Browse content similar to Roadkill. Check below for episodes and series from the same categories and more!
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MUSIC: It's Not Unusual by Tom Jones | 0:00:25 | 0:00:28 | |
WOMAN LAUGHS | 0:00:35 | 0:00:37 | |
# It's not unusual to be loved by anyone... # | 0:00:37 | 0:00:39 | |
Oh, Mary, that was wonderful, | 0:00:39 | 0:00:41 | |
you beautiful creature. MARY LAUGHS | 0:00:41 | 0:00:44 | |
So, when am I going to see you again, my lovely? | 0:00:44 | 0:00:49 | |
-DOOR OPENS AND MARY GASPS -Mary, I'm home. | 0:00:49 | 0:00:52 | |
I thought you said he was in London. | 0:00:52 | 0:00:54 | |
Hey! | 0:00:57 | 0:01:00 | |
Don't do this, please! | 0:01:04 | 0:01:05 | |
-Get off me! -No, don't! -You can't! | 0:01:05 | 0:01:08 | |
Don't do this, please. Just leave it! | 0:01:08 | 0:01:10 | |
-Don't! Leave it! Stop! -ENGINE REVS | 0:01:10 | 0:01:13 | |
-Leave it! -CAR CRUNCHES | 0:01:13 | 0:01:15 | |
What have you done? | 0:01:19 | 0:01:20 | |
Hello? | 0:01:22 | 0:01:23 | |
Morning, Mrs Tembe. You're very bright-eyed and bushy-tailed. | 0:01:27 | 0:01:30 | |
Yes, well, it is important to get things ready | 0:01:30 | 0:01:32 | |
for when the doctors arrive. | 0:01:32 | 0:01:34 | |
Quite. Oh, and can you remind Daniel and Jimmi | 0:01:34 | 0:01:36 | |
we've got a meeting at 1pm, please? | 0:01:36 | 0:01:38 | |
OK, will do. | 0:01:38 | 0:01:40 | |
-Morning. -Ah, good morning, Dr Reid. | 0:01:40 | 0:01:42 | |
The information you requested. | 0:01:42 | 0:01:44 | |
Oh, great. Thank you, Mrs Tembe, you're a godsend. | 0:01:44 | 0:01:47 | |
-Good morning, Howard. -Sorry? | 0:01:47 | 0:01:49 | |
I... | 0:01:50 | 0:01:52 | |
I mean Anthony. | 0:01:52 | 0:01:54 | |
I'm so sorry, I'm obviously not awake yet. | 0:01:54 | 0:01:56 | |
It's fine, really. | 0:01:56 | 0:01:57 | |
-Excuse me. -Don't worry about it. | 0:01:57 | 0:02:00 | |
Now, that is the most exquisite sound in the known universe. | 0:02:04 | 0:02:08 | |
-What is? -Silence, Karen. | 0:02:08 | 0:02:10 | |
Have a listen. | 0:02:10 | 0:02:12 | |
There's no students complaining about their coursework | 0:02:12 | 0:02:15 | |
or demanding some hangover cure - | 0:02:15 | 0:02:17 | |
just silencio. | 0:02:17 | 0:02:19 | |
I tell you, the University of Letherbridge | 0:02:19 | 0:02:21 | |
is a hell of a place when no-one else is here. | 0:02:21 | 0:02:23 | |
Yeah, well, make the most of it, they're back on Monday. | 0:02:23 | 0:02:27 | |
-Are you all right, Karen? -Oh, hiya. | 0:02:27 | 0:02:29 | |
-Oh, I've got a large package for you. -Oh! | 0:02:29 | 0:02:31 | |
She asked for an innuendo and then he gave her one. | 0:02:31 | 0:02:34 | |
-Hey-hey! Where do I sign? -LAUGHTER | 0:02:34 | 0:02:36 | |
Just on the bottom. | 0:02:36 | 0:02:37 | |
You have to be still. | 0:02:39 | 0:02:41 | |
Oh, Karen, we haven't heard from the Tembe-nator | 0:02:41 | 0:02:43 | |
about the QOF data, have we? I'd rather get it sorted before... | 0:02:43 | 0:02:46 | |
THUD | 0:02:46 | 0:02:48 | |
Steven! | 0:02:51 | 0:02:52 | |
Steven Keegan! | 0:02:52 | 0:02:54 | |
-Are you with us? -Hey, am I dead? | 0:02:54 | 0:02:57 | |
Cos this is a really rubbish afterlife. | 0:02:57 | 0:03:00 | |
Do you remember what happened? | 0:03:00 | 0:03:02 | |
Yeah, I think I fainted. | 0:03:02 | 0:03:04 | |
You know where you are? | 0:03:04 | 0:03:05 | |
Yeah, Letherbridge Uni. | 0:03:05 | 0:03:07 | |
OK, now, I have to ask you this. | 0:03:07 | 0:03:09 | |
Do you know who I am? | 0:03:09 | 0:03:11 | |
Yeah, you're what's-his-face - Dr Glasses. | 0:03:11 | 0:03:14 | |
Hmm, I've been called worse. | 0:03:14 | 0:03:16 | |
I brought you some water. | 0:03:16 | 0:03:18 | |
Oh, wow, I must be dead, cos I've just met an angel. | 0:03:18 | 0:03:21 | |
-Oh. Ah... -Stay where you are. | 0:03:21 | 0:03:23 | |
All right, have you been suffering any chest pains recently? | 0:03:26 | 0:03:29 | |
No. | 0:03:29 | 0:03:30 | |
-Any trouble with your waterworks? -I don't think so. | 0:03:30 | 0:03:33 | |
Is there a history of fainting? | 0:03:33 | 0:03:35 | |
I wouldn't be much good as a delivery driver | 0:03:35 | 0:03:37 | |
-if I kept passing out. -PHONE RINGS | 0:03:37 | 0:03:40 | |
Sorry. | 0:03:40 | 0:03:41 | |
