Browse content similar to Painted Blind. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Put it down! | 0:00:27 | 0:00:28 | |
Face the truth, YOU pushed her away. | 0:00:33 | 0:00:36 | |
No, you don't, no. | 0:00:41 | 0:00:43 | |
No. | 0:00:43 | 0:00:44 | |
-Elaine, I'm so... -Bye, Alex. | 0:00:44 | 0:00:47 | |
BELL RINGS | 0:00:50 | 0:00:52 | |
Jimmi. | 0:01:10 | 0:01:13 | |
Hi. Can I come in? | 0:01:13 | 0:01:15 | |
Of course. | 0:01:15 | 0:01:16 | |
What can I do for you? | 0:01:18 | 0:01:20 | |
Is something wrong? | 0:01:23 | 0:01:25 | |
Eh... | 0:01:25 | 0:01:27 | |
There's no easy way to say... | 0:01:28 | 0:01:30 | |
Harrison's dead. | 0:01:31 | 0:01:33 | |
No. | 0:01:35 | 0:01:36 | |
What happened? | 0:01:38 | 0:01:39 | |
He said he was the target for some of the other prisoners. | 0:01:41 | 0:01:43 | |
It was nothing like that, he took his own life. | 0:01:43 | 0:01:46 | |
-What? -I'm sorry. | 0:01:46 | 0:01:49 | |
There's no question? | 0:01:51 | 0:01:52 | |
It couldn't have been an accident? | 0:01:52 | 0:01:54 | |
They found him in his cell, he'd hanged himself. | 0:01:57 | 0:02:00 | |
I thought you'd like to know before you saw it in the morning papers. | 0:02:00 | 0:02:03 | |
Right. Thanks. | 0:02:06 | 0:02:08 | |
-Would you like some tea? Kettle's just boiled. -Er... | 0:02:10 | 0:02:14 | |
Oh, yes! | 0:02:23 | 0:02:26 | |
This piece wouldn't be the same without your attention to detail. | 0:02:26 | 0:02:29 | |
-Thanks. -No, don't stop on my account. | 0:02:29 | 0:02:32 | |
You're fast becoming my Edie Sedgwick. | 0:02:32 | 0:02:34 | |
-Edie Sedgwick? Andy Warhol's factory girl? -Right. | 0:02:36 | 0:02:40 | |
See, that's what I want this place to become - like Warhol's factory. | 0:02:40 | 0:02:44 | |
He was excellent at marketing himself. | 0:02:44 | 0:02:46 | |
I love his work - those Marilyn Monroe screen prints. | 0:02:46 | 0:02:49 | |
He put the super in superficial. | 0:02:49 | 0:02:52 | |
He saw the future, made his name a global brand. | 0:02:52 | 0:02:54 | |
Is that what you want? | 0:02:54 | 0:02:56 | |
Well, this exhibition will be a leap forward, certainly. | 0:02:56 | 0:02:58 | |
Kingsley Apollo, going into orbit. | 0:02:58 | 0:03:00 | |
Ooh, that's a bit obvious, Im. | 0:03:00 | 0:03:03 | |
Isn't that your art school mentality talking? | 0:03:03 | 0:03:06 | |
No... I'm so glad that I've left all that. | 0:03:06 | 0:03:09 | |
This is so much better, | 0:03:09 | 0:03:10 | |
-actually doing things instead of talking about them. -Hmmm. | 0:03:10 | 0:03:13 | |
Everybody's always banging on about how being a student is like, | 0:03:13 | 0:03:16 | |
"Finding yourself as an artist." It's just so boring. | 0:03:16 | 0:03:18 | |
This is much more of a challenge... | 0:03:18 | 0:03:20 | |
Belinda darling. | 0:03:20 | 0:03:22 | |
KINGSLEY LAUGHS | 0:03:22 | 0:03:23 | |
Did you speak to the gallery? | 0:03:23 | 0:03:25 | |
Are they gonna give us the whole space? | 0:03:25 | 0:03:27 | |
OK. | 0:03:27 | 0:03:29 | |
Alright, hang on. | 0:03:29 | 0:03:30 | |
Now darling, I know I can trust you with this, | 0:03:34 | 0:03:36 | |
but just be a bit more careful with the brush strokes. | 0:03:36 | 0:03:39 | |
Devil's in the details. | 0:03:39 | 0:03:41 | |
Hello, hi. | 0:03:43 | 0:03:44 | |
Well it needs a whole room to itself, that's the point. | 0:03:44 | 0:03:47 | |
Come on. | 0:03:47 | 0:03:48 | |
I'll send you a photo. | 0:03:48 | 0:03:49 | |
I must have been the last person he spoke to. | 0:03:53 | 0:03:56 | |
