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-How are we looking?

-Oh...about ready, I think.

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Any thoughts on the, er, interference?

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Erm, a stray FM broadcast, possibly?

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But I've fitted some ferrite suppressors

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and some RF chokes. Just in case.

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Are you sure you want to go through with this?

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-I mean, the last time was very...

-But she's so lonely.

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Excellent, then.

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Excellent.

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Caliburn House, night four, November 25th, 1974.

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11.04pm.

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I'm talking to the spirit that inhabits this house.

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Are you there? Can you hear me?

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QUIET STATIC HISSING

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I'm speaking to the lost soul that abides in this place.

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STATIC AND ELECTRONIC REVERBERATIONS

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Come to me. Speak to me.

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Let me show you the way home.

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Oh, ah!

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-DISTORTED SCREAMING

-Let me show you the way home!

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SCREAMING

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Ah!

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Emma?

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She's so...

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So what?

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Dead.

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KNOCKING ON DOOR

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KNOCKING ON DOOR

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Boo!

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Hello, I'm looking for a ghost.

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And you are...?

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Ghostbusters!

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-I'm the Doctor.

-Doctor what?

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If you like. And this is Clara.

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Ah, but you are very different!

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You are Major Alec Palmer.

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Member of the Baker Street Irregulars,

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the Ministry of Ungentlemanly Warfare.

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Specialised in espionage,

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sabotage and reconnaissance behind enemy lines.

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You're a talented watercolourist, professor of psychology

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AND...ghost hunter!

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Total pleasure. Massive.

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Actually, you're wrong.

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Professor Palmer spent most of the war as a POW.

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Actually, that's a lie told by a very brave man

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involved in very secret operations.

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The kind of man who keeps a Victoria Cross in a box in the attic, eh?

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But you know that! Because you're Emma Grayling...

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-..the Professor's companion...

-Assistant.

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It's 1974 - you're the assistant and "non-objective equipment".

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-Meaning "psychic".

-Getting that. Bless you, though.

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Relax, Emma. He's Military Intelligence.

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-So what's all this in aid of?

-Health and safety!

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Yeah, the Ministry got wind of what's going on down here.

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Sent me to check that everything's in order.

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They don't have the right.

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Don't worry, Guv'nor, I'll be out of your hair in five minutes. Oh!

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Oh, look! Oh, lovely. The ACR 99821.

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Oh, bliss, nice action on the toggle switches.

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You know, I do love a toggle switch.

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Actually, I like the word "toggle".

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Nice noun. Excellent verb.

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Oi, don't mess with the settings.

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What's that?

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Gadget. Health and safety. Classified, I'm afraid.

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You know, while the back room boffins work out a few kinks.

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What's it telling you?

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It's telling me that you haven't been exposed

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to any life-threatening transmundane emanations.

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So...

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..where's the ghost?

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Show me the ghost.

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EERIE WHOOSHING

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It's ghost time.

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I won't have this stolen out from under me, do you understand?

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Erm, no, not really, sorry.

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I will not have my work stolen,

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then be fobbed off with a pat on the back and a letter from the Queen.

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Never again! This is my house, Doctor, and it belongs to me.

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-This is actually your house?

-It is.

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Sorry.

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You went to the bank and said,

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"You know that gigantic old haunted house on the moors?

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"The one the dossers are too scared to doss in?

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"The one the birds are too scared to fly over?"

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And then you said, "I'd like to buy it, please, with my money."

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Yes, I did, actually.

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That's incredibly brave. CREAKING

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Listen, Major, we just need to know what's going on here.

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-For the Ministry?

-You know I can't answer that.

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Very well...

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..follow me.

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So what's an empathic psychic?

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Sometimes I...sense feelings. The way a telepath can sense thoughts.

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Sometimes, though. Not always.

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The most compassionate people you'll ever meet, empathics.

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And the loneliest.

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I mean, exposing themselves to all those hidden feelings -

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all that guilt, pain and sorrow and...

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-Doctor?

-Yes?

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Shh.

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Would you, er, care to have a look?

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Caliburn House is over 400 years old

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but she's been here much longer...

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..the Caliburn Ghast.

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She's mentioned in local Saxon poetry and Parish folk tales.

