Log Out Doctors
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Transcript
| Line | From | To | |
|---|---|---|---|
Jase? | 0:00:26 | 0:00:27 | |
Jason! | 0:00:27 | 0:00:28 | |
Jase? | 0:00:35 | 0:00:37 | |
Jason! | 0:00:37 | 0:00:39 | |
Sorry. Just, erm... | 0:00:39 | 0:00:40 | |
finishing my kung fu practice. | 0:00:40 | 0:00:42 | |
-Oh, no, you have it. I'm stuffed. -Go on...I've made it now. | 0:00:42 | 0:00:47 | |
Suit yourself. | 0:00:47 | 0:00:48 | |
-Anyway, I'd better go. -Stop. | 0:00:50 | 0:00:53 | |
Why? | 0:00:53 | 0:00:54 | |
I put extra chocolate in, | 0:00:56 | 0:00:58 | |
because of our anniversary... | 0:00:58 | 0:01:00 | |
It's the day Tony and Jacqui met! | 0:01:00 | 0:01:02 | |
Oh, right! Yeah... No, I know... I knew. | 0:01:02 | 0:01:05 | |
No, actually, I...I thought we could do something...tonight, | 0:01:05 | 0:01:09 | |
cos I wanted to talk to you... about it... | 0:01:09 | 0:01:12 | |
Let's...go out, do something. Yeah? | 0:01:12 | 0:01:15 | |
Erm, yeah? | 0:01:15 | 0:01:17 | |
All right, babe. Have a good day. | 0:01:17 | 0:01:20 | |
No... | 0:01:33 | 0:01:35 | |
No! | 0:01:35 | 0:01:37 | |
Jason! | 0:01:37 | 0:01:38 | |
Jase! | 0:01:38 | 0:01:39 | |
His car's not here. | 0:01:56 | 0:01:58 | |
Daniel, it's early. He'll be here. | 0:01:58 | 0:02:01 | |
I just don't want him messing things up for us, you know? | 0:02:01 | 0:02:03 | |
He won't. | 0:02:03 | 0:02:05 | |
Jimmi's reasonable, | 0:02:05 | 0:02:07 | |
once he's heard the arguments. | 0:02:07 | 0:02:09 | |
Depends what side of the bed he gets out off. | 0:02:09 | 0:02:11 | |
Mind you, having said that, he probably gets out of the same side of the bed every day. | 0:02:11 | 0:02:15 | |
Naughty! | 0:02:15 | 0:02:16 | |
You might have more luck getting him on side | 0:02:17 | 0:02:19 | |
if you tried buttering him up a little bit today, instead. | 0:02:19 | 0:02:22 | |
Right... | 0:02:26 | 0:02:27 | |
Sid, please tell me you haven't done a Venn diagram? | 0:02:28 | 0:02:31 | |
No, I've just done... | 0:02:31 | 0:02:32 | |
You've done a Venn diagram. | 0:02:32 | 0:02:33 | |
Why? | 0:02:33 | 0:02:35 | |
To save time. | 0:02:35 | 0:02:36 | |
Look, this one's affordability, and this is commutability, | 0:02:36 | 0:02:39 | |
and this one is proximity to transport links, | 0:02:39 | 0:02:41 | |
so we only have to recce these 12 streets here. | 0:02:41 | 0:02:44 | |
Yeah, but it's a dump round there. | 0:02:44 | 0:02:45 | |
Besides, why do you need "proximity to transport"? | 0:02:45 | 0:02:48 | |
You've got a car. | 0:02:48 | 0:02:49 | |
Erm, resale value. | 0:02:49 | 0:02:50 | |
Oh, here we go... | 0:02:50 | 0:02:51 | |
Buying a house is the single biggest investment in most people's life. | 0:02:51 | 0:02:54 | |
If you get the first rung right, you can end up like Daniel and Zara, | 0:02:54 | 0:02:57 | |
-but if you get it... -AYESHA SNORES | 0:02:57 | 0:02:59 | |
-Ayesh! -No, sorry! Please carry on, this is fascinating(!) | 0:02:59 | 0:03:02 | |
I'm being serious. | 0:03:02 | 0:03:03 | |
Buying a house should be fun. | 0:03:03 | 0:03:05 | |
Bit less head, bit more heart, Sid. | 0:03:05 | 0:03:07 | |
Come on, let's go. | 0:03:07 | 0:03:08 | |
-Good job I lined up some viewings for you, isn't it? -You what? | 0:03:10 | 0:03:13 | |
I thought we were just going to drive round for a bit! | 0:03:13 | 0:03:15 | |
RADIO PLAYS FUNKY MUSIC | 0:03:15 | 0:03:20 | |
Kids are grown up. | 0:03:26 | 0:03:27 | |
I thought, if I'm ever going to do it...I'm not getting any younger. | 0:03:27 | 0:03:30 | |
Absolutely. | 0:03:30 | 0:03:32 | |
Besides, if I didn't, the husband would never let me hear the end of it. | 0:03:32 | 0:03:35 | |
Been going on about it for years. | 0:03:35 | 0:03:37 | |
Good for you. | 0:03:37 | 0:03:39 | |
Bacon, egg and cheese? | 0:03:39 | 0:03:41 | |
Trust me, it works. | 0:03:41 | 0:03:43 | |
Yeah, I always dreamt of being in uniform, | 0:03:43 | 0:03:45 | |
but in my dreams the collar was never this scratchy. | 0:03:45 | 0:03:47 | |
Toughest part of the job. No-one tells you that. | 0:03:47 | 0:03:50 | |
Hey, it does work. | 0:03:50 | 0:03:51 | |
Are we all right doing this? | 0:03:53 | 0:03:55 | |
Yeah... | 0:03:55 | 0:03:56 | |
it's Monday morning. Most of the serious criminal fraternity | 0:03:56 | 0:03:59 | |
-are sleeping off the weekend. -'All officers in the vicinity of Hollier and Sons Motorworks. | 0:03:59 | 0:04:03 | |
