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CAMERA SHUTTERS CLICK | 0:00:27 | 0:00:29 | |
'Oh, just a couple more, Professor.' | 0:00:29 | 0:00:32 | |
Tommy. My name's Tommy. | 0:00:32 | 0:00:33 | |
Why is Tommy's pile bigger than mine? | 0:00:34 | 0:00:37 | |
I'm the writer of these books! | 0:00:37 | 0:00:39 | |
And very good they are too, but | 0:00:39 | 0:00:41 | |
I'd have thought it was obvious. Tommy's the star. | 0:00:41 | 0:00:45 | |
At the end of the day, it's Tommy everybody's come to see. | 0:00:45 | 0:00:48 | |
CAMERA SHUTTERS CLICK | 0:00:48 | 0:00:50 | |
SONG ON RADIO: Unforgettable by Nat King Cole | 0:00:50 | 0:00:53 | |
Hey, you two ready for school? | 0:00:53 | 0:00:56 | |
Yeah. Good. | 0:00:56 | 0:00:57 | |
THEY SING: # That's why, darling | 0:01:01 | 0:01:04 | |
# It's incredible | 0:01:04 | 0:01:06 | |
# That someone so unforgettable | 0:01:06 | 0:01:12 | |
# Thinks that I am unforgettable too. # | 0:01:12 | 0:01:18 | |
Come on, man. We'll be scarred for life. | 0:01:18 | 0:01:20 | |
How does she seem to you? | 0:01:23 | 0:01:25 | |
Pretty good. Yeah. | 0:01:25 | 0:01:28 | |
Maybe those girls are laying off her. | 0:01:28 | 0:01:30 | |
Oh, she'll be fine. You know what they're like at this age. | 0:01:30 | 0:01:34 | |
Thank you. | 0:01:36 | 0:01:37 | |
For what? | 0:01:37 | 0:01:39 | |
For being you. | 0:01:39 | 0:01:41 | |
What would I do without you? | 0:01:41 | 0:01:43 | |
Well, fortunately, you'll never have to find out. | 0:01:43 | 0:01:46 | |
SHE LAUGHS | 0:01:46 | 0:01:48 | |
Thank you. Thank you very much. Thank you, Tommy. Thank you. | 0:01:48 | 0:01:52 | |
Oh. How many of these have I done over the years? | 0:01:52 | 0:01:55 | |
Quite a few. Mm. | 0:01:55 | 0:01:57 | |
It can't be necessary? | 0:01:57 | 0:01:58 | |
There must be millions of pictures | 0:01:58 | 0:02:00 | |
of Professor flipping Pickering out there. | 0:02:00 | 0:02:03 | |
Well, if things go according to plan, | 0:02:03 | 0:02:05 | |
you might not have to do them for much longer. | 0:02:05 | 0:02:07 | |
You're going to have to tell her soon. | 0:02:08 | 0:02:10 | |
I know, but not now. | 0:02:10 | 0:02:13 | |
Ah. What are you two muttering about? | 0:02:14 | 0:02:17 | |
Er, my sore throat. It's not gone away. | 0:02:17 | 0:02:20 | |
I told you, you should have seen the GP before we came away. | 0:02:20 | 0:02:22 | |
Well, I didn't know it was going to hang around for so long. | 0:02:22 | 0:02:25 | |
This is an important tour. Personal appearances, signing sessions. | 0:02:25 | 0:02:29 | |
You'll need your voice in tip-top order. | 0:02:29 | 0:02:31 | |
Why don't I see if I can get you in with a local GP? | 0:02:31 | 0:02:33 | |
There isn't time. | 0:02:33 | 0:02:35 | |
Yes, there is. | 0:02:35 | 0:02:37 | |
Mill Health Centre. Five minutes away. | 0:02:37 | 0:02:39 | |
They're bound to be busy. | 0:02:39 | 0:02:41 | |
Not too busy to see you. You're Professor Pickering. | 0:02:41 | 0:02:45 | |
No. We're Professor Pickering. | 0:02:45 | 0:02:48 | |
Aren't we darling? Mm. | 0:02:48 | 0:02:49 | |
We have to tell her now. No. | 0:02:51 | 0:02:53 | |
We can't go behind her back any more. | 0:02:53 | 0:02:55 | |
She'll just try and stop us. | 0:02:55 | 0:02:56 | |
Not if we talk to her, explain things. | 0:02:56 | 0:02:58 | |
Look, he might only be here for just a few days. | 0:02:58 | 0:03:00 | |
We'll meet him first and tell her later. | 0:03:00 | 0:03:02 | |
Shak! We can't carry on lying. | 0:03:02 | 0:03:04 | |
It's just a few days. | 0:03:04 | 0:03:05 | |
No. It's not right. We have to tell Mum. | 0:03:05 | 0:03:08 | |
Tell Mum what? | 0:03:08 | 0:03:09 | |
OK. This is not about my birthday, is it? | 0:03:11 | 0:03:13 | |
Right. Explanation, now. | 0:03:15 | 0:03:16 | |
It's nothing. | 0:03:18 | 0:03:19 | |
How can it be nothing when you have something to tell me? | 0:03:19 | 0:03:22 | |
Alia? | 0:03:22 | 0:03:24 | |
I'm going to be late for school. | 0:03:24 | 0:03:25 | |
