Browse content similar to Journey to the Centre of the TARDIS. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
'Incoming salvage, please validate. | 0:00:36 | 0:00:39 | |
'Incoming salvage, please validate. Incoming salvage, please validate. | 0:00:39 | 0:00:46 | |
'Incoming salvage, please validate.' | 0:00:46 | 0:00:49 | |
Rusty garbage. It's not worth lacing up my boots. | 0:00:49 | 0:00:53 | |
Wasting our time. There's no salvage this far out. | 0:00:53 | 0:00:56 | |
You're a lucky boy, Tricky. | 0:00:56 | 0:00:58 | |
You're an android - you don't get bored. | 0:00:58 | 0:01:00 | |
He won't turn back. Not with half a cargo. | 0:01:02 | 0:01:04 | |
He's not captain. We're equal partners. | 0:01:04 | 0:01:07 | |
Yeah, right. | 0:01:07 | 0:01:09 | |
-You said... -I know what I said. I was the one who said it. | 0:01:12 | 0:01:15 | |
You said it was looking at you funny. | 0:01:15 | 0:01:17 | |
I was tired. Overwrought. I didn't mean it. It's an appliance. | 0:01:17 | 0:01:20 | |
It does a job. | 0:01:20 | 0:01:21 | |
It's a pretty cool appliance. We're not talking cheese grater here! | 0:01:21 | 0:01:24 | |
You're not getting me to talk to your ship. That's properly bonkers. | 0:01:24 | 0:01:27 | |
-It's OK, it's OK. -You're like one of those guys | 0:01:27 | 0:01:29 | |
who can't go out with a girl unless his mother approves. | 0:01:29 | 0:01:32 | |
It's important to me you get along. I could leave you alone together. | 0:01:32 | 0:01:35 | |
-Now you're creeping me out. -Take the wheel...not the wheel. | 0:01:35 | 0:01:38 | |
I'll make it easy - shut it down to basic mode for you. | 0:01:38 | 0:01:40 | |
Basic! Cos I'm a girl? | 0:01:40 | 0:01:43 | |
No. | 0:01:43 | 0:01:44 | |
Everyone suit up. It's good salvage. | 0:01:49 | 0:01:52 | |
I can smell it. | 0:01:52 | 0:01:53 | |
It's just trash. | 0:01:53 | 0:01:54 | |
No, look. | 0:01:54 | 0:01:55 | |
There's something tasty in the magno-field. | 0:01:55 | 0:01:59 | |
Magno-grab ready. Engaging.' | 0:02:01 | 0:02:04 | |
ROCK MUSIC PLAYS | 0:02:04 | 0:02:07 | |
Move yourself. | 0:02:10 | 0:02:11 | |
What have I done? | 0:02:28 | 0:02:30 | |
Er...OK. | 0:02:33 | 0:02:35 | |
Doctor? | 0:02:43 | 0:02:44 | |
All the electrical impulses are jammed. | 0:02:46 | 0:02:48 | |
I can't get the shields back up. | 0:02:48 | 0:02:51 | |
She's completely vulnerable. | 0:02:51 | 0:02:53 | |
I swear I just touched it. | 0:02:53 | 0:02:55 | |
Magnetic hobble-field. We're flying right into it. | 0:02:57 | 0:03:00 | |
Clara, stay by me! | 0:03:01 | 0:03:04 | |
Please tell me there's a button you can press to fix this. | 0:03:04 | 0:03:07 | |
Oh, yes. Big friendly button. | 0:03:07 | 0:03:08 | |
You're lying. | 0:03:08 | 0:03:10 | |
-Yep. -To stop me freaking out? | 0:03:10 | 0:03:11 | |
-Is it working? -Not so much. | 0:03:11 | 0:03:14 | |
What is it, some kind of escape pod? | 0:04:08 | 0:04:11 | |
Come on. | 0:04:11 | 0:04:12 | |
Crack it open. | 0:04:21 | 0:04:22 | |
It's doing nothing. | 0:04:43 | 0:04:44 | |
Use the thermo-charge and blast it. | 0:04:44 | 0:04:46 | |
No! No! No! Wait... | 0:04:46 | 0:04:49 | |
It's like she's alive. She's... she's suffering. I can feel it. | 0:04:49 | 0:04:55 | |
-I can feel it. -That's just robot-rant. | 0:04:55 | 0:04:58 | |
No, Gregor, he's right. Looks like there's a broken fuel line. | 0:04:58 | 0:05:01 | |
All right. All right, put it back. No salvage today, boys. | 0:05:01 | 0:05:04 | |
Open the bay doors. | 0:05:04 | 0:05:05 | |
Wait! | 0:05:05 | 0:05:06 | |
Somebody's under that thing. | 0:05:13 | 0:05:15 | |
The crew were still on board when we dragged her in. | 0:05:15 | 0:05:17 | |
We did nothing. If anyone asks, that ship was already busted. | 0:05:17 | 0:05:21 | |
You got that? (And you, make sure you keep your oily-mouth shut.) | 0:05:21 | 0:05:24 | |
It's rude to whisper. | 0:05:24 | 0:05:25 | |
Hi. I'm the Doctor. And you are..? | 0:05:26 | 0:05:30 | |
Van Baalen and...Van Baalen. | 0:05:31 | 0:05:35 | |
Van Baalen and Van Baalen. That's going to get confusing later. | 0:05:36 | 0:05:41 | |
We found you drifting. | 0:05:41 | 0:05:42 | |
Your ship was junked-up pretty bad. | 0:05:42 | 0:05:45 | |
What broke my ship was a magno-grab. | 0:05:45 | 0:05:49 | |
Found this remote in your pocket. Eh? What are the chances? | 0:05:49 | 0:05:52 | |
Outlawed in most galaxies. | 0:05:52 | 0:05:54 | |
This little beastie can disable whole vessels | 0:05:54 | 0:05:57 | |
unless you have shield oscillators, | 0:05:57 | 0:06:00 | |