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The Wraith of the Lady, the Maiden in the Dark...

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..the Witch of the Well.

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Is she real? As in, actually real?

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Oh, she's real.

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In the 17th century, a local clergyman saw her.

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He wrote that her presence was accompanied

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by a "dreadful knocking, as if the Devil himself demanded entry."

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During the war, American airmen stationed here

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left offerings of tinned Spam.

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The tins were found in 1965, bricked up in the servants' pantry,

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along with a number of handwritten notes,

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appeals to the Ghast...

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"For the love of God, stop screaming."

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EERIE SCREAMING

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She never changes.

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The angle's different, the framing,

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but she's always in exactly the same position. Why is that?

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We don't know.

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She's an objective phenomenon.

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But objective recording equipment can't detect her...

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Without the presence of a powerful psychic.

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Absolutely. Very well done.

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EERIE SCREAMING

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She knows I'm here...

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..I can feel her...

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..calling out to me.

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What's she saying?

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"Help me."

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"The Witch of the Well".

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So where's the well?

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A copy of the oldest plan that we could find,

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there is no well on the property. None that we could find, anyway.

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CLARA GASPS

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-THEY WHISPER:

-You coming?

-Where?

-To find the ghost.

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-Why would I want to do that?

-Because you want to, come on.

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Well, I dispute that assertion.

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-STILL WHISPERING:

-I'm giving you a face.

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Can you see me? Look at my face.

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Fine.

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Dare me.

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I dare you. No takesie-backsies.

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Ha-ha-ha-ha!

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The Music Room is the heart of the house.

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Say we actually find her. What do we say?

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We ask how she came to be...

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whatever she is.

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-Why?

-Because I don't know.

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And ignorance is...

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what's the opposite of bliss?

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-Carlisle.

-Yes! Yes, Carlisle. Ignorance is Carlisle.

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SCRAPING AND GROWLING

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Is he really from the Ministry?

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Er, I don't know.

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He's certainly got the right demeanour.

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Capricious...brilliant.

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Deceitful.

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Yes! Ha...he's a liar...

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..but, you know, that's often the way that it is...

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when someone's...seen a thing or two.

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Experience makes liars of us all.

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We lie about who we are...

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..about what we've done...

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And how we feel?

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Yes...always,

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..always that.

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You know, I have to...have to be getting on with things

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The, erm, the equipment and so forth.

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Of course.

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Ah, the Music Room. The heart of the house.

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Do you feel anything?

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No.

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Your pants are so on fire.

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JUDDERING BEEPS

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Do you feel like you're being watched?

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What does being watched feel like?

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Is it that funny tickly feeling on your neck?

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-That's the chap.

-Then, yes, a bit.

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Well, quite a big bit.

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CREAKING

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CREAKING AND SCRAPING

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I think she's here.

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Cold spot. Spooky.

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Cold...warm.

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Cold...warm...cold...warm...

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-cold...warm...cold.

-CREAKING

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Doctor?

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CREAKING

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-Doctor!

-What?

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I'm not happy.

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No.

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SCRAPING AND CREAKING

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Hey!

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THUDDING

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What was that?

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THUDDING

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Does it seem colder?

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HE COUGHS AND EXHALES

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She's coming.

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THUDDING

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OK, what is that?

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It's a very loud noise.

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It's a very loud, very angry noise.

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-But what's making it?!

-I don't know. Are you making it?

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THUDDING

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-Doctor?

-Yes?

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-I may be a teeny, tiny bit terrified.

-Yes?

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-But I'm still a grown-up.

-Mainly, yes, and...?

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There's no need to actually hold my hand.

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-Clara?

-Yes?

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I'm not holding your hand.

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THEY SCREAM

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-Has this happened before?

-Never!

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Camera! Camera!

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GLASS CRACKING

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EERIE DISTORTED SHOUTING

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Doctor?!

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EERIE SHOUTING

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'Help me!'

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THUDDING AND CREAKING

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Doctor.

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WHOOSHING

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Ugh!

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I'd rather have a nice cup of tea.

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Me too.

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Whisky's the eleventh most disgusting thing ever invented.

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I had a little peek at your records, back at the Ministry.