Right, you're not going anywhere until you tell me what's going on. | 0:03:25 | 0:03:29 | |
We want to find out more about our dad. | 0:03:33 | 0:03:35 | |
Karen, what are you doing? | 0:03:42 | 0:03:44 | |
Come on, love. We're going to be late. | 0:03:47 | 0:03:51 | |
I don't know why we have to do this. | 0:03:51 | 0:03:52 | |
Yes, you do. Zara explained. You know she's right. | 0:03:52 | 0:03:55 | |
We don't want any last minute hiccups at panel. | 0:03:55 | 0:03:57 | |
I'm fed up of doing it, time and time again. | 0:03:57 | 0:04:00 | |
There's nothing wrong with me. | 0:04:00 | 0:04:01 | |
Then there's nothing to worry about. Just get in the car. | 0:04:01 | 0:04:03 | |
Well, shut the front door! | 0:04:07 | 0:04:08 | |
So what's brought this on? | 0:04:11 | 0:04:13 | |
Shak? | 0:04:13 | 0:04:15 | |
We have a right to know about our dad. | 0:04:15 | 0:04:16 | |
OK. | 0:04:16 | 0:04:18 | |
And you never mention him. It's like he doesn't exist. | 0:04:18 | 0:04:20 | |
I know. | 0:04:20 | 0:04:23 | |
That's because I don't want you to have anything to do with him. | 0:04:23 | 0:04:25 | |
That is all you need to know. | 0:04:25 | 0:04:27 | |
No. That's all you want us to know. | 0:04:27 | 0:04:29 | |
It's not the same thing. | 0:04:29 | 0:04:31 | |
We just want to see him for ourselves. See him? | 0:04:31 | 0:04:34 | |
Has he been in touch? | 0:04:34 | 0:04:35 | |
No. | 0:04:35 | 0:04:36 | |
Is that the truth? | 0:04:38 | 0:04:39 | |
That is the truth! | 0:04:39 | 0:04:41 | |
What about anyone else from that family? No! We just told you. | 0:04:41 | 0:04:44 | |
Is he right? Alia? | 0:04:44 | 0:04:47 | |
I need to go. | 0:04:47 | 0:04:48 | |
I thought you wanted to talk about your dad. | 0:04:48 | 0:04:50 | |
You don't, so what's the point? | 0:04:50 | 0:04:52 | |
Right, you're not going anywhere until we get this sorted. | 0:04:52 | 0:04:54 | |
It is sorted. | 0:04:54 | 0:04:55 | |
We want to find out more about him and you won't tell us. | 0:04:55 | 0:04:59 | |
Oh, all right. Not to worry. | 0:05:10 | 0:05:13 | |
I can register you as a temporary patient. | 0:05:13 | 0:05:15 | |
Oh, that's really very kind of you. | 0:05:15 | 0:05:17 | |
If you could fill in one of these forms. | 0:05:17 | 0:05:21 | |
You will be seen by Dr Haskey. | 0:05:21 | 0:05:23 | |
Mrs Tembe, I'm sure I could fit him in. | 0:05:23 | 0:05:27 | |
That will not be necessary, Dr Reid. | 0:05:27 | 0:05:29 | |
Dr Haskey has more availability. | 0:05:29 | 0:05:31 | |
This won't take too long, will it? We're on a very tight schedule. | 0:05:31 | 0:05:35 | |
Right, well, we will see what we can do. | 0:05:35 | 0:05:37 | |
Please, take a seat. Thank you. | 0:05:37 | 0:05:39 | |
You must have known this would happen one day. | 0:05:45 | 0:05:48 | |
I tried not to think about it. | 0:05:48 | 0:05:50 | |
He's going to hurt us, me, again. I know he is. | 0:05:51 | 0:05:54 | |
I won't let that happen. | 0:05:54 | 0:05:56 | |
And how are you going to stop him? | 0:05:56 | 0:05:57 | |
I'll cross that bridge when I come to it. | 0:05:57 | 0:06:00 | |
But we must tell Shak and Alia first. | 0:06:00 | 0:06:04 | |
They don't know what he's really like. Well, tell them. | 0:06:05 | 0:06:08 | |
No. | 0:06:08 | 0:06:10 | |
They're not kids any more. | 0:06:10 | 0:06:12 | |
You have to consider their feelings. | 0:06:12 | 0:06:15 | |
Tell them the truth and then we take it from there. | 0:06:15 | 0:06:17 | |
I'm scared. | 0:06:19 | 0:06:20 | |
I know. | 0:06:20 | 0:06:21 | |
But you have to face that fear. | 0:06:24 | 0:06:26 | |
Blistering Bunsen burners! | 0:06:30 | 0:06:32 | |
I beg your pardon? | 0:06:32 | 0:06:34 | |
It's Professor Pickering's catchphrase. | 0:06:34 | 0:06:36 | |
It's a children's TV programme. Very popular. | 0:06:36 | 0:06:39 | |
He plays this mild-mannered professor who, on the side, | 0:06:39 | 0:06:41 | |
does all these crazy inventions, | 0:06:41 | 0:06:43 | |
which he uses to entrap the evil Banana Cult. | 0:06:43 | 0:06:46 | |
