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If I have not returned in an hour, you must fetch the police. | 0:00:07 | 0:00:10 | |
Edmund! | 0:00:10 | 0:00:11 | |
Don't fret, Effie, my dear. All will be well. | 0:00:12 | 0:00:15 | |
But we must get to the bottom of this dark and queer business, | 0:00:15 | 0:00:18 | |
no matter what the cost. | 0:00:18 | 0:00:19 | |
Mrs Gillyflower! | 0:00:33 | 0:00:34 | |
We have come about your husband, my dear. A tragedy. | 0:00:34 | 0:00:38 | |
My husband? | 0:00:38 | 0:00:40 | |
Your...late husband. | 0:00:40 | 0:00:42 | |
There must be some mistake. My husband is quite well. | 0:00:42 | 0:00:46 | |
MAN SCREAMING | 0:00:48 | 0:00:49 | |
We are so very sorry for your loss. | 0:00:54 | 0:00:57 | |
Hell fire! That's put me right off me mash. | 0:01:00 | 0:01:03 | |
HE CHUCKLES | 0:01:03 | 0:01:05 | |
-Another one! -Another? | 0:01:05 | 0:01:07 | |
He's not the first I've had in 'ere looking like that. | 0:01:07 | 0:01:10 | |
The Crimson Horror! That's what they're calling it! | 0:01:10 | 0:01:14 | |
I have no interest in the deplorable excesses of the penny-dreadfuls. | 0:01:14 | 0:01:17 | |
Hey, hey. Payment in advance, flower. | 0:01:17 | 0:01:20 | |
Taking a big risk, you see, I am. | 0:01:25 | 0:01:27 | |
They'd have my vitals for fiddle-strings if they knew | 0:01:27 | 0:01:31 | |
I'd let you come to have a look at one of their precious stiffs. | 0:01:31 | 0:01:35 | |
This "stiff" is my brother. | 0:01:35 | 0:01:37 | |
I've come up from London to bring him home. | 0:01:37 | 0:01:40 | |
Oh, aye? | 0:01:40 | 0:01:41 | |
Thank you for agreeing to this meeting, | 0:01:41 | 0:01:43 | |
I'm told you are the investigator to see if there are strange goings-on. | 0:01:43 | 0:01:47 | |
I read of your brother's death. | 0:01:47 | 0:01:49 | |
Another victim of the Crimson Horror, I believe? | 0:01:49 | 0:01:51 | |
So it is claimed. | 0:01:51 | 0:01:53 | |
He was a newspaper man. He and a young woman were working undercover. | 0:01:53 | 0:01:57 | |
Tell me, Madame, do you know what an optogram is? | 0:01:57 | 0:02:01 | |
It is a silly superstition, sir. | 0:02:01 | 0:02:04 | |
The belief that the eye can retain an image of the last thing it sees. | 0:02:04 | 0:02:08 | |
Good grief! | 0:02:24 | 0:02:25 | |
Oh, God! | 0:02:25 | 0:02:27 | |
LOUD CRASH | 0:02:29 | 0:02:31 | |
Well, I'll be blowed! | 0:02:34 | 0:02:36 | |
I think, Madame, that we'd better make plans to head North! | 0:02:36 | 0:02:40 | |
According to my research, Sweetville's proprietor | 0:03:22 | 0:03:25 | |
holds recruitment drives for her little community. | 0:03:25 | 0:03:29 | |
She is only interested in the fittest and the most beautiful. | 0:03:29 | 0:03:32 | |
You may rely on me, ma'am. | 0:03:32 | 0:03:35 | |
I was, in fact, speaking to Jenny. | 0:03:36 | 0:03:39 | |
Jenny? | 0:03:41 | 0:03:42 | |
If this weak and fleshy boy is to represent us, | 0:03:44 | 0:03:48 | |
I strongly recommend the issuing of scissor grenades, | 0:03:48 | 0:03:52 | |
limbo vapour and triple-blast brain splitters. | 0:03:52 | 0:03:55 | |
What for? | 0:03:55 | 0:03:57 | |
Just generally. Remember, we are going to the North. | 0:03:57 | 0:04:03 | |
Bradford, that Babylon for the Moderns, | 0:04:08 | 0:04:11 | |
with its crystal light and its glitter. | 0:04:11 | 0:04:14 | |
All aswarm with the wretched ruins of humanity. | 0:04:14 | 0:04:19 | |
Men and women crushed by the devil's juggernaut! | 0:04:19 | 0:04:23 | |
CROWD MURMUR IN AGREEMENT | 0:04:23 | 0:04:25 | |
And moral turpitude can destroy the most delicate of lives. | 0:04:25 | 0:04:29 | |
Believe me, I know. I know. | 0:04:29 | 0:04:33 | |
My own daughter. | 0:04:35 | 0:04:37 | |
Blinded in a drunken rage by my late husband! | 0:04:37 | 0:04:42 | |
AUDIENCE GASP | 0:04:42 | 0:04:44 | |
Her once-beautiful eyes, pale and white as mistletoe berries. | 0:04:44 | 0:04:51 | |
And what, my friends, is your story? | 0:04:52 | 0:04:55 | |
Will you be found wanting when the End of Days is come, | 0:04:55 | 0:04:59 | |
when judgement rains down upon us all? | 0:04:59 | 0:05:03 | |
Or will you be preserved against the coming apocalypse? | 0:05:03 | 0:05:07 | |
Do not despair! I offer a way out! | 0:05:08 | 0:05:13 | |
