:41:17 | |
You were there. At mum's grave. | 0:41:17 | 0:41:20 | |
You were watching. | 0:41:20 | 0:41:21 | |
What were you doing there? | 0:41:25 | 0:41:26 | |
I don't know. I was just... | 0:41:26 | 0:41:28 | |
-making sure. -Of what? | 0:41:28 | 0:41:30 | |
You remind me of someone. | 0:41:37 | 0:41:38 | |
Who? | 0:41:38 | 0:41:39 | |
Someone who died. | 0:41:40 | 0:41:42 | |
Well, whoever she was, I'm not her, OK? | 0:41:46 | 0:41:50 | |
If you want me to travel with you, that's fine. | 0:41:50 | 0:41:53 | |
But as me. Not a bargain basement stand-in for someone else. | 0:41:53 | 0:41:56 | |
-I not going to compete with a ghost. -No. | 0:41:56 | 0:41:58 | |
-They wanted you to have it. -Who did? | 0:42:08 | 0:42:11 | |
Everyone. All the people you saved. | 0:42:11 | 0:42:14 | |
You. No-one else. | 0:42:20 | 0:42:23 | |
Clara. | 0:42:23 | 0:42:25 | |
Aargh! | 0:42:47 | 0:42:49 | |
-How many are left? -12. | 0:42:49 | 0:42:52 | |
This sub's stuffed with nuclear missiles. | 0:42:52 | 0:42:55 | |
What's he going to do when he finds that out? | 0:42:55 | 0:42:57 | |
-Bring her up! -Who's there! | 0:42:57 | 0:42:59 | |
We are all that stands between this creature | 0:42:59 | 0:43:01 | |
and the destruction of the world. | 0:43:01 | 0:43:04 | |
He's arming the warheads. | 0:43:04 | 0:43:06 | |
Clara, get out of there. Get out! | 0:43:06 | 0:43:09 | |
I will blow this sub up before you can even reach that button. | 0:43:09 | 0:43:13 | |
Subtitles by Red Bee Media Ltd | 0:43:17 | 0:43:20 |