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Oh, you've narrowed it down to two. That's...progress, I suppose. | 0:00:30 | 0:00:34 | |
Well, which do you think? I've been dying to break out the red one, | 0:00:34 | 0:00:37 | |
but it never seems to be the right occasion. | 0:00:37 | 0:00:39 | |
I don't want to overdo it, so maybe black and understated is better. | 0:00:39 | 0:00:42 | |
Understated, darling, you(?) | 0:00:42 | 0:00:44 | |
Not helpful. | 0:00:44 | 0:00:47 | |
What's Trish like? I don't want to... Well... | 0:00:47 | 0:00:50 | |
Steal her thunder? I know. | 0:00:50 | 0:00:52 | |
I want to make a good impression. | 0:00:52 | 0:00:54 | |
I know everyone thinks I'm competitive all the time, but... | 0:00:54 | 0:00:57 | |
You don't have to be nervous, all right? | 0:00:57 | 0:00:59 | |
I know that people let you down last time. Forget them. | 0:00:59 | 0:01:01 | |
I'm not nervous! | 0:01:01 | 0:01:03 | |
I don't care one jot about those fake, backstabbing frauds. | 0:01:03 | 0:01:07 | |
You and Trish are going to get along just fine, I know it. | 0:01:07 | 0:01:10 | |
And as for tonight, keep it simple. | 0:01:10 | 0:01:12 | |
I think you look terrific in the black. | 0:01:12 | 0:01:15 | |
And I'm sure that she won't feel too overshadowed | 0:01:15 | 0:01:18 | |
by your ravishing good looks. | 0:01:18 | 0:01:20 | |
Finally! | 0:01:20 | 0:01:21 | |
There are other places we can drink. | 0:01:23 | 0:01:25 | |
I can literally think of a hundred off the top of my head. | 0:01:25 | 0:01:28 | |
You know why we're here, don't you? | 0:01:28 | 0:01:29 | |
Because Al's been barred from the King's Arms. | 0:01:29 | 0:01:31 | |
Whoa-whoa! I've not been barred. | 0:01:31 | 0:01:33 | |
You can't bar someone who'll never set foot in your wretched pub again. | 0:01:33 | 0:01:36 | |
Come on, you know, three brilliant minds at the Icon on a Friday night! | 0:01:36 | 0:01:40 | |
Yeah, the worst end to a week imaginable. | 0:01:40 | 0:01:43 | |
Penance for past sins. | 0:01:43 | 0:01:44 | |
No, quiz night! | 0:01:44 | 0:01:46 | |
Whoa! Quiz night! Right, you...you grab that table, | 0:01:48 | 0:01:51 | |
I'll come up with a team name! | 0:01:51 | 0:01:53 | |
-You've never done a quiz night with Haskey before, have you? -No. Why? | 0:01:55 | 0:01:58 | |
I love quiz night! | 0:01:58 | 0:02:00 | |
Cheers. | 0:02:01 | 0:02:02 | |
Come on, then, out with it. | 0:02:04 | 0:02:06 | |
Well, it's just a little bit...blah, isn't it? | 0:02:07 | 0:02:12 | |
You said you were going to be on your best behaviour. | 0:02:12 | 0:02:14 | |
I am. All I'm saying is that I was expecting...some personality. | 0:02:14 | 0:02:20 | |
It's a house. | 0:02:20 | 0:02:22 | |
There they are. Zara, you look stunning! | 0:02:22 | 0:02:25 | |
Thank you. Ha! | 0:02:25 | 0:02:27 | |
Darling, let me introduce you to... | 0:02:27 | 0:02:29 | |
Daniel and Zara. Well, you certainly live up to your reputation! | 0:02:29 | 0:02:34 | |
-I love that dress! -Oh. | 0:02:34 | 0:02:37 | |
(Thanks.) | 0:02:37 | 0:02:38 | |
Oh, very nice! | 0:02:40 | 0:02:43 | |
Thank you. Would you like a drink? | 0:02:43 | 0:02:46 | |
I'd like to say a proper hello first, Heston. | 0:02:46 | 0:02:49 | |
Oh, of course. Apologies. | 0:02:49 | 0:02:51 | |
Oh. Still as uptight as ever. | 0:02:51 | 0:02:54 | |
-It's...lovely to see you. -And you. | 0:02:54 | 0:02:57 | |
Go on, then, get us a drink. | 0:02:57 | 0:03:00 | |
I imagine your cellar is still exceptional. | 0:03:00 | 0:03:03 | |
Comte de Bleuchamp, 1997 to start us off. | 0:03:03 | 0:03:06 | |
Oh, well, as with all things, Heston, I bow to your expertise. | 0:03:06 | 0:03:10 | |
Sorry things were so brief in Bregenz. | 0:03:12 | 0:03:14 | |
I would have loved to have stayed longer, but we had to dash. | 0:03:14 | 0:03:18 | |
The environmentalist? | 0:03:18 | 0:03:19 | |
Yes. Well, he's gone now. | 0:03:19 | 0:03:21 | |
Too short. | 0:03:21 | 0:03:23 | |
Are you seeing anyone else? | 0:03:25 | 0:03:27 | |
-Mm. You don't waste much time, do you? -Behave. | 0:03:27 | 0:03:31 | |
No chance. What shall we drink to? | 0:03:31 | 0:03:34 | |
Us? | 0:03:34 | 0:03:35 | |
To good health. | 0:03:35 | 0:03:37 | |
Hm! How lovely of fate to throw us together again. | 0:03:37 | 0:03:41 | |