Are you under any particular stress at the moment? | 0:03:44 | 0:03:47 | |
Well, I've just had a baby. Well, I mean, the wife has. | 0:03:47 | 0:03:49 | |
Oh, congratulations. How's that going? | 0:03:49 | 0:03:52 | |
Yeah, it's great. | 0:03:52 | 0:03:53 | |
Yeah, apart from all the sleepless nights and the projectile vomit. | 0:03:53 | 0:03:56 | |
I can imagine. | 0:03:56 | 0:03:57 | |
They say that you age five years in the first year of fatherhood. | 0:03:57 | 0:04:01 | |
Yeah, that's it. | 0:04:01 | 0:04:03 | |
Yeah, lack of sleep and work. | 0:04:03 | 0:04:05 | |
-You know, the work-life balance. -Yeah. | 0:04:05 | 0:04:08 | |
Anything else? | 0:04:08 | 0:04:09 | |
Do you believe in ghosts? | 0:04:11 | 0:04:13 | |
Huh. | 0:04:13 | 0:04:14 | |
Well, I used to, but then the Easter Bunny told me to stop being so silly. | 0:04:14 | 0:04:18 | |
Yeah, I'd laugh too, but either I've just seen a ghost or... | 0:04:18 | 0:04:22 | |
or else I think I might have killed someone. | 0:04:22 | 0:04:25 | |
I like your hair. | 0:04:27 | 0:04:28 | |
Oh, thanks. | 0:04:28 | 0:04:30 | |
I had it done in Australia. | 0:04:30 | 0:04:32 | |
-Oh, how was it? -Oh, it was incredible. | 0:04:32 | 0:04:34 | |
I can see why Chris stays there. | 0:04:34 | 0:04:36 | |
It was all I could do to tear myself away. | 0:04:36 | 0:04:38 | |
It must be your inner boomerang. | 0:04:38 | 0:04:40 | |
It has some... | 0:04:42 | 0:04:44 | |
Well, it's helped to put things in perspective a little. | 0:04:44 | 0:04:47 | |
Good. | 0:04:47 | 0:04:49 | |
Oh, Heston, | 0:04:49 | 0:04:51 | |
I miss him dreadfully. | 0:04:51 | 0:04:54 | |
This morning, I accidentally called Anthony "Howard". | 0:04:54 | 0:05:00 | |
He was standing just where Howard would | 0:05:00 | 0:05:03 | |
and wearing a shiny suit and... | 0:05:03 | 0:05:06 | |
just for a moment, I thought... | 0:05:06 | 0:05:09 | |
Look, you're going to see his face | 0:05:11 | 0:05:14 | |
popping up in all sorts of places. | 0:05:14 | 0:05:16 | |
I know. | 0:05:18 | 0:05:19 | |
That's part of the problem. | 0:05:20 | 0:05:22 | |
It was an hour ago and I'd just made the delivery and I got a bit lost. | 0:05:25 | 0:05:29 | |
Whereabouts? | 0:05:29 | 0:05:31 | |
Well, I was down this really nice street, you know, | 0:05:31 | 0:05:33 | |
I was just driving along, | 0:05:33 | 0:05:35 | |
and then I looked out my windscreen and there was this... | 0:05:35 | 0:05:38 | |
PHONE RINGS AND STEVEN SIGHS | 0:05:38 | 0:05:41 | |
Is that your work that's hassling you? | 0:05:42 | 0:05:45 | |
No, it's no-one. | 0:05:45 | 0:05:47 | |
Look, there was this face. | 0:05:48 | 0:05:50 | |
A woman, yeah, really old and angry, and she was just stood there, | 0:05:50 | 0:05:54 | |
in the road, staring at me, and... | 0:05:54 | 0:05:56 | |
So I swerved, slammed on the brakes, and I sat there and I was terrified, | 0:05:56 | 0:06:00 | |
just in case I hit her, but then... | 0:06:00 | 0:06:02 | |
It's all right. Go on. | 0:06:04 | 0:06:07 | |
But then, when I looked around, there was nobody there. | 0:06:07 | 0:06:11 | |
Then I got out of the van, I looked, but nobody, | 0:06:11 | 0:06:14 | |
so I got back in the van and drove here, but... | 0:06:14 | 0:06:18 | |
You know, now I'm thinking, what if there was an old woman | 0:06:18 | 0:06:21 | |
and she just crawled off into a ditch to die | 0:06:21 | 0:06:23 | |
-and I just left her there? -Oh, OK. | 0:06:23 | 0:06:25 | |
If you think that that's what happened, | 0:06:25 | 0:06:27 | |
then you need to call the police. | 0:06:27 | 0:06:29 | |
Oh, I don't know. | 0:06:29 | 0:06:32 | |
I mean, chances are I'm just imagining things, | 0:06:32 | 0:06:34 | |
but that's not like me. | 0:06:34 | 0:06:36 | |
Do you think I'm cracking up? | 0:06:38 | 0:06:40 | |
No, but you're obviously really tired and, you know, | 0:06:40 | 0:06:43 | |
when our mind is sleep deprived, we can hallucinate. | 0:06:43 | 0:06:46 | |
Yeah, but I saw her face, | 0:06:46 | 0:06:49 | |
and her dress - she was wearing a blue dress, | 0:06:49 | 0:06:52 | |
and she was staring at me like she was accusing me of something, | 0:06:52 | 0:06:57 | |
but when I looked around she'd gone. | 0:06:57 | 0:06:59 | |
