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-How are we looking? -Oh...about ready, I think. | 0:00:11 | 0:00:15 | |
Any thoughts on the, er, interference? | 0:00:19 | 0:00:21 | |
Erm, a stray FM broadcast, possibly? | 0:00:21 | 0:00:24 | |
But I've fitted some ferrite suppressors | 0:00:24 | 0:00:26 | |
and some RF chokes. Just in case. | 0:00:26 | 0:00:29 | |
Are you sure you want to go through with this? | 0:00:34 | 0:00:36 | |
-I mean, the last time was very... -But she's so lonely. | 0:00:36 | 0:00:39 | |
Excellent, then. | 0:00:42 | 0:00:44 | |
Excellent. | 0:00:44 | 0:00:45 | |
Caliburn House, night four, November 25th, 1974. | 0:00:54 | 0:00:59 | |
11.04pm. | 0:00:59 | 0:01:02 | |
I'm talking to the spirit that inhabits this house. | 0:01:10 | 0:01:14 | |
Are you there? Can you hear me? | 0:01:14 | 0:01:17 | |
QUIET STATIC HISSING | 0:01:17 | 0:01:19 | |
I'm speaking to the lost soul that abides in this place. | 0:01:22 | 0:01:26 | |
STATIC AND ELECTRONIC REVERBERATIONS | 0:01:26 | 0:01:28 | |
Come to me. Speak to me. | 0:01:30 | 0:01:33 | |
Let me show you the way home. | 0:01:34 | 0:01:37 | |
Oh, ah! | 0:01:37 | 0:01:38 | |
-DISTORTED SCREAMING -Let me show you the way home! | 0:01:40 | 0:01:44 | |
SCREAMING | 0:01:52 | 0:01:53 | |
Ah! | 0:01:54 | 0:01:56 | |
Emma? | 0:01:56 | 0:01:58 | |
She's so... | 0:01:58 | 0:01:59 | |
So what? | 0:01:59 | 0:02:01 | |
Dead. | 0:02:02 | 0:02:03 | |
KNOCKING ON DOOR | 0:02:05 | 0:02:07 | |
KNOCKING ON DOOR | 0:02:09 | 0:02:11 | |
Boo! | 0:02:20 | 0:02:21 | |
Hello, I'm looking for a ghost. | 0:02:21 | 0:02:23 | |
And you are...? | 0:02:23 | 0:02:25 | |
Ghostbusters! | 0:02:25 | 0:02:26 | |
-I'm the Doctor. -Doctor what? | 0:03:03 | 0:03:04 | |
If you like. And this is Clara. | 0:03:04 | 0:03:07 | |
Ah, but you are very different! | 0:03:07 | 0:03:10 | |
You are Major Alec Palmer. | 0:03:11 | 0:03:13 | |
Member of the Baker Street Irregulars, | 0:03:13 | 0:03:15 | |
the Ministry of Ungentlemanly Warfare. | 0:03:15 | 0:03:18 | |
Specialised in espionage, | 0:03:18 | 0:03:19 | |
sabotage and reconnaissance behind enemy lines. | 0:03:19 | 0:03:22 | |
You're a talented watercolourist, professor of psychology | 0:03:22 | 0:03:26 | |
AND...ghost hunter! | 0:03:26 | 0:03:28 | |
Total pleasure. Massive. | 0:03:30 | 0:03:32 | |
Actually, you're wrong. | 0:03:32 | 0:03:33 | |
Professor Palmer spent most of the war as a POW. | 0:03:33 | 0:03:36 | |
Actually, that's a lie told by a very brave man | 0:03:36 | 0:03:38 | |
involved in very secret operations. | 0:03:38 | 0:03:39 | |
The kind of man who keeps a Victoria Cross in a box in the attic, eh? | 0:03:39 | 0:03:42 | |
But you know that! Because you're Emma Grayling... | 0:03:42 | 0:03:45 | |
-..the Professor's companion... -Assistant. | 0:03:47 | 0:03:49 | |
It's 1974 - you're the assistant and "non-objective equipment". | 0:03:49 | 0:03:54 | |
-Meaning "psychic". -Getting that. Bless you, though. | 0:03:54 | 0:03:57 | |
Relax, Emma. He's Military Intelligence. | 0:03:57 | 0:03:59 | |
-So what's all this in aid of? -Health and safety! | 0:03:59 | 0:04:02 | |
Yeah, the Ministry got wind of what's going on down here. | 0:04:02 | 0:04:06 | |
Sent me to check that everything's in order. | 0:04:06 | 0:04:09 | |
They don't have the right. | 0:04:09 | 0:04:10 | |
Don't worry, Guv'nor, I'll be out of your hair in five minutes. Oh! | 0:04:10 | 0:04:12 | |
Oh, look! Oh, lovely. The ACR 99821. | 0:04:12 | 0:04:17 | |
Oh, bliss, nice action on the toggle switches. | 0:04:17 | 0:04:19 | |
You know, I do love a toggle switch. | 0:04:19 | 0:04:23 | |
Actually, I like the word "toggle". | 0:04:23 | 0:04:26 | |
Nice noun. Excellent verb. | 0:04:26 | 0:04:28 | |
Oi, don't mess with the settings. | 0:04:28 | 0:04:30 | |
What's that? | 0:04:31 | 0:04:33 | |
Gadget. Health and safety. Classified, I'm afraid. | 0:04:33 | 0:04:36 | |
You know, while the back room boffins work out a few kinks. | 0:04:36 | 0:04:39 | |
What's it telling you? | 0:04:39 | 0:04:41 | |
It's telling me that you haven't been exposed | 0:04:41 | 0:04:43 | |
to any life-threatening transmundane emanations. | 0:04:43 | 0:04:45 | |
So... | 0:04:45 | 0:04:46 | |
..where's the ghost? | 0:04:49 | 0:04:51 | |
Show me the ghost. | 0:04:53 | 0:04:55 | |
EERIE WHOOSHING | 0:04:56 | 0:04:58 | |
It's ghost time. | 0:05:00 | 0:05:01 | |
I won't have this stolen out from under me, do you understand? | 0:05:04 | 0:05:07 | |
Erm, no, not really, sorry. | 0:05:07 | 0:05:08 | |
I will not have my work stolen, | 0:05:08 | 0:05:10 | |
then be fobbed off with a pat on the back and a letter from the Queen. | 0:05:10 | 0:05:13 | |
Never again! This is my house, Doctor, and it belongs to me. | 0:05:13 | 0:05:16 | |
