Browse content similar to 15/01/2012. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Come on, hurry up. I'm freezing out here and I need the loo. | 0:00:25 | 0:00:32 | |
-All right? -Oh, sorry. | 0:00:32 | 0:00:33 | |
What you apologising for? | 0:00:35 | 0:00:36 | |
Er, I didn't realise it was you. | 0:00:36 | 0:00:39 | |
Would it have made much difference if it wasn't? | 0:00:39 | 0:00:43 | |
Oh, I dunno. | 0:00:43 | 0:00:45 | |
See you downstairs. | 0:00:46 | 0:00:47 | |
It'll be fine if you just pull them down a bit. | 0:00:55 | 0:00:57 | |
-That's uncomfy! -I'm not talking to you! | 0:00:57 | 0:01:00 | |
B, how much does a pair of school trousers cost? | 0:01:00 | 0:01:02 | |
Do you know how much a funeral costs? Go and clean your teeth. | 0:01:02 | 0:01:07 | |
-Everyone's going to laugh at him. -Good. Might toughen him up a bit. | 0:01:07 | 0:01:11 | |
Any tea in that pot? | 0:01:11 | 0:01:14 | |
Sorry, I think it needs a refill. You sit down. I'll do it. | 0:01:14 | 0:01:17 | |
-No, I'll do it. Anything interesting there? -Yeah, maybe. | 0:01:17 | 0:01:20 | |
Where've all the mugs gone? | 0:01:20 | 0:01:21 | |
Sorry, that'll be me. There must be two or three up in Mum's room. | 0:01:21 | 0:01:24 | |
Tiff, go and get 'em, will ya? Excuse me. I'm talking to you, madam. | 0:01:24 | 0:01:28 | |
It's no good. She won't go up. Too scared of Nana Pat's ghost. | 0:01:28 | 0:01:31 | |
Oh, for God's sake. You're nearly nine. | 0:01:31 | 0:01:33 | |
-Scooby Doo isn't true, all right?! -Bianca! | 0:01:33 | 0:01:36 | |
We'll go and get the mugs, eh? Together. | 0:01:36 | 0:01:38 | |
You ain't finished your breakfast yet. | 0:01:38 | 0:01:41 | |
-I'm not hungry. Come on, young lady. -All right, old man. | 0:01:41 | 0:01:44 | |
Cheeky! | 0:01:45 | 0:01:46 | |
Who'd've thought he'd be sweet with her? | 0:01:46 | 0:01:48 | |
Oh, yeah, who'd have thought it, eh? | 0:01:48 | 0:01:50 | |
Just as she's about to fall for him, he'll be off. | 0:01:50 | 0:01:53 | |
Not necessarily. | 0:01:54 | 0:01:56 | |
Hello? Hello? Anyone home? Come out, come out, wherever you are. | 0:02:01 | 0:02:04 | |
(Look under the bed.) | 0:02:08 | 0:02:09 | |
Nana Pat was too big to fit under the bed. | 0:02:09 | 0:02:11 | |
Well, if she can walk through walls, she can get under the bed, surely? | 0:02:11 | 0:02:16 | |
Come on, darling, come here. | 0:02:16 | 0:02:18 | |
Listen, if Nana Pat wanted to come back as a ghost, | 0:02:18 | 0:02:21 | |
don't you think I'd know about it? | 0:02:21 | 0:02:23 | |
I'm the first person she'd want to haunt, I promise you. | 0:02:23 | 0:02:27 | |
-Granddad. -Yes? | 0:02:27 | 0:02:30 | |
What's so good about "the other place?" | 0:02:30 | 0:02:34 | |
What you talking about? | 0:02:34 | 0:02:35 | |
Well, Nana Pat said when she died, | 0:02:35 | 0:02:38 | |
she didn't want to go to heaven cos she'd get bored. | 0:02:38 | 0:02:40 | |
She'd much rather go to the other place | 0:02:40 | 0:02:43 | |
cos there's a better class of company there. | 0:02:43 | 0:02:45 | |
-What did she mean? -Nothing, darling. | 0:02:47 | 0:02:52 | |
She was just making a joke, that was all. Don't mean nothing. | 0:02:52 | 0:02:56 | |
Are you all right? | 0:02:56 | 0:02:57 | |
I just miss her, that's all. | 0:02:59 | 0:03:02 | |
I didn't think I would but I do. | 0:03:02 | 0:03:05 | |
Granddad? | 0:03:05 | 0:03:07 | |
Yes. | 0:03:07 | 0:03:08 | |
When am I going to meet Uncle Joe? | 0:03:08 | 0:03:11 | |
Who've you been talking to? | 0:03:11 | 0:03:13 | |
Dad says he's a nutter. | 0:03:13 | 0:03:16 | |
Look, Uncle Joe's got a few problems, that's all, | 0:03:16 | 0:03:19 | |
but he's not a nutter. | 0:03:19 | 0:03:21 | |
And that is not a very nice word to say. | 0:03:21 | 0:03:23 | |
But we'll talk about that another time. | 0:03:23 | 0:03:25 | |
And there are no ghosts, OK? | 0:03:25 | 0:03:28 | |
Right, let's get those mugs. Come on. | 0:03:28 | 0:03:30 | |
KNOCK AT THE FRONT DOOR | 0:03:30 | 0:03:32 | |
All right, all right, I'm coming. | 0:03:33 | 0:03:36 | |
Sorry, I really need to speak to somebody. Is Ricky around? | 0:03:38 | 0:03:41 | |
He's been offered a day's work. What's the matter? | 0:03:41 | 0:03:44 | |
I've just, I've had the most awful experience. Look, I'm shaking. | 0:03:44 | 0:03:47 | |
-What's the racket about? -Can I sit down? -Yeah, go through. | 0:03:47 | 0:03:50 | |
-You deal with her. -Oh, great, thanks. | 0:03:50 | 0:03:52 | |
Janine, what's up? | 0:03:52 | 0:03:56 | |
I've just had the most awful dream that I was in labour, right? | 0:03:56 | 0:04:00 | |
And I gave birth to a monster. | 0:04:00 | 0:04:02 | |
Well, that's par for the course, innit. | 0:04:02 | 0:04:05 | |
Pat was the midwife and she was screaming at me, "Janine, Janine." | 0:04:05 | 0:04:08 | |
And I was so frightened I woke up. But it's like it's still there. | 0:04:08 | 0:04:12 | |
What's still there? | 0:04:12 | 0:04:13 | |
Pat's voice. It's like she was in the room with me. | 0:04:13 | 0:04:17 | |
-Well done. -Sorry? | 0:04:20 | 0:04:22 | |
Tiffany! Come on, she didn't mean it. | 0:04:22 | 0:04:24 | |
-Nothing back from the police at all? -Hello? | 0:04:37 | 0:04:40 | |
Oh, Zainab. | 0:04:46 | 0:04:47 | |
Patrick, I thought you'd retired. | 0:04:47 | 0:04:49 | |
Just helping with the handover. Doing a bit of stocktaking. | 0:04:49 | 0:04:53 | |
Then soon, I'll be all done. | 0:04:53 | 0:04:54 | |
I see. I've just come for some cereal. | 0:04:54 | 0:04:57 | |
And how are you? | 0:04:57 | 0:04:59 | |
Fragile. Picking up the pieces, you know? | 0:04:59 | 0:05:02 | |
And Tamwar? | 0:05:02 | 0:05:03 | |
-Fingers crossed. -Well, we're all thinking of him. | 0:05:03 | 0:05:06 | |
Thank you, I'll just get a card. How are things with you, Patrick? | 0:05:06 | 0:05:10 | |
-Doing the best, you know. -Yeah? | 0:05:10 | 0:05:12 | |
Sure this is a good time to be, you know, giving up work? | 0:05:12 | 0:05:15 | |
Don't worry about me at all, man, I'll always be busy. | 0:05:15 | 0:05:18 | |
You know, looking up old friends and things. | 0:05:18 | 0:05:21 | |
And there's plenty to do on the allotment. | 0:05:21 | 0:05:23 | |
That's £3.87 altogether. | 0:05:23 | 0:05:25 | |
-Is it true you're looking for staff? -Denise is, yes. | 0:05:25 | 0:05:28 | |
-What about Kim? -I think both of them know | 0:05:28 | 0:05:31 | |
it wouldn't be such a good idea at all, at all. | 0:05:31 | 0:05:34 | |
Besides, Kim's doing up the new flat. | 0:05:34 | 0:05:37 | |
-What flat? -Across the road. Number three. They're renting from Janine. | 0:05:37 | 0:05:41 | |
The one that was a halfway house? Denise, Patrick was telling me about the new flat. | 0:05:41 | 0:05:45 | |
-What about it? -I don't know. What state is it in? | 0:05:45 | 0:05:48 | |
It's fine. | 0:05:48 | 0:05:50 | |
Is it clean?! | 0:05:50 | 0:05:51 | |
It will be. | 0:05:51 | 0:05:52 | |
Zainab was just asking about staff vacancy. | 0:05:52 | 0:05:55 | |
-Oh, yeah? -No, not for me. Of course, not for me. | 0:05:55 | 0:05:58 | |
I was just making conversation but... Anyway, thank you. | 0:05:58 | 0:06:02 | |
I'll... Yeah, I've got to get back. | 0:06:02 | 0:06:04 | |
Why not? | 0:06:07 | 0:06:09 | |
Me and her?! Are you mad?! | 0:06:09 | 0:06:12 | |
Don't you remember how we was in here?! | 0:06:12 | 0:06:15 | |
No, no, that's got nothing to do with ghosts. | 0:06:19 | 0:06:22 | |
She just had a nasty dream, that's all. Dreams like that | 0:06:22 | 0:06:25 | |
can sometimes make you a bit loopy. | 0:06:25 | 0:06:27 | |
Is that what happened to Uncle Joe? | 0:06:27 | 0:06:28 | |
That's a different thing altogether. | 0:06:28 | 0:06:31 | |
-What did Janine say? -I'm dealing with it. Has she calmed down? | 0:06:31 | 0:06:34 | |
I don't know, I'll check. | 0:06:34 | 0:06:35 | |
Has Uncle Joe got red hair like me and Mum? | 0:06:35 | 0:06:38 | |
-No, that's from Carol's family. -Is he white like you? | 0:06:38 | 0:06:41 | |
-Eh? -Is he white like you or black like me? | 0:06:41 | 0:06:45 | |
He's white, like me. | 0:06:45 | 0:06:47 | |
Come on you two, you don't want to be late on your first day back. | 0:06:47 | 0:06:50 | |
Then why am I black? | 0:06:50 | 0:06:51 | |
Erm, because you... you had a different Dad and he IS black. | 0:06:51 | 0:06:56 | |
-Kids! Now! -Then why haven't I met him? | 0:06:56 | 0:06:59 | |
Here you are. You're best off asking your mother that one. | 0:06:59 | 0:07:03 | |
-You coming? -Morgan wants to know who his dad is. | 0:07:03 | 0:07:05 | |
-I ain't got time for this now. -But I want to know! | 0:07:05 | 0:07:09 | |
His name is Barack Obama! And he lives in America, all right? | 0:07:11 | 0:07:15 | |
Come on! | 0:07:15 | 0:07:17 | |
I don't know... | 0:07:20 | 0:07:23 | |
Patrick? | 0:07:25 | 0:07:27 | |
Oh, there you are. | 0:07:27 | 0:07:29 | |
I was just dropping my card in over the road. | 0:07:29 | 0:07:32 | |
How can I help you? | 0:07:32 | 0:07:33 | |
Look, I get just as frustrated with Denise as you do. | 0:07:33 | 0:07:36 | |
-Sorry? What? -I live with her. So I know how difficult it can be. | 0:07:36 | 0:07:40 | |
I mean she's bossy, argumentative and that temper. | 0:07:40 | 0:07:43 | |
She never admits when she's wrong. | 0:07:43 | 0:07:45 | |
And that, kind of, foolish pride of hers. | 0:07:45 | 0:07:48 | |
Yes, without anything much to be proud of. | 0:07:48 | 0:07:50 | |
-Yeah, well... -Patrick, did she send you over here? | 0:07:50 | 0:07:54 | |
No, no, if she knew I was talking to you she'd kill me! | 0:07:54 | 0:07:57 | |
Zainab, you know, what I admire about you is your patience, | 0:07:58 | 0:08:03 | |
your restraint. You know, with all the problems, your humility. | 0:08:03 | 0:08:08 | |
Hence the reason why I'm asking you that, um, | 0:08:08 | 0:08:12 | |
just to prove yourself the bigger person, | 0:08:12 | 0:08:16 | |
if you could find it in your heart to just make the first move? | 0:08:16 | 0:08:20 | |
Please. | 0:08:20 | 0:08:22 | |
It's always all about you, isn't it, Janine, eh? | 0:08:29 | 0:08:33 | |
So, what was I meant to do, stay at home crying by myself? | 0:08:33 | 0:08:36 | |
-Why, where was what's his face? -If you mean Michael... | 0:08:36 | 0:08:39 | |
Why? Who else you got on the go at the moment? | 0:08:39 | 0:08:42 | |
-You can talk. -Where was he? | 0:08:42 | 0:08:44 | |
He's like you. He doesn't do feelings. | 0:08:44 | 0:08:47 | |
He's like, "You and Pat didn't get on when she was alive. | 0:08:47 | 0:08:49 | |
"Now she's dead. What's your problem?" | 0:08:49 | 0:08:52 | |
-You and Mum were like that then? -You haven't been here for 15 years. | 0:08:52 | 0:08:55 | |
You haven't got the first idea what went on between us. | 0:08:55 | 0:08:58 | |
I know about Barry, Janine. Cos Simon told me. | 0:08:58 | 0:09:00 | |
And the old Jewish boy. Don't rewrite history. Please. | 0:09:00 | 0:09:05 | |
You haven't changed one little bit. | 0:09:05 | 0:09:07 | |
You arrive here at the very last minute, | 0:09:07 | 0:09:10 | |
playing the whole penitent son thing, | 0:09:10 | 0:09:13 | |
and then suddenly it's like the sun is shining out your backside. | 0:09:13 | 0:09:16 | |
-I know different. -At least I made it which is more than my precious brother's likely to. | 0:09:16 | 0:09:20 | |
-Only because of the will. -I beg your pardon? | 0:09:20 | 0:09:23 | |
Oh, what, are we going to pretend different? | 0:09:23 | 0:09:25 | |
Cos I've got news for you, big brother, | 0:09:25 | 0:09:27 | |
the only thing that Pat has left any of us is debt. | 0:09:27 | 0:09:32 | |
So, I'm really sorry and all that, but you seem to have had a wasted trip. | 0:09:32 | 0:09:36 | |
I've made us all some coffee. | 0:09:36 | 0:09:38 | |
And do you know what? Next time you need any help don't bother coming to me. | 0:09:38 | 0:09:41 | |
Janine? | 0:09:41 | 0:09:43 | |
Janine. | 0:09:43 | 0:09:45 | |
-What was that all about? -She wonders why I ain't come back all these years. | 0:09:55 | 0:09:59 | |
Honestly, that girl. | 0:09:59 | 0:10:02 | |
Who's that from? | 0:10:02 | 0:10:04 | |
It's from Zainab Masood. You don't know her. | 0:10:04 | 0:10:08 | |
Do you know, everybody's been so kind. | 0:10:08 | 0:10:11 | |
You know that me and your mum never really got on. | 0:10:12 | 0:10:15 | |
But over time... | 0:10:17 | 0:10:20 | |
Hey, Carol. | 0:10:21 | 0:10:22 | |
No, no. I'm all right, David. | 0:10:22 | 0:10:25 | |
Do you know, I saw all that estate agent stuff. | 0:10:28 | 0:10:33 | |
Yeah. | 0:10:33 | 0:10:34 | |
How would you feel? | 0:10:36 | 0:10:38 | |
-It's none of my business, is it? -DOORBELL RINGS | 0:10:38 | 0:10:41 | |
Oh, it's the undertaker. I'd forgotten all about him. | 0:10:41 | 0:10:43 | |
You stay there. I'll go. | 0:10:43 | 0:10:46 | |
Leslie Coker of Coker and Sons, bespoke funeral directors. | 0:10:48 | 0:10:53 | |
A Ms Carol Jackson spoke to one of my assistants, I understand? | 0:10:53 | 0:10:57 | |
Come in, Mr Coker. Thank you for coming. | 0:10:57 | 0:10:59 | |
My deepest and sincerest condolences at your sad loss. | 0:11:01 | 0:11:06 | |
Thank you. I'm David Wicks. | 0:11:06 | 0:11:08 | |
Am I right in thinking Pete Beale was your father? | 0:11:09 | 0:11:13 | |
-Why? Did you know my dad? -I organised your father's funeral, Mr Wicks. | 0:11:13 | 0:11:16 | |
We might even have shook hands that day. | 0:11:16 | 0:11:19 | |
I doubt it cos I didn't show up until the funeral was almost over. | 0:11:19 | 0:11:22 | |
Even so. It's an honour. | 0:11:22 | 0:11:26 | |
She needs the work. Not just for the money, | 0:11:28 | 0:11:30 | |
of course that is important, | 0:11:30 | 0:11:32 | |
just as a way of helping her to recover. A kind of, what's the word? Therapy. | 0:11:32 | 0:11:35 | |
Therapy? If she needs therapy, go get her a shrink. | 0:11:35 | 0:11:39 | |
On come on, Denise, think of how you were after Lucas. | 0:11:39 | 0:11:42 | |
Remember how that felt like? | 0:11:42 | 0:11:45 | |
Well, if she wants the job, | 0:11:45 | 0:11:46 | |
why can't she just come in and ask like anybody else? | 0:11:46 | 0:11:50 | |
You know Zainab as well as I do, she's her own worst enemy. | 0:11:50 | 0:11:55 | |
She's just so full of pride. | 0:11:55 | 0:11:57 | |
All she can remember is that you used to work for her. | 0:11:57 | 0:12:00 | |
And she's kind of worried that you'll make her beg. | 0:12:00 | 0:12:03 | |
Did you hear her making digs about the flat? | 0:12:03 | 0:12:06 | |
Is it clean? Oh, give me a break. | 0:12:06 | 0:12:08 | |
The thing is, I've already had a word with her. | 0:12:08 | 0:12:10 | |
You've done what?! | 0:12:10 | 0:12:13 | |
And she'll probably turn up and say that she only come here | 0:12:13 | 0:12:16 | |
because I persuaded her to. But y'know, Dee, if you could only meet her halfway? | 0:12:16 | 0:12:21 | |
Prove to yourself that you are the bigger woman? | 0:12:21 | 0:12:26 | |
Please. | 0:12:26 | 0:12:28 | |
And so when he goes round telling all his mates | 0:12:35 | 0:12:37 | |
his dad is Barack Obama, what do we say then? | 0:12:37 | 0:12:40 | |
-What was I supposed to say? -Something else? | 0:12:40 | 0:12:42 | |