It was one of Chris's favourites. A guilty pleasure of mine, too. | 0:06:46 | 0:06:49 | |
I didn't think it was still on. | 0:06:49 | 0:06:51 | |
Oh, I did. Send him straight through. | 0:06:51 | 0:06:53 | |
Could I get your autograph? | 0:06:56 | 0:06:57 | |
Of course you can. | 0:06:57 | 0:07:00 | |
What's your name? | 0:07:00 | 0:07:01 | |
Ella. | 0:07:01 | 0:07:02 | |
Ella? E, double L, A? Yes. Yes. | 0:07:02 | 0:07:04 | |
There you are. | 0:07:08 | 0:07:10 | |
Grr! Blistering Bunsen burners! | 0:07:11 | 0:07:15 | |
Would you like me to sign? | 0:07:17 | 0:07:18 | |
No. | 0:07:18 | 0:07:19 | |
Never mind, old girl. | 0:07:21 | 0:07:23 | |
Less of the old. | 0:07:23 | 0:07:25 | |
I need some fresh air. | 0:07:25 | 0:07:27 | |
Is she all right, do you think? | 0:07:29 | 0:07:30 | |
She'll get over it. | 0:07:30 | 0:07:31 | |
Especially when the royalties for the new book start coming in. | 0:07:32 | 0:07:35 | |
THEY LAUGH | 0:07:35 | 0:07:37 | |
LAPTOP PINGS | 0:07:53 | 0:07:54 | |
LAPTOP PINGS | 0:07:59 | 0:08:01 | |
SHE SIGHS | 0:08:01 | 0:08:02 | |
Hello, this is Alia Hanif's mum. She's in year ten. | 0:08:15 | 0:08:19 | |
Is it possible for her to have permission | 0:08:19 | 0:08:21 | |
to leave school at lunchtime? | 0:08:21 | 0:08:22 | |
Er, it's a family matter. | 0:08:23 | 0:08:25 | |
OK, thank you. | 0:08:27 | 0:08:28 | |
We shouldn't be here really. | 0:08:36 | 0:08:38 | |
Why's that? | 0:08:38 | 0:08:39 | |
Because there's nothing wrong with me. | 0:08:39 | 0:08:41 | |
So, why are you here, then? | 0:08:41 | 0:08:43 | |
Because Dr Carmichael thought it was a good idea. | 0:08:43 | 0:08:45 | |
Which it is. | 0:08:45 | 0:08:47 | |
Doing the job I do, I can't bear time wasters. | 0:08:47 | 0:08:50 | |
You are not wasting anyone's time. | 0:08:50 | 0:08:52 | |
Now, your GP reports that you're doing very well indeed. | 0:08:54 | 0:08:58 | |
No evidence of further memory loss | 0:08:58 | 0:09:00 | |
and occasional access to new memories too. | 0:09:00 | 0:09:03 | |
Yes. That's good. | 0:09:03 | 0:09:05 | |
I lead an entirely normal life, don't I? | 0:09:05 | 0:09:08 | |
You do. | 0:09:08 | 0:09:09 | |
That's why I don't feel there's any need for this. | 0:09:09 | 0:09:11 | |
You know, it's not like anything's going to change, is it? | 0:09:11 | 0:09:14 | |
So when are you going to tell her? | 0:09:19 | 0:09:22 | |
You mean about the quiz show? Mm-hm. | 0:09:23 | 0:09:25 | |
Soon. | 0:09:25 | 0:09:26 | |
Tommy. You've been putting it off for two months now. | 0:09:26 | 0:09:30 | |
You promised Michael an answer by tomorrow. | 0:09:32 | 0:09:34 | |
And he'll get one as soon as I've discussed it with Clarissa. | 0:09:34 | 0:09:37 | |
What is there to discuss? | 0:09:37 | 0:09:39 | |
It's a chance to move into presenting. | 0:09:39 | 0:09:42 | |
You'd be mad to turn it down. | 0:09:42 | 0:09:44 | |
Clarissa will be very upset. | 0:09:44 | 0:09:46 | |
She'll get over it. | 0:09:46 | 0:09:47 | |
It's about time you stopped playing the fool | 0:09:48 | 0:09:51 | |
to the nation's children | 0:09:51 | 0:09:53 | |
and the dutiful husband to Clarissa. | 0:09:53 | 0:09:56 | |
Oh, you think I'm just playing at my marriage, then? | 0:09:56 | 0:09:58 | |
No. | 0:09:58 | 0:09:59 | |
But if you're not careful, Michael will offer it to someone else | 0:10:01 | 0:10:05 | |
and you'll be stuck with Professor Pickering for the rest of your life! | 0:10:05 | 0:10:08 | |
Not necessarily. | 0:10:08 | 0:10:09 | |
What do you mean? I could go back on the stage. | 0:10:09 | 0:10:12 | |
I've always fancied playing King Lear. | 0:10:12 | 0:10:14 | |
King Lear? | 0:10:14 | 0:10:15 | |
Since I'm old enough. | 0:10:15 | 0:10:17 | |
Since now we will divest ourselves | 0:10:17 | 0:10:20 | |
both of rule, interest of territory, | 0:10:20 | 0:10:24 | |
cares of state. Which of you shall we say doth love us most? | 0:10:24 | 0:10:30 | |
Sir, I love you more than words can wield the matter. | 0:10:30 | 0:10:34 | |
