
Browse content similar to 07/07/2013. Check below for episodes and series from the same categories and more!
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Don't be silly, mate. No, I appreciate it. | 0:00:26 | 0:00:28 | |
Yeah, course I do. All right, we'll go for a drink soon. | 0:00:29 | 0:00:33 | |
-Yeah. -How's Lauren doing, Mum? -All right. See you later. | 0:00:33 | 0:00:36 | |
Jack. Keeps calling every hour. | 0:00:36 | 0:00:38 | |
But she's OK? | 0:00:38 | 0:00:40 | |
-Great. Well, er, thanks for calling and, er... -Abs? -..send my love to Oscar. | 0:00:40 | 0:00:44 | |
Bye. | 0:00:44 | 0:00:45 | |
Well? | 0:00:45 | 0:00:47 | |
Well, she said Lauren's settling in fine. | 0:00:48 | 0:00:51 | |
But her and Oscar are still at a B&B, | 0:00:51 | 0:00:52 | |
but they've found a place near the centre and they move in on Thursday. | 0:00:52 | 0:00:56 | |
-Is that it? -We should send her a parcel, case she's forgot something. | 0:00:56 | 0:00:59 | |
Yeah, thanks for that, Cora. | 0:00:59 | 0:01:01 | |
-Suppose you got things to do this morning. We've got quite a bit to sort out. As a family. -Whoa! | 0:01:01 | 0:01:05 | |
-She IS family. -Well, you know what I mean. You understand, don't you? | 0:01:05 | 0:01:08 | |
Yeah. I understand, Max. | 0:01:08 | 0:01:11 | |
Come on, Dex. Let's go. | 0:01:11 | 0:01:13 | |
-Is Lauren about? -Why do you care? | 0:01:23 | 0:01:26 | |
She's my friend. | 0:01:26 | 0:01:28 | |
Is that right? | 0:01:28 | 0:01:29 | |
I know I've let her down - you don't have to remind me. | 0:01:29 | 0:01:31 | |
-She's not going to be around for a while. -Well, where's she gone? | 0:01:31 | 0:01:35 | |
I think it's called rehab. | 0:01:35 | 0:01:36 | |
I tell you what - that man is miserable. | 0:01:43 | 0:01:46 | |
But we're lucky we've got our own unit. Me, you and Mum. | 0:01:46 | 0:01:49 | |
We should get her up for a cup of tea. | 0:01:49 | 0:01:51 | |
-I think she's got better things to do. -Who, Mum? Like what? | 0:01:51 | 0:01:54 | |
Keep her away from him, in any event. | 0:01:56 | 0:01:58 | |
Waster. | 0:01:58 | 0:01:59 | |
-What are you doing? -Well, I just want it to be me and you this morning, all right? Team Branning. | 0:02:00 | 0:02:05 | |
Team Branning? | 0:02:05 | 0:02:06 | |
Do you even know what we're having for dinner? | 0:02:08 | 0:02:10 | |
It's quarter past 11. | 0:02:12 | 0:02:14 | |
Yeah, well, we need a plan, otherwise it gets to, like, six, | 0:02:14 | 0:02:17 | |
no-one can decide, we don't have anything | 0:02:17 | 0:02:19 | |
and then we end up getting a takeaway and that's not healthy. | 0:02:19 | 0:02:22 | |
Abs, don't worry about that. | 0:02:22 | 0:02:24 | |
It is just us now, so someone has to make sure we eat well, | 0:02:24 | 0:02:27 | |
that the bills are paid, that the house is clean. | 0:02:27 | 0:02:30 | |
Yeah, well, that's me, innit? | 0:02:30 | 0:02:32 | |
I should've done more. She's my sister - I should've... | 0:02:32 | 0:02:36 | |
Abs, please, you did everything you could've done. | 0:02:36 | 0:02:39 | |
You were amazing with her. | 0:02:39 | 0:02:41 | |
-Abs, please don't worry, all right? I'm going to look after you now. -Yeah, until you go back to Kirsty. | 0:02:43 | 0:02:47 | |
And then what? It is just me. | 0:02:47 | 0:02:51 | |
What am I going to do? | 0:02:54 | 0:02:56 | |
Ab, it might not be just you. | 0:03:00 | 0:03:02 | |
What's the point of sending your kids on a trip if you have to go in anyway? | 0:03:04 | 0:03:08 | |
-It's not a day off. -Tonight? | 0:03:08 | 0:03:10 | |
-With Dexter sitting in the next room, eating his dinner? -How about now? -Oi! | 0:03:11 | 0:03:16 | |
-Well? -All right. I'll go first. You follow me. | 0:03:16 | 0:03:20 | |
-Thought we agreed ten o'clock. -We did. Er... | 0:03:20 | 0:03:23 | |
I've just got something I need to see to. | 0:03:23 | 0:03:25 | |
I've got diners coming in for lunch. I need those lights doing. Come on! | 0:03:25 | 0:03:28 | |
Oh, go on. | 0:03:30 | 0:03:32 | |
Keep your phone on. I'll give you two rings, yeah? | 0:03:32 | 0:03:35 | |
-Like commandos. -Why two rings? | 0:03:35 | 0:03:37 | |
It's fun, innit? Remember when we used to have...fun? | 0:03:37 | 0:03:41 | |
Yeah, I do remember. | 0:03:41 | 0:03:43 | |
-Oh! -Sorry. | 0:03:43 | 0:03:45 | |
-Why can't you watch what you're doing? -Sorry. | 0:03:45 | 0:03:48 | |
Once an idiot... | 0:03:49 | 0:03:51 | |
I said I was sorry. | 0:03:53 | 0:03:55 | |
-She seem a bit off to you? -She's not exactly my biggest fan. | 0:03:56 | 0:04:00 | |
Hey. | 0:04:00 | 0:04:01 | |
Remember - commandos, yeah? | 0:04:01 | 0:04:04 | |
KIRSTY: Max, it's me again. I just want to talk to you. | 0:04:15 | 0:04:18 | |
Please. | 0:04:19 | 0:04:21 | |
Who lies to their husband about having a baby? | 0:04:26 | 0:04:30 | |
-And how could you not know? -I don't know, Abs. | 0:04:30 | 0:04:33 | |
Is that why you stayed with her? | 0:04:33 | 0:04:35 | |
I don't know. | 0:04:37 | 0:04:38 | |
Would you have stayed with her if you knew she wasn't pregnant? | 0:04:38 | 0:04:41 | |
-Abs, honestly, all right? I don't know. -So that's it, then? You and Kirsty? | 0:04:41 | 0:04:44 | |
Yeah. I think so, yeah. | 0:04:45 | 0:04:47 | |
-Does Mum know? -Well, yeah, before she left she did, yeah. | 0:04:48 | 0:04:52 | |
So it could have been all of us back together. | 0:04:52 | 0:04:54 | |
If it wasn't for her, you and Mum could have figured this out. | 0:04:54 | 0:04:57 | |
-Abs, please. -No. Do not even think about telling me what to do. | 0:05:01 | 0:05:04 | |
All I know is she rang me this morning and asked me to be manageress of the salon. | 0:05:09 | 0:05:13 | |
-Well, how long for? -Dunno. She said indefinitely. | 0:05:13 | 0:05:16 | |
Which, you know, is an amazing opportunity for me. | 0:05:16 | 0:05:19 | |
Not to mention the pay rise. Very welcome! | 0:05:19 | 0:05:21 | |
-Hey. -All right? | 0:05:21 | 0:05:24 | |
I'll leave you two to it, then. | 0:05:24 | 0:05:26 | |
Joey! | 0:05:26 | 0:05:28 | |
What? | 0:05:28 | 0:05:30 | |
-Lauren's gone. -What d'you mean, "gone"? | 0:05:30 | 0:05:33 | |
-To rehab. -What? | 0:05:33 | 0:05:35 | |
-Well, for how long? -I don't know. | 0:05:35 | 0:05:37 | |
-Have you spoken to her? -She won't answer my calls. -Why not? | 0:05:37 | 0:05:40 | |
Eh? | 0:05:41 | 0:05:42 | |
Why not, Lucy? | 0:05:43 | 0:05:46 | |
Oh, right. You know what? Don't tell me, actually. | 0:05:47 | 0:05:50 | |
I don't care. You ain't ever been honest in your life, have you? Never even once. | 0:05:50 | 0:05:54 | |
I may have given her... the impression that me and you were together. | 0:05:54 | 0:05:58 | |
-HE SCOFFS -You may have? -I did. | 0:05:58 | 0:06:01 | |
You are unbelievable, Lucy, d'you know that? | 0:06:01 | 0:06:03 | |
No. They're silly. | 0:06:06 | 0:06:08 | |
Go on. Be a laugh. | 0:06:08 | 0:06:10 | |
OK. What are you? | 0:06:12 | 0:06:14 | |
-Virgo. -Virgo. | 0:06:14 | 0:06:17 | |
"You're entering a busy phase. Take opportunities when they arise." | 0:06:17 | 0:06:21 | |
Pfft! I am trying. What about you? | 0:06:21 | 0:06:25 | |
Oh, I'm Capricorn. | 0:06:25 | 0:06:29 | |
"Be on the lookout for little treats. They could signal romance." | 0:06:29 | 0:06:33 | |
Hmm! Little treats, huh? | 0:06:33 | 0:06:35 | |
Red-hot week ahead of you there, Jean, with all those little treats. | 0:06:35 | 0:06:40 | |
Oh, if only! SHE CHUCKLES | 0:06:40 | 0:06:42 | |
Ah, that's what I like to hear - happy staff. Good to see. | 0:06:42 | 0:06:45 | |
-Is that time for my break, boss? -You only just started. | 0:06:49 | 0:06:52 | |
I have to let this filler set. | 0:06:52 | 0:06:54 | |
Can't do anything else till it does anyway. | 0:06:54 | 0:06:57 | |
Like your efficiency. Go on, then. Off you go. | 0:06:57 | 0:06:59 | |
Oh, lunch booking came in while you were out. | 0:07:01 | 0:07:03 | |
-Yeah? Stick it in the book? -Yeah. It's in there. Name's Carl. | 0:07:03 | 0:07:07 | |
Nice guy. Said he'd be in 12-ish. | 0:07:07 | 0:07:09 | |
Little treats! Ooh! | 0:07:10 | 0:07:13 | |
-Er, the, er... -Oh, he's a card, isn't he? | 0:07:15 | 0:07:17 | |
Yeah, he is. Can you go to the stall and get the sage Peter's saving for me? | 0:07:17 | 0:07:21 | |
Oh, I'm not working today. I'm only in trying the tea samples we got sent. | 0:07:21 | 0:07:25 | |
Yeah, well, it'll only take you a minute. | 0:07:25 | 0:07:27 | |
Well, I'm supposed to be at the Vic. | 0:07:27 | 0:07:29 | |
-How could you? -I'm on my way to see your dad - try and explain. | 0:07:36 | 0:07:39 | |
What sort of person lies about something like that? | 0:07:39 | 0:07:42 | |
-I don't want to talk about it with you. -Well, I do! | 0:07:42 | 0:07:44 | |
Who lies about being pregnant? | 0:07:44 | 0:07:46 | |
Lies to their husband? How could you, Kirsty? | 0:07:46 | 0:07:48 | |
Because I don't understand. | 0:07:48 | 0:07:50 | |
-I'm sorry, Abi. -They have gone. Mum, Lauren, Oscar. | 0:07:50 | 0:07:53 | |
-What? -They have left and it is your fault. | 0:07:55 | 0:07:57 | |
I'm so sorry. Look, I didn't... | 0:07:57 | 0:08:00 | |
I didn't mean... Look, I'll talk to him. | 0:08:00 | 0:08:03 | |
-Don't. -Abi... | 0:08:03 | 0:08:05 | |
Leave him. You have done enough. | 0:08:05 | 0:08:07 | |
Come on. | 0:08:28 | 0:08:29 | |
You OK? | 0:08:36 | 0:08:38 | |
Sorry. Sorry. | 0:08:38 | 0:08:40 | |
Dexter told me about Tanya. | 0:08:40 | 0:08:43 | |
-How is everyone? -Not at their best. | 0:08:43 | 0:08:45 | |
-Have you spoken to her? -Abi has. -And? | 0:08:45 | 0:08:48 | |
She's...all right. | 0:08:48 | 0:08:51 | |
I should have guessed something was up. | 0:08:53 | 0:08:55 | |
Too busy banging on about myself last time I spoke to her properly. | 0:08:55 | 0:08:58 | |
None of us are blameless. | 0:08:58 | 0:09:00 | |
Well, tell Abi I'm thinking of her. | 0:09:00 | 0:09:03 | |
Be a bit difficult. | 0:09:03 | 0:09:05 | |
Immediate family only over there at the moment. | 0:09:05 | 0:09:09 | |
Well, er...you could always... | 0:09:10 | 0:09:14 | |
What? | 0:09:14 | 0:09:16 | |
You could always pop over and see us. | 0:09:17 | 0:09:19 | |
-Could I? -Yeah. | 0:09:19 | 0:09:21 | |
That's what people do, isn't it? | 0:09:22 | 0:09:24 | |
Yeah. | 0:09:24 | 0:09:26 | |
That's what people do. | 0:09:26 | 0:09:27 | |
PHONE RINGS | 0:09:27 | 0:09:30 | |
You going to answer that? | 0:09:30 | 0:09:32 | |
They'll give up. Private number anyway. | 0:09:32 | 0:09:36 | |
So, er, pop in if you want. | 0:09:36 | 0:09:38 | |
I'm fine. | 0:09:38 | 0:09:40 | |
Right. | 0:09:40 | 0:09:41 | |
But thanks for the offer. | 0:09:41 | 0:09:44 | |
I'll leave you to it, then. | 0:09:44 | 0:09:46 | |
-Rehab? -It was pretty bad. | 0:09:50 | 0:09:52 | |
-Excuse me, Peter. -Can we at least go and see her? | 0:09:52 | 0:09:55 | |
Peter? Hello! | 0:09:55 | 0:09:56 | |
-Have you got your dad's sage? -Yeah, how much does he want? -I don't know. I thought you knew. | 0:10:00 | 0:10:03 | |
Jean. I thought you're meant to be in here. | 0:10:03 | 0:10:05 | |
Yeah. On my way, Patrick. | 0:10:05 | 0:10:07 | |
Tracey just put through an order - six lunches. | 0:10:07 | 0:10:09 | |
What? No, no, no. The kitchen's not open yet. | 0:10:09 | 0:10:12 | |
-I haven't done any prep. -Well, you'd better hurry up, all right? -All right, Patrick! That'll do. | 0:10:12 | 0:10:17 | |
I don't know why I even bother. It's like I'm the only one in the family | 0:10:17 | 0:10:20 | |
-who cares about other people's feelings. -Come on, do you really think that's true? | 0:10:20 | 0:10:24 | |
Have you met my dad? | 0:10:24 | 0:10:26 | |
My mum is gone because of him, everything he has done. | 0:10:26 | 0:10:30 | |
And then he has the nerve to talk about us coming together as a family. "Team Branning." | 0:10:30 | 0:10:36 | |
He didn't care about Team Branning until it all fell apart with Kirsty. | 0:10:36 | 0:10:40 | |
-Why should I have to make him feel better? -All right, well, what else are you going to do, then? | 0:10:40 | 0:10:44 | |
-What? -I mean, he's your dad. -Oh, and like you're such great mates with yours? | 0:10:44 | 0:10:48 | |
-Erm, that's different. -Er, no, it's not. | 0:10:48 | 0:10:50 | |
Fact - Max thought he was going to have a baby. Yeah? And it was all a lie. | 0:10:50 | 0:10:54 | |
Have you stopped to think about how he feels about all this? | 0:10:54 | 0:10:57 | |
DOOR CLOSES | 0:10:57 | 0:11:00 | |
Hey. | 0:11:01 | 0:11:02 | |
You all right? | 0:11:03 | 0:11:05 | |
Yeah. Yeah, I'm fine. | 0:11:05 | 0:11:08 | |
-Are you sure you're OK? -Yeah. | 0:11:10 | 0:11:12 | |
PHONE RINGS | 0:11:18 | 0:11:20 | |
-PHONE RINGS -Are you even going to get that? -Oh. | 0:11:28 | 0:11:31 | |
Private number. They'll hang up. | 0:11:31 | 0:11:34 | |
RINGING STOPS See? | 0:11:35 | 0:11:37 | |
-Mum, are you sure you're all right? -Yes. I'm fine. | 0:11:37 | 0:11:39 | |
What are you looking at, sorry? | 0:11:44 | 0:11:46 | |
Hey, Abi. Have you heard from your mum? | 0:11:48 | 0:11:51 | |
-Yeah. -Everything all right? | 0:11:51 | 0:11:53 | |
Yeah, They're all fine. Good. | 0:11:53 | 0:11:55 | |
