Browse content similar to Losing the Plot. Check below for episodes and series from the same categories and more!
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"The sun rose pitifully slowly over Hedgebrooke. | 0:00:25 | 0:00:30 | |
"But by breakfast time, | 0:00:30 | 0:00:32 | |
"the lane was awash with that special breed of native, | 0:00:32 | 0:00:36 | |
"renowned for its unbreakable attachment to four by fours, | 0:00:36 | 0:00:41 | |
"horses and alcohol." | 0:00:41 | 0:00:44 | |
LAUGHTER | 0:00:44 | 0:00:46 | |
Of course, you all know this word-for-word from my last novel - | 0:00:48 | 0:00:53 | |
but for the sequel, | 0:00:53 | 0:00:54 | |
you'll just have to wait | 0:00:54 | 0:00:56 | |
till I've finished the damned thing. | 0:00:56 | 0:00:58 | |
AUDIENCE: Aww. | 0:00:58 | 0:01:00 | |
APPLAUSE | 0:01:00 | 0:01:04 | |
Is this some sort of personality swap? | 0:01:10 | 0:01:13 | |
Yeah, it's Al's idea. | 0:01:14 | 0:01:16 | |
"I need to throw myself in at the deep end, Jimmi." | 0:01:16 | 0:01:18 | |
Wow, it's like listening to a mirror. | 0:01:18 | 0:01:20 | |
Isn't it, though? | 0:01:20 | 0:01:22 | |
I'm being forced to modify my lifestyle choices, Heston. | 0:01:22 | 0:01:26 | |
He's just found out he's pre-diabetic. | 0:01:26 | 0:01:28 | |
Oh. Sorry to hear that, Al. | 0:01:28 | 0:01:31 | |
Thank you. | 0:01:31 | 0:01:32 | |
This "meal swap" experiment is not helping. | 0:01:32 | 0:01:35 | |
I eat his food, he eats mine. | 0:01:35 | 0:01:37 | |
I take it you're regretting it? | 0:01:37 | 0:01:38 | |
Oh. | 0:01:38 | 0:01:40 | |
Je regret everything. | 0:01:40 | 0:01:42 | |
Fasting, it's not that bad. | 0:01:42 | 0:01:44 | |
I had to do Ramadan with Rhuma, | 0:01:44 | 0:01:46 | |
felt light-headed at first. | 0:01:46 | 0:01:48 | |
Soon passed. | 0:01:48 | 0:01:49 | |
Ramadan's not the same, you can stuff yourself after sunset. | 0:01:49 | 0:01:52 | |
Stop the bus. | 0:01:52 | 0:01:54 | |
Do we not get to "stuff ourselves" at sunset? | 0:01:54 | 0:01:57 | |
No, and this is making me feel... | 0:01:57 | 0:01:59 | |
No, I'm just going to throw it. | 0:01:59 | 0:02:00 | |
Well, you're a quitter, aren't you? | 0:02:04 | 0:02:06 | |
Whereas your food, no problem. | 0:02:06 | 0:02:08 | |
Mmm! | 0:02:09 | 0:02:11 | |
"Hey, I'm Jimmi Clay!" | 0:02:11 | 0:02:12 | |
Ed Jamieson. | 0:02:14 | 0:02:16 | |
OK. | 0:02:17 | 0:02:18 | |
-Thank you. -My pleasure. | 0:02:18 | 0:02:20 | |
These are for you. | 0:02:20 | 0:02:21 | |
-Thank you. You shouldn't have. That's very kind. -OK. | 0:02:21 | 0:02:25 | |
Hello, Katie. | 0:02:30 | 0:02:32 | |
SCREAMS | 0:02:35 | 0:02:37 | |
Ha! | 0:02:37 | 0:02:39 | |
Should I call the police? | 0:02:42 | 0:02:44 | |
No, she's just a... | 0:02:44 | 0:02:45 | |
I don't know. | 0:02:45 | 0:02:46 | |
A rival, maybe. | 0:02:48 | 0:02:49 | |
I'm OK. I'm OK. | 0:02:51 | 0:02:54 | |
You should have included the new intake in these spreadsheets. | 0:02:54 | 0:02:56 | |
-Oh, I thought I did. -Perhaps you need to pay a bit more attention... | 0:02:56 | 0:03:00 | |
like you do with Mr Harvey. | 0:03:00 | 0:03:02 | |
Made quite the impression there, haven't you? | 0:03:02 | 0:03:04 | |
-Have I? -Well, he wants to keep you on, it seems. | 0:03:04 | 0:03:06 | |
Give you more opportunities. | 0:03:06 | 0:03:07 | |
Really? | 0:03:07 | 0:03:09 | |
Here, let me. | 0:03:12 | 0:03:14 | |
-I can manage. -Yes, no, I know you can | 0:03:14 | 0:03:16 | |
but I do like to be useful. | 0:03:16 | 0:03:17 | |
You should have told me you were coming. | 0:03:21 | 0:03:23 | |
I'd have... | 0:03:23 | 0:03:25 | |
We arranged it last week, Ed. | 0:03:25 | 0:03:27 | |
What's wrong with your eyes? | 0:03:29 | 0:03:31 | |
Nothing. | 0:03:31 | 0:03:32 | |
Do you want a beer? | 0:03:32 | 0:03:34 | |
No, actually, I thought that we could look at what you sent me. | 0:03:34 | 0:03:37 | |