He said he'd do the right thing. | 0:03:58 | 0:04:00 | |
I never thought he meant... | 0:04:00 | 0:04:02 | |
I don't think any one anticipated it. | 0:04:03 | 0:04:05 | |
They'd have put him on suicide watch if they'd suspected otherwise. | 0:04:05 | 0:04:08 | |
Anyway, it is for the best, isn't it? | 0:04:08 | 0:04:10 | |
He said there was no way out but he found one, didn't he? | 0:04:12 | 0:04:16 | |
I'm not sure I'd put it like that. | 0:04:16 | 0:04:19 | |
Perhaps he finally did the right thing. | 0:04:19 | 0:04:20 | |
Anyway... | 0:04:22 | 0:04:23 | |
Thanks for coming - I'll see you later. | 0:04:25 | 0:04:28 | |
Are you still coming in? | 0:04:28 | 0:04:30 | |
Why wouldn't I? | 0:04:30 | 0:04:31 | |
It's a lot to take in. | 0:04:31 | 0:04:33 | |
I'm fine. | 0:04:33 | 0:04:35 | |
I dealt with Harrison last week. Drew a line under it. | 0:04:35 | 0:04:38 | |
If you're sure? | 0:04:38 | 0:04:40 | |
I believed in something that wasn't there. | 0:04:40 | 0:04:42 | |
A stupid affair, nothing more. | 0:04:42 | 0:04:45 | |
Hello, is it alright? | 0:05:06 | 0:05:09 | |
What are you doing here? | 0:05:09 | 0:05:11 | |
There was something I wanted to talk to you about. | 0:05:11 | 0:05:15 | |
-Well, it couldn't wait. -I'm working. | 0:05:15 | 0:05:16 | |
Nobody else is. Look, time for a chocolate brownie? Quick energy fix. | 0:05:16 | 0:05:20 | |
Mum. | 0:05:20 | 0:05:21 | |
So... | 0:05:21 | 0:05:23 | |
I didn't want you to hear it from anyone else, | 0:05:23 | 0:05:25 | |
Harrison Kellor's dead. | 0:05:25 | 0:05:28 | |
What? No? Serious? | 0:05:28 | 0:05:30 | |
Hanged himself, according to your dad. | 0:05:30 | 0:05:32 | |
There is a God. | 0:05:32 | 0:05:34 | |
Immie! | 0:05:34 | 0:05:35 | |
You don't expect me to have sympathy for him? | 0:05:35 | 0:05:38 | |
No, but someone's died. | 0:05:38 | 0:05:40 | |
Yeah and better him than Jack. What did he say? | 0:05:40 | 0:05:42 | |
He doesn't know yet. This is the thing, you see. | 0:05:42 | 0:05:44 | |
I wanted to go up there, tell him in person, not over the phone. | 0:05:44 | 0:05:47 | |
But your dad's all, | 0:05:47 | 0:05:49 | |
"Cut the cord, have you lost the plot?" - typical. | 0:05:49 | 0:05:52 | |
-So...? -So I know you can do that video doodah thing on your phone. | 0:05:52 | 0:05:57 | |
I thought that Jack set you up with Skype? | 0:05:57 | 0:06:00 | |
Skype? Tripe - I can't get it to do anything. | 0:06:00 | 0:06:04 | |
So you want me to do it? | 0:06:04 | 0:06:05 | |
Now? | 0:06:07 | 0:06:08 | |
PHONE RINGS | 0:06:41 | 0:06:42 | |
Alright, Gnome? | 0:06:47 | 0:06:49 | |
-Bit early in the morning for you? -I've not even been to bed yet. | 0:06:49 | 0:06:52 | |
Get you, you rebel. | 0:06:52 | 0:06:53 | |
Morning love. | 0:06:53 | 0:06:55 | |
-Mum, what's up? -Harrison's dead. | 0:06:55 | 0:06:57 | |
-What? -He hanged himself on Friday. | 0:06:57 | 0:07:00 | |
So basically, you both left Letherbridge at the same time. | 0:07:00 | 0:07:04 | |
-Right. -Are you alright? | 0:07:04 | 0:07:07 | |
I know it's a bit of a shock. | 0:07:07 | 0:07:09 | |
No, yeah, I'm fine, good riddance. | 0:07:09 | 0:07:12 | |
Hope he's burning. | 0:07:12 | 0:07:14 | |
-I'm only sorry I won't get my day in court. -I'm not. | 0:07:14 | 0:07:17 | |
At least this way you won't have to relive it all, none of us do. | 0:07:17 | 0:07:20 | |
I was looking forward to facing him down when I was taking the stand. | 0:07:20 | 0:07:24 | |
Are you sure you're OK? How's Newcastle? | 0:07:24 | 0:07:27 | |