'Reports of a disturbance. Anyone free to attend?' | 0:04:03 | 0:04:06 | |
Yes. I know. | 0:04:06 | 0:04:07 | |
7244 to Control. | 0:04:08 | 0:04:10 | |
Show us attending. ETA two minutes. | 0:04:10 | 0:04:12 | |
-'Message received, 7244.' -This had better be good. | 0:04:12 | 0:04:15 | |
Jim! How you doing? | 0:04:26 | 0:04:28 | |
-You know... -All right, great, erm... | 0:04:28 | 0:04:30 | |
So, I wanted to ask you a question... | 0:04:30 | 0:04:33 | |
Nice shirt. | 0:04:33 | 0:04:35 | |
-Well, I...I've worn this before. -Yeah? | 0:04:35 | 0:04:38 | |
I suppose I hadn't... noticed it before. Lovely. | 0:04:38 | 0:04:40 | |
Erm... Yeah, that's what it was, | 0:04:40 | 0:04:42 | |
-are you coming to the partners' meeting this afternoon? -Yeah. | 0:04:42 | 0:04:45 | |
Great, OK... Well, that's all I wanted to know. | 0:04:45 | 0:04:47 | |
I'll see you there. | 0:04:47 | 0:04:49 | |
Have a good one. | 0:04:49 | 0:04:50 | |
Come... | 0:04:54 | 0:04:56 | |
out... | 0:04:56 | 0:04:57 | |
here... | 0:04:57 | 0:04:58 | |
-now! -Maybe she just got her repair bill. | 0:04:58 | 0:05:01 | |
-You reckon? -No... | 0:05:01 | 0:05:03 | |
No, slow down. | 0:05:03 | 0:05:04 | |
Do not do this to me, Jason! | 0:05:04 | 0:05:06 | |
Sleeping with that slapper! Why do you have to ruin everything?! | 0:05:06 | 0:05:09 | |
It looks like she needs to let off a bit of steam! | 0:05:09 | 0:05:11 | |
Come out here! | 0:05:11 | 0:05:14 | |
-If you just listen to me for... -No! | 0:05:14 | 0:05:15 | |
Do not do this to me, Jase! | 0:05:15 | 0:05:17 | |
How could you? Oh! | 0:05:17 | 0:05:20 | |
Hey, stop it! | 0:05:20 | 0:05:21 | |
-Come... -I said calm down! | 0:05:21 | 0:05:24 | |
Calm down. | 0:05:26 | 0:05:27 | |
Whoa, stop it... | 0:05:27 | 0:05:29 | |
-All right... -How did you get that bruising, love? | 0:05:29 | 0:05:32 | |
SHE SOBS | 0:05:32 | 0:05:34 | |
-KNOCK AT DOOR -Come in. | 0:05:34 | 0:05:36 | |
Just the man. | 0:05:38 | 0:05:39 | |
How was your weekend? | 0:05:40 | 0:05:41 | |
-You know, you're the second person to ask me that today? -Well, it is Monday. | 0:05:41 | 0:05:45 | |
And? | 0:05:45 | 0:05:46 | |
-It was phenomenal. -Right. | 0:05:46 | 0:05:48 | |
How's your week shaping up? | 0:05:48 | 0:05:50 | |
Why you asking? | 0:05:50 | 0:05:51 | |
It's my job, | 0:05:51 | 0:05:52 | |
to make sure you're happy in your work. | 0:05:52 | 0:05:54 | |
I'm happy in my work. | 0:05:54 | 0:05:55 | |
Good. | 0:05:55 | 0:05:57 | |
-And you'd tell me if you weren't? -Doubt it. | 0:05:57 | 0:06:00 | |
OK... | 0:06:00 | 0:06:01 | |
Well, thanks for your honesty. | 0:06:01 | 0:06:02 | |
Jimmi... | 0:06:02 | 0:06:03 | |
Whether you like it or not, I'm here for the long haul | 0:06:05 | 0:06:07 | |
and, much as I appreciate the importance of authenticity | 0:06:07 | 0:06:11 | |
in a good business relationship, | 0:06:11 | 0:06:13 | |
the need for transparency is also key. | 0:06:13 | 0:06:15 | |
OK, erm... | 0:06:16 | 0:06:18 | |
last week I was thinking of leaving, and I changed my mind. | 0:06:18 | 0:06:20 | |
Oh? And... | 0:06:20 | 0:06:22 | |
may I ask what brought that change about? | 0:06:22 | 0:06:24 | |
Actually, it was Mrs Tembe. | 0:06:24 | 0:06:26 | |
-Really? -I know, yeah. | 0:06:26 | 0:06:27 | |
She seems to think you're the right man for the job, so... | 0:06:27 | 0:06:30 | |
Right. Well, that's... | 0:06:31 | 0:06:33 | |
Well, Jimmi, | 0:06:35 | 0:06:36 | |
I'm glad you feel you can still be a part of the Mill family, | 0:06:36 | 0:06:39 | |
particularly given the plans afoot. | 0:06:39 | 0:06:41 | |
Regarding which, partners' meeting at the end of the day - | 0:06:41 | 0:06:43 | |
details in your pigeon hole. | 0:06:43 | 0:06:44 | |
Be great if you could have a look at the figures beforehand. | 0:06:44 | 0:06:48 | |
Exciting times. | 0:06:48 | 0:06:49 | |
Glad you're on side. | 0:06:49 | 0:06:50 | |
You promise me you're going to stay calm, yes? | 0:06:56 | 0:06:59 | |
Very good. | 0:06:59 | 0:07:00 | |
OK, it's safe to come out. | 0:07:02 | 0:07:03 | |
-Right, you two... -I can't trust you any more, Jase. | 0:07:06 | 0:07:09 | |
-You can! -Why did you sleep with her? | 0:07:09 | 0:07:10 | |
Why do you have to ruin everything? | 0:07:10 | 0:07:12 | |
I don't know, I just... I wanted you to listen to me. | 0:07:12 | 0:07:14 | |
I wanted us to talk. | 0:07:14 | 0:07:15 | |