You've got your Dad back, why shouldn't he? | 0:12:42 | 0:12:44 | |
-Can we just talk about this tonight? -No, cos we won't talk about it later. | 0:12:44 | 0:12:48 | |
You might want to think about getting him some new trousers and all. | 0:12:48 | 0:12:51 | |
-You said what? -I said if he wasn't gone after the funeral, | 0:12:53 | 0:12:57 | |
he'd have me to answer to. | 0:12:57 | 0:12:59 | |
And when I say "me," I mean "us." | 0:12:59 | 0:13:02 | |
Thank you, sweetheart. | 0:13:02 | 0:13:04 | |
What do you mean, "us?" | 0:13:05 | 0:13:07 | |
You and me, Max. | 0:13:07 | 0:13:09 | |
You can hold him down while I administer the kicking. | 0:13:09 | 0:13:11 | |
Your face! | 0:13:13 | 0:13:15 | |
14, he was, the last time. | 0:13:19 | 0:13:22 | |
Squealed like a pig. | 0:13:22 | 0:13:25 | |
Those were the days. | 0:13:25 | 0:13:26 | |
Officially I'm retired, but I still like to keep an eye on things. | 0:13:30 | 0:13:33 | |
Pop in most days. | 0:13:33 | 0:13:35 | |
And when I saw your mother's name on the duty log, | 0:13:35 | 0:13:39 | |
I said to my staff straight away, | 0:13:39 | 0:13:42 | |
"I'm taking care of this one personally. | 0:13:42 | 0:13:44 | |
"Nothing but the very best for Her Majesty." | 0:13:44 | 0:13:47 | |
-So, you knew Pat, Mr Coker? -Mr Coker buried my dad, apparently. | 0:13:49 | 0:13:53 | |
Yes, but Patricia and I go back long before, when I was still apprenticed to my own father. | 0:13:53 | 0:13:58 | |
Not in a professional capacity. We knew each other... | 0:13:58 | 0:14:02 | |
socially, you might say. | 0:14:02 | 0:14:03 | |
Right. | 0:14:10 | 0:14:11 | |
Always had a touch of class about her, did Patricia. | 0:14:11 | 0:14:14 | |
One of the great ladies of the East End. | 0:14:14 | 0:14:16 | |
-Privilege to have known her. -I see. | 0:14:16 | 0:14:19 | |
Which is why, upon your father's death, she put Mrs Fowler, I believe, | 0:14:19 | 0:14:24 | |
on to me. | 0:14:24 | 0:14:25 | |
Turned out to be the beginning of a long association | 0:14:25 | 0:14:28 | |
between the firm and Albert Square. Mrs Skinner, Mr Evans, Mrs Fowler, | 0:14:28 | 0:14:34 | |
and Mr Archie Mitchell to name but a few. | 0:14:34 | 0:14:36 | |
We pride ourselves on our service being second to none. | 0:14:36 | 0:14:40 | |
Yeah. Well, we only want the best for Pat. | 0:14:40 | 0:14:43 | |
And I'd be dishonouring my professional reputation | 0:14:43 | 0:14:46 | |
to provide anything less. | 0:14:46 | 0:14:49 | |
You'll be wanting our premier service, then? | 0:14:49 | 0:14:51 | |
Do we? | 0:14:51 | 0:14:53 | |
I appreciate there will be financial considerations, | 0:14:53 | 0:14:56 | |
and in view of the esteem in which I hold Patricia's memory, | 0:14:56 | 0:15:00 | |
I'd be pleased to offer a very substantial discount | 0:15:00 | 0:15:04 | |
to offset any worries you may have in that regard. | 0:15:04 | 0:15:07 | |
That's very kind. Thank you. | 0:15:07 | 0:15:11 | |
That's agreed, then. Premier service for a premier family. | 0:15:11 | 0:15:16 | |
Shall we make a start? | 0:15:16 | 0:15:18 | |
Tell you what, I am so angry! | 0:15:18 | 0:15:21 | |
-Sorry. -This is Mr Coker, Whitney. He's organising Pat's funeral. | 0:15:21 | 0:15:25 | |
Right. I'll leave you to it. | 0:15:25 | 0:15:28 | |
Excuse me a minute. | 0:15:28 | 0:15:29 | |
Whitney, what's the problem? | 0:15:36 | 0:15:37 | |
You know what Bianca told Morgan when he asked who his dad was? | 0:15:37 | 0:15:41 | |
-What? -Barack Obama. | 0:15:41 | 0:15:42 | |
Morgan needs new stuff for school. Bianca's probably owed a fortune in child support. | 0:15:43 | 0:15:48 | |
But instead of getting in touch, she'd rather lie. | 0:15:48 | 0:15:51 | |
Bianca's got a lot on at the moment. | 0:15:51 | 0:15:53 | |
I bet Morgan would give anything to meet his Dad and get to know him. | 0:15:53 | 0:15:56 | |
We'll talk about it later. I got to get back in there. | 0:15:56 | 0:15:59 | |
WHITNEY DIALS | 0:16:01 | 0:16:04 | |
'The number you have called is not recognised. | 0:16:10 | 0:16:12 | |
-'Please check the number...' -Great. | 0:16:12 | 0:16:15 | |
There you go. Bye now. | 0:16:15 | 0:16:17 | |
What, you come back to make more snide remarks about the new flat? | 0:16:17 | 0:16:21 | |
This is nothing to do with the flat. | 0:16:21 | 0:16:23 | |
I had a word with Patrick. He suggested I came. | 0:16:23 | 0:16:25 | |
So, just to run through it, so we're all agreed. | 0:16:27 | 0:16:30 | |
The cherrywood casket, the Windsor, yes? | 0:16:30 | 0:16:33 | |
The horse-drawn hearse, | 0:16:33 | 0:16:36 | |
black horses, the Gladstone. | 0:16:36 | 0:16:39 | |
Two top of the range limousines. | 0:16:39 | 0:16:42 | |
An internment at St Cuthbert's Church | 0:16:42 | 0:16:44 | |
and the service to be conducted by Reverend Stevens, | 0:16:44 | 0:16:47 | |
who you'll be liaising with to arrange details of hymns | 0:16:47 | 0:16:50 | |
-and readings and so forth. -Right. Yeah. | 0:16:50 | 0:16:53 | |
And you'll be taking care of the catering and the flowers yourselves. | 0:16:53 | 0:16:58 | |
-Yeah. -Just on that. | 0:16:58 | 0:17:00 | |
I'm assuming that you'll be wanting a special floral tribute. | 0:17:00 | 0:17:03 | |
Pat's name spelt out, with gardenia and lily sprays, yes? | 0:17:03 | 0:17:06 | |
Maybe "Nana Pat." | 0:17:06 | 0:17:07 | |
Fine. I should point out, they do charge by the letter. | 0:17:07 | 0:17:11 | |
Let's just stick to "Pat", shall we? | 0:17:11 | 0:17:14 | |
-Fine. This is the florist we recommend, Mr Wicks. -Right. | 0:17:14 | 0:17:18 | |
They do require a few days' notice, so the sooner the better. | 0:17:18 | 0:17:22 | |
-OK, I'll give 'em a ring, yeah. -If you could just sign there. | 0:17:22 | 0:17:25 | |
One thing, how much is all this going to cost? | 0:17:25 | 0:17:30 | |
Well, as I say, | 0:17:30 | 0:17:31 | |
given that it's Patricia, I'm happy to offer a substantial discount. | 0:17:31 | 0:17:35 | |
So, you should see plenty of change from £15,000. | 0:17:35 | 0:17:39 | |
Right, yeah. | 0:17:43 | 0:17:45 | |
Any problems, day or night, please don't hesitate to get in touch. | 0:17:45 | 0:17:50 | |
Let me see you out, Mr Coker. | 0:17:50 | 0:17:52 | |
Yes. And once again my deepest condolences at your dreadful loss. | 0:17:52 | 0:17:59 | |
Thank you. | 0:17:59 | 0:18:01 | |
A special lady, your mother, Mr Wicks. | 0:18:07 | 0:18:10 | |
A very, very special lady. | 0:18:10 | 0:18:14 | |
What a woman. | 0:18:16 | 0:18:18 | |
Thank you. Bye bye, now. | 0:18:20 | 0:18:23 | |
-What the hell have we done? -Did Bianca say something about an insurance policy? | 0:18:23 | 0:18:27 | |
Not enough to cover that. | 0:18:27 | 0:18:29 | |
Have you got 15 grand kicking around? Cos I haven't. | 0:18:29 | 0:18:32 | |
I have but it's difficult. | 0:18:32 | 0:18:34 | |
I can't get my hands on it immediately, Carol, it's tied up. | 0:18:35 | 0:18:39 | |
Hold on a sec. Private conversation, Carol. | 0:18:39 | 0:18:42 | |
Yeah, sorry, I just want my phone. | 0:18:42 | 0:18:44 | |
Can you shut the door behind you, please? | 0:18:44 | 0:18:48 | |
Hi, yeah, sorry about that. | 0:18:48 | 0:18:49 | |
As I was saying, there's a bloke that used to work for you. | 0:18:49 | 0:18:53 | |
Ray Dixon? | 0:18:53 | 0:18:54 | |
Oh. Right. | 0:18:55 | 0:18:57 | |
Well, do you know where he is now or how I can get in touch with him? | 0:18:57 | 0:19:01 | |
-Who are you ringing? -Who do you think? | 0:19:02 | 0:19:04 | |
-Don't you dare. Not Derek. -I'm not that stupid. | 0:19:04 | 0:19:07 | |
I don't like David Wicks any more than you do. | 0:19:07 | 0:19:10 | |
You ain't backing out on me, are you? | 0:19:10 | 0:19:11 | |
What we going to say to Bianca | 0:19:11 | 0:19:13 | |
when we turn her dad into peanut butter? | 0:19:13 | 0:19:15 | |
You're using the word "dad" about that slimeball? | 0:19:15 | 0:19:18 | |
When has he ever been a dad to that girl, eh? | 0:19:18 | 0:19:20 | |
PHONE RINGS | 0:19:20 | 0:19:22 | |
All right, Carol? | 0:19:22 | 0:19:23 | |
Yeah. | 0:19:25 | 0:19:26 | |
All right, give us a couple of minutes. | 0:19:27 | 0:19:31 | |
-What's that about? -She's on the scrounge, isn't she? | 0:19:33 | 0:19:36 | |
She wants help with the funeral costs. | 0:19:36 | 0:19:39 | |
That's good. | 0:19:39 | 0:19:40 | |
Gives us a bit of leverage, eh? | 0:19:40 | 0:19:43 | |
Be worth every penny. | 0:19:45 | 0:19:47 | |
Come on, then. | 0:19:47 | 0:19:49 | |
You shouldn't have done that, Carol. | 0:19:51 | 0:19:53 | |
I'm the one who's borrowing it. You don't have anything to do with it. | 0:19:53 | 0:19:56 | |
Has Max got that sort of money? | 0:19:56 | 0:19:58 | |
Who is the first person he's going to turn to? | 0:19:58 | 0:20:02 | |
All right. So what choice do we have? | 0:20:02 | 0:20:04 | |
I'm telling you, once Derek gets involved, that is it. It's over. | 0:20:04 | 0:20:08 | |
What? | 0:20:08 | 0:20:09 | |
He wants me gone, don't he? Sooner the better. | 0:20:09 | 0:20:12 | |
He can hardly keep you from your mother's funeral. | 0:20:12 | 0:20:15 | |
-It's got nothing to do with the funeral. -What then? | 0:20:15 | 0:20:19 | |
You. | 0:20:21 | 0:20:22 | |
He wants to keep me away from you. | 0:20:23 | 0:20:26 | |
And has he got anything to be worried about? | 0:20:28 | 0:20:32 | |
You tell me. | 0:20:37 | 0:20:40 | |
David... | 0:20:40 | 0:20:41 | |
-I've been trying really hard, Carol. -What do you mean? | 0:20:42 | 0:20:45 | |
Don't tell me you haven't and all? | 0:20:45 | 0:20:48 | |
I think we should phone the undertaker | 0:20:50 | 0:20:52 | |
and tell him that we've made a big mistake. | 0:20:52 | 0:20:55 | |
You can't, cos I've signed it, ain't I? | 0:20:55 | 0:20:57 | |
-Besides... -Besides what? | 0:20:57 | 0:21:00 | |
We can't bury her in a cardboard coffin, can you imagine Dot's face? | 0:21:00 | 0:21:03 | |
OK. What do you suggest? | 0:21:03 | 0:21:05 | |
Maybe I should leave. | 0:21:07 | 0:21:08 | |
How would you feel about that? | 0:21:10 | 0:21:12 | |
-I don't want you to. -Cos he's right, you know. | 0:21:12 | 0:21:16 | |
I ruin people's lives, Carol. I don't mean to, but I do. | 0:21:16 | 0:21:19 | |
Well, I don't care. Cos I'm not having my personal life dictated to by my brothers. | 0:21:19 | 0:21:24 | |
Why don't I nip and see Janine? KNOCKING | 0:21:24 | 0:21:27 | |
Did you not hear the last thing that she said to you? Is it him? | 0:21:27 | 0:21:31 | |
Yeah. It's worth a shot, ain't it? | 0:21:31 | 0:21:33 | |
-Stall him. Don't agree anything. Promise me? -All right. | 0:21:33 | 0:21:37 | |
Promise? I'll be as quick as I can. | 0:21:37 | 0:21:40 | |
KNOCKING CONTINUES | 0:21:40 | 0:21:42 | |
What's a girl got to do to get some privacy round here? | 0:21:42 | 0:21:46 | |
I'm not stopping, don't worry. | 0:21:46 | 0:21:47 | |
Sorry, can you repeat that? | 0:21:47 | 0:21:51 | |
Oh, in that case, can I leave a message? | 0:21:51 | 0:21:55 | |
Cigarettes are a filthy habit, yes? | 0:21:58 | 0:22:01 | |
-Yes. -They're poison. So why are we selling poison? | 0:22:01 | 0:22:05 | |
What's with the "we?" | 0:22:07 | 0:22:09 | |
Do you know what, I think you're forgetting something. | 0:22:09 | 0:22:12 | |
I am the boss. YOU are the employee. | 0:22:12 | 0:22:15 | |
Which means that YOU do as you're told. | 0:22:15 | 0:22:18 | |
Or is that too hard for you to get your head round? | 0:22:18 | 0:22:20 | |
So you're happy to have all that guilt on your head, are you? | 0:22:20 | 0:22:24 | |
Do you know what, this is your fault | 0:22:24 | 0:22:28 | |
and I'm holding you personally responsible! | 0:22:28 | 0:22:30 | |
-You've got a nerve. -Come on Janine. I'll pay you back. Think of the family. | 0:22:34 | 0:22:38 | |
-Unbelievable. -Look, I'm bad, all right? I'm bad. | 0:22:38 | 0:22:42 | |
I'm selfish, I'm irresponsible, whatever you want. | 0:22:42 | 0:22:46 | |
But, please. Please, Janine. | 0:22:46 | 0:22:48 | |
It's not like you can't afford it. | 0:22:48 | 0:22:50 | |
You would just say anything, wouldn't you? | 0:22:50 | 0:22:53 | |
Look, I know we didn't get on that well when you were younger but... | 0:22:53 | 0:22:57 | |
You do this one thing and I swear, Janine, I will put the effort in. | 0:22:57 | 0:23:00 | |
This could be our chance to repair the damage. | 0:23:00 | 0:23:04 | |
Excuse me while I just go and stick my fingers down my throat. | 0:23:04 | 0:23:07 | |
Where you going? | 0:23:07 | 0:23:09 | |
Wait. | 0:23:09 | 0:23:10 | |
You need money, Derek's offering money, so why don't you just take it? | 0:23:14 | 0:23:18 | |
Apart from the fact I don't know where it's come from, | 0:23:18 | 0:23:20 | |
my family can't afford debt they won't be able to pay back. | 0:23:20 | 0:23:23 | |
Sorry? Whose family? We're your family, Carol. | 0:23:23 | 0:23:26 | |
-I know that. -So, let Derek take care of business. | 0:23:26 | 0:23:28 | |
I'm offering an interest free loan. With no pressure to pay it back at all. | 0:23:28 | 0:23:32 | |
Talk to Ricky and Bianca. | 0:23:32 | 0:23:34 | |
-So why are you rushing me into making a decision? -Excuse me, you called me! | 0:23:34 | 0:23:39 | |
All right, I'll have to talk to Ricky and Bianca. | 0:23:39 | 0:23:41 | |
-Why are you looking at me like that? -Because I'm thinking. Do you want to know what? | 0:23:41 | 0:23:45 | |
There's only one name that hasn't cropped up in this whole conversation. | 0:23:45 | 0:23:49 | |
-Has he said something? -Sorry, who are you talking about? | 0:23:49 | 0:23:52 | |
-He has, hasn't he? -Don't be an idiot, Carol. | 0:23:52 | 0:23:55 | |
-I don't know what you mean. -Where is he? -Who? -Come on! | 0:23:55 | 0:23:57 | |
Don't bother. It's obvious, look at her. She's back in the sack with him. | 0:23:57 | 0:24:01 | |
I am not in the sack with anybody! You take that back! | 0:24:01 | 0:24:04 | |
We're just trying to protect you. We don't want to see you get hurt again. | 0:24:04 | 0:24:07 | |
I don't need you two to dictate what's going on in my life. | 0:24:07 | 0:24:12 | |
-SOMEONE OPENS THE DOOR -I wonder who this might be? | 0:24:12 | 0:24:15 | |
What you two doing here? | 0:24:20 | 0:24:21 | |
Derek has kindly offered to lend us the money for Pat's funeral. | 0:24:21 | 0:24:25 | |
Right. | 0:24:25 | 0:24:26 | |
Well, Janine's just written me out a cheque. | 0:24:28 | 0:24:31 | |
So, thanks, but no, thanks. | 0:24:32 | 0:24:36 | |
You ain't going, are you? | 0:24:41 | 0:24:43 | |
Boys. | 0:24:43 | 0:24:45 | |
I meant what I said. | 0:24:45 | 0:24:46 | |
See you later. | 0:24:46 | 0:24:48 | |
-Zainab? -I've restocked the tobacco shelf, so that's an end to it. | 0:24:54 | 0:24:58 | |
Yeah, I've been having a little think. | 0:24:58 | 0:25:01 | |
And we've both been through so much these past few weeks. | 0:25:01 | 0:25:06 | |
It's not right that we should fight. | 0:25:06 | 0:25:09 | |
Not with Tamwar still in the hospital and everything. | 0:25:09 | 0:25:12 | |
Look, forget what I said, Zee. | 0:25:12 | 0:25:14 | |
First and foremost, we're friends, right? | 0:25:15 | 0:25:18 | |
We should never forget that. | 0:25:19 | 0:25:21 | |