Yeah, great, it's brilliant here, loads of nice pubs and clubs. | 0:07:27 | 0:07:31 | |
I've met a few of the other people doing the LPC. | 0:07:31 | 0:07:33 | |
-It was a right laugh. -Lovely. | 0:07:33 | 0:07:35 | |
Has Mr Skanky McTalentless Buttcrack coughed up any wages yet, Im? | 0:07:35 | 0:07:39 | |
I've told you, it's not about the money. | 0:07:39 | 0:07:41 | |
It's always about the money. | 0:07:41 | 0:07:44 | |
Alright, I better be off, see you. | 0:07:44 | 0:07:46 | |
Call your dad, he'll tell you all... | 0:07:47 | 0:07:49 | |
Do you think he's all right? | 0:07:52 | 0:07:54 | |
He's fine. Better than fine. | 0:07:54 | 0:07:56 | |
I'm still here, thankfully. | 0:07:59 | 0:08:02 | |
Burst appendix - slippery little devils. | 0:08:02 | 0:08:04 | |
I thought it was indigestion. | 0:08:04 | 0:08:06 | |
Anything else I can do? | 0:08:08 | 0:08:10 | |
Not really, thanks. Unless you're any good at pest control? | 0:08:10 | 0:08:14 | |
My monthly visitor's back. | 0:08:16 | 0:08:18 | |
Cramps? That will be uncomfortable with stitches. | 0:08:18 | 0:08:20 | |
Not that - her. | 0:08:20 | 0:08:23 | |
Out there. | 0:08:23 | 0:08:24 | |
Every four weeks, like clockwork. "The Mistress." | 0:08:24 | 0:08:27 | |
Do you know her? | 0:08:27 | 0:08:28 | |
She sits there sometimes for hours until the other car arrives. | 0:08:28 | 0:08:32 | |
She gets in and off they go. | 0:08:32 | 0:08:34 | |
He's obviously married, | 0:08:34 | 0:08:36 | |
otherwise why all this? | 0:08:36 | 0:08:38 | |
That's terrible. | 0:08:38 | 0:08:40 | |
Someone, somewhere, is getting hurt. | 0:08:42 | 0:08:44 | |
Used to be me once, getting the heartache. | 0:08:47 | 0:08:50 | |
He ended up with a family he told me he never wanted, | 0:08:50 | 0:08:54 | |
with the other woman, and I got this. | 0:08:54 | 0:08:56 | |
You must be able to justify it to yourself. | 0:09:20 | 0:09:22 | |
Cheating once, in a moment of madness, that's one thing but... | 0:09:23 | 0:09:28 | |
They believe the passion can excuse the guilt. | 0:09:28 | 0:09:31 | |
-You know I used to teach English Literature? -Really? | 0:09:31 | 0:09:34 | |
All those stories of women lost to love. | 0:09:34 | 0:09:37 | |
"I didn't plan it, I'm not a bad person, I couldn't help myself." | 0:09:37 | 0:09:40 | |
She must know that she's doing wrong. | 0:09:40 | 0:09:42 | |
Wasted lives. Can I start being a bit more active? | 0:09:42 | 0:09:46 | |
Yes, as long as you're careful. | 0:09:46 | 0:09:48 | |
I won't be witness to this any longer. | 0:09:48 | 0:09:50 | |
Martha? | 0:09:52 | 0:09:54 | |
-Good morning, Doctor Cassidy. -Morning. | 0:10:03 | 0:10:05 | |
Sorry, am I in your space? | 0:10:33 | 0:10:34 | |
I'm having a bit of engine trouble. | 0:10:34 | 0:10:36 | |
I've called the breakdown service | 0:10:36 | 0:10:38 | |
He won't leave her, you know. | 0:10:38 | 0:10:39 | |
Excuse me? | 0:10:39 | 0:10:40 | |
I don't want you parking here any more. | 0:10:40 | 0:10:42 | |
-I told you... -Yes, engine trouble, | 0:10:42 | 0:10:45 | |
every four weeks and always here. | 0:10:45 | 0:10:47 | |
I don't want to be the backdrop for your sordid activity. | 0:10:47 | 0:10:50 | |
-Who do you think you're talking to? -Park somewhere else from now on. | 0:10:50 | 0:10:53 | |
You're pushing yourself too far, Martha. | 0:10:53 | 0:10:55 | |
You don't know the first thing about me. | 0:10:55 | 0:10:58 | |
I have your car details, you and your "breakdown man" | 0:10:58 | 0:11:01 | |
