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CLOCK TICKS | 0:00:33 | 0:00:35 | |
SHE STRAINS | 0:00:43 | 0:00:44 | |
SHE GROANS | 0:00:48 | 0:00:50 | |
VASE SMASHES | 0:00:50 | 0:00:51 | |
SHE GASPS | 0:00:51 | 0:00:53 | |
SHE CRIES OUT | 0:00:55 | 0:00:58 | |
-HE GASPS -Someone's jumpy. | 0:01:03 | 0:01:05 | |
I wasn't expecting anyone. | 0:01:05 | 0:01:07 | |
I think we're the only ones in. House calls today? | 0:01:07 | 0:01:10 | |
Yes, but I woke early, I thought | 0:01:10 | 0:01:12 | |
I'd come in and knock off some paperwork. | 0:01:12 | 0:01:14 | |
Blasted bin men woke me. | 0:01:14 | 0:01:17 | |
-Hello. -Hi, you must be Josh. -Yes, sorry I... -Claire. | 0:01:23 | 0:01:27 | |
-I thought Mrs Barker was on today. -She has some kind of stomach bug. | 0:01:29 | 0:01:33 | |
-Will I do? -Erm, yes. Let me. -Thanks, you don't have to. | 0:01:33 | 0:01:39 | |
-I'm sure you've got lots of your own prep. -Nothing that can't wait. | 0:01:39 | 0:01:42 | |
Sorry! | 0:01:42 | 0:01:44 | |
Hello, hello... VOICE DISTORTS | 0:02:03 | 0:02:07 | |
Hello. Hello! SHE LAUGHS | 0:02:07 | 0:02:11 | |
ROBOTIC VOICE I am a lonely robot...in the Mill! | 0:02:12 | 0:02:15 | |
I am your father... I am a lonely robot. | 0:02:15 | 0:02:20 | |
Nobody wants to play with me. | 0:02:20 | 0:02:23 | |
SHE LAUGHS | 0:02:23 | 0:02:26 | |
Call me! Signing off. Roger that. | 0:02:26 | 0:02:32 | |
Stop it. Stop it. | 0:02:37 | 0:02:40 | |
She's out of your league, mate. | 0:02:42 | 0:02:44 | |
DOORBELL RINGS | 0:02:47 | 0:02:49 | |
HE RINGS THE DOORBELL | 0:03:06 | 0:03:07 | |
FRYING PAN SIZZLES | 0:03:07 | 0:03:09 | |
-MUSIC PLAYS IN THE BACKGROUND -Is table three ready? | 0:03:09 | 0:03:12 | |
The scrambled eggs? | 0:03:12 | 0:03:13 | |
She's in a hurry, not that she mentioned it when she ordered. | 0:03:13 | 0:03:16 | |
Nearly there. Holding for bacon. | 0:03:16 | 0:03:19 | |
-And, oh, thank you, some black pepper. -Lovely. | 0:03:19 | 0:03:24 | |
One moment... Greenery. | 0:03:25 | 0:03:28 | |
-OK. -Very cheffy... Might even earn me a tip! | 0:03:28 | 0:03:32 | |
-Which you'd then share with the kitchen? -Of course! | 0:03:32 | 0:03:35 | |
-We're on the same team, aren't we? -Mrs Tembe! | 0:03:35 | 0:03:38 | |
-Hello. -Hello. -Excuse me. | 0:03:38 | 0:03:41 | |
-I have come to lend a hand. -Oh? I thought I was doing OK. | 0:03:42 | 0:03:47 | |
You are, the vicar has been singing your praises. | 0:03:47 | 0:03:49 | |
She's very impressed that you are so hard working and professional. | 0:03:49 | 0:03:54 | |
-So, where do I start? -You don't have to help out. -But I want to. | 0:03:54 | 0:03:59 | |
Really. I've got everything under control. | 0:03:59 | 0:04:02 | |
I will not interfere with your cooking, or your customers. | 0:04:02 | 0:04:05 | |
I will just do the dishes. | 0:04:05 | 0:04:08 | |
Surely you've got better things to do than wash dishes? | 0:04:08 | 0:04:11 | |
-Actually, Mr Robson, I do not. -Oh. | 0:04:11 | 0:04:16 | |
So, where is my apron? | 0:04:16 | 0:04:17 | |