Dearer than eyesight, space, | 0:10:35 | 0:10:39 | |
and liberty. | 0:10:39 | 0:10:41 | |
THEY LAUGH | 0:10:41 | 0:10:42 | |
I did it for O-level. Sorry, I didn't mean to interrupt. | 0:10:42 | 0:10:44 | |
No, no. Well done, well done. No problem. | 0:10:44 | 0:10:47 | |
Doctor's ready for you now. | 0:10:48 | 0:10:50 | |
Ah. | 0:10:50 | 0:10:51 | |
HE GROANS | 0:10:51 | 0:10:52 | |
You see. | 0:10:52 | 0:10:53 | |
Is there a problem, Dr Reid? | 0:11:00 | 0:11:02 | |
No, no. | 0:11:02 | 0:11:03 | |
I have just played Goneril to Tommy Thomas' King Lear. | 0:11:04 | 0:11:07 | |
I certainly didn't expect that to be part of my day. | 0:11:09 | 0:11:12 | |
The brain is a complicated thing. | 0:11:13 | 0:11:17 | |
There's a lot about the way it works which we don't fully understand. | 0:11:17 | 0:11:21 | |
But I feel absolutely fine. | 0:11:21 | 0:11:23 | |
Oh, you are, in some respects, | 0:11:23 | 0:11:25 | |
but there might be other more subtle issues. | 0:11:25 | 0:11:29 | |
What do you mean, subtle issues? Yeah? | 0:11:33 | 0:11:35 | |
The only things I can't tell you are the things we still don't understand | 0:11:37 | 0:11:41 | |
about the brain, if that makes any sense. | 0:11:41 | 0:11:43 | |
You are doing very well, indeed, | 0:11:45 | 0:11:48 | |
but I can't, in all honesty, say that things will never change. | 0:11:48 | 0:11:53 | |
So you're saying that the, erm, well, that all my new memories, | 0:11:55 | 0:11:59 | |
they could disappear just as quickly as they came? | 0:11:59 | 0:12:02 | |
The brain can be very difficult to understand. | 0:12:04 | 0:12:07 | |
I'm afraid I can't really answer that with any certainty. | 0:12:08 | 0:12:13 | |
KNOCK ON DOOR Come in, come in. | 0:12:13 | 0:12:16 | |
Blistering Bunsen burners! | 0:12:18 | 0:12:21 | |
Your kids like the show? | 0:12:21 | 0:12:22 | |
No, I don't have any kids. I like the show myself. Ah. | 0:12:22 | 0:12:25 | |
When you, er... | 0:12:25 | 0:12:27 | |
It has been running rather a long time. | 0:12:27 | 0:12:30 | |
So, how can I help? | 0:12:30 | 0:12:32 | |
I've got a bit of a sore throat. | 0:12:32 | 0:12:34 | |
I wouldn't normally see a doctor about it, | 0:12:34 | 0:12:37 | |
but I've had it for a while. | 0:12:37 | 0:12:39 | |
How long's a while? | 0:12:39 | 0:12:40 | |
Oh, a week or so. My wife's been nagging me to get it seen to. | 0:12:40 | 0:12:44 | |
And my PA. | 0:12:44 | 0:12:45 | |
As if being nagged by one woman was not enough. | 0:12:45 | 0:12:48 | |
All right. Well, let's have a look. | 0:12:48 | 0:12:50 | |
What's this about? | 0:12:51 | 0:12:53 | |
You and I, we need to have a proper chat about your dad. | 0:12:53 | 0:12:57 | |
Shouldn't Shak be here too? | 0:12:57 | 0:12:58 | |
Well, we'll just fill him in later. Look, sit down. | 0:12:58 | 0:13:01 | |
The thing is, I know that you were lying this morning. | 0:13:06 | 0:13:09 | |
No. It's OK. I'm not angry. | 0:13:09 | 0:13:11 | |
But there is something you're not telling me, isn't there? | 0:13:13 | 0:13:17 | |
Are you sure your dad hasn't been in touch? | 0:13:19 | 0:13:21 | |
He hasn't. I promise. | 0:13:21 | 0:13:23 | |
But someone else has? Who? | 0:13:24 | 0:13:27 | |
Alia. | 0:13:27 | 0:13:28 | |
Zaroon. Our uncle. When? | 0:13:30 | 0:13:33 | |
Did he want to see you? | 0:13:33 | 0:13:35 | |
Yeah. | 0:13:35 | 0:13:36 | |
Sweetheart. | 0:13:37 | 0:13:39 | |
I get that you've got questions about your dad, | 0:13:39 | 0:13:43 | |
but I don't want you to have any contact with Zaroon | 0:13:43 | 0:13:46 | |
or anyone from that family. Do you understand? | 0:13:46 | 0:13:49 | |
It's too late. | 0:13:49 | 0:13:51 | |
What do you mean? | 0:13:51 | 0:13:53 | |
We've already met him. | 0:13:53 | 0:13:55 | |
Yesterday. | 0:13:55 | 0:13:56 | |
He shouldn't be much longer. | 0:14:01 | 0:14:03 | |
I've had an idea for the next book. | 0:14:04 | 0:14:06 | |
We haven't done aliens for a while. | 0:14:06 | 0:14:08 | |
How about if the Professor was visited | 0:14:08 | 0:14:11 | |