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You've certainly seen a thing or two in your time -

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disrupting U-Boat operations across the North Sea,

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sabotaging railway lines across Europe,

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Operation Gibbon, the one with the carrier pigeons - brilliant!

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I do love a carrier pigeon.

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I did my duty but then so did thousands of others -

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MILLIONS of others...

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..I was just lucky enough to come back.

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Yes, but how does that man, that war hero, end up here,

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in a lonely old house, looking for ghosts?

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Because I killed...

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and I caused to have killed...

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..I sent young men and women to their deaths...

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..but here I am, still alive, and...

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it does tend to haunt you. Living, after so much of...

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..the other thing.

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So, you and Professor Palmer, have you ever...y'know?

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No.

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Why not? You do know how he feels about you, don't you?

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You of all people?

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I don't know.

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People like me...sometimes, we get our signals mixed up.

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We think people are feeling the way we want them to feel...

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..you know, when they are special to us.

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When, really, there's nothing there.

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Oh, this is there.

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-How do you know?

-Because it's obvious.

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It sticks out like a...big chin.

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See, I was alone and unmarried and...

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I didn't mind dying. I mean, not for that cause.

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It was a very, very fine cause...

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defeating the enemy.

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And if you could contact them, what would you say?

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-Well, I'd very much like to thank them.

-Uh-huh.

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Ping!

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What do you think she is?

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-Not what I thought she'd be.

-What did you think she'd be?

-Fun.

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Can I borrow your camera?

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Ta.

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What about you...and the Doctor?

0:18:130:18:15

Oh, I don't think so.

0:18:150:18:17

-Good.

-Sorry?

0:18:180:18:20

Don't trust him...

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there's a sliver of ice in his heart.

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Clara! >

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SHE WHISPERS: I've got this weird feeling it's looking at me.

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It doesn't like me.

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The TARDIS is like a cat -

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a bit slow to trust but you'll get there in the end.

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KNOCKING ON DOOR

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Hey!

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WHIRRING

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You need a place to keep this.

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I've got one.

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Or I had one...

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I think I had one.

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Look around, see if you find it.

0:19:170:19:19

Did I have one?

0:19:190:19:21

Am I going mad?

0:19:210:19:22

No, not in here!

0:19:220:19:24

How do you expect her to like you?

0:19:240:19:27

She's SOAKING wet! It's a health and safety nightmare.

0:19:270:19:30

Sorry.

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METALLIC GURGLING

0:19:340:19:35

So...where we going?

0:19:350:19:38

Nowhere. We're staying right here.

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Right here, on this exact spot - if I can work out how to do it.

0:19:400:19:43

So, when are we going?

0:19:430:19:45

HE LAUGHS

0:19:450:19:47

Oh, that is good. That is top-notch.

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And the answer is...?

0:19:490:19:50

-We're going always.

-"We're going always."

0:19:500:19:53

-TOTALLY!

-That's not actually a sentence.

0:19:530:19:55

Well, it's got a verb in it. What do you think?

0:19:550:19:58

-Colour's a bit boisterous.

-I think it brings out my eyes.

0:19:590:20:02

Makes my eyes hurt.

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METALLIC THRUMMING

0:20:050:20:07

Did you see where he went?

0:20:110:20:13

I could hear an engine but I can't see any lights.

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BUZZING

0:20:220:20:24

Back off! Hot suit! Hot, hot, hot!

0:20:320:20:35

When are we?

0:20:350:20:36

About six billion years ago. It's a Tuesday, I think.

0:20:360:20:40

Back in a mo.

0:20:550:20:56

Are you all right?

0:20:580:20:59

Totally. Peachy keen.

0:21:000:21:01

OK, then. Well, don't press any buttons or pull any levers,

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or make any funny faces.

0:21:040:21:05

Actually, don't move. Stand completely still.

0:21:050:21:08

Don't breathe. Well, you can breathe...

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but shallow breaths.

0:21:110:21:13

WIND GUSTING

0:21:160:21:18

SHE SIGHS

0:21:300:21:32

DOOR CLOSING

0:21:340:21:36

What's wrong?

0:21:380:21:40

Did the TARDIS say something to you? Are you being mean?