I'm so sorry I'm late. I meant to be here before you. | 0:04:19 | 0:04:22 | |
-You're from The Mill? -Yes. Dr Carter. -Ariana Richards. | 0:04:22 | 0:04:26 | |
I thought I was seeing Jane Richards? | 0:04:26 | 0:04:28 | |
You are, but I made the appointment. | 0:04:28 | 0:04:30 | |
I was going to say, you don't look bedridden with a fever of 40. | 0:04:30 | 0:04:33 | |
No, and neither will my mother. | 0:04:33 | 0:04:36 | |
I'm sorry, I've brought you here under false pretences. | 0:04:36 | 0:04:39 | |
Mum's got a terrible rash on her hands, | 0:04:39 | 0:04:41 | |
she was going to come to The Mill to have it checked out, | 0:04:41 | 0:04:44 | |
but I wanted you to see the state of the house. | 0:04:44 | 0:04:47 | |
-She's a hoarder. -Yes, I saw through the letter box. | 0:04:47 | 0:04:51 | |
The rash, I'm sure it's dust mites, or vermin. | 0:04:51 | 0:04:54 | |
I didn't want Mum to just buy a cream | 0:04:54 | 0:04:56 | |
and pretend it was OK to carry on living like this. | 0:04:56 | 0:05:00 | |
Well, the rash I can deal with, not sure about the habits of a lifetime. | 0:05:00 | 0:05:04 | |
I know, I'm not expecting miracles, but I thought, another voice, | 0:05:04 | 0:05:08 | |
an outsider's perspective, you know... | 0:05:08 | 0:05:10 | |
I'll do my best. But, I don't think she's at home. | 0:05:10 | 0:05:12 | |
-I've rung a number of times. -Oh, she's home. | 0:05:12 | 0:05:15 | |
Mum's got "doorbell dread". | 0:05:15 | 0:05:17 | |
She never opens up to anyone, not since I was at primary school, | 0:05:17 | 0:05:19 | |
she's too embarrassed. | 0:05:19 | 0:05:21 | |
-No-one visits? -No, I make her come to mine. | 0:05:21 | 0:05:25 | |
I'm sorry, I can't come in. | 0:05:32 | 0:05:35 | |
-What? -I haven't stepped foot inside for five years. | 0:05:35 | 0:05:38 | |
But I can't just go in, she'll think I'm an intruder. | 0:05:38 | 0:05:43 | |
Mum! | 0:05:46 | 0:05:47 | |
Mum, can you come out? I've got a Dr Carter here to see you? | 0:05:48 | 0:05:52 | |
Mum?! | 0:05:53 | 0:05:54 | |
I'm sorry. | 0:05:56 | 0:05:57 | |
I know this is really strange, it's just | 0:05:57 | 0:05:59 | |
I had to stop coming inside, it was ruining our relationship. | 0:05:59 | 0:06:02 | |
But she IS here. | 0:06:02 | 0:06:04 | |
She didn't invite me. I can't just wander in. | 0:06:04 | 0:06:07 | |
No, I guess not. | 0:06:09 | 0:06:11 | |
Right, OK. Mum...? | 0:06:11 | 0:06:16 | |
Mum, I've brought a doctor from The Mill to come and see you. Mum? | 0:06:20 | 0:06:26 | |
Mum?! | 0:06:29 | 0:06:30 | |
-Table eight looks very impatient. -Table eight? -The one by the window. | 0:06:39 | 0:06:43 | |
I don't seem to have a docket. | 0:06:45 | 0:06:48 | |
-I will go and ask them what they ordered? -No! | 0:06:48 | 0:06:52 | |
Claire, do you know what table eight ordered? I don't have a docket. | 0:06:52 | 0:06:56 | |
-That's because they haven't ordered yet. -Oh? | 0:06:56 | 0:06:59 | |
-They're waiting for a friend. -I'll butt out. -You're all right. | 0:06:59 | 0:07:03 | |