-This is actually your house? -It is. | 0:05:17 | 0:05:20 | |
Sorry. | 0:05:20 | 0:05:21 | |
You went to the bank and said, | 0:05:21 | 0:05:22 | |
"You know that gigantic old haunted house on the moors? | 0:05:22 | 0:05:25 | |
"The one the dossers are too scared to doss in? | 0:05:25 | 0:05:27 | |
"The one the birds are too scared to fly over?" | 0:05:27 | 0:05:29 | |
And then you said, "I'd like to buy it, please, with my money." | 0:05:29 | 0:05:32 | |
Yes, I did, actually. | 0:05:32 | 0:05:35 | |
That's incredibly brave. CREAKING | 0:05:35 | 0:05:37 | |
Listen, Major, we just need to know what's going on here. | 0:05:38 | 0:05:43 | |
-For the Ministry? -You know I can't answer that. | 0:05:43 | 0:05:45 | |
Very well... | 0:05:48 | 0:05:49 | |
..follow me. | 0:05:51 | 0:05:52 | |
So what's an empathic psychic? | 0:06:00 | 0:06:03 | |
Sometimes I...sense feelings. The way a telepath can sense thoughts. | 0:06:03 | 0:06:08 | |
Sometimes, though. Not always. | 0:06:08 | 0:06:10 | |
The most compassionate people you'll ever meet, empathics. | 0:06:10 | 0:06:15 | |
And the loneliest. | 0:06:15 | 0:06:16 | |
I mean, exposing themselves to all those hidden feelings - | 0:06:16 | 0:06:19 | |
all that guilt, pain and sorrow and... | 0:06:19 | 0:06:23 | |
-Doctor? -Yes? | 0:06:23 | 0:06:24 | |
Shh. | 0:06:24 | 0:06:25 | |
Would you, er, care to have a look? | 0:06:26 | 0:06:28 | |
Caliburn House is over 400 years old | 0:06:32 | 0:06:35 | |
but she's been here much longer... | 0:06:35 | 0:06:38 | |
..the Caliburn Ghast. | 0:06:39 | 0:06:40 | |
She's mentioned in local Saxon poetry and Parish folk tales. | 0:06:44 | 0:06:47 | |
The Wraith of the Lady, the Maiden in the Dark... | 0:06:47 | 0:06:51 | |
..the Witch of the Well. | 0:06:52 | 0:06:54 | |
Is she real? As in, actually real? | 0:06:56 | 0:06:59 | |
Oh, she's real. | 0:06:59 | 0:07:01 | |
In the 17th century, a local clergyman saw her. | 0:07:01 | 0:07:04 | |
He wrote that her presence was accompanied | 0:07:04 | 0:07:06 | |
by a "dreadful knocking, as if the Devil himself demanded entry." | 0:07:06 | 0:07:11 | |
During the war, American airmen stationed here | 0:07:13 | 0:07:15 | |
left offerings of tinned Spam. | 0:07:15 | 0:07:17 | |
The tins were found in 1965, bricked up in the servants' pantry, | 0:07:17 | 0:07:21 | |
along with a number of handwritten notes, | 0:07:21 | 0:07:23 | |
appeals to the Ghast... | 0:07:23 | 0:07:25 | |
"For the love of God, stop screaming." | 0:07:25 | 0:07:29 | |
EERIE SCREAMING | 0:07:29 | 0:07:31 | |
She never changes. | 0:07:32 | 0:07:34 | |
The angle's different, the framing, | 0:07:36 | 0:07:37 | |
but she's always in exactly the same position. Why is that? | 0:07:37 | 0:07:41 | |
We don't know. | 0:07:41 | 0:07:43 | |
She's an objective phenomenon. | 0:07:43 | 0:07:45 | |
But objective recording equipment can't detect her... | 0:07:45 | 0:07:47 | |
Without the presence of a powerful psychic. | 0:07:47 | 0:07:50 | |
Absolutely. Very well done. | 0:07:50 | 0:07:53 | |
EERIE SCREAMING | 0:07:53 | 0:07:55 | |
She knows I'm here... | 0:07:57 | 0:07:58 | |
..I can feel her... | 0:08:00 | 0:08:01 | |
..calling out to me. | 0:08:03 | 0:08:04 | |
What's she saying? | 0:08:05 | 0:08:07 | |
"Help me." | 0:08:09 | 0:08:11 | |
"The Witch of the Well". | 0:08:21 | 0:08:25 | |
So where's the well? | 0:08:25 | 0:08:26 | |
A copy of the oldest plan that we could find, | 0:08:28 | 0:08:31 | |
there is no well on the property. None that we could find, anyway. | 0:08:31 | 0:08:35 | |
CLARA GASPS | 0:08:39 | 0:08:41 | |
-THEY WHISPER: -You coming? -Where? -To find the ghost. | 0:08:41 | 0:08:43 | |
-Why would I want to do that? -Because you want to, come on. | 0:08:43 | 0:08:46 | |
Well, I dispute that assertion. | 0:08:46 | 0:08:48 | |
-STILL WHISPERING: -I'm giving you a face. | 0:08:52 | 0:08:54 | |
Can you see me? Look at my face. | 0:08:54 | 0:08:56 | |
Fine. | 0:08:58 | 0:08:59 | |
Dare me. | 0:09:04 | 0:09:06 | |
I dare you. No takesie-backsies. | 0:09:06 | 0:09:08 | |
Ha-ha-ha-ha! | 0:09:12 | 0:09:14 | |
The Music Room is the heart of the house. | 0:09:15 | 0:09:17 | |
Say we actually find her. What do we say? | 0:09:29 | 0:09:32 | |
We ask how she came to be... | 0:09:32 | 0:09:35 | |
whatever she is. | 0:09:35 | 0:09:36 | |
-Why? -Because I don't know. | 0:09:37 | 0:09:38 | |
And ignorance is... | 0:09:38 | 0:09:41 | |
what's the opposite of bliss? | 0:09:41 | 0:09:43 | |
-Carlisle. -Yes! Yes, Carlisle. Ignorance is Carlisle. | 0:09:43 | 0:09:47 | |
SCRAPING AND GROWLING | 0:10:03 | 0:10:05 | |
Is he really from the Ministry? | 0:10:24 | 0:10:26 | |
Er, I don't know. | 0:10:26 | 0:10:28 | |