Oh! Ha! I'll have that one. THEY CHUCKLE | 0:03:46 | 0:03:48 | |
Good thing Jimmi wasn't here to see that. We'd have to sedate him! | 0:03:48 | 0:03:51 | |
-THEY LAUGH -Seriously, I'm glad it's just us. | 0:03:51 | 0:03:54 | |
Gives us chance to talk about The Mill's future intelligently, | 0:03:54 | 0:03:56 | |
without the tantrums the others always throw. | 0:03:56 | 0:03:58 | |
Here we go, talking shop already. | 0:03:58 | 0:04:01 | |
Come on, Zara, we can't leave the future in their hands. | 0:04:01 | 0:04:05 | |
I don't trust Anthony to run his own bath, let alone the surgery. | 0:04:05 | 0:04:08 | |
I just think we need to have a sensible conversation | 0:04:08 | 0:04:11 | |
about what's going to happen with the place, | 0:04:11 | 0:04:13 | |
without the sentimental nonsense the others bring to the table. | 0:04:13 | 0:04:16 | |
Feels a bit conspiratorial, doesn't it? | 0:04:16 | 0:04:19 | |
Oh! Who fancies a wine? | 0:04:19 | 0:04:21 | |
Good idea. | 0:04:21 | 0:04:22 | |
It's a matter of principle. | 0:04:25 | 0:04:26 | |
I'm not going back while that man's still in charge. | 0:04:26 | 0:04:30 | |
Retirement does have its advantages, Heston. | 0:04:30 | 0:04:32 | |
Which I will arrive at in my own time. | 0:04:32 | 0:04:35 | |
This is not how or when I bow out. | 0:04:35 | 0:04:38 | |
I'm assuming you just forgot about the candles. | 0:04:38 | 0:04:40 | |
Yes. | 0:04:40 | 0:04:42 | |
So that's work, then. | 0:04:45 | 0:04:48 | |
What about play? | 0:04:49 | 0:04:50 | |
Love life? | 0:04:52 | 0:04:54 | |
There is someone. | 0:04:54 | 0:04:56 | |
Oh, good. | 0:04:56 | 0:04:57 | |
Well, she has exceptional taste. | 0:04:57 | 0:05:00 | |
Where did you meet? | 0:05:00 | 0:05:02 | |
At work. She's a midwife. | 0:05:02 | 0:05:04 | |
Are you happy? | 0:05:06 | 0:05:08 | |
Wonderfully. | 0:05:08 | 0:05:09 | |
Be honest, Dr Carter, | 0:05:12 | 0:05:14 | |
is everything as it should be? | 0:05:14 | 0:05:16 | |
OK, so team name should be...some kind of a pun, | 0:05:23 | 0:05:27 | |
like Les Quizerables. | 0:05:27 | 0:05:30 | |
Quiz-teama Aguilera. | 0:05:30 | 0:05:33 | |
Agatha Quiztie. THEY LAUGH | 0:05:33 | 0:05:35 | |
-Ooo! Quiz Eubank! -Um...Quiz Tarrant! | 0:05:35 | 0:05:38 | |
THEY LAUGH | 0:05:38 | 0:05:40 | |
Just...just put The Mill. | 0:05:40 | 0:05:42 | |
-No! -Jimmi, no! -Oh, come on, this is taking forever! | 0:05:42 | 0:05:44 | |
-Is there somewhere you'd rather be? -Yeah, literally anywhere. | 0:05:44 | 0:05:47 | |
-Ooh! Quizzie Rascal. -That's a bit obvious. | 0:05:48 | 0:05:52 | |
-Oh, just put it, will you? -What's got you so quiz-erable, James? | 0:05:52 | 0:05:55 | |
Yeah. You do seem a bit quiz-ed off. | 0:05:55 | 0:05:57 | |
THEY LAUGH | 0:05:57 | 0:05:59 | |
What do you guys think of Anthony? | 0:05:59 | 0:06:01 | |
Well, he's all right, isn't he? He knows his onions. | 0:06:03 | 0:06:05 | |
He knows how to run that place and he doesn't get in the way. | 0:06:05 | 0:06:08 | |
Yeah. I like that he just trusts me to get on with it. | 0:06:08 | 0:06:12 | |
He treats me like I belong, so... Why? | 0:06:12 | 0:06:14 | |
What's your take? | 0:06:14 | 0:06:16 | |
I don't like him. | 0:06:18 | 0:06:20 | |
King's Green is just the beginning. | 0:06:22 | 0:06:24 | |
While we're doing that, and this is a bitter pill, | 0:06:24 | 0:06:26 | |
we need to start thinking about letting the Campus go. | 0:06:26 | 0:06:29 | |
I know it's something a lot of the team will baulk at, | 0:06:29 | 0:06:32 | |
but it's run its course. | 0:06:32 | 0:06:33 | |
It simply isn't worth the financial risk any more. | 0:06:33 | 0:06:36 | |
And, of course, shedding the Campus | 0:06:36 | 0:06:38 | |
could allow you to expand the Granger clinic, | 0:06:38 | 0:06:40 | |
if that's something you had an ambition for? | 0:06:40 | 0:06:43 | |
There's no shortage of work, certainly. | 0:06:43 | 0:06:45 | |
What about you, Zara? | 0:06:45 | 0:06:47 | |
Come on. We can't leave it in the hands of the boys, can we? | 0:06:47 | 0:06:50 | |
I have thought about running a private surgery. | 0:06:50 | 0:06:54 | |
There's demand for it. And, frankly, we're behind the times on that one. | 0:06:54 | 0:06:58 | |
I think that's wonderful for both of you. | 0:06:58 | 0:07:00 | |
You see, this is what I mean, the four of us. | 0:07:00 | 0:07:02 | |