which I turned off so that Clara could fly... | 0:06:00 | 0:06:05 | |
Damn it! | 0:06:05 | 0:06:07 | |
Clara! | 0:06:07 | 0:06:09 | |
Where is she? Girl. | 0:06:09 | 0:06:12 | |
About so high. Feisty. | 0:06:12 | 0:06:15 | |
She's still on board! | 0:06:18 | 0:06:20 | |
No, wait, your pod is leaking fuel. | 0:06:20 | 0:06:22 | |
If she's still in there, she's dead. | 0:06:22 | 0:06:25 | |
Ah. Respirators. | 0:06:30 | 0:06:32 | |
We can open the doors for a split second, reach in and grab her. | 0:06:32 | 0:06:35 | |
Trust me, we can't. Now, please, help me get her out. | 0:06:35 | 0:06:37 | |
-I'm telling you, she fried... -Shut it, tin-mouth! | 0:06:37 | 0:06:41 | |
What sort of fee are we talking? | 0:06:41 | 0:06:43 | |
If you help me get her out, you get the machine, all the scrap, eh? | 0:06:43 | 0:06:47 | |
It's not worth the risk. Four feet of metal? Nah. | 0:06:47 | 0:06:50 | |
What if I can guarantee you the best haul you've ever had? | 0:06:50 | 0:06:52 | |
Bram, open the bay doors. | 0:06:52 | 0:06:54 | |
No, no, please, stop! | 0:06:54 | 0:06:55 | |
Listen, listen. Right behind those doors is the salvage of a lifetime. | 0:06:55 | 0:07:01 | |
TARDIS CLOISTER BELL TOLLS | 0:07:06 | 0:07:08 | |
Doctor? | 0:07:17 | 0:07:18 | |
CLANGING | 0:07:25 | 0:07:27 | |
Doctor? | 0:07:29 | 0:07:30 | |
Red flashing light... means something bad. | 0:07:57 | 0:08:01 | |
Get out of here fast? | 0:08:03 | 0:08:04 | |
Or possibly, whatever you do, don't open this door. | 0:08:04 | 0:08:07 | |
Bad decision. | 0:08:14 | 0:08:15 | |
Hey, are we really going to risk it? That thing is spewing poison. | 0:08:43 | 0:08:47 | |
We should blow it back into space. | 0:08:47 | 0:08:48 | |
Get your gear. | 0:08:48 | 0:08:50 | |
Hey! I don't take orders from my kid brother. | 0:08:50 | 0:08:53 | |
Don't try and form sentences, all right? | 0:08:53 | 0:08:55 | |
Stick to what you do best. | 0:08:55 | 0:08:56 | |
Tell me, since when does an android need a blast suit and a respirator? | 0:09:01 | 0:09:05 | |
Flesh coating, same as us. He'd burn up. | 0:09:05 | 0:09:07 | |
No fear, no hate, no pain. | 0:09:08 | 0:09:11 | |
"Salvage of a lifetime?" | 0:09:21 | 0:09:22 | |
I feel pretty confident I can deliver on that. There we go. | 0:09:22 | 0:09:26 | |
I don't get it. I thought she was lying on her side. | 0:09:31 | 0:09:34 | |
The TARDIS is special. She has her own gravity. | 0:09:34 | 0:09:37 | |
I'd explain if I had some charts and a board pen. | 0:09:37 | 0:09:39 | |
It's...it's bigger... | 0:09:39 | 0:09:42 | |
On the inside. Do you know, I get that a lot. | 0:09:42 | 0:09:45 | |
Whoa. Awesome! | 0:09:47 | 0:09:48 | |
Well put. Whoa and awesome. | 0:09:48 | 0:09:50 | |
Safe to breathe. | 0:09:54 | 0:09:55 | |
OK. Now. The last thing I remember, you were right here. | 0:09:56 | 0:10:01 | |
Come on, Clara, talk to me. | 0:10:02 | 0:10:06 | |
How big is this baby? | 0:10:06 | 0:10:07 | |
Picture the biggest ship you've ever seen. Are you picturing it? | 0:10:07 | 0:10:11 | |
-Yeah. -Good. Now forget it. This ship is infinite. | 0:10:11 | 0:10:14 | |
It could take you hours to find the girl. | 0:10:14 | 0:10:16 | |
Days! Plus the whole place is toxic. | 0:10:16 | 0:10:18 | |
She could be dead by the time I reach her. | 0:10:18 | 0:10:19 | |
So. Here's the mission. We're going to find her in one hour. | 0:10:19 | 0:10:22 | |
-We? -You're my guys for this. | 0:10:22 | 0:10:24 | |
-That wasn't the deal. -'Tis now. | 0:10:24 | 0:10:26 | |
What makes you think we'll help? | 0:10:26 | 0:10:28 | |
I just activated the TARDIS self-destruct system. | 0:10:28 | 0:10:33 | |
One hour until this ship blows. | 0:10:33 | 0:10:36 | |
Don't try to leave. The TARDIS is in lockdown. | 0:10:36 | 0:10:39 | |
I'll open those doors when Clara's by my side. | 0:10:39 | 0:10:41 | |
You crazy lunatic. | 0:10:41 | 0:10:42 | |
My ship - my rules. | 0:10:42 | 0:10:44 | |
You'll kill us all. And the girl. | 0:10:44 | 0:10:46 | |
She's going to die if you don't help me. | 0:10:46 | 0:10:48 | |
Don't get into a spaceship with a madman. | 0:10:48 | 0:10:50 | |
Didn't anyone ever teach you that? | 0:10:50 | 0:10:52 | |
OK. A little gentle persuasion. Say 30 minutes. | 0:10:52 | 0:10:57 | |
She'll die even quicker now! | 0:10:59 | 0:11:00 | |
We all perform better under pressure. | 0:11:00 | 0:11:03 | |
Anybody want to go for 15 minutes? | 0:11:03 | 0:11:04 | |
Whoa! Whoa! | 0:11:04 | 0:11:07 | |
It's your own time you're wasting. | 0:11:07 | 0:11:10 | |