There is a different path! Sweetville! | 0:05:13 | 0:05:17 | |
CROWD GASP AND CLAMOUR | 0:05:18 | 0:05:20 | |
Join us! Join us in this shining city on the hill! | 0:05:24 | 0:05:30 | |
# Bring me my bow of burning gold | 0:05:32 | 0:05:39 | |
# Bring me my arrows of desire... # | 0:05:39 | 0:05:44 | |
You wish to join us, my dear? | 0:05:47 | 0:05:49 | |
If it's all the same with you, ma'am. | 0:05:49 | 0:05:51 | |
Oh, yes, dear. You'll do very nicely. | 0:05:51 | 0:05:54 | |
If our strategy is to succeed, Jenny will infiltrate | 0:05:58 | 0:06:01 | |
deep into the black heart of this place. | 0:06:01 | 0:06:04 | |
And how will she locate the Doctor? | 0:06:04 | 0:06:05 | |
To find him, she needs only to ignore all keep-out signs, | 0:06:05 | 0:06:09 | |
go through every locked door, | 0:06:09 | 0:06:11 | |
and run towards any form of danger that presents itself. | 0:06:11 | 0:06:15 | |
Business as usual, then. | 0:06:15 | 0:06:17 | |
Business as usual. | 0:06:17 | 0:06:19 | |
Did you think I'd forgotten you, dear monster? Hmm? | 0:06:53 | 0:06:57 | |
CRASH AND BANG | 0:06:57 | 0:06:59 | |
I have travelled from London expressly to see Madame Vastra. | 0:07:17 | 0:07:20 | |
If you'd be so kind as to announce me, my good man. | 0:07:20 | 0:07:23 | |
Whom should I say is calling? | 0:07:23 | 0:07:25 | |
It asked for permission to enter and then it fell over. | 0:07:33 | 0:07:37 | |
What are we to make of it? | 0:07:37 | 0:07:39 | |
I imagine Mr Thursday wants to know what progress we are making. | 0:07:39 | 0:07:43 | |
The question is, | 0:07:43 | 0:07:45 | |
how did the Doctor's image come to be preserved on a dead man's eye? | 0:07:45 | 0:07:49 | |
It is a scientific impossibility. | 0:07:49 | 0:07:51 | |
I wonder how Jenny is getting on. | 0:07:51 | 0:07:54 | |
If she hasn't made contact by nightfall, | 0:07:54 | 0:07:56 | |
I suggest a massive frontal assault on the factory, Madame. | 0:07:56 | 0:08:00 | |
Casualties can be kept to perhaps as little as 80%. | 0:08:00 | 0:08:03 | |
I think there may be subtler ways of proceeding, Strax. | 0:08:03 | 0:08:07 | |
Suit yourself. | 0:08:07 | 0:08:09 | |
I'm dead nervous, aren't you? | 0:08:24 | 0:08:26 | |
They have to be sure, you see. Only the best for Sweetville! | 0:08:26 | 0:08:30 | |
I hope me teeth don't let me down. | 0:08:30 | 0:08:33 | |
I'm Abigail. | 0:08:34 | 0:08:36 | |
Pleased to meet you. | 0:08:36 | 0:08:37 | |
-You're not local, are you? -Nah. Up from London. | 0:08:37 | 0:08:40 | |
Different here, I bet. | 0:08:40 | 0:08:42 | |
Oh, yeah! Like a bleedin' horse-market. | 0:08:42 | 0:08:44 | |
Do you know anyone who's come to live here? | 0:08:46 | 0:08:49 | |
In Sweetville, I mean. | 0:08:49 | 0:08:51 | |
I... I had a pal who come here three month back. | 0:08:51 | 0:08:53 | |
She wrote to tell me how perfect it all were. | 0:08:53 | 0:08:56 | |
Funny, though. I've not heard a peep from her since. | 0:08:56 | 0:09:00 | |
Next, please! > | 0:09:00 | 0:09:01 | |
Hang on. We're moving. | 0:09:01 | 0:09:03 | |
What you doin'? | 0:09:11 | 0:09:12 | |
Do us a favour. Cause a distraction. | 0:09:12 | 0:09:14 | |
What? | 0:09:14 | 0:09:16 | |
Swoon. Have a funny turn. Fit of the vapours. | 0:09:16 | 0:09:19 | |
Are you crackers? | 0:09:19 | 0:09:20 | |
Go on. There's a guinea in it for you. | 0:09:20 | 0:09:23 | |
Done. | 0:09:23 | 0:09:26 | |
SHE SQUEALS AND GASPS | 0:09:26 | 0:09:28 | |
MACHINERY CLUNKS | 0:09:38 | 0:09:42 | |
Them new manufacturers can do 'orrible things to a person. | 0:10:19 | 0:10:23 | |
'Orrible. | 0:10:23 | 0:10:25 | |
I've pickled things in here that'd fair turn your hair | 0:10:25 | 0:10:30 | |
snowy as top of Buckden Pike. | 0:10:30 | 0:10:32 | |
You know what I'm looking for. | 0:10:34 | 0:10:36 | |
Oh, aye. All them bits found in't canal. | 0:10:36 | 0:10:40 | |
The Crimson Horror! | 0:10:40 | 0:10:42 | |
It hardly seems possible. | 0:10:54 | 0:10:56 | |
Eh? | 0:10:56 | 0:10:58 | |
I think... | 0:10:58 | 0:10:59 | |
I think I've seen these symptoms before. | 0:11:00 | 0:11:03 | |
Oh, aye? | 0:11:03 | 0:11:05 | |
A long time ago. | 0:11:05 | 0:11:06 | |
Oh, aye? How long? | 0:11:06 | 0:11:08 | |
About 65 million years! | 0:11:08 | 0:11:11 | |
I trust you had a pleasant day, Mama? | 0:11:16 | 0:11:19 | |