The future foundation at The Mill. | 0:07:02 | 0:07:04 | |
We need to start thinking about the brand, what it means. | 0:07:04 | 0:07:07 | |
Are we a quaint, nostalgic relic, | 0:07:07 | 0:07:09 | |
or are we a healthy, efficient machine, facing firmly forwards? | 0:07:09 | 0:07:12 | |
And that's an ethos that has to run through everything, | 0:07:12 | 0:07:14 | |
from reception to consultation. | 0:07:14 | 0:07:17 | |
New, next gen. Finger on the pulse. | 0:07:17 | 0:07:20 | |
Once you get everything right, everything complimentary, | 0:07:20 | 0:07:22 | |
in marriage, in business, anything, | 0:07:22 | 0:07:24 | |
you start seeing results. | 0:07:24 | 0:07:27 | |
A toast, then. | 0:07:27 | 0:07:29 | |
To the future. | 0:07:30 | 0:07:33 | |
-The future. -The future. | 0:07:33 | 0:07:35 | |
Come on, Heston. I like to think I know you. | 0:07:39 | 0:07:42 | |
-I certainly don't want to see you bottling up. -It's fine. | 0:07:42 | 0:07:46 | |
I just always wanted you to be happy. | 0:07:46 | 0:07:49 | |
Oh, which is why you just... | 0:07:49 | 0:07:50 | |
Why I left you. | 0:07:50 | 0:07:52 | |
With barely an explanation. | 0:07:52 | 0:07:54 | |
I probably couldn't explain it any better today than I could then. | 0:07:55 | 0:07:59 | |
You have every right to be angry. | 0:08:00 | 0:08:02 | |
I'm not angry, I just... | 0:08:02 | 0:08:04 | |
..sometimes wonder what went wrong. | 0:08:05 | 0:08:08 | |
Is that why you wanted to meet up? | 0:08:08 | 0:08:10 | |
No. It's... | 0:08:11 | 0:08:13 | |
it's about now, it's about the future. | 0:08:13 | 0:08:15 | |
How can I help? | 0:08:17 | 0:08:18 | |
You knew me a long time ago, | 0:08:21 | 0:08:24 | |
-but you were fond of me. -Very. | 0:08:24 | 0:08:27 | |
How do I compare to the man I used to be? | 0:08:29 | 0:08:31 | |
Just an instinct. | 0:08:32 | 0:08:34 | |
So not an official diagnosis, then? | 0:08:34 | 0:08:37 | |
What, you...you really don't see it? | 0:08:37 | 0:08:40 | |
Not really, no. | 0:08:41 | 0:08:42 | |
Right, this is easy. | 0:08:42 | 0:08:44 | |
So Kilmer, Clooney. | 0:08:44 | 0:08:46 | |
-Who's that, then? -Affleck. They're the rubbish Batmans. | 0:08:46 | 0:08:48 | |
SID CHUCKLES | 0:08:48 | 0:08:50 | |
You don't think that maybe you've just got him wrong? | 0:08:50 | 0:08:53 | |
That this instinct of yours has let you down? | 0:08:53 | 0:08:55 | |
I think he's just pulled the wool over your eyes. | 0:08:55 | 0:08:57 | |
I hate to say it, but you don't always get the right measure of people, do you? | 0:08:57 | 0:09:00 | |
Explains why I'm friends with you, then, doesn't it? | 0:09:00 | 0:09:03 | |
What, you-you like what he's done? | 0:09:03 | 0:09:06 | |
Rainbow Dash, Applejack, | 0:09:08 | 0:09:10 | |
Twilight Sparkle, Fluttershy! | 0:09:10 | 0:09:11 | |
Ssh! | 0:09:11 | 0:09:13 | |
-It's My Little Pony. -Put it down, then. | 0:09:13 | 0:09:16 | |
SID CHUCKLES | 0:09:16 | 0:09:18 | |
Look, things are going to have to change some day, mate. | 0:09:18 | 0:09:21 | |
That's the way the NHS is going. | 0:09:21 | 0:09:22 | |
And we need someone like Anthony to help us keep ahead of the curve. | 0:09:22 | 0:09:27 | |
Look to the future. | 0:09:27 | 0:09:28 | |
Blue sky thinking, that. | 0:09:28 | 0:09:30 | |
What do the other partners think of him? What does Daniel think? | 0:09:32 | 0:09:35 | |
Don't even get me started on Daniel. | 0:09:35 | 0:09:37 | |
It wasn't so much a health scare, more a reminder that I'm not as young as I used to be. | 0:09:38 | 0:09:42 | |
Well, of course. | 0:09:42 | 0:09:43 | |
I trust your medical opinions on these matters far more than mine. | 0:09:43 | 0:09:46 | |
But this isn't denial, is it, Heston? | 0:09:46 | 0:09:49 | |
Nor your buttoned-up, understated way of always doing things? | 0:09:49 | 0:09:53 | |
You are being honest with me? | 0:09:54 | 0:09:56 | |
KNOCK AT DOOR | 0:09:56 | 0:09:58 | |
Are you expecting company? | 0:09:58 | 0:10:00 | |
No, but... | 0:10:00 | 0:10:02 | |
Then don't shy away from the question. | 0:10:02 | 0:10:05 | |
If it's important, they'll wait. This matters more. | 0:10:05 | 0:10:08 | |
If you keep on avoiding these things, they will eat away at you. | 0:10:08 | 0:10:11 | |
Says she who left without so much as a goodbye. | 0:10:11 | 0:10:15 | |
