Browse content similar to 07/07/2011. Check below for episodes and series from the same categories and more!
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ANSWERPHONE: Your call has been forwarded to the voicemail service. | 0:00:47 | 0:00:51 | |
'Hi, you've reached Roxy. Sorry I can't take your call at the moment, | 0:00:51 | 0:00:55 | |
'but if I like you, or if your fit, leave me a message and I'll get back to you as soon as I can.' | 0:00:55 | 0:01:00 | |
Roxy, it's me again. | 0:01:00 | 0:01:04 | |
Listen, you call me back or I'm gonna come up there. | 0:01:04 | 0:01:06 | |
I won't take no for an answer. | 0:01:06 | 0:01:08 | |
If you don't want to speak to her, turn it off. | 0:01:16 | 0:01:18 | |
It might be someone important. | 0:01:18 | 0:01:21 | |
There. If it's someone important I'll tell you. | 0:01:21 | 0:01:24 | |
Right, stop biting your nails and come on. | 0:01:28 | 0:01:31 | |
-Where we going? -Come on. The Vic. See my son. | 0:01:31 | 0:01:35 | |
Look, I just want to speak to Rox. | 0:01:37 | 0:01:40 | |
She's made it clear where she stands. | 0:01:40 | 0:01:42 | |
-Then I'll change her mind. -No, no. You're gonna stay here till we leave for court. | 0:01:42 | 0:01:46 | |
You're gonna clear your head and compose yourself. | 0:01:46 | 0:01:49 | |
We do what the brief says, there's a good chance of you staying out of prison. | 0:01:49 | 0:01:54 | |
And then, tomorrow... | 0:01:54 | 0:01:56 | |
This time tomorrow, you and me, we're gonna be in Mexico. | 0:01:56 | 0:02:00 | |
Hotel on the beach for three weeks. | 0:02:00 | 0:02:02 | |
And after that, we'll go where you like, do what you want to do. | 0:02:02 | 0:02:06 | |
Together. | 0:02:06 | 0:02:07 | |
Kat, sweetheart, she's not gonna come back. | 0:02:20 | 0:02:22 | |
You can be sure of that, yeah? | 0:02:22 | 0:02:24 | |
She's got to be in court. | 0:02:24 | 0:02:26 | |
Maybe that's enough for her to try and grab Tommy. | 0:02:26 | 0:02:28 | |
Darling, we don't know it was her, all right? | 0:02:28 | 0:02:31 | |
Alfie, she left her locket in the pram. How much more proof do you need? | 0:02:31 | 0:02:35 | |
All right? | 0:02:35 | 0:02:36 | |
What's she doing here? | 0:02:36 | 0:02:38 | |
Don't worry, she's not a spy. | 0:02:38 | 0:02:40 | |
I'm gonna get changed. | 0:02:40 | 0:02:42 | |
Why don't you let me take him out for a bit, give you a bit of time off. | 0:02:44 | 0:02:47 | |
No, no, it's all right, it's all right. | 0:02:47 | 0:02:50 | |
Come on. | 0:02:50 | 0:02:51 | |
Look... Listen, I'm gonna go back to the flat, OK? | 0:02:51 | 0:02:55 | |
-Why? -Because it's not right. I shouldn't be here, Michael. | 0:02:55 | 0:02:58 | |
Why don't you just go to the salon for an hour? Get your nails done, | 0:02:58 | 0:03:03 | |
-relax, have some time to yourself. -Is that... | 0:03:03 | 0:03:05 | |
Is that what you think of me? An hour in the salon and everything's right as rain. | 0:03:05 | 0:03:09 | |
Have you seen the state of them? | 0:03:09 | 0:03:11 | |
-Yes. -Yeah, look they're mullered. -I bite 'em when I'm sad - I always have. | 0:03:11 | 0:03:15 | |
Precisely my point. Go to the salon | 0:03:15 | 0:03:17 | |
where you're not thinking about Ronnie all the time. | 0:03:17 | 0:03:19 | |
Have a bit of you time. | 0:03:19 | 0:03:21 | |
Roxy time. I'll come and get you, and I'll take you somewhere nice. | 0:03:21 | 0:03:25 | |
That's my girl. | 0:03:25 | 0:03:27 | |
-OK. -That's my girl. | 0:03:27 | 0:03:30 | |
-All right, bye. -Bye. | 0:03:32 | 0:03:34 | |
-I'm just going to change the barrel mate. -Yeah, go on mate. | 0:03:36 | 0:03:40 | |
Ooh, afternoon. I'm Tyler Moon. | 0:03:42 | 0:03:44 | |
What time do you finish? | 0:03:48 | 0:03:49 | |
Half an hour, | 0:03:49 | 0:03:51 | |
so if you don't mind Lauren, I need to get on. | 0:03:51 | 0:03:55 | |