He's certainly got the right demeanour. | 0:10:29 | 0:10:32 | |
Capricious...brilliant. | 0:10:32 | 0:10:34 | |
Deceitful. | 0:10:36 | 0:10:37 | |
Yes! Ha...he's a liar... | 0:10:37 | 0:10:40 | |
..but, you know, that's often the way that it is... | 0:10:42 | 0:10:47 | |
when someone's...seen a thing or two. | 0:10:47 | 0:10:50 | |
Experience makes liars of us all. | 0:10:51 | 0:10:54 | |
We lie about who we are... | 0:10:54 | 0:10:55 | |
..about what we've done... | 0:10:57 | 0:10:59 | |
And how we feel? | 0:10:59 | 0:11:00 | |
Yes...always, | 0:11:03 | 0:11:06 | |
..always that. | 0:11:07 | 0:11:08 | |
You know, I have to...have to be getting on with things | 0:11:13 | 0:11:16 | |
The, erm, the equipment and so forth. | 0:11:16 | 0:11:19 | |
Of course. | 0:11:19 | 0:11:21 | |
Ah, the Music Room. The heart of the house. | 0:11:27 | 0:11:32 | |
Do you feel anything? | 0:11:33 | 0:11:34 | |
No. | 0:11:36 | 0:11:37 | |
Your pants are so on fire. | 0:11:37 | 0:11:38 | |
JUDDERING BEEPS | 0:11:38 | 0:11:40 | |
Do you feel like you're being watched? | 0:11:47 | 0:11:50 | |
What does being watched feel like? | 0:11:50 | 0:11:52 | |
Is it that funny tickly feeling on your neck? | 0:11:52 | 0:11:55 | |
-That's the chap. -Then, yes, a bit. | 0:11:55 | 0:11:57 | |
Well, quite a big bit. | 0:11:57 | 0:11:59 | |
CREAKING | 0:12:05 | 0:12:07 | |
CREAKING AND SCRAPING | 0:12:13 | 0:12:15 | |
I think she's here. | 0:12:17 | 0:12:19 | |
Cold spot. Spooky. | 0:12:22 | 0:12:25 | |
Cold...warm. | 0:12:26 | 0:12:28 | |
Cold...warm...cold...warm... | 0:12:29 | 0:12:33 | |
-cold...warm...cold. -CREAKING | 0:12:33 | 0:12:36 | |
Doctor? | 0:12:40 | 0:12:41 | |
CREAKING | 0:12:41 | 0:12:43 | |
-Doctor! -What? | 0:12:44 | 0:12:46 | |
I'm not happy. | 0:12:46 | 0:12:48 | |
No. | 0:12:49 | 0:12:50 | |
SCRAPING AND CREAKING | 0:12:52 | 0:12:54 | |
Hey! | 0:12:56 | 0:12:57 | |
THUDDING | 0:13:16 | 0:13:18 | |
What was that? | 0:13:20 | 0:13:21 | |
THUDDING | 0:13:21 | 0:13:23 | |
Does it seem colder? | 0:13:32 | 0:13:33 | |
HE COUGHS AND EXHALES | 0:13:40 | 0:13:42 | |
She's coming. | 0:13:46 | 0:13:48 | |
THUDDING | 0:13:50 | 0:13:52 | |
OK, what is that? | 0:13:52 | 0:13:54 | |
It's a very loud noise. | 0:13:54 | 0:13:57 | |
It's a very loud, very angry noise. | 0:13:57 | 0:14:00 | |
-But what's making it?! -I don't know. Are you making it? | 0:14:00 | 0:14:03 | |
THUDDING | 0:14:03 | 0:14:05 | |
-Doctor? -Yes? | 0:14:07 | 0:14:09 | |
-I may be a teeny, tiny bit terrified. -Yes? | 0:14:09 | 0:14:11 | |
-But I'm still a grown-up. -Mainly, yes, and...? | 0:14:11 | 0:14:13 | |
There's no need to actually hold my hand. | 0:14:13 | 0:14:16 | |
-Clara? -Yes? | 0:14:16 | 0:14:18 | |
I'm not holding your hand. | 0:14:18 | 0:14:20 | |
THEY SCREAM | 0:14:22 | 0:14:24 | |
-Has this happened before? -Never! | 0:14:31 | 0:14:34 | |
Camera! Camera! | 0:14:34 | 0:14:36 | |
GLASS CRACKING | 0:14:38 | 0:14:40 | |
EERIE DISTORTED SHOUTING | 0:14:47 | 0:14:50 | |
Doctor?! | 0:14:54 | 0:14:56 | |
EERIE SHOUTING | 0:14:56 | 0:14:58 | |
'Help me!' | 0:15:01 | 0:15:02 | |
THUDDING AND CREAKING | 0:15:02 | 0:15:05 | |
Doctor. | 0:15:05 | 0:15:07 | |
WHOOSHING | 0:15:19 | 0:15:21 | |
Ugh! | 0:15:34 | 0:15:36 | |
I'd rather have a nice cup of tea. | 0:15:37 | 0:15:39 | |
Me too. | 0:15:39 | 0:15:42 | |
Whisky's the eleventh most disgusting thing ever invented. | 0:15:42 | 0:15:45 | |
I had a little peek at your records, back at the Ministry. | 0:15:49 | 0:15:53 | |
You've certainly seen a thing or two in your time - | 0:15:53 | 0:15:56 | |
disrupting U-Boat operations across the North Sea, | 0:15:56 | 0:15:59 | |
sabotaging railway lines across Europe, | 0:15:59 | 0:16:01 | |
Operation Gibbon, the one with the carrier pigeons - brilliant! | 0:16:01 | 0:16:06 | |
I do love a carrier pigeon. | 0:16:06 | 0:16:08 | |
I did my duty but then so did thousands of others - | 0:16:08 | 0:16:12 | |
MILLIONS of others... | 0:16:12 | 0:16:14 | |
..I was just lucky enough to come back. | 0:16:15 | 0:16:17 | |
Yes, but how does that man, that war hero, end up here, | 0:16:17 | 0:16:20 | |
in a lonely old house, looking for ghosts? | 0:16:20 | 0:16:23 | |
Because I killed... | 0:16:27 | 0:16:29 | |
and I caused to have killed... | 0:16:29 | 0:16:31 | |
..I sent young men and women to their deaths... | 0:16:32 | 0:16:36 | |
..but here I am, still alive, and... | 0:16:38 | 0:16:41 | |
it does tend to haunt you. Living, after so much of... | 0:16:41 | 0:16:46 | |
..the other thing. | 0:16:47 | 0:16:48 | |
So, you and Professor Palmer, have you ever...y'know? | 0:16:50 | 0:16:55 | |
No. | 0:16:55 | 0:16:57 | |
Why not? You do know how he feels about you, don't you? | 0:16:57 | 0:17:00 | |