Well, it makes me something of an expert, don't you think? | 0:10:15 | 0:10:20 | |
-BANGING -Oi! What's going on?! | 0:10:22 | 0:10:24 | |
-What on earth...? -SHE SIGHS | 0:10:25 | 0:10:27 | |
Hoo! | 0:10:29 | 0:10:30 | |
Mm! That was delicious, thank you. | 0:10:30 | 0:10:34 | |
Good English dessert, that, the Bakewell. | 0:10:34 | 0:10:37 | |
Nothing beats a tart and a bit of cream. | 0:10:37 | 0:10:39 | |
THEY LAUGH Any more for any more? | 0:10:39 | 0:10:42 | |
-No, thank you, no, no. -No, thanks. -Thank you. | 0:10:42 | 0:10:45 | |
I can't tell you how relieved I am to get to talk about all this. | 0:10:45 | 0:10:48 | |
From day one, you both struck me as the kind of people | 0:10:48 | 0:10:51 | |
who had the backbone for this sort of thing. | 0:10:51 | 0:10:54 | |
-You've both been phenomenal partners. -Thank you. | 0:10:54 | 0:10:57 | |
I can see why Jimmi got the job, the old ladies love him, | 0:10:57 | 0:11:00 | |
but he's not exactly famed for taking risks, is he? | 0:11:00 | 0:11:02 | |
Or... He's not exactly famed for anything, | 0:11:02 | 0:11:04 | |
-apart from being moody and Welsh. -THEY LAUGH | 0:11:04 | 0:11:07 | |
Yes, that's it. | 0:11:07 | 0:11:09 | |
You've both been indispensable. I mean it. | 0:11:09 | 0:11:11 | |
Thank you so much. | 0:11:11 | 0:11:13 | |
I'm not a peeping Tom! | 0:11:13 | 0:11:14 | |
Well, whatever you are, you are most unwelcome! | 0:11:14 | 0:11:17 | |
Heston, it's fine. Emilio, why are you even here?! | 0:11:17 | 0:11:21 | |
Because of this! | 0:11:21 | 0:11:22 | |
This! Behind my back! | 0:11:26 | 0:11:29 | |
Darling, I said I was seeing a friend. | 0:11:29 | 0:11:32 | |
You've only embarrassed yourself! | 0:11:32 | 0:11:33 | |
-A friend, is he? -Sorry, who are you? | 0:11:33 | 0:11:36 | |
He's my lover, Heston. | 0:11:38 | 0:11:40 | |
And he's out of line! | 0:11:40 | 0:11:42 | |
I'm not your property, Emilio! | 0:11:42 | 0:11:44 | |
Please just leave. We've been through this. | 0:11:44 | 0:11:47 | |
Yeah, we have. | 0:11:47 | 0:11:48 | |
Last time, you snuck off with an old pianist. | 0:11:48 | 0:11:50 | |
Sorry, what? | 0:11:50 | 0:11:52 | |
A concert pianist, actually. | 0:11:52 | 0:11:54 | |
You should go home and we'll talk about this later, | 0:11:54 | 0:11:56 | |
after I've finished here! | 0:11:56 | 0:11:58 | |
Look...I don't know about last time, | 0:11:59 | 0:12:02 | |
but I can assure you nothing untoward is happening here. | 0:12:02 | 0:12:05 | |
-Alicia and I are old friends. -Yeah, I could see(!) | 0:12:05 | 0:12:08 | |
You've got the wrong end of the stick. I have plenty of food. | 0:12:08 | 0:12:11 | |
I don't want a silly argument. | 0:12:11 | 0:12:13 | |
Why don't you sit down and join us? | 0:12:13 | 0:12:16 | |
I have nothing but admiration for Heston - | 0:12:18 | 0:12:21 | |
a legacy like his commands a lot of respect - | 0:12:21 | 0:12:24 | |
but I am a pragmatist. | 0:12:24 | 0:12:26 | |
He nearly worked himself to death. | 0:12:26 | 0:12:28 | |
Well, it wasn't that bad. | 0:12:28 | 0:12:30 | |
I wish I shared your confidence. | 0:12:30 | 0:12:31 | |
I don't think Heston's going to drop dead anytime soon. | 0:12:31 | 0:12:34 | |
It's not that. The man was ill | 0:12:35 | 0:12:38 | |
and he either hid it or, worse, didn't realise. | 0:12:38 | 0:12:42 | |
Whatever that says about his judgement gives me pause for thought. | 0:12:42 | 0:12:45 | |
Doctors are famously bad patients. | 0:12:45 | 0:12:47 | |
I think he's earned a retirement, not a convalescence. | 0:12:47 | 0:12:49 | |
He should be rewarded for his hard work and accept he's lost his edge. | 0:12:49 | 0:12:52 | |
But that's still his decision to make, isn't it? | 0:12:52 | 0:12:56 | |
Well, retirement is, yes, of course. | 0:12:56 | 0:12:58 | |
Penguins or polar bears? | 0:12:58 | 0:13:02 | |
-Did he say Arctic or Antarctic? -Ssh! | 0:13:04 | 0:13:05 | |
I'm getting another drink. You in? | 0:13:05 | 0:13:07 | |
Just water for me. I've got to focus. | 0:13:07 | 0:13:09 | |
-I'll have his. -What, two pints?! | 0:13:09 | 0:13:11 | |
Yeah, and some nuts. Do you want some money? | 0:13:11 | 0:13:13 | |
No, I'm all right. | 0:13:13 | 0:13:15 | |
So, what's the story with Jimmi and Daniel, then? | 0:13:16 | 0:13:18 | |