It's just a first draft. | 0:03:40 | 0:03:41 | |
I know, I know... | 0:03:41 | 0:03:43 | |
..but these characters, | 0:03:44 | 0:03:46 | |
aren't they supposed to be the same as your first novel? | 0:03:46 | 0:03:48 | |
Yes. | 0:03:48 | 0:03:50 | |
Well then, why are they suddenly... | 0:03:50 | 0:03:53 | |
so nice? | 0:03:53 | 0:03:54 | |
Are they? | 0:03:54 | 0:03:56 | |
Come on! | 0:03:56 | 0:03:59 | |
They started out as these hateful monsters | 0:03:59 | 0:04:01 | |
with four-by-fours | 0:04:01 | 0:04:03 | |
and artisan pitchforks. | 0:04:03 | 0:04:04 | |
"Artisan?" | 0:04:04 | 0:04:05 | |
Oh, you know what I mean. | 0:04:05 | 0:04:07 | |
Where's crusty old Rufus Harquart-Jones | 0:04:07 | 0:04:10 | |
with his ostentatious beard | 0:04:10 | 0:04:12 | |
and his overly coiffured | 0:04:12 | 0:04:14 | |
dragon of a wife, Diane? | 0:04:14 | 0:04:16 | |
They've now become all... | 0:04:16 | 0:04:18 | |
What? | 0:04:20 | 0:04:22 | |
Well... | 0:04:22 | 0:04:23 | |
anaemic. | 0:04:23 | 0:04:24 | |
"Rufus stoked the fire for Diane, | 0:04:26 | 0:04:28 | |
"and then tenderly rubbed her aching bones?" | 0:04:28 | 0:04:32 | |
OK, so he's starting to appreciate | 0:04:34 | 0:04:36 | |
their 50 years of marriage. | 0:04:36 | 0:04:39 | |
But what's happened to... | 0:04:39 | 0:04:41 | |
"..Harquart-Jones polished his croquet stick | 0:04:43 | 0:04:45 | |
"and took the doddering putt, | 0:04:45 | 0:04:47 | |
"not realising that Diane was hovering right behind?" | 0:04:47 | 0:04:51 | |
They've moved on. | 0:04:51 | 0:04:52 | |
No, you've got to give your readers what they want. | 0:04:52 | 0:04:57 | |
Affairs, alcoholism, | 0:04:57 | 0:04:59 | |
hunting accidents. | 0:04:59 | 0:05:01 | |
Good old-fashioned rural... | 0:05:01 | 0:05:03 | |
snobbery. | 0:05:03 | 0:05:05 | |
Ed, what's wrong? | 0:05:06 | 0:05:08 | |
You want a beer? | 0:05:10 | 0:05:12 | |
You've already asked me that. | 0:05:12 | 0:05:14 | |
PHONE RINGS | 0:05:14 | 0:05:18 | |
Hi. | 0:05:19 | 0:05:22 | |
Now? | 0:05:22 | 0:05:23 | |
OK, I'll be there in half an hour. | 0:05:23 | 0:05:25 | |
Well, it seems like I've got an urgent meeting in Birmingham. | 0:05:29 | 0:05:33 | |
We'll... | 0:05:33 | 0:05:35 | |
go over this more later. | 0:05:35 | 0:05:37 | |
Don't worry, I'll be back in a couple of hours. | 0:05:37 | 0:05:41 | |
Great. | 0:05:41 | 0:05:43 | |
Sit down, and look at that draft, | 0:05:44 | 0:05:47 | |
and try to bring the old characters back. | 0:05:47 | 0:05:50 | |
Don't worry, I'll see myself out. | 0:05:55 | 0:05:58 | |
'Diane celebrated her 71st birthday | 0:06:13 | 0:06:17 | |
'by successfully managing | 0:06:17 | 0:06:18 | |
'to ignore Rufus' beardy advances.' | 0:06:18 | 0:06:21 | |
I got your winter pansies. | 0:06:25 | 0:06:27 | |
They didn't have any violet ones, | 0:06:29 | 0:06:30 | |
so I got the white and gold. | 0:06:30 | 0:06:32 | |
Grandad's here, too. | 0:06:33 | 0:06:36 | |
He insisted on wearing a tie. | 0:06:36 | 0:06:38 | |
She'll love it that you came. | 0:06:43 | 0:06:44 | |
I saw HIM today, Grandad. | 0:06:52 | 0:06:55 | |
The writer. | 0:06:55 | 0:06:56 | |
He's writing another one. | 0:06:56 | 0:06:58 | |
Same characters, of course. | 0:06:58 | 0:07:00 | |
"Rufus and Diane." | 0:07:00 | 0:07:01 | |
God, he makes me so... | 0:07:03 | 0:07:05 | |
SHE EXHALES | 0:07:08 | 0:07:10 | |
He must know she died. | 0:07:10 | 0:07:12 | |
He must. | 0:07:13 | 0:07:15 | |
How's he getting away with this? | 0:07:16 | 0:07:18 | |
They look really sore. | 0:07:21 | 0:07:23 | |
They are. | 0:07:23 | 0:07:24 | |
-You usually see Doctor Carter, right? -Yeah. | 0:07:24 | 0:07:27 | |
If you look into the light for me. | 0:07:29 | 0:07:31 | |
Yeah, it's just a bit of mild inflammation, that's all. | 0:07:37 | 0:07:39 | |
So, no damage? | 0:07:39 | 0:07:41 | |