I hate you! | 0:07:15 | 0:07:17 | |
Hey, hey... | 0:07:17 | 0:07:19 | |
You get off on pushing women around, do you? | 0:07:19 | 0:07:21 | |
What you talking about? | 0:07:21 | 0:07:22 | |
I'm talking about the bruising on her arms. | 0:07:22 | 0:07:24 | |
Don't roll your eyes at me, son. | 0:07:24 | 0:07:25 | |
-Do you know what you get for assault? -Is he hurting you, love? | 0:07:25 | 0:07:28 | |
Cos you don't have to put up with it. | 0:07:28 | 0:07:30 | |
-Why don't you come down the station with me? -Tell them, Annie. -Shut up. | 0:07:30 | 0:07:33 | |
I haven't touched her. | 0:07:33 | 0:07:34 | |
But you slept with another woman because you wanted her to listen to you?! | 0:07:34 | 0:07:37 | |
-I didn't sleep with another woman. -You did, you liar! | 0:07:37 | 0:07:40 | |
Shut up! | 0:07:40 | 0:07:42 | |
Like being in the school playground... | 0:07:42 | 0:07:44 | |
Right, one of you is lying. | 0:07:44 | 0:07:46 | |
All right, I did... | 0:07:46 | 0:07:48 | |
cheat, but not... | 0:07:48 | 0:07:49 | |
in real life. | 0:07:49 | 0:07:50 | |
Beg your pardon? | 0:07:50 | 0:07:51 | |
In a game. | 0:07:51 | 0:07:53 | |
We're gamers. | 0:07:53 | 0:07:54 | |
It was my avatar slept with another woman, not me. | 0:07:54 | 0:07:57 | |
Come again? | 0:07:57 | 0:07:58 | |
£400 to paint over a mural? | 0:07:58 | 0:08:01 | |
Well, apparently it's, erm... | 0:08:01 | 0:08:04 | |
it's got bits of gloss in it, | 0:08:04 | 0:08:05 | |
so they've got to use an oil-based undercoat, | 0:08:05 | 0:08:08 | |
-and then they've got to let it dry... -Even so. | 0:08:08 | 0:08:10 | |
And if they do paint the mural, then it won't | 0:08:10 | 0:08:11 | |
-match the rest of the wall, so they've got to do the whole lot. -Well, that's just... | 0:08:11 | 0:08:15 | |
-You'll have to find a cheaper quote. -That was the cheapest. | 0:08:15 | 0:08:17 | |
-£400? -Plus VAT, look... | 0:08:17 | 0:08:20 | |
We're gamers. | 0:08:25 | 0:08:26 | |
That's where we met, in Evolutions. | 0:08:26 | 0:08:29 | |
I'm Tony, a...pimp, and she's Jacqui, a pole-dancer. | 0:08:29 | 0:08:33 | |
Then we got together in real life. | 0:08:33 | 0:08:34 | |
I'm sorry, but are you trying to tell me that all of this | 0:08:34 | 0:08:38 | |
is because your computer pimp guy... | 0:08:38 | 0:08:40 | |
Avatar. | 0:08:40 | 0:08:41 | |
..cheated on her... | 0:08:43 | 0:08:45 | |
-computer girl? -Yeah. | 0:08:45 | 0:08:47 | |
Exactly. She can't see the difference. | 0:08:47 | 0:08:49 | |
I've tried talking but... | 0:08:49 | 0:08:51 | |
-that's why I did it. -I can't trust you now. | 0:08:51 | 0:08:52 | |
-Annie... -Shh! | 0:08:52 | 0:08:54 | |
Stop it. This is silly. | 0:08:54 | 0:08:56 | |
Right, I'm going to tell you what I'm going to do... | 0:08:56 | 0:08:59 | |
I am going to pretend that this morning never happened, | 0:08:59 | 0:09:03 | |
even though you did ruin my breakfast, | 0:09:03 | 0:09:05 | |
and I'm going to give you some advice - | 0:09:05 | 0:09:07 | |
get some fresh air... | 0:09:07 | 0:09:09 | |
and get a life, because if I catch you two | 0:09:09 | 0:09:11 | |
wasting police time again, I WILL take you down the station. | 0:09:11 | 0:09:14 | |
Do you understand? | 0:09:14 | 0:09:16 | |
Good. | 0:09:16 | 0:09:18 | |
Everything OK? | 0:09:19 | 0:09:21 | |
No damage? | 0:09:21 | 0:09:22 | |
SQUEALING BRAKES, THUD | 0:09:22 | 0:09:24 | |
Radio in. | 0:09:31 | 0:09:33 | |
-8551 to control... -You OK? | 0:09:34 | 0:09:36 | |
Are you serious, Ayesh? I can't afford a house round here! | 0:09:37 | 0:09:40 | |
Sid, buying a house is playing a game. | 0:09:40 | 0:09:42 | |
That's what it's all about. Everyone bluffs. | 0:09:42 | 0:09:46 | |
I'm sorry. Look, I just don't feel very comfortable with... | 0:09:46 | 0:09:49 | |
Oh, you're doing that nervous shoulder thing again, aren't you? | 0:09:49 | 0:09:51 | |
Drop your shoulders, stop apologising and just play the game. | 0:09:51 | 0:09:54 | |
Come on, it'll be a laugh. | 0:09:54 | 0:09:56 | |
Me and Niamh have done this a couple of times. | 0:09:56 | 0:09:58 | |
Professor. Mrs Vere. | 0:09:58 | 0:10:00 | |
Actually, I'm Professor Vere. | 0:10:00 | 0:10:02 | |
I know, I don't look old enough, do I? | 0:10:02 | 0:10:04 | |
And this is my assistant - | 0:10:04 | 0:10:06 | |
Genghis. | 0:10:06 | 0:10:07 | |
Genghi...? | 0:10:07 | 0:10:08 | |
Isn't he sweet? | 0:10:08 | 0:10:10 | |
So, this the place? | 0:10:10 | 0:10:12 | |