I'll, er... I'll leave you to it, then. | 0:11:57 | 0:12:00 | |
Like I said, cuz, parents are mental. | 0:12:03 | 0:12:06 | |
But at the end of the day, who else have we got? | 0:12:07 | 0:12:10 | |
Sorry for the delay. But whoever said the kitchen was open... | 0:12:14 | 0:12:17 | |
PHONE RINGS Oh! Well, they shouldn't have. | 0:12:17 | 0:12:20 | |
-Yes, Ian? -'Jean, are you coming in to work or what?' | 0:12:20 | 0:12:22 | |
-No, I did say, I'm not working today. -'Well, I don't remember. I thought you were bringing the sage.' | 0:12:22 | 0:12:27 | |
-I just had to pop into the Vic. I'll bring it over... -'Well, I need it for the special.' -Oh. | 0:12:27 | 0:12:31 | |
-'I don't care - hurry up.' -I didn't realise that. -'Shut up and bring the sage!' -No, no, no, I'm on my way. | 0:12:31 | 0:12:35 | |
-Why d'you work for him? -What? -Beale. The only person he cares about is himself. Why don't you quit? | 0:12:35 | 0:12:39 | |
Some of us don't have a choice, Shirley. Oh, he's not that bad. | 0:12:39 | 0:12:42 | |
-He got a crush on you? -No! -Then you have a choice. He treats his staff like slaves. | 0:12:42 | 0:12:46 | |
-Oh, he's not so bad. -Yeah, whatever. | 0:12:46 | 0:12:49 | |
Cora. Er, about this morning... | 0:12:49 | 0:12:51 | |
Yes? | 0:12:51 | 0:12:53 | |
I got a lot on my plate, all right? | 0:12:53 | 0:12:55 | |
I've got to look after Abi now and she's struggling, so... | 0:12:55 | 0:12:58 | |
I thought I'd do dinner, you know? Be plenty for everyone. | 0:12:58 | 0:13:00 | |
Going to have a go at being a father are you? | 0:13:00 | 0:13:03 | |
Half at the house, half at Kirsty's. | 0:13:03 | 0:13:06 | |
Part-time at best. | 0:13:06 | 0:13:07 | |
-I ain't going back to Kirsty's. All right? We're done. It's over. -Another marriage shattered? | 0:13:07 | 0:13:12 | |
-I'm just trying to be civil. -Could've fooled me. -Don't know why I bother. | 0:13:12 | 0:13:15 | |
-No-one's holding a gun to your head. -It's been lovely talking to you. Don't hurry home, will you? -Max! | 0:13:15 | 0:13:19 | |
I noticed you ain't brought any of your stuff back to the house. | 0:13:19 | 0:13:23 | |
Hedging your bets on that one, are you? | 0:13:23 | 0:13:26 | |
Oh, you two off out, then? | 0:13:34 | 0:13:36 | |
-She's just going to talk to her dad. -Maybe. | 0:13:36 | 0:13:39 | |
What about you? | 0:13:39 | 0:13:40 | |
I've got a couple of errands to run, you know, keep busy on my day off. | 0:13:40 | 0:13:43 | |
-So you'll be out for a while, then? -Since when did I have a curfew? | 0:13:43 | 0:13:46 | |
Oh, no, you take as long as you like. Take as long as you like. | 0:13:46 | 0:13:48 | |
Just, er... How long do you think you might be? Just out of curiosity. | 0:13:48 | 0:13:52 | |
I'll be home for dinner, all right, Mother? | 0:13:52 | 0:13:54 | |
Good. Terrific. Off you trot, then. | 0:13:54 | 0:13:57 | |
Like I said - parents are mental. | 0:13:57 | 0:13:59 | |
Not just mine, not just yours. All of them. | 0:13:59 | 0:14:02 | |
Hey, I'm still looking for a dance partner, you know. You interested? | 0:14:18 | 0:14:22 | |
-Dancing? -Yeah, man. Ballroom style. | 0:14:22 | 0:14:26 | |
Pathetic! | 0:14:26 | 0:14:28 | |
Man of your age, cavorting around like a teenager? | 0:14:28 | 0:14:31 | |
But I enjoy it. | 0:14:31 | 0:14:33 | |
Cora, are you all right? | 0:14:35 | 0:14:37 | |
I will be, when you put another G&T in there. | 0:14:37 | 0:14:40 | |
Come on, everything is going to be OK. Just give it time. | 0:14:40 | 0:14:44 | |
-I can't imagine that Max is feeling all that great at the moment, you know? -Max? | 0:14:44 | 0:14:48 | |
How d'you think I'M feeling? | 0:14:50 | 0:14:52 | |
Do you imagine I'm feeling all that great? | 0:14:52 | 0:14:55 | |
When you're ready. | 0:14:58 | 0:14:59 | |
-Tanya's gone, as far as I can tell. -Right. | 0:15:07 | 0:15:10 | |
Lauren too. Rehab. | 0:15:10 | 0:15:12 | |
-You all right, love? -Fine. | 0:15:16 | 0:15:18 | |
-Your dad all right? -Yeah. | 0:15:19 | 0:15:21 | |
She's, er... | 0:15:23 | 0:15:25 | |
She's in the right place. | 0:15:25 | 0:15:27 | |
What? | 0:15:27 | 0:15:28 | |
Lauren. | 0:15:29 | 0:15:31 | |
Don't worry about that, darling. It's on me. | 0:15:35 | 0:15:38 | |
Thanks. | 0:15:38 | 0:15:40 | |
And, er... if you need anything else... | 0:15:40 | 0:15:43 | |
I mean it. Anything at all. | 0:15:43 | 0:15:46 | |
It's just you and your dad now, innit? | 0:15:46 | 0:15:49 | |
Thank you. | 0:15:53 | 0:15:54 | |
PHONE RINGS Yes, Ian, I'm on my way! | 0:16:02 | 0:16:05 | |
I AM running! | 0:16:05 | 0:16:06 | |
SHE GRUNTS | 0:16:06 | 0:16:09 | |
Jean? You all right? | 0:16:10 | 0:16:12 | |
I can't do this any more. | 0:16:12 | 0:16:14 | |
You'll get there. Huh? | 0:16:17 | 0:16:19 | |
SHE SOBS | 0:16:22 | 0:16:24 | |
Whoa, whoa, whoa, whoa, whoa. | 0:16:36 | 0:16:38 | |
Ian? | 0:16:40 | 0:16:42 | |
Let's go and sort him out. Hmm? | 0:16:44 | 0:16:46 | |
Coffee. | 0:17:05 | 0:17:06 | |
-She said it was strong but you know me - I never trust that place. -I dunno why I bother, Dexter. | 0:17:09 | 0:17:13 | |
-I don't understand. -Whole family falling apart. | 0:17:13 | 0:17:16 | |
-Did you speak to Mum? -Briefly. | 0:17:16 | 0:17:19 | |
Well, look, SHE'S still here. I mean, we're not going anywhere. | 0:17:19 | 0:17:23 | |
All I'm saying is, we all need a bit of support sometimes. | 0:17:23 | 0:17:26 | |
I mean, look, Mum cos she's got Sam hanging around her - | 0:17:26 | 0:17:28 | |
constant reminder, every day, that he walked out on her. | 0:17:28 | 0:17:32 | |
Me because I'm a bully. | 0:17:32 | 0:17:33 | |
I'm a cruel bully and I'm just taking it out on this sweet old lady at cribbage. | 0:17:34 | 0:17:39 | |
SHE CHUCKLES | 0:17:39 | 0:17:42 | |
-All right. -And I'm enjoying it. that's the sick thing - I love it. | 0:17:44 | 0:17:48 | |
Come round. | 0:17:48 | 0:17:49 | |
-Maybe. -Good enough. | 0:17:51 | 0:17:54 | |
(You're good, yeah? I'll leave you to it.) | 0:17:58 | 0:18:01 | |
Er, Ian. I just wondered... | 0:18:04 | 0:18:06 | |
-Is there anybody on table two yet? -What? -Bloke on his own? -Um... | 0:18:06 | 0:18:10 | |
Er, no, don't think so. SAM CLEARS THROAT | 0:18:10 | 0:18:13 | |
Ian, I've been thinking - this is really quite... | 0:18:13 | 0:18:16 | |
-Ian, can I have a word about this rota? -What about it? | 0:18:16 | 0:18:18 | |
Well, like I have said plenty of times before, | 0:18:18 | 0:18:21 | |
because the salon is open late on a Thursday, I cannot work then. | 0:18:21 | 0:18:25 | |
-I'm sorry, it's too late - I can't change it. -Well, I'm afraid I'm going to have to resign. | 0:18:25 | 0:18:29 | |
-What? -What?! -You can't. I've got a full restaurant tonight. | 0:18:29 | 0:18:32 | |
Look, Tanya's made me manageress of the salon. Which, you know, is a proper business | 0:18:32 | 0:18:36 | |
with a clear plan for career development. | 0:18:36 | 0:18:38 | |
So thank you, but I've worked my last shift. | 0:18:38 | 0:18:41 | |
-Where am I going to find a waitress now? -That's something you'll have to sort out. | 0:18:41 | 0:18:44 | |
Woman's got her limits, right? | 0:18:44 | 0:18:46 | |
-Unbelievable. -I know. -You'll have to pick up her shifts. | 0:18:48 | 0:18:50 | |
-Oh, no, you see, Ian... -No, Jean, you're going to have to, OK? | 0:18:50 | 0:18:53 | |
Where else am I going to find someone? Whitney can't do it. | 0:18:53 | 0:18:55 | |
-So if she can't, I'll have to close. And if I have to close, I'm going to go bankrupt. -Unfortunately, Ian... | 0:18:55 | 0:19:00 | |
OK, I'll do it. | 0:19:00 | 0:19:01 | |
Oh Jean, thanks. Thanks so much. | 0:19:01 | 0:19:05 | |
-Happy to help. -Is that all you got? | 0:19:05 | 0:19:07 | |
I... I really am sorry. | 0:19:17 | 0:19:19 | |
-Another bunch, please. -What? | 0:19:24 | 0:19:27 | |
-Sage. -What was wrong with the last one? | 0:19:27 | 0:19:29 | |
-He wants more. -Jean? We've got a whole heap of people waiting. | 0:19:29 | 0:19:33 | |
Shut up, Patrick! Just shut up. | 0:19:35 | 0:19:38 | |
I will get there when I get there! | 0:19:38 | 0:19:41 | |
Why can't people just leave me alone? LEAVE ME ALONE! | 0:19:41 | 0:19:45 | |
-SHIRLEY: -Jean! | 0:19:47 | 0:19:49 | |
-You still slaving for Ian Beale? -He's making saltimbocca! | 0:19:53 | 0:19:56 | |
Look at you. Look at what he's doing to you. | 0:19:56 | 0:19:58 | |
He's not doing anything to me. I'm fine. | 0:19:58 | 0:20:00 | |
Yeah, Poppy was in earlier on celebrating too. | 0:20:00 | 0:20:03 | |
That restaurant - it ain't going to get much better, is it? | 0:20:03 | 0:20:06 | |
JEAN'S PHONE RINGS | 0:20:06 | 0:20:08 | |
MOBILE PLAYS NURSERY RHYME | 0:20:08 | 0:20:11 | |
FOOTSTEPS APPROACH | 0:20:11 | 0:20:13 | |
I'm moving back home. | 0:20:26 | 0:20:28 | |
So I'll come back when you're at work, I'll, er... | 0:20:29 | 0:20:33 | |
-pick up the rest of my things. -I'm sorry. | 0:20:33 | 0:20:36 | |
I don't care, do I? Cos it ain't going to make any difference. | 0:20:36 | 0:20:39 | |
What do you want me to say? | 0:20:39 | 0:20:40 | |
I dunno. There's nothing you can say. It's just talk. Not going to change anything. | 0:20:40 | 0:20:44 | |
We don't have to talk. | 0:20:46 | 0:20:48 | |
Please. | 0:20:50 | 0:20:51 | |
I need to be there for Abi. So I'll come back, get the rest of my things. | 0:20:55 | 0:20:59 | |
What about the nursery? The cot? | 0:20:59 | 0:21:00 | |
-I dunno. Just sell 'em. -And that's it? | 0:21:00 | 0:21:03 | |
Listen, just tell me what you want me to do and I'll do it. Cos I love you, Max. | 0:21:03 | 0:21:07 | |
I know you love me. | 0:21:09 | 0:21:10 | |
I'll see you around. | 0:21:16 | 0:21:17 | |
Just say you don't love me and I'll walk away and I... | 0:21:19 | 0:21:22 | |
I'll just leave it. | 0:21:22 | 0:21:24 | |
Just say it! | 0:21:25 | 0:21:27 | |
Say it! | 0:21:27 | 0:21:29 | |
I need to look after Abi. | 0:21:33 | 0:21:35 | |
I should have done more to help. | 0:21:44 | 0:21:46 | |
Instead of lying to her? | 0:21:47 | 0:21:49 | |
-Yes. It was stupid. -Yeah? | 0:21:49 | 0:21:52 | |
-Why'd you do it then, Luce, eh? -I don't know. | 0:21:52 | 0:21:54 | |
Great answer. | 0:21:55 | 0:21:58 | |
I don't know. I... I wanted to hurt her. | 0:21:58 | 0:22:01 | |
-What a pal(!) -We're not like normal friends. | 0:22:01 | 0:22:03 | |
-Cos normal friends don't try and hurt each other all the time? -Maybe. | 0:22:03 | 0:22:07 | |
I just... | 0:22:09 | 0:22:10 | |
I wanted it to be true a little bit. | 0:22:12 | 0:22:14 | |
I knew that was never going to happen because... | 0:22:16 | 0:22:19 | |
she loves you and she always has. And you love her, don't you? | 0:22:19 | 0:22:22 | |
-Joey? -Yes. | 0:22:25 | 0:22:27 | |
Yeah. | 0:22:31 | 0:22:32 | |
She ain't coming back, is she? | 0:22:34 | 0:22:36 | |
I don't think so. | 0:22:38 | 0:22:39 | |
I mean, not for a while. | 0:22:40 | 0:22:43 | |
That's it then, innit? Eh? That was my chance - | 0:22:43 | 0:22:46 | |
my one chance - and I've stuffed it up and that's it, gone, eh? | 0:22:46 | 0:22:50 | |
-It's not gone. -What am I going to do now, Lucy, eh? | 0:22:50 | 0:22:53 | |
What am I going to do? | 0:22:55 | 0:22:57 | |
It's OK. | 0:22:59 | 0:23:00 | |
It's OK. | 0:23:03 | 0:23:04 | |
What was I going to do? | 0:23:23 | 0:23:25 | |
Jean was beside herself. | 0:23:25 | 0:23:26 | |
I've only got ten minutes now. | 0:23:26 | 0:23:28 | |
Ten minutes, hmm? | 0:23:29 | 0:23:32 | |
THEY GIGGLE | 0:23:39 | 0:23:41 | |
-She was never pregnant? -Never. | 0:23:45 | 0:23:47 | |
And Abi's pretending like everything's OK, | 0:23:47 | 0:23:49 | |
but you know when you can just...tell? | 0:23:49 | 0:23:52 | |
Well, sometimes it's the tribulations of life that define us as a human, | 0:23:52 | 0:23:56 | |
make us strive for something better. | 0:23:56 | 0:23:58 | |
You OK? | 0:23:58 | 0:24:00 | |
Yeah. Table two didn't show up. | 0:24:00 | 0:24:02 | |
-And you're happy that you've lost business? -Tribulations. | 0:24:02 | 0:24:06 | |
Ah, here she is, my number-one employee. | 0:24:08 | 0:24:11 | |
There you go, sit yourself down. | 0:24:12 | 0:24:14 | |
No, Ian. Not until I've said what I've come here to say. | 0:24:14 | 0:24:17 | |
Sit yourself down, all right? | 0:24:17 | 0:24:19 | |
I have been a nightmare - I know I have - and I'm really, really sorry about it. | 0:24:19 | 0:24:23 | |
Cos you do a lot of work here and I never show you how much I appreciate it or anything. | 0:24:23 | 0:24:27 | |
So I would like you to have lunch on me. | 0:24:27 | 0:24:31 | |
There you go, have that. Little treat for you. | 0:24:31 | 0:24:35 | |
-What did you say? -Little treat for you. | 0:24:37 | 0:24:39 | |
Little treat... | 0:24:47 | 0:24:48 | |
-ABI: -Are you home, Dad? | 0:24:53 | 0:24:55 | |
Through here, Abs. | 0:24:55 | 0:24:56 | |
Look, before you say anything, I... | 0:25:00 | 0:25:02 | |
I just wanted to say I'm really sorry about earlier. | 0:25:02 | 0:25:05 | |
It's all right. Don't worry about it. | 0:25:07 | 0:25:09 | |
No. We're a family. | 0:25:09 | 0:25:11 | |
And I know that we're not all together at the moment but... | 0:25:11 | 0:25:14 | |