What are you doing later? | 0:03:55 | 0:03:56 | |
-Sleeping. -What, in the middle of the day? | 0:03:56 | 0:04:00 | |
Yeah, I like sleeping, I like it a lot. | 0:04:00 | 0:04:03 | |
Now go away. | 0:04:03 | 0:04:05 | |
He's a bit thick, love. | 0:04:05 | 0:04:07 | |
You're interested, just tell him. | 0:04:07 | 0:04:10 | |
Yes, thank you. | 0:04:10 | 0:04:11 | |
Come on, let's go. | 0:04:11 | 0:04:14 | |
Babe, it's me. We're on. | 0:04:31 | 0:04:32 | |
20A Leopold Street. | 0:04:32 | 0:04:33 | |
'Yeah, all right then...' | 0:04:33 | 0:04:37 | |
All right Poppy. | 0:04:37 | 0:04:38 | |
Don't touch anything then, I'll... I'll be right over, OK. | 0:04:40 | 0:04:47 | |
SINGING FROM UPSTAIRS # I'm your private dancer | 0:04:55 | 0:04:59 | |
# A dancer for money | 0:04:59 | 0:05:01 | |
# And any old music will do | 0:05:01 | 0:05:04 | |
# I'm your private dancer | 0:05:04 | 0:05:06 | |
# A dancer for money | 0:05:06 | 0:05:08 | |
# Do what you want me to do | 0:05:08 | 0:05:12 | |
# I'm your private dancer | 0:05:12 | 0:05:14 | |
# A dancer for money | 0:05:14 | 0:05:16 | |
# And any old music will do... # | 0:05:16 | 0:05:19 | |
-Where's the big man? -He's gone out. | 0:05:53 | 0:05:55 | |
Out?! What now? | 0:05:55 | 0:05:57 | |
-Only got a couple of hours. -I know. | 0:05:57 | 0:06:01 | |
-It's work. He'll be back. You want a coffee? -No, thanks, no. | 0:06:01 | 0:06:05 | |
-You OK? -No, not really. | 0:06:05 | 0:06:07 | |
Didn't sleep a wink last night. What with the police sniffing round. | 0:06:07 | 0:06:11 | |
-Are they pressing charges? -They haven't yet. | 0:06:11 | 0:06:14 | |
-I don't think they've got enough evidence. -Lucky Ronnie. -What's that supposed to mean? | 0:06:14 | 0:06:19 | |
-I don't care to discuss it. -Oh, you don't care to discuss it? | 0:06:19 | 0:06:22 | |
-No, I'm here to find out how we're getting to court. -Oh, don't do us any favours. | 0:06:22 | 0:06:26 | |
I'm doing you a massive favour, by standing here dressed to the nines. | 0:06:26 | 0:06:30 | |
Ronnie needs our support. | 0:06:30 | 0:06:33 | |
It's important for the judge to see she didn't mean any harm. | 0:06:33 | 0:06:36 | |
But she did didn't she? | 0:06:36 | 0:06:40 | |
Don't give me that look. The only reason I'm going is cos you bulldozed us into it. | 0:06:40 | 0:06:44 | |
Given a choice. I wouldn't be within a mile of that court. | 0:06:44 | 0:06:47 | |
She lost our baby! | 0:06:48 | 0:06:51 | |
Yeah, and that is terrible. | 0:06:51 | 0:06:53 | |
I understand, believe me I understand, | 0:06:53 | 0:06:55 | |
but she did a bad thing, you know, not once, but twice. | 0:06:55 | 0:06:59 | |
-Oh, what, you think she broke into the Vic?! -Yes, and so do you. | 0:06:59 | 0:07:02 | |
Go on admit it. Deep down you do as well. | 0:07:02 | 0:07:05 | |
And it's only a matter of time before they prove it. | 0:07:05 | 0:07:07 | |
You're wrong. Ronnie didn't break into the Vic. | 0:07:07 | 0:07:10 | |
She had nothing to do with it! | 0:07:10 | 0:07:12 | |
What you talking about? | 0:07:12 | 0:07:15 | |
-Yeah, can I help you? -Funny(!) | 0:07:19 | 0:07:22 | |
So, what's this place then? | 0:07:24 | 0:07:27 | |
It's just a mate, he rents them out. | 0:07:27 | 0:07:30 | |
It just happened to be free. | 0:07:30 | 0:07:33 | |
-They're nice. -You know me, | 0:07:33 | 0:07:36 | |
I'm an incurable romantic. | 0:07:36 | 0:07:37 | |
Oh, yeah, that's you all over, innit. | 0:07:37 | 0:07:41 | |
Come on then. I only got an hour. | 0:07:41 | 0:07:43 | |
Can't we just talk? | 0:07:46 | 0:07:49 | |
I can talk to Greg. | 0:07:49 | 0:07:51 | |
Come here. | 0:07:51 | 0:07:52 | |
You need to talk to Max and Tanya! | 0:07:52 | 0:07:55 | |
So they can cover it up? | 0:07:55 | 0:07:56 | |
-Ronnie's getting the blame. -She's a kid! | 0:07:56 | 0:07:59 | |