Salvage of a lifetime. You meant the ship. I meant Clara. | 0:11:10 | 0:11:16 | |
GROWLING | 0:11:54 | 0:11:55 | |
Oh! | 0:11:55 | 0:11:56 | |
Report. What's on board this thing? | 0:12:03 | 0:12:06 | |
'Dynomorphic generators, conceptual geometer, beam synthesiser, | 0:12:06 | 0:12:10 | |
'orthogonal engine filters.' | 0:12:10 | 0:12:13 | |
Guys, guys, look. I think we should split up. | 0:12:16 | 0:12:20 | |
It's our best chance of finding the girl. You know it is. | 0:12:20 | 0:12:23 | |
Don't touch a thing. The TARDIS will get huffy if you mess. | 0:12:25 | 0:12:29 | |
Keep in radio contact, all right? | 0:12:29 | 0:12:31 | |
Get back to the console. Strip it apart. | 0:12:33 | 0:12:35 | |
All right? | 0:12:35 | 0:12:37 | |
GROWLING | 0:12:49 | 0:12:50 | |
GROWLING | 0:12:54 | 0:12:55 | |
GROWLING CONTINUES | 0:13:02 | 0:13:04 | |
Now that's just showing off. | 0:13:20 | 0:13:22 | |
ECHOEY SPEECH: I made up the name TARDIS from the initials. | 0:13:47 | 0:13:50 | |
Time and Relative Dimension In Space. | 0:13:50 | 0:13:52 | |
-The TARDIS is dimensionally transcendental. -What does that mean? | 0:13:52 | 0:13:55 | |
That's trans-dimensional engineering. | 0:13:55 | 0:13:57 | |
A key Time Lord discovery. | 0:13:57 | 0:13:58 | |
The assembled hordes of Genghis Khan couldn't get through that door. | 0:13:58 | 0:14:02 | |
Believe me, they've tried. | 0:14:02 | 0:14:03 | |
We are in space! | 0:14:03 | 0:14:06 | |
It can move anywhere in time and space? | 0:14:08 | 0:14:10 | |
RHYTHMIC BEEPING | 0:14:13 | 0:14:14 | |
'Everything.' | 0:14:25 | 0:14:26 | |
What? Report. | 0:14:26 | 0:14:28 | |
'Everything. Behind that door.' | 0:14:28 | 0:14:31 | |
"Everything?" | 0:14:31 | 0:14:32 | |
'Sensor detects everything you could possibly want.' | 0:14:32 | 0:14:35 | |
'Everything.' | 0:14:45 | 0:14:47 | |
I don't understand. Give me a price tag. | 0:14:47 | 0:14:49 | |
'Incalculable.' | 0:14:49 | 0:14:50 | |
What? | 0:14:50 | 0:14:51 | |
'More valuable than the total sum of any currency. | 0:14:51 | 0:14:55 | |
'Living metal. Bespoke engineering. | 0:14:55 | 0:14:58 | |
'Whatever machine you require, this system will build it.' | 0:14:58 | 0:15:02 | |
No! No, no. Stop! | 0:15:13 | 0:15:14 | |
Please! Don't! Don't touch it. Please. She won't let you touch it. | 0:15:14 | 0:15:20 | |
I can feel a TARDIS tantrum coming on. | 0:15:20 | 0:15:22 | |
What the hell is this place? | 0:15:22 | 0:15:24 | |
Architectural Reconfiguration System. | 0:15:24 | 0:15:26 | |
It reconstructs particles according to your needs. | 0:15:26 | 0:15:29 | |
-A machine that makes machines? -Yes. Basically. | 0:15:29 | 0:15:32 | |
What are you doing? No, no, don't! Don't! | 0:15:35 | 0:15:38 | |
If you walk out of here with that circuit, | 0:15:38 | 0:15:40 | |
the TARDIS will try to stop you! | 0:15:40 | 0:15:41 | |
Now listen to me. Look, the clock is ticking. | 0:15:41 | 0:15:44 | |
We must find Clara! | 0:15:44 | 0:15:45 | |
What the...? | 0:15:51 | 0:15:53 | |
Where's the door gone? | 0:15:54 | 0:15:56 | |
Ever see a spaceship get ugly? | 0:15:56 | 0:15:58 | |
This isn't happening. | 0:15:58 | 0:15:59 | |
She won't relinquish it. Her basic genetic material. | 0:15:59 | 0:16:04 | |
Torch it. | 0:16:04 | 0:16:05 | |
I said torch it! | 0:16:05 | 0:16:07 | |
Can't you feel it, Gregor? | 0:16:07 | 0:16:09 | |
The ship's in torment, like it's a living thing. You can't hurt it. | 0:16:09 | 0:16:13 | |
What's the matter, TARDIS? Scared to fight me? | 0:16:19 | 0:16:22 | |
So that's who...? | 0:16:48 | 0:16:50 | |
DOOR OPENS | 0:16:50 | 0:16:51 | |
GROWLING | 0:16:51 | 0:16:52 | |
GROWLING | 0:17:01 | 0:17:04 | |
GROWLING | 0:17:10 | 0:17:13 | |
DISTORTED SPEECH | 0:17:16 | 0:17:19 | |
GROWLING | 0:17:20 | 0:17:22 | |
SHE GASPS | 0:17:24 | 0:17:26 | |
WHISPERING | 0:17:26 | 0:17:29 | |
GROWLING | 0:17:57 | 0:17:59 | |
It's the same. It's just the same. | 0:18:14 | 0:18:16 | |
It's diverting us, spinning a maze around us. | 0:18:18 | 0:18:21 | |
We will never reach Clara in time. | 0:18:21 | 0:18:23 | |
Hey! Hey! | 0:18:24 | 0:18:27 | |
It's just the same, again. | 0:18:31 | 0:18:33 | |
No point in building walls. You'll just know how to smash them down. | 0:18:33 | 0:18:36 | |
It's found other ways of controlling you. Smart bunch, Time Lords. | 0:18:36 | 0:18:39 | |
No dress sense, dreadful hats, but smart. | 0:18:39 | 0:18:42 | |
If you want to get out of here, let that circuit go. | 0:18:43 | 0:18:49 | |