-Table four. -Thanks. | 0:07:03 | 0:07:05 | |
SCREAMING | 0:07:19 | 0:07:21 | |
What is it? | 0:07:21 | 0:07:24 | |
These are my dad's ashes. They're everywhere. | 0:07:24 | 0:07:27 | |
-She must have been on the ladder. -Right. | 0:07:28 | 0:07:31 | |
-How awful, to be covered with... -Oh, my God, yes, the poor thing. | 0:07:31 | 0:07:35 | |
-She must have been horrified. -No wonder she's not here. Where is she? | 0:07:35 | 0:07:41 | |
I'll ring my brother, maybe she's there. | 0:07:41 | 0:07:43 | |
I'm sorry, but I'd better get onto this. | 0:07:43 | 0:07:46 | |
-Yes, I should be getting along. -Hi, Martin? Is Mum there? | 0:07:46 | 0:07:49 | |
Have you heard from her? OK, hold on. | 0:07:51 | 0:07:53 | |
I'll call you when I find her, you'll come back out? | 0:07:53 | 0:07:56 | |
Maybe you could bring her to The Mill, now that I've seen the house. | 0:07:56 | 0:07:59 | |
OK. Martin, Mum's missing. Yes, I'm sure. | 0:07:59 | 0:08:03 | |
Well, I'm inside now and she's not here! | 0:08:03 | 0:08:08 | |
Yeah, it's not a problem. Come on over. | 0:08:08 | 0:08:11 | |
I'll get your details up on the system. | 0:08:11 | 0:08:13 | |
-KNOCK ON THE DOOR -Hello. | 0:08:17 | 0:08:18 | |
So, you've got him on the maximal dose | 0:08:18 | 0:08:20 | |
and he's still feeling light-headed? | 0:08:20 | 0:08:23 | |
Yep, with ankle swelling and a lowish BP. | 0:08:23 | 0:08:26 | |
-Have you considered spironolactone? -Hmm? | 0:08:26 | 0:08:28 | |
You could drop the other dosage, if you're worried about blood pressure? | 0:08:28 | 0:08:32 | |
Let's see. | 0:08:32 | 0:08:34 | |
He's on 120mg. Yeah, I could lower that. | 0:08:34 | 0:08:38 | |
Erm, yeah... He could always be a candidate | 0:08:40 | 0:08:42 | |
for synchronisation therapy, couldn't he? | 0:08:42 | 0:08:46 | |
-You're pretty nifty with that knife. -He is. | 0:08:46 | 0:08:51 | |
I have to wear goggles when I chop onions or I cry like a river. | 0:08:51 | 0:08:54 | |
Remember, Mr Robson, when I taught you how to make chicken stew? | 0:08:54 | 0:08:58 | |
There are even more onions in the Seswaa I promised to show you. | 0:08:58 | 0:09:02 | |
-Seswaa? -It's a traditional dish from Botswana. | 0:09:02 | 0:09:06 | |
My mother was most particular about showing me the correct | 0:09:06 | 0:09:09 | |
technique, it is all in the shredding and salting of the meat. | 0:09:09 | 0:09:12 | |
I wish I had some old family recipes to hand down to my kids, | 0:09:12 | 0:09:15 | |
I'm hopeless, I tried to make pizza from scratch last weekend | 0:09:15 | 0:09:19 | |
and the dough didn't rise at all, it was like eating cardboard! | 0:09:19 | 0:09:23 | |
I could teach you as well. | 0:09:23 | 0:09:25 | |
Oh, thanks, but my kids won't eat anything spicy. | 0:09:25 | 0:09:29 | |
-The food of Southern Africa is generally very mild. -Oh. | 0:09:29 | 0:09:34 | |
SHE MOUTHS | 0:09:38 | 0:09:39 | |
All right! Steady on. | 0:09:46 | 0:09:48 | |
-Oh, I've done that already, haven't I? -Yeah. Therein madness lies. | 0:09:48 | 0:09:52 | |