0:21:400:21:43

No, it's not that.

0:21:430:21:45

Have we just watched the entire life cycle of the Earth? Birth to death?

0:21:450:21:49

Yes!

0:21:490:21:50

And you're OK with that?

0:21:500:21:51

Yes.

0:21:540:21:56

How can you be?

0:21:560:21:59

The TARDIS. She's...time.

0:21:590:22:02

We... Wibbly vortex and so on.

0:22:020:22:06

-That's not what I mean.

-OK...

0:22:060:22:09

some help? Context?

0:22:090:22:11

Cheat sheet?

0:22:110:22:12

-Something?

-I mean, one minute you're in 1974, looking for ghosts

0:22:140:22:18

but all you have to do is open your eyes

0:22:180:22:20

and talk to whoever's standing there.

0:22:200:22:22

To you, I haven't been born yet...

0:22:220:22:23

..and to you, I've been dead 100 billion years.

0:22:250:22:28

Is my body out there somewhere? In the ground?

0:22:300:22:33

Yes, I suppose it is.

0:22:350:22:37

But here we are, talking. So I am a ghost.

0:22:370:22:41

To you, I'm a ghost...

0:22:420:22:43

..we're all ghosts to you.

0:22:450:22:47

We must be nothing.

0:22:470:22:49

No...no...

0:22:500:22:53

you're not that.

0:22:530:22:55

Then what are we? What can we possibly be?

0:22:550:22:57

You are the only mystery worth solving.

0:23:040:23:08

METALLIC THRUMMING

0:23:170:23:19

What's wrong?

0:23:340:23:36

I just saw something I wish I hadn't.

0:23:370:23:40

What did you see?

0:23:400:23:41

That...everything ends.

0:23:430:23:45

No, not everything. Not love...

0:23:460:23:49

..not always.

0:23:510:23:52

Right! Done! That's it, gather round, gather round.

0:23:530:23:56

Roll up! Roll up!

0:23:560:23:57

BUZZING

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The Ghast of Caliburn House -

0:24:010:24:03

never changing, trapped in a moment of fear and torment

0:24:030:24:06

but what if she's not?

0:24:060:24:08

What if she's just trapped somewhere time runs more slowly

0:24:090:24:13

than it does here?

0:24:130:24:14

What if a second to her was 100,000 years to us?

0:24:140:24:17

And what if somebody has a magic box - a blue box, probably -

0:24:170:24:22

what if said somebody could take a snapshot of her,

0:24:220:24:24

say, every few million years?

0:24:240:24:26

She's not a ghost...

0:24:310:24:33

but she's definitely a lost soul.

0:24:330:24:35

Her name's Hila Tacorian.

0:24:350:24:38

She's a pioneer, a time traveller -

0:24:390:24:41

or at least she will be, in a few hundred years.

0:24:410:24:43

Time travel's not possible. The paradoxes...

0:24:430:24:45

Resolve themselves, by and large.

0:24:450:24:47

How long has she been alone?

0:24:470:24:49

Well, time travel's a funny old thing.

0:24:490:24:50

I mean, from her perspective, she crash landed...three minutes ago.

0:24:500:24:55

Crash landed? Where?

0:24:550:24:57

She's in a pocket universe...

0:24:580:25:01

a distorted echo of our own -

0:25:010:25:02

they happen sometimes but never last for long.

0:25:020:25:05

Our universe - Hila Tacorian's here.

0:25:140:25:16

In a pocket universe.

0:25:160:25:18

You're a lantern, shining across the dimensions, guiding her home.

0:25:180:25:23

Back to the land of the living.

0:25:230:25:25

But what's she running from?

0:25:280:25:30

Well, that's the best bit. We don't know yet. Shall we see?

0:25:300:25:33

BUZZING

0:25:330:25:35

Oh.

0:25:410:25:42

What is that?

0:25:430:25:44

I don't know.

0:25:460:25:47

Still! Not to worry!

0:25:490:25:51

So, what do we do?

0:25:510:25:53

Not "we", you...

0:25:530:25:54

..you save Hila Tacorian because you're Emma Grayling.

0:25:560:25:59

You are the lantern -

0:25:590:26:01

the rest of us are just along for the ride, I'm afraid.