Do you want to do the hug thing? | 0:25:23 | 0:25:25 | |
-Not really. -No, me neither. | 0:25:25 | 0:25:27 | |
Well? | 0:25:34 | 0:25:36 | |
Well, what? | 0:25:36 | 0:25:38 | |
You not told her? Come on, show her. | 0:25:38 | 0:25:41 | |
Oh. Where'd they come from? | 0:25:41 | 0:25:44 | |
I bought 'em. And a new PE kit. Can't believe you didn't notice. | 0:25:44 | 0:25:48 | |
-Come on you two, wash your hands. -How did you meet him, Mum? | 0:25:50 | 0:25:53 | |
What you talking about? | 0:25:53 | 0:25:56 | |
Oh. Come on, wash your hands. | 0:25:56 | 0:25:58 | |
Just to say that dinner's on the table. | 0:26:09 | 0:26:12 | |
What are you doing? | 0:26:12 | 0:26:14 | |
Tiff's not wrong, you know. There are ghosts. | 0:26:14 | 0:26:18 | |
I can feel her, you know. | 0:26:18 | 0:26:21 | |
Like she's watching me. | 0:26:21 | 0:26:24 | |
Talking to me. | 0:26:24 | 0:26:25 | |
Yeah? What's she saying? | 0:26:25 | 0:26:28 | |
-Be careful. -Never your strong point. | 0:26:29 | 0:26:32 | |
Nor yours. | 0:26:32 | 0:26:34 | |
No. | 0:26:34 | 0:26:36 | |
Mind you, he's right though, ain't he? | 0:26:36 | 0:26:39 | |
-Sorry, who we talking about now? -Derek. | 0:26:39 | 0:26:41 | |
He don't trust me. | 0:26:41 | 0:26:43 | |
Mind you, that makes two of us. | 0:26:43 | 0:26:45 | |
-Cos I don't trust me either. -Makes three of us, actually. | 0:26:45 | 0:26:48 | |
So, what you going to do? | 0:26:50 | 0:26:54 | |
We both know what we're going to do. | 0:26:54 | 0:26:55 | |
Cos neither of us is strong enough or sensible enough not to. | 0:26:55 | 0:26:58 | |
Come here. | 0:26:58 | 0:27:00 | |
No, not now. | 0:27:00 | 0:27:01 | |
-When? -When everyone's gone to bed. | 0:27:01 | 0:27:04 | |
If your brother finds out he's going to kill me. | 0:27:04 | 0:27:08 | |
Yeah? If he does before the end of the week, we could squeeze you | 0:27:08 | 0:27:11 | |
into Pat's coffin. Two for one. What do you reckon? | 0:27:11 | 0:27:14 | |
Mother and son reunited at last. | 0:27:14 | 0:27:16 | |
BIANCA: Mum! Dad! Tea! | 0:27:16 | 0:27:19 | |
One kiss. | 0:27:19 | 0:27:20 | |
Some things never go away. | 0:27:32 | 0:27:33 | |
Oh, God. | 0:27:33 | 0:27:35 | |
It's like we're 14 again. | 0:27:35 | 0:27:37 | |
And I'll say what I said that night in '76. | 0:27:39 | 0:27:42 | |
-I love you. -David, please. | 0:27:43 | 0:27:45 | |
I love you, I love you, I love you. | 0:27:45 | 0:27:48 | |
Say it back then. | 0:27:51 | 0:27:52 | |
Come on, you know you want to. | 0:27:54 | 0:27:56 | |
Say it. | 0:27:56 | 0:27:58 | |
I love you. | 0:27:59 | 0:28:02 | |
I love you, I love you. | 0:28:02 | 0:28:05 | |
Oi! Do you know what time it is? | 0:28:24 | 0:28:26 | |
-Don't do that. -Don't do what? What're you playing at? | 0:28:26 | 0:28:29 | |
-What's all that lot? -It ain't nothing to do with you. | 0:28:29 | 0:28:32 | |
-It's just a job, that's all. -Funny-looking antiques, boy. | 0:28:32 | 0:28:34 | |
Tyler, go and get the last load. And you, mind your business. | 0:28:34 | 0:28:39 | |
-What are you dragging him into? -Oi, Michael, go back to bed and cuddle your teddy, eh? | 0:28:39 | 0:28:43 | |
Hey, come on. Where are you going? | 0:28:52 | 0:28:54 | |
I can't be in here when Bianca's alarm goes off. | 0:28:54 | 0:28:59 | |
Carol, come on. That's ages yet. | 0:28:59 | 0:29:00 | |
-No, I can't. -Come back to bed. | 0:29:00 | 0:29:03 | |
-No. -She's going to have to find out sooner or later. | 0:29:03 | 0:29:06 | |
-I beg your pardon? -Well, she is, isn't she? | 0:29:06 | 0:29:09 | |
Listen, we'll talk about it later. | 0:29:09 | 0:29:11 | |
THEY GIGGLE | 0:29:11 | 0:29:13 | |
-Come on! -Stop it! | 0:29:13 | 0:29:15 | |
MORGAN MAKES ENGINE NOISES | 0:29:15 | 0:29:18 | |
What're you doing, Morgan? | 0:29:20 | 0:29:23 | |
-Whitney's driving me to America. -Oh, yeah? | 0:29:23 | 0:29:25 | |
To meet my dad. | 0:29:25 | 0:29:27 | |
Ah, that's nice. So where is she now? | 0:29:27 | 0:29:29 | |
In there, with Fatboy. | 0:29:29 | 0:29:32 | |
-Will you do us a favour? Will you tell her Tyler says hello? -OK. | 0:29:32 | 0:29:37 | |
-And that he still thinks about her? -OK. -Good lad. | 0:29:37 | 0:29:41 | |
-You've what?! -I'm already half regretting it. Don't make me feel bad. | 0:29:43 | 0:29:48 | |
Who is Morgan's dad? | 0:29:48 | 0:29:50 | |
-Ray Dixon. He's a really nice bloke. -Yeah, a really nice bloke, | 0:29:50 | 0:29:53 | |
that's not bothered to look for his son before(!) | 0:29:53 | 0:29:55 | |
He didn't even know he existed until I told him yesterday. | 0:29:55 | 0:29:58 | |
-What? -Yeah. And now he's really desperate to meet him. | 0:29:58 | 0:30:01 | |
-So how could I say no? -Oh, Whit, man. | 0:30:01 | 0:30:04 | |
Would you come with me? | 0:30:05 | 0:30:07 | |
Um, I mean... Y'know... | 0:30:07 | 0:30:10 | |
-Oh, please? I'm really nervous. -I know, babe, but, you know, I'm working here. | 0:30:10 | 0:30:15 | |
-This place doesn't run on autopilot. -All right, no. Tyler or Anthony will do it. It's fine. | 0:30:15 | 0:30:20 | |
All right. Look, how long is this going to take? | 0:30:20 | 0:30:23 | |
About an hour or two? | 0:30:23 | 0:30:24 | |
Max isn't coming back till about twelve. | 0:30:24 | 0:30:27 | |
-I don't want to get you into trouble. -Don't worry, all right. It's all good. | 0:30:27 | 0:30:31 | |
We... | 0:30:31 | 0:30:33 | |
can do this. | 0:30:33 | 0:30:35 | |
I am dreading that. | 0:30:36 | 0:30:38 | |
What's that? | 0:30:38 | 0:30:40 | |
Oh... I will be there with you the whole time. I will not leave your side, I promise. | 0:30:40 | 0:30:44 | |
Thanks, darling. | 0:30:44 | 0:30:47 | |
Tell you what. Why don't me and you go shopping? Bit of retail therapy. | 0:30:47 | 0:30:51 | |
-I thought you had an essay to write? -Yeah, well, I can spare an hour or two. | 0:30:51 | 0:30:56 | |
-PHONE RINGS -Hello. | 0:30:56 | 0:30:59 | |
Oh, that's nice. Yeah. Just, well...up and down. | 0:31:01 | 0:31:04 | |
I'd like to see you too. | 0:31:06 | 0:31:09 | |
Um, hang on a minute... | 0:31:09 | 0:31:13 | |
-Jane's asking if I can pop down the caff and see her. Can we do that shopping another time? -Yeah. | 0:31:13 | 0:31:17 | |
Yeah, that's fine. Yes, all right. I'll see you in five. | 0:31:17 | 0:31:21 | |
OK. Bye. | 0:31:21 | 0:31:23 | |
-Sure you don't mind? -No. -At least this way you get to do your essay, eh? | 0:31:23 | 0:31:28 | |
HE MAKES ENGINE NOISES | 0:31:32 | 0:31:35 | |
Right, come on, little man, in the back. | 0:31:38 | 0:31:40 | |
-Aw! -What? We're going in this one? | 0:31:40 | 0:31:42 | |
Well, if he's going to meet his dad, he needs to arrive in style, don't he? | 0:31:42 | 0:31:47 | |
How long does it take to get to America? | 0:31:47 | 0:31:49 | |
Right. Listen, Morgan... | 0:31:51 | 0:31:53 | |
remember when your mum said about Barack Obama being your dad? | 0:31:53 | 0:31:58 | |
That was... | 0:31:58 | 0:32:00 | |
-She weren't being serious. That was a joke. -I'm not stupid. | 0:32:00 | 0:32:03 | |
OK, all right then. So where are we going, sweetheart? | 0:32:05 | 0:32:11 | |
-Stick another slice of toast on for us, darling. -Someone's hungry. | 0:32:11 | 0:32:15 | |
-Always have a healthy appetite first thing in the morning. -Tiffany! Liam! Morgan! Come on! | 0:32:15 | 0:32:19 | |
Oh, Morgan's gone. | 0:32:19 | 0:32:21 | |
-What? -He was itching to go so Whitney took him. | 0:32:21 | 0:32:24 | |
-Morgan was itching to go school? -Yeah. Apparently. | 0:32:24 | 0:32:27 | |
Weird. Anyway, I'm off. Don't know what time I'll be back. | 0:32:27 | 0:32:31 | |
-I'll see you two later. -All right. -Yeah. -Liam! Tiffany! Come on! | 0:32:31 | 0:32:35 | |
Well? | 0:32:37 | 0:32:39 | |
I got to be at work. I'm on at nine. | 0:32:39 | 0:32:42 | |
Did we mean all the things we said last night? | 0:32:42 | 0:32:44 | |
Of course we did, but you know... | 0:32:44 | 0:32:48 | |
Then let me tell her. | 0:32:48 | 0:32:49 | |
-She'll go nuts. -What, cos her mum and dad are in love and want to spend their lives together? -David! | 0:32:49 | 0:32:54 | |
I know what you're thinking, Carol, and judging by my track record, I don't blame you. | 0:32:54 | 0:33:00 | |
But this time... I don't know what it is - Mum dying, | 0:33:00 | 0:33:05 | |
what went down in New Zealand with my brother... | 0:33:05 | 0:33:09 | |
Maybe it's just seeing you in your jim-jams again. | 0:33:09 | 0:33:11 | |
But I feel different. | 0:33:14 | 0:33:15 | |
I don't want to be that bloke no more. | 0:33:15 | 0:33:19 | |
I'm fed up with him. I'm fed up with his lies. | 0:33:19 | 0:33:22 | |
Your toast's ready. | 0:33:25 | 0:33:27 | |
We're nearly 50, Carol. | 0:33:27 | 0:33:30 | |
I think it's about time I grew up, don't you? | 0:33:32 | 0:33:34 | |
And that is why I want to tell her. | 0:33:34 | 0:33:36 | |
Say, "Yes, David". | 0:33:39 | 0:33:40 | |
You understand, don't you? | 0:33:44 | 0:33:47 | |
If you tell Mum, she's going to be really upset, so don't say anything until I've said something. Yeah? | 0:33:47 | 0:33:54 | |
-I forgot something. -What? | 0:33:54 | 0:33:56 | |
Tyler says hello. | 0:33:56 | 0:33:58 | |
Oh, right. Van's moving now. | 0:34:00 | 0:34:02 | |
-That's good, innit? -Yeah. | 0:34:05 | 0:34:07 | |
After the funeral. | 0:34:08 | 0:34:11 | |
What's the point of waiting? | 0:34:11 | 0:34:12 | |
What's the point of taking the risk, all right? | 0:34:12 | 0:34:14 | |
Do we need any more upset right now? | 0:34:14 | 0:34:17 | |
Fair enough. | 0:34:18 | 0:34:20 | |
What're you doing? | 0:34:20 | 0:34:22 | |
-I'm going to go and see Derek. -What?! Why? | 0:34:22 | 0:34:25 | |
Oh, keep your hair on. | 0:34:25 | 0:34:28 | |
I'm not going to tell him about us, am I? | 0:34:28 | 0:34:30 | |
I just got one or two little things to sort out. | 0:34:30 | 0:34:33 | |
-Like what? -Trust me, Carol. | 0:34:33 | 0:34:35 | |
David, come on. | 0:34:35 | 0:34:36 | |
Look, it's about time this argument got put to bed. | 0:34:36 | 0:34:39 | |
You be careful. | 0:34:41 | 0:34:42 | |
I love you. | 0:34:42 | 0:34:44 | |
I'll see you. | 0:34:44 | 0:34:47 | |
I can't, Lauren, all right. You can see how it is. | 0:34:57 | 0:35:00 | |
Just for an hour or so. I'm really bored. | 0:35:00 | 0:35:03 | |
-I would if I could, all right. Come here. -No. | 0:35:03 | 0:35:05 | |
-Don't be like that. -Forget it. | 0:35:05 | 0:35:08 | |
Lauren! | 0:35:10 | 0:35:12 | |
Nan, what are you doing in there? | 0:35:14 | 0:35:16 | |
I was just going to go and have my breakfast. Now I've seen your face, I've come over all bilious. | 0:35:30 | 0:35:35 | |
Derek, why are we still doing this? | 0:35:35 | 0:35:38 | |
All right, maybe when we was teenagers, | 0:35:38 | 0:35:41 | |
when we didn't know any better, but come on, we're grown-ups now. | 0:35:41 | 0:35:44 | |
-Let's start acting like grown-ups. -What's brought all this on? | 0:35:44 | 0:35:48 | |
I'm not asking you to like me | 0:35:48 | 0:35:50 | |
and I don't suppose I'm ever going to be that crazy about you, | 0:35:50 | 0:35:53 | |
but carrying on like this? | 0:35:53 | 0:35:55 | |
It's what kids do. I'm burying my mother on Friday. | 0:35:55 | 0:35:58 | |
Can we just at least be civilised with one another? | 0:35:58 | 0:36:02 | |
Well, I applaud you. I do. | 0:36:05 | 0:36:07 | |
I applaud you for proffering the old pipe of peace. | 0:36:07 | 0:36:11 | |
A noble gesture, David. A very noble gesture. | 0:36:11 | 0:36:13 | |
And if civilised had ever got me anywhere, I might have taken you up on it. | 0:36:13 | 0:36:17 | |
But if you hang around a second after Pat's in the ground, I'm going to take that pipe of peace | 0:36:17 | 0:36:21 | |
and I'm going to shove it right up where the sun don't shine. | 0:36:21 | 0:36:24 | |
In a mature and adult sort of way if that makes it easier for you. | 0:36:24 | 0:36:27 | |
I think you're forgetting something. | 0:36:27 | 0:36:30 | |
-What's that? -You're on licence. That was a direct threat. And I've just recorded it on my phone. | 0:36:30 | 0:36:35 | |
Everything all right? | 0:36:35 | 0:36:37 | |
You are a moron. | 0:36:41 | 0:36:43 | |
Ooh, language! What happened to civilised? | 0:36:43 | 0:36:46 | |
Oh dear. | 0:36:53 | 0:36:55 | |
Fancy a chat? | 0:36:58 | 0:37:00 | |
What about Tyler? | 0:37:02 | 0:37:04 | |
What about him? | 0:37:04 | 0:37:06 | |
You're keen on him, ain't you? | 0:37:06 | 0:37:08 | |
Only I can smell a wrong 'un a mile off. | 0:37:08 | 0:37:10 | |
I like this. This is going to be wasted on the great unwashed. | 0:37:13 | 0:37:17 | |
Yeah, I think we'll have this. | 0:37:17 | 0:37:19 | |
-Nan! -I'm working here on a purely voluntary basis. | 0:37:19 | 0:37:23 | |
Unpaid and out of the goodness of my heart. | 0:37:23 | 0:37:26 | |
Call it a perk of the job. | 0:37:26 | 0:37:28 | |
All right, I'm a grasping mercenary old witch. | 0:37:28 | 0:37:31 | |
Then why work in a charity shop at all? | 0:37:31 | 0:37:33 | |
-Boredom. -And a cancer charity at that? | 0:37:33 | 0:37:37 | |
They were asking for helpers and in a fit of madness I signed up. | 0:37:39 | 0:37:44 | |
See, I don't think you're as wicked an old witch as you like to make out, Nan. | 0:37:44 | 0:37:48 | |
Wickeder. Right, I'm going to ask you to skedaddle. I got a shop to run. | 0:37:48 | 0:37:51 | |
What, can't I just stay and help then? | 0:37:51 | 0:37:54 | |
If it was up to me I'd say yes like a shot. | 0:37:54 | 0:37:57 | |
They've got this deadly procedure | 0:37:57 | 0:37:59 | |
and they're up themselves about it, so sorry, darling, not this time. | 0:37:59 | 0:38:04 | |
My mother? Working in a charity shop? | 0:38:09 | 0:38:13 | |
Yeah. I ran into her yesterday. She'd just started. | 0:38:13 | 0:38:16 | |
-She didn't tell me. -Well, maybe this is her way of trying to prove something to you. | 0:38:16 | 0:38:21 | |
-Like what? -That she loves you? | 0:38:21 | 0:38:24 | |
-This could be a chance for you two to get a bit closer. -I don't want to get a bit closer. -You say that now. | 0:38:24 | 0:38:30 | |
But if you were to, say, work one morning a week there with her... | 0:38:30 | 0:38:34 | |
What, me? Work in...? Me?! | 0:38:34 | 0:38:35 | |
..you could do a bit of bonding. | 0:38:35 | 0:38:37 | |
Jane! Hang on a minute. | 0:38:37 | 0:38:38 | |
If this was me suggesting you do this with your mother, | 0:38:38 | 0:38:41 | |
what would you say? | 0:38:41 | 0:38:44 | |
All right, point taken. | 0:38:44 | 0:38:46 | |
Thank you. It'd be like the blind leading the blind, Jane. | 0:38:46 | 0:38:50 | |
Be good to do something though. A community-type thing. | 0:38:52 | 0:38:55 | |
For people that have gone through what you've been through. | 0:38:55 | 0:39:01 | |
All right, lovely Lauren. | 0:39:01 | 0:39:05 | |
And here's my favourite sister. | 0:39:05 | 0:39:07 | |
-What can I get you, Derek? -I'm going to have a cup of tea and one of your wonderful full Englishes, please. | 0:39:07 | 0:39:13 | |
You all right? | 0:39:13 | 0:39:15 | |
Yes, thanks. | 0:39:15 | 0:39:17 | |
All geared up for the funeral? | 0:39:17 | 0:39:19 | |
That'll be £5.20, please. | 0:39:19 | 0:39:23 | |