Well, it could be a restless spirit or something. | 0:07:00 | 0:07:03 | |
If you think that you saw a ghost, then the best advice I can give is | 0:07:03 | 0:07:06 | |
go home, take the day off work and get some sleep. | 0:07:06 | 0:07:09 | |
It's not safe for you to be driving around in this state. | 0:07:10 | 0:07:13 | |
-Oh, Heston. -Oh, yes? | 0:07:17 | 0:07:19 | |
Can I have a word? | 0:07:19 | 0:07:20 | |
Of course, my consulting room door is always open. | 0:07:20 | 0:07:23 | |
No, erm, not here. | 0:07:23 | 0:07:25 | |
Oh, is it about a new house? | 0:07:25 | 0:07:26 | |
In which case, my front door is always open. | 0:07:26 | 0:07:28 | |
No, it's not. Erm... | 0:07:28 | 0:07:30 | |
Could we meet in private, maybe for lunch? | 0:07:30 | 0:07:33 | |
Yeah, why don't we have a picnic in the park? | 0:07:33 | 0:07:36 | |
In January? | 0:07:36 | 0:07:37 | |
Well, it's a lovely day. I'll get some stuff. | 0:07:37 | 0:07:39 | |
Yeah. Yeah, why not? | 0:07:39 | 0:07:40 | |
Heston, don't go to any trouble. | 0:07:42 | 0:07:44 | |
PHONE RINGS | 0:07:44 | 0:07:46 | |
Good morning, the Mill Health Centre. How can I help you? | 0:07:47 | 0:07:51 | |
Oh, get it together. | 0:07:52 | 0:07:53 | |
KNOCK AT WINDOW If you're hoping to | 0:07:53 | 0:07:56 | |
pull our receptionist, | 0:07:56 | 0:07:57 | |
you should know that she's a happily married woman. | 0:07:57 | 0:08:00 | |
Yeah, OK. | 0:08:00 | 0:08:02 | |
You do know that you've been waiting here for over an hour, right? | 0:08:02 | 0:08:06 | |
I don't want to drive. | 0:08:06 | 0:08:09 | |
HE SIGHS | 0:08:09 | 0:08:11 | |
Every time I start the engine, | 0:08:13 | 0:08:14 | |
you know, I just see her face in front of me. | 0:08:14 | 0:08:16 | |
You're serious about this? Look, if you'd have hit someone, | 0:08:16 | 0:08:19 | |
there'd be some kind of impact on your van. There isn't. | 0:08:19 | 0:08:21 | |
Yeah, but what if she fell, you know, and was hurt? | 0:08:21 | 0:08:24 | |
-She could be there now. -AL EXHALES | 0:08:24 | 0:08:26 | |
All right, fine. | 0:08:26 | 0:08:28 | |
Take me to where it happened. | 0:08:28 | 0:08:29 | |
Well, I'm really happy to say that the business is in robust shape, | 0:08:34 | 0:08:38 | |
so now we need to think about rebranding. | 0:08:38 | 0:08:41 | |
Erm, what was wrong with the old brand? | 0:08:41 | 0:08:43 | |
Well, nothing - | 0:08:43 | 0:08:45 | |
high levels of trust, excellent footfall - | 0:08:45 | 0:08:47 | |
but this is about getting the message out there, | 0:08:47 | 0:08:49 | |
so I want to refresh the website and have a new leaflet. | 0:08:49 | 0:08:53 | |
Well, if you need photos doing, David Bailey's right here. | 0:08:53 | 0:08:56 | |
As always, Daniel, you're way ahead of me. | 0:08:56 | 0:08:58 | |
Yeah, I'd love some more photos, but these need to be a bit special. | 0:08:58 | 0:09:02 | |
I want action shots of the Mill staff doing their jobs, | 0:09:02 | 0:09:04 | |
interfacing with the public. | 0:09:04 | 0:09:06 | |
Why do we need a new leaflet? | 0:09:06 | 0:09:07 | |
We have patients coming out of our ears. | 0:09:07 | 0:09:09 | |
Well, because if you get more patients, | 0:09:09 | 0:09:11 | |
you get more funding and more resources. | 0:09:11 | 0:09:13 | |
Yeah, it's not just about business, though. | 0:09:13 | 0:09:15 | |
I mean, this is a way of saying thank you | 0:09:15 | 0:09:17 | |
to everyone who works here and making them feel valued. | 0:09:17 | 0:09:20 | |
It's been a tough few months, but this will say, | 0:09:20 | 0:09:23 | |
"Here we are - the team. This is us." | 0:09:23 | 0:09:26 | |
Oh, I'm not sure. I think it was somewhere off to the left. | 0:09:32 | 0:09:35 | |
Well, you could have imagined the whole thing - | 0:09:35 | 0:09:37 | |
like you've imagined that you're a professional driver. | 0:09:37 | 0:09:39 | |
PHONE RINGS | 0:09:39 | 0:09:42 | |
-Al, have you seen my phone? -No. | 0:09:42 | 0:09:45 | |
Something's vibrating. | 0:09:45 | 0:09:46 | |
Oh, wow. You've got a message from Luscious Lola. | 0:09:49 | 0:09:53 | |
Seems very friendly. Shall I read it out to you? | 0:09:53 | 0:09:55 | |
Give it here! | 0:09:55 | 0:09:56 | |
Do you have something you want to tell me? | 0:09:56 | 0:09:59 | |