You made it sound like there was real history or something. | 0:13:18 | 0:13:22 | |
-You mean you really don't know? -What? | 0:13:22 | 0:13:24 | |
You can't tell me not one of those gossips we work with has mentioned this? | 0:13:24 | 0:13:27 | |
No. What? | 0:13:27 | 0:13:29 | |
OK. Well, once upon a time, Dr Jimmi Clay | 0:13:29 | 0:13:33 | |
-was married to a blonde princess called Cherry. -Oh. | 0:13:33 | 0:13:37 | |
And then Daniel, the big bad wolf... | 0:13:37 | 0:13:40 | |
No! | 0:13:40 | 0:13:42 | |
Yeah. | 0:13:42 | 0:13:44 | |
He killed her? | 0:13:44 | 0:13:47 | |
What?! No, you fool! | 0:13:47 | 0:13:50 | |
He Daniel-ed her. | 0:13:50 | 0:13:51 | |
Oh! Yeah, that makes a lot more sense. | 0:13:53 | 0:13:57 | |
Mm! You two can finish the bottle. | 0:14:05 | 0:14:08 | |
I should probably give Trish a hand in the kitchen. | 0:14:08 | 0:14:11 | |
After all, she went to a lot of trouble defrosting that pie. | 0:14:11 | 0:14:14 | |
-THEY CHUCKLE -Can Zara help? | 0:14:14 | 0:14:16 | |
Ha! I'm sure we can manage. | 0:14:16 | 0:14:18 | |
(Well, I am impressed!) | 0:14:22 | 0:14:24 | |
Any particular reason, or just the usual awe I inspire? | 0:14:24 | 0:14:27 | |
-Well, partly that, but you are on your best behaviour, aren't you? -Mm. | 0:14:27 | 0:14:31 | |
(I think she's probably just a bit nervous.) | 0:14:33 | 0:14:36 | |
Or shall we say a little bit tipsy? | 0:14:36 | 0:14:38 | |
It's going well, don't you think? | 0:14:40 | 0:14:43 | |
-I like her. -I think they're both a bit nervous. | 0:14:43 | 0:14:46 | |
You know, it's a...it's a big ask | 0:14:46 | 0:14:48 | |
-and they need all the partners on side. -So... | 0:14:48 | 0:14:51 | |
Do you think they'll go for it? | 0:14:52 | 0:14:54 | |
What do you make of all this future foundation stuff? | 0:14:56 | 0:14:58 | |
I think Anthony's got a vision... | 0:14:58 | 0:15:01 | |
..and I'm flattered that he wants us onboard. | 0:15:02 | 0:15:05 | |
Hi. Do you think you're going to be much longer? | 0:15:15 | 0:15:18 | |
I've made a fool of myself, haven't I? | 0:15:19 | 0:15:21 | |
I really think you should just come back inside. | 0:15:24 | 0:15:26 | |
I just want to make her happy. | 0:15:26 | 0:15:28 | |
She sees me as this uncultured boy toy, | 0:15:29 | 0:15:32 | |
but I want to be more than that. | 0:15:32 | 0:15:34 | |
I don't want to control her, that's not it. | 0:15:36 | 0:15:38 | |
She can be frustratingly elusive at times. | 0:15:41 | 0:15:44 | |
She's like that with you? | 0:15:44 | 0:15:46 | |
Well, it's been years since I even sat down for a meal with her, | 0:15:46 | 0:15:49 | |
but when we were younger, yes. | 0:15:49 | 0:15:51 | |
I only found out she was leaving for Hong Kong | 0:15:51 | 0:15:54 | |
when she phoned me from the airport. | 0:15:54 | 0:15:56 | |
Then help me, please. | 0:15:56 | 0:15:59 | |
How do I make her happy? | 0:15:59 | 0:16:01 | |
Right, we're looking good. | 0:16:01 | 0:16:03 | |
Couple more rounds, we will be champions. | 0:16:03 | 0:16:05 | |
-What are the last two rounds? -Um...TV... | 0:16:05 | 0:16:08 | |
-Excellent. -..and sports round. -Drat! | 0:16:08 | 0:16:11 | |
Um...have you two ever...only for a short time, moved in with Emma? | 0:16:11 | 0:16:16 | |
Seriously? Is this about Ayesha? | 0:16:16 | 0:16:19 | |
Of course it's because of Ayesha. | 0:16:19 | 0:16:21 | |
-You still all a goo-goo for Nurse Legs? -Yeah, I was only asking. | 0:16:21 | 0:16:24 | |
And I'm going to do some telling, Sidney. No! | 0:16:24 | 0:16:27 | |
Do not move in with them! | 0:16:27 | 0:16:28 | |
Be a man. Strike out on your own. | 0:16:28 | 0:16:31 | |
You move in with them and within a month, a little month, | 0:16:31 | 0:16:34 | |
they will be mothering you. | 0:16:34 | 0:16:36 | |
They will be making your bed | 0:16:36 | 0:16:37 | |
and they will be ironing your underpants. | 0:16:37 | 0:16:39 | |
I do know how to make my own bed, thanks! | 0:16:39 | 0:16:41 | |
Bachelor lifestyle for the win. | 0:16:41 | 0:16:44 | |
-Oh, yeah, look at you. -THEY LAUGH | 0:16:44 | 0:16:47 | |
-Whatever. Another round? -Nah, I'm good. | 0:16:47 | 0:16:49 | |
Jimmi, it's Friday night. | 0:16:49 | 0:16:50 | |
I don't want my Saturday to be a write-off. | 0:16:50 | 0:16:52 | |