by a time travelling robot from the future? | 0:14:11 | 0:14:13 | |
Hasn't that been done already? | 0:14:13 | 0:14:15 | |
Not by me. | 0:14:15 | 0:14:17 | |
The Terminator. | 0:14:17 | 0:14:19 | |
I'll be back. | 0:14:19 | 0:14:20 | |
I hardly think that my young readers will be au fait | 0:14:22 | 0:14:24 | |
with the oeuvre of Mr Schwarzenegger. | 0:14:24 | 0:14:27 | |
I'm sure. | 0:14:27 | 0:14:28 | |
I just thought you might rather have an original story. | 0:14:29 | 0:14:31 | |
I don't know why we're even having this conversation. | 0:14:34 | 0:14:37 | |
The plots of my novels are absolutely none of your business. | 0:14:37 | 0:14:40 | |
If you say so. | 0:14:40 | 0:14:42 | |
Nobody knows Professor Pickering better than I do. | 0:14:42 | 0:14:45 | |
I need a new idea, this one has legs. | 0:14:45 | 0:14:47 | |
Tommy will love it, too. Get onto Janine. | 0:14:49 | 0:14:52 | |
We need to meet soon to discuss the next series anyway. | 0:14:52 | 0:14:56 | |
What? | 0:14:57 | 0:14:58 | |
There might not be a next series. | 0:15:00 | 0:15:02 | |
What's happened? | 0:15:05 | 0:15:07 | |
Is it Tommy? Has the doctor said something? | 0:15:08 | 0:15:10 | |
No, nothing like that. | 0:15:10 | 0:15:13 | |
What then? | 0:15:13 | 0:15:14 | |
What's going on, Natalie? | 0:15:16 | 0:15:18 | |
Why don't we pop outside for a minute? | 0:15:20 | 0:15:22 | |
I can't believe that you did something so stupid. | 0:15:24 | 0:15:27 | |
He seems really nice. | 0:15:27 | 0:15:28 | |
Did he ask where you live? | 0:15:28 | 0:15:29 | |
He didn't ask. | 0:15:29 | 0:15:31 | |
What about your school? Does he know what school? | 0:15:31 | 0:15:33 | |
Shak may have said something. | 0:15:33 | 0:15:35 | |
Did Zaroon say anything about your dad? | 0:15:37 | 0:15:39 | |
Like what? | 0:15:39 | 0:15:40 | |
Like if he had any plans to visit. | 0:15:40 | 0:15:42 | |
Alia? | 0:15:45 | 0:15:46 | |
This is very important. | 0:15:46 | 0:15:48 | |
Is your dad planning to come over from Pakistan? | 0:15:48 | 0:15:52 | |
No. | 0:15:52 | 0:15:53 | |
Are you sure? | 0:15:53 | 0:15:54 | |
OK, OK. | 0:15:56 | 0:15:57 | |
Mum. | 0:15:59 | 0:16:01 | |
He's already here. | 0:16:01 | 0:16:02 | |
In Coventry. | 0:16:04 | 0:16:05 | |
Does the soreness come and go? | 0:16:09 | 0:16:10 | |
No. It's there all the time. | 0:16:10 | 0:16:13 | |
Are you a smoker? | 0:16:13 | 0:16:15 | |
No, not for 30 years. | 0:16:15 | 0:16:17 | |
Not exactly a great image if you're working with children. | 0:16:17 | 0:16:20 | |
Must be strange, being in full view all the time. | 0:16:20 | 0:16:24 | |
Tell me about it. | 0:16:24 | 0:16:25 | |
How long is your book tour? | 0:16:25 | 0:16:26 | |
Oh, about a fortnight. You can have a signed copy | 0:16:26 | 0:16:29 | |
if you can make the signing at Porterfield's. | 0:16:29 | 0:16:32 | |
I've got some calls in town later. So, yes, please. | 0:16:32 | 0:16:36 | |
There's no obvious cause for concern here. | 0:16:36 | 0:16:39 | |
Try some pain killers and gargling with salt water. | 0:16:39 | 0:16:42 | |
If the soreness persists, then I suggest you go and see your own GP | 0:16:42 | 0:16:45 | |
when you're done with your book tour. | 0:16:45 | 0:16:47 | |
Why? | 0:16:47 | 0:16:49 | |
Just a precaution. Against what? Is it serious? | 0:16:49 | 0:16:51 | |
Almost certainly not. | 0:16:51 | 0:16:53 | |
But it could be? | 0:16:53 | 0:16:55 | |
No, it's just a viral sore throat. | 0:16:55 | 0:16:57 | |
HE COUGHS | 0:16:57 | 0:16:59 | |
How long have you known about this? | 0:17:01 | 0:17:03 | |
A few days. | 0:17:03 | 0:17:04 | |
And you never thought to say anything to me? | 0:17:04 | 0:17:07 | |
Tommy asked me not to. | 0:17:07 | 0:17:08 | |
I see what's going on here. | 0:17:11 | 0:17:14 | |
Don't think I haven't noticed. | 0:17:14 | 0:17:16 | |
Noticed what? | 0:17:16 | 0:17:16 | |
You're in love with my husband. | 0:17:18 | 0:17:19 | |
SHE LAUGHS | 0:17:19 | 0:17:20 | |
Don't be ridiculous. | 0:17:20 | 0:17:22 | |