0:26:010:26:04

We need some sturdy rope and a blue crystal from Metebelis Three.

0:26:050:26:09

Plus, some Kendal Mint Cake.

0:26:090:26:11

Don't do it.

0:26:250:26:26

-I'm sorry?

-Nobody asked her to risk her life. This woman.

0:26:270:26:31

She doesn't deserve...

0:26:310:26:32

Whoever she is - however brilliant, however brave, she's not you.

0:26:340:26:37

She's not worth risking a single hair on your head. Not to me!

0:26:370:26:40

Tell me what I'm thinking.

0:26:460:26:47

I can't...

0:26:490:26:50

..I don't have your gift.

0:26:520:26:54

You don't need it...

0:26:540:26:55

..just look at me and tell me.

0:26:570:26:59

There you are, you read my mind.

0:27:080:27:10

-Can't you just...y'know?

-What?

0:27:130:27:16

Fly the TARDIS into the parallel universe?

0:27:160:27:19

Ah, it's not a parallel universe. It's a POCKET universe.

0:27:190:27:23

Plus, it is collapsing.

0:27:230:27:25

I mean, the TARDIS could get in there, all right,

0:27:250:27:28

but entropy would bleed her power sources, you see?

0:27:280:27:31

Trap her there until the entire universe decayed

0:27:310:27:34

back into the quantum foam.

0:27:340:27:36

Which would take about three minutes, give or take, you know.

0:27:360:27:41

ELECTRONIC BUZZING

0:27:410:27:43

-What is that?

-A subset of the Eye of Harmony.

0:27:460:27:50

-I don't...

-Of course you don't.

0:27:500:27:51

Be weird if you did, I barely do myself. Right, you, sit down.

0:27:510:27:54

All the way...from Metebelis Three.

0:27:540:27:58

What does it do?

0:28:010:28:02

It amplifies your natural abilities - like a microphone.

0:28:020:28:06

Or a pooper-scooper!

0:28:060:28:07

CLOCKS TICKING

0:28:070:28:09

What exactly is this arrangement?

0:28:090:28:10

A psychochronograph.

0:28:100:28:12

Forgive me, but isn't it all a bit, well...make-do and mend?

0:28:120:28:16

Non-psychic technology won't work where I'm going.

0:28:160:28:18

All I need to do is dive into another dimension,

0:28:180:28:20

find the traveller, help her escape the monster,

0:28:200:28:22

get home before the entire dimension collapses and Bob's your uncle.

0:28:220:28:25

Doctor?

0:28:250:28:27

Will it hurt?

0:28:270:28:29

No.

0:28:290:28:31

Well, yes. Probably. A bit. Well, quite a lot.

0:28:310:28:34

I don't know. It might be agony.

0:28:340:28:35

To be perfectly honest, I'll be interested to find out.

0:28:350:28:38

CLOCKS TICKING

0:28:380:28:40

THEY EXHALE

0:28:460:28:48

I'm talking to the lost soul that abides in this place.

0:28:480:28:52

I'm speaking to Hila Tacorian.

0:28:570:29:00

SHE BREATHES DEEPLY

0:29:050:29:07

ELECTRONIC WHIZZING

0:29:100:29:12

WHIRRING

0:29:130:29:15

GLASS SHATTERS

0:29:160:29:18

WIND GUSTS

0:29:200:29:22

See? The Witch of the Well! It's a wormhole!

0:29:270:29:32

A reality well! A door to the echo universe. Ready?

0:29:320:29:37

READY!

0:29:370:29:39

Geronimo.

0:29:450:29:46

Wah...

0:29:460:29:48

Whoa...

0:29:510:29:53

Doctor!

0:29:550:29:57

ROPE WHIZZES OUT

0:29:570:29:59

Whoa!

0:29:590:30:00

Hila!

0:30:200:30:21

Hila!

0:30:220:30:24

Hila Tacorian!

0:30:240:30:26

WHOOSHING

0:30:280:30:30

SCAMPERING

0:30:350:30:36

SCAMPERING

0:30:430:30:45

WHOOSHING AND SCAMPERING

0:30:470:30:49

One...

0:30:500:30:52

..two...