It is creating a labyrinth. | 0:18:49 | 0:18:52 | |
Bram? Bram? Can you hear me? | 0:18:52 | 0:18:54 | |
Bram, the ship is alive. Get out of there. | 0:18:54 | 0:18:56 | |
Bram, don't touch anything. | 0:18:56 | 0:18:58 | |
You're just the sweetest thing ever. | 0:18:58 | 0:19:00 | |
Oh, thank you. Thank you. Thank you, thank you, thank you! | 0:19:08 | 0:19:13 | |
SHE LAUGHS | 0:19:13 | 0:19:14 | |
Ah! Mwah! | 0:19:14 | 0:19:17 | |
No! | 0:19:17 | 0:19:18 | |
The door? Where's the door gone now? | 0:19:20 | 0:19:24 | |
You can't do this! | 0:19:25 | 0:19:27 | |
Bram? You've got to get out of there fast. | 0:19:27 | 0:19:30 | |
HE GROANS | 0:19:32 | 0:19:33 | |
GROWLING | 0:19:42 | 0:19:44 | |
GROWLING | 0:19:50 | 0:19:53 | |
SCREAMING | 0:19:53 | 0:19:56 | |
Channel's dead. | 0:20:00 | 0:20:01 | |
We've got to help him. | 0:20:01 | 0:20:03 | |
Gregor, do something. Do something! | 0:20:03 | 0:20:05 | |
It's too late. He's gone! Let's just worry about the salvage! | 0:20:05 | 0:20:08 | |
You care more about the circuit than you do about him! | 0:20:08 | 0:20:11 | |
Your concern for your brother is really touching. | 0:20:11 | 0:20:13 | |
The android is more cut up about it than you. | 0:20:13 | 0:20:15 | |
Now will you two stop bickering and listen! | 0:20:15 | 0:20:17 | |
There is something else down there. | 0:20:17 | 0:20:20 | |
We've got to get out of here! Gregor, give it back. | 0:20:25 | 0:20:28 | |
Give it back to her. | 0:20:28 | 0:20:29 | |
What are you doing? You're always on the side of the machines! | 0:20:29 | 0:20:32 | |
Fellas! Multiple life forms on board the TARDIS with us. | 0:20:32 | 0:20:36 | |
I am getting a massive signal. | 0:20:36 | 0:20:38 | |
-Where are they? -Oh, you're not going to like the answer. | 0:20:38 | 0:20:41 | |
About two steps away. | 0:20:41 | 0:20:42 | |
One step. | 0:20:44 | 0:20:45 | |
GROWLING | 0:20:45 | 0:20:47 | |
Argh! | 0:20:49 | 0:20:51 | |
GROWLING | 0:20:51 | 0:20:54 | |
Gregor, look out! Careful! | 0:20:54 | 0:20:57 | |
Gregor! No! | 0:20:59 | 0:21:01 | |
We have to stay together. | 0:21:01 | 0:21:02 | |
Come on. Tricky, run! | 0:21:02 | 0:21:05 | |
I'm sorry. | 0:21:07 | 0:21:09 | |
Why are you doing this? | 0:21:57 | 0:21:59 | |
Back where we started. | 0:22:05 | 0:22:07 | |
No. It's an echo. | 0:22:07 | 0:22:10 | |
The console room is the safest place on the ship. | 0:22:12 | 0:22:15 | |
It can replicate itself any number of times. | 0:22:15 | 0:22:17 | |
It's trying to protect us. | 0:22:17 | 0:22:18 | |
Because I tried to give back the circuit? | 0:22:18 | 0:22:20 | |
Team TARDIS. | 0:22:20 | 0:22:22 | |
Where did...where did that go? | 0:22:27 | 0:22:28 | |
There's more than one echo room. | 0:22:28 | 0:22:30 | |
Hey, look, look! | 0:22:30 | 0:22:32 | |
The TARDIS has got Clara safe. | 0:22:34 | 0:22:36 | |
That was her. That was her there. Thank you! Thank you! Thank you! | 0:22:36 | 0:22:39 | |
Why can't we see her? | 0:22:39 | 0:22:42 | |
It's like a light switch. Two positions. | 0:22:42 | 0:22:44 | |
Flickering at super-infinite speeds. | 0:22:44 | 0:22:46 | |
We're only together for a brief second. | 0:22:46 | 0:22:49 | |
Sh! | 0:22:52 | 0:22:53 | |
CLARA BREATHES HEAVILY | 0:22:56 | 0:22:58 | |
I can hear her. | 0:22:58 | 0:23:00 | |
GROWLING | 0:23:10 | 0:23:11 | |
SHE GASPS | 0:23:11 | 0:23:13 | |
SHE SCREAMS | 0:23:13 | 0:23:15 | |
GROWLING | 0:23:15 | 0:23:17 | |
She's let it in. She's let it in! | 0:23:17 | 0:23:20 | |
GROWLING CONTINUES | 0:23:22 | 0:23:25 | |
Ah...if I can just isolate her position, | 0:23:34 | 0:23:37 | |
I can nudge the alternation - reach in and grab her. | 0:23:37 | 0:23:40 | |
Who are you? | 0:23:45 | 0:23:47 | |
'Console room, echo imprint of the original.' | 0:23:48 | 0:23:52 | |
You're coming with me. I need you to get me out of here. | 0:23:52 | 0:23:55 | |
'Scanning for female human. | 0:23:55 | 0:23:58 | |
'Scanning for female human. | 0:24:06 | 0:24:08 | |
'Unidentified human.' | 0:24:12 | 0:24:14 | |
It doesn't know Lancashire. | 0:24:14 | 0:24:15 | |
-What? -It doesn't know sass. Yes! It's found Clara! It's found her. | 0:24:15 | 0:24:19 | |
She is right there. | 0:24:19 | 0:24:21 | |
CLARA SCREAMS | 0:24:21 | 0:24:22 | |
GROWLING | 0:24:22 | 0:24:25 | |
It's all right. Clara, I'm so, so sorry. Please, please forgive me... | 0:24:27 | 0:24:32 | |
Ow! OK, so we're not doing hugging, I get that now. | 0:24:32 | 0:24:35 | |
What do you keep in here?! Why have you got zombie creatures? | 0:24:35 | 0:24:38 | |