Bit small. | 0:10:12 | 0:10:13 | |
Never mind, we're here now, though. | 0:10:13 | 0:10:15 | |
So sorry we're late, | 0:10:15 | 0:10:16 | |
the traffic coming out of Mayfair was a nightmare - | 0:10:16 | 0:10:18 | |
the sooner we leave the Smoke the better! | 0:10:18 | 0:10:21 | |
So, what happened? | 0:10:26 | 0:10:27 | |
I ran into the road. | 0:10:27 | 0:10:28 | |
Stay still! Simon, will you deal with that? | 0:10:28 | 0:10:31 | |
Yeah, stay still. | 0:10:31 | 0:10:32 | |
-I told you, I'm all right. -I don't care. | 0:10:32 | 0:10:34 | |
-You've had a bang to the head, so you will stay still till the paramedics say otherwise. -Annie? | 0:10:34 | 0:10:38 | |
Oi, stay back. I told you to stay back. | 0:10:38 | 0:10:40 | |
-Just let me talk to her... -Stay back, or I'll cuff you. | 0:10:40 | 0:10:43 | |
-Come on. -Stay where you are. | 0:10:43 | 0:10:44 | |
Hi, fellas...she's had a bang to the head, | 0:10:44 | 0:10:47 | |
as far as I know - I don't know to what extent. I think she's a bit... | 0:10:47 | 0:10:50 | |
Oi! | 0:10:50 | 0:10:51 | |
ROB SIGHS | 0:10:54 | 0:10:55 | |
Wow. | 0:10:59 | 0:11:00 | |
So... | 0:11:03 | 0:11:04 | |
what do you think then... | 0:11:04 | 0:11:05 | |
Professor? | 0:11:05 | 0:11:07 | |
It's OK. | 0:11:09 | 0:11:10 | |
OK?! | 0:11:10 | 0:11:11 | |
It doesn't have much...flow. | 0:11:11 | 0:11:14 | |
I think the room's energy is blocked. | 0:11:14 | 0:11:16 | |
We'd have to travel Ching Yin | 0:11:16 | 0:11:18 | |
and get him to feng shui the entire house. | 0:11:18 | 0:11:20 | |
What's next? | 0:11:20 | 0:11:22 | |
All you had to do was keep an eye, you stupid, dozy cow! | 0:11:27 | 0:11:30 | |
Well, maybe she wouldn't have to run if she wasn't so scared of what you might do to her. | 0:11:30 | 0:11:34 | |
-I don't believe this... -You're staying here! | 0:11:34 | 0:11:36 | |
No, I'm not - I need to find her. | 0:11:36 | 0:11:38 | |
Get out of my way. | 0:11:38 | 0:11:40 | |
You need to calm down first, sir. | 0:11:40 | 0:11:42 | |
I said, get out of my way. | 0:11:42 | 0:11:44 | |
She could be anywhere by now, thanks to you. | 0:11:44 | 0:11:46 | |
Move, you waste of space. | 0:11:46 | 0:11:47 | |
Right, that's it. You're coming with me. | 0:11:47 | 0:11:49 | |
I'm arresting you for assaulting a police officer. | 0:11:49 | 0:11:51 | |
-You do not have to say anything... -Let me go. I haven't done anything! | 0:11:51 | 0:11:54 | |
No? Fine, well, we'll talk about those bruises down the station then. | 0:11:54 | 0:11:58 | |
He's obviously knocking her about. | 0:11:59 | 0:12:02 | |
We don't know for sure. | 0:12:02 | 0:12:04 | |
Sarge, my sister's been through this, and the police were useless. | 0:12:04 | 0:12:07 | |
By the time they took her seriously, it was too late. | 0:12:07 | 0:12:09 | |
We need to take the initiative... | 0:12:09 | 0:12:11 | |
And we don't have any evidence. | 0:12:11 | 0:12:13 | |
I've arrested him now. | 0:12:14 | 0:12:16 | |
Yeah, I can see that. | 0:12:16 | 0:12:17 | |
£400... | 0:12:22 | 0:12:23 | |
It's ridiculous! | 0:12:23 | 0:12:25 | |
What are you doing? | 0:12:29 | 0:12:30 | |
Emma! | 0:12:30 | 0:12:32 | |
You've been waiting to do that | 0:12:32 | 0:12:34 | |
-since the day you walked in here, haven't you? -What? | 0:12:34 | 0:12:36 | |
You could have at least asked us if we wanted to take | 0:12:36 | 0:12:38 | |
a photograph before you desecrated Howard's memory! | 0:12:38 | 0:12:41 | |
-Emma... -Unbelievable. | 0:12:41 | 0:12:43 | |
Emma! | 0:12:43 | 0:12:44 | |
You've indicated that you don't need a solicitor, | 0:12:49 | 0:12:51 | |
will you confirm that for the tape, please? | 0:12:51 | 0:12:53 | |
I don't need a solicitor, I haven't done anything. | 0:12:53 | 0:12:56 | |
Have you found Annie? | 0:12:56 | 0:12:57 | |
No, not yet. She's not answering her phone, | 0:12:57 | 0:12:59 | |
but we do have officers patrolling, and we've put a search order out. | 0:12:59 | 0:13:02 | |
Look, I'm sorry I pushed you, all right? | 0:13:02 | 0:13:04 | |
But, will you... just let me find her? | 0:13:04 | 0:13:06 | |
Why, so we can get a repeat of this morning's episode? | 0:13:06 | 0:13:09 | |
No, because she'll do something stupid. | 0:13:09 | 0:13:13 | |
We need to ask you a few questions first. | 0:13:13 | 0:13:15 | |
Like, have you any idea how Annie got those bruises on her arm? | 0:13:15 | 0:13:19 | |