and a list of times and dates. | 0:11:01 | 0:11:03 | |
-Handy for any divorce case. -You need to get your facts straight. | 0:11:03 | 0:11:06 | |
Let's get you back inside. | 0:11:06 | 0:11:08 | |
Facts? You don't know facts, you just deal with lies. | 0:11:08 | 0:11:11 | |
Excuse me? | 0:11:11 | 0:11:12 | |
You're pushing yourself too far, you might pop a stitch. | 0:11:12 | 0:11:15 | |
Can you give me a hand getting her back inside? | 0:11:15 | 0:11:18 | |
I'm sorry, I'm waiting for someone. | 0:11:18 | 0:11:20 | |
Please, she's just had major surgery. I can't do it on my own. | 0:11:20 | 0:11:22 | |
Come on, we need to get you inside, come on. | 0:11:28 | 0:11:30 | |
I know we made a bit of fuss, but I'm not sorry that you are staying. | 0:11:30 | 0:11:35 | |
I'm learning more here than I would at college. | 0:11:35 | 0:11:38 | |
I couldn't have dropped in | 0:11:38 | 0:11:40 | |
-as casually as you like if you were in a class. -No. | 0:11:40 | 0:11:43 | |
I know this won't mean much to you now but I've always hoped | 0:11:43 | 0:11:46 | |
that we'd have this... | 0:11:46 | 0:11:48 | |
this really cool mother/daughter thing. | 0:11:48 | 0:11:51 | |
I don't mean matching outfits and going clubbing together and such, | 0:11:51 | 0:11:54 | |
but just mates. | 0:11:54 | 0:11:56 | |
I am going to be really busy you know. | 0:11:56 | 0:11:59 | |
-Networking with other artists and learning new skills. -Yeah. | 0:11:59 | 0:12:03 | |
It's made it easier to cope with Jack settling so far away. | 0:12:03 | 0:12:06 | |
Maybe, MAYBE Kingsley isn't so bad after all. | 0:12:09 | 0:12:12 | |
He's amazing and he's already become a really important part of who I am. | 0:12:12 | 0:12:18 | |
I should get to know him better, why don't you pop round tonight? | 0:12:19 | 0:12:23 | |
I'll make a very artistic shepherd's pie? | 0:12:23 | 0:12:27 | |
I'll ask him, he'll be back in a bit. | 0:12:27 | 0:12:29 | |
Meanwhile... | 0:12:30 | 0:12:32 | |
So what has he told you? Is it that golden oldie? | 0:12:37 | 0:12:40 | |
-"My wife doesn't understand me?" -Martha, keep calm. | 0:12:40 | 0:12:43 | |
-Is that all? -Thanks. | 0:12:43 | 0:12:45 | |
Yes, thanks. I hope it hasn't worn you out, | 0:12:45 | 0:12:48 | |
can't have you spending the rest of the day flat on your back, can we? | 0:12:48 | 0:12:51 | |
-Martha! -If you must know he's in an unhappy marriage | 0:12:51 | 0:12:54 | |
and they're stuck caring for his ill mother, a crippling mortgage. | 0:12:54 | 0:12:57 | |
-I see. -I'm the one bright spot in his life. | 0:12:57 | 0:12:59 | |
We grab what happiness we can. | 0:12:59 | 0:13:01 | |
It won't always be like this. | 0:13:01 | 0:13:05 | |
And your life's on hold? | 0:13:04 | 0:13:05 | |
He's worth it. | 0:13:06 | 0:13:07 | |
And anyway, he's not hurting his wife because she knows. | 0:13:07 | 0:13:11 | |
-She knows? -We're discreet for the sake of his mother. | 0:13:11 | 0:13:13 | |
Until they can afford to find a private nursing home for her. | 0:13:13 | 0:13:16 | |
You'll be in a nursing home before he leaves his wife. | 0:13:16 | 0:13:18 | |
Why should he change anything | 0:13:18 | 0:13:20 | |
as long as he can have his cake and eat it? | 0:13:20 | 0:13:22 | |
-He's not like that. -Wake up! They're all like that. | 0:13:22 | 0:13:25 | |
Yeah! Well it's my life. | 0:13:25 | 0:13:27 | |
Morning. | 0:13:33 | 0:13:34 | |
Elaine? | 0:13:36 | 0:13:37 | |
What are you doing here? | 0:13:37 | 0:13:39 | |
Admin. | 0:13:39 | 0:13:41 | |
You should be at home. | 0:13:42 | 0:13:43 | |