I spoke to our mutual friend earlier. | 0:39:24 | 0:39:27 | |
Yeah? Who's that? | 0:39:27 | 0:39:29 | |
See, I love it when you do that. | 0:39:29 | 0:39:32 | |
When you pull that "I don't know what you're talking about" face. | 0:39:32 | 0:39:35 | |
Always tickles me. | 0:39:35 | 0:39:37 | |
-Get to the point. -I spoke to David. | 0:39:37 | 0:39:39 | |
What about? | 0:39:39 | 0:39:41 | |
Why don't you ask him? I know, you should give him a ring! | 0:39:41 | 0:39:46 | |
HE CHUCKLES | 0:39:46 | 0:39:48 | |
Cor blimey, what a stink. | 0:39:53 | 0:39:55 | |
Blood, sweat and tears, that. | 0:39:55 | 0:39:58 | |
Explain boxing to me. Hurts, don't it? | 0:39:58 | 0:40:01 | |
Not if you watch it. And I like watching it, actually. | 0:40:01 | 0:40:05 | |
Everything you need to know about the human condition. Kill or be killed. Coffee? | 0:40:05 | 0:40:09 | |
No, I don't touch instant. At least the sim card ain't knackered. | 0:40:09 | 0:40:14 | |
You can't get these over here. Airport. Cost a few bob. | 0:40:14 | 0:40:18 | |
No, don't do that - that's evidence. | 0:40:18 | 0:40:21 | |
Don't be daft. | 0:40:21 | 0:40:22 | |
Serious - he's assaulted you, he's damaged your property. | 0:40:22 | 0:40:26 | |
-You take that into the Old Bill, he's back inside this afternoon. I'll back you up. -I can't do that. -Why? | 0:40:26 | 0:40:31 | |
Because I've got one or two little problems with the old tax man, you know? | 0:40:31 | 0:40:36 | |
Bit of a mess. I don't need my name cropping up on some police computer. | 0:40:36 | 0:40:40 | |
Fair play. What if I told you I saw him | 0:40:40 | 0:40:43 | |
moving stolen gear out of his flat this morning, early doors? | 0:40:43 | 0:40:47 | |
You're keen. | 0:40:47 | 0:40:48 | |
You don't even know me. | 0:40:48 | 0:40:50 | |
Derek Branning's a scumbag no-mark with no class and I despise him. | 0:40:54 | 0:40:59 | |
That do you? My kid brother, Tyler, works for him. | 0:40:59 | 0:41:03 | |
I know, it's unfortunate, he's not the brightest child. | 0:41:03 | 0:41:07 | |
But it's good in one way cos I know where the stash is. | 0:41:07 | 0:41:10 | |
Bad in another because it implicates him. | 0:41:10 | 0:41:13 | |
-Do you see my dilemma, David? -Hmm. | 0:41:13 | 0:41:15 | |
So what we need to do is to find a way of nailing that... | 0:41:15 | 0:41:19 | |
toilet of a man whilst keeping Tyler out of it. | 0:41:19 | 0:41:23 | |
What's the matter? | 0:41:26 | 0:41:27 | |
You remind me - that's all. | 0:41:27 | 0:41:29 | |
Of me when I was your age. | 0:41:29 | 0:41:32 | |
I'll take that as a compliment, thank you very much. | 0:41:32 | 0:41:35 | |
Don't. Really. | 0:41:35 | 0:41:38 | |
Don't. | 0:41:38 | 0:41:39 | |
Listen, I'm going to take a rain check on this one. | 0:41:42 | 0:41:46 | |
Bit too old for these games now. | 0:41:46 | 0:41:48 | |
I don't really want to play no more. | 0:41:48 | 0:41:50 | |
Heather, it's me. I just wanted to explain about the other night. | 0:42:31 | 0:42:35 | |
It's not so much I needed to work... | 0:42:35 | 0:42:37 | |
That looks lovely! Did you phone David? | 0:42:37 | 0:42:41 | |
Why would I want to phone David? | 0:42:41 | 0:42:44 | |
You tell me. Sit down. | 0:42:46 | 0:42:49 | |
-Can't. I'm working. -And I'm your brother. Sit down. | 0:42:49 | 0:42:52 | |
What? | 0:42:58 | 0:42:59 | |
I know what you think of me, Carol. | 0:43:01 | 0:43:03 | |
I know how I come across. But you got to believe me - I'm only doing this for your sake. | 0:43:03 | 0:43:09 | |
-Doing what? -Saving you from yourself. -How many times do I have to tell you this, Derek? I'm not 14 any more! | 0:43:09 | 0:43:15 | |
-And when you stop behaving like a 14-year-old, I'll believe you. -You are something else! | 0:43:15 | 0:43:19 | |
Oh, yeah? What about you then, eh? | 0:43:19 | 0:43:21 | |
I don't even know the names of half the fathers of your children. | 0:43:21 | 0:43:25 | |
Oh, for God's sake! | 0:43:25 | 0:43:26 | |
Don't get me wrong. What happened to Billie - tragedy. A real tragedy. That's bound to mess with your... | 0:43:26 | 0:43:32 | |
-But a 20-year-old?! -22. | 0:43:32 | 0:43:34 | |
-Oh, that makes all the difference(!) -You can be so cruel, Derek. | 0:43:34 | 0:43:37 | |
Only to be kind. | 0:43:37 | 0:43:40 | |
That's what I'm talking about, saving you from yourself. | 0:43:40 | 0:43:44 | |
Drop dead. | 0:43:44 | 0:43:46 | |
I just need 15 minutes on my own. | 0:43:47 | 0:43:50 | |
Carol? | 0:43:50 | 0:43:52 | |
I am so nervous. | 0:43:58 | 0:43:59 | |
Well, take five and chill out, babe. | 0:44:01 | 0:44:03 | |
-I can't. I'm late. -Where is he, Whitney? | 0:44:03 | 0:44:05 | |
Well, I'm just going to go meet him by myself. | 0:44:05 | 0:44:08 | |
And then I'll text you when I'm ready. | 0:44:08 | 0:44:11 | |
OK. Come here. | 0:44:11 | 0:44:13 | |
Good luck, babe, all right. | 0:44:15 | 0:44:17 | |
Thanks. | 0:44:17 | 0:44:18 | |
Come on, little man. Jump in the front. | 0:44:22 | 0:44:25 | |
MUSIC BLARES | 0:44:25 | 0:44:27 | |
Bit loud, innit? | 0:44:29 | 0:44:30 | |
-Hiya. -Where is he? | 0:44:37 | 0:44:40 | |
He's with one of my mates. | 0:44:40 | 0:44:41 | |
He'll be here in a sec. | 0:44:41 | 0:44:43 | |
-I just wanted to speak to you first. -I want to see him now. | 0:44:43 | 0:44:46 | |
I know you do. Just give me a couple of secs. | 0:44:46 | 0:44:49 | |
After I finished speaking to you on the phone I realised... | 0:44:49 | 0:44:52 | |
I never even asked his name. | 0:44:52 | 0:44:53 | |
Oh. Morgan. | 0:44:53 | 0:44:56 | |
Morgan. So he's got to be about six now, yeah? | 0:44:56 | 0:44:59 | |
Yeah. Seven on the 23rd of June. | 0:45:00 | 0:45:02 | |
So he knows about me, does he? | 0:45:02 | 0:45:05 | |
-Only since today. -And how is he about it? | 0:45:05 | 0:45:09 | |
Ray, you haven't even said hello to me yet. | 0:45:09 | 0:45:11 | |
Sorry. I didn't sleep last night. I'm that wired. | 0:45:11 | 0:45:14 | |
Calm down. You want to make a good impression, don't you? | 0:45:14 | 0:45:19 | |
You're right. | 0:45:19 | 0:45:21 | |
Hello, Whitney. | 0:45:21 | 0:45:22 | |
Hello, Ray. | 0:45:22 | 0:45:24 | |
-You've grown up, haven't ya? -Yeah. It does happen. | 0:45:24 | 0:45:27 | |
Does Bianca know about this? | 0:45:27 | 0:45:30 | |
Ray, you're doing it again. | 0:45:30 | 0:45:33 | |
Come on, look, I'll get a cup of tea and then you can ask me questions, all right? | 0:45:33 | 0:45:37 | |
Carol? | 0:45:43 | 0:45:44 | |
Have you been crying? | 0:45:44 | 0:45:47 | |
What's happened? Eh? | 0:45:49 | 0:45:51 | |
Is it Derek? | 0:45:53 | 0:45:55 | |
What's he said? | 0:45:55 | 0:45:58 | |
Every time somebody says something about Billie - | 0:45:58 | 0:46:01 | |
feels like I've been hit by a truck. | 0:46:01 | 0:46:04 | |
What's he said exactly? | 0:46:04 | 0:46:06 | |
He's right though, David. | 0:46:06 | 0:46:09 | |
What do you mean, he's right? | 0:46:09 | 0:46:11 | |
It's just not going to work out, is it? | 0:46:11 | 0:46:13 | |
Hey! | 0:46:13 | 0:46:14 | |
Don't you dare say that. Ever. | 0:46:14 | 0:46:17 | |
Think about last night. | 0:46:19 | 0:46:21 | |
Think about again this morning. | 0:46:22 | 0:46:25 | |
Don't tell me that ain't worth fighting for, Carol. | 0:46:25 | 0:46:29 | |
Don't let that piece of work take it away from us. Not again. | 0:46:29 | 0:46:33 | |
-I've got to get back to the cafe. -Hey, no. | 0:46:33 | 0:46:36 | |
You're going to listen to me. I mean it, Carol. | 0:46:36 | 0:46:39 | |
I'm not running away this time. I swear, I swear. | 0:46:39 | 0:46:42 | |
If we don't take this chance now, we may never get another. | 0:46:45 | 0:46:50 | |
Jane'll be wondering where I am. | 0:46:53 | 0:46:56 | |
Tell me you still love me. | 0:46:58 | 0:47:00 | |
I've always loved you, David. That's what's so awful about it. | 0:47:02 | 0:47:06 | |
No more running. Not me, and not you, yeah? | 0:47:10 | 0:47:14 | |
Yeah. | 0:47:14 | 0:47:16 | |
Go on, then. | 0:47:20 | 0:47:22 | |
TV: 'Have a look at this. An early 19th century man trap...' | 0:47:24 | 0:47:30 | |
-'Message one. -Heather, it's me. I just wanted to explain about the other night. | 0:47:45 | 0:47:50 | |
'It wasn't so much that I needed the work - well, I did - | 0:47:50 | 0:47:53 | |
'but that's not the point. | 0:47:53 | 0:47:55 | |
'Fact is, if I'm honest, I think I was scared... | 0:47:55 | 0:47:58 | |
'confused, I guess. Please phone me back when you get this. | 0:47:58 | 0:48:04 | |
-'Message two. -I just wanted to make sure that you understood what I meant earlier on. | 0:48:04 | 0:48:09 | |
'When I said I was scared, I didn't mean I was scared of you. | 0:48:09 | 0:48:13 | |
'Please call me back. | 0:48:13 | 0:48:14 | |
-'Message three. -Me again. Just wondering why you haven't called back.' | 0:48:14 | 0:48:18 | |
So? | 0:48:22 | 0:48:23 | |
Bianca don't know. | 0:48:25 | 0:48:26 | |
So, how come she never told you about Morgan, then? | 0:48:28 | 0:48:32 | |
I can guess. | 0:48:32 | 0:48:33 | |
She'd have to explain what she'd done with the 500 notes that she nicked off me when she left. | 0:48:33 | 0:48:39 | |
What? | 0:48:39 | 0:48:40 | |
I swear, she is a piece of work, that Bianca, y'know. | 0:48:40 | 0:48:42 | |
Is she still with that Tony geezer? | 0:48:45 | 0:48:47 | |
Whitney? | 0:48:50 | 0:48:52 | |
No, no. Sorry. | 0:48:53 | 0:48:54 | |
They split up - they've been split up for a while now. | 0:48:54 | 0:48:57 | |
He always was a smooth-talking scumbag, that one. | 0:48:57 | 0:49:02 | |
Yeah, he was. She's back with Ricky. | 0:49:02 | 0:49:06 | |
Her husband? You're kidding? | 0:49:06 | 0:49:09 | |
Where? Never Walford? | 0:49:09 | 0:49:12 | |
Yeah. | 0:49:12 | 0:49:14 | |
OK, look. I'm calm now. | 0:49:17 | 0:49:20 | |
Can we do this? | 0:49:20 | 0:49:22 | |
Yeah. | 0:49:22 | 0:49:24 | |
Yeah. | 0:49:24 | 0:49:25 | |
-Morgan... -What? | 0:49:27 | 0:49:29 | |
-You know when Tyler said "hello"... -Yeah. | 0:49:29 | 0:49:31 | |
Did he say anything else? | 0:49:31 | 0:49:33 | |
That he thinks about her. Something like that. | 0:49:33 | 0:49:36 | |
-Right. -PHONE BEEPS | 0:49:36 | 0:49:40 | |
Looks like we're on. You ready? | 0:49:40 | 0:49:44 | |
Yeah? Let's do this, little man. | 0:49:47 | 0:49:50 | |
Morgan, this is your Dad. | 0:50:07 | 0:50:11 | |
Ray, this is Morgan. | 0:50:11 | 0:50:13 | |
Dad don't even look like Barack Obama. | 0:50:13 | 0:50:16 | |
What? | 0:50:16 | 0:50:18 | |
It's just something that Bianca says. | 0:50:18 | 0:50:22 | |
Well, look at you. | 0:50:31 | 0:50:32 | |
'Me again. I'm just wondering why you haven't called me back. | 0:50:35 | 0:50:39 | |
'Please call me back, or better still, come to the cafe | 0:50:39 | 0:50:42 | |
'so that I can explain face-to-face. I won't be leaving here till I've heard from you. | 0:50:42 | 0:50:47 | |
'Fact is, I'm going off me nut here. | 0:50:47 | 0:50:50 | |
'Please call me back.' | 0:50:50 | 0:50:51 | |
Are you going to be ordering anything else? | 0:51:06 | 0:51:09 | |
-You what? -You've been sat at that table for ages. I need it for other people. | 0:51:09 | 0:51:12 | |
-I'm waiting for someone. -Well, wait somewhere else. | 0:51:12 | 0:51:15 | |
I beg your pardon? | 0:51:15 | 0:51:17 | |
I'm having a really bad day and I don't need this. Why don't you go over the Vic | 0:51:17 | 0:51:21 | |
or the library or a park bench or somewhere? | 0:51:21 | 0:51:23 | |
Only not here. | 0:51:23 | 0:51:24 | |
-I'd like to speak to Shirley. -Yeah? She ain't here. | 0:51:24 | 0:51:27 | |
She needs to know what type of staff she's employing. | 0:51:27 | 0:51:30 | |
Maybe send you on a refresher course in basic simple manners. | 0:51:30 | 0:51:33 | |
Have you met her bloke, Phil Mitchell? | 0:51:33 | 0:51:36 | |
-I'm ain't going anywhere. -Yeah? D'you know my brother? Derek Branning. | 0:51:36 | 0:51:39 | |
D'you know what? You're not the only one having a bad day. | 0:51:39 | 0:51:42 | |
You want this table back - have the table back. | 0:51:42 | 0:51:45 | |
You're going to have to pay for that! | 0:51:45 | 0:51:48 | |
Hev! | 0:51:48 | 0:51:49 | |
Right. Now you pick that up, please. | 0:51:49 | 0:51:52 | |
You didn't tell me about the job in the charity shop. | 0:51:59 | 0:52:03 | |
You didn't mention your cancer when you first got it. | 0:52:03 | 0:52:06 | |
It's hardly the same thing, is it? | 0:52:06 | 0:52:08 | |
We don't have to tell each other everything. | 0:52:12 | 0:52:15 | |
-Where's your tea? -I was going to do it after. | 0:52:15 | 0:52:20 | |
Lauren! Put the kettle on? | 0:52:20 | 0:52:22 | |
I think she's upstairs doing an essay. | 0:52:22 | 0:52:24 | |
-Right then, we going to have another? -I can't. I'm working. | 0:52:28 | 0:52:31 | |
Don't be so boring. | 0:52:31 | 0:52:33 | |
There you are. I've been trying to call you. | 0:52:33 | 0:52:37 | |
-Your phone's switched off. -What do you fancy? | 0:52:37 | 0:52:39 | |
Since it's you, I'll have a large vodka and tonic, please. | 0:52:39 | 0:52:43 | |
Since when did you become the responsible parent? | 0:52:44 | 0:52:47 | |
Large vodka and tonic, please, Tracey. | 0:52:47 | 0:52:51 | |
Do you know, I'm amazed she's still here. | 0:52:51 | 0:52:54 | |
Well, you've got the Rock of Gibraltar, Tower of London and then there's Tracey. | 0:52:54 | 0:52:58 | |
-Not everything in this world's unreliable. -There you go. -Take one for yourself. -Thanks, David. | 0:52:58 | 0:53:03 | |
Always did know how to charm the ladies, didn't you, Dad? | 0:53:03 | 0:53:07 | |
Listen, darling. How would you feel if I stuck around? | 0:53:07 | 0:53:11 | |
Mum did show me the estate agent stuff. | 0:53:11 | 0:53:15 | |
Yeah, and...? | 0:53:15 | 0:53:16 | |
-I'd have to believe you meant it first. -I do, I do. I mean it. I want to stay. | 0:53:16 | 0:53:20 | |
How do you feel? | 0:53:20 | 0:53:23 | |
Can we talk about something a bit more cheerful, | 0:53:23 | 0:53:25 | |
like funerals or something? | 0:53:25 | 0:53:28 | |
No Max's car, so I think we got away with it, babe. | 0:53:32 | 0:53:34 | |
-Fats, I'm worried. I think Morgan's going to say something. -Don't worry. He ain't going to say nothing. | 0:53:34 | 0:53:40 | |
But what if the school phones up asking where he's been? | 0:53:40 | 0:53:42 | |
Then what do I say? | 0:53:42 | 0:53:45 | |
-So what, you saying you'd prefer if you didn't do it? -No, I didn't say that. | 0:53:45 | 0:53:49 | |
So what're you worried about? Put a smile on your face, babe. | 0:53:49 | 0:53:54 | |
You done a good thing. Listen, fancy the Vic? | 0:53:54 | 0:53:59 | |
-Yeah, go on then. -Yeah? That's my girl. Let's do this. | 0:53:59 | 0:54:02 | |
-I've got to go. I've got a shift in the caff. -I mean it, darling. I am staying. | 0:54:02 | 0:54:06 | |
-If you say so. See you later. -Ta-ta. | 0:54:06 | 0:54:09 | |
-Wondering if you'd reconsidered my offer. -You're persistent. | 0:54:12 | 0:54:16 | |
Let me put another one in there. | 0:54:16 | 0:54:18 | |
Whitney! | 0:54:18 | 0:54:20 | |
Fats, I'll get you this. What do you want? | 0:54:20 | 0:54:22 | |
Coke, please, babe. | 0:54:22 | 0:54:23 | |