She did it to herself, when she lost her job. | 0:13:19 | 0:13:22 | |
Most people, | 0:13:22 | 0:13:23 | |
they don't harm themselves when they lose their jobs. | 0:13:23 | 0:13:26 | |
Well, MOST people don't think Annie's fat, | 0:13:26 | 0:13:28 | |
but SHE does. | 0:13:28 | 0:13:29 | |
She's messed up. | 0:13:29 | 0:13:31 | |
That's why she prefers being in Evolutions than with me. | 0:13:31 | 0:13:34 | |
Would you say she's quite an insecure person, then? | 0:13:34 | 0:13:36 | |
Wow...you're like lightning(!) | 0:13:36 | 0:13:39 | |
Yes. She hates herself. | 0:13:39 | 0:13:41 | |
That's why she ran in front of a car, because I think she was trying to kill herself. | 0:13:41 | 0:13:45 | |
How come you didn't mention that she was suicidal? | 0:13:45 | 0:13:47 | |
I've been trying to, but you arrested me! | 0:13:47 | 0:13:50 | |
So, anywhere she might be? | 0:13:50 | 0:13:52 | |
-Family? -They're in Scotland. | 0:13:52 | 0:13:55 | |
-Friends? -She doesn't really... | 0:13:55 | 0:13:57 | |
She's not that sort of person. | 0:13:57 | 0:13:58 | |
Have you got any idea at all where she could be? | 0:13:58 | 0:14:00 | |
We do need to find her. | 0:14:00 | 0:14:02 | |
Oh, right...now you're telling me! | 0:14:02 | 0:14:04 | |
The only place I can think of is Mortlock Lake. | 0:14:05 | 0:14:07 | |
She goes there to get her head together, but | 0:14:07 | 0:14:09 | |
-with my laptop mullered, I've no way of knowing. -Mortlock? | 0:14:09 | 0:14:12 | |
As in Evolutions? | 0:14:12 | 0:14:14 | |
It's like being with Inspector Clouseau. | 0:14:14 | 0:14:16 | |
Yes, Evolutions. | 0:14:16 | 0:14:17 | |
-Which region? -Orion 6. | 0:14:17 | 0:14:20 | |
-Why, do you...? -Lower? | 0:14:20 | 0:14:21 | |
Upper. | 0:14:21 | 0:14:23 | |
OK. | 0:14:23 | 0:14:25 | |
Sorry, am I still here? | 0:14:25 | 0:14:26 | |
Sarge, can I have a word? | 0:14:26 | 0:14:28 | |
I know where the lake is. | 0:14:35 | 0:14:37 | |
I thought you said it was in a game. | 0:14:37 | 0:14:38 | |
It is, | 0:14:38 | 0:14:39 | |
but if Annie's accessing the game, then I can find her avatar Jacqui | 0:14:39 | 0:14:42 | |
and get a message to Annie. | 0:14:42 | 0:14:44 | |
You play this tripe as well? | 0:14:44 | 0:14:45 | |
Yeah, the whole family does. | 0:14:45 | 0:14:47 | |
Along with millions of others. | 0:14:47 | 0:14:49 | |
What are you saying? | 0:14:49 | 0:14:50 | |
Well, if we create an avatar for you, I could lead you to the lake, | 0:14:50 | 0:14:53 | |
and then if we find Jacqui, we can get a message through. | 0:14:53 | 0:14:56 | |
-Are you seriously suggesting that I go on this game? -Sarge... | 0:14:56 | 0:14:59 | |
no matter what you think about it, for Annie it's reality. | 0:14:59 | 0:15:02 | |
And anyway, at the moment, it's all we've got. | 0:15:02 | 0:15:05 | |
-KNOCK AT DOOR -Come in. | 0:15:07 | 0:15:09 | |
Emma... | 0:15:12 | 0:15:13 | |
I think I know what's happened here, and I apologise unreservedly. | 0:15:13 | 0:15:17 | |
The only reason I was doing the work myself is because the decorators | 0:15:17 | 0:15:20 | |
were trying it on - I was trying to save the practice money, | 0:15:20 | 0:15:22 | |
but this misunderstanding is completely unacceptable | 0:15:22 | 0:15:25 | |
and I'm going to speak to Karen about it right away. | 0:15:25 | 0:15:27 | |
Karen? | 0:15:27 | 0:15:28 | |
It was her I asked to e-mail everybody on Friday about the mural. | 0:15:28 | 0:15:31 | |
-Right, well, let's see where this e-mail is, shall we? -Well, she obviously forgot. | 0:15:31 | 0:15:35 | |
I'd had a number of patient complaints | 0:15:35 | 0:15:37 | |
that the mural was confusing, what with... | 0:15:37 | 0:15:39 | |
most of the staff members on it no longer being here. | 0:15:39 | 0:15:42 | |
I was absolutely clear with Karen that the e-mail should be | 0:15:42 | 0:15:45 | |
marked high priority given the...sensitivity. | 0:15:45 | 0:15:49 | |
Erm...I did... | 0:15:49 | 0:15:50 | |
..get it. | 0:15:52 | 0:15:54 | |
You did? | 0:15:54 | 0:15:55 | |
Yes... | 0:15:56 | 0:15:58 | |
it's just that it appears I didn't read it. | 0:15:58 | 0:16:02 | |
It was... | 0:16:02 | 0:16:04 | |
high priority. | 0:16:04 | 0:16:06 | |
I'm sorry. | 0:16:06 | 0:16:07 | |
Look, the paint's still wet, I could get a couple of sponges... | 0:16:07 | 0:16:09 | |
No! You don't have to do that. | 0:16:09 | 0:16:11 | |
I think Howard's preferred legacy would be | 0:16:14 | 0:16:16 | |