that's no excuse for me getting cross and walking off. | 0:25:14 | 0:25:16 | |
I mean, it's more of a reason why we shouldn't snap at each other. | 0:25:16 | 0:25:20 | |
-Are you OK? -Yeah. | 0:25:21 | 0:25:23 | |
-What's the matter? -THROUGH TEARS: -Nothing, nothing. | 0:25:24 | 0:25:27 | |
-Nothing, Abs, I'm all right. -Look at me. What is the matter? | 0:25:27 | 0:25:30 | |
What am I going to do? | 0:25:35 | 0:25:36 | |
She's gone, Abs, you know? What am I going to do? | 0:25:38 | 0:25:41 | |
I'll look after you, Dad. | 0:25:45 | 0:25:47 | |
Team Branning. | 0:25:51 | 0:25:53 | |
AVA GIGGLES INSIDE | 0:26:34 | 0:26:37 | |
Ava? | 0:26:38 | 0:26:39 | |
AVA, INSIDE: You're bad! | 0:26:46 | 0:26:48 | |
-SAM: -Behave yourself! Hey, enough! | 0:26:48 | 0:26:51 | |
Enough! I got to go. I got to go! | 0:26:51 | 0:26:52 | |
-AVA SIGHS HAPPILY -I'll be back. | 0:26:55 | 0:26:59 | |
-BILLY: -Janine, I'm here. | 0:27:22 | 0:27:24 | |
I'm here! | 0:27:25 | 0:27:26 | |
Blimey, what do you want me to do? Text you a photo? | 0:27:26 | 0:27:29 | |
Meantime, my tea's on the table at home, getting cold. | 0:27:31 | 0:27:34 | |
Yes. I've been in and out about half a dozen times already. | 0:27:34 | 0:27:38 | |
Well, if you want me to stick a flag on my head | 0:27:39 | 0:27:42 | |
and turn the sound system up, I can do that. | 0:27:42 | 0:27:44 | |
Reticent? | 0:27:45 | 0:27:47 | |
Yes. Yes, I do know what "reticent" means, actually, Janine. | 0:27:48 | 0:27:51 | |
I can do "reticent", thank you very much. | 0:27:51 | 0:27:53 | |
So, are you actually coming back, Janine? | 0:27:53 | 0:27:55 | |
All right. OK. | 0:27:57 | 0:27:58 | |
Message received and understood. | 0:27:58 | 0:28:01 | |
Listen, Janine, just... | 0:28:02 | 0:28:04 | |
Look, I know it's not my place and call me old fashioned, | 0:28:04 | 0:28:07 | |
but all this messing him about... | 0:28:07 | 0:28:09 | |
Why don't you just call Michael and tell him where you are? | 0:28:09 | 0:28:12 | |
And where's the fun in that? | 0:28:12 | 0:28:14 | |
Michael doesn't do straight talking. | 0:28:14 | 0:28:18 | |
The truth brings him out in a rash. | 0:28:18 | 0:28:20 | |
Speak to you later. | 0:28:20 | 0:28:21 | |
TICKING | 0:28:29 | 0:28:32 | |
TIMER BUZZES | 0:28:45 | 0:28:48 | |
No pressure. Absolutely no pressure. | 0:29:03 | 0:29:06 | |
It's just a souffle. | 0:29:06 | 0:29:07 | |
It's not JUST a souffle, is it? I mean, it's on the specials board | 0:29:09 | 0:29:13 | |
and it's got a unique selling point - you know, "share a souffle". | 0:29:13 | 0:29:17 | |
You did make sure that your mixing bowl was absolutely spotless, didn't you? | 0:29:17 | 0:29:21 | |
Jean, just relax. | 0:29:21 | 0:29:22 | |
-Oh! -Oh, for crying out loud! | 0:29:25 | 0:29:27 | |
You! You... | 0:29:27 | 0:29:30 | |
I... Oh, never mind. | 0:29:30 | 0:29:32 | |
Never mind?! That looked like it had risen! | 0:29:32 | 0:29:35 | |
Well, better luck next time. | 0:29:35 | 0:29:36 | |
I'm not made of money. | 0:29:36 | 0:29:38 | |
-Look, Jean, I know you're doing your best, OK? -Yeah. | 0:29:43 | 0:29:46 | |
But next time maybe do an individual one. | 0:29:46 | 0:29:48 | |
You know, look... Size doesn't matter, does it? | 0:29:48 | 0:29:51 | |
I'm disappointed in you, Bill. This is my disappointed face. | 0:29:55 | 0:29:58 | |
I find your intransigence frustrating. | 0:29:58 | 0:30:03 | |
You either know where she is, Billy, or you don't know where she is. | 0:30:03 | 0:30:06 | |
All right, all right, keep your hair on, will you? | 0:30:06 | 0:30:09 | |
I'm just trying to be, you know...reticent. | 0:30:09 | 0:30:13 | |
-What was that? -Reticent. | 0:30:13 | 0:30:15 | |
Yeah! | 0:30:15 | 0:30:17 | |
Yeah, yeah. Yeah, course you are. Course you are. | 0:30:17 | 0:30:20 | |
I like you, Bill. | 0:30:22 | 0:30:24 | |
-You know I've always had a very soft spot for you. -Yeah. -Yeah. | 0:30:24 | 0:30:28 | |
You know that, right? | 0:30:28 | 0:30:30 | |
I'm confused. I don't know what to make of it all. | 0:30:30 | 0:30:33 | |
I suppose that's all I'm saying. | 0:30:33 | 0:30:35 | |
You and me both neither! | 0:30:35 | 0:30:38 | |
I was halfway through my egg and chips. | 0:30:38 | 0:30:40 | |
-Hmm. -It's women, though, right? | 0:30:40 | 0:30:42 | |
-Is it? -Like to keep you on your toes. | 0:30:42 | 0:30:45 | |
Yeah. | 0:30:45 | 0:30:46 | |
They do. That's right. | 0:30:48 | 0:30:50 | |
Never mind. Out of sight, out of mind. | 0:30:51 | 0:30:54 | |
That's got to be the way forward, ain't it? | 0:30:54 | 0:30:56 | |
Out of sight, out of mind. | 0:30:56 | 0:30:58 | |
She knows where I am - Janine. She knows where I am. | 0:30:59 | 0:31:01 | |
If she's going to let me see my daughter again, she can just get in contact with me. | 0:31:01 | 0:31:05 | |
Thanks for that, Bill. | 0:31:06 | 0:31:08 | |
Luxley Hotel. | 0:31:08 | 0:31:10 | |
That's where Janine is. Luxley Hotel. | 0:31:12 | 0:31:16 | |
You know it, apparently. | 0:31:16 | 0:31:18 | |
-Do I? -She says that you do. | 0:31:18 | 0:31:20 | |
Does she? | 0:31:20 | 0:31:22 | |
Oh, yeah. Yeah, yeah, I do. | 0:31:22 | 0:31:24 | |
Very good room service, as I recall. | 0:31:25 | 0:31:27 | |
Look, she's checking out tonight. I don't know where she's going. | 0:31:27 | 0:31:30 | |
Somewhere foreign, presumably, this time of year. | 0:31:30 | 0:31:34 | |
Shouldn't be too hard to get a replacement passport. | 0:31:34 | 0:31:37 | |
Thanks, Bill. | 0:31:37 | 0:31:38 | |
-Hi! -Hi. -Gin and tonic, please, Tracey. -OK. | 0:32:03 | 0:32:06 | |
-And whatever Cora's having. -OK. | 0:32:11 | 0:32:14 | |
SHIRLEY: I know that look. | 0:32:21 | 0:32:23 | |
H-H-He managed to get it out of me. | 0:32:35 | 0:32:37 | |
He knows where you're staying. | 0:32:38 | 0:32:40 | |
What else is he going to do, eh? | 0:32:42 | 0:32:44 | |
He just jumped straight into a cab. | 0:32:44 | 0:32:46 | |
Reticent. When does Billy Mitchell use a word like "reticent"? | 0:32:53 | 0:32:57 | |
He's a weapons-grade moron. | 0:32:57 | 0:32:59 | |
That is so her word. | 0:32:59 | 0:33:02 | |
She has got replacement passports, through. | 0:33:02 | 0:33:04 | |
Isn't that all the more reason to go to the hotel? For Scarlett's sake? | 0:33:04 | 0:33:08 | |
Are you deaf or just thick? | 0:33:08 | 0:33:09 | |
I must be. Seeing as I'm sat here talking to you. | 0:33:09 | 0:33:12 | |
You've spent every single day since Janine took Scarlett trying to find out where they are. | 0:33:12 | 0:33:16 | |
Now you know and you're not going because...Janine wants you to? | 0:33:16 | 0:33:19 | |
Oh, brilliant. Lucky Scarlett. | 0:33:19 | 0:33:20 | |
No, it's not that. She's trying to set me up, Alice. She's trying to punish me. | 0:33:20 | 0:33:24 | |
For what? Because she thought I was her friend? | 0:33:24 | 0:33:26 | |
-That's a really dumb question. -Don't talk to me like that. -Let me walk you through it again. | 0:33:26 | 0:33:30 | |
She really resents me because I wasn't there for them when... | 0:33:30 | 0:33:33 | |
When Scarlett was born, you know, I kind of disappeared for a bit. | 0:33:33 | 0:33:36 | |
And deep down inside, she realises that Scarlett loves me so much more. | 0:33:37 | 0:33:41 | |
And in the final analysis, | 0:33:41 | 0:33:45 | |
she realises she's an awful mother. | 0:33:45 | 0:33:48 | |
Marriage is... | 0:33:48 | 0:33:49 | |
It's complicated. | 0:33:50 | 0:33:52 | |
Fine. Whatever. It's not even any of my business. | 0:33:52 | 0:33:55 | |
I was just Scarlett's childminder whenever you had something better to do. | 0:33:56 | 0:34:00 | |
And I loved her. | 0:34:02 | 0:34:03 | |
But what do I know? | 0:34:03 | 0:34:05 | |
I'm not as experienced or as toxic as you, am I, Michael? | 0:34:05 | 0:34:09 | |
In my world, in the real world, there's only one reason a woman wants a man to chase after her. | 0:34:09 | 0:34:13 | |
-I don't like playing games. -Really? | 0:34:13 | 0:34:15 | |
Because it seems to me that you and Janine get off on them | 0:34:15 | 0:34:17 | |
just as much as each other. | 0:34:17 | 0:34:19 | |
And, you know, for Scarlett's sake, the least you can do is win. | 0:34:19 | 0:34:23 | |
SHE SIGHS | 0:34:39 | 0:34:41 | |
PHONE RINGS | 0:34:54 | 0:34:56 | |
It's harassment. | 0:34:59 | 0:35:01 | |
I think it's sexual harassment. | 0:35:02 | 0:35:05 | |
Blowing hot and cold. Keeping tabs on me all the time. | 0:35:06 | 0:35:09 | |
I mean, yesterday he was so horrible to me. | 0:35:11 | 0:35:13 | |
He's overwhelmed with... | 0:35:16 | 0:35:18 | |
..feelings. Ugh! | 0:35:19 | 0:35:22 | |
Isn't he? | 0:35:22 | 0:35:23 | |
I mean, no wonder my souffle's sloppy. I can't concentrate. | 0:35:25 | 0:35:29 | |
So...your horoscope said that the moon was in Uranus. | 0:35:29 | 0:35:35 | |
Does that mean, "Beware of Ian Beale in the kitchen"? | 0:35:35 | 0:35:38 | |
No! My horoscope said... | 0:35:38 | 0:35:41 | |
Here. "Be on the lookout for little treats. They could signal romance." | 0:35:41 | 0:35:46 | |
-And Ian Beale gave you a glass of wine? -Yes. And called it a "little treat". | 0:35:46 | 0:35:50 | |
Give us them back. I don't want you misunderstanding my bourbons. | 0:35:50 | 0:35:53 | |
No, you're not winking at me, are you, Shirley? | 0:35:53 | 0:35:56 | |
-Ian Beale winked at you? -Yes! | 0:35:56 | 0:35:58 | |
And praising me and flattering me and squeezing my hand. | 0:35:58 | 0:36:01 | |
-I've not had a wink in years. -It was a twitch. -It's a worry. | 0:36:03 | 0:36:07 | |
-DENISE: -Shirley! | 0:36:07 | 0:36:09 | |
Hardly surprising, is it? | 0:36:09 | 0:36:11 | |
I know that Ian and I share mental health issues and a love of cooking, | 0:36:11 | 0:36:17 | |
but I swear, Shirley, I've never given Ian Beale one iota of encouragement. | 0:36:17 | 0:36:22 | |
Shirley Carter, if you're back there scoffing them biscuits, they are coming out of your wages. | 0:36:22 | 0:36:26 | |
Yes, your highness. Two minutes, your highness. | 0:36:26 | 0:36:29 | |
I mean, how difficult and demanding do you think it is living with her? | 0:36:32 | 0:36:36 | |
-Poor fella just needs a bit of comfort. -Shirley! | 0:36:38 | 0:36:41 | |
You've got to slap him down, Jean. | 0:36:43 | 0:36:45 | |
I've got some shrapnel for you. | 0:36:53 | 0:36:56 | |
Yes. I'm sure you have. | 0:36:56 | 0:36:58 | |
But I think you'll find that a good name is rather to be chosen than great riches. | 0:36:59 | 0:37:05 | |
And loving favour, than silver or gold. | 0:37:05 | 0:37:09 | |
That is Proverbs. Chapter 22, verse one. | 0:37:09 | 0:37:13 | |
Sorry, Dot. | 0:37:13 | 0:37:14 | |
You know, lying always catches up with you. | 0:37:16 | 0:37:19 | |
But it'll pass. They'll find something else to talk about. | 0:37:20 | 0:37:24 | |
Do you know that Cora? She actually come into the launderette | 0:37:24 | 0:37:28 | |
specially to tell me, on account of my not knowing nothing about it. | 0:37:28 | 0:37:31 | |
I mean, why should I? Weren't none of my business. Nor hers. | 0:37:31 | 0:37:34 | |
So said to her, I said, | 0:37:34 | 0:37:35 | |
"Let he who is without sin cast the first stone". | 0:37:35 | 0:37:39 | |
So you keep your head held up. | 0:37:40 | 0:37:43 | |
And don't you mope. | 0:37:43 | 0:37:45 | |
You've got to eat. | 0:37:45 | 0:37:47 | |
And if you want to give me back them little bootees, | 0:37:47 | 0:37:50 | |
you could always post them through my letterbox. | 0:37:50 | 0:37:53 | |
Cos there's a woman at my church, Maureen - | 0:37:53 | 0:37:56 | |
she does the flowers and her daughter's expecting. | 0:37:56 | 0:37:59 | |
A little grandson. | 0:38:01 | 0:38:02 | |
So... | 0:38:08 | 0:38:09 | |
This is nice, innit? | 0:38:11 | 0:38:12 | |
Pubs ain't the same since they stopped letting you smoke in 'em. | 0:38:15 | 0:38:19 | |
What, all that breathing clean air and drinking? | 0:38:21 | 0:38:23 | |
Still, you've done well, though, haven't you? Giving up smoking. | 0:38:26 | 0:38:32 | |
Thank you. You got a little gold star you can give me? | 0:38:32 | 0:38:36 | |
I think... | 0:38:39 | 0:38:41 | |
maybe some people just don't have that much in common. | 0:38:41 | 0:38:46 | |
Right. | 0:38:46 | 0:38:47 | |
My thoughts exactly. | 0:38:48 | 0:38:50 | |
It's...a personality kind of thing. | 0:38:51 | 0:38:54 | |
I'VE always found honesty is the best policy. | 0:38:57 | 0:39:01 | |
If you want to say something, just go ahead and say it. | 0:39:04 | 0:39:07 | |
Yeah, I will. It's not just about Tanya. | 0:39:07 | 0:39:10 | |
Your sister Rainie's the same. | 0:39:10 | 0:39:13 | |
Not one of you can pick a decent fella. | 0:39:13 | 0:39:16 | |
Like a well-oiled machine. You know what I like, Jean? | 0:39:20 | 0:39:24 | |
Just you and me together on our own doing the business. | 0:39:25 | 0:39:28 | |
-You know what I like about you? -No. | 0:39:31 | 0:39:34 | |
Your enthusiasm. You're eager to please. | 0:39:34 | 0:39:37 | |
You don't have these nights off | 0:39:37 | 0:39:39 | |
and throw in the towel like the others. | 0:39:39 | 0:39:42 | |
You're like my right hand, only better. | 0:39:43 | 0:39:45 | |
Well, what did you tell him? | 0:39:52 | 0:39:53 | |