Tolerable. | 0:11:19 | 0:11:20 | |
Will Mr Sweet ever join us for dinner, Mama? | 0:11:23 | 0:11:26 | |
Mr Sweet is rather tired tonight, I fear. | 0:11:26 | 0:11:30 | |
Dear me. How clumsy I'm getting. | 0:11:35 | 0:11:39 | |
To keep the Devil at bay. | 0:11:39 | 0:11:41 | |
CRASH IN DISTANCE | 0:12:16 | 0:12:18 | |
CRASHING CONTINUES | 0:12:24 | 0:12:26 | |
SHE JIGGLES DOOR HANDLE | 0:12:50 | 0:12:52 | |
SHE SCREAMS | 0:13:00 | 0:13:02 | |
All right, mate. You just stay calm now! | 0:13:10 | 0:13:13 | |
LOUD THUMP | 0:13:13 | 0:13:15 | |
I could open this door. Would you like that? | 0:13:19 | 0:13:23 | |
SINGLE THUMP | 0:13:23 | 0:13:25 | |
Thought you might. | 0:13:25 | 0:13:26 | |
But you and me has got to come to an arrangement, savvy? | 0:13:28 | 0:13:33 | |
ANOTHER THUMP, RUSTLING CHAINS | 0:13:33 | 0:13:35 | |
Now, you stand well back. Do you hear me? | 0:13:37 | 0:13:39 | |
I don't mean no harm to ya'. | 0:13:39 | 0:13:41 | |
But you try anything funny and I'll leave you here to rot. | 0:13:41 | 0:13:45 | |
Is that understood? | 0:13:45 | 0:13:47 | |
REPEATED THUMPS | 0:13:47 | 0:13:49 | |
Right. | 0:13:49 | 0:13:51 | |
Doctor? | 0:14:01 | 0:14:03 | |
HE MOANS | 0:14:04 | 0:14:06 | |
What's happened to you? | 0:14:06 | 0:14:08 | |
HE MOANS | 0:14:08 | 0:14:10 | |
Can't you speak? | 0:14:14 | 0:14:16 | |
SHE GASPS | 0:14:19 | 0:14:21 | |
Right. We're getting out of here. | 0:14:23 | 0:14:25 | |
Come on! | 0:14:37 | 0:14:40 | |
LIFT CLUNKS | 0:14:40 | 0:14:42 | |
Come on! | 0:14:42 | 0:14:43 | |
Oh, my God. | 0:15:22 | 0:15:24 | |
You're all I have, monster. But all will be well. | 0:15:39 | 0:15:44 | |
Imperfect as we are, there be will room for us in the new Jerusalem! | 0:15:44 | 0:15:48 | |
No... NO! Where are you, monster? Where are you? | 0:16:00 | 0:16:05 | |
HE GRUNTS | 0:16:09 | 0:16:12 | |
What is it? You want to go there? | 0:16:12 | 0:16:14 | |
HE GRUNTS LOUDER | 0:16:14 | 0:16:16 | |
HE MOANS | 0:16:21 | 0:16:23 | |
THRUMMING | 0:16:38 | 0:16:41 | |
-Ah! Missed me? -Doctor! | 0:16:47 | 0:16:49 | |
Jenny! Jenny, Jenny, Jenny! | 0:16:49 | 0:16:52 | |
Just when you think your favourite | 0:16:52 | 0:16:54 | |
lock-picking Victorian chambermaid will never turn up! | 0:16:54 | 0:16:58 | |
Jenny! | 0:16:58 | 0:16:59 | |
You've no idea how good that feels! Right! Mrs Gillyflower! | 0:17:03 | 0:17:07 | |
We've got to stop her! And then there's Clara. Poor Clara. | 0:17:07 | 0:17:09 | |
-Where's Clara? -Clara? | 0:17:09 | 0:17:11 | |
-Doctor, wait! -Can't. Clara. Got to find. | 0:17:11 | 0:17:13 | |
What happened to you? How long have you been like that? | 0:17:13 | 0:17:17 | |
Days. Weeks. Don't know. Long story. I'll keep it short. | 0:17:17 | 0:17:20 | |
METALIC THRUMMING | 0:17:22 | 0:17:24 | |
OK. Not London 1893. | 0:17:24 | 0:17:29 | |
Yorkshire 1893. Near enough. | 0:17:29 | 0:17:32 | |
You're making a habit of this. Getting us lost. | 0:17:32 | 0:17:35 | |
Sorry. It's much better than it used to be. | 0:17:35 | 0:17:38 | |
I once spent a hell of a long time trying to get | 0:17:38 | 0:17:40 | |
a gobby Australian to Heathrow Airport. | 0:17:40 | 0:17:42 | |
-What for? -Search me. Anyway... | 0:17:42 | 0:17:45 | |
A WOMAN SCREAMS | 0:17:45 | 0:17:47 | |
Brave heart, Clara! | 0:17:48 | 0:17:50 | |
It's another one, don't you see? Another victim! | 0:17:55 | 0:17:57 | |
Why won't any one of you listen? | 0:17:57 | 0:17:59 | |
We'll listen. | 0:17:59 | 0:18:00 | |
Mrs Winifred Gillyflower. An astonishing woman. | 0:18:01 | 0:18:04 | |
A prize-winning chemist and mechanical engineer. So why... | 0:18:04 | 0:18:07 | |
Why has she decided to open up a match factory in her old home town? | 0:18:07 | 0:18:11 | |
And no-one who ever goes to live there ever seems to come out. | 0:18:11 | 0:18:14 | |
Same as the rest. | 0:18:19 | 0:18:21 | |
All dead from causes unknown and their flesh...glowing. | 0:18:21 | 0:18:24 | |
Like something manky in a coal cellar. | 0:18:24 | 0:18:27 | |
They keep turning up in't canal. The Crimson Horror! | 0:18:27 | 0:18:31 | |
Ooh. Good name. Hey, that's good, isn't it? The Crimson Horror! | 0:18:31 | 0:18:36 | |
I wonder what it is. | 0:18:38 | 0:18:40 | |
Do you know the old Romany superstition, Clara? | 0:18:41 | 0:18:44 | |