Good guys do not have zombie creatures. Rule one. | 0:24:38 | 0:24:40 | |
Basic storytelling. | 0:24:40 | 0:24:41 | |
-Not in front of the guests. -Who are they? | 0:24:41 | 0:24:44 | |
Friends. Well, people who aren't trying to kill us, | 0:24:44 | 0:24:47 | |
so I don't need punching again! | 0:24:47 | 0:24:49 | |
All right, all right - a deal's a deal. You got the girl back. | 0:24:49 | 0:24:52 | |
Now cancel the self-destruct. | 0:24:52 | 0:24:53 | |
Ah. Ah. You know, I've got to tell you, | 0:24:53 | 0:24:58 | |
I won't be needing you in my quiz team. | 0:24:58 | 0:25:00 | |
What? | 0:25:00 | 0:25:02 | |
There is no self-destruct. | 0:25:02 | 0:25:03 | |
Hey! Hey! Hey! Had you going, though, boys, didn't I? | 0:25:03 | 0:25:07 | |
I just wiggled a few buttons. The old wiggly-button trick. | 0:25:07 | 0:25:11 | |
And the face. You've got to do the face. | 0:25:11 | 0:25:13 | |
"Save her or we all die." | 0:25:13 | 0:25:16 | |
I thought I rushed it a bit, but... | 0:25:16 | 0:25:18 | |
So you're telling us we're safe? | 0:25:18 | 0:25:19 | |
Ish. Apart from the monsters | 0:25:19 | 0:25:21 | |
and the TARDIS reinventing the architecture every five minutes. | 0:25:21 | 0:25:24 | |
Guys, don't worry, the countdown's a fake. | 0:25:24 | 0:25:26 | |
Look, just give me just a second. I'll turn it off. | 0:25:26 | 0:25:29 | |
I only made it look as though the engine was actually exploding. | 0:25:29 | 0:25:33 | |
Ah. That's not good. | 0:25:36 | 0:25:39 | |
OK, don't panic, or maybe panic. | 0:25:39 | 0:25:42 | |
Something you want to share with the rest of us? | 0:25:44 | 0:25:47 | |
It appears the engine is damaged. | 0:25:47 | 0:25:49 | |
We're in trouble, Clara. | 0:25:49 | 0:25:51 | |
Proper trouble. | 0:25:51 | 0:25:53 | |
It needs fixing or we're toast. | 0:25:53 | 0:25:54 | |
So now would be a good time to use that big friendly button, right? | 0:25:54 | 0:25:57 | |
-Yeah, sorry, I should have had one built in. -Where are we going? -Detour. | 0:25:57 | 0:26:00 | |
The centre of the TARDIS. | 0:26:02 | 0:26:04 | |
GROWLING | 0:26:11 | 0:26:12 | |
Shush! Something's in here. | 0:26:12 | 0:26:16 | |
Those...things. They've followed us. | 0:26:16 | 0:26:19 | |
Doctor, what are they? What aren't you telling me? | 0:26:19 | 0:26:22 | |
Trust me. Some things you don't want to know. | 0:26:22 | 0:26:26 | |
GROWLING | 0:26:26 | 0:26:28 | |
They're on the move again! | 0:26:28 | 0:26:30 | |
Run! Move, move! | 0:26:30 | 0:26:32 | |
Doctor? | 0:26:40 | 0:26:41 | |
Doctor? | 0:26:46 | 0:26:48 | |
Again! | 0:26:48 | 0:26:50 | |
SIZZLING | 0:26:55 | 0:26:57 | |
I know what I said. I was the one who said it. | 0:26:59 | 0:27:02 | |
You said it was looking at you funny. | 0:27:02 | 0:27:04 | |
Now you're creeping me out. | 0:27:05 | 0:27:08 | |
Please tell me there's a button you can press to fix this? | 0:27:08 | 0:27:11 | |
Oh, thank God. | 0:27:14 | 0:27:16 | |
Doctor, what's going on? | 0:27:17 | 0:27:20 | |
Say something. | 0:27:23 | 0:27:25 | |
Clara, stop. Don't touch it. | 0:27:25 | 0:27:29 | |
There's a rupture in time somewhere onboard the ship. | 0:27:31 | 0:27:34 | |
A small tear in the fabric of the continuum. | 0:27:34 | 0:27:37 | |
It must have happened when the TARDIS was pulled in | 0:27:37 | 0:27:40 | |
by the salvage vessel. | 0:27:40 | 0:27:41 | |
-The TARDIS is leaking. -Leaking what? | 0:27:41 | 0:27:43 | |
The past. You and me. Everything we've done, everything we've said. | 0:27:43 | 0:27:47 | |
Recent history. | 0:27:47 | 0:27:48 | |
It's not real, it's a memory. | 0:27:48 | 0:27:51 | |
What about this? | 0:27:55 | 0:27:56 | |
If you're giving me the option, I'd say, "This one's real." | 0:27:56 | 0:28:00 | |
GROWLING | 0:28:00 | 0:28:02 | |
She's right onto us. | 0:28:07 | 0:28:08 | |
She? | 0:28:08 | 0:28:10 | |
Clara, don't ask me any more. | 0:28:10 | 0:28:12 | |
You're like one of the those guys | 0:28:16 | 0:28:18 | |
who can't go out with a girl unless his mother approves. | 0:28:18 | 0:28:20 | |
It's important to me you get along... | 0:28:20 | 0:28:24 | |
BANGING | 0:28:24 | 0:28:28 | |
What's that noise? | 0:28:29 | 0:28:31 | |
We're right under the primary fuel cells. | 0:28:31 | 0:28:34 | |
So? So? So what? | 0:28:34 | 0:28:36 | |
So...so the fuel has spilled out. | 0:28:36 | 0:28:39 | |
So the rods will be exposed. Means they'll cool... | 0:28:39 | 0:28:42 | |
-And start to warp. -And start to warp. Maybe even... | 0:28:42 | 0:28:44 | |