I just said what you told me to say. | 0:39:53 | 0:39:56 | |
Well, you obviously didn't say it right. | 0:39:56 | 0:39:58 | |
Janine, I'm just a normal bloke, all right? I don't understand what you're doing. | 0:39:58 | 0:40:03 | |
-I don't understand how I could say it in any other way. -Fine. | 0:40:03 | 0:40:07 | |
Fine. You go back and you tell Michael he blew it, all right? | 0:40:07 | 0:40:12 | |
You tell him he will never have another chance | 0:40:12 | 0:40:16 | |
with Scarlett. His daughter. He will never see her again. | 0:40:16 | 0:40:20 | |
You tell him that. | 0:40:20 | 0:40:22 | |
MICHAEL: You can tell me yourself. DOOR CLOSES | 0:40:26 | 0:40:28 | |
This is the part in the film where you leave, Bill. | 0:40:34 | 0:40:37 | |
Yeah. Yeah, right. | 0:40:37 | 0:40:40 | |
I'll, erm, be on me way, then. | 0:40:40 | 0:40:42 | |
-Oh, Billy. -Yeah? | 0:40:42 | 0:40:44 | |
You're fired. | 0:40:44 | 0:40:45 | |
I think you probably lost the right to tell me what to do | 0:41:03 | 0:41:06 | |
over 40 years ago. | 0:41:06 | 0:41:08 | |
Yes, every time. | 0:41:08 | 0:41:11 | |
But just cos you went out and got yourself an education, lady, | 0:41:12 | 0:41:16 | |
that don't mean you've got any common sense. | 0:41:16 | 0:41:19 | |
It's none of my business who you drop your knickers for. | 0:41:20 | 0:41:23 | |
But if I can find out, don't you think Dexter's going to get wind of it? | 0:41:23 | 0:41:28 | |
You and I might not have anything in common, Ava, | 0:41:29 | 0:41:32 | |
but me and my grandson, we're friends. | 0:41:32 | 0:41:35 | |
I think you've got a choice. | 0:41:37 | 0:41:39 | |
End it with Sam or tell Dexter the truth. | 0:41:39 | 0:41:43 | |
Then, what do I know? | 0:41:44 | 0:41:46 | |
I'm just the woman who gave birth to you. | 0:41:46 | 0:41:49 | |
Quite frankly, that's another compromising position | 0:41:52 | 0:41:56 | |
I could have done without. | 0:41:56 | 0:41:58 | |
I said to her, I said, "Lola, I am the official manager now." | 0:42:00 | 0:42:05 | |
You are the official manager. | 0:42:05 | 0:42:07 | |
So I said, "Lola, roots? Really?" | 0:42:07 | 0:42:10 | |
What kind of image are we presenting? | 0:42:10 | 0:42:12 | |
Like, er...hairdressers that can't do hair properly. | 0:42:12 | 0:42:15 | |
Exactly, and how many people want hairdressers that don't dye their own hair properly? | 0:42:15 | 0:42:19 | |
-Hi, a white wine spritzer with a dash of lime, please. -And an orange juice. | 0:42:19 | 0:42:23 | |
What did Lola say? | 0:42:23 | 0:42:24 | |
She said all kinds of things in the stock room, cos I heard her. | 0:42:24 | 0:42:27 | |
-You've got to let that pass. -I did. I did. I let that pass. | 0:42:27 | 0:42:30 | |
But, you know, time-keeping, now that is where I'm drawing the line. | 0:42:30 | 0:42:34 | |
She's not going to like that. | 0:42:34 | 0:42:35 | |
No, she did not like that. And, you know, I don't blame her. | 0:42:35 | 0:42:39 | |
These things, they can easily become a habit. | 0:42:39 | 0:42:42 | |
Like, if I don't put all my little bits out by my shoes the night before, | 0:42:42 | 0:42:46 | |
I ain't going to sleep, Alice, you know? Cos I think I'll forget 'em. | 0:42:46 | 0:42:49 | |
I think that's a good habit, but anyway, I'm not being mean, yeah? | 0:42:49 | 0:42:53 | |
But you cannot turn up 20 minutes after your client. | 0:42:53 | 0:42:56 | |
Right? I mean, how does that look? | 0:42:56 | 0:42:59 | |
Like a beauty salon that can't be bothered. | 0:42:59 | 0:43:01 | |
They don't mention that in the "how to teach yourself management" book, do they? | 0:43:01 | 0:43:06 | |
You know, I've had four mint teas and a banana for the pressure. | 0:43:06 | 0:43:09 | |
Oh, babe! | 0:43:09 | 0:43:11 | |
Fats got me a little lunchbox with "manager" on it! | 0:43:11 | 0:43:15 | |
Seriously though, I'm not sure I'm cut out. | 0:43:15 | 0:43:17 | |
You ARE cut out. | 0:43:17 | 0:43:18 | |
I said to him, | 0:43:19 | 0:43:21 | |
"Shaking this tin is a relief after being in charge." | 0:43:21 | 0:43:25 | |
Even if it does mean he's got to do all the bits on the list - | 0:43:25 | 0:43:29 | |
-you know, pick up the washing and that. -What did Fat Boy say? | 0:43:29 | 0:43:32 | |
He said he had created a monster and he wanted his lunchbox back. | 0:43:32 | 0:43:37 | |
-There you go. -Thanks. As a joke. He said it as a joke. | 0:43:37 | 0:43:40 | |
But if I'm being honest, I didn't find it all that funny. | 0:43:40 | 0:43:44 | |
Kirst? Come on. | 0:43:48 | 0:43:50 | |
Come out for dinner. Somewhere nice. | 0:43:50 | 0:43:54 | |
You've still got to eat, even if it's just for one now. | 0:43:54 | 0:43:56 | |
Come on. | 0:43:58 | 0:43:59 | |
You know you want to. | 0:44:00 | 0:44:02 | |
I'd rather starve. | 0:44:04 | 0:44:06 | |
You know I mean it. | 0:44:07 | 0:44:09 | |
Say goodbye, Michael. | 0:44:17 | 0:44:19 | |
Again? You look well by the way. | 0:44:21 | 0:44:23 | |
YOU can do one. | 0:44:23 | 0:44:24 | |
Not the Caribbean, no? If you want me to continue to chase you, | 0:44:30 | 0:44:33 | |
you'll have to bear in mind my limited budget. I'm rather impecunious. | 0:44:33 | 0:44:37 | |
I'm presuming the passports have come through. | 0:44:37 | 0:44:40 | |
I didn't ever want you to chase me. I never want to see you again. | 0:44:40 | 0:44:43 | |
That's patently rubbish cos you set Billy up to tell me where you were. | 0:44:43 | 0:44:47 | |
And we share a daughter. Had you overseen that? | 0:44:47 | 0:44:50 | |
We're inextricably linked, Janine, unfortunately. | 0:44:50 | 0:44:53 | |
But, in retrospect, | 0:44:53 | 0:44:55 | |
I would do it all again. I would. | 0:44:55 | 0:44:57 | |
I would. Because you're worth it. | 0:44:57 | 0:45:00 | |
Has her back tooth come through yet? | 0:45:01 | 0:45:02 | |
I don't... | 0:45:04 | 0:45:06 | |
Yes. Yes. I think... I think so. | 0:45:06 | 0:45:09 | |
Will you just say goodbye? We've got to check in. | 0:45:09 | 0:45:11 | |
No. I won't. | 0:45:11 | 0:45:12 | |
Cos it's not very kind. And it's certainly not good for her. | 0:45:13 | 0:45:17 | |
It's a constant upheaval, isn't it? It's just not very kind. | 0:45:17 | 0:45:19 | |
But then YOU'RE not very kind, are you? | 0:45:19 | 0:45:21 | |
Think about when you were small. Think about Frank. | 0:45:21 | 0:45:24 | |
You whinged about it enough. | 0:45:24 | 0:45:25 | |
Doesn't she, darling? | 0:45:27 | 0:45:28 | |
When you coming back to the Square? | 0:45:28 | 0:45:30 | |
I wasn't expecting you, OK? You've got to remember this is a legitimate business - | 0:45:32 | 0:45:36 | |
I can't just lay my hands on fistfuls of cash whenever you turn up. | 0:45:36 | 0:45:39 | |
I suppose a menu'll have to do, then. | 0:45:45 | 0:45:47 | |
For now. | 0:45:49 | 0:45:50 | |
Uh-oh. | 0:45:56 | 0:45:57 | |
Good mood's over, I'm telling you. | 0:45:57 | 0:46:00 | |
She's very demanding, apparently. | 0:46:00 | 0:46:03 | |
Who? Denise is? | 0:46:03 | 0:46:05 | |
Is she? Cos that's what I heard. | 0:46:05 | 0:46:06 | |
I don't know how Ian can sit down and have dinner with her every evening. | 0:46:06 | 0:46:11 | |
It's understandable that he would be looking for... | 0:46:11 | 0:46:15 | |
comfort wherever he can... | 0:46:15 | 0:46:17 | |
You quit, so either order something or leave. | 0:46:18 | 0:46:20 | |
Souffle. OK? We've got one on order. One of the first individual souffles. | 0:46:20 | 0:46:24 | |
Jean, no pressure, but all eyes are going to be on you. Don't mess up. | 0:46:24 | 0:46:27 | |
I put her name down for the Baptist church on the high street. | 0:47:06 | 0:47:09 | |
My daughter is not going to a church nursery. | 0:47:09 | 0:47:11 | |
I knew you'd say that. | 0:47:11 | 0:47:12 | |
So I looked into this prep school outside of Walford. | 0:47:12 | 0:47:15 | |
It's a posh one. You'll like it. It's expensive, long waiting list. | 0:47:15 | 0:47:18 | |
Not my money to spend, though. | 0:47:18 | 0:47:20 | |
And that's what this is all about, isn't it, in essence? Money. | 0:47:20 | 0:47:24 | |
-I never wanted it, did I? Never took it. -Oh, yes. | 0:47:26 | 0:47:28 | |
Yes. I get the message. | 0:47:28 | 0:47:30 | |
Do you, though? I'm not sure you do. | 0:47:33 | 0:47:35 | |
Let's see if you do. | 0:47:35 | 0:47:37 | |
450 THOUSAND pounds. That's a lot of money. | 0:47:37 | 0:47:41 | |
Have you ever considered what it would've been like if I'd said yes that night that you left me | 0:47:42 | 0:47:46 | |
on my own, holding the baby? | 0:47:46 | 0:47:48 | |
And it's me that whinges? | 0:47:48 | 0:47:50 | |
Possibilities would've been endless. I could've got myself a decent lawyer | 0:47:50 | 0:47:53 | |
instead of that chocolate fireguard Norman Pike. | 0:47:53 | 0:47:55 | |
Could've given yours a good run for her money, couldn't I? | 0:47:55 | 0:47:58 | |
You would've liked that. Another fight. | 0:47:58 | 0:48:01 | |
Can you tell me what possible reason I would have to come back to the Square? | 0:48:01 | 0:48:06 | |
Me. | 0:48:08 | 0:48:09 | |
He doesn't look like a souffle sort of person. Who is he? | 0:48:25 | 0:48:29 | |
You're still here? | 0:48:29 | 0:48:31 | |
Why is she still here? It's the staff-only area. | 0:48:31 | 0:48:33 | |
I'm collecting money for charity, actually, thank you very much. | 0:48:33 | 0:48:36 | |
And Mrs Branning's already done the pub so... | 0:48:36 | 0:48:39 | |
What does a souffle person actually look like? | 0:48:39 | 0:48:42 | |
-Hmm, not like him. -THEY CHUCKLE | 0:48:42 | 0:48:44 | |
Jean, will you please open the doors? | 0:48:48 | 0:48:51 | |
I am waiting for the beep. | 0:48:51 | 0:48:53 | |
-TIMER RINGS -Ah, right! There we go. | 0:48:56 | 0:48:59 | |
This is it, then. Oh! | 0:48:59 | 0:49:01 | |
What if it's another failure, like...? No, no, no! It won't be. I just... | 0:49:02 | 0:49:06 | |
Erm...yeah... | 0:49:06 | 0:49:08 | |
I can't actually bring myself to open the oven door. | 0:49:09 | 0:49:12 | |
Do I have to do EVERYTHING myself? | 0:49:12 | 0:49:14 | |
Well, no. Not if you were a good manager. | 0:49:14 | 0:49:16 | |
I mean, no offence, but good management is in the art of delegation. | 0:49:16 | 0:49:20 | |
A waitress who can't waitress. A chef that can't open a door, | 0:49:20 | 0:49:22 | |
and a souffle that's going to be burnt and... | 0:49:22 | 0:49:25 | |
SHE GASPS | 0:49:33 | 0:49:35 | |
I'll get the plate. | 0:49:35 | 0:49:37 | |
Jean, it is perfect! | 0:49:37 | 0:49:39 | |
Jean, you did it! | 0:49:41 | 0:49:43 | |
-You know what? I could kiss you. -No, please don't. -I could actually kiss you. -NO, Ian! | 0:49:43 | 0:49:47 | |
No means no! | 0:49:49 | 0:49:51 | |
Can you just take her in there, please? | 0:49:57 | 0:49:59 | |
-My life's been better without you, actually. -Leave. You need to get out. | 0:50:07 | 0:50:11 | |
It has been infinitely richer. | 0:50:11 | 0:50:13 | |
Do you know what? You really are an arrogant, pathetic man. | 0:50:13 | 0:50:17 | |
Do you really rate yourself that highly? | 0:50:17 | 0:50:18 | |
Yeah. Yeah, I do. | 0:50:18 | 0:50:21 | |
You think you can bypass being decent just cos you're loaded. | 0:50:21 | 0:50:24 | |
That's your problem. | 0:50:24 | 0:50:25 | |
The last little fragment of your heart has rotted away. | 0:50:25 | 0:50:29 | |
Look at you. Can you see how grotesque you are? | 0:50:29 | 0:50:32 | |
-Do you know where you're headed? -Yeah. The Caribbean and it's not that far. | 0:50:33 | 0:50:37 | |
I gather it's warm this time of year. You have a nice time. | 0:50:37 | 0:50:39 | |
You haven't even said goodbye to your precious daughter. | 0:50:39 | 0:50:42 | |
And also, technically, we're still married, aren't we? | 0:50:42 | 0:50:45 | |
Which means I have rights to certain assets along the line. | 0:50:45 | 0:50:48 | |
-Do you think? -Oh, please! | 0:50:48 | 0:50:51 | |
Oh, dear, if only we hadn't ripped up that prenup. | 0:50:53 | 0:50:56 | |
And do you really think that your pathetic, sweaty little lawyer | 0:50:57 | 0:51:01 | |
Norman's blood pressure is up to it? | 0:51:01 | 0:51:03 | |
I don't want you back on the Square. Where's the incentive for me? | 0:51:03 | 0:51:06 | |
With your patronising, condescending tone? | 0:51:06 | 0:51:08 | |
Treating me like a lackey while my daughter watches on? | 0:51:08 | 0:51:12 | |
No, no, no. This'll all pass. | 0:51:13 | 0:51:16 | |
I'll wait. I'll bide my time. Cos I'm patient. | 0:51:16 | 0:51:19 | |
Cos I'm still married to you. I'm still your husband. And she'll always be my daughter. | 0:51:20 | 0:51:24 | |
So that means half, Janine. | 0:51:26 | 0:51:28 | |
That means half of all you own will be mine. | 0:51:28 | 0:51:31 | |
In your dreams. | 0:51:31 | 0:51:32 | |
No, no. I think you'll find you're very, very mistaken. | 0:51:32 | 0:51:35 | |
Even the poor people get to go to Citizens Advice. | 0:51:36 | 0:51:39 | |
No, I think you'll find it'll be you looking out the window, | 0:51:40 | 0:51:43 | |
hoping, praying, to see if I show up with her. | 0:51:43 | 0:51:47 | |
Maybe I will. | 0:51:49 | 0:51:50 | |
Maybe I won't. | 0:51:52 | 0:51:53 | |
But for now, for today, I'm done here. | 0:51:55 | 0:51:57 | |