That the eye of a dead person retains an image of | 0:18:44 | 0:18:47 | |
the last thing it sees? | 0:18:47 | 0:18:48 | |
Nonsense, of course. | 0:18:48 | 0:18:50 | |
Unless the chemical composition of the body | 0:18:50 | 0:18:52 | |
has been massively corrupted. | 0:18:52 | 0:18:54 | |
Wow. This is nasty. An organic poison. A sort of venom. | 0:19:00 | 0:19:05 | |
And you think it's connected to Sweetville? | 0:19:05 | 0:19:08 | |
I do. | 0:19:08 | 0:19:09 | |
Well, then, we need a plan! | 0:19:09 | 0:19:11 | |
Doctor and Mrs Smith. Oh, yes. You'll do very nicely. | 0:19:13 | 0:19:18 | |
-IN YORKSHIRE ACCENT: -Oh, grand. Smashing. | 0:19:18 | 0:19:21 | |
Eh, the missus and I couldn't be more chuffed, could we, love? | 0:19:21 | 0:19:24 | |
Sweetville will provide you with everything you need. | 0:19:27 | 0:19:31 | |
You won't have to worry about a thing...ever again. | 0:19:31 | 0:19:34 | |
-The name. Sweetville. -Yes? | 0:19:34 | 0:19:36 | |
Why not name it after yourself? After all, it's your creation. | 0:19:36 | 0:19:39 | |
Gillyflowertown? | 0:19:39 | 0:19:41 | |
Gillyflowerland! You could have roller-coasters. | 0:19:41 | 0:19:43 | |
It is named in tribute to my partner. | 0:19:43 | 0:19:46 | |
Your late partner? | 0:19:46 | 0:19:47 | |
No. My...silent partner. Mr Sweet likes to keep himself to himself. | 0:19:47 | 0:19:52 | |
Shall we move on? | 0:19:52 | 0:19:54 | |
Who lives here? | 0:19:54 | 0:19:56 | |
Oh, names don't matter here. | 0:19:56 | 0:19:58 | |
All you need to know is that we only recruit the brightest and the best. | 0:19:58 | 0:20:02 | |
HE GASPS | 0:20:19 | 0:20:21 | |
Like pretty maids all in a row. | 0:20:23 | 0:20:26 | |
The process improves with every attempt! | 0:20:26 | 0:20:28 | |
Mr Sweet is such a clever old thing. | 0:20:28 | 0:20:31 | |
Oh, into the canal with the rejects, Ada. | 0:20:31 | 0:20:36 | |
Yes. | 0:20:36 | 0:20:38 | |
Ma... | 0:20:45 | 0:20:47 | |
Sometimes, the preservation process goes wrong. Only Mr Sweet knows why. | 0:20:54 | 0:20:59 | |
And only Mama is allowed to talk to Mr Sweet. | 0:20:59 | 0:21:02 | |
But if you're very good, you can stay here. | 0:21:02 | 0:21:06 | |
You'll be my secret. | 0:21:06 | 0:21:08 | |
My special monster. | 0:21:09 | 0:21:12 | |
HE GRUNTS AND MOANS | 0:21:19 | 0:21:21 | |
HE SCREAMS | 0:21:25 | 0:21:27 | |
HE SCREAMS | 0:21:32 | 0:21:34 | |
Poor Edmund must have come looking for us. | 0:21:44 | 0:21:46 | |
And then fallen into a vat of the pure venom. | 0:21:46 | 0:21:49 | |
Or was pushed. Didn't stand a chance. | 0:21:49 | 0:21:53 | |
What is that stuff, though? | 0:21:53 | 0:21:55 | |
Deadly poison. | 0:21:55 | 0:21:56 | |
And Mrs Gillyflower's dipping her Pilgrims in a dilute form | 0:21:56 | 0:21:59 | |
to protect them. Preserve them. | 0:21:59 | 0:22:01 | |
Process didn't work on me. Maybe because I'm not human. | 0:22:01 | 0:22:04 | |
I ended up on the reject pile. | 0:22:04 | 0:22:06 | |
Preserve them against what? | 0:22:06 | 0:22:08 | |
Well, according to her, the coming apocalypse! | 0:22:08 | 0:22:11 | |
HE WHISTLES | 0:22:11 | 0:22:12 | |
"When the End of Days is come and judgement rains down upon us all..." | 0:22:12 | 0:22:17 | |
-What? -Nothing. -No, what? | 0:22:17 | 0:22:20 | |
Something Mrs Gillyflower said. One of her sermons. | 0:22:20 | 0:22:24 | |
Madame will come looking for me. We'd best get on. | 0:22:24 | 0:22:27 | |
-Yes! Clara, got to find Clara. -But, Doctor... | 0:22:27 | 0:22:29 | |
..Clara's dead. | 0:22:31 | 0:22:32 | |
Isn't she? | 0:22:33 | 0:22:35 | |
It's complicated. | 0:22:36 | 0:22:38 | |
Horse! You have failed in your mission. | 0:22:44 | 0:22:48 | |
We are lost, with no sign of Sweetville. | 0:22:48 | 0:22:50 | |
Do you have any final words, before your summary execution? | 0:22:50 | 0:22:54 | |
The usual story. Fourth one this week, and I'm not even hungry. | 0:22:56 | 0:23:03 | |
Sweetville, sir? | 0:23:03 | 0:23:04 | |
Do you know it? | 0:23:04 | 0:23:06 | |
Turn around when possible. | 0:23:06 | 0:23:08 | |
-Then, at the end of the road, turn right. -What? | 0:23:08 | 0:23:11 | |
Bear left for a quarter of a mile | 0:23:11 | 0:23:13 | |
and you will have reached your destination. | 0:23:13 | 0:23:16 | |
Thank you. What is your name? | 0:23:23 | 0:23:25 | |