-Whitney, if I give you the money, can you get me a drink, please? -Hello, Fats. What can I do ya, mate? | 0:54:23 | 0:54:29 | |
Listen, bruv, I'm only going to say this once, all right. | 0:54:31 | 0:54:34 | |
You can "think" about Whitney as much as you want. You know what, you can even say hello. | 0:54:34 | 0:54:39 | |
But that's as far as it goes, yeah - you get me? | 0:54:39 | 0:54:41 | |
Oi, Fats! Will you speak to your girlfriend, please? She won't get me a drink. | 0:54:44 | 0:54:50 | |
-Lauren. -What? -Look the other way, babe. | 0:54:50 | 0:54:52 | |
'I know where he keeps the stolen goods.' | 0:54:58 | 0:55:01 | |
Jack keeps his keys at the gym, so it'll be a doddle to get him and the stolen goods in the same room. | 0:55:01 | 0:55:06 | |
After that, all you do is ring the Old Bill and he's back inside quicker than he can call you Dave. | 0:55:06 | 0:55:11 | |
Come on, you know you're tempted. | 0:55:14 | 0:55:16 | |
Come on, you know you love it. If you're worried about missing him, Pentonville's just up the road. | 0:55:16 | 0:55:23 | |
Oi, oi! | 0:55:23 | 0:55:25 | |
Tracey, nice drop of gold watch for me, please, darling. | 0:55:25 | 0:55:28 | |
Talk of the devil, the devil appears. | 0:55:28 | 0:55:30 | |
David. | 0:55:35 | 0:55:37 | |
Something might interest you. | 0:55:38 | 0:55:42 | |
There's a stall in the market knocking out them pay-as-you-go phones. Only 15 quid a pop. | 0:55:42 | 0:55:48 | |
Even you could manage that. | 0:55:48 | 0:55:50 | |
I thought you might be interested, cos you'll want to keep in touch | 0:55:50 | 0:55:54 | |
when you're back in, what is it, Spain, is it? | 0:55:54 | 0:55:57 | |
Tick-tock, tick-tock. Tick-tock, tick-tock. | 0:55:57 | 0:56:02 | |
Tick-tock. | 0:56:02 | 0:56:03 | |
Thank you, sweetheart. | 0:56:08 | 0:56:09 | |
All right. | 0:56:15 | 0:56:17 | |
Let's do it. | 0:56:21 | 0:56:22 | |
Are we mad? | 0:56:50 | 0:56:52 | |
Probably. | 0:56:52 | 0:56:54 | |
Grandad. Breakfast. | 0:56:57 | 0:56:58 | |
THEY WHISPER | 0:56:58 | 0:57:00 | |
-No! -Yes... | 0:57:00 | 0:57:01 | |
HE MUTTERS | 0:57:03 | 0:57:06 | |
Hang on! | 0:57:11 | 0:57:13 | |
Sssh... | 0:57:16 | 0:57:18 | |
-All right, darling. -You OK? You look very red. | 0:57:20 | 0:57:23 | |
No, I'm fine. Why don't you go downstairs, put the kettle on | 0:57:23 | 0:57:26 | |
and I'll come down in a minute, all right? | 0:57:26 | 0:57:29 | |
We should never have done this. Whenever we do it ends in disaster. | 0:57:36 | 0:57:39 | |
-Please. -No, I've got to sort the kids' breakfast. -Bianca can do that. | 0:57:39 | 0:57:43 | |
I've got to go to work. | 0:57:43 | 0:57:44 | |
-Well, take the morning off. -Who's going to put food on the table if I don't go? | 0:57:44 | 0:57:48 | |
That's your trouble, always thinking about someone other than yourself. | 0:57:48 | 0:57:51 | |
Yeah, unlike you who only ever thinks about himself. | 0:57:51 | 0:57:54 | |
That's offensive. | 0:57:54 | 0:57:56 | |
No, that's offensive, Carol. | 0:57:56 | 0:57:59 | |
What are you afraid of? Being happy or getting hurt? | 0:57:59 | 0:58:03 | |
Or, being all alone and ending up like my mum? Surrounded by chintz. | 0:58:03 | 0:58:07 | |
-You take your pick. You seem to have all the answers. -Come on... | 0:58:07 | 0:58:11 | |
You don't need to worry any more, you don't need to be afraid. | 0:58:11 | 0:58:14 | |
I need to go to work. | 0:58:16 | 0:58:18 | |
How about I break both his legs. | 0:58:46 | 0:58:49 | |
What's he done now? | 0:58:49 | 0:58:50 | |
Nothing. I just like the thought of hurting him. | 0:58:50 | 0:58:53 | |
You two got a problem? | 0:58:56 | 0:58:58 | |
No. It's just one of my suppliers messing me about. | 0:58:58 | 0:59:00 | |
Yeah, well, the less I know about your dodgy dealings the better. | 0:59:00 | 0:59:04 | |
The last thing I need is Roxy having more ammo for this custody case. | 0:59:04 | 0:59:07 | |
And the last thing you need is getting in any more trouble with the old bill. | 0:59:07 | 0:59:11 | |
So do me a favour, stay away from David Wicks, will ya? | 0:59:11 | 0:59:14 | |
Yeah. Well, the trouble with David Wicks is | 0:59:14 | 0:59:16 | |
he has this nasty habit of getting in your way. | 0:59:16 | 0:59:19 | |
-But if they really want to go... -Ricky, funerals are no place for young kids. | 0:59:26 | 0:59:30 | |
-Yeah, but... -Just polish your shoes, will ya? When you've done them, you can do mine. | 0:59:30 | 0:59:34 | |
But if we're not there, | 0:59:34 | 0:59:35 | |
-how will Nana Pat know that we've said goodbye? -She'll know babe, all right. | 0:59:35 | 0:59:40 | |
But how? | 0:59:40 | 0:59:42 | |
-Why don't you write her a letter? -That's a good idea. | 0:59:43 | 0:59:46 | |
-Can you make sure they put it in the coffin? -I'll make sure, Tiff, all right. | 0:59:46 | 0:59:49 | |
You can put all your names on it. What do you reckon, Morgan? | 0:59:49 | 0:59:52 | |
Are you all right, Morgan? You ain't said a word since yesterday. | 0:59:52 | 0:59:56 | |
Mind you, with you going on all the time, I should be grateful for the silence. | 0:59:56 | 0:59:59 | |
Yeah, you're all right, ain't you, Morg? | 1:00:00 | 1:00:03 | |
-That's nice. -Well, it's the least I could do. | 1:00:13 | 1:00:17 | |
Sad, ain't it? | 1:00:18 | 1:00:19 | |
Are Peter and Lucy coming back for the funeral? | 1:00:19 | 1:00:22 | |
No, they're not going to be able to make it. | 1:00:23 | 1:00:26 | |
Oh, that's a shame. | 1:00:26 | 1:00:27 | |
-You have told them about the funeral, right? -Yeah, course I have. | 1:00:29 | 1:00:33 | |
And you've told them about us? | 1:00:33 | 1:00:36 | |
Yeah, course. | 1:00:36 | 1:00:37 | |
Yeah, right(!) | 1:00:37 | 1:00:39 | |
Mandy! | 1:00:39 | 1:00:41 | |
Don't mind me. | 1:00:45 | 1:00:46 | |
Ignore him, he's just jealous. | 1:00:46 | 1:00:49 | |
Aw, you still crushing on Princess Amira? | 1:00:49 | 1:00:51 | |
What d'you go and tell her for? | 1:00:51 | 1:00:52 | |
I didn't know it was a secret, sorry. | 1:00:52 | 1:00:56 | |
So, what, you going to make your move, then? | 1:00:56 | 1:00:59 | |
You can't rush things with a sophisticated woman like Amira. | 1:00:59 | 1:01:02 | |
TOGETHER: Oooh! | 1:01:02 | 1:01:04 | |
It's all right for you two, ain't it. All loved up. | 1:01:04 | 1:01:08 | |
Erm, well, no, cos we're not "loved up". | 1:01:08 | 1:01:10 | |
-No, we're far too sensible for that. -Mm-hm. | 1:01:10 | 1:01:13 | |
So what are you, then? | 1:01:13 | 1:01:14 | |
We are...FWB. | 1:01:14 | 1:01:17 | |
What? | 1:01:17 | 1:01:19 | |
-Friends with benefits. -Yeah, serious benefits! | 1:01:19 | 1:01:22 | |
SHE GIGGLES | 1:01:22 | 1:01:23 | |
Oi. This what passes for studying these days, is it? | 1:01:25 | 1:01:31 | |
Nan, it's Practical Biology. | 1:01:31 | 1:01:33 | |
School! Now! | 1:01:33 | 1:01:36 | |
And I've got my eye on you. | 1:01:41 | 1:01:44 | |
She one of the benefits and all, is she(?) | 1:01:44 | 1:01:47 | |
-But don't you think Pat would have wanted the kids there? -When did you become an expert on what Pat wants? | 1:01:47 | 1:01:53 | |
I want to give her the send off she deserves. I am paying for it, after all. | 1:01:53 | 1:01:57 | |
Typical. Shame you didn't care more about her when she was alive. | 1:01:57 | 1:02:00 | |
Are you going to let her talk to me like that? | 1:02:00 | 1:02:03 | |
Can't you two just get on for once? You know, for Pat's sake. | 1:02:03 | 1:02:06 | |
One question at a time! | 1:02:10 | 1:02:11 | |
SHE LAUGHS | 1:02:11 | 1:02:13 | |
Nice to see someone happy in their work, eh. | 1:02:13 | 1:02:16 | |
-All right? What do you want? -I'm feeling a bit peckish, Carol. | 1:02:16 | 1:02:20 | |
-Oh, well, what can I get you? -Well, I don't know if what I want's actually on this menu. | 1:02:20 | 1:02:26 | |
Couple of sticky buns as well, to take away, thank you. | 1:02:26 | 1:02:30 | |
Tick tock. Tick tock. | 1:02:32 | 1:02:34 | |
D'you know what, you're like a broken record, you. | 1:02:34 | 1:02:38 | |
Here you are. | 1:02:38 | 1:02:39 | |
Keep the change. | 1:02:39 | 1:02:41 | |
-All right? -Yeah, fine. | 1:02:46 | 1:02:48 | |
-Bring us over a cup of tea, then. -Yeah. | 1:02:48 | 1:02:51 | |
All right? | 1:03:05 | 1:03:06 | |
You, erm, all set for tomorrow? | 1:03:08 | 1:03:10 | |
Yeah. | 1:03:10 | 1:03:12 | |
Well, I'll be there. Pay my respects. | 1:03:12 | 1:03:16 | |
I don't think that's a good idea. | 1:03:16 | 1:03:18 | |
-Why not? Pat was good to me. -You know why not. | 1:03:18 | 1:03:21 | |
Oh, right, so if I'm not there, you can just carry on as normal, | 1:03:21 | 1:03:25 | |
pretend it didn't happen. | 1:03:25 | 1:03:27 | |
It was a mistake now and a mistake all them years ago. | 1:03:27 | 1:03:30 | |
Yeah, a mistake's right, Ricky. And a bigger one than you think. | 1:03:30 | 1:03:34 | |
We had a daughter. | 1:03:38 | 1:03:40 | |
Look, I am all up for getting Derek sent down, yeah, | 1:04:22 | 1:04:25 | |
but I'm not handling stolen goods. | 1:04:25 | 1:04:27 | |
-No. You don't have to. -You just have to keep lookout, play dumb. | 1:04:27 | 1:04:30 | |
Should be a doddle for you. | 1:04:30 | 1:04:31 | |
She died the day after she was born. | 1:04:38 | 1:04:42 | |
I called her Kira. | 1:04:44 | 1:04:45 | |
I thought she should at least have a name. | 1:04:46 | 1:04:49 | |
And, when I buried her, | 1:04:51 | 1:04:55 | |
I threw some little white rose petals | 1:04:55 | 1:04:57 | |
on top of her little, tiny white coffin. | 1:04:57 | 1:05:00 | |
And then I tried to move on with my life. | 1:05:01 | 1:05:05 | |
Not that you do, you know, never really move on. Not completely. | 1:05:07 | 1:05:12 | |
Why didn't you tell me? | 1:05:16 | 1:05:18 | |
I didn't think you'd want to know. | 1:05:20 | 1:05:21 | |
This don't change anything, all right? | 1:05:26 | 1:05:29 | |
No. | 1:05:29 | 1:05:32 | |
Course not. | 1:05:32 | 1:05:33 | |
Knock knock. | 1:05:54 | 1:05:56 | |
All right? | 1:06:37 | 1:06:38 | |
-Don't suppose you've seen Jack, have you? -Out of town all morning, love. | 1:06:39 | 1:06:43 | |
Oh, shame, I wanted to talk to him about Amy. | 1:06:43 | 1:06:46 | |
Well, I'll see he gets the message. | 1:06:47 | 1:06:50 | |
Thank you. | 1:06:53 | 1:06:54 | |
TOILET FLUSHES | 1:07:12 | 1:07:15 | |
I hope you washed your hands. | 1:07:18 | 1:07:21 | |
Just got caught short. Just, er... | 1:07:21 | 1:07:24 | |
That's it, yep, stuff for the gym. That's it, lovely. | 1:07:24 | 1:07:27 | |
Did Jack let you in? | 1:07:27 | 1:07:29 | |
No. He keeps a spare set of keys at the gym. | 1:07:29 | 1:07:32 | |
What, for emergency calls of nature? | 1:07:32 | 1:07:35 | |
Yeah. Yeah. Cheers, then. | 1:07:35 | 1:07:36 | |
Michael. Here. | 1:07:38 | 1:07:39 | |
What was you talking to David Wicks about in the Square earlier? | 1:07:45 | 1:07:48 | |
You all right, Whit? | 1:08:00 | 1:08:02 | |
Yeah, great. | 1:08:02 | 1:08:03 | |
I bet it ain't easy at yours right now. | 1:08:03 | 1:08:07 | |
I've really stuffed up. I've really stuffed up. | 1:08:07 | 1:08:10 | |
Come here, sit down. Sit down. | 1:08:10 | 1:08:13 | |
I didn't want to go behind Bianca's back. | 1:08:16 | 1:08:18 | |
-I think Morgan has a right to know his real dad. -Yeah, course he does. | 1:08:18 | 1:08:23 | |
-And Bianca's going to go ballistic at me. -Nuclear, I'd say. | 1:08:23 | 1:08:27 | |
But listen, when she's calmed down, she'll be all right. | 1:08:27 | 1:08:30 | |
This is Bianca we're talking about. | 1:08:30 | 1:08:32 | |
-Yeah, but it's that thing, ain't it. -What thing? | 1:08:32 | 1:08:35 | |
Well, you done the wrong thing for the right reason. | 1:08:35 | 1:08:38 | |
Or is it the right thing for the wrong reason? | 1:08:38 | 1:08:40 | |
That always confuses me. | 1:08:40 | 1:08:42 | |
I just miss Pat. I wish she was still here. | 1:08:42 | 1:08:46 | |
Yeah, she was a game old bird, all right. | 1:08:47 | 1:08:50 | |
You really have got a way with words. | 1:08:52 | 1:08:54 | |
One of my many talents. | 1:08:54 | 1:08:55 | |
-Anyway, I've got to go, cos I've got to look after the kids. -Yeah, course. | 1:09:00 | 1:09:04 | |
Well, if you need to take shelter if Bianca does explode. | 1:09:04 | 1:09:09 | |
I know you've got Fatboy, but, you know... | 1:09:09 | 1:09:11 | |
See you later. | 1:09:14 | 1:09:16 | |
Why don't you and me go for a drink, sunshine? Your shout. | 1:09:19 | 1:09:24 | |
I made you a cup of tea. You didn't have any milk. | 1:09:31 | 1:09:36 | |
Ricky was supposed to get some. | 1:09:36 | 1:09:37 | |
I just put extra sugar in there. | 1:09:37 | 1:09:39 | |
What, to cover up the taste of the arsenic? | 1:09:39 | 1:09:42 | |
Pat was the closest thing I had to a mum, you know. | 1:09:45 | 1:09:48 | |
I know. I keep expecting her to walk through the door. | 1:09:49 | 1:09:55 | |
Tiffany's really upset about not going to the funeral. | 1:09:56 | 1:09:59 | |
-Why are you bothered whether the kids go to the funeral? -Because I never got to go to my mum's funeral. | 1:09:59 | 1:10:05 | |
They said I was too young to understand. I wasn't. | 1:10:05 | 1:10:07 | |
And I can remember Ricky, Diane and Clare all being allowed to go. | 1:10:07 | 1:10:11 | |
And thinking that... | 1:10:11 | 1:10:13 | |
thinking that somehow it meant she loved them more than she loved me. | 1:10:13 | 1:10:17 | |
Oh, now that is disgusting! | 1:10:21 | 1:10:23 | |
Oh, why don't you come in, Ian(?) | 1:10:30 | 1:10:32 | |
-Do you know where your husband is? -All right, Ian? -Where's Mandy? | 1:10:32 | 1:10:36 | |
-How would he know where she is? -I saw them together in the Square. | 1:10:36 | 1:10:40 | |
-We bumped into each other. -And where did she go after you "bumped into each other"? | 1:10:40 | 1:10:44 | |
How should I know? | 1:10:44 | 1:10:45 | |
Where's Grandad? | 1:10:45 | 1:10:46 | |
Maybe he's with Mandy(!) | 1:10:46 | 1:10:49 | |
We'll talk about this later, yeah? What do you want Grandad for? | 1:10:52 | 1:10:56 | |
-I need to ask him a question. -Well, you can ask me. | 1:10:56 | 1:11:00 | |
What's a...trust? | 1:11:00 | 1:11:02 | |
And things seemed very cosy with you and Whitney. | 1:11:03 | 1:11:07 | |
-She was upset about Pat. -Of course. | 1:11:07 | 1:11:09 | |
And you were happy to offer her a shoulder to cry on. | 1:11:09 | 1:11:12 | |
She's a mate. | 1:11:12 | 1:11:14 | |
You wouldn't do anything to hurt my Lauren, would you? | 1:11:14 | 1:11:17 | |
No. No, of course not. Look, me and Lauren, we're good. | 1:11:17 | 1:11:21 | |
We've both got stuff going on, but we have a right laugh together. | 1:11:21 | 1:11:24 | |
-But you do care about her, don't you? -Yeah. | 1:11:24 | 1:11:27 | |
And cos you care about her, you realise | 1:11:29 | 1:11:31 | |
that what Lauren needs in her life above everything else | 1:11:31 | 1:11:35 | |
is some stability. | 1:11:35 | 1:11:37 | |
Direction. Purpose. | 1:11:37 | 1:11:40 | |
I get that. | 1:11:40 | 1:11:42 | |
Good. So you'll do the right thing by her. | 1:11:42 | 1:11:46 | |
And same again. | 1:11:48 | 1:11:49 | |
Trace. | 1:11:51 | 1:11:52 | |
Mandy, it's me. Where are you? | 1:11:52 | 1:11:53 | |