I'm fine here. | 0:13:43 | 0:13:45 | |
To be honest, it's best if I'm busy - around people. | 0:13:45 | 0:13:48 | |
Long as you're sure. | 0:13:48 | 0:13:50 | |
I can't help thinking, "Was it my fault?" | 0:13:50 | 0:13:53 | |
-I don't see how. -Did I push him into it? | 0:13:53 | 0:13:56 | |
He kept saying I was the only one "who could save him." | 0:13:57 | 0:14:00 | |
Harrison wasn't a stupid man but he was a calculating one. | 0:14:00 | 0:14:03 | |
If I hadn't rejected him... | 0:14:03 | 0:14:05 | |
YOU didn't push him into anything, he tried to drag you down with him. | 0:14:05 | 0:14:08 | |
-But... -You were lucky you got out when you did. | 0:14:08 | 0:14:10 | |
Some of it must have been down to me. | 0:14:11 | 0:14:13 | |
I was in the same situation, almost, last week. | 0:14:14 | 0:14:17 | |
How's that? | 0:14:17 | 0:14:18 | |
Another man who I thought needed help, | 0:14:18 | 0:14:20 | |
who turned out to be just as damaged as Harrison, only I couldn't see it. | 0:14:20 | 0:14:24 | |
What is wrong with me? | 0:14:24 | 0:14:26 | |
What's wrong, is that you blame yourself for the failings of others. | 0:14:26 | 0:14:30 | |
KINGSLEY LAUGHS | 0:14:33 | 0:14:35 | |
Kingsley, do you have...? | 0:14:39 | 0:14:40 | |
What's going on? | 0:14:46 | 0:14:48 | |
Well, you were busy in the studio. | 0:14:48 | 0:14:50 | |
Now we're going to be grown up about this, aren't we? | 0:14:52 | 0:14:55 | |
You're everything that I find desirable in a woman but... | 0:14:56 | 0:14:59 | |
Well sometimes you just fancy something | 0:14:59 | 0:15:01 | |
-that's not on the usual menu. -Why didn't you say? | 0:15:01 | 0:15:04 | |
Well, I didn't think I'd have to. | 0:15:04 | 0:15:07 | |
Creativity is about being open to options. | 0:15:07 | 0:15:09 | |
For instance, now you could go, you could stay and watch | 0:15:09 | 0:15:12 | |
or maybe you could... | 0:15:12 | 0:15:14 | |
-I don't eat in that restaurant. -Oh. | 0:15:14 | 0:15:17 | |
Not even a little Immie sandwich? | 0:15:17 | 0:15:19 | |
Stop it. This is... | 0:15:19 | 0:15:21 | |
What? Wrong? Disgusting? Or liberating? | 0:15:21 | 0:15:24 | |
Yes! No... | 0:15:24 | 0:15:26 | |
Yes, I thought that we had something | 0:15:26 | 0:15:29 | |
We do but it's selfish to keep it to ourselves. | 0:15:29 | 0:15:31 | |
Is this what you were doing on Saturday afternoon? | 0:15:31 | 0:15:34 | |
When you sent ME to go and get supplies? | 0:15:34 | 0:15:37 | |
When did we ever say we were exclusive? | 0:15:37 | 0:15:39 | |
Do you have you ANY idea what I've given up to be with you? | 0:15:39 | 0:15:45 | |
Yes, a lifetime of mediocrity. You should be thanking me. | 0:15:45 | 0:15:48 | |
Thanks. | 0:15:51 | 0:15:53 | |
And by the way, whatever you thinking, you are no Warhol. | 0:15:53 | 0:15:56 | |
You're just something that sounds like him. | 0:15:56 | 0:15:58 | |
# I'm desperate to connect | 0:16:04 | 0:16:07 | |
# You can't live like this | 0:16:09 | 0:16:14 | |
MUSIC ECHOES | 0:16:15 | 0:16:17 | |
# You've lost | 0:16:26 | 0:16:29 | |
# To fear, doubt and distrust. | 0:16:30 | 0:16:32 | |
There we go. | 0:16:32 | 0:16:34 | |
I'm sorry for the trouble. | 0:16:34 | 0:16:37 | |
Is she still there? | 0:16:37 | 0:16:38 | |
Yep. | 0:16:39 | 0:16:40 | |
Looks like he's here too. | 0:16:42 | 0:16:43 | |
-Silver car? -It's not a man. | 0:16:43 | 0:16:47 | |
-No! -What is it? | 0:16:49 | 0:16:52 | |
How did she find out? | 0:17:05 | 0:17:06 | |
You said that she knew? | 0:17:08 | 0:17:10 | |