Thomas, sir. Thomas Thomas. | 0:23:25 | 0:23:27 | |
I think you will do well, Thomas Thomas. | 0:23:27 | 0:23:30 | |
Are we talking about the same person? About that Clara? | 0:23:34 | 0:23:38 | |
Doctor! | 0:23:38 | 0:23:39 | |
Couldn't see much from where I was, | 0:23:43 | 0:23:44 | |
but I think she survived the process. | 0:23:44 | 0:23:47 | |
She must be here somewhere. | 0:23:47 | 0:23:49 | |
But Clara died. The Ice Lady... | 0:23:49 | 0:23:51 | |
Doctor? | 0:23:51 | 0:23:52 | |
Well...it's...er... | 0:23:52 | 0:23:55 | |
It's complicated. | 0:23:55 | 0:23:57 | |
SHE SOBS | 0:24:12 | 0:24:14 | |
What is the meaning of this? | 0:24:17 | 0:24:20 | |
Oh, Mama, I have been foolish. | 0:24:20 | 0:24:24 | |
I have formed a...a sentimental attachment. | 0:24:26 | 0:24:30 | |
An attachment? To whom? | 0:24:31 | 0:24:33 | |
A young man. Unlike the others, he survived rejection. | 0:24:33 | 0:24:38 | |
He must be strong. Worthy of salvation. | 0:24:38 | 0:24:42 | |
Wrecker! Berserker! You have loosed a reject onto the outside world! | 0:24:42 | 0:24:46 | |
I have disappointed you. | 0:24:46 | 0:24:48 | |
My plans must be accelerated. | 0:24:48 | 0:24:50 | |
Nothing must interfere with the Great Work! | 0:24:50 | 0:24:52 | |
But please say there is still room for me in your new Eden, Mama! | 0:24:52 | 0:24:56 | |
Promise me that! | 0:24:56 | 0:24:57 | |
-I will set my Pilgrims onto him. -No! | 0:24:57 | 0:25:00 | |
Kindly do not paw and slobber at my crinolines. | 0:25:00 | 0:25:04 | |
You know I cannot bear to look at sick people. | 0:25:04 | 0:25:07 | |
Promise you will not abandon me, Mama, promise me that! | 0:25:07 | 0:25:11 | |
Do you not yet understand that there can be no place | 0:25:11 | 0:25:15 | |
for people such as you? | 0:25:15 | 0:25:17 | |
That only perfection is good enough for myself and for Mr Sweet. | 0:25:17 | 0:25:21 | |
The bright day is done, child, and you are for the dark. | 0:25:24 | 0:25:28 | |
SHE SOBS | 0:25:32 | 0:25:34 | |
Can she be revived, like you were? | 0:25:37 | 0:25:39 | |
I hope so. | 0:25:39 | 0:25:40 | |
Doctor. | 0:25:47 | 0:25:48 | |
Oh. Great. Great. Attack of the supermodels. | 0:25:48 | 0:25:51 | |
Time for a plan. | 0:25:51 | 0:25:54 | |
Nah, Doctor. This one's on me. | 0:25:54 | 0:25:56 | |
GRUNTING AND GROANING | 0:26:06 | 0:26:08 | |
That is a plan! | 0:26:10 | 0:26:13 | |
OK. Time for a new plan. | 0:26:14 | 0:26:17 | |
STRAX LAUGHS MANIACALLY | 0:26:18 | 0:26:21 | |
-Quickly! Let's go! -No! | 0:26:26 | 0:26:28 | |
No, ma'am! We're not escaping! | 0:26:28 | 0:26:29 | |
We've got to help the Doctor with Clara! | 0:26:29 | 0:26:32 | |
Long story. | 0:26:35 | 0:26:37 | |
What now, Madame? We could lay mimetic cluster mines. | 0:26:37 | 0:26:39 | |
-Strax. -Or dig trenches and fill them with acid. | 0:26:39 | 0:26:42 | |
Strax! You're overexcited. | 0:26:42 | 0:26:44 | |
Have you been eating Miss Jenny's sherbet fancies again? | 0:26:44 | 0:26:47 | |
-No. -Go outside and wait for me until I call for you. | 0:26:48 | 0:26:51 | |
-But, Madame... -Go! | 0:26:51 | 0:26:53 | |
I'm going to go and play with my grenades. | 0:26:55 | 0:26:58 | |
OK, I think she's about done. | 0:26:59 | 0:27:02 | |
I know who you think she is, but she isn't. | 0:27:05 | 0:27:09 | |
She can't be. | 0:27:09 | 0:27:11 | |
I was right, then. You and Clara have unfinished business. | 0:27:11 | 0:27:14 | |
Hello, stranger. | 0:27:18 | 0:27:19 | |
Doctor? | 0:27:19 | 0:27:21 | |
Uh-huh. | 0:27:21 | 0:27:23 | |
Hi. | 0:27:23 | 0:27:25 | |
What's going on? | 0:27:27 | 0:27:30 | |
-IN YORKSHIRE ACCENT: -Haven't you heard, love? | 0:27:30 | 0:27:32 | |
There's trouble at t'mill! | 0:27:32 | 0:27:34 | |
She's a lizard. | 0:27:35 | 0:27:37 | |
My people once ruled this world, as well you know. | 0:27:39 | 0:27:42 | |
But we did not rule it alone. | 0:27:42 | 0:27:43 | |
Just as humanity fights a daily battle against nature, so did we. | 0:27:43 | 0:27:47 | |
And our greatest plague, | 0:27:47 | 0:27:48 | |
the most virulent enemy was the repulsive red leech. | 0:27:48 | 0:27:53 | |
Ooh! The repulsive red leech! | 0:27:53 | 0:27:55 | |
Nah. On balance, I think I prefer the Crimson Horror. | 0:27:55 | 0:27:58 | |
What was it exactly? | 0:27:58 | 0:27:59 | |