This is between me and Kat. Stay out of it. | 0:07:59 | 0:08:02 | |
Or I'll call the police, myself. | 0:08:02 | 0:08:03 | |
Come on. | 0:08:03 | 0:08:06 | |
Call Max. | 0:08:06 | 0:08:07 | |
Lovely ta, thank you. | 0:08:11 | 0:08:14 | |
What do you reckon? All I need is a tie, I'd pass for a stock broker. | 0:08:20 | 0:08:24 | |
Yeah, it's very nice. | 0:08:24 | 0:08:26 | |
Is Roxy about? | 0:08:26 | 0:08:28 | |
No, no she's not been in today. | 0:08:28 | 0:08:30 | |
Listen, your QC'll sort you out. | 0:08:30 | 0:08:33 | |
Few hours from now you'll be toasting a result. | 0:08:33 | 0:08:36 | |
-So you haven't seen her? -No. | 0:08:36 | 0:08:39 | |
I'm gonna go and look for Jay, lazy little skank. | 0:08:39 | 0:08:41 | |
-Make sure he's doing his work. -Do you mind if I wait around. | 0:08:41 | 0:08:45 | |
Nah, nah. I'll see you in court. | 0:08:45 | 0:08:48 | |
BABY CRIES | 0:09:01 | 0:09:04 | |
Eh, eh, come on. | 0:09:04 | 0:09:05 | |
MOBILE RINGS | 0:09:05 | 0:09:08 | |
Why don't you let me have a look? I was always a dab hand at English. | 0:09:11 | 0:09:15 | |
It's her victim statement. It's personal. | 0:09:15 | 0:09:17 | |
You not gonna have it read out in court? | 0:09:17 | 0:09:19 | |
Now, you're gonna tell them the truth, right? | 0:09:19 | 0:09:23 | |
What are you doing here?! | 0:09:28 | 0:09:29 | |
It wasn't Ronnie who broke in yesterday - it was Abi. | 0:09:29 | 0:09:33 | |
-You're pathetic. -Abi! | 0:09:33 | 0:09:35 | |
-It's true. -Is he bullying you into this? | 0:09:35 | 0:09:38 | |
No, she told me, all right? | 0:09:38 | 0:09:40 | |
She broke in yesterday. | 0:09:40 | 0:09:42 | |
Right, I suppose she stole my baby as well? | 0:09:42 | 0:09:45 | |
Look, Ron didn't do it! | 0:09:45 | 0:09:47 | |
Well the police said someone had the keys. | 0:09:47 | 0:09:49 | |
How'd Abi get the keys? | 0:09:49 | 0:09:51 | |
How'd you get the keys, Abi? | 0:09:51 | 0:09:54 | |
-I can't... -Come on, tell her. | 0:09:54 | 0:09:56 | |
This is Ronnie's life we're talking about. | 0:09:56 | 0:09:58 | |
-It was Jay. I broke in with Jay and he got 'em off Phil. -See? | 0:10:00 | 0:10:06 | |
Well, it don't matter. Ronnie still done what she done. | 0:10:06 | 0:10:09 | |
-Come on Kat, please! -I think you should both go. | 0:10:09 | 0:10:13 | |
-Just think twice about what you say to the police. -She is thinking twice, Jack. | 0:10:13 | 0:10:16 | |
She's rewritten her statement to give a true account of what Ronnie did to her. | 0:10:16 | 0:10:20 | |
-Come on both of you, out. Now! -I'm sorry. | 0:10:20 | 0:10:24 | |
I'm gonna prove this. | 0:10:24 | 0:10:27 | |
Don't worry about him, he's just desperate. | 0:10:29 | 0:10:32 | |
Maybe you should get off, Michael. Give us a bit of time. | 0:10:32 | 0:10:35 | |
Yeah, yeah, course. | 0:10:35 | 0:10:37 | |
He is my son though. And I do want to help out. | 0:10:37 | 0:10:40 | |
Let me take him out for a bit. | 0:10:40 | 0:10:42 | |
No, it's fine. We've got the situation under control. | 0:10:42 | 0:10:46 | |
Kat? | 0:10:46 | 0:10:47 | |
All this screaming and shouting isn't good for him. | 0:10:47 | 0:10:50 | |
Maybe he should take him out for a bit. | 0:10:50 | 0:10:53 | |
I don't want him getting any more upset. | 0:10:53 | 0:10:56 | |
Come on, eh. I'll take you to the playground. | 0:10:56 | 0:10:59 | |
It's only a hundred yards away, innit. | 0:10:59 | 0:11:01 | |
Keep him close, all right? Don't let him out of your sight for a second. | 0:11:01 | 0:11:06 | |
Yeah, no problem. Shall we go? | 0:11:06 | 0:11:08 | |
I better get changed. Don't touch this, I haven't finished. | 0:11:14 | 0:11:17 | |
-So you really want all that read out? -It's the truth. | 0:11:17 | 0:11:22 | |
MOBILE RINGS | 0:11:31 | 0:11:33 | |
SHE COUGHS | 0:11:33 | 0:11:35 | |