You of all people? | 0:17:00 | 0:17:02 | |
I don't know. | 0:17:03 | 0:17:04 | |
People like me...sometimes, we get our signals mixed up. | 0:17:05 | 0:17:10 | |
We think people are feeling the way we want them to feel... | 0:17:10 | 0:17:13 | |
..you know, when they are special to us. | 0:17:15 | 0:17:18 | |
When, really, there's nothing there. | 0:17:19 | 0:17:22 | |
Oh, this is there. | 0:17:22 | 0:17:23 | |
-How do you know? -Because it's obvious. | 0:17:24 | 0:17:27 | |
It sticks out like a...big chin. | 0:17:27 | 0:17:30 | |
See, I was alone and unmarried and... | 0:17:32 | 0:17:36 | |
I didn't mind dying. I mean, not for that cause. | 0:17:36 | 0:17:39 | |
It was a very, very fine cause... | 0:17:39 | 0:17:42 | |
defeating the enemy. | 0:17:42 | 0:17:44 | |
And if you could contact them, what would you say? | 0:17:44 | 0:17:47 | |
-Well, I'd very much like to thank them. -Uh-huh. | 0:17:48 | 0:17:51 | |
Ping! | 0:17:55 | 0:17:56 | |
What do you think she is? | 0:17:58 | 0:17:59 | |
-Not what I thought she'd be. -What did you think she'd be? -Fun. | 0:18:02 | 0:18:05 | |
Can I borrow your camera? | 0:18:07 | 0:18:09 | |
Ta. | 0:18:10 | 0:18:11 | |
What about you...and the Doctor? | 0:18:13 | 0:18:15 | |
Oh, I don't think so. | 0:18:15 | 0:18:17 | |
-Good. -Sorry? | 0:18:18 | 0:18:20 | |
Don't trust him... | 0:18:21 | 0:18:23 | |
there's a sliver of ice in his heart. | 0:18:23 | 0:18:26 | |
Clara! > | 0:18:28 | 0:18:29 | |
SHE WHISPERS: I've got this weird feeling it's looking at me. | 0:18:41 | 0:18:44 | |
It doesn't like me. | 0:18:44 | 0:18:45 | |
The TARDIS is like a cat - | 0:18:45 | 0:18:47 | |
a bit slow to trust but you'll get there in the end. | 0:18:47 | 0:18:50 | |
KNOCKING ON DOOR | 0:18:57 | 0:18:59 | |
Hey! | 0:19:02 | 0:19:05 | |
WHIRRING | 0:19:05 | 0:19:07 | |
You need a place to keep this. | 0:19:09 | 0:19:11 | |
I've got one. | 0:19:11 | 0:19:13 | |
Or I had one... | 0:19:13 | 0:19:15 | |
I think I had one. | 0:19:15 | 0:19:17 | |
Look around, see if you find it. | 0:19:17 | 0:19:19 | |
Did I have one? | 0:19:19 | 0:19:21 | |
Am I going mad? | 0:19:21 | 0:19:22 | |
No, not in here! | 0:19:22 | 0:19:24 | |
How do you expect her to like you? | 0:19:24 | 0:19:27 | |
She's SOAKING wet! It's a health and safety nightmare. | 0:19:27 | 0:19:30 | |
Sorry. | 0:19:32 | 0:19:34 | |
METALLIC GURGLING | 0:19:34 | 0:19:35 | |
So...where we going? | 0:19:35 | 0:19:38 | |
Nowhere. We're staying right here. | 0:19:38 | 0:19:40 | |
Right here, on this exact spot - if I can work out how to do it. | 0:19:40 | 0:19:43 | |
So, when are we going? | 0:19:43 | 0:19:45 | |
HE LAUGHS | 0:19:45 | 0:19:47 | |
Oh, that is good. That is top-notch. | 0:19:47 | 0:19:49 | |
And the answer is...? | 0:19:49 | 0:19:50 | |
-We're going always. -"We're going always." | 0:19:50 | 0:19:53 | |
-TOTALLY! -That's not actually a sentence. | 0:19:53 | 0:19:55 | |
Well, it's got a verb in it. What do you think? | 0:19:55 | 0:19:58 | |
-Colour's a bit boisterous. -I think it brings out my eyes. | 0:19:59 | 0:20:02 | |
Makes my eyes hurt. | 0:20:02 | 0:20:03 | |
METALLIC THRUMMING | 0:20:05 | 0:20:07 | |
Did you see where he went? | 0:20:11 | 0:20:13 | |
I could hear an engine but I can't see any lights. | 0:20:13 | 0:20:15 | |
BUZZING | 0:20:22 | 0:20:24 | |
Back off! Hot suit! Hot, hot, hot! | 0:20:32 | 0:20:35 | |
When are we? | 0:20:35 | 0:20:36 | |
About six billion years ago. It's a Tuesday, I think. | 0:20:36 | 0:20:40 | |
Back in a mo. | 0:20:55 | 0:20:56 | |
Are you all right? | 0:20:58 | 0:20:59 | |
Totally. Peachy keen. | 0:21:00 | 0:21:01 | |
OK, then. Well, don't press any buttons or pull any levers, | 0:21:01 | 0:21:04 | |
or make any funny faces. | 0:21:04 | 0:21:05 | |
Actually, don't move. Stand completely still. | 0:21:05 | 0:21:08 | |
Don't breathe. Well, you can breathe... | 0:21:08 | 0:21:11 | |
but shallow breaths. | 0:21:11 | 0:21:13 | |
WIND GUSTING | 0:21:16 | 0:21:18 | |
SHE SIGHS | 0:21:30 | 0:21:32 | |
DOOR CLOSING | 0:21:34 | 0:21:36 | |
What's wrong? | 0:21:38 | 0:21:40 | |
Did the TARDIS say something to you? Are you being mean? | 0:21:40 | 0:21:43 | |
No, it's not that. | 0:21:43 | 0:21:45 | |
Have we just watched the entire life cycle of the Earth? Birth to death? | 0:21:45 | 0:21:49 | |
Yes! | 0:21:49 | 0:21:50 | |
And you're OK with that? | 0:21:50 | 0:21:51 | |
Yes. | 0:21:54 | 0:21:56 | |
How can you be? | 0:21:56 | 0:21:59 | |
The TARDIS. She's...time. | 0:21:59 | 0:22:02 | |
We... Wibbly vortex and so on. | 0:22:02 | 0:22:06 | |
-That's not what I mean. -OK... | 0:22:06 | 0:22:09 | |
some help? Context? | 0:22:09 | 0:22:11 | |
Cheat sheet? | 0:22:11 | 0:22:12 | |