No. You don't say it. Don't you dare say it. | 0:28:44 | 0:28:46 | |
Maybe even break apart. | 0:28:46 | 0:28:48 | |
CREAKING | 0:28:48 | 0:28:49 | |
-Run? -I'm liking how you're thinking. -Yeah. | 0:28:53 | 0:28:55 | |
SCREAMING | 0:29:03 | 0:29:05 | |
Cut it off. Just cut my arm off. | 0:29:06 | 0:29:08 | |
-No! -It's the quickest way to release me. No fear, no hate, no pain. | 0:29:08 | 0:29:13 | |
I can get a new one. Disposable parts, just do it. | 0:29:15 | 0:29:18 | |
It won't hurt me. | 0:29:18 | 0:29:21 | |
Tricky, you don't understand. | 0:29:21 | 0:29:22 | |
I'm an android. Cut me! | 0:29:22 | 0:29:24 | |
You made it through. | 0:29:24 | 0:29:26 | |
What's the matter with you? Why won't you cut me? | 0:29:26 | 0:29:29 | |
Tell him. | 0:29:34 | 0:29:35 | |
Tell me what? | 0:29:35 | 0:29:37 | |
You can't, can you? You're a coward. | 0:29:40 | 0:29:43 | |
You won't save him, but you're scared to tell him why. | 0:29:43 | 0:29:45 | |
What's he going on about? | 0:29:45 | 0:29:47 | |
Robots don't need blast suits. They don't need respirators. | 0:29:47 | 0:29:50 | |
They don't get frightened of monsters in the dark. | 0:29:50 | 0:29:52 | |
What's he talking about? | 0:29:52 | 0:29:54 | |
Two bionic eyes and a synthetic voice box. | 0:29:56 | 0:29:59 | |
But you, my friend, are human. Flesh and blood. | 0:29:59 | 0:30:03 | |
-It was a joke. -Wha...? -It was just a stupid joke. | 0:30:05 | 0:30:10 | |
We did it to relieve the boredom. | 0:30:10 | 0:30:12 | |
Well, it was very funny. They lied to you. Changed your identity. | 0:30:12 | 0:30:16 | |
Just to provide some in-flight entertainment! | 0:30:16 | 0:30:19 | |
I'm sorry. | 0:30:19 | 0:30:21 | |
You're human, Tricky. | 0:30:22 | 0:30:24 | |
Cut the metal. Cut the metal! Go! | 0:30:25 | 0:30:28 | |
TRICKY CRIES OUT | 0:30:34 | 0:30:37 | |
Where are we? | 0:30:37 | 0:30:38 | |
Power source. Right, you lot, wait here. I'll check it's safe. | 0:30:38 | 0:30:43 | |
We can only survive for a minute or two in there. | 0:30:43 | 0:30:46 | |
Um... what happens if we stay longer? | 0:30:46 | 0:30:48 | |
Our cells will liquefy and our skin will start to burn. | 0:30:48 | 0:30:51 | |
I always feel so good after we've spoken. | 0:30:51 | 0:30:53 | |
-Marvellous. Keep this door shut. -That will not be a problem. | 0:30:53 | 0:30:56 | |
'Lancashire. Sass.' | 0:31:03 | 0:31:06 | |
Intelligent sensor. | 0:31:06 | 0:31:08 | |
Ever pointed that thing at yourself, Gregor? What would it see? | 0:31:08 | 0:31:11 | |
What sort of person does this to another human? | 0:31:11 | 0:31:13 | |
Made them believe they're made of metal! | 0:31:13 | 0:31:16 | |
Who am I? | 0:31:16 | 0:31:17 | |
My mouthy little kid brother. | 0:31:43 | 0:31:46 | |
Why...why can't I remember? | 0:31:46 | 0:31:49 | |
Salvage accident. There was a big explosion. | 0:31:49 | 0:31:52 | |
You lost your sight, voice and your memory. | 0:31:52 | 0:31:56 | |
And you...you thought of a way you could have some fun with me? | 0:31:56 | 0:31:59 | |
I just wanted a brother beside me. | 0:31:59 | 0:32:01 | |
You were always the smart one, Tricky. | 0:32:01 | 0:32:04 | |
He wanted you to take over. He made you captain. | 0:32:04 | 0:32:08 | |
He? | 0:32:10 | 0:32:12 | |
Dad. | 0:32:12 | 0:32:14 | |
I don't...remember him. | 0:32:14 | 0:32:16 | |
You did this to me, just to be captain of a heap of junk. | 0:32:23 | 0:32:27 | |
Stop! | 0:32:29 | 0:32:31 | |
Tricky, listen to me. Ask yourself why he couldn't cut you up. | 0:32:31 | 0:32:34 | |
He has just one tiny scrap of decency left in him. | 0:32:34 | 0:32:36 | |
You just helped him find that, OK? Now you. Don't ever forget this. | 0:32:36 | 0:32:41 | |
OK, move, move, move. | 0:32:46 | 0:32:48 | |
The Eye of Harmony. Exploding star. | 0:32:51 | 0:32:54 | |
In the act of becoming a black hole. | 0:32:54 | 0:32:57 | |
Time Lord engineering - you rip the star from its orbit, | 0:32:57 | 0:33:00 | |
suspend it in a permanent state of decay. | 0:33:00 | 0:33:03 | |
This way. Quickly. | 0:33:03 | 0:33:04 | |
GROWLING | 0:33:15 | 0:33:17 | |
There's no way out. We're trapped. | 0:33:21 | 0:33:23 | |
You're going to tell me now! | 0:33:23 | 0:33:25 | |
If we're going to die in here, tell me what they are. | 0:33:25 | 0:33:27 | |
I can't. | 0:33:27 | 0:33:29 | |
Tell me! What's the use in secrets now? | 0:33:29 | 0:33:31 | |
Secrets protect us. Secrets make us safe. | 0:33:31 | 0:33:34 | |
We're not safe! | 0:33:34 | 0:33:36 | |
'Sensor detects animal DNA, human core element. | 0:33:39 | 0:33:44 | |