No. Ink doesn't tend to damage human tissue, | 0:07:41 | 0:07:44 | |
just keep bathing them a couple of times a day and it'll soon clear up. | 0:07:44 | 0:07:47 | |
If you could jump on the old scales for me. | 0:07:47 | 0:07:50 | |
Do you live close by? | 0:07:56 | 0:07:57 | |
Oldcliff. | 0:07:57 | 0:07:59 | |
Oh! Very nice... | 0:07:59 | 0:08:01 | |
if you can afford it. | 0:08:01 | 0:08:02 | |
Well, have you been trying to lose weight? | 0:08:05 | 0:08:07 | |
Not particularly. | 0:08:07 | 0:08:08 | |
Well, congratulations, you've lost five kilos. | 0:08:08 | 0:08:11 | |
You can jump down and take a seat. | 0:08:11 | 0:08:13 | |
Wow. | 0:08:13 | 0:08:14 | |
And... | 0:08:15 | 0:08:17 | |
generally, you're feeling all right? | 0:08:17 | 0:08:20 | |
Pretty good. | 0:08:20 | 0:08:22 | |
You sticking to your regime? | 0:08:22 | 0:08:23 | |
Taking the meds, eating properly, avoiding the old booze? | 0:08:23 | 0:08:26 | |
Yep. | 0:08:26 | 0:08:27 | |
Have you been to Oldcliff? | 0:08:27 | 0:08:29 | |
I moved there to write. | 0:08:29 | 0:08:31 | |
It's very peaceful. | 0:08:31 | 0:08:32 | |
Oh! So, you're a... | 0:08:32 | 0:08:35 | |
Author. | 0:08:35 | 0:08:36 | |
Hedgebrooke? It's my novel. | 0:08:36 | 0:08:39 | |
It doesn't ring a bell. | 0:08:39 | 0:08:41 | |
Then again, if it doesn't feature, you know, murder and time travel, | 0:08:41 | 0:08:43 | |
I'm not going to read it. | 0:08:43 | 0:08:45 | |
No, it's more your down-to-earth tale of rural folk. | 0:08:45 | 0:08:50 | |
And that's you sticking it to your neighbours, right? | 0:08:50 | 0:08:53 | |
Why do you say that? | 0:08:53 | 0:08:54 | |
So, you'll keep up your regime, yeah? | 0:08:56 | 0:08:58 | |
Yeah. | 0:08:59 | 0:09:01 | |
Thanks. | 0:09:01 | 0:09:03 | |
Thank you. | 0:09:03 | 0:09:04 | |
Could you direct me to Dylan Harvey, please? | 0:09:09 | 0:09:11 | |
Oh, he's not here. | 0:09:11 | 0:09:13 | |
He was here, I definitely saw him, but not for very long. | 0:09:13 | 0:09:15 | |
-In fact, I was surprised at how quickly... -All right, thank you. | 0:09:15 | 0:09:18 | |
-HE KNOCKS ON DESK -Can I have your attention? | 0:09:18 | 0:09:21 | |
Sorry for the inconvenience, folks, | 0:09:21 | 0:09:22 | |
but it's come to our attention that some of you may be witnesses | 0:09:22 | 0:09:26 | |
for a matter the police are investigating, | 0:09:26 | 0:09:28 | |
and may unwittingly be part of something that's not totally legal. | 0:09:28 | 0:09:31 | |
So, if you just stay where you are for now, | 0:09:31 | 0:09:33 | |
we might have to take your work documents and your laptops. | 0:09:33 | 0:09:36 | |
Please co-operate with our enquiries. | 0:09:36 | 0:09:38 | |
Right, lads. | 0:09:38 | 0:09:40 | |
That laptop, his and his. | 0:09:40 | 0:09:42 | |
Rob, it's Valerie. | 0:09:52 | 0:09:54 | |
Could you call me back when you get this, please? | 0:09:54 | 0:09:56 | |
Excuse me... | 0:09:56 | 0:09:58 | |
can I have your name, please? | 0:09:58 | 0:09:59 | |
-Valerie. -Valerie what? | 0:09:59 | 0:10:01 | |
Valerie Pitman. | 0:10:01 | 0:10:02 | |
-All right, Mrs Pitman. -Miss. | 0:10:02 | 0:10:04 | |
"Miss" Pitman. Could you tell me who you were calling? | 0:10:04 | 0:10:07 | |
Just a friend. | 0:10:09 | 0:10:11 | |
Do you know what? | 0:10:12 | 0:10:14 | |
Of all your bland, simple food... | 0:10:14 | 0:10:17 | |
that was the least bland. | 0:10:17 | 0:10:19 | |
-It's a compliment. -Wow. Right. | 0:10:19 | 0:10:21 | |
Whereas I've got this full-scale battle going on in my mouth | 0:10:21 | 0:10:24 | |
between rye and pastrami, | 0:10:24 | 0:10:26 | |
and Emmental, and this green stuff, | 0:10:26 | 0:10:29 | |
and beef crisps, a flapjack. | 0:10:29 | 0:10:32 | |
Well, you're not supposed to put it all in your mouth at the same time. | 0:10:32 | 0:10:35 | |
Oh, you're funny. | 0:10:35 | 0:10:37 | |