-Something? -I mean, one minute you're in 1974, looking for ghosts | 0:22:14 | 0:22:18 | |
but all you have to do is open your eyes | 0:22:18 | 0:22:20 | |
and talk to whoever's standing there. | 0:22:20 | 0:22:22 | |
To you, I haven't been born yet... | 0:22:22 | 0:22:23 | |
..and to you, I've been dead 100 billion years. | 0:22:25 | 0:22:28 | |
Is my body out there somewhere? In the ground? | 0:22:30 | 0:22:33 | |
Yes, I suppose it is. | 0:22:35 | 0:22:37 | |
But here we are, talking. So I am a ghost. | 0:22:37 | 0:22:41 | |
To you, I'm a ghost... | 0:22:42 | 0:22:43 | |
..we're all ghosts to you. | 0:22:45 | 0:22:47 | |
We must be nothing. | 0:22:47 | 0:22:49 | |
No...no... | 0:22:50 | 0:22:53 | |
you're not that. | 0:22:53 | 0:22:55 | |
Then what are we? What can we possibly be? | 0:22:55 | 0:22:57 | |
You are the only mystery worth solving. | 0:23:04 | 0:23:08 | |
METALLIC THRUMMING | 0:23:17 | 0:23:19 | |
What's wrong? | 0:23:34 | 0:23:36 | |
I just saw something I wish I hadn't. | 0:23:37 | 0:23:40 | |
What did you see? | 0:23:40 | 0:23:41 | |
That...everything ends. | 0:23:43 | 0:23:45 | |
No, not everything. Not love... | 0:23:46 | 0:23:49 | |
..not always. | 0:23:51 | 0:23:52 | |
Right! Done! That's it, gather round, gather round. | 0:23:53 | 0:23:56 | |
Roll up! Roll up! | 0:23:56 | 0:23:57 | |
BUZZING | 0:23:57 | 0:23:59 | |
The Ghast of Caliburn House - | 0:24:01 | 0:24:03 | |
never changing, trapped in a moment of fear and torment | 0:24:03 | 0:24:06 | |
but what if she's not? | 0:24:06 | 0:24:08 | |
What if she's just trapped somewhere time runs more slowly | 0:24:09 | 0:24:13 | |
than it does here? | 0:24:13 | 0:24:14 | |
What if a second to her was 100,000 years to us? | 0:24:14 | 0:24:17 | |
And what if somebody has a magic box - a blue box, probably - | 0:24:17 | 0:24:22 | |
what if said somebody could take a snapshot of her, | 0:24:22 | 0:24:24 | |
say, every few million years? | 0:24:24 | 0:24:26 | |
She's not a ghost... | 0:24:31 | 0:24:33 | |
but she's definitely a lost soul. | 0:24:33 | 0:24:35 | |
Her name's Hila Tacorian. | 0:24:35 | 0:24:38 | |
She's a pioneer, a time traveller - | 0:24:39 | 0:24:41 | |
or at least she will be, in a few hundred years. | 0:24:41 | 0:24:43 | |
Time travel's not possible. The paradoxes... | 0:24:43 | 0:24:45 | |
Resolve themselves, by and large. | 0:24:45 | 0:24:47 | |
How long has she been alone? | 0:24:47 | 0:24:49 | |
Well, time travel's a funny old thing. | 0:24:49 | 0:24:50 | |
I mean, from her perspective, she crash landed...three minutes ago. | 0:24:50 | 0:24:55 | |
Crash landed? Where? | 0:24:55 | 0:24:57 | |
She's in a pocket universe... | 0:24:58 | 0:25:01 | |
a distorted echo of our own - | 0:25:01 | 0:25:02 | |
they happen sometimes but never last for long. | 0:25:02 | 0:25:05 | |
Our universe - Hila Tacorian's here. | 0:25:14 | 0:25:16 | |
In a pocket universe. | 0:25:16 | 0:25:18 | |
You're a lantern, shining across the dimensions, guiding her home. | 0:25:18 | 0:25:23 | |
Back to the land of the living. | 0:25:23 | 0:25:25 | |
But what's she running from? | 0:25:28 | 0:25:30 | |
Well, that's the best bit. We don't know yet. Shall we see? | 0:25:30 | 0:25:33 | |
BUZZING | 0:25:33 | 0:25:35 | |
Oh. | 0:25:41 | 0:25:42 | |
What is that? | 0:25:43 | 0:25:44 | |
I don't know. | 0:25:46 | 0:25:47 | |
Still! Not to worry! | 0:25:49 | 0:25:51 | |
So, what do we do? | 0:25:51 | 0:25:53 | |
Not "we", you... | 0:25:53 | 0:25:54 | |
..you save Hila Tacorian because you're Emma Grayling. | 0:25:56 | 0:25:59 | |
You are the lantern - | 0:25:59 | 0:26:01 | |
the rest of us are just along for the ride, I'm afraid. | 0:26:01 | 0:26:04 | |
We need some sturdy rope and a blue crystal from Metebelis Three. | 0:26:05 | 0:26:09 | |
Plus, some Kendal Mint Cake. | 0:26:09 | 0:26:11 | |
Don't do it. | 0:26:25 | 0:26:26 | |
-I'm sorry? -Nobody asked her to risk her life. This woman. | 0:26:27 | 0:26:31 | |
She doesn't deserve... | 0:26:31 | 0:26:32 | |
Whoever she is - however brilliant, however brave, she's not you. | 0:26:34 | 0:26:37 | |
She's not worth risking a single hair on your head. Not to me! | 0:26:37 | 0:26:40 | |
Tell me what I'm thinking. | 0:26:46 | 0:26:47 | |
I can't... | 0:26:49 | 0:26:50 | |
..I don't have your gift. | 0:26:52 | 0:26:54 | |
You don't need it... | 0:26:54 | 0:26:55 | |
..just look at me and tell me. | 0:26:57 | 0:26:59 | |
There you are, you read my mind. | 0:27:08 | 0:27:10 | |
-Can't you just...y'know? -What? | 0:27:13 | 0:27:16 | |
Fly the TARDIS into the parallel universe? | 0:27:16 | 0:27:19 | |
Ah, it's not a parallel universe. It's a POCKET universe. | 0:27:19 | 0:27:23 | |
Plus, it is collapsing. | 0:27:23 | 0:27:25 | |