Give us a call when you get this, yeah? | 1:11:55 | 1:11:57 | |
Maybe you should take out a missing person's ad, Ian. | 1:11:57 | 1:12:00 | |
Do you know where she is? | 1:12:00 | 1:12:02 | |
Maybe I do. | 1:12:02 | 1:12:04 | |
Maybe she's eagerly waiting for me in some hotel room. | 1:12:04 | 1:12:07 | |
Or maybe you should just learn to trust the women in your life. | 1:12:07 | 1:12:11 | |
That's easier said than done with you around, isn't it? | 1:12:11 | 1:12:14 | |
How is Simon? | 1:12:14 | 1:12:16 | |
-I assume you're leaving after the funeral. -I was going to stick around, actually. | 1:12:18 | 1:12:22 | |
It's what Mum would have wanted. | 1:12:22 | 1:12:24 | |
I know I was always a disappointment to her. | 1:12:24 | 1:12:27 | |
But maybe now I can make things right. Finally make her proud of me. | 1:12:27 | 1:12:30 | |
I'll tell Mandy you were looking for her. | 1:12:32 | 1:12:34 | |
-And, Bianca, you get Pat's wedding ring. -Aw. | 1:12:36 | 1:12:41 | |
-Do you get anything? -I get first choice of her earrings. | 1:12:41 | 1:12:44 | |
And what about this trust business? | 1:12:44 | 1:12:46 | |
OK, so Pat's left the house in trust | 1:12:46 | 1:12:50 | |
for the kids to split equally when they're 21, so yours, | 1:12:50 | 1:12:54 | |
David's, Simon's, Diane's, and Janet Mitchell. | 1:12:54 | 1:12:59 | |
-Great. -The kids will be well pleased. | 1:12:59 | 1:13:01 | |
Yeah, a lovely gesture. | 1:13:01 | 1:13:02 | |
But you realise the house has to be sold to pay off the mortgage and Pat's debts? | 1:13:02 | 1:13:06 | |
-But they'll still get something, though, won't they? -A pittance, really, if anything. | 1:13:06 | 1:13:10 | |
Well, I suppose they won't miss what they never had. | 1:13:10 | 1:13:13 | |
-Hang on, where are we going to live if the house is sold? -You can still live here. | 1:13:13 | 1:13:17 | |
It's simple. I'll buy the house and then you can rent off me. | 1:13:17 | 1:13:22 | |
THEY SIGH | 1:13:22 | 1:13:24 | |
HE LAUGHS | 1:13:26 | 1:13:27 | |
Is this what we're reduced to? A quick fumble between service washes. | 1:13:30 | 1:13:34 | |
Yeah, just like old times, eh? | 1:13:34 | 1:13:37 | |
Yeah, exactly. Nothing's changed, has it? | 1:13:37 | 1:13:39 | |
-Well, apart from your dress sense. -Oi! | 1:13:39 | 1:13:42 | |
Though I have always liked you in denim. | 1:13:42 | 1:13:44 | |
Maybe you're right, Carol. Maybe nothing has changed. | 1:13:47 | 1:13:51 | |
Maybe I am still as in love with you now as I was then. | 1:13:51 | 1:13:55 | |
Yeah, and maybe you're as full of it now as you were then. | 1:13:55 | 1:13:59 | |
But then words always came easy to you, didn't they? | 1:13:59 | 1:14:02 | |
It's backing them up that's your problem. | 1:14:02 | 1:14:04 | |
I've always believed in less talk and more action. | 1:14:04 | 1:14:07 | |
SHE SCREAMS | 1:14:07 | 1:14:09 | |
-I'm being serious. -What? | 1:14:09 | 1:14:12 | |
You always say the right thing and then you do the wrong thing. | 1:14:12 | 1:14:16 | |
Like what exactly? | 1:14:16 | 1:14:17 | |
Well, you know, like saying you're going to talk to Derek | 1:14:17 | 1:14:20 | |
and then not going through with it. | 1:14:20 | 1:14:22 | |
You've changed your tune. | 1:14:22 | 1:14:24 | |
Yeah, well, it's my prerogative, ain't it? You know that. | 1:14:24 | 1:14:27 | |
So, you know what, if somewhere beneath all that flannel, | 1:14:29 | 1:14:33 | |
you really do mean what you say this time, | 1:14:33 | 1:14:36 | |
well, show me. | 1:14:36 | 1:14:37 | |
You know, show me that you've finally grown up | 1:14:37 | 1:14:41 | |
and you've stopped playing games. | 1:14:41 | 1:14:43 | |
Where you going? What, reality too much for you to handle as usual? | 1:14:46 | 1:14:49 | |
I'm not going anywhere, I promise. Just something I've got to do. | 1:14:49 | 1:14:53 | |
Look, I'll see you back at the house. | 1:14:53 | 1:14:55 | |
And we will work out a way to tell him. | 1:14:55 | 1:14:57 | |
Tell them all, OK. | 1:14:57 | 1:14:59 | |
Trust me. | 1:14:59 | 1:15:00 | |
Mr Derek Branning? | 1:15:21 | 1:15:22 | |
What can I do for you? | 1:15:22 | 1:15:25 | |
We've got a warrant to search these premises. | 1:15:25 | 1:15:27 | |
You'd better come in, then. | 1:15:27 | 1:15:29 | |
You know, I thought he had a right to know about our baby. | 1:15:36 | 1:15:41 | |
Oh, but, don't worry, it doesn't change anything(!) | 1:15:41 | 1:15:44 | |
And where have you been since? | 1:15:44 | 1:15:45 | |
I just needed some time alone, all right? | 1:15:47 | 1:15:51 | |
-Were you with David Wicks? -What?! | 1:15:51 | 1:15:53 | |
Were you with David Wicks, OK? Simple question, yes or no. | 1:15:53 | 1:15:56 | |
Yeah. | 1:15:56 | 1:15:58 | |
Yeah, I was with David. | 1:15:58 | 1:16:02 | |
And we had an amazing time. | 1:16:02 | 1:16:03 | |
Best time ever, in fact. | 1:16:05 | 1:16:06 | |
There. You happy now? | 1:16:06 | 1:16:08 | |
Mandy, I... | 1:16:10 | 1:16:11 | |
Shove it, Ian. | 1:16:11 | 1:16:12 | |
-So sorry you had a wasted journey(!) -This time. | 1:16:35 | 1:16:38 | |
Do call again(!) | 1:16:40 | 1:16:42 | |
-Roses or lilies? -What? | 1:16:46 | 1:16:49 | |
You know, roses or lilies? I was thinking about buying Amira some flowers. | 1:16:49 | 1:16:54 | |
What you shaking your head at? Women like "grand gest-yur-ees". | 1:16:54 | 1:16:58 | |
I'll give you a "grand gest-yur-ee" in a minute(!) | 1:16:58 | 1:17:01 | |
Well, how about we go on a double date, then? | 1:17:01 | 1:17:03 | |
You know, me and Amira. You and Lauren. | 1:17:03 | 1:17:05 | |
Make sure it's not a school night, what time's she got to be in bed? About eight, ain't she(?) | 1:17:05 | 1:17:10 | |
Oh, all right, boys. | 1:17:10 | 1:17:12 | |
-Give us a minute, will you, bruv? -Yeah, course. | 1:17:12 | 1:17:16 | |
So, did you want to get me alone for some more "benefits"? | 1:17:17 | 1:17:21 | |
Yeah. Look, about that. | 1:17:22 | 1:17:26 | |
I'm not really sure this whole "friends with benefits" thing's really working for me. | 1:17:26 | 1:17:30 | |
Oh, right. So what, did you want to like, "date", or...? | 1:17:30 | 1:17:34 | |
Not exactly. | 1:17:34 | 1:17:36 | |
What, then? | 1:17:36 | 1:17:38 | |
Well, I was thinking more friends without benefits. | 1:17:38 | 1:17:43 | |
-So, you're dumping me? -I can't really dump you, cos we was never together. | 1:17:43 | 1:17:47 | |
-I thought we were having fun, Tyler. -We were. | 1:17:47 | 1:17:49 | |
Then what's the problem? | 1:17:49 | 1:17:51 | |
Actually, you know what, just forget it. | 1:17:52 | 1:17:54 | |
Cos, well, I weren't really that in to you anyway, so... | 1:17:56 | 1:17:59 | |
Oh, and just for the record, the benefits... | 1:17:59 | 1:18:02 | |
they really weren't that great. | 1:18:02 | 1:18:04 | |
'Maybe it's not all bad.' | 1:18:09 | 1:18:10 | |
At least now he's banged up it gives me time to make things right. | 1:18:10 | 1:18:15 | |
-Except Derek's not going to be banged up. -Eh? -They didn't nick him. | 1:18:15 | 1:18:19 | |
No, no, no, no, ain't possible. I saw police all over his gaff. | 1:18:19 | 1:18:22 | |
I saw them. | 1:18:22 | 1:18:24 | |
-You did plant the gear, didn't you? -Yeah. Course I did. | 1:18:24 | 1:18:27 | |
-Why didn't they arrest him? -How do I know? | 1:18:27 | 1:18:29 | |
-Maybe he found it after I left. -Maybe you stitched me up. -Behave. | 1:18:29 | 1:18:33 | |
I want that nutter gone just as much as you. | 1:18:33 | 1:18:36 | |
Well, he's still around. He's going to want to know who set him up. | 1:18:36 | 1:18:39 | |
Your fingerprints are all over Jack's flat. I've got an alibi. | 1:18:39 | 1:18:43 | |
You'll be collateral damage. | 1:18:43 | 1:18:45 | |
MICHAEL LAUGHS | 1:18:45 | 1:18:46 | |
-What's so funny? -You. | 1:18:46 | 1:18:48 | |
You won't be laughing when Derek finds out you set him up. | 1:18:48 | 1:18:50 | |
I didn't. You did. | 1:18:50 | 1:18:52 | |
-Well, that's what Big Derek thinks. -Why would he think that? | 1:18:52 | 1:18:56 | |
I dunno. Who knows? Who knows what goes on in his tiny brain? | 1:18:56 | 1:19:00 | |
Maybe it's because he found me planting the gear | 1:19:02 | 1:19:05 | |
and I told him it was all down to you. | 1:19:05 | 1:19:07 | |
So how are things between you and Ricky? | 1:19:23 | 1:19:26 | |
On hold till after the funeral. | 1:19:26 | 1:19:28 | |
-Well, don't be too harsh on him. -You've changed your tune a bit. | 1:19:28 | 1:19:32 | |
Look, Ricky's a good man. A stupid man. | 1:19:32 | 1:19:35 | |
But a good man. | 1:19:35 | 1:19:37 | |
And you and Ricky, well, you know, you're meant to be together. | 1:19:37 | 1:19:40 | |
Deep down, you know that he's the one you should be with, don't you? | 1:19:40 | 1:19:44 | |
I mean, if you know that, then nothing else matters, does it? | 1:19:44 | 1:19:48 | |
I hear congratulations are in order. | 1:20:07 | 1:20:10 | |
-You're looking at the new manager, girl. -Ooh, get you. | 1:20:10 | 1:20:14 | |
-I think champagne's more usual. -Yeah, well, Dad didn't have any of that in his drinks cabinet, so... | 1:20:14 | 1:20:19 | |
So, how was your day? | 1:20:19 | 1:20:21 | |
Yeah, it was good. | 1:20:21 | 1:20:25 | |
Hey, hey, hey. Go easy. | 1:20:26 | 1:20:28 | |
I was just, um, toasting your success. | 1:20:28 | 1:20:33 | |
Let's hope I can make a good go of it. | 1:20:33 | 1:20:34 | |
See, I always knew you were a big softie at heart. | 1:20:35 | 1:20:38 | |
-Me? -Mm-hm. -I'm only here for the bargain dresses. | 1:20:38 | 1:20:43 | |
God knows how this dump makes any money selling this kind of tat. | 1:20:43 | 1:20:48 | |
Well, look, I'm sure you'll knock it into shape. | 1:20:48 | 1:20:52 | |
Come on, then. | 1:20:52 | 1:20:54 | |
Right, to your new empire. | 1:20:54 | 1:20:56 | |
Look. I'm really sorry, I didn't mean... | 1:21:03 | 1:21:07 | |
When were you planning on telling us about this? | 1:21:07 | 1:21:09 | |
-Lucy! How did you...? -Jane rang. | 1:21:09 | 1:21:11 | |
Erm... | 1:21:11 | 1:21:13 | |
Oh...Lucy. | 1:21:13 | 1:21:15 | |
Who are you? | 1:21:15 | 1:21:16 | |
I'm Mandy. | 1:21:18 | 1:21:19 | |
Mandy who? | 1:21:19 | 1:21:21 | |
-Here y'are. -Thanks for doing that. | 1:21:25 | 1:21:29 | |
Well, can't have you say goodbye to Pat all crumpled, can we? | 1:21:29 | 1:21:32 | |
Don't think it lets you off the hook about Mandy. | 1:21:32 | 1:21:35 | |
What was you talking to her about earlier? | 1:21:35 | 1:21:38 | |
So? | 1:21:38 | 1:21:39 | |
Well, have you had any thoughts about my generous offer? | 1:21:39 | 1:21:42 | |
-Yeah, I have, I'd rather be homeless. -Why are you so set against this? | 1:21:42 | 1:21:46 | |
Let me think(!) Because you'd be the landlord from hell. Lording it over us whenever you felt like it. | 1:21:46 | 1:21:51 | |
No, I wouldn't, all right? I'd have it in writing that you can stay here for as long as you want. | 1:21:51 | 1:21:56 | |
-On one condition. -See? Knew it was too good to be true. | 1:21:57 | 1:22:00 | |
You let the kids go to the funeral. | 1:22:00 | 1:22:03 | |
Come on, this could be a new start for this family. | 1:22:03 | 1:22:07 | |
So, let's begin by all saying goodbye to Pat. Together. | 1:22:07 | 1:22:11 | |
Group hug? | 1:22:21 | 1:22:23 | |
Don't push it, Janine. | 1:22:23 | 1:22:24 | |
-Luckily, that dumb blonde ex of yours is as subtle as a house brick. -What's Roxy got to do with this? | 1:22:24 | 1:22:29 | |
It's obvious, innit? David Wicks has roped her in on it. | 1:22:29 | 1:22:33 | |
I think it's about time we paid him a visit. | 1:22:33 | 1:22:35 | |
No, no, no. Let's let him stew a bit longer, eh? | 1:22:35 | 1:22:38 | |
Makes it that much more enjoyable. | 1:22:38 | 1:22:40 | |
Carol? | 1:22:47 | 1:22:50 | |
Yeah. | 1:22:50 | 1:22:52 | |
You OK? | 1:22:55 | 1:22:56 | |
Yeah. I'm fine. | 1:22:56 | 1:22:58 | |
Er, I think we should tell Bianca after the funeral. | 1:22:59 | 1:23:04 | |
I don't know how she's going to react. | 1:23:04 | 1:23:06 | |
And Derek, I mean he won't like it no matter how we sugar coat it. | 1:23:06 | 1:23:10 | |
But, you know, I'm sick and tired of worrying about everybody else... | 1:23:10 | 1:23:13 | |
Carol, I've got to go away. | 1:23:13 | 1:23:16 | |
After the funeral. I'm going to have to go away. | 1:23:17 | 1:23:20 | |
Oh, there it is. | 1:23:21 | 1:23:23 | |
-The moment it gets real you run away. -No, no, no. | 1:23:23 | 1:23:26 | |
-It's nothing like that. -No? Then what is it like? I can't believe it. | 1:23:26 | 1:23:30 | |
I've been so stupid. | 1:23:30 | 1:23:31 | |
How could I let you convince me? Believe. Hope. | 1:23:31 | 1:23:34 | |
Why am I surprised? That's what you always do. What you've always done. | 1:23:34 | 1:23:38 | |
You spin me lies and then run off. | 1:23:38 | 1:23:39 | |
Listen, they're not lies. They are not lies. | 1:23:39 | 1:23:42 | |
And I'm not running away. | 1:23:42 | 1:23:44 | |
-You just said you were leaving. -I am. | 1:23:44 | 1:23:47 | |
And I want you to come with me. | 1:23:47 | 1:23:49 | |
Aye, aye. What have you got there? Budge up. Show us. | 1:24:01 | 1:24:06 | |
That's your mum. | 1:24:06 | 1:24:09 | |
Yeah, that's her all right. Look at her there. | 1:24:09 | 1:24:12 | |
Nana Pat gave me this from Clacton. | 1:24:12 | 1:24:15 | |
-You hang it in your car. -Oh, yeah? That's nice. | 1:24:15 | 1:24:17 | |
-Lovely. -You can have it if you like. Remember her by. | 1:24:17 | 1:24:24 | |
Thank you. That's very kind of you. | 1:24:24 | 1:24:27 | |
You're a little cracker, do you know that? | 1:24:27 | 1:24:31 | |
You're not too bad either, Grandad. | 1:24:31 | 1:24:34 | |
Tiff, what are you doing? You're not ready. Where's your cardigan? | 1:24:34 | 1:24:36 | |
-She's got it all here. Everything OK? -Yeah, the kids are just doing me head in. | 1:24:36 | 1:24:41 | |
-You've got to look smart, Tiff, it's a funeral. -Where's your mum? | 1:24:41 | 1:24:44 | |
-I ain't seen her all morning. -I don't know. | 1:24:44 | 1:24:47 | |
I've got a houseful of kids to get ready. I can't chase her as well. Come on, kids! | 1:24:47 | 1:24:51 | |
-Straighten Liam's tie, will ya? -Yeah. You look nice. | 1:24:51 | 1:24:55 | |
Right, it's here. | 1:25:00 | 1:25:01 | |
-Right, come on. Come on, get your coats. -See you out there. | 1:25:04 | 1:25:10 | |
-Grab my coat, Liam. -Come on. -Carol? | 1:25:10 | 1:25:15 | |
-You OK? -Yeah, I'm OK. | 1:25:20 | 1:25:23 | |
Well, we'd better go. | 1:25:23 | 1:25:27 | |
Thought any more about what I said? | 1:25:27 | 1:25:30 | |
Let's talk about it after the funeral, eh? | 1:25:30 | 1:25:32 | |
My bags are packed. They're in the car. All you've got to do is say yes. | 1:25:32 | 1:25:37 | |
Come on, shall we go? | 1:25:55 | 1:25:57 | |
I mean, who has a horse-drawn carriage these days, eh? | 1:26:00 | 1:26:05 | |
Well, I think it's nice. Shows how much they loved her. | 1:26:05 | 1:26:08 | |
-Where's your sister? -Upstairs. She's in a right state. | 1:26:10 | 1:26:13 | |
Lauren! Lauren, come on, we're going to be late. | 1:26:13 | 1:26:16 | |
Why don't you think about giving it a miss? | 1:26:21 | 1:26:27 | |
Why would I want to do that? | 1:26:27 | 1:26:29 | |