I went to the most awful house this morning, a hoarder's. | 0:09:54 | 0:09:59 | |
Rather you than me. | 0:09:59 | 0:10:01 | |
The poor woman had covered herself in her late husband's ashes. | 0:10:01 | 0:10:05 | |
I'd have to shower for a week to get over that. | 0:10:05 | 0:10:08 | |
Of course. Excuse me. | 0:10:08 | 0:10:11 | |
I reported her missing, but there's not much they'll do for 48 hours. | 0:10:13 | 0:10:16 | |
-I'm sure she'll turn up soon. -Did you ring the hospitals? -I will. | 0:10:16 | 0:10:20 | |
-You will? What have you been doing? Martin, where are you? -I'm at Mum's. | 0:10:20 | 0:10:25 | |
-Why? I told you she's not there! -I know. | 0:10:25 | 0:10:28 | |
-A mate of mine works for a company that delivers skips. -What?! | 0:10:28 | 0:10:31 | |
-I've had a skip delivered. -Martin! You can't do that! -Well, I am. | 0:10:31 | 0:10:36 | |
The skip's here and I'm going to get stuck into it before she gets back. | 0:10:36 | 0:10:39 | |
Thanks, mate, that's perfect. | 0:10:39 | 0:10:41 | |
Martin, don't move anything yet. I've got a call waiting, hold on! | 0:10:41 | 0:10:44 | |
-Hello? -Hello, it's Dr Carter here. -Oh, hello. | 0:10:46 | 0:10:49 | |
It just occurred to me | 0:10:49 | 0:10:50 | |
that your mother's first instinct may have been to wash, now when | 0:10:50 | 0:10:54 | |
I was there earlier I noticed that there was a lot of junk in the bath. | 0:10:54 | 0:10:57 | |
How does she normally clean herself? | 0:10:57 | 0:11:00 | |
I think she just washes herself in the sink, but, yes, of course... | 0:11:00 | 0:11:06 | |
Is there a hotel or B&B nearby? She might have found a shower and... | 0:11:06 | 0:11:10 | |
I know where she is. Thank you so much! Martin? | 0:11:10 | 0:11:16 | |
URGH! | 0:11:17 | 0:11:18 | |
What are you reading? | 0:11:23 | 0:11:24 | |
-Cephalopods. Octopuses. -I thought it was octopi? -Apparently not. | 0:11:24 | 0:11:31 | |
They always gave me the creeps. Too many arms. | 0:11:31 | 0:11:34 | |
Slimy, the thought of them touching my leg, urgh. | 0:11:34 | 0:11:37 | |
They're pretty amazing, they have really complex visual systems | 0:11:37 | 0:11:41 | |
that allow them to directly mimic what they see. | 0:11:41 | 0:11:44 | |
So, like, when we hear a sound, like a birdsong, we can mimic it, | 0:11:44 | 0:11:48 | |
say by whistling, but when we see something, we have to paint it, | 0:11:48 | 0:11:51 | |
or draw it, or find a word to describe it. | 0:11:51 | 0:11:54 | |
When they see a pattern on a rock, they can reproduce that | 0:11:54 | 0:11:57 | |
pattern on their skin, that's how they camouflage themselves in coral. | 0:11:57 | 0:12:00 | |
It's like me seeing a tattoo, and thinking it onto my skin. | 0:12:02 | 0:12:05 | |
That's pretty out there. | 0:12:05 | 0:12:07 | |
Actually, it's one of the most important concepts | 0:12:07 | 0:12:09 | |
influencing the development of virtual reality, | 0:12:09 | 0:12:11 | |
it's what Jaron Lanier calls post-symbolic communication. | 0:12:11 | 0:12:15 | |
-Lanier? -He's an internet guru. | 0:12:15 | 0:12:17 | |