A tiny parasite. It infected our drinking water. | 0:27:59 | 0:28:02 | |
And once in our systems, it secreted a fatal poison. | 0:28:02 | 0:28:05 | |
If it's been hanging around, | 0:28:05 | 0:28:06 | |
lurking in the shadows, maybe it's evolved. | 0:28:06 | 0:28:10 | |
Or maybe it's had help. | 0:28:10 | 0:28:13 | |
Doctor, I've been thinking, the chimney... | 0:28:13 | 0:28:15 | |
Yeah, yeah, yeah. Way past that now! | 0:28:15 | 0:28:16 | |
Yucky red parasite from the time of the dinosaurs | 0:28:16 | 0:28:19 | |
pitches up in Victorian Yorkshire. Didn't see that one coming! | 0:28:19 | 0:28:21 | |
Yeah, but the chimney... | 0:28:21 | 0:28:23 | |
But what's the connection to Mrs Gillyflower? | 0:28:23 | 0:28:25 | |
"Judgement will rain down on us all..." | 0:28:25 | 0:28:27 | |
An empty mill. | 0:28:30 | 0:28:32 | |
A chimney that doesn't blow smoke. | 0:28:34 | 0:28:37 | |
-Clever clogs. -Missed me? -Yeah, lots! | 0:28:41 | 0:28:44 | |
She's going to poison the air! | 0:28:50 | 0:28:52 | |
How? | 0:28:52 | 0:28:54 | |
MACHINERY GRINDS | 0:28:54 | 0:28:56 | |
With that, I should think. | 0:29:04 | 0:29:07 | |
And there's the poison. | 0:29:10 | 0:29:13 | |
All right, gang, I've got a plan. | 0:29:13 | 0:29:15 | |
METAL CLINKS | 0:29:17 | 0:29:18 | |
Shh! | 0:29:19 | 0:29:20 | |
OK. | 0:29:22 | 0:29:24 | |
SHE SOBS | 0:29:48 | 0:29:50 | |
Who's that? Who is there? | 0:29:55 | 0:29:58 | |
You. It's you! My monster. | 0:30:07 | 0:30:11 | |
-You've come back! But you're... -Warm. And alive. Thanks to you, Ada. | 0:30:11 | 0:30:16 | |
You saved me from your mother's human rubbish tip. | 0:30:16 | 0:30:21 | |
Now, what's wrong? | 0:30:21 | 0:30:23 | |
She does not want me, monster! I am not to be chosen. | 0:30:23 | 0:30:28 | |
Perhaps it was my own sin, the blackness in my heart, | 0:30:29 | 0:30:32 | |
that my father saw in me. | 0:30:32 | 0:30:34 | |
Ada, no. That's nonsense. | 0:30:34 | 0:30:37 | |
Stupid, backwards nonsense, and you know it! | 0:30:37 | 0:30:40 | |
You know it. | 0:30:41 | 0:30:43 | |
CLARA: What is it? | 0:30:46 | 0:30:48 | |
Who is that? | 0:30:48 | 0:30:50 | |
I'm... I'm a friend, a friend of his. | 0:30:50 | 0:30:56 | |
Then you are fortunate, indeed. It isn't good to be alone. | 0:30:56 | 0:31:00 | |
Now, Ada, I need you tell me something - who is Mr Sweet? | 0:31:02 | 0:31:09 | |
Ada? | 0:31:11 | 0:31:12 | |
-Oh, dear monster... -Please. Tell me. | 0:31:12 | 0:31:14 | |
I cannot! Even now, I cannot! I cannot betray Mama. | 0:31:14 | 0:31:18 | |
Well, come with us, then. There's something you need to know. | 0:31:23 | 0:31:28 | |
SHE CHUCKLES | 0:31:46 | 0:31:48 | |
You do seem to keep turning up like a bad penny, young man. | 0:31:48 | 0:31:51 | |
Force of habit. | 0:31:51 | 0:31:52 | |
Can I offer you something? Tea? Seed cake? | 0:31:52 | 0:31:55 | |
A glass of Amontillado? | 0:31:55 | 0:31:57 | |
No, thanks. We've had a skinful already, as you might say. | 0:31:57 | 0:32:00 | |
Ha! Very funny. | 0:32:00 | 0:32:02 | |
I'm the Doctor, you're nuts, and I'm going to stop you. | 0:32:02 | 0:32:06 | |
I'm afraid Mr Sweet and I cannot allow that. | 0:32:06 | 0:32:09 | |
Oh, yes. Would it be impolite to ask why you and Mr Sweet are petrifying | 0:32:09 | 0:32:13 | |
your workforce with diluted prehistoric leech venom? | 0:32:13 | 0:32:16 | |
So when do we get to meet him, | 0:32:16 | 0:32:18 | |
this silent partner of yours? Why's he so shy? | 0:32:18 | 0:32:21 | |
Mr Sweet is always with us. | 0:32:21 | 0:32:23 | |
You seem to have a very close relationship, you and your pal. | 0:32:23 | 0:32:26 | |
Oh, yes, Doctor. Exceedingly close. | 0:32:26 | 0:32:28 | |
Symbiotic, you might say. | 0:32:31 | 0:32:33 | |
Doctor... What is it? | 0:32:49 | 0:32:52 | |
A survivor! | 0:32:52 | 0:32:53 | |
He has grown fat on the filth humanity has pumped into the rivers. | 0:32:53 | 0:32:58 | |
That's where I found him. | 0:32:58 | 0:33:00 | |
Very enterprising. | 0:33:00 | 0:33:01 | |
His needs are simple. And in return, he gives me his nectar. | 0:33:01 | 0:33:05 | |
Mrs Gillyflower, you have no idea what you're dealing with! | 0:33:05 | 0:33:09 | |
In the wrong hands, that venom could wipe out all life on this planet! | 0:33:09 | 0:33:14 | |