the continued smooth running of this place, rather than a... | 0:16:16 | 0:16:20 | |
faded painting. | 0:16:20 | 0:16:22 | |
Absolutely. | 0:16:22 | 0:16:23 | |
Anyway... | 0:16:24 | 0:16:26 | |
they didn't really get the angle of his quiff right! | 0:16:26 | 0:16:29 | |
-I am sorry. -No... | 0:16:30 | 0:16:32 | |
I'm just glad we got this cleared up. | 0:16:32 | 0:16:34 | |
I think...Karen did take some photos. | 0:16:37 | 0:16:40 | |
Right...thanks. | 0:16:42 | 0:16:44 | |
Awkward... | 0:16:50 | 0:16:52 | |
Right, profession? | 0:16:56 | 0:16:58 | |
What does it really matter? | 0:16:58 | 0:17:00 | |
Well, it needs to be someone from her world, | 0:17:00 | 0:17:02 | |
somebody she'd be likely to talk to. | 0:17:02 | 0:17:04 | |
Erm... | 0:17:04 | 0:17:05 | |
I'm going to make you a... | 0:17:05 | 0:17:07 | |
gigolo. | 0:17:07 | 0:17:08 | |
So, do you want to be 6'2", 6'3"? | 0:17:10 | 0:17:12 | |
How long's this going to take? | 0:17:12 | 0:17:14 | |
I'll put 6'3". | 0:17:14 | 0:17:16 | |
Medium build? | 0:17:16 | 0:17:18 | |
Muscular! | 0:17:18 | 0:17:20 | |
Huh! | 0:17:21 | 0:17:23 | |
I don't believe this. | 0:17:23 | 0:17:25 | |
Right, name? How about...? | 0:17:25 | 0:17:27 | |
Rico. | 0:17:27 | 0:17:28 | |
-Rico. -Rico. | 0:17:28 | 0:17:31 | |
Right. Can we get started? | 0:17:33 | 0:17:34 | |
Welcome to Evolution, Sarge. | 0:17:35 | 0:17:38 | |
Oh...not bad. | 0:17:41 | 0:17:43 | |
What do you think, Genghis? | 0:17:43 | 0:17:46 | |
Well... | 0:17:46 | 0:17:48 | |
there's only one way to know for sure - | 0:17:48 | 0:17:50 | |
test it out. | 0:17:50 | 0:17:51 | |
Professor? | 0:17:52 | 0:17:53 | |
No...as I thought - | 0:18:02 | 0:18:04 | |
too small. | 0:18:04 | 0:18:05 | |
We need room for hubby, too. | 0:18:05 | 0:18:07 | |
Cheers, Mike. | 0:18:16 | 0:18:17 | |
The GP backed up Jason's story, so they can start tracking the phone now, | 0:18:18 | 0:18:22 | |
as long as she's using it. How you getting on? | 0:18:22 | 0:18:25 | |
No sign yet. This lake is massive! | 0:18:25 | 0:18:27 | |
Well, use your Porsche to drive around, it'll be quicker. | 0:18:27 | 0:18:31 | |
I've got a Porsche, really? | 0:18:31 | 0:18:32 | |
Course! | 0:18:32 | 0:18:33 | |
Ooh, look, on the bench - that's got to be her! | 0:18:33 | 0:18:36 | |
W-What do I do? | 0:18:36 | 0:18:37 | |
Control-C to chat. Go up to her. | 0:18:37 | 0:18:39 | |
-Talk to her. -As Rico...? | 0:18:39 | 0:18:41 | |
-Doesn't matter. Quick, before she goes. -Hey, sugar... | 0:18:41 | 0:18:44 | |
What you doing? | 0:18:44 | 0:18:45 | |
-I'm being Rico. -Oh... | 0:18:45 | 0:18:47 | |
Sarge, you don't need to talk like that. Just... | 0:18:47 | 0:18:49 | |
-control-C to chat. -Oh, yeah, yeah... | 0:18:49 | 0:18:53 | |
Erm... | 0:18:53 | 0:18:54 | |
Yeah, hi, hey-hey... | 0:18:54 | 0:18:57 | |
hey, hi, I'm... | 0:18:57 | 0:18:58 | |
I'm Rico. Do you mind if I join you? | 0:18:58 | 0:19:00 | |
-COMPUTER BEEPS -OK. Yeah, go on... | 0:19:00 | 0:19:03 | |
Yeah, erm... | 0:19:03 | 0:19:05 | |
real nice weather we're having today. | 0:19:05 | 0:19:08 | |
"You sound like a psycho." | 0:19:09 | 0:19:11 | |
-Do I? -Go with it. | 0:19:11 | 0:19:13 | |
Erm...sorry, | 0:19:13 | 0:19:14 | |
sorry...I don't really talk like that, | 0:19:14 | 0:19:17 | |
it's just because I'm... a bit nervous. | 0:19:17 | 0:19:19 | |
I'm, erm... | 0:19:19 | 0:19:21 | |
I'm nervous because you are... | 0:19:21 | 0:19:23 | |
amazing. I've seen you before. | 0:19:23 | 0:19:25 | |
You're the...pole-dancer, aren't you? | 0:19:25 | 0:19:27 | |
-COMPUTER BEEPS -"OMG, you recognised me!" This is great, keep going. | 0:19:27 | 0:19:30 | |
Yeah, you're brilliant... I think you're really, really... | 0:19:30 | 0:19:34 | |
Annie, listen to me, we are worried about you, and so is Jason... | 0:19:34 | 0:19:37 | |
we need to know where you are. COMPUTER BEEPS | 0:19:37 | 0:19:40 | |
-She's kicking me. Why is she...? -Yeah, she's blocked you. -PHONE RINGS | 0:19:40 | 0:19:44 | |
Yeah...? | 0:19:44 | 0:19:46 | |
OK. Thanks, Mike. | 0:19:46 | 0:19:48 | |
-Waste of bloody time. -Actually, Sarge, it's not. | 0:19:49 | 0:19:51 | |
They've managed to track the phone. | 0:19:51 | 0:19:53 | |
Jimmi! | 0:19:59 | 0:20:00 | |
Good house calls? | 0:20:00 | 0:20:02 | |
Fine, yeah. | 0:20:02 | 0:20:03 | |
You enjoying that? | 0:20:03 | 0:20:05 | |
Erm, not really, no, but the decorators were trying it on. | 0:20:06 | 0:20:10 | |