I bet nothing's happened, though, has it? | 0:17:22 | 0:17:25 | |
I thought not. | 0:17:26 | 0:17:28 | |
Tommy isn't capable of having an affair. | 0:17:28 | 0:17:30 | |
He isn't devious enough. | 0:17:30 | 0:17:31 | |
Besides, he's fully committed to me. | 0:17:32 | 0:17:35 | |
You or Professor Pickering? | 0:17:37 | 0:17:39 | |
Now who's being ridiculous? | 0:17:40 | 0:17:42 | |
We have a very happy marriage. | 0:17:42 | 0:17:45 | |
Really? | 0:17:45 | 0:17:47 | |
It's always looked more like a business arrangement to me. | 0:17:47 | 0:17:50 | |
Car keys, please. | 0:17:50 | 0:17:52 | |
I'm going back to the bookshop. | 0:17:53 | 0:17:55 | |
When Tommy has finished here, get a taxi and bring him back. | 0:17:56 | 0:17:59 | |
There's a good PA. | 0:18:01 | 0:18:02 | |
I get that you and Dad don't get on, | 0:18:09 | 0:18:11 | |
but surely there's nothing wrong with me and Shak seeing him? | 0:18:11 | 0:18:14 | |
You don't even have to be there. Please. | 0:18:18 | 0:18:20 | |
What harm can it do? Let's just discuss this with Shak, OK? | 0:18:20 | 0:18:25 | |
And Heston. | 0:18:25 | 0:18:26 | |
It's probably best if you don't contact Zaroon again, | 0:18:27 | 0:18:29 | |
not until we've had a chance to discuss it. | 0:18:29 | 0:18:31 | |
Why? So you can find another reason to stop us seeing him? | 0:18:31 | 0:18:34 | |
No. No. | 0:18:34 | 0:18:36 | |
It's just come as a bit of a surprise to me. | 0:18:36 | 0:18:39 | |
Please? | 0:18:40 | 0:18:42 | |
OK. I'd better get back to school. | 0:18:42 | 0:18:45 | |
OK. Hey. | 0:18:45 | 0:18:46 | |
Thank you. Thank you for telling me about Zaroon. | 0:18:46 | 0:18:50 | |
I'll see you later. | 0:18:50 | 0:18:52 | |
I'm taking this lot home. | 0:19:03 | 0:19:05 | |
Are you all right, Dr Carter? | 0:19:05 | 0:19:07 | |
Just need a bit of peace and quiet. | 0:19:07 | 0:19:10 | |
Everything OK? | 0:19:11 | 0:19:13 | |
Er, maybe. | 0:19:13 | 0:19:14 | |
Can we call in at the chemist on the way back? Sure. | 0:19:14 | 0:19:18 | |
Where is she? | 0:19:18 | 0:19:20 | |
She's gone back to the bookshop. | 0:19:20 | 0:19:21 | |
She knows about the quiz show. | 0:19:23 | 0:19:25 | |
How? I don't know. Maybe Michael said something. | 0:19:25 | 0:19:28 | |
She asked me what I knew, so I told her. | 0:19:28 | 0:19:31 | |
How did she take it? | 0:19:31 | 0:19:33 | |
Not well. Oh, dear. | 0:19:33 | 0:19:35 | |
But maybe it's for the best. | 0:19:35 | 0:19:37 | |
You were going to have to tell her eventually. | 0:19:37 | 0:19:39 | |
You're free now, Tommy. | 0:19:41 | 0:19:43 | |
Free to do whatever you want. | 0:19:43 | 0:19:45 | |
I am, aren't I? | 0:19:47 | 0:19:48 | |
I'll get a cab. | 0:19:48 | 0:19:49 | |
Ruhma? | 0:20:04 | 0:20:05 | |
What are you doing? | 0:20:08 | 0:20:09 | |
What's happened? | 0:20:11 | 0:20:13 | |
He's back. It's not safe here. | 0:20:13 | 0:20:16 | |
It's not safe. | 0:20:16 | 0:20:17 | |
What are you talking about? | 0:20:18 | 0:20:20 | |
Ruhma! | 0:20:22 | 0:20:23 | |
When were you going to tell me? | 0:20:31 | 0:20:33 | |
Soon, obviously. | 0:20:33 | 0:20:34 | |
But the dates clash. | 0:20:35 | 0:20:37 | |
That is an issue, yes. | 0:20:37 | 0:20:39 | |
Well, you're not doing it. It's out of the question. | 0:20:39 | 0:20:41 | |
Thanks for bringing him back. You can go now. You're fired. | 0:20:41 | 0:20:45 | |
What? You can't do that! | 0:20:45 | 0:20:47 | |
I can and I just did. | 0:20:47 | 0:20:48 | |
I have to make some phone calls, | 0:20:50 | 0:20:51 | |
see if I can't salvage something out of this mess. | 0:20:51 | 0:20:54 | |
I'll leave you to say your goodbyes to your floozy. | 0:20:55 | 0:20:58 | |
Floozy? | 0:20:58 | 0:21:00 | |
And when I get back, I want you gone. | 0:21:00 | 0:21:03 | |
They've seen Aamir's brother. He's in England. He's in Coventry. | 0:21:09 | 0:21:12 | |
He knows where we are. | 0:21:12 | 0:21:14 | |
Are you sure? | 0:21:14 | 0:21:15 | |
Look, if he doesn't, he'll soon find out. | 0:21:15 | 0:21:17 | |