-You got any mints? -Mmm-hmm. | 0:11:35 | 0:11:37 | |
RINGING CONTINUES | 0:11:37 | 0:11:39 | |
I suppose I should go, shouldn't I? | 0:11:43 | 0:11:45 | |
I got you a present. | 0:11:47 | 0:11:48 | |
It's a key to this place. | 0:11:55 | 0:11:58 | |
I paid for three months up front. | 0:11:58 | 0:12:00 | |
What did you do that for? | 0:12:00 | 0:12:02 | |
We need somewhere to go, don't we? | 0:12:02 | 0:12:04 | |
You didn't think you shoulda consulted with me first? | 0:12:04 | 0:12:07 | |
No, I thought it would be a nice surprise. | 0:12:07 | 0:12:09 | |
Three months. What's that? | 0:12:09 | 0:12:11 | |
How many times a week you figuring on? | 0:12:11 | 0:12:13 | |
Tan, this ain't about sex for me. | 0:12:13 | 0:12:15 | |
No, that's not what you said an hour ago, is it? | 0:12:15 | 0:12:18 | |
I love you. You know I love you. | 0:12:18 | 0:12:21 | |
No keys. No contracts. | 0:12:21 | 0:12:23 | |
ANSWERPHONE: 'Max Branning. Leave a message.' | 0:12:27 | 0:12:30 | |
You all right, darling? Oh, come here, what's the matter? | 0:12:34 | 0:12:39 | |
Shush... | 0:12:39 | 0:12:41 | |
Did you have a flat like this with Stacey? | 0:12:43 | 0:12:46 | |
Did you? | 0:12:47 | 0:12:49 | |
You just want another bit on the side. | 0:12:52 | 0:12:54 | |
Someone on tap, month after month. | 0:12:54 | 0:12:56 | |
I love you. | 0:12:56 | 0:12:58 | |
I've always loved you. | 0:12:58 | 0:13:01 | |
From the first moment I saw you. | 0:13:01 | 0:13:03 | |
Tousled and... | 0:13:05 | 0:13:07 | |
Blonde and flushed from running. | 0:13:07 | 0:13:10 | |
Do you remember, I fell in love with you at that moment and I ain't never, ever stopped. | 0:13:12 | 0:13:17 | |
-Maybe once or twice. -I ain't, ever. | 0:13:17 | 0:13:20 | |
You tell that to Vanessa, when you proposed? | 0:13:20 | 0:13:22 | |
So wh-wh-what are we doing? | 0:13:26 | 0:13:29 | |
This, we're doing this? What do you think? | 0:13:29 | 0:13:31 | |
We can't keep doing this forever. | 0:13:31 | 0:13:33 | |
Then... So? One day we'll stop. | 0:13:33 | 0:13:36 | |
What does that mean, we'll stop? What, we'll just finish. | 0:13:37 | 0:13:41 | |
Yeah. It's an affair, innit? | 0:13:41 | 0:13:43 | |
Something starts and then you finish it. A marriage goes on. | 0:13:43 | 0:13:46 | |
I don't want that. I want more. | 0:13:46 | 0:13:48 | |
What? What, you want me what... | 0:13:48 | 0:13:50 | |
Tell Greg it's over, move in with you? | 0:13:50 | 0:13:53 | |
-Is that what you want? -Yeah, I do. | 0:13:53 | 0:13:55 | |
-You want that? -Yeah. | 0:13:55 | 0:13:57 | |
If you push me... | 0:13:59 | 0:14:01 | |
If you push me. I'll choose Greg. I'll choose my life, Max. | 0:14:05 | 0:14:08 | |
You know, our kids feeling secure and happy. | 0:14:08 | 0:14:11 | |
And little Oscar, a smile on his face, | 0:14:11 | 0:14:14 | |
not a bad memory in his head. Max. | 0:14:14 | 0:14:16 | |
Max, you've got to understand that? | 0:14:16 | 0:14:20 | |
So what's it gonna be? | 0:14:24 | 0:14:26 | |
You take the key. | 0:14:36 | 0:14:38 | |
Take the key, and when you want it to finish. You give it back to me. | 0:14:38 | 0:14:44 | |
Can I have that mint now? | 0:14:48 | 0:14:52 | |
TELEVISION ON | 0:14:57 | 0:14:58 | |
DOOR SLAMS | 0:15:00 | 0:15:02 | |
Look Phil, I'm really sorry, I'll just get back to... | 0:15:04 | 0:15:08 | |
# I know you haven't made your mind up yet | 0:15:11 | 0:15:16 | |
# But I will never do you wrong | 0:15:18 | 0:15:22 | |
# I've known it from the moment that we met | 0:15:25 | 0:15:30 | |
# No doubt in my mind where you belong | 0:15:30 | 0:15:34 | |
# I'd go hungry I'd go black and blue | 0:15:36 | 0:15:42 | |
# I'd go crawling down the avenue | 0:15:42 | 0:15:47 | |
# No, there's nothing that I wouldn't do | 0:15:50 | 0:15:54 | |
# To make you feel my love. # | 0:15:56 | 0:15:58 | |
Yeah, you'll be all right. You'll be all right, little man. | 0:16:15 | 0:16:19 | |