Cos Lola doesn't look like she's asking you about an MOT. | 0:09:59 | 0:10:02 | |
OK, I've got this app. | 0:10:02 | 0:10:05 | |
You know, it puts me in touch with single women when I'm on the road. | 0:10:05 | 0:10:08 | |
Except you're not a single man. | 0:10:08 | 0:10:10 | |
Yeah, I know. | 0:10:10 | 0:10:12 | |
Yeah, look, I love my wife, but ever since Ellie was born, | 0:10:12 | 0:10:15 | |
there's been absolutely no bedroom action, | 0:10:15 | 0:10:17 | |
so of course I'm going to use my phone for a bit of fun. | 0:10:17 | 0:10:20 | |
Modern technology has found lots of ways for people | 0:10:20 | 0:10:23 | |
to have "fun on their phones". | 0:10:23 | 0:10:24 | |
Yeah, look, as long as my wife doesn't find out, | 0:10:26 | 0:10:28 | |
then no-one's going to get hurt. | 0:10:28 | 0:10:30 | |
When I'm in the area, Lola's got my details | 0:10:30 | 0:10:32 | |
and she just gives me a call. | 0:10:32 | 0:10:34 | |
Oh, right, and you were on the phone to her | 0:10:34 | 0:10:36 | |
when this incident occurred, am I right? | 0:10:36 | 0:10:39 | |
It's all starting to make much more sense. | 0:10:41 | 0:10:43 | |
ENGINE PURRS | 0:10:46 | 0:10:48 | |
RUHMA PANTS AND DUCKS QUACK | 0:10:50 | 0:10:53 | |
Heston. | 0:10:53 | 0:10:54 | |
Hello, Ruhma. | 0:10:54 | 0:10:56 | |
Oh, I'm so sorry. | 0:10:56 | 0:10:57 | |
I got lost. | 0:10:57 | 0:10:59 | |
I must have come through the wrong entrance. | 0:10:59 | 0:11:02 | |
There was no sign of you. | 0:11:02 | 0:11:03 | |
I thought about asking this man who was asleep on the bench, | 0:11:03 | 0:11:06 | |
and then some bloke nearly ran me over with his mobility scooter. | 0:11:06 | 0:11:09 | |
Oh, is he still here? | 0:11:09 | 0:11:11 | |
How are you? | 0:11:11 | 0:11:12 | |
A bit anxious. | 0:11:12 | 0:11:14 | |
Why's that? | 0:11:14 | 0:11:15 | |
-Well, you said you had something to tell me. -Right. | 0:11:15 | 0:11:18 | |
-How much do I owe you? -Oh, nothing. | 0:11:18 | 0:11:20 | |
-Oh. Oh, sorry. -PHONE BEEPS | 0:11:20 | 0:11:24 | |
SHE SIGHS | 0:11:24 | 0:11:26 | |
Anything interesting? | 0:11:26 | 0:11:28 | |
Well, yeah. | 0:11:28 | 0:11:29 | |
Apparently, I'm entitled to money for an accident that didn't happen. | 0:11:29 | 0:11:32 | |
Oh, so am I. | 0:11:32 | 0:11:34 | |
What did we do before mobile phones? | 0:11:34 | 0:11:36 | |
Talk to each other? | 0:11:36 | 0:11:38 | |
Right. | 0:11:38 | 0:11:39 | |
Yeah. | 0:11:41 | 0:11:42 | |
OK. | 0:11:43 | 0:11:44 | |
Look, whatever it was, it was over there. | 0:11:46 | 0:11:48 | |
Look, I've done all the CSI that I can. OK? | 0:11:48 | 0:11:51 | |
There is no sign of any blood and no sign of any debris or impact. | 0:11:51 | 0:11:55 | |
Well, I'll tell you what there is a lot of, and that's trees. | 0:11:55 | 0:11:58 | |
Ghost stories are often set around trees because when | 0:11:58 | 0:12:01 | |
the branches and the leaves move, you know, we see spooky things. | 0:12:01 | 0:12:04 | |
When the light breaks through, | 0:12:04 | 0:12:05 | |
suddenly you'll be presented with some kind of an apparition. | 0:12:05 | 0:12:08 | |
-Oh, is that what it was? -Yeah, it could be, | 0:12:08 | 0:12:10 | |
yeah, but we add all of this to the fact that | 0:12:10 | 0:12:12 | |
you're feeling really tired. | 0:12:12 | 0:12:14 | |
You said that this figure looked at you accusingly | 0:12:14 | 0:12:17 | |
and you've got a bit of a guilty conscience, haven't you? | 0:12:17 | 0:12:19 | |
Did you see that? | 0:12:21 | 0:12:24 | |
-Did I see what? -There was a woman in a blue dress. | 0:12:24 | 0:12:27 | |
All right, are we talking real woman or are we talking ghost? | 0:12:27 | 0:12:31 | |
Well, I don't know, but it was over there. | 0:12:31 | 0:12:34 | |
AL EXHALES | 0:12:34 | 0:12:36 | |
Fine. | 0:12:36 | 0:12:37 | |
You, you stay here. | 0:12:37 | 0:12:39 | |
You know, I think it's a really good bench, | 0:12:43 | 0:12:45 | |
cos you don't usually get that lower-back support, do you? | 0:12:45 | 0:12:48 | |
-Ruhma. -It's a good design... | 0:12:48 | 0:12:49 | |
Much as I like talking about lumbar support... | 0:12:49 | 0:12:53 | |
OK. | 0:12:53 | 0:12:55 | |
Look, Heston... | 0:12:55 | 0:12:59 | |
I have feelings for you. | 0:12:59 | 0:13:01 | |