Yeah, still don't like the arms though. | 0:12:22 | 0:12:23 | |
Bit slimy, touching me, holding me. | 0:12:23 | 0:12:27 | |
Heaven forbid. | 0:12:32 | 0:12:33 | |
Hello. | 0:12:42 | 0:12:44 | |
Mum! | 0:12:50 | 0:12:52 | |
Look at your arms, they're much worse than I thought! | 0:12:52 | 0:12:55 | |
DONNA SUMMER PLAYS IN THE BACKGROUND | 0:13:00 | 0:13:02 | |
# She works hard for the money... # | 0:13:02 | 0:13:04 | |
-How far off is table nine? -Just here. Almost. | 0:13:04 | 0:13:07 | |
# She works hard for the money | 0:13:09 | 0:13:12 | |
# So hard for it, honey... # | 0:13:12 | 0:13:13 | |
I love this song, I played her greatest hits | 0:13:13 | 0:13:17 | |
for days when she died. | 0:13:17 | 0:13:19 | |
-Is this your music? -Yeah. It's an old favourite. | 0:13:19 | 0:13:22 | |
Mr Robson has a real ear for all music. | 0:13:22 | 0:13:25 | |
Takes me back. | 0:13:27 | 0:13:29 | |
Did you know she became a Christian in the '80s? | 0:13:29 | 0:13:32 | |
I thought she already was. | 0:13:32 | 0:13:33 | |
-Didn't she grow up singing in church choirs? -She did, | 0:13:33 | 0:13:36 | |
but then she went off the rails. Drugs, rock'n'roll, divorce. | 0:13:36 | 0:13:39 | |
I think being born again was a way of finding her own path. | 0:13:39 | 0:13:44 | |
My parents were really strict in their beliefs and it sent me | 0:13:44 | 0:13:47 | |
running, I had to find my own way back to the church. | 0:13:47 | 0:13:51 | |
Me too. | 0:13:51 | 0:13:52 | |
It's better that way, makes you less of a follower, more of a believer. | 0:13:52 | 0:13:56 | |
Yeah. | 0:13:56 | 0:13:57 | |
# She works hard for her money | 0:13:57 | 0:13:59 | |
# So you better treat her right. # | 0:13:59 | 0:14:01 | |
OK, thank you. | 0:14:04 | 0:14:06 | |
Dr Carter will see you as soon as surgery opens, at four. | 0:14:08 | 0:14:11 | |
-Was he the doctor who came this morning? -Yes. | 0:14:11 | 0:14:14 | |
So, he's seen the house? | 0:14:14 | 0:14:17 | |
I can't go back there, not until... I didn't even want to leave | 0:14:17 | 0:14:22 | |
the pool, I've probably swum the length of the Channel this morning. | 0:14:22 | 0:14:28 | |
You don't have to, you can stay with me until we get it cleaned up. | 0:14:28 | 0:14:33 | |
The ash, it got everywhere. | 0:14:33 | 0:14:35 | |
It's too much for me. | 0:14:37 | 0:14:39 | |
-We could get cleaners in? Or a professional team of... -No! -But...? | 0:14:39 | 0:14:46 | |
All that swimming, you must be starving, let's get some lunch. | 0:14:46 | 0:14:50 | |
Good idea. | 0:14:50 | 0:14:52 | |
-Are these the clothes that are covered in him? -Yes. | 0:14:52 | 0:14:56 | |
-NO! -Yes! | 0:15:00 | 0:15:02 | |
You can't take them to a restaurant. They're human remains! | 0:15:02 | 0:15:07 | |
No-one will know. | 0:15:07 | 0:15:08 | |
That's me for the day, I'm off to pick up the kids. | 0:15:12 | 0:15:15 | |
-Do you think they'd eat this? -Wow. You bet. You made this? | 0:15:15 | 0:15:22 | |
-It didn't take long. -It looks amazing. | 0:15:22 | 0:15:27 | |