What you doing? | 0:10:40 | 0:10:41 | |
I'm eating your lunch. | 0:10:41 | 0:10:42 | |
You've had your lunch. | 0:10:42 | 0:10:43 | |
What? | 0:10:43 | 0:10:45 | |
It's one wrap at lunchtime. | 0:10:45 | 0:10:47 | |
One?! | 0:10:47 | 0:10:48 | |
Why? | 0:10:48 | 0:10:50 | |
And an apple... | 0:10:50 | 0:10:51 | |
-at four o'clock. -What? | 0:10:51 | 0:10:52 | |
Four o'clock. | 0:10:52 | 0:10:54 | |
This isn't funny. | 0:10:55 | 0:10:56 | |
Odd, isn't it? | 0:11:03 | 0:11:05 | |
Sorry, what is? | 0:11:05 | 0:11:07 | |
That you were the first person Addison talked to, | 0:11:07 | 0:11:09 | |
yet you're the last in to help with his enquiries. | 0:11:09 | 0:11:12 | |
Well, he already knows what my name is, | 0:11:12 | 0:11:14 | |
so there's not much else to find out. | 0:11:14 | 0:11:16 | |
Who were you trying to call earlier? | 0:11:16 | 0:11:18 | |
Dylan, was it? | 0:11:18 | 0:11:19 | |
Of course not. | 0:11:19 | 0:11:22 | |
Like I told the police inspector, | 0:11:22 | 0:11:23 | |
I was just calling a friend. | 0:11:23 | 0:11:25 | |
Patrick Yang. | 0:11:25 | 0:11:26 | |
DOORBELL RINGS | 0:11:46 | 0:11:48 | |
SHE KNOCKS ON DOOR | 0:11:52 | 0:11:54 | |
"Diane's temper..." | 0:12:32 | 0:12:33 | |
'Diane's temper was rattled daily by her maid's habit of vacuuming | 0:12:33 | 0:12:37 | |
'the lounge during her favourite TV show. | 0:12:37 | 0:12:40 | |
'She eventually got round this | 0:12:40 | 0:12:42 | |
'by re-arranging all Irena's hours | 0:12:42 | 0:12:44 | |
'so she could watch her show in peace, | 0:12:44 | 0:12:46 | |
'though it now meant Irena couldn't pick up her daughter after school.' | 0:12:46 | 0:12:51 | |
All right, MISS Pitman, | 0:12:51 | 0:12:53 | |
-as I mentioned earlier... -Can I just stop you there? | 0:12:53 | 0:12:56 | |
If we are going to proceed, | 0:12:56 | 0:12:58 | |
I would prefer it if Sergeant Hollins was here, too. | 0:12:58 | 0:13:00 | |
Sergeant Hollins is arriving later. | 0:13:00 | 0:13:02 | |
Yes, but there's something he'll want to explain to you. | 0:13:02 | 0:13:04 | |
I know him personally, you see. | 0:13:04 | 0:13:06 | |
Maybe I didn't make this clear | 0:13:06 | 0:13:08 | |
but, right now, I'm trying to ascertain the facts, | 0:13:08 | 0:13:11 | |
so I'll start by asking you your role in this company. | 0:13:11 | 0:13:13 | |
It's administrator. | 0:13:13 | 0:13:15 | |
But Sergeant Hollins will... | 0:13:15 | 0:13:17 | |
-Miss Pitman! -Administrator. | 0:13:17 | 0:13:19 | |
Thank you. | 0:13:19 | 0:13:20 | |
Although there has been some suggestion of a promotion... | 0:13:20 | 0:13:22 | |
Do you have any access to employees' documents? | 0:13:22 | 0:13:25 | |
Yes. | 0:13:26 | 0:13:28 | |
Well, sometimes. It depends, actually. | 0:13:28 | 0:13:30 | |
Either you do or you don't. | 0:13:30 | 0:13:31 | |
Yes. Usually, I do. | 0:13:31 | 0:13:33 | |
Are you ever involved in checking an employee's right to work in the UK? | 0:13:33 | 0:13:36 | |
No. | 0:13:36 | 0:13:38 | |
So, you wouldn't be aware if anyone was working, or living, | 0:13:38 | 0:13:41 | |
-in the country illegally? -They're not, are they? | 0:13:41 | 0:13:44 | |
I mean, when I talk to them | 0:13:44 | 0:13:46 | |
they don't seem...illegal. | 0:13:46 | 0:13:48 | |
Do you think you'd notice anything unusual? | 0:13:48 | 0:13:51 | |
Are you implying that I'm involved in something? | 0:13:51 | 0:13:53 | |
Because if you are, I can categorically tell you I'm not. | 0:13:53 | 0:13:56 | |
I've only been here a week. | 0:13:56 | 0:13:57 | |
No-one's implying anything. | 0:13:57 | 0:13:59 | |
How well do you think you know your colleagues? | 0:13:59 | 0:14:01 | |
Well, like I say, I haven't been here very long, | 0:14:01 | 0:14:04 | |
but I'd like to think we look out for each other. | 0:14:04 | 0:14:06 | |
Is there any one you feel particularly close to? | 0:14:06 | 0:14:09 | |