SHE SOBS | 0:17:11 | 0:17:12 | |
Let's get you inside. | 0:17:12 | 0:17:13 | |
Dad? | 0:17:18 | 0:17:20 | |
Dad? | 0:17:23 | 0:17:25 | |
What? | 0:17:27 | 0:17:29 | |
I've really screwed up. | 0:17:29 | 0:17:32 | |
What? Why? | 0:17:32 | 0:17:33 | |
You were right about Kingsley. | 0:17:34 | 0:17:36 | |
I thought that he loved me. | 0:17:36 | 0:17:39 | |
What's he done? | 0:17:39 | 0:17:41 | |
I found him in bed with a man. | 0:17:41 | 0:17:43 | |
Oh, the little scrote... | 0:17:45 | 0:17:47 | |
-I've ruined my life and what for? -Wait until I get my hands on him. | 0:17:47 | 0:17:50 | |
-No, dad, no. -You need to dump him. | 0:17:50 | 0:17:52 | |
I HAVE! | 0:17:52 | 0:17:54 | |
-But now I'm stuck here in Letherbridge -Why are you? | 0:17:54 | 0:17:58 | |
Don't you still want to go to London? | 0:17:58 | 0:18:00 | |
Well, go and phone the college - | 0:18:02 | 0:18:04 | |
see if it's not too late to change your mind. | 0:18:04 | 0:18:06 | |
-There's no way! -You won't know until you try. | 0:18:06 | 0:18:09 | |
What if they say yes? | 0:18:12 | 0:18:13 | |
I'll get you there. Go and find out. | 0:18:15 | 0:18:18 | |
Thanks. | 0:18:19 | 0:18:21 | |
Go on - quick. | 0:18:21 | 0:18:22 | |
Why won't he pick up? | 0:18:27 | 0:18:29 | |
Maybe she's killed him. | 0:18:29 | 0:18:30 | |
In which case you got off lightly. | 0:18:30 | 0:18:32 | |
That's not helping, come and sit down. | 0:18:32 | 0:18:35 | |
He must have told her. | 0:18:35 | 0:18:37 | |
How else could she know where you were? | 0:18:37 | 0:18:39 | |
PHONE BEEPS | 0:18:39 | 0:18:40 | |
It's him. | 0:18:41 | 0:18:42 | |
"In hospital, nothing serious, will call you when I can." | 0:18:44 | 0:18:47 | |
He didn't want me to worry. | 0:18:48 | 0:18:50 | |
"When I can?" How convenient(!) | 0:18:50 | 0:18:52 | |
What do you mean, convenient? | 0:18:52 | 0:18:54 | |
He's in hospital and his wife shows up in his place. | 0:18:54 | 0:18:57 | |
He wouldn't lie to me. | 0:18:57 | 0:18:58 | |
He's hiding from you! He's picked her. | 0:18:58 | 0:19:01 | |
No - this is our new start. | 0:19:01 | 0:19:03 | |
I have to see him | 0:19:04 | 0:19:06 | |
What if his wife's there? | 0:19:06 | 0:19:08 | |
It doesn't matter. It's all in the open now. | 0:19:08 | 0:19:11 | |
She's won. Wake up before you get left on the shelf. | 0:19:11 | 0:19:14 | |
You're just a bitter, twisted old cow. | 0:19:14 | 0:19:17 | |
Well take a good look... | 0:19:17 | 0:19:19 | |
..because I'm you. | 0:19:20 | 0:19:22 | |
I thought...? | 0:19:23 | 0:19:24 | |
I was the poor wife? | 0:19:26 | 0:19:27 | |
No. | 0:19:28 | 0:19:30 | |
So why did you lie? | 0:19:30 | 0:19:32 | |
-I was ashamed. -Then why be so holier than thou with me? | 0:19:32 | 0:19:35 | |
Because you are outside my house, every month, rain or shine, | 0:19:35 | 0:19:38 | |
reminding me of how stupid I was. | 0:19:38 | 0:19:41 | |
I gave up everything. | 0:19:41 | 0:19:43 | |
It cost me friends, family, people I pushed away | 0:19:43 | 0:19:46 | |
because I didn't want to hear what they had to say. | 0:19:46 | 0:19:48 | |
But if you loved him? | 0:19:48 | 0:19:49 | |
Nothing but guilt and misery. | 0:19:49 | 0:19:52 | |
And for what? | 0:19:53 | 0:19:55 | |
For the crumbs stolen from another woman's plate. | 0:19:55 | 0:19:58 | |
It's not like that with us. | 0:19:59 | 0:20:01 | |
It isn't. | 0:20:04 | 0:20:05 | |
I'm really really sorry that I messed you about. | 0:20:05 | 0:20:07 | |
But if you could just give me a chance then? | 0:20:07 | 0:20:10 | |