I mean, the TARDIS could get in there, all right, | 0:27:25 | 0:27:28 | |
but entropy would bleed her power sources, you see? | 0:27:28 | 0:27:31 | |
Trap her there until the entire universe decayed | 0:27:31 | 0:27:34 | |
back into the quantum foam. | 0:27:34 | 0:27:36 | |
Which would take about three minutes, give or take, you know. | 0:27:36 | 0:27:41 | |
ELECTRONIC BUZZING | 0:27:41 | 0:27:43 | |
-What is that? -A subset of the Eye of Harmony. | 0:27:46 | 0:27:50 | |
-I don't... -Of course you don't. | 0:27:50 | 0:27:51 | |
Be weird if you did, I barely do myself. Right, you, sit down. | 0:27:51 | 0:27:54 | |
All the way...from Metebelis Three. | 0:27:54 | 0:27:58 | |
What does it do? | 0:28:01 | 0:28:02 | |
It amplifies your natural abilities - like a microphone. | 0:28:02 | 0:28:06 | |
Or a pooper-scooper! | 0:28:06 | 0:28:07 | |
CLOCKS TICKING | 0:28:07 | 0:28:09 | |
What exactly is this arrangement? | 0:28:09 | 0:28:10 | |
A psychochronograph. | 0:28:10 | 0:28:12 | |
Forgive me, but isn't it all a bit, well...make-do and mend? | 0:28:12 | 0:28:16 | |
Non-psychic technology won't work where I'm going. | 0:28:16 | 0:28:18 | |
All I need to do is dive into another dimension, | 0:28:18 | 0:28:20 | |
find the traveller, help her escape the monster, | 0:28:20 | 0:28:22 | |
get home before the entire dimension collapses and Bob's your uncle. | 0:28:22 | 0:28:25 | |
Doctor? | 0:28:25 | 0:28:27 | |
Will it hurt? | 0:28:27 | 0:28:29 | |
No. | 0:28:29 | 0:28:31 | |
Well, yes. Probably. A bit. Well, quite a lot. | 0:28:31 | 0:28:34 | |
I don't know. It might be agony. | 0:28:34 | 0:28:35 | |
To be perfectly honest, I'll be interested to find out. | 0:28:35 | 0:28:38 | |
CLOCKS TICKING | 0:28:38 | 0:28:40 | |
THEY EXHALE | 0:28:46 | 0:28:48 | |
I'm talking to the lost soul that abides in this place. | 0:28:48 | 0:28:52 | |
I'm speaking to Hila Tacorian. | 0:28:57 | 0:29:00 | |
SHE BREATHES DEEPLY | 0:29:05 | 0:29:07 | |
ELECTRONIC WHIZZING | 0:29:10 | 0:29:12 | |
WHIRRING | 0:29:13 | 0:29:15 | |
GLASS SHATTERS | 0:29:16 | 0:29:18 | |
WIND GUSTS | 0:29:20 | 0:29:22 | |
See? The Witch of the Well! It's a wormhole! | 0:29:27 | 0:29:32 | |
A reality well! A door to the echo universe. Ready? | 0:29:32 | 0:29:37 | |
READY! | 0:29:37 | 0:29:39 | |
Geronimo. | 0:29:45 | 0:29:46 | |
Wah... | 0:29:46 | 0:29:48 | |
Whoa... | 0:29:51 | 0:29:53 | |
Doctor! | 0:29:55 | 0:29:57 | |
ROPE WHIZZES OUT | 0:29:57 | 0:29:59 | |
Whoa! | 0:29:59 | 0:30:00 | |
Hila! | 0:30:20 | 0:30:21 | |
Hila! | 0:30:22 | 0:30:24 | |
Hila Tacorian! | 0:30:24 | 0:30:26 | |
WHOOSHING | 0:30:28 | 0:30:30 | |
SCAMPERING | 0:30:35 | 0:30:36 | |
SCAMPERING | 0:30:43 | 0:30:45 | |
WHOOSHING AND SCAMPERING | 0:30:47 | 0:30:49 | |
One... | 0:30:50 | 0:30:52 | |
..two... | 0:30:53 | 0:30:54 | |
three! | 0:30:54 | 0:30:56 | |
'Help me! | 0:30:56 | 0:30:59 | |
'Help!' | 0:30:59 | 0:31:01 | |
Ah! Hila Tacorian, I presume. | 0:31:04 | 0:31:05 | |
Who are you? | 0:31:05 | 0:31:07 | |
Collapsing universe. You and me, dead, two minutes. | 0:31:07 | 0:31:09 | |
-No time, complete sentences - abandon planet! -Wait! | 0:31:09 | 0:31:13 | |
There's something in the mist. | 0:31:13 | 0:31:15 | |
Then run! Run! | 0:31:15 | 0:31:17 | |
WHOOSHING AND BUZZING | 0:31:18 | 0:31:20 | |
'Doctor, Doctor! | 0:31:24 | 0:31:28 | |
'Come home.' | 0:31:28 | 0:31:29 | |
SNARLING | 0:31:29 | 0:31:30 | |
'Doctor, come home!' | 0:31:30 | 0:31:32 | |
Not that way. Which means... | 0:31:36 | 0:31:37 | |
..probably... | 0:31:39 | 0:31:41 | |
-What's wrong? -You know that exit I mentioned? -Yes? | 0:31:41 | 0:31:43 | |
I seem to have misplaced it. | 0:31:43 | 0:31:45 | |
SCAMPERING | 0:31:45 | 0:31:46 | |
'Doctor!' | 0:31:55 | 0:31:56 | |
This way! | 0:31:56 | 0:31:58 | |
DOCTOR...come home! | 0:31:58 | 0:32:01 | |
-'Doctor, we're here!' -Whoa! -What's that? | 0:32:05 | 0:32:08 | |
An echo house, in an echo universe. | 0:32:08 | 0:32:10 | |
Clever psychic, that is just top-notch. | 0:32:10 | 0:32:14 | |
Doctor! | 0:32:17 | 0:32:18 | |
Doctor! | 0:32:23 | 0:32:24 | |
GROWLING AND SCRATCHING | 0:32:30 | 0:32:33 | |
It's looking for a way in. | 0:32:33 | 0:32:35 | |
THUDDING | 0:32:35 | 0:32:36 | |
DOOR BREAKS | 0:32:39 | 0:32:41 | |
I'm not strong enough! | 0:32:42 | 0:32:44 | |
Just a few more seconds! | 0:32:44 | 0:32:46 | |
SHE SCREAMS | 0:32:46 | 0:32:48 | |
Grab the rope, give it three tugs! Quick as you like! | 0:32:54 | 0:32:58 | |
INTERMITTENT BUZZING | 0:32:58 | 0:33:00 | |
-What about you? -I'll be next. | 0:33:00 | 0:33:02 | |
Ah! | 0:33:16 | 0:33:17 | |
THUDDING | 0:33:25 | 0:33:26 | |
Oh, that's what that noise was! Lovely. | 0:33:26 | 0:33:28 | |
SHE GASPS | 0:33:28 | 0:33:30 | |
No! | 0:33:33 | 0:33:34 | |