'Calculating data. Calculating data.' | 0:33:44 | 0:33:47 | |
No, no. Turn it off! | 0:33:47 | 0:33:49 | |
'Lancashire. Sass. | 0:33:49 | 0:33:52 | |
'Identifiable substance. | 0:33:54 | 0:33:56 | |
'Clara.' | 0:33:56 | 0:33:57 | |
That's me. | 0:34:04 | 0:34:05 | |
I'm so sorry. | 0:34:05 | 0:34:06 | |
It's me. I burn in here. | 0:34:11 | 0:34:14 | |
It isn't just the past leaking out through the time rift. | 0:34:14 | 0:34:18 | |
It's the future. | 0:34:19 | 0:34:20 | |
Listen, I brought you here to keep you safe, but it happened again. | 0:34:20 | 0:34:24 | |
You died again. | 0:34:26 | 0:34:28 | |
What do you mean, again? | 0:34:28 | 0:34:30 | |
GROWLING | 0:34:35 | 0:34:37 | |
Hang on. As long as we interrupt the timeline, this can't happen. | 0:34:46 | 0:34:51 | |
Don't touch each other, otherwise the future will reassert itself. | 0:34:53 | 0:34:57 | |
Gregor! Gregor, let go of the circuit. | 0:35:00 | 0:35:03 | |
Just let it go! | 0:35:05 | 0:35:06 | |
Gregor! Gregor! | 0:35:06 | 0:35:09 | |
OK. | 0:35:28 | 0:35:29 | |
Er...er... | 0:35:30 | 0:35:33 | |
Tricky! | 0:35:48 | 0:35:50 | |
Don't touch him, or time will reassert itself. | 0:35:51 | 0:35:53 | |
The engine room. The heart of the TARDIS. | 0:36:12 | 0:36:15 | |
We're outside. | 0:36:17 | 0:36:18 | |
No, we're still in the TARDIS. | 0:36:18 | 0:36:20 | |
-There's no way across. -No, OK. You're right. | 0:36:20 | 0:36:22 | |
So what do we do? Time for a plan, do you have a plan? | 0:36:22 | 0:36:25 | |
Well, no. No plan, sorry. | 0:36:25 | 0:36:27 | |
-If you don't have a plan, we're dead! -Yes. We are. | 0:36:27 | 0:36:30 | |
So just tell me. | 0:36:30 | 0:36:32 | |
-Tell you what? -Well, there's no point now, we're about to die, | 0:36:32 | 0:36:34 | |
so just tell me who you are. | 0:36:34 | 0:36:35 | |
You know who I am. | 0:36:35 | 0:36:37 | |
No, I don't! I look at you every single day, | 0:36:37 | 0:36:39 | |
and I don't understand a thing about you. | 0:36:39 | 0:36:41 | |
Why do I keep running into you? | 0:36:41 | 0:36:43 | |
Doctor, you invited me - you said... | 0:36:43 | 0:36:44 | |
Before that. I met you in the Dalek Asylum. | 0:36:44 | 0:36:46 | |
There was a girl in a shipwreck, and she died saving my life. | 0:36:46 | 0:36:49 | |
-And she was you. -She really wasn't. -Victorian London. | 0:36:49 | 0:36:51 | |
There was a governess who was a barmaid, | 0:36:51 | 0:36:53 | |
and we fought the Great Intelligence together, she died, | 0:36:53 | 0:36:55 | |
and it was my fault - and she was you. | 0:36:55 | 0:36:58 | |
-You're scaring me. -What are you, eh? Are you a trick, a trap? | 0:36:58 | 0:37:01 | |
I don't know what you're talking about. | 0:37:01 | 0:37:04 | |
All right. All right. | 0:37:04 | 0:37:06 | |
-You really don't, do you? -I think I'm more scared of you right now | 0:37:11 | 0:37:14 | |
than anything else on that TARDIS. | 0:37:14 | 0:37:16 | |
You're just Clara, aren't you? | 0:37:16 | 0:37:18 | |
OK. I don't know what the hell this is about, | 0:37:22 | 0:37:25 | |
but the hug is really nice. | 0:37:25 | 0:37:27 | |
We're not going to die here. This isn't real! | 0:37:31 | 0:37:34 | |
-It's a snarl. -What? | 0:37:34 | 0:37:37 | |
What does a wounded animal do? It tries to scare everyone away. | 0:37:37 | 0:37:40 | |
We're close to the engine. | 0:37:40 | 0:37:42 | |
The TARDIS is snarling at us, trying to frighten us off. | 0:37:42 | 0:37:45 | |
-We need to jump. -You're insane. | 0:37:45 | 0:37:48 | |
We'll cross a portal to the engine. | 0:37:48 | 0:37:50 | |
-How can you be so sure? -Well, I can't. | 0:37:50 | 0:37:52 | |
OK, well, that's watertight. | 0:37:52 | 0:37:53 | |
Hey, now, Clara, I've piloted this ship for over 900 years. | 0:37:53 | 0:37:56 | |
Trust me this one time, please. | 0:37:56 | 0:37:58 | |
OK. OK. As well as all the other times. | 0:38:00 | 0:38:04 | |
Ready? Geronimo. | 0:38:05 | 0:38:08 | |
THEY SHOUT | 0:38:10 | 0:38:12 | |
The heart of the TARDIS. | 0:38:19 | 0:38:23 | |
The engine - it's already exploded. | 0:38:23 | 0:38:26 | |
It must have been the collision with the salvage ship. | 0:38:26 | 0:38:29 | |
We're not dead. | 0:38:29 | 0:38:30 | |
She wrapped her hands around the force. Froze it. | 0:38:33 | 0:38:38 | |
So...so it's safe? | 0:38:38 | 0:38:41 | |
Temporary fix. Eventually, this whole place will erupt. | 0:38:41 | 0:38:46 | |
There's no way I can save her now. | 0:38:47 | 0:38:49 | |
She's just always been there for me, taken care of me. | 0:38:56 | 0:38:59 | |