Cos I can't wait for you to grow up any more, cos you're an emotional dwarf. | 0:51:57 | 0:52:02 | |
And you couldn't put that child before you even if you tried. | 0:52:02 | 0:52:05 | |
So we can do the legal thing - just go through the lawyers | 0:52:07 | 0:52:10 | |
and all that horrible toxic stuff. That's fine. | 0:52:10 | 0:52:13 | |
But I'm not here to say goodbye to her. | 0:52:13 | 0:52:16 | |
I'm here to say goodbye to you. | 0:52:16 | 0:52:17 | |
Bye, then. | 0:52:18 | 0:52:20 | |
And stay away from the Square. | 0:52:22 | 0:52:24 | |
Can you come in here? | 0:52:45 | 0:52:47 | |
Get those suitcases in the car. | 0:52:58 | 0:53:00 | |
We're leaving. | 0:53:05 | 0:53:06 | |
-IAN: -Jean! | 0:53:19 | 0:53:20 | |
< Get yourself out of that toilet! | 0:53:20 | 0:53:23 | |
-BIANCA: -Right, she says if you put the knife down, she'll come out. | 0:53:26 | 0:53:30 | |
LOUD CLATTER | 0:53:33 | 0:53:35 | |
There you go. Enjoy your meal. | 0:53:51 | 0:53:53 | |
-DENISE: -Ian! What did we say? | 0:53:54 | 0:53:56 | |
What did we say? | 0:53:57 | 0:53:59 | |
Compassion in the workplace - THAT is what we said. | 0:53:59 | 0:54:02 | |
Now, whatever Jean may or may not have done... | 0:54:02 | 0:54:04 | |
-it's not that bad. -It's MY kitchen. | 0:54:04 | 0:54:07 | |
-You tried to kiss me. -What? -I'm in charge. | 0:54:07 | 0:54:09 | |
Yes, well, that doesn't actually mean you can kiss her, Ian. | 0:54:09 | 0:54:12 | |
You know, management-wise. | 0:54:12 | 0:54:13 | |
I'm just collecting for the church... | 0:54:13 | 0:54:16 | |
He tried to kiss me. I've got witnesses. | 0:54:16 | 0:54:19 | |
And I'm entitled to reject romance, whatever it says in my horoscope. | 0:54:19 | 0:54:23 | |
OK, I'm sure there must have been just a bit of a misunderstanding. | 0:54:23 | 0:54:26 | |
No, no, there wasn't. He wanted to kiss her. | 0:54:26 | 0:54:28 | |
-Who pulled your chain? -Get stuffed. -Ian? | 0:54:28 | 0:54:30 | |
It was for the souffle, OK? | 0:54:32 | 0:54:33 | |
Her first ever souffle that didn't turn out | 0:54:33 | 0:54:35 | |
looking like something a dog's thrown up. OK? | 0:54:35 | 0:54:38 | |
I was being encouraging, like you said. Like we practised. | 0:54:38 | 0:54:41 | |
Yes, well, we did say we were going to work on his people skills. | 0:54:41 | 0:54:44 | |
Oh, is that what you call it? | 0:54:44 | 0:54:46 | |
Well, I will not be some "bit of comfort", Ian Beale. | 0:54:46 | 0:54:50 | |
-I mean, it's not my fault you can't meet her demands. -What?! | 0:54:50 | 0:54:53 | |
I will not be a part of some sordid love triangle, | 0:54:53 | 0:54:56 | |
just because YOU are inadequate. | 0:54:56 | 0:54:57 | |
Oh, get a grip, you dozy, middle-aged fruit-loop! | 0:54:57 | 0:55:01 | |
I mean, why would I fancy you? Comedy value? | 0:55:01 | 0:55:03 | |
The only reason you are here is out of sympathy, OK? | 0:55:03 | 0:55:06 | |
Because I would rather take a vow and join a monastery | 0:55:06 | 0:55:09 | |
than make a pass at you! | 0:55:09 | 0:55:10 | |
I think you might need to work on the old compassion angle | 0:55:19 | 0:55:22 | |
just a little bit. | 0:55:22 | 0:55:24 | |
Denise, I'm... | 0:55:29 | 0:55:30 | |
-Hold the fort, will you? -Hold your own fort, you perv. | 0:55:32 | 0:55:34 | |
I'm your boss. Either hold the fort or you're fired. | 0:55:34 | 0:55:36 | |
-You can't do that. I can't even cook. -You have been nothing but an interfering little troublemaker, OK? | 0:55:36 | 0:55:41 | |
You're fired. Get your stuff. Get out! | 0:55:41 | 0:55:43 | |
You're still a perv! | 0:55:47 | 0:55:49 | |
Sorry. | 0:56:01 | 0:56:03 | |
There you are. | 0:56:40 | 0:56:41 | |
Oh! That is, erm... That's very generous of you, sir. | 0:56:41 | 0:56:45 | |
Git! | 0:56:45 | 0:56:47 | |
Not at all, darling. | 0:56:47 | 0:56:48 | |
I've come into a bit of regular cash. | 0:56:51 | 0:56:53 | |
Well, it's nice to know some people have a conscience. | 0:56:55 | 0:56:59 | |
It weren't bad, that. | 0:57:06 | 0:57:08 | |
Bit empty, though, ain't it? | 0:57:08 | 0:57:09 | |
A business ain't worth nothing if you ain't doing business. | 0:57:12 | 0:57:16 | |
So you think telling Janine never to come back | 0:57:44 | 0:57:46 | |
will be the thing that gets her running back to the Square? | 0:57:46 | 0:57:48 | |
Yeah, admittedly when you vocalise it, it sounds rubbish. | 0:57:48 | 0:57:51 | |
-Yeah, it sounds mental as, mate. -Well, they're all mental, ain't they? | 0:57:51 | 0:57:54 | |
Bet you 50 quid I can do it. | 0:57:54 | 0:57:55 | |
Look, you want to dig out Amy's travel cot, be my guest. | 0:57:55 | 0:57:58 | |
And if Janine does come back tonight I'll double your money. | 0:57:58 | 0:58:01 | |
-Will you, now? -Yeah. -Very good. | 0:58:01 | 0:58:03 | |
-Excuse me. -Why, what have you done? | 0:58:06 | 0:58:08 | |
That is just rude. | 0:58:18 | 0:58:20 | |
Don't torture yourself, mate. | 0:58:33 | 0:58:35 | |
-See you later. -See you later. | 0:58:36 | 0:58:37 | |
You see, I told him when he started this restaurant malarkey | 0:59:05 | 0:59:10 | |
that mental health issues just don't go away, | 0:59:10 | 0:59:13 | |
and that undue stress can make the thing a whole lot worse. | 0:59:13 | 0:59:15 | |
Well, Ian Beale's always been a prat. | 0:59:15 | 0:59:17 | |
That was the one thing me and Phil agreed on. | 0:59:17 | 0:59:19 | |
Anyway, he can't sack you | 0:59:19 | 0:59:20 | |
just because he's been caught with his pants down. | 0:59:20 | 0:59:23 | |
-Oh, Bee... -Oh, no. His pants were well and truly on his bottom, | 0:59:23 | 0:59:25 | |
I can assure you. | 0:59:25 | 0:59:26 | |
-I'm not bothered. -Has he paid you what he owes you? | 0:59:26 | 0:59:29 | |
I don't want to work for some old perv | 0:59:29 | 0:59:30 | |
who thinks kissing you's a reward, anyway. | 0:59:30 | 0:59:32 | |
Ian Beale's not that old. Anyway, Yeah, sorry. Course you don't. | 0:59:32 | 0:59:35 | |
No. Don't worry, I'll get your money back. | 0:59:35 | 0:59:37 | |
It's all right. It's not me you want to feel sorry for, anyway. | 0:59:37 | 0:59:40 | |
I'm going to have a bath. | 0:59:42 | 0:59:44 | |
I suppose it's not entirely Ian's fault... | 0:59:45 | 0:59:49 | |
I mean, he can't help what's written in the stars, can he? | 0:59:49 | 0:59:52 | |
It was written in the stars. | 0:59:52 | 0:59:53 | |
It was written in the Walford Gazette, yesterday's horoscope. | 0:59:53 | 0:59:56 | |
-Don't read all that rubbish. -Exactly. That computerised jargon. | 0:59:56 | 0:59:59 | |
The last time I read it, it said, "Travel is imminent", | 0:59:59 | 1:00:02 | |
and I ended up nicked and in Suffolk the next afternoon! | 1:00:02 | 1:00:05 | |
You see, you can't avoid the inevitable, can you? | 1:00:05 | 1:00:07 | |
All those stars moving around and aligning. | 1:00:07 | 1:00:10 | |
You should come up on the roof and look through my telescope. | 1:00:10 | 1:00:13 | |
-There's bound to be an impact. -That's not so. | 1:00:13 | 1:00:16 | |
"Be on the lookout for little treats. | 1:00:16 | 1:00:18 | |
"They could signal romance". | 1:00:18 | 1:00:20 | |
And Ian gave me a glass of wine. | 1:00:21 | 1:00:23 | |
And that was a little treat. | 1:00:23 | 1:00:25 | |
He called it a little treat. | 1:00:25 | 1:00:27 | |
No, no, I could show you. I kept the newspaper... | 1:00:27 | 1:00:30 | |
Oh, no, I've left my handbag in the restaurant. | 1:00:30 | 1:00:35 | |
-Go and get it, then. -I can't go and get it. | 1:00:35 | 1:00:37 | |
I haven't told you what it says in today's horoscope, have I? | 1:00:37 | 1:00:40 | |
Oh! | 1:00:42 | 1:00:43 | |
I hate these things, they're designed by a sadist. | 1:00:45 | 1:00:47 | |
Look, even if Janine does come back, it ain't going to get Scarlett staying here. | 1:00:47 | 1:00:50 | |
Hope springs eternal in the human breast, Jack. | 1:00:50 | 1:00:53 | |
Well, do you see my kids running round this flat, do you? | 1:00:54 | 1:00:58 | |
No. No, I get it. I do. Just can't do it. | 1:00:58 | 1:01:01 | |
Not a stayer, mate, am I? A weekend dad. | 1:01:03 | 1:01:07 | |
-I'd settle for that, you see. -Hm? -Yeah. | 1:01:07 | 1:01:09 | |
See, I went for the whole family trip once. | 1:01:10 | 1:01:13 | |
James would be walking now, wouldn't he? Talking just like Tommy. | 1:01:14 | 1:01:17 | |
Yeah... | 1:01:17 | 1:01:19 | |
That's the thing, you see. They're messy, kids, aren't they? | 1:01:19 | 1:01:22 | |
They're noisy. Dependent. Mithering. | 1:01:22 | 1:01:25 | |
Invariably, they become attached with a horrible mother. | 1:01:25 | 1:01:29 | |
You did the right thing, you know? Be there at the kick-off, | 1:01:29 | 1:01:32 | |
get the good bit... | 1:01:32 | 1:01:33 | |
Keep your head down for the next 18 years. | 1:01:33 | 1:01:35 | |
-JEAN: -I don't think we should be doing this. | 1:02:30 | 1:02:33 | |
I've wrecked my ankle. | 1:02:37 | 1:02:39 | |
Where's Ian? | 1:02:40 | 1:02:42 | |
He's probably gone to play hunt the waitress. | 1:02:42 | 1:02:44 | |
I thought he'd be here, didn't you? | 1:02:44 | 1:02:46 | |
-Jean, find some candles. -I don't think we should be doing this. | 1:02:46 | 1:02:49 | |
Jean, I ain't going to go down the till. I just need a little sit down. | 1:02:49 | 1:02:52 | |
Don't put the light on! JEAN GASPS | 1:02:52 | 1:02:54 | |
You'll have half of Walford over here wanting their dinner. | 1:02:54 | 1:02:57 | |
No, no, no, Shirley. | 1:02:57 | 1:02:58 | |
Have you not been listening to a single word that I have said? | 1:02:58 | 1:03:02 | |
"Play with fire and you will get burnt". | 1:03:03 | 1:03:05 | |
That is what will happen, according to my today's horoscope. | 1:03:05 | 1:03:08 | |
Put a sock in it, Jean, or I will do it for you. | 1:03:08 | 1:03:11 | |
And that is what is going to happen, according to yours truly. | 1:03:11 | 1:03:14 | |
You know what, Jean? Years ago, they'd have burnt you as a witch. | 1:03:16 | 1:03:20 | |
Superstitious rubbish. | 1:03:22 | 1:03:23 | |
Jean, how are you going to find your handbag in this light? | 1:03:23 | 1:03:26 | |
You know what, Shirley Carter? | 1:03:26 | 1:03:28 | |
When I first met you, I thought you were a lesbian. | 1:03:28 | 1:03:30 | |
And not a very nice lesbian. | 1:03:30 | 1:03:31 | |
-Got any paracetamol? -Yes, in my handbag... Oh... | 1:03:33 | 1:03:35 | |
How about...a lickle bit of this? | 1:03:39 | 1:03:43 | |
It's not working. | 1:03:49 | 1:03:50 | |
Why? | 1:03:51 | 1:03:53 | |
For me...it's... | 1:03:53 | 1:03:54 | |
Sorry. | 1:03:56 | 1:03:57 | |
So you stand me up. Subtle. | 1:03:59 | 1:04:02 | |
Dinner... In public? It's too fast. | 1:04:02 | 1:04:05 | |
I wasn't planning on pinning you down over the pasta. | 1:04:05 | 1:04:08 | |
You know, what public? | 1:04:08 | 1:04:11 | |
Who's looking? | 1:04:11 | 1:04:12 | |
Sam, just... Please stop. | 1:04:12 | 1:04:15 | |
Ain't like I don't know about cold feet, huh? | 1:04:15 | 1:04:18 | |
It's just... | 1:04:19 | 1:04:21 | |
OK. Change your mind... | 1:04:24 | 1:04:27 | |
..you know where I am. | 1:04:28 | 1:04:30 | |
I miss you. | 1:04:41 | 1:04:42 | |
You're in my way. | 1:04:52 | 1:04:53 | |
Yeah, I know. | 1:04:54 | 1:04:56 | |
TV BLARES | 1:05:08 | 1:05:10 | |
That's not boxing, is it? | 1:05:13 | 1:05:14 | |
That's brawling, that's what that is! | 1:05:14 | 1:05:17 | |
What do you reckon? | 1:05:20 | 1:05:21 | |
DOOR SLAMS | 1:05:22 | 1:05:24 | |
BOXING COMMENTARY | 1:05:24 | 1:05:26 | |
And now we can see. | 1:05:36 | 1:05:39 | |
Jean, look under the sink... | 1:05:39 | 1:05:41 | |
You know what, I used to have a neighbour, right, | 1:05:41 | 1:05:44 | |
and she always kept her handbag under the sink. | 1:05:44 | 1:05:46 | |
And then we just thought she was a mate of Pat's, | 1:05:46 | 1:05:49 | |
but Pat just told us she was just some old brass. | 1:05:49 | 1:05:51 | |
No, that's where I draw the line. | 1:05:51 | 1:05:53 | |
-What, handbags? -No, brassering. -What? | 1:05:53 | 1:05:56 | |
BIANCA SNIGGERS Brassing. You know what I mean! People that do it for money. | 1:05:56 | 1:06:00 | |
-Well, unless it's a LOT of money. -I've left it at home. | 1:06:00 | 1:06:03 | |
I must have left it at home all along. | 1:06:03 | 1:06:06 | |
Oh well, never mind. Off we go, then. | 1:06:06 | 1:06:09 | |
Oh, Jean, why are you so loyal? | 1:06:09 | 1:06:12 | |
I mean, there's Kat, God love her, and then Alfie, | 1:06:12 | 1:06:15 | |
he's not related... And now Ian? | 1:06:15 | 1:06:17 | |
We're not doing any harm, Jean. | 1:06:17 | 1:06:19 | |
Well, we are stealing. | 1:06:19 | 1:06:21 | |
-How many hours did you work for Ian Beale last week? -Erm... | 1:06:21 | 1:06:24 | |
And how many did he pay you for? | 1:06:24 | 1:06:25 | |
-Er... -Do you know what, | 1:06:25 | 1:06:27 | |
Ian used to pay for IT back in the day, didn't he? | 1:06:27 | 1:06:30 | |
-No, he didn't! -Yeah! | 1:06:30 | 1:06:32 | |
-He did. What about Janine? SHE was a brass. -Oh, yeah. | 1:06:32 | 1:06:35 | |
She's had you laying clues round the house | 1:06:53 | 1:06:55 | |
like the Easter bunny, ain't she? Eh? | 1:06:55 | 1:06:58 | |