0:30:530:30:54

three!

0:30:540:30:56

'Help me!

0:30:560:30:59

'Help!'

0:30:590:31:01

Ah! Hila Tacorian, I presume.

0:31:040:31:05

Who are you?

0:31:050:31:07

Collapsing universe. You and me, dead, two minutes.

0:31:070:31:09

-No time, complete sentences - abandon planet!

-Wait!

0:31:090:31:13

There's something in the mist.

0:31:130:31:15

Then run! Run!

0:31:150:31:17

WHOOSHING AND BUZZING

0:31:180:31:20

'Doctor, Doctor!

0:31:240:31:28

'Come home.'

0:31:280:31:29

SNARLING

0:31:290:31:30

'Doctor, come home!'

0:31:300:31:32

Not that way. Which means...

0:31:360:31:37

..probably...

0:31:390:31:41

-What's wrong?

-You know that exit I mentioned?

-Yes?

0:31:410:31:43

I seem to have misplaced it.

0:31:430:31:45

SCAMPERING

0:31:450:31:46

'Doctor!'

0:31:550:31:56

This way!

0:31:560:31:58

DOCTOR...come home!

0:31:580:32:01

-'Doctor, we're here!'

-Whoa!

-What's that?

0:32:050:32:08

An echo house, in an echo universe.

0:32:080:32:10

Clever psychic, that is just top-notch.

0:32:100:32:14

Doctor!

0:32:170:32:18

Doctor!

0:32:230:32:24

GROWLING AND SCRATCHING

0:32:300:32:33

It's looking for a way in.

0:32:330:32:35

THUDDING

0:32:350:32:36

DOOR BREAKS

0:32:390:32:41

I'm not strong enough!

0:32:420:32:44

Just a few more seconds!

0:32:440:32:46

SHE SCREAMS

0:32:460:32:48

Grab the rope, give it three tugs! Quick as you like!

0:32:540:32:58

INTERMITTENT BUZZING

0:32:580:33:00

-What about you?

-I'll be next.

0:33:000:33:02

Ah!

0:33:160:33:17

THUDDING

0:33:250:33:26

Oh, that's what that noise was! Lovely.

0:33:260:33:28

SHE GASPS

0:33:280:33:30

No!

0:33:330:33:34

WHOOSHING

0:33:540:33:56

WHOOSHING

0:33:570:33:58

SNARLING

0:33:590:34:00

Oh, dear.

0:34:050:34:07

TARDIS CLOISTER BELL TOLLS

0:34:070:34:10

Oh...dear.

0:34:100:34:11

WHOOSHING

0:34:130:34:14

-Where are you?

-WHOOSHING

0:34:150:34:18

BELL KEEPS TOLLING

0:34:210:34:22

Wake up! WAKE UP! Open the thing!

0:34:220:34:26

-I'm sorry.

-Don't be sorry. Don't be. What you did...

0:34:260:34:29

-Wasn't enough, she needs to do it again.

-She can't.

0:34:290:34:31

-Look at her.

-She HAS to!

0:34:310:34:33

We can't leave him.

0:34:380:34:39

I know you feel that you can't do this, Emma, but...

0:34:420:34:46

look at that woman over there. You saved her.

0:34:460:34:49

She's only here because of your strength and so am I.

0:34:490:34:52

Oh, come ON!

0:34:590:35:01

Let me in, you grumpy old cow!

0:35:010:35:03

ELECTRIC BUZZING

0:35:030:35:05

Whoa!

0:35:050:35:07

I was as lost as her...

0:35:070:35:09

but being with you...

0:35:090:35:12

you give me a reason to be, Emma.

0:35:120:35:15

You brought me back from the dead.

0:35:150:35:17

-What's this now?

-The TARDIS Voice Visual Interface.

0:35:350:35:38

I'm programmed to select the image of a person you esteem.

0:35:380:35:41

Of several billion such images in my databanks,

0:35:410:35:43

-this one best meets the criterion.

-Oh, you are a cow. I knew it!

0:35:430:35:47

Whatever. You have to help the Doctor.

0:35:470:35:49

The Doctor is in the pocket universe.

0:35:490:35:51

You can enter the pocket universe.