You'll be all right. You'll be all right. | 0:16:19 | 0:16:24 | |
Thought you may need this. | 0:16:43 | 0:16:45 | |
Oh, cheers. Cheers. | 0:16:45 | 0:16:49 | |
All right? | 0:16:49 | 0:16:51 | |
Michael, I'm not really sure I'm in the mood for this. | 0:16:51 | 0:16:54 | |
Come on, you deserve it. | 0:16:54 | 0:16:56 | |
BABY CRIES | 0:17:32 | 0:17:35 | |
Kat, it's Michael. This isn't my fault, but... | 0:17:46 | 0:17:49 | |
But what? What is it? What's happened? | 0:17:49 | 0:17:52 | |
BABY CRIES | 0:17:56 | 0:17:58 | |
Tommy, eh. Shush, shush, shush. | 0:17:58 | 0:18:02 | |
It's OK. Shush. | 0:18:02 | 0:18:05 | |
Don't cry, don't cry, don't cry. | 0:18:07 | 0:18:11 | |
Tommy... | 0:18:11 | 0:18:13 | |
-CRYING CONTINUES -I know, I know. | 0:18:18 | 0:18:21 | |
What's happened? What's happened? | 0:18:21 | 0:18:24 | |
-Oh, sweetie, I've missed you. I've missed you. -Have you? | 0:18:24 | 0:18:29 | |
I've just found him. | 0:18:32 | 0:18:33 | |
Roxy, she texted me, she told me to come here. | 0:18:35 | 0:18:38 | |
Roxy's in the salon. Getting her nails done. | 0:18:38 | 0:18:41 | |
Michael, take him. | 0:18:43 | 0:18:45 | |
-KAT: Michael? -Michael, take him back! | 0:18:45 | 0:18:48 | |
-Michael! -Kat, sorry... I've let you down. | 0:18:48 | 0:18:50 | |
She must've been watching the Vic. She's just grabbed him. | 0:18:50 | 0:18:53 | |
He's lying. | 0:18:54 | 0:18:55 | |
Ronnie, you don't have to do this. | 0:18:56 | 0:18:59 | |
Alfie, I just found him here. | 0:18:59 | 0:19:01 | |
Just give me Tommy yeah, | 0:19:01 | 0:19:03 | |
and we'll say no more about it. | 0:19:03 | 0:19:05 | |
He's set me up. He's planned this. | 0:19:05 | 0:19:08 | |
The baby's crying. Give him back to his mum. | 0:19:08 | 0:19:11 | |
Give him to me. | 0:19:11 | 0:19:14 | |
No, I didn't do this. | 0:19:14 | 0:19:16 | |
Kat, I didn't do this. | 0:19:16 | 0:19:19 | |
I didn't do this. | 0:19:19 | 0:19:22 | |
I'm gonna kill you. | 0:19:22 | 0:19:24 | |
Come on, let's go, let's go. | 0:19:24 | 0:19:25 | |
She took my baby. | 0:19:25 | 0:19:28 | |
Oh, yeah, right here in broad daylight, on the day of my sentencing?! | 0:19:28 | 0:19:31 | |
-Just take Tommy. -Hold on, what are you doing? -I'll be a minute. | 0:19:31 | 0:19:34 | |
-I'm not leaving you on your own. -I just want to hear what she's got to say. | 0:19:34 | 0:19:38 | |
One minute. | 0:19:38 | 0:19:41 | |
Kat. Listen... | 0:19:41 | 0:19:43 | |
I want you to know, yeah, when the police come, | 0:19:45 | 0:19:48 | |
when the police come and take you away, | 0:19:48 | 0:19:50 | |
when they lock you up for ten years for what you've done | 0:19:50 | 0:19:53 | |
I won't feel a thing, | 0:19:53 | 0:19:55 | |
not one moment of regret for what you've done, | 0:19:55 | 0:19:58 | |
that every minute you'll be rotting in prison I'll be laughing. | 0:19:58 | 0:20:03 | |
I'll be laughing in your face. | 0:20:03 | 0:20:05 | |
-I didn't do this! -What, like you didn't do it in the first place? | 0:20:05 | 0:20:08 | |
Week after week, month after month you watched me suffer, | 0:20:08 | 0:20:14 | |
stopping for a chat, with my baby in your arms. | 0:20:14 | 0:20:19 | |
You seem to forget that it happened to me too. | 0:20:19 | 0:20:22 | |
Kat, my son is dead. My son is still dead. | 0:20:22 | 0:20:26 | |
I held him in my arms. I haven't been to sleep since. | 0:20:26 | 0:20:29 | |
I've had all of that snatched away. | 0:20:29 | 0:20:31 | |
But you had the comfort of my child, you had the comfort of my child in your arms... | 0:20:31 | 0:20:37 | |
I know... | 0:20:37 | 0:20:39 | |
Just to take the pain away, just to help you through the night, yeah? | 0:20:39 | 0:20:43 | |
Kat, I know and I'm sorry. I am so sorry. | 0:20:43 | 0:20:45 | |