That's brilliant, thank you. No, tonight. OK, bye. | 0:20:11 | 0:20:15 | |
That's it, the college were fine. | 0:20:18 | 0:20:20 | |
Said I wasn't the first student to flip-flop on them. | 0:20:21 | 0:20:24 | |
What about your lodgings? | 0:20:24 | 0:20:26 | |
That was my landlady, she's still got the room. | 0:20:26 | 0:20:28 | |
Took longer to persuade HER than it did the college. | 0:20:28 | 0:20:30 | |
Right, OK. So it's settled? | 0:20:30 | 0:20:34 | |
Yeah. There's nothing to stop me, is there? | 0:20:37 | 0:20:40 | |
Immie, if you don't go now... | 0:20:40 | 0:20:43 | |
It's not that I won't miss you because I will... | 0:20:44 | 0:20:47 | |
Better get on packing... | 0:20:52 | 0:20:53 | |
Yeah go on. | 0:20:53 | 0:20:54 | |
Don't forget to call your Mum! | 0:20:55 | 0:20:57 | |
Think about what they have together - | 0:21:00 | 0:21:02 | |
the home that they've made, | 0:21:02 | 0:21:04 | |
the children that you're going to be hurting. | 0:21:04 | 0:21:06 | |
They don't have any. | 0:21:06 | 0:21:08 | |
It comes down to one thing - | 0:21:08 | 0:21:10 | |
living an honest life, | 0:21:10 | 0:21:12 | |
or living with the guilt. | 0:21:12 | 0:21:13 | |
Harrison was a psychopath. | 0:21:16 | 0:21:19 | |
-He was good at manipulating people. -I don't... | 0:21:19 | 0:21:22 | |
He's doing it now. | 0:21:22 | 0:21:23 | |
Suicide was an end for him but this is going to impact | 0:21:23 | 0:21:26 | |
on YOU, Jack, and Kevin, for quite some time. | 0:21:26 | 0:21:29 | |
IF you let it. | 0:21:30 | 0:21:32 | |
I wanted to believe he'd done the honourable thing. | 0:21:32 | 0:21:34 | |
Spared us more agony. | 0:21:36 | 0:21:37 | |
Well he spared himself. No-one else. | 0:21:37 | 0:21:40 | |
I know, you're right, | 0:21:40 | 0:21:42 | |
You need to take time off, starting now. | 0:21:43 | 0:21:46 | |
I'll tell Howard. | 0:21:47 | 0:21:49 | |
Do you think she'll go to the hospital? | 0:21:50 | 0:21:53 | |
What, see if he's really there? | 0:21:53 | 0:21:55 | |
I don't know. | 0:21:56 | 0:21:57 | |
Is what you told her true, or did you exaggerate? | 0:21:59 | 0:22:02 | |
Which would you like to believe? | 0:22:04 | 0:22:06 | |
You can tell me, I've heard it all before. | 0:22:07 | 0:22:10 | |
I love my husband. | 0:22:12 | 0:22:14 | |
We're good. | 0:22:17 | 0:22:18 | |
I better be going because I've stayed longer than I expected. | 0:22:21 | 0:22:24 | |
What's going on? | 0:22:29 | 0:22:31 | |
We've been trying to call you, where have you been? | 0:22:31 | 0:22:33 | |
Getting stuff for the meal tonight, where are you taking all that? | 0:22:33 | 0:22:36 | |
-There's been a change of plans. -I'm going to London after all. | 0:22:36 | 0:22:39 | |
What? No, you're not, you can't... Not like that. | 0:22:39 | 0:22:42 | |
It's all been arranged. | 0:22:42 | 0:22:44 | |
No time for explanations, I'll tell you about it when I get back. | 0:22:44 | 0:22:47 | |
What about your work with Kingsley? | 0:22:47 | 0:22:49 | |
I'm sorry to mess you about, but it's for the best. | 0:22:49 | 0:22:52 | |
-What's he done? -He's made me see what's important. | 0:22:52 | 0:22:55 | |
-I'm getting my duvet and then that's everything. -Hurry up! | 0:22:55 | 0:22:58 | |
But Jack's had all the freezer food she hasn't had a proper send off. | 0:22:58 | 0:23:02 | |
Never mind that, go and give Immie a hand. | 0:23:02 | 0:23:03 | |
If you think you're leaving me behind... | 0:23:10 | 0:23:12 | |
Immie, hurry up otherwise the M40's going to be a car park. | 0:23:14 | 0:23:17 | |