Do you know what these are? | 0:33:14 | 0:33:16 | |
SHE LAUGHS The wrong hands! | 0:33:17 | 0:33:20 | |
Planning a little fireworks party, are we? | 0:33:36 | 0:33:38 | |
You've forced me to advance the Great Work somewhat, Doctor. | 0:33:38 | 0:33:42 | |
But my colossal scheme remains as it was. | 0:33:42 | 0:33:45 | |
My rocket will explode high in the atmosphere, | 0:33:45 | 0:33:49 | |
raining down Mr Sweet's beneficence onto all humanity. | 0:33:49 | 0:33:54 | |
And wiping us all out! You can't! | 0:33:54 | 0:33:55 | |
My new Adam and Eves will sleep for but a few months | 0:33:55 | 0:33:58 | |
before stepping out into a golden dawn. | 0:33:58 | 0:34:02 | |
Is it not beautiful, Doctor? | 0:34:02 | 0:34:04 | |
Tell us about Ada, Mrs Gillyflower. | 0:34:08 | 0:34:11 | |
What? | 0:34:11 | 0:34:12 | |
Your daughter. You do remember your daughter? | 0:34:12 | 0:34:14 | |
Tell us about your daughter. | 0:34:14 | 0:34:16 | |
How can you speak of such trivia when my hour is at hand? | 0:34:16 | 0:34:20 | |
-The child is of no consequence. -Is that why you experimented on her? | 0:34:20 | 0:34:24 | |
Experimented? | 0:34:24 | 0:34:25 | |
The signs are all there. The pattern of scarring. | 0:34:25 | 0:34:27 | |
You used her as a guinea pig, didn't you? | 0:34:27 | 0:34:31 | |
God! | 0:34:31 | 0:34:32 | |
Sometimes, sacrifices must be made. | 0:34:32 | 0:34:34 | |
Sacrifices? | 0:34:36 | 0:34:37 | |
It was necessary! | 0:34:37 | 0:34:39 | |
I had to find out how much of the venom would produce an anti-toxin. | 0:34:39 | 0:34:43 | |
To immunise myself! Don't you see? It was necessary! | 0:34:43 | 0:34:47 | |
Mama? | 0:34:47 | 0:34:48 | |
Is it... Is it true? | 0:34:48 | 0:34:51 | |
Ada. | 0:34:51 | 0:34:53 | |
It is. It's true. True. | 0:34:53 | 0:34:56 | |
Ada, listen to me. | 0:34:56 | 0:34:59 | |
You hag! You perfidious hag! You virago! You harpy! | 0:34:59 | 0:35:06 | |
All these years, I have helped you, served you. | 0:35:06 | 0:35:10 | |
Looked out for you. Does it count for nothing? Nothing at all? | 0:35:10 | 0:35:14 | |
Stop, stop. | 0:35:14 | 0:35:17 | |
Hang on, I've got the sonic screwdriver! | 0:35:18 | 0:35:20 | |
Yeah? I've got a chair! | 0:35:20 | 0:35:22 | |
No! | 0:35:22 | 0:35:24 | |
Yeah. That worked. I'm afraid your rocket isn't going anywhere, Mrs G. | 0:35:28 | 0:35:35 | |
Please, come to me, Ada. | 0:35:50 | 0:35:53 | |
SHE SOBS | 0:35:56 | 0:35:58 | |
My child. | 0:35:58 | 0:36:00 | |
You have always been so very... | 0:36:00 | 0:36:05 | |
useful. | 0:36:05 | 0:36:07 | |
No, Mrs Gillyflower. | 0:36:07 | 0:36:09 | |
Please, Mama. No more. No more. | 0:36:09 | 0:36:12 | |
And now, if you'll please forgive us, we must be going. | 0:36:12 | 0:36:16 | |
It is long past Ada's bedtime! | 0:36:16 | 0:36:21 | |
No... No, Clara. | 0:36:21 | 0:36:22 | |
If we follow straight after her, she'll shoot Ada on the spot. | 0:36:22 | 0:36:25 | |
-She wouldn't! -She would! | 0:36:25 | 0:36:27 | |
Chairs are useful! | 0:36:30 | 0:36:32 | |
GLASS SHATTERS | 0:36:35 | 0:36:37 | |
-Come, Ada. Don't dawdle. -Please, Mama, stop. | 0:36:37 | 0:36:39 | |
Has the venom been loaded? | 0:36:39 | 0:36:41 | |
-Yes, ma'am. -Then heaven awaits ya'! | 0:36:41 | 0:36:44 | |
-ADA: -Stop! | 0:37:04 | 0:37:06 | |
Just let her go, Mrs Gillyflower. Let Ada go! | 0:37:11 | 0:37:15 | |
Secondary firing mechanism, Doctor! | 0:37:15 | 0:37:17 | |
Mr Sweet and I are too smart for you, after all. | 0:37:17 | 0:37:20 | |
Just let your daughter go, Mrs Gillyflower. | 0:37:20 | 0:37:23 | |
Shoot, if you wish, Mama. It is of no matter, | 0:37:27 | 0:37:31 | |
for you killed me a long time ago. | 0:37:31 | 0:37:33 | |
# I'll labour night and day | 0:37:39 | 0:37:41 | |
# To be a pilgrim! # | 0:37:41 | 0:37:44 | |
ROCKET ENGINE THUNDERS | 0:37:44 | 0:37:46 | |
Now, Mr Sweet, now the whole world will taste your lethal kiss! | 0:38:02 | 0:38:08 | |
I don't think so, Mrs Gillyflower. | 0:38:09 | 0:38:12 | |
HE SNAPS FINGERS | 0:38:12 | 0:38:14 | |
Very well, then. | 0:38:18 | 0:38:20 | |
If I can't take the world with me, you will have to do. | 0:38:20 | 0:38:25 | |
Die, you freaks! Die! | 0:38:25 | 0:38:29 | |
Die! | 0:38:29 | 0:38:31 | |
Put down your weapon, human female! | 0:38:31 | 0:38:33 | |