I can't believe I've just said that. | 0:13:03 | 0:13:05 | |
You're not saying anything. | 0:13:08 | 0:13:10 | |
I... I can't believe it either. | 0:13:10 | 0:13:13 | |
The feeling is mutual. | 0:13:17 | 0:13:19 | |
No sign of anyone, and I mean anyone. | 0:13:25 | 0:13:27 | |
This place is stuck in a time warp. | 0:13:27 | 0:13:30 | |
We can probably expect to see a penny-farthing ride by. | 0:13:30 | 0:13:33 | |
Steven? | 0:13:34 | 0:13:35 | |
I've just been chatting to this old guy, right. | 0:13:37 | 0:13:39 | |
He says he's lived here all his life and there was an accident here. | 0:13:39 | 0:13:42 | |
When? | 0:13:42 | 0:13:43 | |
1966, and a woman was killed. | 0:13:43 | 0:13:47 | |
Right, well, you're fine, then - | 0:13:47 | 0:13:49 | |
unless you're older than you look. | 0:13:49 | 0:13:51 | |
Al, it was 50 years ago, right, and I saw her this morning. | 0:13:51 | 0:13:54 | |
It's not possible. | 0:13:54 | 0:13:56 | |
But what if, right, if you die a violent death, | 0:13:56 | 0:13:59 | |
you know, something stays behind, you know, like a spirit, a trauma? | 0:13:59 | 0:14:02 | |
Look, you're going to have to trust me on this, OK? | 0:14:02 | 0:14:05 | |
The human body is a physical and solid thing. | 0:14:05 | 0:14:08 | |
When we die, we decompose. | 0:14:08 | 0:14:10 | |
There's no spirit left behind to linger in trees, | 0:14:10 | 0:14:13 | |
ready to jump out and scare people. | 0:14:13 | 0:14:14 | |
Help me! | 0:14:14 | 0:14:16 | |
HE EXHALES | 0:14:18 | 0:14:21 | |
I used to think you were a reactionary dinosaur... | 0:14:21 | 0:14:24 | |
Well, we did rule the planet for millions of years. | 0:14:24 | 0:14:27 | |
..and then you welcomed us into your house, | 0:14:27 | 0:14:29 | |
and I saw that you were the funniest and kindest man. | 0:14:29 | 0:14:34 | |
I thought you were a steam roller, flattening everything in your path. | 0:14:34 | 0:14:38 | |
I'm going to put that on my CV. | 0:14:38 | 0:14:40 | |
Then I saw you with Shak and Ali and I realised | 0:14:40 | 0:14:42 | |
that you had to be tough for them. | 0:14:42 | 0:14:45 | |
Yeah, I had a difficult time with their dad. | 0:14:45 | 0:14:49 | |
Right. | 0:14:49 | 0:14:51 | |
He hurt me and... | 0:14:51 | 0:14:52 | |
I don't think I ever thought I'd have or want a relationship. | 0:14:54 | 0:14:58 | |
I banned myself from having feelings. | 0:14:59 | 0:15:01 | |
I could write a book about break-ups but it wouldn't be a fun read. | 0:15:03 | 0:15:06 | |
ICE CREAM VAN PLAYS GREENSLEEVES | 0:15:08 | 0:15:10 | |
Shall we...? | 0:15:12 | 0:15:15 | |
I'm too excited to eat. | 0:15:15 | 0:15:17 | |
Help me. I didn't mean to. | 0:15:19 | 0:15:22 | |
He made me! | 0:15:22 | 0:15:23 | |
-Who did? -Him! | 0:15:23 | 0:15:25 | |
Why did you come back? | 0:15:25 | 0:15:27 | |
Just go, now, before it's too late! | 0:15:27 | 0:15:29 | |
I don't know who you are, love. | 0:15:29 | 0:15:30 | |
-Is this the lady you saw this morning? -Yeah. | 0:15:30 | 0:15:33 | |
OK, just give us a sec, yeah? | 0:15:33 | 0:15:35 | |
We are going to get into trouble. | 0:15:35 | 0:15:37 | |
Nothing bad is going to happen to you, I absolutely promise. | 0:15:37 | 0:15:41 | |
Look, my name's Al. What's your name? | 0:15:41 | 0:15:44 | |
Mary Mudeford. | 0:15:44 | 0:15:45 | |
OK, where do you live, Mary? | 0:15:45 | 0:15:47 | |
In there. | 0:15:49 | 0:15:50 | |
All right. Shall we go and see if anyone's home? | 0:15:50 | 0:15:53 | |
I like your garden. | 0:16:00 | 0:16:02 | |
It's very pretty. | 0:16:02 | 0:16:04 | |
John? | 0:16:04 | 0:16:06 | |
John, I'm sorry! | 0:16:06 | 0:16:08 | |
It was an accident. | 0:16:10 | 0:16:12 | |
There was blood everywhere. | 0:16:24 | 0:16:26 | |
It was sticking to my shoes. | 0:16:28 | 0:16:31 | |
Mary, what date is it, please? | 0:16:31 | 0:16:35 | |
It's June... | 0:16:35 | 0:16:37 | |
January. | 0:16:39 | 0:16:40 | |
What year? | 0:16:40 | 0:16:41 | |
1966. | 0:16:41 | 0:16:43 | |
What's your date of birth? | 0:16:44 | 0:16:45 | |
The 29th of May, 1939. | 0:16:45 | 0:16:48 | |
That's great. | 0:16:48 | 0:16:49 | |
Could you just excuse me a sec, yeah? | 0:16:49 | 0:16:52 | |
PHONE KEYPAD BEEPS | 0:16:53 | 0:16:55 | |
Hey, Karen, it's me. | 0:16:57 | 0:16:58 | |