Sorry, sorry, sorry. | 0:20:45 | 0:20:48 | |
What's it worth? | 0:20:48 | 0:20:51 | |
Cos it means nothing. It means nothing to me at all. | 0:20:51 | 0:20:55 | |
My Uncle Harry, he was sorry. | 0:20:55 | 0:20:57 | |
His sorry is worth as much as yours. | 0:20:57 | 0:21:01 | |
Your Uncle and my Dad... | 0:21:02 | 0:21:05 | |
Do you think you're so different from me, Kat? | 0:21:05 | 0:21:08 | |
I did a terrible thing, a terrible, terrible thing, | 0:21:08 | 0:21:14 | |
I was grieving, I was in shock, | 0:21:14 | 0:21:18 | |
all I wanted was my baby back and I've told you I'm sorry, Kat. | 0:21:18 | 0:21:22 | |
Please can't you find it in your heart to forgive me? | 0:21:22 | 0:21:26 | |
No. Never. | 0:21:26 | 0:21:28 | |
After what you've done today, You're lucky you're still breathing. | 0:21:30 | 0:21:34 | |
I didn't do this! | 0:21:36 | 0:21:39 | |
You get in here and you're gonna tell him, right? | 0:21:45 | 0:21:48 | |
-Just get in there and you tell him. -Look, it was a joke. | 0:21:48 | 0:21:51 | |
Me and Abi, we was having a laugh, and it went wrong. | 0:21:51 | 0:21:54 | |
You speak to Phil. It ain't exactly a big deal, is it? | 0:21:54 | 0:21:57 | |
Ain't a big deal? You tried to set up my wife! | 0:21:57 | 0:21:59 | |
-What?! -Get out. Go on, get out! | 0:21:59 | 0:22:03 | |
I'm, er... I'm off. | 0:22:03 | 0:22:05 | |
-Do you believe me now? -It doesn't matter any more, Jack. | 0:22:05 | 0:22:07 | |
What you talking about? | 0:22:07 | 0:22:10 | |
-Kat, what happened? -Where's Tommy?! -He's upstairs with Tyler. | 0:22:11 | 0:22:14 | |
Get him out of here. | 0:22:14 | 0:22:16 | |
What's going on? | 0:22:16 | 0:22:17 | |
Ronnie tried to grab Tommy in the playground. | 0:22:17 | 0:22:20 | |
No, no, hang on! There's got to be something wrong. | 0:22:20 | 0:22:23 | |
No, no. Jack, I saw it, all right mate. | 0:22:23 | 0:22:25 | |
-The old bill can sort it... -Don't call the police... | 0:22:25 | 0:22:28 | |
If you call the police, do you know what will happen? | 0:22:28 | 0:22:31 | |
-You need to go! -Come on, Jack. | 0:22:31 | 0:22:34 | |
-Excuse me? -I thought you were many things, but not a grass. | 0:22:34 | 0:22:39 | |
-Did they make you confess? -No, Uncle Jack... -Oh, Uncle Jack! | 0:22:39 | 0:22:42 | |
Uncle Jack's phoning the old bill. | 0:22:42 | 0:22:45 | |
Well, that's what you get for breaking into someone's property. I'm calling Max. | 0:22:45 | 0:22:50 | |
-Phone whoever you want! I thought you and me had something. -We do. -I ain't interested. | 0:22:50 | 0:22:54 | |
A grass is a grass. We're finished. | 0:22:54 | 0:22:57 | |
What?! Jay I didn't even tell 'em about you. | 0:22:57 | 0:23:00 | |
They knew someone had the keys. | 0:23:00 | 0:23:02 | |
They just guessed! | 0:23:02 | 0:23:04 | |
You let me down. You don't even put out, so what's the point? | 0:23:04 | 0:23:08 | |
Jay! Jay! | 0:23:08 | 0:23:10 | |
Abi! | 0:23:10 | 0:23:13 | |
Get off me! | 0:23:14 | 0:23:17 | |
Ron, Ronnie, tell me this ain't true? | 0:23:17 | 0:23:20 | |
Jack! He set me up, Jack. | 0:23:20 | 0:23:25 | |
-What you talking about? -You! You! -She's a nutter. -You set me up! | 0:23:25 | 0:23:29 | |
He's poisoned Roxy against me, and now he's done it to Kat. | 0:23:29 | 0:23:32 | |
Why? Because I turned you down. | 0:23:32 | 0:23:35 | |
I got too close... I got too close and you didn't like... | 0:23:35 | 0:23:38 | |
She's poison, Jack. Bail now while you can. | 0:23:38 | 0:23:40 | |
-You speak a word to the police. -She's the problem. -Shut up! -Not me! | 0:23:40 | 0:23:45 | |
I'll give Roxy your best, yeah? | 0:23:45 | 0:23:48 | |
What you looking at? | 0:23:51 | 0:23:53 | |
Oh, Ryan. Perfect timing. | 0:23:57 | 0:24:01 | |
You fancy putting some moisturiser on my back? | 0:24:01 | 0:24:04 | |
No, thanks. | 0:24:04 | 0:24:05 | |