I've hid some veg under the cheese, for a bit of nutrition. | 0:15:27 | 0:15:30 | |
Well disguised, they'll demolish that before they notice. | 0:15:30 | 0:15:34 | |
How did you get your dough to rise like that? | 0:15:34 | 0:15:36 | |
Ice-water trick, it's all in the kneading. You can't just knock | 0:15:36 | 0:15:39 | |
it about, you have to massage the dough, persuade it to rise properly. | 0:15:39 | 0:15:43 | |
Sounds very technical. | 0:15:43 | 0:15:45 | |
Not really, I'll show you next week, we're rostered on together then. | 0:15:45 | 0:15:49 | |
We are. | 0:15:49 | 0:15:50 | |
This is quite serious. | 0:15:53 | 0:15:55 | |
Normally you see scabies in a crowded house | 0:15:55 | 0:15:58 | |
because you need skin to skin contact | 0:15:58 | 0:16:00 | |
for the contagion to take effect. | 0:16:00 | 0:16:02 | |
The mites don't jump, they don't fly. Luckily, they don't swim. | 0:16:02 | 0:16:06 | |
It didn't even occur to me that I was contagious, I'd never | 0:16:06 | 0:16:09 | |
have gone in the pool if it had. Should we ring the pool? | 0:16:09 | 0:16:12 | |
I wouldn't worry, because they're unlikely to emerge through | 0:16:12 | 0:16:15 | |
wet skin, and if they did, the chlorine would kill them. | 0:16:15 | 0:16:18 | |
I wonder how I got them? | 0:16:18 | 0:16:20 | |
Come on, Mum, you're always going through people's rubbish. | 0:16:20 | 0:16:22 | |
You probably found some towels or a blanket that carried them. | 0:16:22 | 0:16:26 | |
That is a possible source. | 0:16:26 | 0:16:27 | |
It's important you don't re-infect yourself, | 0:16:27 | 0:16:29 | |
so the towels, duvets, bed linen needs to be | 0:16:29 | 0:16:33 | |
washed at at least 50 degrees, or better still, throw them out. | 0:16:33 | 0:16:37 | |
I know this sounds harsh, | 0:16:37 | 0:16:39 | |
-but your house is a health hazard. -I know! | 0:16:39 | 0:16:44 | |
It feels as if it's ganging up on me. The house, I mean. | 0:16:44 | 0:16:48 | |
That sounds crazy, doesn't it? | 0:16:48 | 0:16:50 | |
It's as if all the things I've saved and protected are crowding me out, | 0:16:50 | 0:16:56 | |
taking over and not leaving any room, | 0:16:56 | 0:16:59 | |
it's as if they've got a life of their own. | 0:16:59 | 0:17:01 | |
-Mum, you're imagining things. -You feel that the house is your enemy? | 0:17:01 | 0:17:07 | |
That's it, that's exactly it. | 0:17:08 | 0:17:12 | |
-If it's the enemy, let's just throw it all out! -It's not that simple. | 0:17:12 | 0:17:17 | |
-It is, Martin's there now with a skip. -What?! | 0:17:17 | 0:17:21 | |
He's just making a start, he knows what's important. | 0:17:21 | 0:17:25 | |
-Everything's important. -Mum! | 0:17:25 | 0:17:27 | |
-You must be careful. -Of what? | 0:17:33 | 0:17:36 | |
Sharp knives? Boiling kettles? | 0:17:36 | 0:17:38 | |
You know what I am talking about. | 0:17:38 | 0:17:40 | |
-You're getting very friendly with Miss Hill. -Yes, I like her. | 0:17:42 | 0:17:47 | |
-She may think that you are flirting with her. -And what if I was? | 0:17:47 | 0:17:53 | |