I'm not sure, really. | 0:14:09 | 0:14:11 | |
It's been suggested that you're in a relationship with Dylan Harvey. | 0:14:11 | 0:14:14 | |
SHE SNICKERS | 0:14:14 | 0:14:16 | |
This is serious, Miss Pitman. | 0:14:18 | 0:14:20 | |
Are you in a relationship with Mr Harvey? | 0:14:20 | 0:14:22 | |
Do I look like a gangster's moll? | 0:14:22 | 0:14:25 | |
From that comment, | 0:14:25 | 0:14:26 | |
I assume you're aware of Mr Harvey's criminal past. | 0:14:26 | 0:14:29 | |
No! | 0:14:29 | 0:14:30 | |
I mean...no! | 0:14:32 | 0:14:34 | |
I don't know what you're talking about. | 0:14:35 | 0:14:37 | |
Hello? | 0:15:00 | 0:15:01 | |
Hello? | 0:15:03 | 0:15:04 | |
KNOCK ON DOOR | 0:15:16 | 0:15:18 | |
Thank God you are here. | 0:15:18 | 0:15:20 | |
I've already been accused of human trafficking | 0:15:20 | 0:15:22 | |
and having rampant sex with my boss. | 0:15:22 | 0:15:23 | |
Have you? OK, Valerie. Do you want to take a seat? | 0:15:23 | 0:15:25 | |
-Yeah. -That's it. | 0:15:25 | 0:15:27 | |
Why didn't you tell me there was going to be a police raid? | 0:15:29 | 0:15:32 | |
I wouldn't have told anyone. | 0:15:32 | 0:15:33 | |
Sergeant Hollins, just to keep you updated, | 0:15:33 | 0:15:35 | |
I'm trying to ascertain Miss Pitman's role here. | 0:15:35 | 0:15:38 | |
-Right. -Unfortunately, her behaviour has been uncooperative and vague, | 0:15:38 | 0:15:42 | |
and it's been hard to get anything sensible out of her. | 0:15:42 | 0:15:44 | |
Well, I can confirm, sir, that it was Miss Pitman | 0:15:44 | 0:15:46 | |
who brought in the evidence that incriminates Mr Harvey. | 0:15:46 | 0:15:49 | |
That's why I was asking for him. | 0:15:49 | 0:15:51 | |
Why didn't you say this earlier? | 0:15:51 | 0:15:53 | |
Because Sergeant Hollins told me that if I divulged anything, | 0:15:53 | 0:15:55 | |
(I could get arrested.) | 0:15:55 | 0:15:57 | |
I didn't say that exactly. | 0:15:57 | 0:15:59 | |
Thank you, Miss Pitman. | 0:16:01 | 0:16:03 | |
I'll speak to Sergeant Hollins. | 0:16:03 | 0:16:06 | |
We may need to ask you further questions at a later date. | 0:16:06 | 0:16:08 | |
You can go now. | 0:16:08 | 0:16:10 | |
Thanks, Valerie. | 0:16:10 | 0:16:11 | |
"Rufus protested when Diane sacked their maid. | 0:16:16 | 0:16:19 | |
"But when he tried to reinstate her, | 0:16:19 | 0:16:21 | |
"Diane took all of five minutes to start divorce proceedings." | 0:16:21 | 0:16:25 | |
OK, so she did sack the maid | 0:16:25 | 0:16:29 | |
and she was awful to Grandad, but... | 0:16:29 | 0:16:33 | |
"One year on, and there were no signs of change | 0:16:33 | 0:16:36 | |
"among the natives of Hedgebrooke. | 0:16:36 | 0:16:38 | |
"The not-so-secret affairs of at least two couples | 0:16:38 | 0:16:41 | |
"from the golf club | 0:16:41 | 0:16:43 | |
"spluttered on unchecked. | 0:16:43 | 0:16:44 | |
"And, of course, the blood-thirsty, | 0:16:44 | 0:16:47 | |
"tweed-clad grouse-botherers | 0:16:47 | 0:16:49 | |
"continued to destroy all the local heaths!" | 0:16:49 | 0:16:52 | |
So... | 0:16:52 | 0:16:53 | |
..are you with us? | 0:16:55 | 0:16:57 | |
ALL: YES! | 0:16:57 | 0:16:58 | |
Bravo! | 0:16:58 | 0:17:00 | |
Hello. | 0:17:18 | 0:17:19 | |
It's Ed Jamieson here. | 0:17:19 | 0:17:21 | |
I was in earlier to see Doctor Haskey. | 0:17:21 | 0:17:23 | |
Something's gone wrong. | 0:17:25 | 0:17:27 | |
I can't see properly. | 0:17:27 | 0:17:29 | |
No, it's fine. Put him through. | 0:17:29 | 0:17:31 | |
Hello, Ed, it's Doctor Haskey here. | 0:17:34 | 0:17:36 | |
Sorry to disturb you, but... | 0:17:36 | 0:17:38 | |
there's something's wrong with my eyes. | 0:17:38 | 0:17:40 | |
OK. Can you explain what's happening? | 0:17:40 | 0:17:43 | |
I think the ink has actually damaged them. | 0:17:43 | 0:17:45 | |
That's unlikely. | 0:17:45 | 0:17:47 | |
So, why can't I properly focus? | 0:17:47 | 0:17:51 | |