-You're a lightweight. Shame on you. Dr Vere? -Just water, thanks. | 0:16:52 | 0:16:55 | |
You're a lightweight. Shame on you. | 0:16:55 | 0:16:57 | |
What is this, some kind of non-drinking charity month? | 0:16:57 | 0:17:00 | |
Dry-tober or Stop-booze-vember? | 0:17:00 | 0:17:03 | |
No, I just...I want to win the quiz, that's all, | 0:17:03 | 0:17:05 | |
-and I need all my mental faculties. -Mental faculties? | 0:17:05 | 0:17:08 | |
You've just told us you're going to be moving into a houseful of women! | 0:17:08 | 0:17:12 | |
What does she like? Um... | 0:17:15 | 0:17:17 | |
The works of Patricia Highsmith, eggs Benedict, Brian Eno... | 0:17:17 | 0:17:23 | |
Kandinsky, not Pollock. Found that out the hard way. | 0:17:23 | 0:17:25 | |
And she hates balloons. | 0:17:25 | 0:17:27 | |
This is good, this is good. | 0:17:29 | 0:17:31 | |
But as a person, her...her passions. What made her come alive? | 0:17:31 | 0:17:35 | |
-Culture, arguing. -Yeah. | 0:17:35 | 0:17:38 | |
No, no, no, I'm serious. I used to take it personally, | 0:17:38 | 0:17:40 | |
but she likes the challenge, the emotions. | 0:17:40 | 0:17:44 | |
Hm. La passione! | 0:17:44 | 0:17:45 | |
-Are you Italian? -My father is from Naples. | 0:17:45 | 0:17:47 | |
-Do you speak Italian? -Abbastanza. | 0:17:47 | 0:17:49 | |
Well, next time, try arguing back in Italian - | 0:17:49 | 0:17:52 | |
-it's like catnip to her. -Really? | 0:17:52 | 0:17:55 | |
Assolutamente! | 0:17:55 | 0:17:57 | |
You were fond of her, huh? | 0:17:58 | 0:18:00 | |
In another lifetime, yes, Alicia had my heart. | 0:18:00 | 0:18:02 | |
Maybe that's why she left. But... | 0:18:02 | 0:18:04 | |
There are depths to women that you and I will never understand. | 0:18:06 | 0:18:10 | |
Part of their beauty. | 0:18:10 | 0:18:13 | |
I'm in love with someone else now. | 0:18:13 | 0:18:15 | |
It's not easy, but... | 0:18:15 | 0:18:17 | |
..you have nothing to fear from me. | 0:18:18 | 0:18:21 | |
Ah, easy peasy, lemon squeezy. Officer Fairfax. | 0:18:24 | 0:18:27 | |
No, no, no, it's not. It's Crabtree! | 0:18:27 | 0:18:29 | |
No, it's Fairfax - any idiot knows that. | 0:18:29 | 0:18:31 | |
It's not, it's Officer Crabtree. I'm right, aren't I? | 0:18:31 | 0:18:34 | |
-Why would I know? -You weren't even born then. | 0:18:34 | 0:18:36 | |
I promise you, on my nan's grave, it is Crabtree. Officer Crabtree. | 0:18:36 | 0:18:39 | |
No, I don't trust you and I don't trust your nan. | 0:18:39 | 0:18:41 | |
-We are going with Fairfax and I'm handing it in. -Al! | 0:18:41 | 0:18:44 | |
Um...would you ladies want another water(?) | 0:18:44 | 0:18:48 | |
I tried to warn you. | 0:18:48 | 0:18:49 | |
That's your winner right there! | 0:18:49 | 0:18:51 | |
RAUCOUS LAUGHTER | 0:18:51 | 0:18:54 | |
You know...you know what she was arrested for? | 0:18:54 | 0:18:57 | |
Go on! | 0:18:57 | 0:18:58 | |
They thought that she was trying to blow up the Queen! | 0:18:58 | 0:19:02 | |
-THEY LAUGH -What?! | 0:19:02 | 0:19:04 | |
It was a...it was a horrible mix-up. | 0:19:04 | 0:19:07 | |
She had a parcel and she was | 0:19:07 | 0:19:08 | |
just a little bit too determined to give it to Her Majesty! | 0:19:08 | 0:19:11 | |
If you ever want to see Mrs Tembe just curl up into a ball, | 0:19:11 | 0:19:13 | |
you just have to mention that! | 0:19:13 | 0:19:15 | |
Priceless! | 0:19:15 | 0:19:17 | |
I only met her briefly, but she made quite an impression, didn't she? | 0:19:17 | 0:19:21 | |
Oh, yeah. | 0:19:21 | 0:19:23 | |
That ridiculous way of speaking! | 0:19:23 | 0:19:25 | |
The whole business about her name! | 0:19:25 | 0:19:28 | |
Oh, you don't get to call her Winifred and survive. | 0:19:28 | 0:19:30 | |
And the wigs! She looked like she had Lego hair sometimes! | 0:19:30 | 0:19:34 | |
Winnie the wig! THEY LAUGH | 0:19:34 | 0:19:37 | |
"Now, if you want to get better, the first thing you need to do | 0:19:37 | 0:19:41 | |
"is let the good Lord Jesus Christ into your heart! | 0:19:41 | 0:19:44 | |
"Please and thank you. Take a seat!" | 0:19:44 | 0:19:46 | |
THEY LAUGH | 0:19:46 | 0:19:48 | |
Honestly! Who hired her?! | 0:19:48 | 0:19:50 | |
She's hilarious! | 0:19:50 | 0:19:52 | |
THEY LAUGH HE CLEARS HIS THROAT | 0:19:52 | 0:19:53 | |
OPERA MUSIC PLAYS | 0:19:57 | 0:20:00 | |
-Oh! -I'm glad to see you're both back in one piece. | 0:20:00 | 0:20:04 | |