-Mr Robson, you are not ready for a relationship. -Says who? | 0:17:53 | 0:17:58 | |
Mum? Mum! | 0:18:18 | 0:18:20 | |
Mum? | 0:18:22 | 0:18:24 | |
MUM! | 0:18:24 | 0:18:25 | |
-Let me in! -Don't tell me she's inside? -She's bolted it. | 0:18:27 | 0:18:30 | |
Why did you let her in? | 0:18:30 | 0:18:32 | |
I didn't, she slipped in when I was at the skip! | 0:18:32 | 0:18:34 | |
-I told you to look out for her, that's why I rang! -I know! | 0:18:34 | 0:18:36 | |
-It's my fault, OK? Mum! -You can't force your way in! | 0:18:36 | 0:18:41 | |
The house is a pigsty, I wouldn't let my dog live here! | 0:18:41 | 0:18:43 | |
I know it's disgusting, but breaking down the door's not going to help. | 0:18:43 | 0:18:47 | |
Dr Carter's going to try and talk to her. | 0:18:47 | 0:18:49 | |
Talk, talk, talk! | 0:18:49 | 0:18:51 | |
HE RINGS THE DOOR BELL | 0:18:56 | 0:18:58 | |
Mrs Richards, it's Dr Carter. Can you open up for me, please? | 0:19:00 | 0:19:05 | |
Dr Carter, I'm sorry you've been dragged into this, | 0:19:14 | 0:19:18 | |
but I'd really rather you all left now. | 0:19:18 | 0:19:21 | |
I want to make sure you know how to access help. | 0:19:21 | 0:19:24 | |
I'm fully aware of the services available to hoarders, thank you. | 0:19:24 | 0:19:29 | |
Please don't lock yourself away alone, | 0:19:29 | 0:19:32 | |
after what happened this morning. | 0:19:32 | 0:19:34 | |
I'd like to talk to you about your house, and what can be done. | 0:19:34 | 0:19:37 | |
So may I come in, please? | 0:19:37 | 0:19:40 | |
Well, bye, Mrs Tembe, I'll see you soon. | 0:19:55 | 0:19:59 | |
There's a photography exhibition opening next weekend, | 0:19:59 | 0:20:03 | |
perhaps we could go together? | 0:20:03 | 0:20:06 | |
We'll need to talk before you see Miss Hill next week. | 0:20:06 | 0:20:10 | |
Why are you so against this? | 0:20:12 | 0:20:13 | |
You're the one pushing me to get out there, find a job, | 0:20:14 | 0:20:17 | |
make friends, have a normal life. | 0:20:17 | 0:20:20 | |
-Doesn't that include a relationship? -Maybe, one day. -Why not now? | 0:20:20 | 0:20:27 | |
-It's too soon. She is not right for you. -How do you know? | 0:20:27 | 0:20:31 | |
She does not know what she's heading into, she does not know... | 0:20:31 | 0:20:35 | |
This does not concern you, Mrs Tembe. | 0:20:35 | 0:20:38 | |
It's got nothing to do with you. | 0:20:40 | 0:20:42 | |
SHE HOOVERS | 0:20:52 | 0:20:53 | |
Oh! It's no good! I can't get it all up. Not with everything in here. | 0:20:58 | 0:21:04 | |
-It's really bad, isn't it? -Your children say it's got worse. -Yes. | 0:21:08 | 0:21:13 | |
Yeah. Since Grant died. | 0:21:13 | 0:21:17 | |
-Grief can be a trigger for an escalation. -I know. | 0:21:21 | 0:21:25 | |
I'm fully aware of my condition, thank you, I've Googled it to death. | 0:21:25 | 0:21:28 | |
Have you tried any therapies? | 0:21:28 | 0:21:32 | |
Some. Unsuccessfully. | 0:21:32 | 0:21:36 | |
I made some progress when Ariana refused to visit, | 0:21:36 | 0:21:40 | |