Right. Do you have any other symptoms? | 0:17:51 | 0:17:53 | |
Actually, yes, a headache. | 0:17:53 | 0:17:55 | |
Right, Ed. Maybe you should come back in and see me. | 0:17:55 | 0:17:58 | |
No, it's all right. | 0:17:58 | 0:18:00 | |
I've probably just been staring at the screen too long. | 0:18:01 | 0:18:04 | |
I'd rather just monitor it here. | 0:18:04 | 0:18:06 | |
-Are you sure? -Absolutely. | 0:18:06 | 0:18:08 | |
Sorry for disturbing you. | 0:18:08 | 0:18:10 | |
You don't have to thank me, | 0:18:17 | 0:18:19 | |
but I saw a patient of yours today. | 0:18:19 | 0:18:21 | |
Ed Jamieson. | 0:18:21 | 0:18:22 | |
The author? | 0:18:22 | 0:18:23 | |
Yep, that's the one. | 0:18:23 | 0:18:25 | |
He's just called me, saying he's not feeling very well. | 0:18:25 | 0:18:27 | |
In what way? | 0:18:27 | 0:18:29 | |
Headache, blurred vision. | 0:18:29 | 0:18:31 | |
So, is he coming back in? | 0:18:31 | 0:18:32 | |
Well, he said that he was fine... | 0:18:32 | 0:18:35 | |
But...? | 0:18:35 | 0:18:37 | |
Well, I suspect he's not looking after his diabetes that well. | 0:18:37 | 0:18:40 | |
He was surprised by his weight loss and... | 0:18:40 | 0:18:43 | |
there was a definite whiff of booze about the man. | 0:18:43 | 0:18:45 | |
Why don't you go and see him? | 0:18:45 | 0:18:47 | |
Well, I could do, but I have a clinic at four and... | 0:18:47 | 0:18:50 | |
after all, he is your patient. | 0:18:50 | 0:18:52 | |
I'll deal with it. | 0:18:54 | 0:18:56 | |
Good man. | 0:18:56 | 0:18:58 | |
Thank you. | 0:19:00 | 0:19:01 | |
You were in there a long time. | 0:19:05 | 0:19:07 | |
Yes, I was. | 0:19:07 | 0:19:09 | |
Maybe that's because somebody told the inspector | 0:19:09 | 0:19:11 | |
that Dylan and I were...you know. | 0:19:11 | 0:19:13 | |
(That I was his mistress.) | 0:19:15 | 0:19:16 | |
Well, if you're implying it was me... | 0:19:20 | 0:19:22 | |
Well, whoever it was needs their head testing. | 0:19:22 | 0:19:25 | |
You were very pally with him earlier. | 0:19:25 | 0:19:26 | |
(He was here all of five minutes!) | 0:19:26 | 0:19:29 | |
(I have got nothing to do with this.) | 0:19:29 | 0:19:31 | |
(I'm an innocent here.) | 0:19:31 | 0:19:32 | |
We're done here. Come on, lads. | 0:19:34 | 0:19:36 | |
Thank you. | 0:19:36 | 0:19:37 | |
We'll be in touch. | 0:19:37 | 0:19:39 | |
Bye, Rob. | 0:19:39 | 0:19:40 | |
What are you doing out here? | 0:19:46 | 0:19:48 | |
Sitting. | 0:19:48 | 0:19:49 | |
Oh! | 0:19:49 | 0:19:51 | |
Are you OK? | 0:19:51 | 0:19:53 | |
Yeah. | 0:19:53 | 0:19:54 | |
Did you have a chance to look at that draft? | 0:19:54 | 0:19:56 | |
Mmm. | 0:19:56 | 0:19:58 | |
Hey, you expecting anyone? | 0:19:58 | 0:20:00 | |
-What? -Look! | 0:20:00 | 0:20:01 | |
What the...? | 0:20:04 | 0:20:05 | |
Ed Jamieson, you are not welcome here! | 0:20:05 | 0:20:08 | |
Katie, please... | 0:20:08 | 0:20:10 | |
Let him have it! | 0:20:10 | 0:20:12 | |
I have a story for you, Mr Jamieson. | 0:20:17 | 0:20:21 | |
"Once upon a time, | 0:20:21 | 0:20:22 | |
"a city man came to Oldcliff. | 0:20:22 | 0:20:25 | |
"He charmed the community | 0:20:25 | 0:20:26 | |
"and they were proud to have him in their midst. | 0:20:26 | 0:20:29 | |
"But then, to their shock, | 0:20:29 | 0:20:31 | |
"he started to attack them - | 0:20:31 | 0:20:33 | |
"and he did this the only way he knew how, through his writing." | 0:20:33 | 0:20:37 | |
Oh, come on, it's just a novel. | 0:20:37 | 0:20:40 | |
"He even stooped so low | 0:20:40 | 0:20:42 | |
"as to write about an old man and his wife. | 0:20:42 | 0:20:45 | |
"John and Daphne. | 0:20:46 | 0:20:48 | |
"Their grand-daughter left her job to care for them | 0:20:48 | 0:20:51 | |
"after John had a stroke. | 0:20:51 | 0:20:53 | |
"But the writer's mocking | 0:20:53 | 0:20:55 | |
"didn't stop, | 0:20:55 | 0:20:57 | |