Well, there was no love lost, was there? | 1:26:29 | 1:26:32 | |
No. That David Wicks is a problem that's got to be sorted out. | 1:26:32 | 1:26:39 | |
When they arrive, just stay out of Bianca's way. | 1:26:39 | 1:26:41 | |
-I don't want a scene. -What do you think I am? | 1:26:41 | 1:26:45 | |
Please, just for Lucy? | 1:26:45 | 1:26:47 | |
CHURCH ORGAN PLAYS | 1:26:50 | 1:26:52 | |
Lucy! | 1:27:11 | 1:27:14 | |
-No, I'm going to wait out here. -What? -I can't go in there. I can't. | 1:27:31 | 1:27:36 | |
-It's all right, I'll stay with you. -No, it would be rude. You go, I'll stay here. | 1:27:36 | 1:27:40 | |
-I'm all right. -Sure? All right. | 1:27:40 | 1:27:43 | |
All right? | 1:28:00 | 1:28:02 | |
Please be seated. | 1:28:39 | 1:28:42 | |
Good afternoon, everyone. We have come here today | 1:28:45 | 1:28:50 | |
to remember before God our sister Patricia Louise Evans, | 1:28:50 | 1:28:56 | |
to give thanks for her life, to commit her body to be buried, | 1:28:56 | 1:29:01 | |
and to comfort one another in grief. | 1:29:01 | 1:29:06 | |
Patricia was a well respected and much loved member of the community. | 1:29:06 | 1:29:11 | |
She had many friends, but it was to her family that she dedicated her life, | 1:29:11 | 1:29:18 | |
and it is to them that we turn now. | 1:29:18 | 1:29:23 | |
Pat asked me to play some music for today. | 1:29:36 | 1:29:39 | |
It was one of her favourites, and my dad liked it as well. | 1:29:39 | 1:29:45 | |
I've known Pat all my life, | 1:29:50 | 1:29:52 | |
you know, since my mum died. | 1:29:52 | 1:29:57 | |
My dad and her, they got together when we were just kids. | 1:29:57 | 1:30:02 | |
You know, all of us. | 1:30:02 | 1:30:07 | |
Pat... | 1:30:07 | 1:30:09 | |
She was like a mother to us... | 1:30:09 | 1:30:14 | |
-(It's OK, it's OK). -(Sorry.) | 1:30:26 | 1:30:29 | |
I think what Ricky was trying to say is that Pat wasn't our mum, | 1:30:29 | 1:30:34 | |
but she came into our lives and she did the best job | 1:30:34 | 1:30:39 | |
that she could do to be the mother that we didn't have any more. | 1:30:39 | 1:30:43 | |
We didn't always make it easy for her. | 1:30:46 | 1:30:48 | |
Well, I...I didn't always make it easy for her. | 1:30:48 | 1:30:53 | |
Me and her, oh, we had our ups and our downs, | 1:30:54 | 1:30:59 | |
but in those last moments, | 1:30:59 | 1:31:01 | |
those final few seconds, we just forgot all of that... | 1:31:01 | 1:31:07 | |
..and we forgave each other. | 1:31:08 | 1:31:11 | |
She loved us so much, and we loved her. | 1:31:11 | 1:31:16 | |
I know that we're all really going to miss her. | 1:31:16 | 1:31:18 | |
I just can't help thinking how small he is. | 1:31:39 | 1:31:42 | |
A tiny little baby. | 1:31:45 | 1:31:47 | |
It's best...to not think about it. | 1:31:47 | 1:31:53 | |
Is that why you're here too, then, is it? | 1:31:53 | 1:31:57 | |
It's over, it's done with. | 1:31:57 | 1:32:01 | |
It's best that we just - all - | 1:32:01 | 1:32:05 | |
just put it behind us, yeah? | 1:32:05 | 1:32:08 | |
# Where it began | 1:32:18 | 1:32:20 | |
# I can't begin to know when | 1:32:20 | 1:32:24 | |
# But then I know it's growing strong | 1:32:24 | 1:32:30 | |
# Was in the spring | 1:32:30 | 1:32:35 | |
# And spring became the summer | 1:32:35 | 1:32:38 | |
# Who'd have believed you'd come along?... # | 1:32:38 | 1:32:46 | |
I seen Pat, 30 years old, dancing to this, going like the clappers. | 1:32:46 | 1:32:51 | |
No bloke in the room could take their eyes off her. | 1:32:51 | 1:32:55 | |
# ..Reachin' out | 1:32:55 | 1:32:57 | |
# Touchin' me | 1:32:57 | 1:32:59 | |
# Touchin' you | 1:32:59 | 1:33:03 | |
# Sweet Caroline | 1:33:05 | 1:33:08 | |
# Good times never seemed so good | 1:33:10 | 1:33:14 | |
# I've been inclined | 1:33:16 | 1:33:20 | |
# To believe they never would | 1:33:20 | 1:33:26 | |
# But now I Look at the night | 1:33:26 | 1:33:32 | |
# And it don't seem so lonely... # | 1:33:32 | 1:33:36 | |
CHURCH BELL TOLLS | 1:33:36 | 1:33:41 | |
We have but a short time to live. | 1:33:54 | 1:33:58 | |
Like a flower, we blossom and then wither. | 1:33:58 | 1:34:01 | |
Like a shadow, we flee and never stay. | 1:34:01 | 1:34:06 | |
In the midst of life, we are in death. | 1:34:06 | 1:34:10 | |
We have entrusted our sister Patricia to God's mercy, | 1:34:13 | 1:34:17 | |
and we now commit her body to the ground. | 1:34:17 | 1:34:20 | |
Earth to earth, ashes to ashes, dust to dust. | 1:34:20 | 1:34:28 | |
In sure and certain hope of the resurrection to eternal life | 1:34:31 | 1:34:36 | |
through our Lord Jesus Christ, who will transform our frail bodies, | 1:34:36 | 1:34:41 | |
that they may be conformed to his glorious body. | 1:34:41 | 1:34:44 | |
-To him be glory for ever. -I love you. -Amen. | 1:34:44 | 1:34:50 | |
Bye, Mum. | 1:34:54 | 1:34:56 | |
I can't believe they're engaged. She's such a scrubber. | 1:35:52 | 1:35:57 | |
Gold-digger, more like. Did you hear that song? | 1:35:57 | 1:36:01 | |
No, Nan loved it. | 1:36:01 | 1:36:04 | |
She played it to me once, when I was really little. | 1:36:04 | 1:36:08 | |
Lucy, I'm going to be sick, move. | 1:36:08 | 1:36:11 | |
-Lauren? -Lauren, what are you doing?! | 1:36:13 | 1:36:16 | |
I told you, didn't I? She's drunk. | 1:36:16 | 1:36:18 | |
Come on. | 1:36:20 | 1:36:22 | |
Sure you don't want to throw yourself in? | 1:36:33 | 1:36:35 | |
-Let's do this another time, shall we? -Let's not. | 1:36:35 | 1:36:38 | |
-I've just buried my mother. -I know, | 1:36:38 | 1:36:40 | |
and as fond as I was of the lovely lady, | 1:36:40 | 1:36:42 | |
that was your cue for a quick exit. | 1:36:42 | 1:36:44 | |
I don't want any trouble. | 1:36:44 | 1:36:46 | |
Well, that's what you've got. You have an hour before it gets dark. | 1:36:46 | 1:36:50 | |
-If you're not gone by then, you'll join her underground. -What are you doing? -Just chatting | 1:36:50 | 1:36:54 | |
-with your ex. He's been telling me of his travel plans. -Come on, David. | 1:36:54 | 1:36:58 | |
-No, he's going. And you're not seeing him until he's gone. -It's a bit late for that, Derek. | 1:36:58 | 1:37:04 | |
-What's this all about? -We're together. | 1:37:07 | 1:37:10 | |
Oh. How lovely for you. And what am I supposed to do, eh? Am I supposed to stomach that, am I? | 1:37:12 | 1:37:18 | |
Am I supposed to stomach such a revolting sight? | 1:37:18 | 1:37:21 | |
I don't care what you do, Derek. | 1:37:21 | 1:37:24 | |
He tried to get me set up yesterday. | 1:37:24 | 1:37:26 | |
-He tried to get me sent back to prison. -I don't care, all right? -Oh, you don't care! -I love him. | 1:37:26 | 1:37:31 | |
I know that hurts you, but I do, OK? | 1:37:31 | 1:37:33 | |
I've loved him since I was a kid, since I was 13. | 1:37:33 | 1:37:36 | |
I know it's not good or sensible or mature, but that's just how I feel. | 1:37:36 | 1:37:39 | |
He's just buried his mum, OK? And he's trying to change. | 1:37:39 | 1:37:42 | |
Can't you just let go of the past? Be my brother | 1:37:42 | 1:37:45 | |
-without trying to ruin everything? -No, I can't. | 1:37:45 | 1:37:48 | |
I can't let that happen, not under my nose! | 1:37:48 | 1:37:50 | |
All right, you want him to go? He will go. | 1:37:50 | 1:37:53 | |
But I'm going to go with him, today. | 1:37:53 | 1:37:56 | |
-You're not going anywhere. -Get off of me! -Oi, bruv! -Get off! | 1:37:56 | 1:38:00 | |
What do you think you're doing, eh? | 1:38:00 | 1:38:02 | |
Yeah, Jack, yeah. Yeah, Jack. You're right. You're right. | 1:38:02 | 1:38:06 | |
See, I have great respect for the dead. | 1:38:06 | 1:38:08 | |
I do. I do. You're going to see, David. | 1:38:08 | 1:38:11 | |
You'll see how much I respect a corpse. | 1:38:11 | 1:38:14 | |
All right, come on. Derek! Get away. | 1:38:14 | 1:38:16 | |
Away, now. | 1:38:16 | 1:38:17 | |
Did you mean what you said? | 1:38:17 | 1:38:20 | |
You will come away with me, tonight? | 1:38:22 | 1:38:26 | |
I'll do whatever you want. I just want to be with you. | 1:38:26 | 1:38:29 | |
Come on, let's get you inside. | 1:38:36 | 1:38:38 | |
-No, Mum. Mum, I'm just going to go to the wake. -What? | 1:38:38 | 1:38:41 | |
-You're not going to the wake in that state. -I just want one more drink. | 1:38:41 | 1:38:45 | |
What was that about earlier? | 1:38:45 | 1:38:47 | |
What? | 1:38:47 | 1:38:49 | |
That look, when she threw the petals in the grave? | 1:38:49 | 1:38:52 | |
Nothing. I didn't even notice. | 1:38:52 | 1:38:56 | |
You going to tell her, or shall I? | 1:38:56 | 1:38:59 | |
Maybe you should have a word. I'll go and pack. | 1:39:01 | 1:39:05 | |
What? You having second thoughts? | 1:39:07 | 1:39:09 | |
-No, no, no, no, course not. No, no. -We're going to be OK, you know? We're going to work out. | 1:39:09 | 1:39:14 | |
-Of course we are. -I'm going to grow old with you, you know. | 1:39:14 | 1:39:17 | |
I'm going to be this weird, crabby old lady, and I'm going to love you | 1:39:17 | 1:39:21 | |
for the rest of my life. | 1:39:21 | 1:39:23 | |
Don't be long. | 1:39:29 | 1:39:30 | |
I'm not having that bloke anywhere near our sister. Not anywhere. Not even in Timbuktu. | 1:39:33 | 1:39:39 | |
Are you mad? You've just thrown up over a gravestone. | 1:39:39 | 1:39:42 | |
Why don't you sweet-talk her? You might get a different result. | 1:39:42 | 1:39:46 | |
-That your technique, Max? With the ladies? Bit of the old silver tongue? -Don't always hurt, Derek. | 1:39:46 | 1:39:52 | |
Lauren, have you no respect? | 1:40:00 | 1:40:01 | |
Pat's just been buried. There are some very upset people here. | 1:40:01 | 1:40:05 | |
-I'll cheer 'em up. -I don't think so. | 1:40:05 | 1:40:07 | |
-Dad, I just want one more drink. -You're not having one. -What, am I under arrest now or what? | 1:40:07 | 1:40:11 | |
-Something like that. -Oi, Luce. | 1:40:11 | 1:40:13 | |
Half an hour. My house. Bring a bottle, yeah? | 1:40:13 | 1:40:16 | |
Keep your claws off my bloke. | 1:40:19 | 1:40:21 | |
What's up with her? | 1:40:21 | 1:40:24 | |
-You know what Bianca's like. She'll pick a ruck with anyone. -Darling, you got a sec? Bianca? | 1:40:24 | 1:40:30 | |
-David. -Ian. -No Simon? | 1:40:32 | 1:40:36 | |
No, no, he couldn't make it. | 1:40:36 | 1:40:38 | |
Bit strange, isn't it? Missing your own mum's funeral? | 1:40:38 | 1:40:41 | |
I think he had a problem getting a flight or something. | 1:40:41 | 1:40:44 | |
-Oh. Are you sure that was the problem? -David? | 1:40:44 | 1:40:47 | |
-Or was it you? -Excuse me. | 1:40:47 | 1:40:50 | |
Quite a spread. | 1:40:53 | 1:40:55 | |
Well, I said I'd cough up, and I have. Listen, I was going | 1:40:55 | 1:40:58 | |
to say a few words, but maybe you should do it. | 1:40:58 | 1:41:01 | |
No, no, no, not me. | 1:41:01 | 1:41:02 | |
You're her son, it's the least you can do. | 1:41:02 | 1:41:05 | |
I'll make sure everyone's tanked up. They'll probably be too drunk to notice how insincere you are. | 1:41:05 | 1:41:09 | |
Ladies and gentlemen, David would like to say a few words. | 1:41:15 | 1:41:19 | |
-So that's all sorted, like it never happened? -Yeah, exactly. | 1:41:27 | 1:41:30 | |
I've put it behind me. If you and Ricky can't do the same thing, | 1:41:30 | 1:41:33 | |
-that's your problem. -You know what your problem is? You're engaged to a cheap whore. | 1:41:33 | 1:41:38 | |
That's rich coming from you. It must run in your blood. | 1:41:38 | 1:41:41 | |
What is the matter with you? I'm nothing like her. I've got kids, a husband, and responsibilities. | 1:41:41 | 1:41:46 | |
-What, and she hasn't? -What is she, what? Pushing 40? | 1:41:46 | 1:41:50 | |
She's never been married, never had a proper job. | 1:41:50 | 1:41:52 | |
-She's like some oversexed teenage scrubber that's never grown up. -What about the baby? | 1:41:52 | 1:41:57 | |
-What baby? -The one she had with Ricky. The one that died. | 1:41:57 | 1:42:01 | |
Little Tiffany, she gave me this earlier. To remember my mum by. | 1:42:03 | 1:42:09 | |
It's one of those things you get from the seaside, you know, you hang it in your car. | 1:42:09 | 1:42:14 | |
And it does...it reminds me of one of my earliest memories of my mum. | 1:42:14 | 1:42:20 | |
I was about five or six. | 1:42:20 | 1:42:24 | |
She was tucking me up in bed one night, | 1:42:24 | 1:42:26 | |
which is something that didn't happen very often. | 1:42:26 | 1:42:29 | |
And I wanted a story. I always wanted a story. | 1:42:29 | 1:42:31 | |
But she never knew any, because she was always in a hurry to.... | 1:42:31 | 1:42:35 | |
..go downstairs and get out. | 1:42:37 | 1:42:39 | |
But this particular day, she'd taken my brother and I to the funfair, | 1:42:39 | 1:42:43 | |
and we'd been on a Ferris wheel. Finsbury Park, I think it was. | 1:42:43 | 1:42:48 | |
A day out, you know. | 1:42:50 | 1:42:51 | |
Anyway, she sat on the bed, | 1:42:51 | 1:42:56 | |
and she told me about this time she was on holiday | 1:42:56 | 1:42:58 | |
in Clacton, at Butlins. And she met a boy | 1:42:58 | 1:43:01 | |
called Frank, and she fell in love with him. | 1:43:01 | 1:43:06 | |
They had a little kiss under the stars, you know. | 1:43:06 | 1:43:09 | |
Anyway, he had a girlfriend who turned out to be Ricky and Janine's mum, as it goes. | 1:43:09 | 1:43:13 | |
Anyway, she said on the way home she sat on the sand, | 1:43:13 | 1:43:20 | |
and it was all dark, pitch black, you know. | 1:43:20 | 1:43:24 | |
And in the distance she could see these lights, | 1:43:24 | 1:43:29 | |
these twinkling lights. | 1:43:29 | 1:43:34 | |
And she said whenever she saw these lights, | 1:43:34 | 1:43:37 | |
it made her feel trembly and excited, you know. | 1:43:37 | 1:43:40 | |
Just the memory - just the memory of looking out to sea, you know, | 1:43:40 | 1:43:45 | |
the lights and her whole life ahead of her. | 1:43:45 | 1:43:50 | |
That was my mum. She was a romantic. | 1:43:50 | 1:43:55 | |
She had so many dreams, | 1:43:55 | 1:43:57 | |
and they were all just within her grasp. | 1:43:57 | 1:44:02 | |
They drifted away, but she never gave up. | 1:44:02 | 1:44:09 | |
She never gave up. Not on anything, not even on me. | 1:44:09 | 1:44:13 | |
In fact, the last time I saw her, she said to me, | 1:44:16 | 1:44:20 | |
"Stop running away. | 1:44:20 | 1:44:23 | |
"Grab what you love while you can, before it's too late." | 1:44:25 | 1:44:29 | |
Can I have a word? | 1:44:40 | 1:44:42 | |
No need to stand on ceremony. | 1:44:42 | 1:44:45 | |
Going to be missed. Ain't she? | 1:44:59 | 1:45:02 | |
Old Pat. I bet them little ones miss her already. | 1:45:02 | 1:45:05 | |
Imagine, hmm? Imagine how they're going to feel about you going. | 1:45:05 | 1:45:10 | |
Hmm? How are they going to feel about that? | 1:45:10 | 1:45:14 | |
I can't believe it. How could you lie to me? How could you! | 1:45:14 | 1:45:20 | |
I only found out myself yesterday. That was years ago! | 1:45:20 | 1:45:24 | |
We are over, Ricky. I mean it. And do not try and talk me out of it. I thought I could forgive, | 1:45:24 | 1:45:28 | |
for our kids, for our family. | 1:45:28 | 1:45:31 | |