I need you to look up a possible patient for me, | 0:16:58 | 0:17:02 | |
and I think I'm going to be late back from lunch again. Sorry. | 0:17:02 | 0:17:05 | |
OK, so, I've managed to find Mary's husband. | 0:17:09 | 0:17:12 | |
-Right. -She is distressed about something that happened years ago. | 0:17:12 | 0:17:16 | |
I don't think you hit her. | 0:17:16 | 0:17:18 | |
Yeah, but why does she think that she knows me? | 0:17:18 | 0:17:20 | |
Look, I just assume that you remind her of someone. | 0:17:20 | 0:17:23 | |
Hello. Could you help me, please? | 0:17:23 | 0:17:25 | |
Oh, hello, Mary, I was just coming to get you. | 0:17:25 | 0:17:28 | |
-Do you know me? -Yeah, your husband John has been worried sick about you. | 0:17:28 | 0:17:31 | |
-He's been looking for you. -John. | 0:17:31 | 0:17:33 | |
Everything is going to be OK. We're going to take you to him. | 0:17:33 | 0:17:35 | |
-Everything's going to be fine. -Oh. | 0:17:35 | 0:17:38 | |
Ah... | 0:17:38 | 0:17:39 | |
MUSIC: It's Not Unusual by Tom Jones | 0:17:44 | 0:17:48 | |
Oh, Mary. | 0:17:51 | 0:17:52 | |
-KNOCK AT DOOR -Ah, hold on. | 0:17:52 | 0:17:55 | |
The door's open. | 0:17:57 | 0:17:59 | |
MUSIC STOPS | 0:17:59 | 0:18:02 | |
Ah, Mr Mudeford. Hello, I'm Dr Haskey. | 0:18:02 | 0:18:04 | |
Oh, good to see you. | 0:18:04 | 0:18:05 | |
And I believe you know this lady? | 0:18:05 | 0:18:08 | |
Mary, thank goodness. | 0:18:08 | 0:18:10 | |
I was out of my mind. | 0:18:10 | 0:18:12 | |
I'm sure I've met you somewhere before. | 0:18:12 | 0:18:14 | |
Oh, I think we have - more than once or twice. Come on. | 0:18:14 | 0:18:19 | |
This is Steve, and Steve is the man who found her. | 0:18:19 | 0:18:22 | |
-Oh, thank you very much. -Hi. | 0:18:22 | 0:18:26 | |
Oh, sit down, both of you. | 0:18:26 | 0:18:28 | |
So, how long has Mary been...? | 0:18:30 | 0:18:34 | |
Forgetful? Oh, a few years, now. | 0:18:34 | 0:18:37 | |
She used to be very ill with arthritis, | 0:18:37 | 0:18:39 | |
but now that she's losing her memory | 0:18:39 | 0:18:41 | |
she doesn't seem to know that she's getting on a bit. | 0:18:41 | 0:18:43 | |
She tears off like Roger Bannister and I can't keep up with her. | 0:18:43 | 0:18:47 | |
I've seen that before. | 0:18:47 | 0:18:48 | |
Patients with memory loss can push themselves right to the edge | 0:18:48 | 0:18:51 | |
cos, in their mind, they're still 18. | 0:18:51 | 0:18:53 | |
Well, she's a very strong-minded person. | 0:18:53 | 0:18:56 | |
She was in quite a state. | 0:18:56 | 0:18:58 | |
She thought she'd been in an accident | 0:18:58 | 0:18:59 | |
and that she was going to get in trouble, | 0:18:59 | 0:19:01 | |
and she thought it was 1966. | 0:19:01 | 0:19:04 | |
-Would you like some tea? -Oh, yes. | 0:19:06 | 0:19:09 | |
So he wants to rebrand the Mill. | 0:19:09 | 0:19:11 | |
But this is a health centre, not a box of cornflakes. | 0:19:11 | 0:19:14 | |
Yeah, well, it means a new website and new leaflets - | 0:19:14 | 0:19:17 | |
that means we're going to need a new photograph of you. | 0:19:17 | 0:19:20 | |
But surely you took enough photographs last year? | 0:19:20 | 0:19:23 | |
This is different. This is just a normal day in the life of the Mill, | 0:19:23 | 0:19:26 | |
so it's people going about their business. | 0:19:26 | 0:19:27 | |
I really think you should concentrate on the doctors. | 0:19:27 | 0:19:30 | |
Are you kidding? Come on, | 0:19:30 | 0:19:31 | |
everyone knows you it's you that runs this place. | 0:19:31 | 0:19:33 | |
It's your smiling face that greets the patients | 0:19:33 | 0:19:35 | |
when they come through the doors, | 0:19:35 | 0:19:37 | |
and your organisational skills that keep us all going. | 0:19:37 | 0:19:39 | |
Without you, we might as well be running a kebab stall. | 0:19:39 | 0:19:43 | |
I feel you are flattering me so you can get your own way. | 0:19:43 | 0:19:46 | |
I'm not even going to argue. | 0:19:48 | 0:19:49 | |
Just make sure you get the consent of the patients before you | 0:19:49 | 0:19:51 | |
start taking any photographs. | 0:19:51 | 0:19:53 | |
And then, that way, we can make sure | 0:19:59 | 0:20:00 | |
you're getting all the help that you're entitled to. | 0:20:00 | 0:20:03 | |
You're very kind. | 0:20:03 | 0:20:04 | |