but then that was the year that Grant died and I just gave up. | 0:21:40 | 0:21:47 | |
Could you hold that? | 0:21:47 | 0:21:49 | |
I tried to sort things, but everything triggers a memory. | 0:21:59 | 0:22:04 | |
I think that's why it's worse since Grant died. | 0:22:04 | 0:22:08 | |
I can't let go of him, and so it seems I can't let go of anything. | 0:22:10 | 0:22:14 | |
You could let your children decide what matters. | 0:22:17 | 0:22:21 | |
No-one has the right to decide what memories matter to me! | 0:22:21 | 0:22:25 | |
-But your memories are inside you. -I know, but it's the connection. | 0:22:25 | 0:22:32 | |
The things don't matter, | 0:22:32 | 0:22:34 | |
if you had nothing, your memories would still survive! | 0:22:34 | 0:22:37 | |
When the ashes fell on me, | 0:22:44 | 0:22:47 | |
all I felt was horror, repulsion. | 0:22:47 | 0:22:52 | |
I just wanted them off me. There's nothing of Grant in these ashes. | 0:22:54 | 0:23:02 | |
There's no connection with who he was, it's all in my head. | 0:23:04 | 0:23:09 | |
After all these years of keeping them... | 0:23:14 | 0:23:16 | |
I feel like I could throw them away. | 0:23:25 | 0:23:29 | |
Maybe scattering the ashes would help? | 0:23:32 | 0:23:34 | |
No documents, no books, no photos. | 0:23:48 | 0:23:51 | |
Can you drive me to Baron Hill? | 0:23:53 | 0:23:55 | |
-Really? Martin, you should come. -No, you two go... | 0:23:55 | 0:24:02 | |
I'll get started here. | 0:24:02 | 0:24:04 | |
I've said my goodbyes. | 0:24:04 | 0:24:06 | |
Mum. let's get in the car, drive to Baron Hill. | 0:24:08 | 0:24:12 | |
You have to trust them, it's part of their history too. | 0:24:12 | 0:24:17 | |
-Thank you, Dr Carter. -Thanks. | 0:24:17 | 0:24:21 | |
So it's really OK to keep clearing out then? | 0:24:21 | 0:24:23 | |
I think so. | 0:24:23 | 0:24:25 | |
She's made her decision, best not to make her go over it again. | 0:24:25 | 0:24:29 | |
Right, well, I've got my work cut out for me. Thanks for your help. | 0:24:29 | 0:24:33 | |
My pleasure. Good luck. | 0:24:33 | 0:24:35 | |
It's what he wanted. | 0:24:58 | 0:25:01 | |
It is. | 0:25:01 | 0:25:02 | |
It's now or never. | 0:25:04 | 0:25:06 | |
THEY LAUGH | 0:25:43 | 0:25:47 | |
Hello, back again? | 0:25:54 | 0:25:56 | |
Yes. I didn't get my paperwork done this morning. | 0:25:56 | 0:25:58 | |
You're not going to do it now, are you?! | 0:25:58 | 0:26:01 | |
-Good night! -You too! Safe home. | 0:26:05 | 0:26:09 | |
-ROBOTIC VOICE -Good night. | 0:26:21 | 0:26:24 | |
I'm a lonely robot too! | 0:26:28 | 0:26:31 | |
None of us will say one word to you ever again. | 0:26:38 | 0:26:41 | |
-It's like they're scared. -That lot?! | 0:26:41 | 0:26:44 | |
They're usually the ones doing the scaring. | 0:26:44 | 0:26:47 | |
Chloe, no! | 0:26:47 | 0:26:48 | |
-No-one is going anywhere until I get the truth. -You can't touch me. | 0:26:48 | 0:26:52 | |
-That's assault. -How DARE you force my daughter to be examined. | 0:26:52 | 0:26:56 | |
I'm going to report you to the NHS! | 0:26:56 | 0:26:58 |