Am I hot or cold? | 1:06:58 | 1:06:59 | |
No? No cryptic crossword? | 1:07:02 | 1:07:05 | |
Billy, come on, save us all a world of pain. | 1:07:07 | 1:07:10 | |
I'll say you've been reticent, tell me when they're coming back. | 1:07:10 | 1:07:13 | |
Back? Michael, Janine ain't coming back. | 1:07:13 | 1:07:17 | |
You're lying. She told you to say that. | 1:07:17 | 1:07:18 | |
Oh, for... Why can't you two just be straight with each other for once? | 1:07:18 | 1:07:23 | |
She told me I'd been fired. | 1:07:23 | 1:07:24 | |
Now, I don't know if you know this, Michael, | 1:07:24 | 1:07:26 | |
but I've got a little one at home, right, relying on my money. | 1:07:26 | 1:07:29 | |
So by rights, I should be suing you...for...wotsit. | 1:07:29 | 1:07:33 | |
Unfair wotsit. | 1:07:33 | 1:07:34 | |
That's very moving, Billy. Back in the room, please. | 1:07:34 | 1:07:37 | |
HE SIGHS | 1:07:37 | 1:07:39 | |
Michael... | 1:07:39 | 1:07:40 | |
Do you want her here? | 1:07:40 | 1:07:43 | |
Is that why you're asking? | 1:07:43 | 1:07:44 | |
Because believe me, mate, you'd be saving all of us | 1:07:44 | 1:07:47 | |
a lot of hassle if you just tried out telling the truth. | 1:07:47 | 1:07:49 | |
Truth?! The woman doesn't do truth, Billy. | 1:07:49 | 1:07:52 | |
It brings her out in hives. | 1:07:52 | 1:07:53 | |
And don't ask such stupid questions. | 1:07:53 | 1:07:55 | |
Of course I want her back on the Square! | 1:07:55 | 1:07:58 | |
She's the mother of my child. | 1:07:58 | 1:07:59 | |
NOW he says. | 1:07:59 | 1:08:00 | |
-She ain't in. -What do you mean, she ain't in? | 1:08:14 | 1:08:16 | |
-Where else is she going to be? -Listen, plank-man. | 1:08:16 | 1:08:18 | |
If my sister says she ain't in, she ain't in - you get me? | 1:08:18 | 1:08:22 | |
-I get you. -Right. | 1:08:22 | 1:08:24 | |
One bottle of wine? It's not going to go far, is it? | 1:08:24 | 1:08:27 | |
I'll make sure Denise gets it. | 1:08:28 | 1:08:30 | |
Oh, the door's the one with the handle on it. | 1:08:32 | 1:08:34 | |
Can you tell her I'm sorry? | 1:08:34 | 1:08:36 | |
Sorry, what was that? | 1:08:36 | 1:08:38 | |
Sorry for being an idiot or sorry for getting caught out? | 1:08:38 | 1:08:42 | |
She said, "Sorry for being an idiot or sorry for being caught out?" | 1:08:43 | 1:08:47 | |
Fine. You want to talk to each other, talk to each other - | 1:08:49 | 1:08:53 | |
see if that works out. | 1:08:53 | 1:08:54 | |
Oh, no, no, no, no! "Play with fire and you will get burnt", | 1:09:02 | 1:09:05 | |
it said it, Shirley, it clearly said it, please! | 1:09:05 | 1:09:08 | |
How are you going to find your handbag in the dark? | 1:09:08 | 1:09:11 | |
I know one place you haven't looked for your bag. | 1:09:11 | 1:09:14 | |
On the staff rack peg thing. | 1:09:14 | 1:09:16 | |
Oh! | 1:09:16 | 1:09:17 | |
-SHE SQUEALS -Throw water on her! | 1:09:19 | 1:09:22 | |
That is not nice. | 1:09:22 | 1:09:24 | |
Oh, go take a pill! | 1:09:24 | 1:09:25 | |
You know, I've had my fill of bad boys, Ian, | 1:09:27 | 1:09:31 | |
that's why I ch... | 1:09:31 | 1:09:32 | |
I am so done with being shown up in public. | 1:09:34 | 1:09:38 | |
If I want to look an idiot, OK, | 1:09:38 | 1:09:40 | |
I can do that all by myself. | 1:09:40 | 1:09:42 | |
I was just trying to be a friendly manager like we said. | 1:09:42 | 1:09:45 | |
Don't you blame me. No, don't you dare... Did I say wink? | 1:09:45 | 1:09:49 | |
Since when did I say that kissing Jean was a managerial option? | 1:09:49 | 1:09:53 | |
I didn't kiss Jean, OK? | 1:09:53 | 1:09:54 | |
She was the one who slapped me. I didn't kiss her! | 1:09:54 | 1:09:57 | |
Ian, please! Enough with the weasel impersonation! | 1:09:57 | 1:10:00 | |
OK... | 1:10:05 | 1:10:07 | |
Let's... Let's just look at taking a break for a while. You and me. | 1:10:13 | 1:10:19 | |
-Ian? -See, that's something I don't understand about Ian Beale. | 1:10:24 | 1:10:27 | |
I mean, how did he manage it? Flabby, cowardly Beale. | 1:10:27 | 1:10:31 | |
What is it, six wives? | 1:10:31 | 1:10:33 | |
Five, Four. Five. | 1:10:33 | 1:10:35 | |
Someone told me one of them was gorgeous. | 1:10:35 | 1:10:37 | |
Yes, well, if you have lesbian tendencies. | 1:10:37 | 1:10:40 | |
That was... Mel. That's right. She was. You know what, though? | 1:10:40 | 1:10:44 | |
He told her that Lucy had cancer to get her to marry him. | 1:10:44 | 1:10:47 | |
See, that's proper not nice. | 1:10:47 | 1:10:50 | |
Jean, more wine. | 1:10:50 | 1:10:51 | |
No. Oh, I don't think we have any more left, so... Oh, well! | 1:10:51 | 1:10:55 | |
Never mind. Off we go, then. | 1:10:55 | 1:10:56 | |
No. There's plenty of wine. | 1:10:56 | 1:10:58 | |
But this... But this is more expensive. | 1:11:07 | 1:11:13 | |
Shirley! | 1:11:13 | 1:11:14 | |
I just wanted the restaurant to be a success. | 1:11:14 | 1:11:17 | |
I needed it to be a success for me, you know. | 1:11:18 | 1:11:21 | |
My dad was always just, "Do your hours and put your feet up". | 1:11:22 | 1:11:26 | |
I mean, we didn't have the word "ambition" in our house. | 1:11:26 | 1:11:29 | |
The rows me and him used to have... | 1:11:29 | 1:11:31 | |
"Cooking dinner's a girl's job". | 1:11:31 | 1:11:33 | |
Used to go round my gran's house - my house - and just... | 1:11:34 | 1:11:38 | |
pour my heart out to her. | 1:11:38 | 1:11:40 | |
See, I always wanted to be a chef. | 1:11:40 | 1:11:43 | |
I always wanted to be a success... | 1:11:43 | 1:11:46 | |
That's what that bottle of brandy's for. That nice one. | 1:11:46 | 1:11:49 | |
That's when I made my first million turnover... | 1:11:49 | 1:11:53 | |
I was going to open it up. | 1:11:53 | 1:11:55 | |
I mean, because I've always been ambitious | 1:11:56 | 1:11:59 | |
and I've always liked money and I deserve to be a success. | 1:11:59 | 1:12:02 | |
And I was. Then I wasn't. Then I was... | 1:12:03 | 1:12:06 | |
Then I REALLY wasn't, was I? | 1:12:08 | 1:12:10 | |
And then there was you... | 1:12:14 | 1:12:16 | |
It's all right, I'm not blind... I don't work out or anything. | 1:12:18 | 1:12:22 | |
-Really(?) -Really. | 1:12:22 | 1:12:23 | |
Denise, I've known this was going to happen for ages... | 1:12:26 | 1:12:33 | |
I mean, Alfie's always been saying to me | 1:12:33 | 1:12:35 | |
that I was punching above my weight | 1:12:35 | 1:12:37 | |
-and you were out of my league. -Oh... | 1:12:37 | 1:12:39 | |
Well, talks a lot of sense, that Alfie. | 1:12:39 | 1:12:43 | |
But you were the start. | 1:12:44 | 1:12:45 | |
You were the one who really got me back on my feet. | 1:12:47 | 1:12:51 | |
I mean, because I just thought that if... | 1:12:52 | 1:12:54 | |
Well, then anything was possible, wasn't it? Not just the bad stuff. | 1:12:56 | 1:13:00 | |
I'll apologise to Jean, even though she overreacted. | 1:13:05 | 1:13:09 | |
Thank you. | 1:13:16 | 1:13:17 | |
Ian... | 1:13:25 | 1:13:26 | |
That's it. | 1:13:28 | 1:13:30 | |
Break's over. | 1:13:33 | 1:13:35 | |
Just... | 1:13:40 | 1:13:41 | |
..stop being such an unpleasant little pranny, will you? | 1:13:42 | 1:13:46 | |
I promise... I'll try. | 1:13:46 | 1:13:50 | |
Yeah? | 1:13:50 | 1:13:51 | |
Yeah. | 1:13:51 | 1:13:52 | |
I've changed my mind. | 1:14:01 | 1:14:03 | |
-What? -Shh! Or I'll change it back again. | 1:14:03 | 1:14:06 | |
Yes, miss. | 1:14:10 | 1:14:12 | |
Urgh! I said, if you want to open that bottle, | 1:14:12 | 1:14:16 | |
you have to go through me first. | 1:14:16 | 1:14:18 | |
THEY LAUGH | 1:14:18 | 1:14:19 | |
It is not funny. I'm being serious! | 1:14:19 | 1:14:23 | |
Look, enough is enough, yeah? | 1:14:23 | 1:14:25 | |
That's Ian's very special brandy. | 1:14:25 | 1:14:28 | |
"Ian's very special brandy!" | 1:14:28 | 1:14:31 | |
It's not Ian that's got the crush, is it, eh, Jean? | 1:14:34 | 1:14:37 | |
I think it's the other way round. | 1:14:37 | 1:14:38 | |
Shirley Carter! You are a being a...drunken bully! | 1:14:39 | 1:14:45 | |
Now... Please, stop being a bully! | 1:14:45 | 1:14:50 | |
All right, ladies, come on. Enough's enough. Let's call it a night, eh? | 1:14:50 | 1:14:53 | |
-I don't even know how I ended up here in the first place... -ME! | 1:14:53 | 1:14:57 | |
Me. | 1:14:59 | 1:15:01 | |
It's not Ian Beale that lives in one room in a bed and breakfast, | 1:15:03 | 1:15:08 | |
is it, eh, Jean? | 1:15:08 | 1:15:09 | |
It's not Ian Beale that gets up every morning to a different | 1:15:10 | 1:15:13 | |
wonky breakfast table in a room full of strangers, is it, eh, Jean? | 1:15:13 | 1:15:17 | |
I don't think that's got anything to do with this... | 1:15:17 | 1:15:20 | |
It's not Ian Beale that falls asleep listening | 1:15:20 | 1:15:24 | |
from the room next door, God knows who, doing God knows what. | 1:15:24 | 1:15:27 | |
-Is it, eh, Jean? -Well, it's hardly Ian's fault, is it? | 1:15:27 | 1:15:30 | |
Yes. | 1:15:30 | 1:15:32 | |
Yes, it is... | 1:15:32 | 1:15:34 | |
..because he knew. | 1:15:35 | 1:15:37 | |
He knew...and he stood back. | 1:15:40 | 1:15:43 | |
And he watched his brother go off the rails. | 1:15:44 | 1:15:47 | |
And he knew and he did nothing about it! | 1:15:47 | 1:15:50 | |
-Ben? -Who told you that? | 1:15:50 | 1:15:52 | |
All makes sense now. All makes sense. | 1:15:52 | 1:15:56 | |
He knew and he watched Ben walk about guilty, and he did nothing. | 1:15:56 | 1:16:02 | |
And he made me look like a mug, Jean. | 1:16:03 | 1:16:06 | |
You actually KNOW this? | 1:16:06 | 1:16:09 | |
Then when it all comes out, poor little Ian Beale has a breakdown... | 1:16:09 | 1:16:14 | |
Why do you think he had the breakdown, eh, Jean? | 1:16:15 | 1:16:19 | |
And he walks about with a little woolly hat on for half an hour, | 1:16:19 | 1:16:21 | |
and then forgets about it! | 1:16:21 | 1:16:23 | |
And do you know what? | 1:16:23 | 1:16:24 | |
He lands on his feet... Again! | 1:16:27 | 1:16:29 | |
And it's me - it's me stuck in one room in a B&B, potless. | 1:16:31 | 1:16:37 | |
And what about Hev? She deserved a better life than that. | 1:16:40 | 1:16:46 | |
Hev should be here, Jean. | 1:16:49 | 1:16:50 | |
He don't deserve any of this. | 1:16:53 | 1:16:55 | |
You know what... I think... | 1:16:55 | 1:16:58 | |
..you should open that rotten brandy! | 1:17:00 | 1:17:03 | |
I am going to open that rotten brandy! | 1:17:03 | 1:17:05 | |
You know what, Jean? You might have left it at home, | 1:17:10 | 1:17:12 | |
I done that once with Morgan. | 1:17:12 | 1:17:14 | |
-Oh! Is this it? -Yes! My bag! | 1:17:20 | 1:17:22 | |
THEY CHEER | 1:17:22 | 1:17:24 | |
Always put your handbag in the bin! | 1:17:24 | 1:17:26 | |
I only put rubbish in my bin. | 1:17:26 | 1:17:28 | |
-Do you? -LOUD CRASH | 1:17:28 | 1:17:29 | |
Well, it was always going to be a long shot, | 1:17:34 | 1:17:36 | |
this bluff and double bluff stuff. | 1:17:36 | 1:17:38 | |
What is it with you and that cleaning at 11.10 at night? | 1:17:38 | 1:17:41 | |
It's weirding me out. | 1:17:41 | 1:17:42 | |
Well, Janine's got cash coming out her ears, ain't she? | 1:17:42 | 1:17:46 | |
You say insomnia, I say it's a weird troubled mind. | 1:17:46 | 1:17:49 | |
Sinister, rubber glove, fetish-type deal. | 1:17:49 | 1:17:52 | |
Of all the places in the world, | 1:17:52 | 1:17:53 | |
why's Janine going to come back here, eh? | 1:17:53 | 1:17:56 | |
Because she can't help herself. | 1:17:58 | 1:18:00 | |
Can you bring her in? | 1:18:08 | 1:18:10 | |
RECORDING: 'Don't ask such stupid questions. | 1:18:20 | 1:18:22 | |
'Of course I want her back on the Square. 'She's the mother of my child.' | 1:18:22 | 1:18:25 | |
-Told you. -You're forgiven. | 1:18:30 | 1:18:32 | |
So, I haven't lost my job? | 1:18:33 | 1:18:35 | |
Listen carefully, Billy. | 1:18:35 | 1:18:37 | |
You had lost your job, and now you haven't lost your job. | 1:18:37 | 1:18:41 | |
Thank you. | 1:18:41 | 1:18:42 | |
Later. | 1:18:42 | 1:18:44 | |
ALL SCREAM | 1:19:06 | 1:19:07 | |
Oh, get a grip, will you, Jean? | 1:19:11 | 1:19:13 | |
COUGHING | 1:19:13 | 1:19:16 | |
Oh, Shirl, I thought you said not to turn the light on... | 1:19:16 | 1:19:18 | |
I can't get caught in here! | 1:19:18 | 1:19:19 | |
-Leave your keys. -I don't know where I've left the keys. | 1:19:19 | 1:19:22 | |
And anyway, we can't leave it like this. | 1:19:22 | 1:19:24 | |
Then you stay and clean up and explain, | 1:19:24 | 1:19:26 | |
but don't call us as witnesses! | 1:19:26 | 1:19:29 | |
It's not that bad. | 1:19:29 | 1:19:30 | |
There's not that much damage, is there? | 1:19:30 | 1:19:33 | |
THEY SCREAM | 1:19:37 | 1:19:40 | |
THEY LAUGH | 1:19:40 | 1:19:42 | |
JEAN WAILS | 1:19:42 | 1:19:45 | |
FIRE ALARM TRILLS | 1:19:46 | 1:19:49 | |
Tea? | 1:20:36 | 1:20:37 | |
Yeah, I heard you creeping in. Two in the morning. | 1:20:37 | 1:20:40 | |
You're looking perky, considering. | 1:20:40 | 1:20:42 | |
Sorry. I did try not to wake you up. | 1:20:42 | 1:20:45 | |
So what DID you get up to last night then? | 1:20:45 | 1:20:47 | |
Oh, you know. Few drinks in the Vic. | 1:20:47 | 1:20:50 | |
Got talking to the girls. Before you know it, it's one for the road in the R&R! | 1:20:50 | 1:20:54 | |