Fortunately, I don't mind getting my hands dirty. | 0:20:10 | 0:20:12 | |
Did you get a chance to look at those figures? | 0:20:12 | 0:20:15 | |
Not yet. | 0:20:15 | 0:20:16 | |
Right, well...my office, 6.30? | 0:20:16 | 0:20:18 | |
Mm-hmm. | 0:20:18 | 0:20:20 | |
Annie...! | 0:20:37 | 0:20:38 | |
Annie, don't run! | 0:20:38 | 0:20:39 | |
Aargh, my head... | 0:20:39 | 0:20:41 | |
Aargh... | 0:20:41 | 0:20:43 | |
-Annie, are you OK? -Oh... | 0:20:43 | 0:20:45 | |
You've banged your head. We need to get you to hospital. | 0:20:45 | 0:20:48 | |
I don't want your help, you patronising old... | 0:20:48 | 0:20:50 | |
-I was wrong... -Ow! -..and I'm sorry, OK? | 0:20:50 | 0:20:53 | |
-Oh... -I should've taken you more seriously. | 0:20:53 | 0:20:56 | |
-Let's get you checked over. -Oh... | 0:20:56 | 0:20:59 | |
-Ugh! -Come on, let's get you to hospital. | 0:20:59 | 0:21:02 | |
Come on. | 0:21:02 | 0:21:03 | |
KNOCK AT DOOR | 0:21:12 | 0:21:14 | |
I've had a word with the doctor, | 0:21:20 | 0:21:22 | |
and he wants you to have a chat with the duty psychiatrist. | 0:21:22 | 0:21:25 | |
Don't worry, I'm not going to do anything stupid. | 0:21:25 | 0:21:27 | |
You're not supposed to use your phone in here. | 0:21:28 | 0:21:31 | |
In a minute. | 0:21:32 | 0:21:33 | |
-What? -You can't, can you? | 0:21:35 | 0:21:37 | |
-It's not real. -How can you say that? | 0:21:37 | 0:21:40 | |
It's where I met Jason. That's real! | 0:21:40 | 0:21:42 | |
Yeah, but Jason did what he did because he thinks you're addicted, | 0:21:42 | 0:21:44 | |
and he wants you to stop playing the game. | 0:21:44 | 0:21:46 | |
And do what? | 0:21:46 | 0:21:47 | |
Stare at the wall all day? | 0:21:47 | 0:21:49 | |
It stops me from getting lonely. | 0:21:51 | 0:21:52 | |
Besides, Jason loves me as Jacqui. He thinks I'm sexy. | 0:21:52 | 0:21:56 | |
I'm sure he prefers you as you. | 0:21:56 | 0:21:57 | |
Yeah, right! | 0:21:57 | 0:21:59 | |
Look at me. | 0:21:59 | 0:22:00 | |
Do you want to lose Jason? | 0:22:00 | 0:22:02 | |
Please, turn the phone off. | 0:22:04 | 0:22:06 | |
Jase loves Evolutions. | 0:22:06 | 0:22:07 | |
Not any more, I don't. | 0:22:07 | 0:22:08 | |
-You going to switch if off, then? -Why did you sleep with her? | 0:22:08 | 0:22:11 | |
Because I love you. | 0:22:11 | 0:22:13 | |
Oh, right... | 0:22:13 | 0:22:15 | |
so you destroy the one thing I've got going in my life?! | 0:22:15 | 0:22:18 | |
What? | 0:22:18 | 0:22:19 | |
What about us? | 0:22:19 | 0:22:21 | |
I mean, that's if you still want that! | 0:22:21 | 0:22:23 | |
Turn it off, Annie. | 0:22:24 | 0:22:26 | |
Yeah, in a minute. | 0:22:28 | 0:22:30 | |
Oh, fine! | 0:22:30 | 0:22:33 | |
I tried. | 0:22:33 | 0:22:34 | |
Where are you going? | 0:22:34 | 0:22:36 | |
Jase, don't walk out! | 0:22:36 | 0:22:37 | |
Well, to be fair, love, he does seem to be trying everything, | 0:22:37 | 0:22:41 | |
-but if you won't take the first step... -I can't! I... | 0:22:41 | 0:22:44 | |
-..find it too hard. -There you go. | 0:22:45 | 0:22:48 | |
That is a start. | 0:22:48 | 0:22:49 | |
You need to tell him that... | 0:22:50 | 0:22:52 | |
..otherwise, life is going to start to get a lot more lonely. | 0:22:53 | 0:22:56 | |
Genghis! | 0:22:58 | 0:22:59 | |
Where did you get that from? You're unbelievable, you know! | 0:22:59 | 0:23:02 | |
You can talk, getting in that bath! | 0:23:02 | 0:23:04 | |
-Told you it'd be a laugh, though. -Yeah. | 0:23:04 | 0:23:06 | |
-We should do it again, you know. -Yeah. | 0:23:06 | 0:23:08 | |
No, no, I mean, like... do it properly. | 0:23:08 | 0:23:10 | |
-I think I'm going to go for it. -You're serious, aren't you? | 0:23:10 | 0:23:13 | |
Yeah, well...you know, I'm sick of renting, so... | 0:23:13 | 0:23:15 | |
I want to get on the ladder. | 0:23:15 | 0:23:16 | |
-Good. -But if you call me Genghis again...! | 0:23:16 | 0:23:20 | |
Come on, you. Jump in the Bentley. | 0:23:20 | 0:23:21 | |
Jase...! | 0:23:29 | 0:23:30 | |
Jason! | 0:23:30 | 0:23:31 | |
I'm sorry. | 0:23:34 | 0:23:35 | |
I love you, too. | 0:23:39 | 0:23:40 | |
You wanted a word, Sarge? | 0:23:46 | 0:23:48 | |
Yeah. Listen, | 0:23:48 | 0:23:49 | |
the system is not perfect, | 0:23:49 | 0:23:51 | |
and I'm really sorry that it failed your sister, | 0:23:51 | 0:23:53 | |
but don't let it cloud your judgment. | 0:23:53 | 0:23:55 | |
I know. I'm sorry. | 0:23:55 | 0:23:57 | |