Oh, and thank you for bringing her home to me. | 0:20:04 | 0:20:07 | |
You're welcome. | 0:20:07 | 0:20:08 | |
Where did you find her? | 0:20:08 | 0:20:10 | |
She wasn't on the road, was she? I worry about traffic. | 0:20:10 | 0:20:13 | |
She sort of just jumped out in front of me. | 0:20:13 | 0:20:15 | |
You know, at first I thought she was a ghost. | 0:20:15 | 0:20:17 | |
Well, I suppose, in some ways, she is a ghost. | 0:20:17 | 0:20:21 | |
I mean, she's here in the room, but where has her mind gone? | 0:20:21 | 0:20:24 | |
It's been sad seeing her memories come undone. | 0:20:24 | 0:20:27 | |
First, she forgot the names of the grandchildren, | 0:20:29 | 0:20:31 | |
and then the children. | 0:20:31 | 0:20:33 | |
Now she doesn't even know who she is or where she is. | 0:20:33 | 0:20:38 | |
But there are some memories - | 0:20:38 | 0:20:40 | |
memories that sear their way into our subconscious. | 0:20:40 | 0:20:43 | |
She kept talking about blood - | 0:20:43 | 0:20:46 | |
blood everywhere, sticking to her shoes. | 0:20:46 | 0:20:49 | |
Did something happen at your old house? | 0:20:51 | 0:20:54 | |
Some years ago, Mary had a visitor. | 0:20:54 | 0:20:58 | |
He had wheedled his way into the house | 0:20:58 | 0:21:00 | |
and he had to leave in a hurry. | 0:21:00 | 0:21:02 | |
He ran his car into our next-door neighbour. | 0:21:04 | 0:21:06 | |
John, I'm sorry. | 0:21:06 | 0:21:09 | |
I'm so sorry. | 0:21:10 | 0:21:12 | |
No! | 0:21:16 | 0:21:18 | |
You've got to go. | 0:21:18 | 0:21:20 | |
Get out of my house! | 0:21:20 | 0:21:22 | |
It's OK, Mary, he's just a friend. | 0:21:22 | 0:21:24 | |
It all happened such a long time ago | 0:21:24 | 0:21:26 | |
and there's nothing to worry about. | 0:21:26 | 0:21:29 | |
Yes, I think, perhaps, you should leave. | 0:21:29 | 0:21:31 | |
You obviously remind her of somebody. | 0:21:31 | 0:21:33 | |
Right. | 0:21:33 | 0:21:35 | |
Erm, please do stay in touch. | 0:21:36 | 0:21:38 | |
I would like to arrange a home visit. | 0:21:38 | 0:21:40 | |
I will. Thank you. | 0:21:40 | 0:21:41 | |
Am I all right? | 0:21:52 | 0:21:53 | |
You're fine now. | 0:21:53 | 0:21:55 | |
You're with me. | 0:21:55 | 0:21:57 | |
I'll put on some music. | 0:21:59 | 0:22:01 | |
Your favourite - Tom Jones. | 0:22:01 | 0:22:03 | |
MUSIC: Help Yourself by Tom Jones | 0:22:12 | 0:22:16 | |
# Love is like candy on a shelf... # | 0:22:24 | 0:22:27 | |
Oh! | 0:22:27 | 0:22:29 | |
# You want to taste and help yourself | 0:22:29 | 0:22:33 | |
# The sweetest things are there for you | 0:22:34 | 0:22:37 | |
# Help yourself | 0:22:37 | 0:22:38 | |
# Take a few | 0:22:38 | 0:22:40 | |
# That's what I want you to do | 0:22:40 | 0:22:43 | |
# We're always told repeatedly | 0:22:45 | 0:22:49 | |
-# The very best in life is free... # -Let's just sit you down. | 0:22:49 | 0:22:55 | |
# And if you want to prove it's true | 0:22:55 | 0:22:58 | |
# Baby, I'm telling you | 0:22:58 | 0:23:00 | |
# This is what you should do | 0:23:00 | 0:23:04 | |
# Just help yourself to my lips | 0:23:04 | 0:23:07 | |
# To my arms | 0:23:07 | 0:23:08 | |
# Just say the word and they are yours | 0:23:08 | 0:23:12 | |
# Just help yourself | 0:23:12 | 0:23:14 | |
-# To the love in my heart... # -Oh! | 0:23:14 | 0:23:16 | |
# Your smile has opened up the door... # | 0:23:16 | 0:23:19 | |
Get off me! | 0:23:21 | 0:23:22 | |
# The greatest wealth that exists in the world | 0:23:22 | 0:23:24 | |
# Could never buy what I can give... # | 0:23:24 | 0:23:27 | |
Excuse me. | 0:23:27 | 0:23:29 | |
We've brought you some sandwiches, if you want one. OK? | 0:23:29 | 0:23:32 | |
-Well done. -See? | 0:23:35 | 0:23:36 | |
# All right | 0:23:36 | 0:23:39 | |
# Ha-ha-ha-ha-ha-ha-ha | 0:23:39 | 0:23:40 | |
# Yeah... # | 0:23:40 | 0:23:42 | |
CAMERA CLICKS | 0:23:47 | 0:23:50 | |
All right, there, and if Anthony doesn't like them, | 0:23:50 | 0:23:52 | |
he can use them for a toothpaste commercial. | 0:23:52 | 0:23:55 | |
-You don't like him, do you? -I never said that. | 0:23:55 | 0:23:57 | |
You know, I think he's the best thing to happen around here | 0:23:57 | 0:23:59 | |
for a very long time. He's really positive. | 0:23:59 | 0:24:01 | |