Sure it was just the one? | 1:20:54 | 1:20:56 | |
Well, a couple. What are you, my father? | 1:20:56 | 1:20:58 | |
No, I'm just making sure you ain't embarrassing us in front of our neighbours. | 1:20:58 | 1:21:02 | |
Mum? You know I'm only joking, innit? | 1:21:02 | 1:21:04 | |
-Of course. -So what if you got a bit lairy last night? | 1:21:04 | 1:21:06 | |
Everyone deserves a bit of fun. | 1:21:06 | 1:21:08 | |
What's going on with that tea then? Can I still get it? | 1:21:10 | 1:21:13 | |
Yeah. Coming up. | 1:21:13 | 1:21:14 | |
Look, I know you're upset with me but I need to speak to you. | 1:21:18 | 1:21:20 | |
Can you phone me? Phil! Have you seen Jean? | 1:21:20 | 1:21:22 | |
What am I, her keeper? | 1:21:22 | 1:21:23 | |
Shirl! Have you seen Jean? | 1:21:25 | 1:21:27 | |
You need to calm down. | 1:21:27 | 1:21:28 | |
No. How can I be calm when she is roaming the streets saying God knows what?! | 1:21:28 | 1:21:31 | |
What do you mean, roaming the streets? | 1:21:31 | 1:21:33 | |
Well, no-one's seen her. She ain't picking up her phone. | 1:21:33 | 1:21:35 | |
She's probably just lying low. | 1:21:35 | 1:21:37 | |
No, she is landing us in it, I know it! | 1:21:37 | 1:21:40 | |
Shirl, I can't go back to prison. | 1:21:40 | 1:21:42 | |
Look, I tell you what, I'll go and have a scout about. | 1:21:42 | 1:21:44 | |
You keep calling her mobile. | 1:21:44 | 1:21:45 | |
And when you've finished you come and find me, yeah? | 1:21:45 | 1:21:48 | |
Bianca, it's going to be OK. | 1:21:48 | 1:21:50 | |
Jean Slater's many things but she's not stupid. | 1:21:50 | 1:21:53 | |
MOBILE PHONE RINGS | 1:22:01 | 1:22:05 | |
RINGING STOPS | 1:22:18 | 1:22:20 | |
From the top. One, two, three, four. Check. | 1:22:28 | 1:22:32 | |
That's good. Left. | 1:22:32 | 1:22:34 | |
Maybe around seven? | 1:22:38 | 1:22:40 | |
Because some people have businesses to run. | 1:22:41 | 1:22:43 | |
Oi, Joey! | 1:22:44 | 1:22:45 | |
Can I call you back? | 1:22:49 | 1:22:51 | |
Can I help? | 1:22:54 | 1:22:55 | |
What's going on with you two? | 1:22:55 | 1:22:56 | |
We're just having fun. | 1:22:56 | 1:22:58 | |
Luce, I don't want to see you getting hurt. | 1:22:58 | 1:23:00 | |
I won't. I can handle it. It's my own life, thanks. | 1:23:00 | 1:23:02 | |
OK. Look, have you seen Dad? | 1:23:02 | 1:23:05 | |
Look, I know I've pushed things recently, OK? | 1:23:05 | 1:23:08 | |
And I am genuinely ashamed of some of the things I've said. | 1:23:08 | 1:23:11 | |
But from now on, new Ian Beale. Better. | 1:23:11 | 1:23:13 | |
OK, and you're going to call Whitney? | 1:23:13 | 1:23:14 | |
And apologise to Jean. | 1:23:14 | 1:23:16 | |
Soon as she gets in. | 1:23:16 | 1:23:17 | |
And what if she don't come in? | 1:23:17 | 1:23:18 | |
I'll go find her. | 1:23:18 | 1:23:20 | |
Can't be that hard to root her out, can it? | 1:23:20 | 1:23:22 | |
Look, I better get off. | 1:23:23 | 1:23:25 | |
Ian, you know if you've got any more jobs going... | 1:23:25 | 1:23:27 | |
Sorry, Sam, I'm on top of everything at the moment. | 1:23:27 | 1:23:30 | |
Thank you. | 1:23:33 | 1:23:34 | |
I was hoping to catch your mum before she heads off to work. | 1:23:39 | 1:23:41 | |
Yeah, she's in there. She had a late night though, so take it easy. | 1:23:41 | 1:23:45 | |
Are you all right, though? | 1:23:45 | 1:23:47 | |
Yes, darling. I'm fine. | 1:23:47 | 1:23:50 | |
Must be quiet without Aunty Tanya and everyone. | 1:23:50 | 1:23:52 | |
It's fine. Really, darling, I'm fine. | 1:23:52 | 1:23:55 | |
Right, I'm off to the Arches, yeah. | 1:23:57 | 1:23:59 | |
Dext? | 1:23:59 | 1:24:00 | |
Yeah? | 1:24:00 | 1:24:01 | |
Why don't you come over for lunch later? I'll make your favourite. | 1:24:01 | 1:24:05 | |
All right. You're on. | 1:24:05 | 1:24:06 | |
Mum! | 1:24:06 | 1:24:07 | |
Yeah? | 1:24:07 | 1:24:08 | |
Mum, someone to see you! | 1:24:08 | 1:24:11 | |
Really? | 1:24:11 | 1:24:13 | |
At this time? | 1:24:13 | 1:24:14 | |
Passport expired, had it? | 1:24:25 | 1:24:26 | |
Sorry? | 1:24:26 | 1:24:27 | |
I didn't expect you back. | 1:24:27 | 1:24:30 | |
I do live here, remember? | 1:24:30 | 1:24:31 | |
Where's Scarlett? | 1:24:39 | 1:24:40 | |
Out. | 1:24:40 | 1:24:41 | |
-Be my guest. -You didn't waste much time, did you? Before you fobbed her off. | 1:24:41 | 1:24:45 | |
-Maybe I didn't bring her with me. -Who's she with? | 1:24:45 | 1:24:47 | |
But then you know that I did, don't you? | 1:24:47 | 1:24:50 | |
That disgusting posh nanny? | 1:24:50 | 1:24:51 | |
Tell me, Michael, how long were you actually sat by that window waiting for us not to come back? | 1:24:51 | 1:24:55 | |
You're too mean for that. | 1:24:55 | 1:24:57 | |
No, it'll be some sort of cheapo childminder from the Square. | 1:24:57 | 1:24:59 | |
Do you really think that I wouldn't see through your very sad little bluff? | 1:24:59 | 1:25:03 | |
Why are you here? | 1:25:03 | 1:25:04 | |
-Maybe you should speak to my solicitor. -No, I'd rather kill myself. | 1:25:04 | 1:25:07 | |
I don't know why it's any concern of yours. | 1:25:07 | 1:25:09 | |
You made your feelings perfectly clear. | 1:25:09 | 1:25:11 | |
You've got your life and we've got ours. | 1:25:11 | 1:25:13 | |
I didn't realise we'd be living next door to each other! | 1:25:13 | 1:25:15 | |
If it's going to be a problem I've heard Aberystwyth is really nice this time of year. You could go there. | 1:25:15 | 1:25:20 | |
Now if you don't mind seeing yourself out, I'm getting myself ready for work. | 1:25:20 | 1:25:23 | |
It's fine, right. Either way, I'll just rearrange the waitressing rota. | 1:25:40 | 1:25:43 | |
Yeah, and I'll make it up to Jean. | 1:25:43 | 1:25:45 | |
Look, I've really got to get going, yeah. Oh, and, Peter? | 1:25:45 | 1:25:48 | |
Stop worrying, all right? I've got everything under control. | 1:25:48 | 1:25:52 | |
Dexter's taking it better than I thought. | 1:26:39 | 1:26:42 | |
I'm assuming you've told him. | 1:26:42 | 1:26:44 | |
There's nothing to tell. It's all in hand. | 1:26:44 | 1:26:46 | |
So whatever pearls of maternal wisdom you're here to impart... | 1:26:46 | 1:26:49 | |
What is it with daughters, eh? | 1:26:49 | 1:26:52 | |
This pathological need to lie to their mothers. | 1:26:52 | 1:26:55 | |
Maybe some things are none of your business. | 1:26:55 | 1:26:57 | |
My grandson is my business. | 1:26:57 | 1:26:59 | |
So you've broken up with Sam, have you? | 1:27:03 | 1:27:06 | |
I tried. Last night... | 1:27:09 | 1:27:10 | |
But I couldn't. | 1:27:10 | 1:27:11 | |
Then Dexter needs to know. | 1:27:11 | 1:27:13 | |
It's not the right time. | 1:27:13 | 1:27:14 | |
Why? Because it'll upset him? | 1:27:14 | 1:27:17 | |
His mum secretly shacking up with her ex who just happens to be his absent dad. | 1:27:18 | 1:27:24 | |
It's not something I can just blurt out, is it? | 1:27:24 | 1:27:26 | |
If you two really can't keep your hands off each other | 1:27:26 | 1:27:30 | |
then you've got no choice. | 1:27:30 | 1:27:31 | |
Dexter needs to know the truth. | 1:27:34 | 1:27:35 | |
I can't. | 1:27:35 | 1:27:37 | |
I mean, I've already lied to him once! | 1:27:37 | 1:27:40 | |
You know what he's like! I can't... | 1:27:40 | 1:27:42 | |
I can't risk losing him. | 1:27:42 | 1:27:44 | |
Then you're going to have to tell him. | 1:27:44 | 1:27:47 | |
Before someone else does. | 1:27:47 | 1:27:49 | |
I've asked him round to my place for lunch. | 1:27:59 | 1:28:02 | |
When he gets there, | 1:28:02 | 1:28:04 | |
I hope he knows. | 1:28:04 | 1:28:05 | |
And I hope he knows it from you. | 1:28:07 | 1:28:08 | |
Billy, where is she? | 1:28:19 | 1:28:22 | |
Eh? | 1:28:22 | 1:28:23 | |
Don't give me that. You're her factotum, aren't you? | 1:28:23 | 1:28:26 | |
It means assistant. What's Janine done with my daughter? | 1:28:26 | 1:28:29 | |
I don't know. | 1:28:29 | 1:28:30 | |
Maybe she said something about childminders but... | 1:28:30 | 1:28:34 | |
Very good. Call her. Find out. | 1:28:34 | 1:28:36 | |
No way. You know I can't do that. | 1:28:36 | 1:28:39 | |
How did you even get your job back anyway? | 1:28:39 | 1:28:41 | |
You disappoint me, William. Where is your empathy, brother? | 1:28:43 | 1:28:47 | |
Just because I don't ovulate doesn't mean I feel it any less. | 1:28:47 | 1:28:51 | |
I just want to see her. | 1:28:51 | 1:28:53 | |
Who? | 1:28:53 | 1:28:54 | |
Michael was just, erm... | 1:28:54 | 1:28:57 | |
-Leaving? -Yeah, yeah, yeah. | 1:28:57 | 1:28:59 | |
I'll leave and I'll wait. | 1:28:59 | 1:29:00 | |
And I won't be tired of waiting. | 1:29:01 | 1:29:04 | |
For the day my daughter realises what you're really like. | 1:29:04 | 1:29:07 | |
He is definitely in there, look, the door's unlocked! | 1:29:12 | 1:29:14 | |
Will you stop panicking, Bianca?! | 1:29:14 | 1:29:16 | |
Why has he not phoned the Old Bill? She must be in there with him. | 1:29:16 | 1:29:19 | |
-Yeah, she's in there telling him everything. -She ain't! | 1:29:19 | 1:29:22 | |
Jean? Jean, it's us, Shirley and Bianca. | 1:29:30 | 1:29:32 | |
Are you all right? | 1:29:32 | 1:29:34 | |
Big night last night, eh? | 1:29:42 | 1:29:43 | |
I'm feeling a bit rough myself. | 1:29:44 | 1:29:46 | |
But I bet you that Alfie's got a couple of paracetamol for you, eh? | 1:29:47 | 1:29:51 | |
Or maybe even something stronger? | 1:29:51 | 1:29:53 | |
Thing is, Jean, we need to get you home. | 1:29:54 | 1:29:56 | |
Well, those shoes are killing me. | 1:29:56 | 1:29:57 | |
Jean, we really need you to snap out of this now! | 1:29:57 | 1:30:00 | |
The dream that Ian has worked so hard for is destroyed. | 1:30:00 | 1:30:05 | |
Well, he had it coming. | 1:30:05 | 1:30:06 | |
Did he? | 1:30:06 | 1:30:07 | |
What about the way he spoke to you? | 1:30:07 | 1:30:09 | |
Look, in the cold light of day, it was just a bit of broken glass, wasn't it? | 1:30:09 | 1:30:12 | |
We started a fire! | 1:30:12 | 1:30:14 | |
And we put it out. | 1:30:14 | 1:30:16 | |
Now go home, Jean. Have a shower, get yourself dressed. | 1:30:18 | 1:30:22 | |
-Then go back to work and you can see for yourself. -What? | 1:30:22 | 1:30:25 | |
-Oh, no, no, I can't go back in there. -She can't go back in there, Shirl! | 1:30:25 | 1:30:28 | |
We don't have a choice! | 1:30:28 | 1:30:29 | |
If you don't show, people are going to get suspicious. | 1:30:32 | 1:30:34 | |
Asking loads of questions. | 1:30:34 | 1:30:35 | |
-And the last thing we want is Bianca back in the nick. -Oh... | 1:30:37 | 1:30:39 | |
Jean, we're relying on you. | 1:30:41 | 1:30:44 | |
You're not regretting it already? | 1:30:53 | 1:30:54 | |
What's wrong? | 1:30:54 | 1:30:56 | |
It's Cora, she knows. | 1:30:56 | 1:30:58 | |
She saw us together a couple of days ago. | 1:30:58 | 1:31:00 | |
So that's why you... | 1:31:00 | 1:31:03 | |
-Why didn't you tell me? -I'm sorry. | 1:31:03 | 1:31:05 | |
It's just I think she's going to tell Dexter | 1:31:05 | 1:31:07 | |
if I don't tell him first. | 1:31:07 | 1:31:09 | |
Well, would that be so bad? | 1:31:09 | 1:31:10 | |
You just don't get it, do you? | 1:31:10 | 1:31:12 | |
You don't get exactly how much you have hurt him. | 1:31:12 | 1:31:15 | |
Abi! How are you? | 1:31:21 | 1:31:23 | |
Any word from your mum? | 1:31:23 | 1:31:26 | |
Yeah. Lauren's doing really well. | 1:31:26 | 1:31:27 | |
She's in the best place. And Cora? | 1:31:27 | 1:31:31 | |
She is a proud woman, you know. She's sensitive too. | 1:31:33 | 1:31:37 | |
Why don't you talk to her? | 1:31:39 | 1:31:40 | |
Me?! No, no, no. I've had enough knock-backs from that woman. | 1:31:40 | 1:31:45 | |
I don't think the old heart could stand another one. | 1:31:45 | 1:31:47 | |
I think she could really use a friend. | 1:31:47 | 1:31:49 | |
Michael! | 1:31:56 | 1:31:58 | |
Is everything OK? | 1:31:58 | 1:32:00 | |
Yeah. | 1:32:00 | 1:32:01 | |
Kat said Janine came back. Is Scarlett OK? | 1:32:01 | 1:32:04 | |
Yeah. It's great! We're sort of a big happy family now. | 1:32:04 | 1:32:07 | |
Bought a big yellow bus and we're driving round in it. | 1:32:07 | 1:32:10 | |
Thanks for the advice. | 1:32:10 | 1:32:12 | |
You not done yet? It was supposed to go back first thing this morning. | 1:32:20 | 1:32:23 | |
All right, all right, keep your hair on. | 1:32:23 | 1:32:24 | |
Watch yourself. There's plenty more wrench-heads, you know, | 1:32:24 | 1:32:27 | |
-crawled out the pit where you come from. -Nah. | 1:32:27 | 1:32:29 | |
ENGINE STARTS | 1:32:31 | 1:32:32 | |
I'm too good to lose. You all right, Mum? | 1:32:32 | 1:32:35 | |
Yeah, I thought I'd take you out to lunch. My treat. | 1:32:35 | 1:32:37 | |
I'd love to but I already promised Nan. | 1:32:37 | 1:32:39 | |
Never mind. Another time. | 1:32:39 | 1:32:41 | |
Wait! Are you all right? | 1:32:41 | 1:32:42 | |
Yeah, I'm fine. Just seems like Cora gets to see more of you than I do these days. | 1:32:42 | 1:32:46 | |
-It's all right. I'll just put her off, innit. -Nah, there's no need. | 1:32:46 | 1:32:49 | |
-She won't mind. Just give me ten minutes, yeah? -OK. -All right. | 1:32:49 | 1:32:52 | |
I'll see you in the Vic. | 1:32:54 | 1:32:56 | |