0:35:510:35:52

The entropy would drain the energy from my heart.

0:35:520:35:54

In four seconds, I'd be stranded. In ten, I'd be dead.

0:35:540:35:57

You're talking but all I hear is, "Meh, meh, meh."

0:35:570:36:00

Come on, let's go!

0:36:000:36:02

Hey, hey, hey!

0:36:020:36:04

Doctor?

0:36:050:36:06

Can you hear me?

0:36:090:36:12

DOCTOR?!

0:36:120:36:13

Oh, come ON!

0:36:160:36:17

Doctor? Can you hear me?

0:36:220:36:25

Ah! Whoa! WAH!

0:36:350:36:38

Doctor...

0:36:380:36:39

'Doctor, we're here. Come home!'

0:36:410:36:44

Emma?

0:36:440:36:46

WHOOSHING AND SNARLING

0:36:490:36:51

What do you want?

0:36:550:36:56

To frighten me, I suppose, eh?

0:36:580:37:01

Because that's what you do. You hide...

0:37:010:37:03

EERIE LAUGHING

0:37:030:37:05

..you're the bogeyman under the bed. Seeking whom you may devour.

0:37:050:37:09

Ah! Ah.

0:37:160:37:18

WHOOSHING AND LAUGHING

0:37:180:37:20

You want me to be afraid? Then well done.

0:37:220:37:26

RATTLING

0:37:260:37:28

I am the Doctor...and I am afraid.

0:37:280:37:32

EERIE LAUGHTER

0:37:320:37:34

'Wah!'

0:37:360:37:38

Oh, oh! Whoa!

0:37:390:37:42

Doctor...hurry!

0:37:420:37:48

EERIE LAUGHTER

0:37:500:37:52

So why am I still here, huh?

0:37:560:37:59

Why not just...eat me?

0:37:590:38:02

Huh?

0:38:030:38:04

Come on.

0:38:050:38:06

Because you still need me!

0:38:090:38:10

SNARLING

0:38:100:38:12

Yeah, you need me to piggyback you across.

0:38:120:38:14

THE DOCTOR LAUGHS

0:38:140:38:16

WHOOSHING

0:38:160:38:17

To which I say...

0:38:180:38:21

..come on then, big boy...

0:38:230:38:26

chase me.

0:38:260:38:27

EERIE CALLING

0:38:320:38:34

Ah!

0:38:370:38:39

SNARLING

0:38:390:38:41

'Woo-hoo! Woo!'

0:38:420:38:44

Ha-ha!

0:38:450:38:48

Woo-hoo!

0:38:480:38:49

'Woo!'

0:38:500:38:51

SHE SCREAMS

0:38:590:39:01

SHE GASPS

0:39:060:39:08

Ah! Oh!

0:39:140:39:15

THE PROFESSOR LAUGHS

0:39:200:39:22

You wanted a word?

0:39:360:39:38

-Well, if that's...

-That's fine.

0:39:380:39:40

You didn't come here for the ghost, did you?

0:39:440:39:46

-No.

-You came here for me.

0:39:460:39:48

-Yes.

-Why?

0:39:480:39:50

-I needed to ask you something.

-Then ask.

-Clara...

0:39:500:39:53

Yes?

0:39:530:39:54

-What is she?

-She's a girl.

0:39:580:40:00

Yes, but what kind of girl? Specifically.

0:40:000:40:02

She's a perfectly ordinary girl.

0:40:030:40:05

-Very pretty...

-Hm.

-..very clever...

-Hm.

0:40:070:40:09

..more scared than she let's on.

0:40:110:40:13

And that's it, is it?

0:40:140:40:16

Why? Is that not enough?

0:40:160:40:18

Where will you go?

0:40:290:40:31

He can't take me home. History says I went missing.

0:40:310:40:34

-He can change history?

-No, no, no, I can't, actually.

0:40:340:40:37

-There are fixed points in time, you see...

-Hi.

-What?

0:40:370:40:40

I knew you were there...

0:40:430:40:45

I could feel you.

0:40:450:40:47

I know...

0:40:470:40:48

-Have we...?

-We can't have.

0:40:500:40:52

You haven't even been born yet.