"not even when Daphne died." | 0:20:57 | 0:20:59 | |
-Daphne's dead? -OK! | 0:20:59 | 0:21:01 | |
Maybe she was a dreadful snob | 0:21:01 | 0:21:03 | |
and, yes, she was awful to grandad and me, | 0:21:03 | 0:21:06 | |
but it does not give you the right to just... | 0:21:06 | 0:21:09 | |
I didn't know. | 0:21:09 | 0:21:10 | |
I'm so sorry for your loss, Katie. | 0:21:11 | 0:21:13 | |
Will you stop this immediately? | 0:21:16 | 0:21:18 | |
This is ridiculous. | 0:21:18 | 0:21:19 | |
Stop this now or I will call the police. | 0:21:19 | 0:21:21 | |
I'm a doctor and this man is sick. | 0:21:21 | 0:21:23 | |
I think he's having a hypo. | 0:21:26 | 0:21:28 | |
But that's diabetes, isn't it? | 0:21:28 | 0:21:29 | |
Let's try and get him inside. | 0:21:29 | 0:21:31 | |
We'll come back later. | 0:21:31 | 0:21:33 | |
Carefully. Watch your step. Don't slip. | 0:21:33 | 0:21:35 | |
Why didn't you tell me about the diabetes? | 0:21:37 | 0:21:39 | |
Because it's way too riveting for words(!) | 0:21:39 | 0:21:42 | |
If you don't take this seriously, | 0:21:42 | 0:21:44 | |
you'll end up in hospital. | 0:21:44 | 0:21:46 | |
At the moment, your blood sugar levels are OK. | 0:21:46 | 0:21:49 | |
I'm going to put the kettle on. | 0:21:49 | 0:21:51 | |
Why are you so reckless? | 0:21:53 | 0:21:54 | |
With my illness... | 0:21:54 | 0:21:56 | |
or my novel? | 0:21:56 | 0:21:57 | |
So, is Hedgebrooke | 0:21:58 | 0:22:00 | |
really based on Oldcliff? | 0:22:00 | 0:22:02 | |
Does it matter? | 0:22:02 | 0:22:03 | |
Well, it depends. | 0:22:03 | 0:22:05 | |
OK, maybe there's... | 0:22:05 | 0:22:07 | |
the tiniest echo of it - | 0:22:07 | 0:22:09 | |
but these people, | 0:22:09 | 0:22:11 | |
don't you think they're living in a cloud-cuckoo land? | 0:22:11 | 0:22:14 | |
I don't think they appreciate | 0:22:14 | 0:22:16 | |
the brutal nature of your satire. | 0:22:16 | 0:22:17 | |
Yeah, well... | 0:22:17 | 0:22:19 | |
Actually, I'm thinking of scrapping the sequel. | 0:22:19 | 0:22:22 | |
Hey, I heard that. | 0:22:22 | 0:22:24 | |
You have thousands of fans. | 0:22:25 | 0:22:28 | |
Do you want to let them down? | 0:22:28 | 0:22:30 | |
But if I'm upsetting a whole village... | 0:22:32 | 0:22:34 | |
One person. | 0:22:34 | 0:22:35 | |
The rest followed cos you aired their dirty linen in public. | 0:22:35 | 0:22:40 | |
You came here, you shook the pot up a bit | 0:22:40 | 0:22:42 | |
and, now, they all want to crucify you for it. | 0:22:42 | 0:22:44 | |
Maybe I went too far. | 0:22:44 | 0:22:46 | |
You know, when I first arrived here, | 0:22:46 | 0:22:48 | |
they actually threw a party for me. | 0:22:48 | 0:22:51 | |
Organic beer, flapjacks, | 0:22:51 | 0:22:53 | |
country dancing. | 0:22:53 | 0:22:55 | |
Well, stop writing | 0:22:55 | 0:22:57 | |
and maybe they'll throw you another one. | 0:22:57 | 0:22:59 | |
Hell, you could even join the knitting circle. | 0:22:59 | 0:23:01 | |
Yeah, yeah. | 0:23:01 | 0:23:03 | |
Keep an eye on your blood sugar levels | 0:23:03 | 0:23:05 | |
and make sure you phone the surgery for an appointment. | 0:23:05 | 0:23:08 | |
I will. Thanks, Doctor. | 0:23:08 | 0:23:10 | |
I'll be off, then. | 0:23:10 | 0:23:11 | |
Thank you for everything. | 0:23:11 | 0:23:13 | |
My pleasure. | 0:23:13 | 0:23:14 | |
Crikey, Ed, | 0:23:17 | 0:23:19 | |
I only stopped by for a visit to get you back on track. | 0:23:19 | 0:23:24 | |
You scared the life out of me. | 0:23:24 | 0:23:26 | |
Hey. | 0:23:33 | 0:23:35 | |
You will let me know what you decide, won't you? | 0:23:35 | 0:23:38 | |
Yeah. So far, he seems to be sticking to it. | 0:23:47 | 0:23:49 | |
I suppose he's trying to do his best. | 0:23:49 | 0:23:52 | |
There you are. | 0:23:52 | 0:23:54 | |
What the hell is that? | 0:23:54 | 0:23:56 | |
These are called turnovers. | 0:23:56 | 0:23:57 | |
I know not why. | 0:23:57 | 0:23:59 | |