SHE GASPS | 0:38:33 | 0:38:35 | |
HE LAUGHS | 0:38:35 | 0:38:37 | |
SHOT FIRED | 0:38:37 | 0:38:40 | |
SHE SCREAMS | 0:38:40 | 0:38:42 | |
Ouch! | 0:38:45 | 0:38:46 | |
No... No! | 0:38:57 | 0:39:01 | |
Mr Sweet? Where are you going? | 0:39:01 | 0:39:05 | |
You can't leave me now, Mr Sweet. | 0:39:05 | 0:39:10 | |
What's it doing? | 0:39:10 | 0:39:11 | |
It knows she's dying. She's no longer any use to it. | 0:39:11 | 0:39:14 | |
Mr Sweet! | 0:39:14 | 0:39:15 | |
Ada? | 0:39:18 | 0:39:19 | |
Ada. | 0:39:21 | 0:39:23 | |
Are you there? | 0:39:25 | 0:39:27 | |
I'm here, Mama. | 0:39:29 | 0:39:31 | |
Forgive me, my child. Forgive me. | 0:39:31 | 0:39:36 | |
Never. | 0:39:40 | 0:39:42 | |
That's...my...girl. | 0:39:42 | 0:39:45 | |
EXPLOSION | 0:39:50 | 0:39:51 | |
What will you do with that thing? | 0:39:58 | 0:40:01 | |
Take it back to the Jurassic era, maybe. Out of harm's way. | 0:40:01 | 0:40:05 | |
On the other hand... | 0:40:16 | 0:40:18 | |
HE STUTTERS, THEN SIGHS | 0:40:18 | 0:40:20 | |
Right, London. We were heading for London, weren't we? | 0:40:20 | 0:40:24 | |
Was there any particular reason? | 0:40:24 | 0:40:26 | |
No. Thought you might...like it. | 0:40:26 | 0:40:30 | |
Yeah. Maybe had enough Victorian values for a bit. | 0:40:30 | 0:40:34 | |
You're the boss. | 0:40:34 | 0:40:35 | |
Am I? | 0:40:35 | 0:40:37 | |
No. No... Get in. | 0:40:37 | 0:40:40 | |
Now, Ada, I'd love to stay and clear up the mess, but... | 0:40:45 | 0:40:48 | |
I know, dear monster, you have things to do. | 0:40:48 | 0:40:50 | |
And what about you? | 0:40:50 | 0:40:51 | |
Oh, there are many things a bright young lady can do | 0:40:51 | 0:40:54 | |
to occupy her time. | 0:40:54 | 0:40:56 | |
It's time I stepped out of the darkness and into the light. | 0:40:56 | 0:40:59 | |
Good luck, Ada. You know, I think you'll be just... | 0:40:59 | 0:41:04 | |
..splendid. | 0:41:08 | 0:41:10 | |
Well, thanks a million, you three, as ever. | 0:41:14 | 0:41:19 | |
Have some Pontefract cakes on me. I love Pontefract cakes! | 0:41:19 | 0:41:22 | |
See you around, eh? I shouldn't wonder. | 0:41:24 | 0:41:27 | |
But, Doctor, that girl - Clara. You haven't explained. | 0:41:27 | 0:41:33 | |
No. I haven't. | 0:41:42 | 0:41:44 | |
Ah, look at the muck in here! Right! | 0:41:49 | 0:41:52 | |
Another one for the vault. | 0:41:54 | 0:41:57 | |
Ah! There you are. | 0:41:57 | 0:41:59 | |
I called to see whether there had been any progress. | 0:41:59 | 0:42:02 | |
METALLIC THRUMMING | 0:42:02 | 0:42:03 | |
The boss, yep, that's me! | 0:42:15 | 0:42:18 | |
I am the boss. | 0:42:26 | 0:42:28 | |
It's you, isn't it? It's from the '70s, but it's definitely you. | 0:42:41 | 0:42:47 | |
Of course it's not. | 0:42:47 | 0:42:48 | |
And that's you too, from 1983, I found it at school. | 0:42:48 | 0:42:54 | |
No, it's just someone who looks like me. | 0:42:55 | 0:42:58 | |
And that's someone that looks like your boyfriend? | 0:42:58 | 0:43:00 | |
Is he an alien? | 0:43:00 | 0:43:02 | |
Why would he be an alien? | 0:43:02 | 0:43:04 | |
The chin. | 0:43:04 | 0:43:05 | |
And the time travel? | 0:43:05 | 0:43:07 | |
That's not right. | 0:43:10 | 0:43:12 | |
-You were in Victorian London. -No, I was in Victorian Yorkshire. | 0:43:12 | 0:43:15 | |
-How come you didn't tell us? -Time travel, that's so cool! | 0:43:18 | 0:43:21 | |
-Can we have a go? -Can you have a what?! | 0:43:21 | 0:43:23 | |
-We want a shot at the time machine! -No, no, no! Listen... | 0:43:23 | 0:43:26 | |
OK, or we'll have to tell Dad that our nanny's a time traveller! | 0:43:26 | 0:43:32 | |
Hedgewick's World, | 0:43:40 | 0:43:41 | |
the biggest and best amusement park there will ever be! | 0:43:41 | 0:43:45 | |
Yeah, it's closed down, reports of people just vanishing. | 0:43:45 | 0:43:48 | |
No need to panic, my young friends. | 0:43:48 | 0:43:50 | |
We all know there are no more living Cybermen. | 0:43:50 | 0:43:52 | |
Attack formation, quickly! | 0:43:52 | 0:43:54 | |
Don't wander off! | 0:43:54 | 0:43:56 | |
SCREAMING | 0:43:58 | 0:43:59 | |
Take defensive positions! | 0:43:59 | 0:44:02 | |
They're here! | 0:44:02 | 0:44:06 | |
Hail to you, the Doctor! Saviour of the Cybermen! | 0:44:06 | 0:44:09 | |
Subtitles by Red Bee Media Ltd | 0:44:29 | 0:44:34 |