Hey, you all right? Everything OK? | 0:23:27 | 0:23:29 | |
-Fine. -OK. | 0:23:29 | 0:23:32 | |
I've been thinking... | 0:23:34 | 0:23:35 | |
Christmas - I know that it's a way off | 0:23:39 | 0:23:41 | |
but I... | 0:23:41 | 0:23:44 | |
want to plan ahead | 0:23:44 | 0:23:45 | |
You had me worried there. | 0:23:47 | 0:23:49 | |
Do you want to talk now, or are we going to have lunch together? | 0:23:49 | 0:23:52 | |
Together. | 0:23:52 | 0:23:53 | |
Right. Let's get this show on the road. | 0:23:56 | 0:23:59 | |
No wait - two minutes. | 0:23:59 | 0:24:03 | |
What are you doing? | 0:24:03 | 0:24:05 | |
Oh! | 0:24:06 | 0:24:07 | |
Are you going to make it back in time for your shift? | 0:24:07 | 0:24:10 | |
Yeah, yeah. I'll sort it, don't worry. | 0:24:10 | 0:24:12 | |
You've been amazing, dad, thanks. | 0:24:13 | 0:24:15 | |
If you really want to thank me, | 0:24:20 | 0:24:21 | |
make sure you make a proper go of this. | 0:24:23 | 0:24:25 | |
I will. | 0:24:26 | 0:24:28 | |
And ask your landlady if she's got a spare room for your Mum. | 0:24:28 | 0:24:31 | |
Mum? | 0:24:35 | 0:24:36 | |
Dad says if you're not in the car in ten seconds then we're off. | 0:24:36 | 0:24:39 | |
What was so important that we couldn't leave without it? | 0:24:41 | 0:24:45 | |
Oh, Mum. | 0:24:45 | 0:24:47 | |
I know it's silly. | 0:24:47 | 0:24:48 | |
Because London isn't even that far away! | 0:24:48 | 0:24:51 | |
You will come home for Christmas, won't you? | 0:24:53 | 0:24:55 | |
I've got to go before I can come back(!) | 0:24:55 | 0:24:58 | |
Finally. Next stop M40. | 0:25:13 | 0:25:15 | |
You sure you're all right to drive? | 0:25:15 | 0:25:17 | |
Yeah, I'm fine. | 0:25:17 | 0:25:18 | |
Don't want a sing song, keep you focused? | 0:25:18 | 0:25:21 | |
-I'd rather not actually, thanks. -Charming. | 0:25:21 | 0:25:23 | |
Right. Let's have some music. | 0:25:23 | 0:25:25 | |
Who's had me Bee Gees CD? | 0:25:25 | 0:25:29 | |
I don't know, but I'll gladly shake them by the hand. | 0:25:29 | 0:25:31 | |
What is your problem with good music? | 0:25:31 | 0:25:34 | |
I don't, it's just that every time you put it on, | 0:25:34 | 0:25:36 | |
all we hear about is you and Billy Gerraty | 0:25:36 | 0:25:38 | |
at the school disco for the hundredth time. | 0:25:38 | 0:25:41 | |
I was at a sensitive age, I'd never been groped like that before. | 0:25:41 | 0:25:44 | |
I mean the way he was fumbling, | 0:25:44 | 0:25:46 | |
I thought he was trying to nick me bus fare home. | 0:25:46 | 0:25:49 | |
Did you know your mother was such a loose woman before she met me? | 0:25:49 | 0:25:53 | |
I'm going to loosen YOU in a minute, Rob Hollins. | 0:25:53 | 0:25:57 | |
# And if I lose you now, | 0:25:57 | 0:25:59 | |
# I think I would die | 0:25:59 | 0:26:01 | |
# Oh, say you'll always be my baby | 0:26:01 | 0:26:03 | |
# We can make it shine | 0:26:03 | 0:26:06 | |
# We can wait forever, just a minute at a time. | 0:26:06 | 0:26:10 | |
I think there should be a medicine | 0:26:13 | 0:26:15 | |
that cures e-everything. | 0:26:15 | 0:26:17 | |
That's a great idea and if you can invent one | 0:26:19 | 0:26:22 | |
that makes people younger, you'll become a millionaire. | 0:26:22 | 0:26:25 | |
I understand that you are indulging in a fantastical notion | 0:26:25 | 0:26:30 | |
of a romantic schoolgirl. | 0:26:30 | 0:26:31 | |
One that has very poor taste in men. | 0:26:31 | 0:26:33 | |
Subtitles by Red Bee Media Ltd | 0:26:36 | 0:26:38 |