They're of the jam and cream variety. | 0:23:59 | 0:24:00 | |
I've got enough for everyone. | 0:24:00 | 0:24:02 | |
Well, that's it then, isn't it? | 0:24:02 | 0:24:04 | |
-What's what? -Experiment over. | 0:24:04 | 0:24:06 | |
What, even though I ran all the way to the bakery to get them? | 0:24:06 | 0:24:08 | |
Oh, you are useless, do you know that? | 0:24:08 | 0:24:10 | |
Dr Clay, you are not being very supportive. | 0:24:10 | 0:24:12 | |
Thank you, Mrs Tembe. You know what, Jimmi? | 0:24:12 | 0:24:14 | |
I thought to myself, "I want a pastry," | 0:24:14 | 0:24:16 | |
and being a 40-year-old man of means, I got myself a pastry. | 0:24:16 | 0:24:19 | |
Al, I really thought you were going to deal with this. | 0:24:19 | 0:24:21 | |
Heston, would you like to have a lick? | 0:24:21 | 0:24:24 | |
Not funny. | 0:24:24 | 0:24:25 | |
-Doctor Haskey... -No, there's no "Dr Haskey" about it, Mrs Tembe. | 0:24:25 | 0:24:28 | |
This has been a miserable day, thanks to you. | 0:24:28 | 0:24:31 | |
I thought the pastries would help, they haven't. | 0:24:31 | 0:24:33 | |
There's only one thing left to do | 0:24:33 | 0:24:35 | |
and that's to have a pie and a nice, cold pint. | 0:24:35 | 0:24:39 | |
It just so happens to be pie-and-a-pint night. | 0:24:39 | 0:24:41 | |
You're more than welcome to join me. | 0:24:41 | 0:24:43 | |
"Fond memories of Daphne..." | 0:24:52 | 0:24:54 | |
'Who was always true to herself. | 0:24:54 | 0:24:56 | |
'With the greatest respect, Ed Jamieson.' | 0:24:57 | 0:25:00 | |
"Ed Jamieson?!" | 0:25:00 | 0:25:02 | |
Grandad... | 0:25:03 | 0:25:05 | |
this isn't a criticism, but... | 0:25:05 | 0:25:08 | |
maybe you were wrong about Mr Jamieson. | 0:25:08 | 0:25:11 | |
Maybe you just got caught up in the moment. | 0:25:11 | 0:25:14 | |
'Toby Winthrop's myopia | 0:25:50 | 0:25:51 | |
'was in full swing that evening, | 0:25:51 | 0:25:53 | |
'as was his not inconsiderable | 0:25:53 | 0:25:56 | |
'tweed-clad belly.' | 0:25:56 | 0:25:57 | |
-I get it. -Sorry? | 0:25:59 | 0:26:01 | |
You and that police officer. | 0:26:01 | 0:26:02 | |
-What police officer? -Rob. | 0:26:02 | 0:26:04 | |
It's never good going to the police | 0:26:07 | 0:26:08 | |
when you have absolutely no idea what you're talking about. | 0:26:08 | 0:26:11 | |
What do you mean? | 0:26:11 | 0:26:12 | |
Lots of good people work here, Valerie, | 0:26:13 | 0:26:16 | |
and some of them have kids. | 0:26:16 | 0:26:18 | |
Now, thanks to you, they might be out of a job | 0:26:18 | 0:26:20 | |
if this agency is forced to close down. | 0:26:20 | 0:26:22 | |
How does that make you feel? | 0:26:22 | 0:26:24 | |
Terrible. | 0:26:24 | 0:26:25 | |
I mean... | 0:26:26 | 0:26:28 | |
terrible, but I haven't done anything. | 0:26:28 | 0:26:30 | |
It wasn't me. | 0:26:30 | 0:26:31 | |
You know, Dylan Harvey is an extremely well-connected man. | 0:26:33 | 0:26:37 | |
Something like this... | 0:26:37 | 0:26:38 | |
He won't let it go. | 0:26:39 | 0:26:41 | |
If I were you, | 0:26:47 | 0:26:48 | |
I'd be checking to see who was behind me. | 0:26:48 | 0:26:51 | |
In fact, | 0:26:51 | 0:26:53 | |
I'd keep checking behind me for the rest of my life. | 0:26:53 | 0:26:56 | |
I could go 50 years without beer. | 0:27:10 | 0:27:13 | |
OK, fine. Prove it. | 0:27:13 | 0:27:14 | |
Go one month alcohol free. | 0:27:14 | 0:27:16 | |
OK. It's not a problem. | 0:27:16 | 0:27:17 | |
Hey, I was thinking... | 0:27:17 | 0:27:18 | |
Will I hide these, just in case? | 0:27:18 | 0:27:20 | |
Why? | 0:27:20 | 0:27:21 | |
She's a teenage girl, not a violent gangland killer. | 0:27:21 | 0:27:23 | |
Miss Pitman, I know you are there, I can see your coat. | 0:27:23 | 0:27:27 | |
Would you like a cup of tea? | 0:27:27 | 0:27:28 | |
Or maybe some juice? | 0:27:28 | 0:27:30 | |
Sorry, I'm a bit nervous. | 0:27:30 | 0:27:32 |