I've got to get away. | 0:21:17 | 0:21:18 | |
I've got a friend in Glasgow and she can put us up. | 0:21:18 | 0:21:20 | |
Scotland? Things can't be that bad? Yes, they are! | 0:21:20 | 0:21:23 | |
Aren't you over-reacting a little? | 0:21:23 | 0:21:25 | |
You don't know what he's like. | 0:21:25 | 0:21:27 | |
You can't just up sticks and leave. | 0:21:27 | 0:21:29 | |
What about me? | 0:21:31 | 0:21:33 | |
Come with us. | 0:21:33 | 0:21:35 | |
Everything I have is here. My home, my friends. | 0:21:35 | 0:21:37 | |
You've made a life here, so have the kids. | 0:21:37 | 0:21:40 | |
I have to. | 0:21:40 | 0:21:41 | |
That is not going to happen. | 0:21:41 | 0:21:43 | |
You have to stop running. | 0:21:43 | 0:21:45 | |
I don't have a choice. | 0:21:45 | 0:21:47 | |
You do. You need to stay here. | 0:21:47 | 0:21:49 | |
You don't have to go. She doesn't mean it. | 0:21:53 | 0:21:56 | |
She did. | 0:21:56 | 0:21:58 | |
What am I going to do without you? | 0:21:58 | 0:22:01 | |
Who's going to sort out my contracts? | 0:22:01 | 0:22:03 | |
Book my train tickets and organise my dry-cleaning? | 0:22:04 | 0:22:08 | |
I'm sure you'll find someone. | 0:22:08 | 0:22:10 | |
And what's this about you being my floozy? | 0:22:10 | 0:22:12 | |
Do you really think she thinks we're having an affair? | 0:22:12 | 0:22:15 | |
Clarissa has always had an over-active imagination. | 0:22:16 | 0:22:20 | |
That's why she's such a good writer. | 0:22:20 | 0:22:23 | |
And you've always done exactly what she tells you, | 0:22:23 | 0:22:26 | |
which is why you won't do this quiz show. | 0:22:26 | 0:22:28 | |
Which is a shame, because I think you would have been great at it. | 0:22:29 | 0:22:33 | |
Bye, Tommy. | 0:22:37 | 0:22:39 | |
Well, that was a waste of time. | 0:22:49 | 0:22:52 | |
No, it wasn't. | 0:22:52 | 0:22:53 | |
She didn't tell us anything! | 0:22:53 | 0:22:55 | |
What did you expect, love, that she'd say you were miraculously cured? | 0:22:55 | 0:22:59 | |
She said you were doing really well. I'd take that. | 0:22:59 | 0:23:02 | |
She said that I might get worse. | 0:23:02 | 0:23:04 | |
Might. Equally, might not. Nothing's changed. | 0:23:04 | 0:23:08 | |
Then why did we go? | 0:23:08 | 0:23:10 | |
Why...? | 0:23:10 | 0:23:11 | |
Why did we go? You know why we went. | 0:23:11 | 0:23:13 | |
We went to tick that box that gets us closer to fostering, that's all. | 0:23:13 | 0:23:17 | |
It'd better be worth it. It will be, love. | 0:23:17 | 0:23:20 | |
And that's it? That's us, jumped through all the hoops? Yes. | 0:23:20 | 0:23:24 | |
Except for the final panel. | 0:23:24 | 0:23:26 | |
But that's just a formality, isn't it? | 0:23:26 | 0:23:28 | |
Rob!? Isn't it?! | 0:23:30 | 0:23:31 | |
Hello. Hope I'm not too early. | 0:23:34 | 0:23:36 | |
Oh, no, not at all. | 0:23:36 | 0:23:37 | |
Who should I put it to? | 0:23:37 | 0:23:39 | |
Oh, I'm ter... Al, please. | 0:23:39 | 0:23:42 | |
There you go. No, no, no, no. | 0:23:42 | 0:23:43 | |
Oh, well, thank you very much. | 0:23:43 | 0:23:45 | |
Yeah, I took the painkillers. Certainly helped. Good. | 0:23:45 | 0:23:48 | |
Let's just hope it's not too serious. | 0:23:48 | 0:23:51 | |
Go and see your own GP when you're done with all this. | 0:23:51 | 0:23:53 | |
Well, he'll probably tell me that I'm perfectly well, | 0:23:53 | 0:23:56 | |
that I've got a rather active imagination when it comes to illness. | 0:23:56 | 0:24:00 | |
There's nothing like a glimpse of one's own mortality | 0:24:00 | 0:24:03 | |
to focus one's mind on what's important in life. | 0:24:03 | 0:24:06 | |
Yes. | 0:24:06 | 0:24:07 | |
Has she gone? | 0:24:08 | 0:24:10 | |
Yes. Good. | 0:24:10 | 0:24:12 | |
I've been on to Michael Granbridge and told him | 0:24:12 | 0:24:14 | |
there's no way you're doing his stupid quiz show. | 0:24:14 | 0:24:16 | |
Is that so? | 0:24:16 | 0:24:17 | |
Not unless he wants a long and protracted court case | 0:24:17 | 0:24:20 | |
over breach of contract. | 0:24:20 | 0:24:21 | |