Well, forget about the moisturising. How about a soak? | 0:24:08 | 0:24:11 | |
Kim, do you ever stop? | 0:24:11 | 0:24:13 | |
No. I am like this 24 hours a day. | 0:24:13 | 0:24:16 | |
-In fact, I'm like the terminator bloke. -Yeah? | 0:24:16 | 0:24:19 | |
You know, I set my sights. | 0:24:19 | 0:24:21 | |
I don't give up and no man can resist. | 0:24:21 | 0:24:25 | |
Not even you, Ryan! | 0:24:25 | 0:24:27 | |
Look, I'll deal with Michael. | 0:24:37 | 0:24:40 | |
But right now it's you that I care about. | 0:24:40 | 0:24:42 | |
Excuse me, excuse me! | 0:24:42 | 0:24:46 | |
Do you... Do you think I could've done that? | 0:24:46 | 0:24:50 | |
Yeah, you coulda broke in yesterday but you didn't, all right. | 0:24:50 | 0:24:53 | |
You might have taken Tommy, you could have taken Tommy but I don't care. | 0:24:53 | 0:24:57 | |
Because that's you, Ron. And I love you whatever you done, whatever you do, I love you. | 0:24:57 | 0:25:02 | |
And that's all that counts. Do you understand? | 0:25:02 | 0:25:05 | |
They're over there calling the police. | 0:25:05 | 0:25:07 | |
This isn't going to be psychiatric care any more. | 0:25:07 | 0:25:10 | |
It's gonna be prison, all right. And a lot of it. Do you understand? | 0:25:10 | 0:25:15 | |
-I need to see Roxy. -No. We're gonna do a runner. -What? | 0:25:15 | 0:25:18 | |
-We're gonna run. Come on. -No, Jack! | 0:25:18 | 0:25:20 | |
Ronnie, I'm not messing about. | 0:25:20 | 0:25:22 | |
We need to pack bags. | 0:25:22 | 0:25:24 | |
Whatever we can carry, money, passports, clothes. | 0:25:24 | 0:25:27 | |
We need to get to that airport, and get on that flight to Mexico. | 0:25:27 | 0:25:30 | |
What about Roxy? | 0:25:30 | 0:25:32 | |
Yeah, well she don't give a damn, does she? | 0:25:32 | 0:25:34 | |
-Jack, I can't just go. -Yes, you can. | 0:25:34 | 0:25:37 | |
I've got to say goodbye, Jack. | 0:25:37 | 0:25:40 | |
At least. I've got to say goodbye to Roxy. | 0:25:40 | 0:25:43 | |
Yeah well, you say goodbye to her, she'll call the police. | 0:25:43 | 0:25:46 | |
-You can't. -Listen, I've got to see her, OK? | 0:25:46 | 0:25:48 | |
And I will just... I'll say goodbye, | 0:25:48 | 0:25:51 | |
I'll say goodbye, like I know I'm going to prison. Like that. | 0:25:51 | 0:25:55 | |
-We haven't got time. -That will be OK, Jack. -We haven't got time. -Listen to me, | 0:25:55 | 0:26:00 | |
I've got to say goodbye OK? You have to let me say goodbye. | 0:26:00 | 0:26:04 | |
Ronnie, oi! | 0:26:04 | 0:26:07 | |
Now, you've got ten minutes. Do you understand me? | 0:26:07 | 0:26:10 | |
I'm gonna be outside in the car. Ten minutes? | 0:26:10 | 0:26:13 | |
-Why are you being such a prat? -Goodbye, Lauren. | 0:26:38 | 0:26:40 | |
Fine, I'm not that interested. | 0:26:40 | 0:26:42 | |
Truth be known, I just felt sorry for you. | 0:26:42 | 0:26:44 | |
What's going on Lauren? We got to go to court. | 0:27:02 | 0:27:04 | |
-I ain't going. -What do you mean? | 0:27:04 | 0:27:06 | |
I just can't. | 0:27:06 | 0:27:07 | |
What do you mean you can't? | 0:27:07 | 0:27:11 | |
Lauren? | 0:27:11 | 0:27:12 | |
-Hiya. -Roxy... | 0:27:14 | 0:27:18 | |
Ronnie, go away. | 0:27:18 | 0:27:20 | |
I've got to talk to you. | 0:27:20 | 0:27:22 | |
Do you know what, we said all we had to say yesterday. Thank you. | 0:27:22 | 0:27:26 | |
Listen to me, listen to me, I've got to be in court in less than an hour. | 0:27:26 | 0:27:29 | |
This is our last chance to speak to each other. | 0:27:29 | 0:27:32 | |
What do you want me to do? | 0:27:32 | 0:27:33 | |
Do you want me to shed a tear? | 0:27:33 | 0:27:35 | |
You want me hug you, and tell you I love you. | 0:27:35 | 0:27:38 | |
-No, not at all. -No. Goodbye Ronnie. | 0:27:38 | 0:27:42 | |
Roxy... | 0:27:42 | 0:27:43 | |
Roxy! | 0:27:43 | 0:27:45 | |