That's all right. But, apart from that, I would like to thank you, | 0:23:57 | 0:24:00 | |
because I understood less than half of what happened today, | 0:24:00 | 0:24:03 | |
so I'm really pleased you knew what you were doing. | 0:24:03 | 0:24:05 | |
Well, it's called the 21st century, Sarge. | 0:24:05 | 0:24:07 | |
You should try it. | 0:24:07 | 0:24:09 | |
-You can go home now. -OK. | 0:24:09 | 0:24:11 | |
Just one question, sir... | 0:24:12 | 0:24:14 | |
Go on. | 0:24:14 | 0:24:15 | |
There was a small part of you that actually enjoyed being Rico today, | 0:24:15 | 0:24:19 | |
wasn't there? | 0:24:19 | 0:24:21 | |
Get out. | 0:24:21 | 0:24:23 | |
-See you tomorrow. -Yeah, see you. | 0:24:23 | 0:24:25 | |
"Hi, Rico, you're hot. Fancy having some fun?" | 0:24:28 | 0:24:31 | |
Maybe. PHONE RINGS | 0:24:33 | 0:24:35 | |
Hello, Rico...Rob! | 0:24:35 | 0:24:36 | |
No, no, love...no, love... Yes, it is me... Yeah, it's me. | 0:24:37 | 0:24:41 | |
Thank you, all, for coming. | 0:24:44 | 0:24:46 | |
You've all had a chance to look at the figures, which... | 0:24:46 | 0:24:48 | |
I hope you'll agree, stack up pretty convincingly. | 0:24:48 | 0:24:51 | |
As with any venture, there's the potential for risk, | 0:24:54 | 0:24:57 | |
but there's also the potential for rewards, | 0:24:57 | 0:25:00 | |
pretty big rewards. | 0:25:00 | 0:25:01 | |
Look, I don't want to rake over the figures... | 0:25:03 | 0:25:05 | |
they work... | 0:25:05 | 0:25:06 | |
so the question I think we should put on the table is this - | 0:25:06 | 0:25:09 | |
do we want to take on the risk? | 0:25:09 | 0:25:11 | |
Which... | 0:25:11 | 0:25:12 | |
leads me to my broader question this evening - | 0:25:12 | 0:25:16 | |
what sort of practice do we see ourselves as? | 0:25:16 | 0:25:19 | |
One that seizes opportunity when it presents... | 0:25:19 | 0:25:23 | |
or one that coasts? | 0:25:23 | 0:25:24 | |
What is our identity? | 0:25:25 | 0:25:28 | |
The floor is open. | 0:25:28 | 0:25:29 | |
Well, I think it's... | 0:25:32 | 0:25:34 | |
a great opportunity... | 0:25:34 | 0:25:36 | |
and I think you've done brilliantly putting it together, | 0:25:36 | 0:25:38 | |
and, to answer your question personally, | 0:25:38 | 0:25:41 | |
no, I don't want to coast. | 0:25:41 | 0:25:43 | |
With the Campus, we virtually run two practices already... | 0:25:43 | 0:25:46 | |
so adding a third really isn't going to stretch us a great deal. | 0:25:46 | 0:25:50 | |
I'm in. | 0:25:50 | 0:25:51 | |
Great. | 0:25:51 | 0:25:52 | |
Thank you, Daniel. | 0:25:52 | 0:25:54 | |
Zara? | 0:25:54 | 0:25:56 | |
I think that we can add value. | 0:25:57 | 0:26:00 | |
We shouldn't shy away from our strengths. | 0:26:00 | 0:26:02 | |
We're a highly successful practice and, between us, | 0:26:02 | 0:26:06 | |
our staff have probably over 100 years of experience. | 0:26:06 | 0:26:09 | |
I think that makes us best placed to turn King's Green around. | 0:26:09 | 0:26:13 | |
It would be good for Letherbridge, good for us... | 0:26:13 | 0:26:16 | |
and I'm in. | 0:26:16 | 0:26:17 | |
Thank you, Zara. | 0:26:19 | 0:26:20 | |
Jimmi? | 0:26:22 | 0:26:23 | |
Erm... | 0:26:25 | 0:26:27 | |
It's going to mean a lot of extra work, isn't it? | 0:26:27 | 0:26:30 | |
Not necessarily, no. | 0:26:30 | 0:26:31 | |
I'd take on the lion's share, and we'd hire in as needed. | 0:26:31 | 0:26:35 | |
So you won't be sacking anyone? | 0:26:36 | 0:26:38 | |
Absolutely not. | 0:26:38 | 0:26:40 | |
We can't be losing experienced members of staff. | 0:26:40 | 0:26:42 | |
We need to hang on to them... | 0:26:42 | 0:26:44 | |
value them. | 0:26:44 | 0:26:46 | |
Well, in that case, I think it's an excellent idea. | 0:26:46 | 0:26:49 | |
Jimmi, that's... | 0:26:52 | 0:26:53 | |
I can't think of a better way of bringing Mrs Tembe back to the family. | 0:26:53 | 0:26:57 | |
-Hi, I'm Steve. -Oh, hello. | 0:27:06 | 0:27:08 | |
Steve's the baby's dad. He lives here as well. | 0:27:08 | 0:27:10 | |
OK... | 0:27:10 | 0:27:12 | |
-I work too. -Yeah, right! | 0:27:12 | 0:27:14 | |
Maybe the boys should wait outside. | 0:27:14 | 0:27:16 | |
Adrian Willis, Daniel Granger. This is the senior partner. | 0:27:16 | 0:27:19 | |
I didn't do anything! | 0:27:19 | 0:27:21 | |
Don't shout! | 0:27:21 | 0:27:22 | |
Well, now Mr Goddard has left, I am the new acting practice manager. | 0:27:22 | 0:27:27 | |
Ugh! | 0:27:27 | 0:27:28 |