The session hasn't started yet. You'll have to leave. | 0:24:23 | 0:24:25 | |
This is the doctor who treated me earlier. | 0:24:25 | 0:24:27 | |
Oh, yes. | 0:24:28 | 0:24:30 | |
Is he all right? | 0:24:30 | 0:24:31 | |
As if you cared. | 0:24:31 | 0:24:33 | |
How dare you? Nobody cares about you more than I do! | 0:24:33 | 0:24:36 | |
Then why's it taken you so long to ask how I am? | 0:24:36 | 0:24:39 | |
Forgive me. I was somewhat preoccupied by this quiz show nonsense, | 0:24:39 | 0:24:44 | |
not to mention the sudden realisation that you might actually be having an affair with Natalie. | 0:24:44 | 0:24:48 | |
Well, I've been coming to terms with the sudden realisation | 0:24:48 | 0:24:51 | |
that I may be seriously ill. OK, what... | 0:24:51 | 0:24:54 | |
And it's brought me to my senses. | 0:24:54 | 0:24:56 | |
I should stop living my life for you. | 0:24:56 | 0:24:58 | |
I ought to live my life for me, | 0:24:58 | 0:24:59 | |
not for you, and not for some stupid TV kids' character. | 0:24:59 | 0:25:05 | |
Oh, and by the way, I am certainly not having an affair with Natalie! | 0:25:05 | 0:25:10 | |
There. | 0:25:10 | 0:25:12 | |
Where are you going? | 0:25:12 | 0:25:14 | |
I'm going home. We can discuss things there. | 0:25:14 | 0:25:16 | |
We've got a lot to talk about. | 0:25:16 | 0:25:18 | |
But the book signing. | 0:25:18 | 0:25:20 | |
Well, why don't you do it? | 0:25:20 | 0:25:21 | |
After all, you're Professor Pickering. | 0:25:21 | 0:25:24 | |
That is so cool. | 0:25:26 | 0:25:28 | |
Natalie. | 0:25:34 | 0:25:36 | |
It was you who told Clarissa about the game show, wasn't it? | 0:25:36 | 0:25:40 | |
I'm sorry. | 0:25:40 | 0:25:41 | |
You don't need to apologise. | 0:25:41 | 0:25:42 | |
In fact, you've done me a massive favour. | 0:25:42 | 0:25:45 | |
A lot of other things make sense now. | 0:25:45 | 0:25:47 | |
I am no longer Professor Pickering. | 0:25:47 | 0:25:49 | |
That's wonderful news! I'll get onto Michael immediately. | 0:25:49 | 0:25:52 | |
No, no. I'm not doing a quiz show either. No. | 0:25:52 | 0:25:53 | |
Eric Mowbray is directing a Shakespearean tour | 0:25:53 | 0:25:56 | |
to the Far East and he hasn't cast the leading role yet. | 0:25:56 | 0:26:00 | |
It might be my big chance. | 0:26:00 | 0:26:02 | |
But what if you don't get it? | 0:26:03 | 0:26:05 | |
Well, do something else. | 0:26:05 | 0:26:06 | |
Shall I call him for you? No, no. I can manage. | 0:26:08 | 0:26:09 | |
Good luck looking for your new job. | 0:26:11 | 0:26:13 | |
I'm going to give you a good reference. | 0:26:15 | 0:26:18 | |
Let them see their father. | 0:26:23 | 0:26:25 | |
They have to know what sort of man he is. | 0:26:25 | 0:26:28 | |
They don't know the half of it. | 0:26:28 | 0:26:30 | |
Well, tell them. | 0:26:30 | 0:26:31 | |
I know you're scared, | 0:26:33 | 0:26:35 | |
but things have changed now. You've got me. | 0:26:35 | 0:26:37 | |
Aamir probably doesn't know where you live, | 0:26:38 | 0:26:41 | |
so we've got time to talk it through as a family. | 0:26:41 | 0:26:44 | |
And if that means moving, | 0:26:44 | 0:26:45 | |
even if it means moving to Scotland, | 0:26:45 | 0:26:48 | |
that's what we'll do. | 0:26:48 | 0:26:49 | |
You'd give up everything to be with me? | 0:26:52 | 0:26:54 | |
In a heartbeat. | 0:26:54 | 0:26:55 | |
But you have to tell them the truth. | 0:26:56 | 0:26:58 | |
As soon as they get home. | 0:26:59 | 0:27:01 | |
Is that what I think it is? 'Mum?' That's too much. 'You in?' | 0:27:08 | 0:27:11 | |
Don't say anything. | 0:27:11 | 0:27:13 | |
I am sorry. I have just said... Please, do us a favour. Please. | 0:27:13 | 0:27:16 | |
Yeah. I don't see why not. | 0:27:16 | 0:27:18 | |
Is that it? | 0:27:18 | 0:27:20 | |
Is that the best you can come up with? | 0:27:20 | 0:27:22 | |
Do you know what? I really don't care. | 0:27:23 | 0:27:26 | |
Have a gathering, don't have a gathering, | 0:27:26 | 0:27:28 | |
but just leave me out of it. | 0:27:28 | 0:27:30 |