Mi dispiace molto. Perdonami. | 0:20:04 | 0:20:06 | |
It's quite all right. A misunderstanding. | 0:20:06 | 0:20:09 | |
Puccini? | 0:20:09 | 0:20:11 | |
Of course. | 0:20:11 | 0:20:12 | |
Well, I can get a taxi home. | 0:20:14 | 0:20:17 | |
You should finish catching up with one another. | 0:20:17 | 0:20:20 | |
I didn't mean to spoil things. | 0:20:20 | 0:20:22 | |
Mangiate, vi prego. | 0:20:22 | 0:20:24 | |
No... I think the evening is coming to a close, don't you? | 0:20:24 | 0:20:29 | |
I should get us both back. | 0:20:30 | 0:20:32 | |
Ti puniro a casa. | 0:20:34 | 0:20:35 | |
Si? | 0:20:38 | 0:20:39 | |
Certo. | 0:20:39 | 0:20:41 | |
Let me get you a cab. | 0:20:42 | 0:20:44 | |
Heaven knows what that fossilised fundamentalist was doing | 0:20:50 | 0:20:54 | |
working at your surgery! | 0:20:54 | 0:20:56 | |
It's a good job you got her out of there, by the sound of things! | 0:20:56 | 0:20:58 | |
I think that's probably enough about Mrs Tembe, don't you, darling? | 0:20:58 | 0:21:02 | |
Oh, please. I'm only saying what we're all thinking, right? | 0:21:02 | 0:21:06 | |
No. Wrong. | 0:21:06 | 0:21:08 | |
Excuse me? | 0:21:08 | 0:21:09 | |
Please...do not presume to know what I am thinking. | 0:21:09 | 0:21:14 | |
I'm all for pointing out a person's faults, | 0:21:15 | 0:21:18 | |
but far better if it's done to their face, don't you think? | 0:21:18 | 0:21:20 | |
I mean, for example, I could go behind your back | 0:21:20 | 0:21:23 | |
and say that you were drunk | 0:21:23 | 0:21:25 | |
and you've embarrassed yourself with the rudest, | 0:21:25 | 0:21:30 | |
most ill-informed opinions, | 0:21:30 | 0:21:33 | |
but where would be the good in that? | 0:21:33 | 0:21:36 | |
That would just be cruel, wouldn't it? | 0:21:36 | 0:21:39 | |
I... | 0:21:39 | 0:21:40 | |
But Mrs Tembe, she's stuck in her ways, yes, | 0:21:40 | 0:21:43 | |
but she's also about as decent and honest as they come. | 0:21:43 | 0:21:48 | |
Whatever way she dresses or speaks is hardly the point. | 0:21:50 | 0:21:53 | |
Yes, she can have an inflated opinion of herself sometimes... | 0:21:55 | 0:21:58 | |
..but it seems to me, so can you. | 0:22:00 | 0:22:02 | |
Her heart is in the right place. | 0:22:04 | 0:22:07 | |
She's proved herself capable, time and time again, | 0:22:07 | 0:22:11 | |
and that's the most important thing to me. | 0:22:11 | 0:22:15 | |
I'm sorry. | 0:22:19 | 0:22:20 | |
I really meant no offence. | 0:22:23 | 0:22:25 | |
I take it back. | 0:22:25 | 0:22:27 | |
Of course. | 0:22:28 | 0:22:30 | |
I would like to stress that I also have nothing against Mrs Tembe, | 0:22:31 | 0:22:36 | |
personally, but I have to look at this from a managerial perspective. | 0:22:36 | 0:22:40 | |
I can't allow favouritism. | 0:22:40 | 0:22:42 | |
-No-one's asking you to. -Good. | 0:22:42 | 0:22:45 | |
Because I don't think either of you know the full extent of the problem. | 0:22:45 | 0:22:48 | |
Grazie mille. | 0:22:49 | 0:22:51 | |
It's quite all right. | 0:22:51 | 0:22:53 | |
Well, I don't think either of us had this in mind for tonight. | 0:22:58 | 0:23:03 | |
Far be it from me to tell you how to live your life | 0:23:04 | 0:23:08 | |
but, Alicia, that young man really loves you. | 0:23:08 | 0:23:13 | |
I don't think you should take that lightly. | 0:23:13 | 0:23:15 | |
I'm glad to see that your heart is as generous as I remember it, | 0:23:15 | 0:23:20 | |
Heston. | 0:23:20 | 0:23:21 | |
And as for how you compare to the man you used to be... | 0:23:21 | 0:23:25 | |
Well, two things. | 0:23:25 | 0:23:27 | |
One, the Italian Stallion over there came to you | 0:23:27 | 0:23:31 | |
on tips on how to be a better lover. | 0:23:31 | 0:23:33 | |
And two, an intelligent, beautiful and highly desired woman | 0:23:33 | 0:23:39 | |
would have jumped your bones tonight | 0:23:39 | 0:23:42 | |
if you had so much as gestured to the bedroom. | 0:23:42 | 0:23:46 | |
I hadn't thought of it like that! | 0:23:46 | 0:23:49 | |
As far as I'm concerned, Heston, you've still got it | 0:23:49 | 0:23:52 | |
and I hope this new lover of yours appreciates it. | 0:23:52 | 0:23:57 | |
Ciao. | 0:24:01 | 0:24:02 | |
Ciao. | 0:24:02 | 0:24:03 | |
So, how did we do? | 0:24:16 | 0:24:19 | |