I thought we could put it all behind us. I really did. | 1:45:31 | 1:45:35 | |
I thought we could, but we can't. | 1:45:35 | 1:45:37 | |
The whole thing. It's dead. It's gone. | 1:45:37 | 1:45:39 | |
Bianca, I love you. | 1:45:39 | 1:45:41 | |
-I only didn't tell you... -What, because it was easy? -No, because I didn't want to hurt you. | 1:45:41 | 1:45:47 | |
-I've got nothing to say to you. -What's the matter, darling? | 1:45:47 | 1:45:53 | |
You were 14! | 1:45:53 | 1:45:56 | |
Yeah, and I was in love, Derek. I know I was foolish. | 1:45:56 | 1:46:00 | |
I admit that, but it was my choice. Why can't you just let it go? | 1:46:00 | 1:46:04 | |
Because it wasn't just you he messed with. | 1:46:04 | 1:46:07 | |
It was my life as well. | 1:46:07 | 1:46:08 | |
-What are you talking about? -You remember Jackie, don't you, eh? | 1:46:08 | 1:46:12 | |
-Who? -Jackie. You remember her. | 1:46:12 | 1:46:16 | |
I went with her for ages, when I was 17, 18. | 1:46:16 | 1:46:19 | |
Beautiful, she was. Lovely face, | 1:46:19 | 1:46:22 | |
gorgeous figure, like an angel. | 1:46:22 | 1:46:25 | |
She was the only woman I ever loved, yeah? | 1:46:25 | 1:46:29 | |
-Now you know. -What has that got to do with David? | 1:46:29 | 1:46:31 | |
Because he, he, David Wicks, | 1:46:31 | 1:46:33 | |
he got inside my head. Got me believing things that I shouldn't. | 1:46:33 | 1:46:37 | |
Got me believing things that weren't even true. | 1:46:37 | 1:46:42 | |
Got me all riled up. Got me jealous. | 1:46:42 | 1:46:46 | |
Give me the green-eyed monster, got Jackie a slap. Or two. | 1:46:46 | 1:46:51 | |
She was devastated. She was appalled. | 1:46:53 | 1:46:56 | |
Her brothers weren't too pleased either. Stabbed me in the back. | 1:46:56 | 1:47:00 | |
Literally. Look, that - that's what I got from him. | 1:47:00 | 1:47:05 | |
That. He nearly killed me. I was in the hospital for weeks. | 1:47:05 | 1:47:08 | |
I nearly died. You came to see me with the old lady, you remember, eh? | 1:47:08 | 1:47:12 | |
Bag of grapes, worried look on your face. | 1:47:12 | 1:47:16 | |
14 years old. | 1:47:16 | 1:47:20 | |
Pretty as a picture. I can see it like it was yesterday. | 1:47:20 | 1:47:23 | |
He poisoned the only thing that was good in my life. So I don't forgive, | 1:47:26 | 1:47:30 | |
and I don't forget. It's not in my nature. | 1:47:30 | 1:47:33 | |
-That's why you hate David so much? -He messed with you... | 1:47:33 | 1:47:36 | |
A girl who probably wouldn't even remember you now? | 1:47:36 | 1:47:39 | |
-A teenage crush? -A crush? A crush? | 1:47:39 | 1:47:42 | |
I loved her! | 1:47:42 | 1:47:45 | |
Now, he goes, and you stay put. | 1:47:45 | 1:47:49 | |
That's not going to happen. | 1:47:49 | 1:47:52 | |
We are going now, and we're going today. Together. | 1:47:52 | 1:47:56 | |
What are you going to do? You going to hit me? | 1:48:01 | 1:48:06 | |
What are you doing? Get off! | 1:48:07 | 1:48:09 | |
Now, you can pack it again. | 1:48:12 | 1:48:14 | |
But if you do, I'll kill him. | 1:48:14 | 1:48:19 | |
He lied and cheated. He lied about something really awful. | 1:48:27 | 1:48:30 | |
Darling, listen. Bianca, listen to me. Look at me. | 1:48:30 | 1:48:34 | |
Ricky and me have never got on that well, I know. | 1:48:34 | 1:48:37 | |
But I'm telling you this. That boy loves you. | 1:48:37 | 1:48:39 | |
He adores you. | 1:48:39 | 1:48:41 | |
Whatever the toerag's done, just give him a second chance. | 1:48:41 | 1:48:46 | |
I don't think I can. | 1:48:46 | 1:48:49 | |
-Course you can. -It's just... | 1:48:49 | 1:48:52 | |
It's just ruined...that feeling that I had, it's just gone. | 1:48:52 | 1:48:56 | |
Shh. Come on, come on. | 1:48:56 | 1:48:58 | |
Look at me, standing out here, feeling all sorry for myself. | 1:48:58 | 1:49:05 | |
This is Pat's day. | 1:49:05 | 1:49:09 | |
We shouldn't be talking about me. | 1:49:09 | 1:49:11 | |
-We should be thinking about her. -Yeah. | 1:49:11 | 1:49:17 | |
What's the matter? | 1:49:19 | 1:49:21 | |
Nothing, nothing. Come on, let's get you cleaned up, get you back inside. | 1:49:24 | 1:49:29 | |
I know that look. Tell me. | 1:49:29 | 1:49:32 | |
It's - it's me, me and your mum. | 1:49:39 | 1:49:43 | |
-We're, um, you know... -Really? -You angry? | 1:49:43 | 1:49:47 | |
Well, no, course not. I mean, why would I be angry? | 1:49:47 | 1:49:51 | |
You're my mum and dad. I'd love you to get back together. | 1:49:51 | 1:49:55 | |
But as long as you, you know, just - just take it slow, | 1:49:55 | 1:50:00 | |
-see how it goes, yeah? -Well, that's the thing, darling. We can't. | 1:50:00 | 1:50:05 | |
We've got to go. Away. | 1:50:05 | 1:50:08 | |
And we've got to go today. | 1:50:08 | 1:50:11 | |
What are you talking about? | 1:50:11 | 1:50:14 | |
It's a long story, darling, but I can't stick around. | 1:50:15 | 1:50:18 | |
Why not? | 1:50:18 | 1:50:20 | |
I just can't, OK? | 1:50:20 | 1:50:22 | |
What, so you're just going to go? | 1:50:22 | 1:50:25 | |
I don't have an option. | 1:50:25 | 1:50:28 | |
And you're just going to take my mum? Now? | 1:50:28 | 1:50:31 | |
Darling, it's up to her. I gave her the choice. | 1:50:31 | 1:50:33 | |
Choice? She gets back with her first love, | 1:50:33 | 1:50:37 | |
and then the next day he tells her he's got to go? | 1:50:37 | 1:50:40 | |
Well, she could have said no. | 1:50:40 | 1:50:42 | |
How could she do that? Don't you know what her life's been like, what she's been through? | 1:50:42 | 1:50:47 | |
-Yes, of course I do. -No, I don't think you do. I don't think you do. | 1:50:47 | 1:50:51 | |
She lost her son. | 1:50:53 | 1:50:56 | |
You know, we found Billie - | 1:50:56 | 1:50:59 | |
we found him face down, dead on the sofa. | 1:50:59 | 1:51:03 | |
Shh, stop. | 1:51:03 | 1:51:05 | |
And then she just went off the rails. | 1:51:05 | 1:51:08 | |
You know, she just got with his mate, and then this older bloke. | 1:51:08 | 1:51:16 | |
That all went wrong. Listen, she seems like she's strong, | 1:51:16 | 1:51:22 | |
but she's not. She's fragile. | 1:51:22 | 1:51:24 | |
I know. | 1:51:24 | 1:51:27 | |
-You know, she nearly topped herself. -I know. | 1:51:27 | 1:51:30 | |
Hey, come on. I know she's had a hard time. | 1:51:33 | 1:51:37 | |
I know she has, and I just want to make her happy. | 1:51:40 | 1:51:43 | |
-How are you going to do that? -By giving her what she needs. | 1:51:46 | 1:51:49 | |
You've only been back here for two minutes. | 1:51:49 | 1:51:52 | |
You know, your mum's died. | 1:51:52 | 1:51:56 | |
Your relationship's broke up. I mean, what are you telling me, | 1:51:58 | 1:52:04 | |
that you're in a good way an' all? | 1:52:04 | 1:52:06 | |
-I'm OK. -No, you're not. -I'm OK. -No, you're not! | 1:52:06 | 1:52:09 | |
What do you want me to say, darling? What do you want me to do? | 1:52:16 | 1:52:19 | |
Stick around here and play Grandad? | 1:52:19 | 1:52:21 | |
But I thought you loved my kids. | 1:52:21 | 1:52:23 | |
I do. I do. They're like... | 1:52:23 | 1:52:28 | |
they're like lovely little surprises that I never expected, | 1:52:28 | 1:52:33 | |
but I can't stick around here. | 1:52:33 | 1:52:35 | |
You're 100% sure this ain't just some infatuation? | 1:52:38 | 1:52:43 | |
You sure you're not trying to make up for something that happened? | 1:52:43 | 1:52:48 | |
You're absolutely sure that you can make her happy, day after day, | 1:52:48 | 1:52:52 | |
year after year? | 1:52:52 | 1:52:54 | |
This is real, is it? This is permanent? | 1:52:54 | 1:52:59 | |
Yeah. Yeah, I think so. | 1:52:59 | 1:53:03 | |
You think so?! You can't change your mind, Dad. | 1:53:03 | 1:53:07 | |
Can't give it a week and then realise that she's - | 1:53:07 | 1:53:11 | |
she's a 50-year-old woman now. She's got no career, | 1:53:11 | 1:53:15 | |
no money, loads of hang-ups. | 1:53:15 | 1:53:17 | |
She's - you'll see her in the corner crying one night, you'll run a mile! | 1:53:17 | 1:53:21 | |
She's giving up all this. Her family. | 1:53:24 | 1:53:29 | |
Her kids, her grandkids. | 1:53:29 | 1:53:34 | |
Yeah. | 1:53:34 | 1:53:37 | |
All the things she loves the best. | 1:53:37 | 1:53:39 | |
You're 100% that you're never going to let her down? | 1:53:42 | 1:53:45 | |
Never ever? | 1:53:45 | 1:53:47 | |
MOBILE RINGS | 1:53:47 | 1:53:49 | |
Are you sure you can do that? | 1:53:49 | 1:53:52 | |
It's your mum. | 1:53:52 | 1:53:55 | |
David. It's me. Yeah, we've got to go now. | 1:53:55 | 1:54:00 | |
No, no, no, don't come here. | 1:54:00 | 1:54:03 | |
Park up Bridge Street, OK? I'll see you in five. | 1:54:03 | 1:54:06 | |
Listen, maybe you should go home, talk to your mum. | 1:54:09 | 1:54:13 | |
Are you really just going to go? | 1:54:13 | 1:54:14 | |
I'm sorry. | 1:54:14 | 1:54:18 | |
I'm really going to miss you. | 1:54:25 | 1:54:28 | |
-She wouldn't even listen to me. -Were you nice? | 1:54:33 | 1:54:36 | |
I was as sweet as pie. She wasn't having it. Got her bags packed, and ready for the off. | 1:54:36 | 1:54:41 | |
So what now? | 1:54:41 | 1:54:42 | |
-Meet me round the Arches in ten minutes. -The Arches? | 1:54:45 | 1:54:48 | |
You don't want to do him in here, do ya? Arches, ten minutes. Bring Max. | 1:54:48 | 1:54:53 | |
Go on, get in there. | 1:54:56 | 1:54:58 | |
You're going to stay in there till you sober up. | 1:54:58 | 1:55:00 | |
No! No way. You ain't got no right. I'm an adult. | 1:55:00 | 1:55:03 | |
Oh, yeah, you look like it. | 1:55:03 | 1:55:06 | |
Well, I'll just climb out of the window, then. | 1:55:06 | 1:55:09 | |
-Yes, we're 20 foot up, Lauren. -Well, then, I'll fly, then. | 1:55:09 | 1:55:15 | |
-Lauren, are what you doing? Come here. Lauren! -Lauren! Lauren! | 1:55:15 | 1:55:19 | |
MOBILE RINGS | 1:55:19 | 1:55:22 | |
-What are you going to do, chain me to the bed? -What has got into you? | 1:55:22 | 1:55:25 | |
-What? All right, I'll be right there. -I told you. She's out of control. | 1:55:25 | 1:55:29 | |
-I've got to go. -What?! | 1:55:29 | 1:55:31 | |
It's Jack. I'll explain in a bit, all right. Just hold the fort. | 1:55:31 | 1:55:34 | |
-Max, you can't just... -I'll be back, all right? | 1:55:34 | 1:55:37 | |
Why don't you go downstairs and leave this to me? | 1:55:37 | 1:55:40 | |
I've dealt with one or two drunks in my time. | 1:55:40 | 1:55:43 | |
It's fine, thanks, Mum. I can manage. Right you, come on. Come on, get in bed. | 1:55:43 | 1:55:49 | |
-Aw, are you putting me to bed? -Yes, I'm putting you to bed. | 1:55:49 | 1:55:52 | |
You going to give me a cuddle? | 1:55:52 | 1:55:54 | |
Like you used to when I was little, is that what you're going to do? | 1:55:54 | 1:55:58 | |
Yes, if I have to. | 1:55:58 | 1:56:00 | |
He's told you. | 1:56:04 | 1:56:05 | |
MOBILE RINGS | 1:56:10 | 1:56:14 | |
-Yes. -'It's me, Michael. I've got to talk to you.' | 1:56:14 | 1:56:19 | |
-Forget it. -'No, listen, it's Derek. He's got Carol. He made me help...' | 1:56:19 | 1:56:24 | |
-Where are you? -'The Arches. Get over here, now!' | 1:56:24 | 1:56:27 | |
Oh, Ricky, don't be sad. | 1:56:34 | 1:56:36 | |
Come here. Come on. | 1:56:36 | 1:56:39 | |
-Pat wouldn't want you crying. She'd want you to be having fun. -Yeah. | 1:56:41 | 1:56:45 | |
-We can do that for her, can't we? -Yeah. -Dad, where's Mum? My bow came out. | 1:56:45 | 1:56:49 | |
(Michael?) | 1:57:01 | 1:57:05 | |
Michael? | 1:57:05 | 1:57:08 | |
Well, well, well, well, well. Here we are again. | 1:57:11 | 1:57:14 | |
Just like old times, eh, David? | 1:57:14 | 1:57:17 | |
Eh? Me and the lads. | 1:57:17 | 1:57:21 | |
You being too thick to get the message. | 1:57:21 | 1:57:23 | |
You know, I bet you can remember | 1:57:23 | 1:57:27 | |
exactly how much it hurt, that last beating I gave you. | 1:57:27 | 1:57:30 | |
He warned you, didn't he? | 1:57:30 | 1:57:32 | |
-You mess with our sister, you're messing with us. -Get in your motor and go. No-one needs to get hurt. | 1:57:32 | 1:57:37 | |
No, I think it's too late for that. | 1:57:37 | 1:57:40 | |
I think what he needs is a little lesson. What he needs | 1:57:40 | 1:57:45 | |
is something to remember me by. | 1:57:45 | 1:57:47 | |
Whoa, Derek... | 1:57:47 | 1:57:49 | |
Hold him. | 1:57:49 | 1:57:51 | |
Hold him still. Hold him. Come on, David, | 1:57:51 | 1:57:53 | |
-it won't hurt a bit. I'll make it nice and quick. -What, you want to go back inside, do ya? | 1:57:53 | 1:57:58 | |
I know how to dump a body. Believe you me, Max. And your brother. | 1:57:58 | 1:58:01 | |
Ain't that right, Jack, eh? | 1:58:01 | 1:58:04 | |
Never hurts having Old Bill on the firm. | 1:58:04 | 1:58:07 | |
-What, we're just going to let him do this? -Stay there. | 1:58:07 | 1:58:10 | |
He ruined our sister's life. He did it before, and he'll do it again. | 1:58:10 | 1:58:15 | |
That's up to her, ain't it? You can't make her stay here. | 1:58:15 | 1:58:17 | |
She's got to stay here. Stay here where she belongs, with the family. | 1:58:17 | 1:58:22 | |
You're jealous, you're jealous! | 1:58:22 | 1:58:24 | |
You can't bear the thought of Carol caring about anyone else but you. Can you? | 1:58:24 | 1:58:28 | |
That's it, last words! | 1:58:28 | 1:58:30 | |
-Derek! Get him out of here. -He can't! He can't go! | 1:58:30 | 1:58:33 | |
He can't get away with it. | 1:58:33 | 1:58:35 | |
-He can't get away with it! -He's gone, Derek. | 1:58:35 | 1:58:38 | |
I love him. I love him with all my heart. | 1:58:38 | 1:58:41 | |
You know, it's like I've been given a second chance. | 1:58:41 | 1:58:45 | |
I'm determined not to blow it. | 1:58:45 | 1:58:47 | |
-Well, then I'm... I am really pleased for you. -Really? You don't seem that happy. | 1:58:49 | 1:58:56 | |
No, I'm just... I've been all right up until today. It's just... | 1:58:56 | 1:59:01 | |
it's just the funeral and... | 1:59:02 | 1:59:04 | |
I really miss her. | 1:59:05 | 1:59:08 | |
Yeah, we all do. | 1:59:08 | 1:59:12 | |
I love you, Mum. | 1:59:12 | 1:59:14 | |
I love you too, darling. | 1:59:16 | 1:59:18 | |
Now, listen, you tell them kids goodbye, all right? | 1:59:18 | 1:59:21 | |
And kiss them for me till they're red raw. | 1:59:21 | 1:59:23 | |
Why don't you come over and tell them yourself? | 1:59:23 | 1:59:26 | |
I don't think I can bear it. I don't think I can do that. | 1:59:26 | 1:59:28 | |
-Come on, I'll come with you. -No, honestly, I don't - I don't want you to, please. -All right. | 1:59:28 | 1:59:34 | |
-Do yourself a favour, get out of here. -Not without Carol. -Why? | 1:59:42 | 1:59:46 | |
Who are you doing this for? You or her? | 1:59:46 | 1:59:48 | |
I've been you. I know what happens. | 1:59:51 | 1:59:53 | |
CAR ENGINE STARTS | 2:00:23 | 2:00:25 | |
Tiff, watch the road! | 2:00:36 | 2:00:39 | |
Will you do my hair? | 2:00:39 | 2:00:40 | |
Oh yeah, all right, darling. | 2:00:40 | 2:00:43 | |
David? | 2:01:26 | 2:01:27 | |
David? David! | 2:01:27 | 2:01:29 | |
David! | 2:01:32 | 2:01:34 | |
Oh, Mum! | 2:01:50 | 2:01:52 | |
Subtitles by Red Bee Media Ltd | 2:02:12 | 2:02:15 | |
E-mail [email protected] | 2:02:15 | 2:02:20 | |
Goodbye, Mum. | 2:02:53 | 2:02:54 |