WHOOSHING | 0:33:54 | 0:33:56 | |
WHOOSHING | 0:33:57 | 0:33:58 | |
SNARLING | 0:33:59 | 0:34:00 | |
Oh, dear. | 0:34:05 | 0:34:07 | |
TARDIS CLOISTER BELL TOLLS | 0:34:07 | 0:34:10 | |
Oh...dear. | 0:34:10 | 0:34:11 | |
WHOOSHING | 0:34:13 | 0:34:14 | |
-Where are you? -WHOOSHING | 0:34:15 | 0:34:18 | |
BELL KEEPS TOLLING | 0:34:21 | 0:34:22 | |
Wake up! WAKE UP! Open the thing! | 0:34:22 | 0:34:26 | |
-I'm sorry. -Don't be sorry. Don't be. What you did... | 0:34:26 | 0:34:29 | |
-Wasn't enough, she needs to do it again. -She can't. | 0:34:29 | 0:34:31 | |
-Look at her. -She HAS to! | 0:34:31 | 0:34:33 | |
We can't leave him. | 0:34:38 | 0:34:39 | |
I know you feel that you can't do this, Emma, but... | 0:34:42 | 0:34:46 | |
look at that woman over there. You saved her. | 0:34:46 | 0:34:49 | |
She's only here because of your strength and so am I. | 0:34:49 | 0:34:52 | |
Oh, come ON! | 0:34:59 | 0:35:01 | |
Let me in, you grumpy old cow! | 0:35:01 | 0:35:03 | |
ELECTRIC BUZZING | 0:35:03 | 0:35:05 | |
Whoa! | 0:35:05 | 0:35:07 | |
I was as lost as her... | 0:35:07 | 0:35:09 | |
but being with you... | 0:35:09 | 0:35:12 | |
you give me a reason to be, Emma. | 0:35:12 | 0:35:15 | |
You brought me back from the dead. | 0:35:15 | 0:35:17 | |
-What's this now? -The TARDIS Voice Visual Interface. | 0:35:35 | 0:35:38 | |
I'm programmed to select the image of a person you esteem. | 0:35:38 | 0:35:41 | |
Of several billion such images in my databanks, | 0:35:41 | 0:35:43 | |
-this one best meets the criterion. -Oh, you are a cow. I knew it! | 0:35:43 | 0:35:47 | |
Whatever. You have to help the Doctor. | 0:35:47 | 0:35:49 | |
The Doctor is in the pocket universe. | 0:35:49 | 0:35:51 | |
You can enter the pocket universe. | 0:35:51 | 0:35:52 | |
The entropy would drain the energy from my heart. | 0:35:52 | 0:35:54 | |
In four seconds, I'd be stranded. In ten, I'd be dead. | 0:35:54 | 0:35:57 | |
You're talking but all I hear is, "Meh, meh, meh." | 0:35:57 | 0:36:00 | |
Come on, let's go! | 0:36:00 | 0:36:02 | |
Hey, hey, hey! | 0:36:02 | 0:36:04 | |
Doctor? | 0:36:05 | 0:36:06 | |
Can you hear me? | 0:36:09 | 0:36:12 | |
DOCTOR?! | 0:36:12 | 0:36:13 | |
Oh, come ON! | 0:36:16 | 0:36:17 | |
Doctor? Can you hear me? | 0:36:22 | 0:36:25 | |
Ah! Whoa! WAH! | 0:36:35 | 0:36:38 | |
Doctor... | 0:36:38 | 0:36:39 | |
'Doctor, we're here. Come home!' | 0:36:41 | 0:36:44 | |
Emma? | 0:36:44 | 0:36:46 | |
WHOOSHING AND SNARLING | 0:36:49 | 0:36:51 | |
What do you want? | 0:36:55 | 0:36:56 | |
To frighten me, I suppose, eh? | 0:36:58 | 0:37:01 | |
Because that's what you do. You hide... | 0:37:01 | 0:37:03 | |
EERIE LAUGHING | 0:37:03 | 0:37:05 | |
..you're the bogeyman under the bed. Seeking whom you may devour. | 0:37:05 | 0:37:09 | |
Ah! Ah. | 0:37:16 | 0:37:18 | |
WHOOSHING AND LAUGHING | 0:37:18 | 0:37:20 | |
You want me to be afraid? Then well done. | 0:37:22 | 0:37:26 | |
RATTLING | 0:37:26 | 0:37:28 | |
I am the Doctor...and I am afraid. | 0:37:28 | 0:37:32 | |
EERIE LAUGHTER | 0:37:32 | 0:37:34 | |
'Wah!' | 0:37:36 | 0:37:38 | |
Oh, oh! Whoa! | 0:37:39 | 0:37:42 | |
Doctor...hurry! | 0:37:42 | 0:37:48 | |
EERIE LAUGHTER | 0:37:50 | 0:37:52 | |
So why am I still here, huh? | 0:37:56 | 0:37:59 | |
Why not just...eat me? | 0:37:59 | 0:38:02 | |
Huh? | 0:38:03 | 0:38:04 | |
Come on. | 0:38:05 | 0:38:06 | |
Because you still need me! | 0:38:09 | 0:38:10 | |
SNARLING | 0:38:10 | 0:38:12 | |
Yeah, you need me to piggyback you across. | 0:38:12 | 0:38:14 | |
THE DOCTOR LAUGHS | 0:38:14 | 0:38:16 | |
WHOOSHING | 0:38:16 | 0:38:17 | |
To which I say... | 0:38:18 | 0:38:21 | |
..come on then, big boy... | 0:38:23 | 0:38:26 | |
chase me. | 0:38:26 | 0:38:27 | |
EERIE CALLING | 0:38:32 | 0:38:34 | |
Ah! | 0:38:37 | 0:38:39 | |
SNARLING | 0:38:39 | 0:38:41 | |
'Woo-hoo! Woo!' | 0:38:42 | 0:38:44 | |
Ha-ha! | 0:38:45 | 0:38:48 | |
Woo-hoo! | 0:38:48 | 0:38:49 | |
'Woo!' | 0:38:50 | 0:38:51 | |
SHE SCREAMS | 0:38:59 | 0:39:01 | |
SHE GASPS | 0:39:06 | 0:39:08 | |
Ah! Oh! | 0:39:14 | 0:39:15 | |
THE PROFESSOR LAUGHS | 0:39:20 | 0:39:22 | |
You wanted a word? | 0:39:36 | 0:39:38 | |
-Well, if that's... -That's fine. | 0:39:38 | 0:39:40 | |
You didn't come here for the ghost, did you? | 0:39:44 | 0:39:46 | |
-No. -You came here for me. | 0:39:46 | 0:39:48 | |
-Yes. -Why? | 0:39:48 | 0:39:50 | |
-I needed to ask you something. -Then ask. -Clara... | 0:39:50 | 0:39:53 | |
Yes? | 0:39:53 | 0:39:54 | |
-What is she? -She's a girl. | 0:39:58 | 0:40:00 | |
Yes, but what kind of girl? Specifically. | 0:40:00 | 0:40:02 | |
She's a perfectly ordinary girl. | 0:40:03 | 0:40:05 | |
-Very pretty... -Hm. -..very clever... -Hm. | 0:40:07 | 0:40:09 | |