He's got a great energy about him and you know what else? | 0:24:01 | 0:24:04 | |
He can recognise talent. | 0:24:04 | 0:24:05 | |
These are very impressive. | 0:24:10 | 0:24:12 | |
-Honestly, Jimmi, you have a real eye. -Thanks. | 0:24:12 | 0:24:14 | |
Yeah, unfortunately, | 0:24:14 | 0:24:16 | |
-we're not going to be able to use the ones of Mrs Tembe. -Why not? Why? | 0:24:16 | 0:24:19 | |
Sorry, I should have been clearer. | 0:24:19 | 0:24:20 | |
We only need photos of the medical staff. | 0:24:20 | 0:24:22 | |
I mean, no-one joins a surgery because of the receptionist. | 0:24:22 | 0:24:25 | |
Yeah, but Mrs Tembe's a huge part of this practice. | 0:24:25 | 0:24:28 | |
Indeed, and these are terrific photos, | 0:24:28 | 0:24:31 | |
so I'm going to put them on file | 0:24:31 | 0:24:33 | |
and in a month or two we'll do another leaflet about | 0:24:33 | 0:24:35 | |
all the work we do in the community and with various minority groups. | 0:24:35 | 0:24:38 | |
Don't worry, Mrs Tembe will have her day. | 0:24:38 | 0:24:40 | |
ENGINE PURRS | 0:24:45 | 0:24:48 | |
So, do you still believe in ghosts? | 0:24:49 | 0:24:53 | |
-Yeah, I do, actually. -What? | 0:24:53 | 0:24:54 | |
Like, I think everything that we do leaves a trace. | 0:24:54 | 0:24:57 | |
You know, whatever Mary did back then obviously still haunts her. | 0:24:57 | 0:25:01 | |
Yeah, that's right. | 0:25:01 | 0:25:03 | |
What we do has consequences that can ruin a beautiful marriage. | 0:25:03 | 0:25:08 | |
Yeah, I know what you're saying, but I won't let it go too far. | 0:25:08 | 0:25:12 | |
Won't you? | 0:25:12 | 0:25:13 | |
I know when to stop. | 0:25:13 | 0:25:14 | |
Oh, if I told you the amount of times I hear that from gambling addicts, | 0:25:16 | 0:25:20 | |
sex addicts, rambling addicts... PHONE RINGS | 0:25:20 | 0:25:23 | |
Ooh, who is it now? | 0:25:23 | 0:25:25 | |
Scintillating Suzy? Irresistible Iris? Delectable Doris? | 0:25:25 | 0:25:28 | |
Nope. | 0:25:28 | 0:25:30 | |
I've deleted the app. | 0:25:31 | 0:25:33 | |
I've deleted all the apps. | 0:25:33 | 0:25:35 | |
It's too dangerous and I love my wife too much. | 0:25:35 | 0:25:38 | |
I like that. | 0:25:41 | 0:25:43 | |
It sounds like a New Year's resolution. | 0:25:43 | 0:25:46 | |
AL EXHALES You take care, yeah? | 0:25:46 | 0:25:48 | |
Cheers. | 0:25:48 | 0:25:50 | |
-KNOCK AT DOOR -Come in. | 0:25:53 | 0:25:55 | |
Oh, Mrs Tembe. Are you still here? | 0:25:57 | 0:26:00 | |
Well, yes. Yes, of course. | 0:26:00 | 0:26:02 | |
The QOF data you requested. | 0:26:02 | 0:26:04 | |
Oh, you are good. All done. | 0:26:04 | 0:26:06 | |
I must say, Dr Clay takes an excellent photograph. | 0:26:08 | 0:26:12 | |
Yes, though we won't be able to use any of them in the leaflet, | 0:26:12 | 0:26:16 | |
I'm afraid. | 0:26:16 | 0:26:17 | |
Oh. What? | 0:26:17 | 0:26:19 | |
Well, I talked today with Dr Clay, | 0:26:19 | 0:26:21 | |
and we both decided it was better to concentrate on the medical staff. | 0:26:21 | 0:26:25 | |
No reflection on the excellent work that you do. | 0:26:25 | 0:26:27 | |
Oh. Oh, of course, I see. | 0:26:27 | 0:26:30 | |
Feel free to take the photographs. | 0:26:30 | 0:26:32 | |
You could give them to a friend or send them home to Botswana. | 0:26:32 | 0:26:35 | |
My home is in Letherbridge, Mr Harker. | 0:26:37 | 0:26:41 | |
Of course. | 0:26:41 | 0:26:42 | |
Well, don't let me keep you from it. | 0:26:43 | 0:26:45 | |
Have a good weekend, Mrs Tembe. | 0:26:45 | 0:26:48 | |
Yes. | 0:26:48 | 0:26:49 | |
Goodnight. | 0:26:49 | 0:26:50 | |
I've been invited to a wine-tasting tonight, | 0:27:05 | 0:27:08 | |
and wondered if a few of you would like to join me? | 0:27:08 | 0:27:10 | |
I quite fancied a wine night. | 0:27:10 | 0:27:11 | |
Why don't we go out? | 0:27:11 | 0:27:13 | |
This is Murray, our resident sommelier. | 0:27:13 | 0:27:15 | |
-Oh, hardly. -Daniel Granger. | 0:27:15 | 0:27:16 | |
Do you mind if we join you? | 0:27:16 | 0:27:18 | |
If you like. | 0:27:18 | 0:27:20 | |
A good ale, on its day, | 0:27:20 | 0:27:21 | |
served in the right conditions... | 0:27:21 | 0:27:23 | |
I hardly think that... | 0:27:23 | 0:27:24 | |
..has far more complexity | 0:27:24 | 0:27:26 | |
than this plonk. | 0:27:26 | 0:27:27 |