And now it's my turn and I don't know what to do. | 0:38:59 | 0:39:01 | |
It...it just... | 0:39:01 | 0:39:03 | |
Oh, Clara. Oh. | 0:39:12 | 0:39:17 | |
You are beautiful. | 0:39:19 | 0:39:23 | |
Beautiful fragile human skin. | 0:39:23 | 0:39:27 | |
Like parchment. Thank you. | 0:39:27 | 0:39:29 | |
The rift in time. All the memories leaking out. | 0:39:29 | 0:39:31 | |
I need to find the moment we crashed. I need to find... | 0:39:31 | 0:39:34 | |
..the music. | 0:39:36 | 0:39:37 | |
ROCK MUSIC PLAYS | 0:39:37 | 0:39:41 | |
The time rift. Recent past. | 0:39:46 | 0:39:49 | |
Possible future. | 0:39:49 | 0:39:50 | |
-What are you going to do? -Rewrite today, I hope. | 0:39:50 | 0:39:52 | |
I've thrown this through the rift before. | 0:39:52 | 0:39:55 | |
I need to make sure this time. | 0:39:55 | 0:39:56 | |
Going to take it in there myself. | 0:39:56 | 0:39:58 | |
There might be a certain amount of yelling. | 0:39:58 | 0:40:01 | |
-It's going to hurt? -Things that end your life often do that. | 0:40:01 | 0:40:04 | |
Wait! All those things you said. How we've met before. | 0:40:04 | 0:40:10 | |
How I died... | 0:40:10 | 0:40:11 | |
Clara, don't worry. You'll forget. | 0:40:11 | 0:40:14 | |
Time mends us. It can mend anything. | 0:40:14 | 0:40:15 | |
I don't want to forget. | 0:40:15 | 0:40:17 | |
Not all of it. | 0:40:17 | 0:40:19 | |
The library. I saw it. | 0:40:19 | 0:40:23 | |
You were mentioned in a book. | 0:40:23 | 0:40:25 | |
I'm mentioned in a lot of books. | 0:40:25 | 0:40:27 | |
You call yourself Doctor. Why do you do that? | 0:40:29 | 0:40:31 | |
You have a name. I've seen it. In one corner of that tiny... | 0:40:31 | 0:40:34 | |
If I rewrite today, you won't remember. | 0:40:36 | 0:40:38 | |
You won't go looking for my name. | 0:40:38 | 0:40:41 | |
You'll still have secrets. | 0:40:42 | 0:40:44 | |
Better that way. | 0:40:44 | 0:40:46 | |
HE SHOUTS | 0:40:54 | 0:40:58 | |
Magnetic hobble-field. We're flying right into it. | 0:41:06 | 0:41:10 | |
Clara, stay by me! | 0:41:11 | 0:41:14 | |
Please tell me there's a button you can press to fix this. | 0:41:14 | 0:41:16 | |
-Oh, yes. Big friendly button. -You're lying. | 0:41:16 | 0:41:19 | |
-Yep. -To stop me freaking out? | 0:41:19 | 0:41:21 | |
-Is it working? -Not so much. | 0:41:21 | 0:41:23 | |
Doctor. Doctor. | 0:41:29 | 0:41:31 | |
I'm from your future. | 0:41:31 | 0:41:33 | |
We haven't got long. This will reset time. | 0:41:33 | 0:41:37 | |
No! No! | 0:41:50 | 0:41:52 | |
Big friendly button. | 0:41:59 | 0:42:00 | |
HE LAUGHS | 0:42:00 | 0:42:01 | |
I don't get it. It was on screen, then it was gone. | 0:42:16 | 0:42:20 | |
Hey, robot, go get me some food, I'm starving. | 0:42:20 | 0:42:23 | |
Oi, leave him alone. | 0:42:23 | 0:42:25 | |
What's the matter with you? | 0:42:25 | 0:42:26 | |
Maybe I've just got a little tiny scrap of decency. | 0:42:26 | 0:42:29 | |
I feel exhausted. I feel... | 0:42:50 | 0:42:52 | |
We've had two days crammed into the space of one? | 0:42:52 | 0:42:55 | |
Why would you say that? | 0:42:55 | 0:42:56 | |
I don't know. I say stuff. Ignore me. | 0:42:56 | 0:42:59 | |
Do you feel safe? | 0:43:01 | 0:43:02 | |
Of course. | 0:43:03 | 0:43:06 | |
Give me a number out of ten. | 0:43:06 | 0:43:09 | |
Ten being whoo-hoo, one being aarrrggh! | 0:43:09 | 0:43:14 | |
You're being weird. | 0:43:14 | 0:43:15 | |
I need to know if you feel safe. I need to know... | 0:43:15 | 0:43:17 | |
..you're not afraid. | 0:43:19 | 0:43:20 | |
Of? | 0:43:20 | 0:43:21 | |
The future. Running away with a spaceman in a box. | 0:43:21 | 0:43:24 | |
Anything could happen to you. | 0:43:24 | 0:43:26 | |
That's what I'm counting on. Push the button. | 0:43:26 | 0:43:29 | |
We are going to the north. | 0:43:42 | 0:43:45 | |
Sweetville, an ideal community for happy, prosperous workers. | 0:43:45 | 0:43:50 | |
No-one who ever goes to live there ever seems to come out. | 0:43:50 | 0:43:54 | |
I suspect all is not quite as it seems. | 0:43:54 | 0:43:56 | |
Time for a plan. | 0:43:56 | 0:43:58 | |
You do seem to keep turning up like a bad penny, young man. | 0:43:58 | 0:44:02 | |
The Crimson Horror, that's what they're calling it. | 0:44:02 | 0:44:05 | |
My plans must be accelerated. | 0:44:05 | 0:44:07 | |
Mrs Gillyflower, we've got to stop her. | 0:44:07 | 0:44:09 | |
In the wrong hands, that venom could wipe out all life on this planet. | 0:44:09 | 0:44:13 | |
Subtitles by Red Bee Media Ltd | 0:44:35 | 0:44:37 |