..more scared than she let's on. | 0:40:11 | 0:40:13 | |
And that's it, is it? | 0:40:14 | 0:40:16 | |
Why? Is that not enough? | 0:40:16 | 0:40:18 | |
Where will you go? | 0:40:29 | 0:40:31 | |
He can't take me home. History says I went missing. | 0:40:31 | 0:40:34 | |
-He can change history? -No, no, no, I can't, actually. | 0:40:34 | 0:40:37 | |
-There are fixed points in time, you see... -Hi. -What? | 0:40:37 | 0:40:40 | |
I knew you were there... | 0:40:43 | 0:40:45 | |
I could feel you. | 0:40:45 | 0:40:47 | |
I know... | 0:40:47 | 0:40:48 | |
-Have we...? -We can't have. | 0:40:50 | 0:40:52 | |
You haven't even been born yet. | 0:40:52 | 0:40:54 | |
No, you can't have met but she can be your great, great, great, great, | 0:40:54 | 0:40:59 | |
great-granddaughter. | 0:40:59 | 0:41:01 | |
Yours too, of course! But you'd guessed that already, hadn't you? | 0:41:01 | 0:41:05 | |
Oh... | 0:41:07 | 0:41:08 | |
apparently not. | 0:41:08 | 0:41:10 | |
-The paradoxes... -Resolve themselves, by and large. | 0:41:10 | 0:41:12 | |
That's why the psychic link was so powerful - | 0:41:12 | 0:41:15 | |
blood calling to blood. | 0:41:15 | 0:41:18 | |
Out of time. Not everything ends, eh? | 0:41:18 | 0:41:20 | |
Not love. Not always. | 0:41:20 | 0:41:22 | |
Doctor, what about, what about...us? | 0:41:22 | 0:41:25 | |
Emma and me? | 0:41:25 | 0:41:27 | |
-What about you? -Well, what's supposed to happen? | 0:41:28 | 0:41:31 | |
I mean, what do we do now? | 0:41:31 | 0:41:33 | |
Hold hands... | 0:41:33 | 0:41:35 | |
that's what you're meant to do. Keep doing that and don't let go. | 0:41:35 | 0:41:39 | |
That's the secret. | 0:41:39 | 0:41:40 | |
'Doctor!' | 0:41:44 | 0:41:45 | |
'I'm not happy.' | 0:41:46 | 0:41:48 | |
Yeah, you need me to piggyback you across! | 0:41:48 | 0:41:50 | |
I'm not holding your hand. | 0:41:50 | 0:41:52 | |
I'm so...slow! | 0:41:53 | 0:41:55 | |
I am slow, I'm notorious for it, that's always been my problem, | 0:41:55 | 0:41:58 | |
-but I get there in the end. Oh, yes. -Doctor? -How do sharks make babies? | 0:41:58 | 0:42:02 | |
Carefully? | 0:42:02 | 0:42:04 | |
No, no, no - happily! | 0:42:04 | 0:42:05 | |
Sharks don't actually smile. They're just... | 0:42:05 | 0:42:08 | |
-Well, they've got lots and lots of teeth - they're quite eaty. -Exactly! | 0:42:08 | 0:42:11 | |
But birds do it, bees do it - even educated FLEAS do it. | 0:42:11 | 0:42:14 | |
Every lonely monster needs a companion. | 0:42:14 | 0:42:17 | |
There's two of them?! | 0:42:19 | 0:42:20 | |
It's the oldest story in the universe - this one, or any other. | 0:42:22 | 0:42:25 | |
Boy and girl fall in love, get separated by events - | 0:42:25 | 0:42:28 | |
war, politics, accidents in time. | 0:42:28 | 0:42:30 | |
She's thrown out of the HEX, or he's thrown into it. | 0:42:30 | 0:42:34 | |
Since then they've been yearning for each other across time and space - | 0:42:34 | 0:42:37 | |
across dimensions - this isn't a ghost story, | 0:42:37 | 0:42:41 | |
it's a...love story! | 0:42:41 | 0:42:43 | |
Sorry. | 0:42:46 | 0:42:47 | |
Excuse me! Excuse me! Sorry to interrupt the rest of your life. | 0:42:49 | 0:42:52 | |
So... | 0:42:52 | 0:42:53 | |
tiny favour to ask... | 0:42:53 | 0:42:55 | |
I'm sorry! I understand now! | 0:43:00 | 0:43:03 | |
-SNARLING -I can take you to her! | 0:43:03 | 0:43:07 | |
I can take you to a safe place far away from here! | 0:43:07 | 0:43:10 | |
You can be together! | 0:43:10 | 0:43:12 | |
WHOOSHING | 0:43:12 | 0:43:13 | |
Well, come on, then! She's WAITING! | 0:43:13 | 0:43:16 | |
SNARLING | 0:43:16 | 0:43:18 | |
Well, hello again, you old Romeo, you! | 0:43:25 | 0:43:30 | |
Now...here she comes. | 0:43:30 | 0:43:32 | |
'Ha-ha! Woo!' | 0:43:32 | 0:43:35 | |
Ah! | 0:43:35 | 0:43:38 | |
'Woo!' | 0:43:38 | 0:43:39 | |
Get ready to jump. | 0:43:39 | 0:43:41 | |
You're running away with a spaceman in a box, | 0:43:46 | 0:43:48 | |
anything could happen to you. | 0:43:48 | 0:43:51 | |
It's good salvage...I can smell it. | 0:43:51 | 0:43:53 | |
Clara, where is she? She's still on board. | 0:43:53 | 0:43:55 | |
If you help me get her out, you get the machine, | 0:43:55 | 0:43:58 | |
the salvage of a lifetime. | 0:43:58 | 0:44:00 | |
-Multiple life forms onboard the TARDIS. -What do you keep in here? | 0:44:00 | 0:44:03 | |
What are you, eh? A trick, a trap? | 0:44:03 | 0:44:05 | |
We do what we came for. Tear this ship apart. | 0:44:05 | 0:44:08 | |
If we're going to die here, you're going to tell me what they are. | 0:44:08 | 0:44:11 | |
I can't! | 0:44:11 | 0:44:13 | |
Where are we going? | 0:44:13 | 0:44:14 | |
The centre of the TARDIS. | 0:44:14 | 0:44:15 | |
Subtitles by Red Bee Media Ltd | 0:44:38 | 0:44:42 |