0:40:520:40:54

No, you can't have met but she can be your great, great, great, great,

0:40:540:40:59

great-granddaughter.

0:40:590:41:01

Yours too, of course! But you'd guessed that already, hadn't you?

0:41:010:41:05

Oh...

0:41:070:41:08

apparently not.

0:41:080:41:10

-The paradoxes...

-Resolve themselves, by and large.

0:41:100:41:12

That's why the psychic link was so powerful -

0:41:120:41:15

blood calling to blood.

0:41:150:41:18

Out of time. Not everything ends, eh?

0:41:180:41:20

Not love. Not always.

0:41:200:41:22

Doctor, what about, what about...us?

0:41:220:41:25

Emma and me?

0:41:250:41:27

-What about you?

-Well, what's supposed to happen?

0:41:280:41:31

I mean, what do we do now?

0:41:310:41:33

Hold hands...

0:41:330:41:35

that's what you're meant to do. Keep doing that and don't let go.

0:41:350:41:39

That's the secret.

0:41:390:41:40

'Doctor!'

0:41:440:41:45

'I'm not happy.'

0:41:460:41:48

Yeah, you need me to piggyback you across!

0:41:480:41:50

I'm not holding your hand.

0:41:500:41:52

I'm so...slow!

0:41:530:41:55

I am slow, I'm notorious for it, that's always been my problem,

0:41:550:41:58

-but I get there in the end. Oh, yes.

-Doctor?

-How do sharks make babies?

0:41:580:42:02

Carefully?

0:42:020:42:04

No, no, no - happily!

0:42:040:42:05

Sharks don't actually smile. They're just...

0:42:050:42:08

-Well, they've got lots and lots of teeth - they're quite eaty.

-Exactly!

0:42:080:42:11

But birds do it, bees do it - even educated FLEAS do it.

0:42:110:42:14

Every lonely monster needs a companion.

0:42:140:42:17

There's two of them?!

0:42:190:42:20

It's the oldest story in the universe - this one, or any other.

0:42:220:42:25

Boy and girl fall in love, get separated by events -

0:42:250:42:28

war, politics, accidents in time.

0:42:280:42:30

She's thrown out of the HEX, or he's thrown into it.

0:42:300:42:34

Since then they've been yearning for each other across time and space -

0:42:340:42:37

across dimensions - this isn't a ghost story,

0:42:370:42:41

it's a...love story!

0:42:410:42:43

Sorry.

0:42:460:42:47

Excuse me! Excuse me! Sorry to interrupt the rest of your life.

0:42:490:42:52

So...

0:42:520:42:53

tiny favour to ask...

0:42:530:42:55

I'm sorry! I understand now!

0:43:000:43:03

-SNARLING

-I can take you to her!

0:43:030:43:07

I can take you to a safe place far away from here!

0:43:070:43:10

You can be together!

0:43:100:43:12

WHOOSHING

0:43:120:43:13

Well, come on, then! She's WAITING!

0:43:130:43:16

SNARLING

0:43:160:43:18

Well, hello again, you old Romeo, you!

0:43:250:43:30

Now...here she comes.

0:43:300:43:32

'Ha-ha! Woo!'

0:43:320:43:35

Ah!

0:43:350:43:38

'Woo!'

0:43:380:43:39

Get ready to jump.

0:43:390:43:41

You're running away with a spaceman in a box,

0:43:460:43:48

anything could happen to you.

0:43:480:43:51

It's good salvage...I can smell it.

0:43:510:43:53

Clara, where is she? She's still on board.

0:43:530:43:55

If you help me get her out, you get the machine,

0:43:550:43:58

the salvage of a lifetime.

0:43:580:44:00

-Multiple life forms onboard the TARDIS.

-What do you keep in here?

0:44:000:44:03

What are you, eh? A trick, a trap?

0:44:030:44:05

We do what we came for. Tear this ship apart.

0:44:050:44:08

If we're going to die here, you're going to tell me what they are.

0:44:080:44:11

I can't!

0:44:110:44:13

Where are we going?

0:44:130:44:14

The centre of the TARDIS.

0:44:140:44:15

Subtitles by Red Bee Media Ltd

0:44:380:44:42

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