We... We got 59 out of 60. | 0:24:19 | 0:24:22 | |
You're joking! Which one? | 0:24:22 | 0:24:25 | |
Does it matter? Look at them, cosying up to the quiz master. | 0:24:25 | 0:24:28 | |
The whole thing's rigged. | 0:24:28 | 0:24:31 | |
I knew it! | 0:24:31 | 0:24:33 | |
Just some stupid sitcom. | 0:24:33 | 0:24:35 | |
So Sid was right? It was Crabtree? | 0:24:35 | 0:24:36 | |
-Are we going to cry about this all night? -Yes! | 0:24:36 | 0:24:39 | |
If you were so sure, why didn't you make a better case for it? | 0:24:39 | 0:24:42 | |
-Oh, just leave it. -Maybe if you... | 0:24:42 | 0:24:44 | |
No, maybe if you didn't drink so much! | 0:24:44 | 0:24:46 | |
You what? | 0:24:48 | 0:24:49 | |
Maybe... I mean, studies have shown... | 0:24:49 | 0:24:52 | |
"Studies have shown"? | 0:24:52 | 0:24:54 | |
Please, tell me more. Let me learn from you, Dr Vere. | 0:24:54 | 0:24:58 | |
Well, your judgement can be impaired for starters. | 0:24:58 | 0:25:01 | |
You can be more aggressive. | 0:25:01 | 0:25:02 | |
Not to mention the long-term damage to the brain, the liver, the blood. | 0:25:02 | 0:25:06 | |
The increased cancer risk. | 0:25:06 | 0:25:07 | |
You're so wise, Doctor. I'm really pleased that I know you! | 0:25:07 | 0:25:10 | |
Did you hear this? | 0:25:10 | 0:25:11 | |
Apparently, Dr Vere says that drinking can be bad for my health! | 0:25:11 | 0:25:15 | |
Just answer me one thing - | 0:25:15 | 0:25:17 | |
what does your medical science have to say | 0:25:17 | 0:25:19 | |
about the correlation between well-being and happiness? | 0:25:19 | 0:25:22 | |
Would, for example, a happy person live longer? | 0:25:22 | 0:25:25 | |
There is an argument | 0:25:25 | 0:25:26 | |
that a happy person can live several years longer... | 0:25:26 | 0:25:29 | |
Well, I'm happiest with a pint of real ale in my hand. | 0:25:29 | 0:25:32 | |
So, to my good health, gentlemen. | 0:25:32 | 0:25:34 | |
See you Monday. | 0:25:34 | 0:25:35 | |
-Night, Jimmi. -Night. | 0:25:35 | 0:25:37 | |
It's like liquid cake. | 0:25:37 | 0:25:39 | |
Just out of interest, what's second prize? | 0:25:40 | 0:25:43 | |
Beer tokens. | 0:25:44 | 0:25:45 | |
-It's like it was meant to be, Sid. -Hmm. | 0:25:47 | 0:25:48 | |
And you remember, one of the first things I had to do | 0:25:50 | 0:25:53 | |
was try and tidy up her shocking accounting. | 0:25:53 | 0:25:55 | |
We said at the time | 0:25:55 | 0:25:56 | |
it was probably just the transition from the Howard era - | 0:25:56 | 0:25:59 | |
how it couldn't have been easy. | 0:25:59 | 0:26:00 | |
Well, I'm sorry to say, the mistakes just kept coming. | 0:26:00 | 0:26:03 | |
You say she's the first to admit when she's wrong, I'm not so sure. | 0:26:03 | 0:26:08 | |
Sloppy accounting, appointment errors... | 0:26:08 | 0:26:10 | |
Well, it's not the kind of thing I want to go over at dinner, | 0:26:10 | 0:26:13 | |
but there's been few complaints about her, on and off the record. | 0:26:13 | 0:26:16 | |
I've covered for her as best I can. | 0:26:16 | 0:26:18 | |
I had no idea it was so bad. | 0:26:19 | 0:26:21 | |
I've managed to shield her, and us, from the worst of it. | 0:26:21 | 0:26:24 | |
We're all very fond of her as a person. | 0:26:24 | 0:26:27 | |
It made a bit more sense when she was behind reception, but... | 0:26:27 | 0:26:30 | |
But? | 0:26:30 | 0:26:32 | |
Now, when she Mrs Tembe looks bad, Kings Green looks bad. | 0:26:32 | 0:26:36 | |
You both seem committed to keeping The Mill alive. | 0:26:37 | 0:26:40 | |
-Absolutely. -Well, I don't say this lightly. | 0:26:40 | 0:26:42 | |
Right now, Mrs Tembe is our biggest obstacle to progress. | 0:26:42 | 0:26:46 | |
If we are to move forwards, it's time to leave her behind. | 0:26:46 | 0:26:50 | |
Can I count on your support? | 0:26:51 | 0:26:53 | |
Whoa! Hey, what are you doing?! | 0:26:59 | 0:27:02 | |
What's the point of fighting it? I might as well give up now. | 0:27:02 | 0:27:05 | |
If you want to do something for Livvy, | 0:27:05 | 0:27:08 | |
then go and get this sorted out instead. | 0:27:08 | 0:27:11 | |
You may not care about yourself, but what about her? | 0:27:11 | 0:27:13 | |
Don't you think about that? | 0:27:13 | 0:27:14 | |
You are not beaten yet... | 0:27:14 | 0:27:16 | |
..even if it does feels like that. | 0:27:18 | 0:27:20 |