Are you all right? | 1:33:07 | 1:33:08 | |
She's been back five minutes | 1:33:09 | 1:33:11 | |
and she's already packed that child off to a childminder. | 1:33:11 | 1:33:14 | |
And why do you think that is? | 1:33:14 | 1:33:16 | |
Because she's Satan. | 1:33:16 | 1:33:18 | |
-It's because you're both playing games. It's not going to work. -I don't play games. | 1:33:18 | 1:33:21 | |
You've both got a kid together! | 1:33:21 | 1:33:23 | |
Right, look at me and Alfie, yeah? | 1:33:23 | 1:33:26 | |
He's got every reason to hate me... | 1:33:26 | 1:33:28 | |
The analogy ends there. Because you're not both inherently evil. | 1:33:28 | 1:33:31 | |
You're nice people. You're straight up. | 1:33:31 | 1:33:34 | |
It's not about being straight up! | 1:33:34 | 1:33:36 | |
We get along because we have to. For Tommy's sake, all right? | 1:33:36 | 1:33:39 | |
If you want Scarlett in your life, | 1:33:39 | 1:33:41 | |
you're going to have to get that thing onside. | 1:33:41 | 1:33:44 | |
Why are you being so nice? | 1:33:44 | 1:33:46 | |
I dunno. Maybe I'm just growing up. | 1:33:46 | 1:33:49 | |
What, and nothing was taken? | 1:33:54 | 1:33:56 | |
It's just kids being mischievous. Just a prank or something. | 1:33:56 | 1:34:00 | |
Oh, right, that's what the police said, is it? | 1:34:00 | 1:34:02 | |
Ian? | 1:34:02 | 1:34:04 | |
Look, I really need to crack on here... | 1:34:04 | 1:34:06 | |
You didn't call them? | 1:34:06 | 1:34:07 | |
No, all right? Cos we're better off without them. | 1:34:07 | 1:34:10 | |
So how do you expect to ever find out who's done all this? | 1:34:10 | 1:34:13 | |
Oh, Jean, not now! | 1:34:13 | 1:34:14 | |
Oh, no, Jean, please! Please don't start crying again. | 1:34:19 | 1:34:23 | |
Look, I'm really... | 1:34:23 | 1:34:24 | |
Yeah, that's all right, darling. | 1:34:29 | 1:34:31 | |
Yeah, yeah, I understand. | 1:34:31 | 1:34:34 | |
Another time. | 1:34:34 | 1:34:36 | |
Yep, yep, give my love to your mum. | 1:34:36 | 1:34:39 | |
KNOCK ON DOOR | 1:34:56 | 1:34:58 | |
Look, I know what you said... | 1:35:04 | 1:35:06 | |
Not now, Patrick. | 1:35:06 | 1:35:08 | |
But the dance is today, man. | 1:35:08 | 1:35:09 | |
If I turn up again without a partner... | 1:35:09 | 1:35:11 | |
I'm not in the mood. | 1:35:11 | 1:35:12 | |
Oh, come on now, man! What else are you going to do with yourself? | 1:35:12 | 1:35:14 | |
With Tanya gone and Abi off with Jay... | 1:35:14 | 1:35:17 | |
Leave it, Patrick. Just leave it, OK? | 1:35:17 | 1:35:20 | |
All right, well, look, if you change your mind, you know where to find me, all right? | 1:35:21 | 1:35:26 | |
Why didn't he call me? | 1:35:35 | 1:35:36 | |
He hasn't called anyone, darling. He says he can deal with it. | 1:35:36 | 1:35:39 | |
-Like he can afford to pay for that kind of damage. -What damage? | 1:35:39 | 1:35:41 | |
-Restaurant's been vandalised. -What, Scarlett's? -Yeah, last night. | 1:35:41 | 1:35:44 | |
No way! Janine's going to go into meltdown. | 1:35:44 | 1:35:47 | |
Janine? Is she back? | 1:35:47 | 1:35:50 | |
Sorry, I've got to try and get hold of her. | 1:35:50 | 1:35:52 | |
There you go. | 1:36:02 | 1:36:04 | |
What're those for? | 1:36:04 | 1:36:05 | |
You like flowers, innit. | 1:36:06 | 1:36:09 | |
Babe, they're gorgeous. | 1:36:09 | 1:36:11 | |
Get yourself a drink. | 1:36:11 | 1:36:12 | |
Look, Mum, you know if something's up, you can tell me. | 1:36:12 | 1:36:15 | |
What're you on about? | 1:36:15 | 1:36:17 | |
If you're bothered about anything. You know, family stuff. Tanya. | 1:36:17 | 1:36:20 | |
-I'm fine. -Nan. -Seriously. | 1:36:20 | 1:36:21 | |
I know it's great you let your hair down an' that... | 1:36:21 | 1:36:24 | |
-Grab a couple of menus. -You've been acting weird all week... -Dexter! | 1:36:24 | 1:36:27 | |
Mum! You are the world's worst liar. | 1:36:27 | 1:36:29 | |
Why can't you just be honest with me? | 1:36:29 | 1:36:31 | |
I promise you, everything's fine. | 1:36:34 | 1:36:38 | |
It's not right! Ian wouldn't report us! | 1:36:48 | 1:36:52 | |
Not if we offer to pay. | 1:36:52 | 1:36:55 | |
How are we going to do that, Jean? We're skint! | 1:36:55 | 1:36:57 | |
Any spare bit of cash I get, do you know what I spend it on? | 1:36:57 | 1:37:00 | |
Stocking presents! | 1:37:00 | 1:37:01 | |
I buy one a month. | 1:37:01 | 1:37:03 | |
So at least my kids will have something to open this Christmas! | 1:37:03 | 1:37:06 | |
Might as well not bother now. | 1:37:06 | 1:37:07 | |
When you go owning up. | 1:37:07 | 1:37:09 | |
It ain't only going to be the presents they're missing, is it, eh? | 1:37:09 | 1:37:12 | |
Their dad's a million miles away, | 1:37:12 | 1:37:13 | |
their mum will end up back in the nick | 1:37:13 | 1:37:15 | |
and they'll be spending Christmas with Nanny Carol! | 1:37:15 | 1:37:17 | |
-Easy. -No, it's true. | 1:37:17 | 1:37:19 | |
Ian will get over it, Jean. He always does. | 1:37:19 | 1:37:21 | |
Not so sure about Tiff, Morgan and Liam... | 1:37:24 | 1:37:28 | |
And you, you have to promise that you're not going to say a word to anybody. | 1:37:28 | 1:37:32 | |
I just bumped into Patrick and he said that you shut the door on him. | 1:37:49 | 1:37:52 | |
He was bugging me. | 1:37:52 | 1:37:53 | |
Nan, he is just trying to be a friend. | 1:37:53 | 1:37:55 | |
I would not be anywhere right now if it wasn't for Jay, Dex and Lola. | 1:37:56 | 1:38:00 | |
You know, you're not the only one who's lost people. | 1:38:05 | 1:38:08 | |
I promise you, everything's under control! | 1:38:16 | 1:38:19 | |
Janine! You're back! | 1:38:20 | 1:38:22 | |
Look, we've just had a little bit of bother. It's kids probably. | 1:38:22 | 1:38:26 | |
I mean, there's been a few breakages. Little bit of water damage. | 1:38:26 | 1:38:29 | |
There won't be any bad press cos I haven't got the Old Bill involved. | 1:38:29 | 1:38:32 | |
What? Are you out of your mind? | 1:38:32 | 1:38:34 | |
You're messing with a crime scene. | 1:38:34 | 1:38:36 | |
Janine, just wait! We're just getting started up here. | 1:38:36 | 1:38:38 | |
The last thing we need is an investigation, the Old Bill walking in and out. | 1:38:38 | 1:38:41 | |
-Dad's right. It's the last thing we need. -Yeah, I can get this all sorted. | 1:38:41 | 1:38:45 | |
I'll get Sam to give us a quote. Obviously I'll cover it. | 1:38:45 | 1:38:48 | |
Please, Janine, I swear I will get it sorted. | 1:38:48 | 1:38:50 | |
Kids, you think? | 1:38:50 | 1:38:52 | |
Yeah. Yeah, opportunists. | 1:38:52 | 1:38:54 | |
Do you know, Ian, if I were to compile a list | 1:38:54 | 1:38:57 | |
of all the people round here that have made more enemies than me, | 1:38:57 | 1:39:00 | |
it would probably go Phil Mitchell, | 1:39:00 | 1:39:02 | |
a bunch of murderers and then you. | 1:39:02 | 1:39:04 | |
So I recommend thinking very hard | 1:39:04 | 1:39:06 | |
about who you've upset recently | 1:39:06 | 1:39:08 | |
and then running very fast in the opposite direction. | 1:39:08 | 1:39:12 | |
Yes. | 1:39:12 | 1:39:14 | |
Police, please. I would like to report a break-in. | 1:39:15 | 1:39:19 | |
She's over at the restaurant. | 1:39:22 | 1:39:24 | |
Some break-in. | 1:39:24 | 1:39:25 | |
Look, if you want I could always... | 1:39:25 | 1:39:27 | |
No. | 1:39:27 | 1:39:29 | |
Just tell her I'm ready...to talk. | 1:39:29 | 1:39:31 | |
Yeah. | 1:39:31 | 1:39:32 | |
OK. | 1:39:37 | 1:39:38 | |
Michael... | 1:39:38 | 1:39:39 | |
I told her what you said. | 1:39:41 | 1:39:42 | |
About wanting her back on the Square. | 1:39:44 | 1:39:46 | |
See, the thing with Janine, right, she'll give you the run-around | 1:39:46 | 1:39:49 | |
but underneath it all, she's just like a little kid herself. | 1:39:49 | 1:39:53 | |
I think she just needs to know that she's wanted. | 1:39:53 | 1:39:56 | |
You can't be here. | 1:40:08 | 1:40:09 | |
I saw you leaving the Vic. | 1:40:12 | 1:40:14 | |
What is it? | 1:40:18 | 1:40:19 | |
Dexter knows something's up. | 1:40:19 | 1:40:21 | |
How? | 1:40:21 | 1:40:23 | |
Because he's seen me upset, cos I'm a rubbish liar | 1:40:23 | 1:40:25 | |
and cos he knows me inside out. | 1:40:25 | 1:40:27 | |
Whoa, whoa, whoa, whoa. | 1:40:27 | 1:40:29 | |
What did you tell him? | 1:40:33 | 1:40:35 | |
I looked him in the eye | 1:40:35 | 1:40:36 | |
and I promised him | 1:40:36 | 1:40:37 | |
that everything was going to be OK. | 1:40:37 | 1:40:40 | |
I can't keep doing this! | 1:40:40 | 1:40:43 | |
You got to talk to him. | 1:40:48 | 1:40:50 | |
Whatever happens, we can cope. | 1:40:52 | 1:40:55 | |
You don't know what he's like! | 1:40:55 | 1:40:57 | |
Then let me try. | 1:40:57 | 1:41:00 | |
No. No. | 1:41:05 | 1:41:08 | |
Maybe you're right. | 1:41:09 | 1:41:12 | |
Cos we're right back there again, aren't we? | 1:41:12 | 1:41:15 | |
After 20 years you're still just pushing me away. | 1:41:15 | 1:41:21 | |
-No. -And I understand. | 1:41:21 | 1:41:23 | |
Dexter means more to you than anything. | 1:41:28 | 1:41:32 | |
It's how it should be. | 1:41:37 | 1:41:39 | |
Sam... | 1:41:43 | 1:41:45 | |
Hey, Kim, don't wait up for me, all right? | 1:41:52 | 1:41:54 | |
Hello, Patrick. | 1:41:54 | 1:41:55 | |
Cora! | 1:41:55 | 1:41:57 | |
I thought you... | 1:41:57 | 1:41:58 | |
Shush... A woman's prerogative. | 1:41:58 | 1:42:03 | |
Here I come, old-timer. Sorry about the hold-up. | 1:42:03 | 1:42:06 | |
Oh! | 1:42:06 | 1:42:08 | |
Betty. Betty Spragg. And you are? | 1:42:09 | 1:42:13 | |
This is Cora. | 1:42:13 | 1:42:14 | |
The lady I was telling you about. | 1:42:14 | 1:42:15 | |
That, you know, had to pull out | 1:42:15 | 1:42:17 | |
because she was feeling under the weather. | 1:42:17 | 1:42:19 | |
And now you're better! | 1:42:19 | 1:42:21 | |
Well, why don't you join us? | 1:42:21 | 1:42:24 | |
That's very kind of you, but... | 1:42:24 | 1:42:26 | |
Yeah, man! That's a good idea. | 1:42:26 | 1:42:28 | |
I'm still not feeling great. | 1:42:28 | 1:42:30 | |
I just come because I didn't want to let you down. | 1:42:31 | 1:42:34 | |
Why don't you two go on? | 1:42:34 | 1:42:36 | |
Mustn't keep the old-timers waiting. | 1:42:36 | 1:42:38 | |
Shall we? | 1:42:45 | 1:42:46 | |
Yeah. Yeah. | 1:42:47 | 1:42:48 | |
Hang on, hang on. Let's not be hasty. Let's not be hasty. | 1:42:57 | 1:42:59 | |
I'm not here to pick another fight. | 1:42:59 | 1:43:01 | |
May I? | 1:43:01 | 1:43:03 | |
Fine. | 1:43:06 | 1:43:07 | |
KNOCK ON DOOR | 1:43:23 | 1:43:24 | |
-Patrick... -Did something happen? Between you and mum? | 1:43:32 | 1:43:35 | |
-No. -Are you sure? | 1:43:35 | 1:43:37 | |
-We're fine. -But you ain't! I mean, you're miserable, she's miserable! | 1:43:37 | 1:43:40 | |
What am I missing? | 1:43:40 | 1:43:42 | |
I'm sorry, darling. | 1:43:44 | 1:43:45 | |
But you're going to have to ask her about that. | 1:43:45 | 1:43:48 | |
I'm tired of playing games. | 1:43:50 | 1:43:53 | |
If this is how you want to proceed, genuinely want to proceed, | 1:43:53 | 1:43:57 | |
then I will back off. I won't hassle you. | 1:43:57 | 1:43:59 | |
I think you can be a very good mother. I do. | 1:43:59 | 1:44:05 | |
And I trust you to raise our daughter. | 1:44:05 | 1:44:08 | |
And if you ever change your mind... | 1:44:09 | 1:44:11 | |
That's not going to happen. | 1:44:11 | 1:44:12 | |
And if you ever change your mind, I'm there. | 1:44:15 | 1:44:20 | |
I'll be there. That's all. | 1:44:20 | 1:44:22 | |
And just for the record. It was never solely about Scarlett. | 1:44:27 | 1:44:34 | |
My life without you has been... | 1:44:37 | 1:44:39 | |
..dull. | 1:44:41 | 1:44:42 | |
Cora's right. | 1:44:53 | 1:44:54 | |
What if you're just making a fool out of me? | 1:44:56 | 1:44:59 | |
I wouldn't do that. | 1:44:59 | 1:45:00 | |
You might not mean to do it, Sam. | 1:45:00 | 1:45:02 | |
If you left again... | 1:45:05 | 1:45:06 | |
But I'm not going to! | 1:45:14 | 1:45:17 | |
I came back for my son. I've been upfront about that. | 1:45:20 | 1:45:23 | |
Do you really think I would risk my relationship with him | 1:45:25 | 1:45:28 | |
if I wasn't absolutely sure about this? | 1:45:28 | 1:45:33 | |
Please. | 1:45:40 | 1:45:42 | |
Tell him. | 1:45:42 | 1:45:44 | |
Tell him what? | 1:45:46 | 1:45:47 | |
-Michael! -Kathleen. | 1:45:56 | 1:45:58 | |
Have you spoke to her? | 1:45:58 | 1:45:59 | |
I did. I took your sage counsel. | 1:45:59 | 1:46:02 | |
And? | 1:46:02 | 1:46:03 | |
She was putty in my hands. | 1:46:03 | 1:46:05 | |
As you said, it's not about being straight up, is it? | 1:46:05 | 1:46:08 | |
What have you done? | 1:46:10 | 1:46:12 | |
I've made her fall in love with me again. | 1:46:12 | 1:46:15 | |
-Mum, what's going on? -Dex... | 1:46:21 | 1:46:23 | |
Shhh. Give her a minute, yeah? | 1:46:23 | 1:46:24 | |
-Shut up. No-one ever asked you nothing. -Dexter! -Mum? -Dexter. | 1:46:24 | 1:46:26 | |
-Mum? What did he do to you? -Nothing! | 1:46:26 | 1:46:28 | |
-What did you do to my mum? -Nothing! | 1:46:28 | 1:46:30 | |
Dex. I... | 1:46:30 | 1:46:32 | |
We, erm... | 1:46:33 | 1:46:35 | |
Sorry. | 1:46:50 | 1:46:51 | |
Subtitles by Red Bee Media Ltd | 1:47:07 | 1:47:11 |