Is my Mum about? | 0:27:48 | 0:27:50 | |
I just don't want to get him in trouble. | 0:27:51 | 0:27:54 | |
You're the innocent one. | 0:27:54 | 0:27:56 | |
-No, it weren't even like that. -I can't do this now. | 0:27:56 | 0:28:00 | |
I gotta go to court. | 0:28:00 | 0:28:01 | |
I'll sort it all out tomorrow. Be like nothing ever happened, OK? | 0:28:01 | 0:28:06 | |
I'll stay here look after her. | 0:28:06 | 0:28:07 | |
Thank you. You're the best. | 0:28:07 | 0:28:09 | |
-Roxy! -Get off of me. | 0:28:17 | 0:28:18 | |
I am not your little pet any more, OK? | 0:28:18 | 0:28:21 | |
I'm not that little sister you can just boss around and shove because you didn't get your way. | 0:28:21 | 0:28:26 | |
I'm a grown woman and I've got my own life. | 0:28:26 | 0:28:29 | |
With Michael? | 0:28:29 | 0:28:30 | |
-Do you think he loves you? Do you think you can trust him? -Michael loves me and I love him. | 0:28:30 | 0:28:34 | |
-And you're jealous. -Listen to me, listen to me, I'm going. | 0:28:34 | 0:28:37 | |
-Do you hear me, I'm going. -So you said. | 0:28:37 | 0:28:42 | |
I mean, I'm running, Roxy, OK. | 0:28:42 | 0:28:44 | |
Me and Jack. We're gonna run, before the court case. | 0:28:44 | 0:28:48 | |
-Why you telling me this? -Because I thought you should know. | 0:28:48 | 0:28:52 | |
And what if I phone the police, and tell them what you're doing? | 0:28:52 | 0:28:55 | |
That's your choice, Roxy. I want you to be happy. | 0:28:55 | 0:28:58 | |
I don't want to control you, I love you, I love you. | 0:28:58 | 0:29:01 | |
You are the thing I love best in the whole world. | 0:29:01 | 0:29:04 | |
Oh, good, good. Well, don't forget to tell Jack, yeah. | 0:29:04 | 0:29:07 | |
-He'll be well pleased. -You're my sister. | 0:29:07 | 0:29:09 | |
You're everything to me. You're my baby sister. | 0:29:09 | 0:29:11 | |
We've always done everything together. | 0:29:11 | 0:29:14 | |
Why can't we do that now? | 0:29:14 | 0:29:16 | |
Because you have gone too far. | 0:29:16 | 0:29:18 | |
-I want to pay for what I did. -By running away? Do you know something Ronnie? | 0:29:18 | 0:29:24 | |
For all your talk, you never... you never do the right thing. | 0:29:24 | 0:29:29 | |
You are a coward. | 0:29:29 | 0:29:31 | |
I didn't want to run away, OK? Michael has forced my hand. | 0:29:31 | 0:29:34 | |
-You don't give up, do you? -Listen to me, | 0:29:34 | 0:29:36 | |
-Roxy, listen to me. -Get off... | 0:29:36 | 0:29:39 | |
I did not break into the Vic. | 0:29:39 | 0:29:42 | |
You're still doing it. | 0:29:44 | 0:29:45 | |
-You are still lying to me. -He took my locket. | 0:29:45 | 0:29:47 | |
He stole my locket and he planted it. | 0:29:47 | 0:29:49 | |
-He got me to meet him and left Tommy there. -What?! | 0:29:49 | 0:29:52 | |
Then Kat turns up, I've got the baby, they've called the police. He's sick. | 0:29:52 | 0:29:56 | |
No, Ronnie, no, you... | 0:29:56 | 0:29:58 | |
you are sick, all right. | 0:29:58 | 0:30:00 | |
You're making up horrible lies, to turn me against him. | 0:30:00 | 0:30:04 | |
He kissed me. | 0:30:04 | 0:30:05 | |
On the night of Tanya's hen party, he tried to kiss me. | 0:30:05 | 0:30:08 | |
Then on Monday he tried again. | 0:30:08 | 0:30:10 | |
-Oh, on Monday?! You're such a liar. -It's true. He is no good for you. | 0:30:10 | 0:30:15 | |
He's gonna hurt you. He's gonna really hurt you. | 0:30:15 | 0:30:17 | |
He loves me. He told me. | 0:30:17 | 0:30:20 | |
Listen to me, he texted me on your phone to try to get me to meet him at the playground. | 0:30:20 | 0:30:25 | |
-OK. OK, what? What this phone in my pocket? -Yeah. | 0:30:25 | 0:30:30 | |
Let's have a look, shall we? | 0:30:30 | 0:30:32 | |
Let's have a look. Oh, look, look no texts, no texts to you, Ronnie. | 0:30:32 | 0:30:36 | |
Roxy, look at this. | 0:30:36 | 0:30:38 | |
Look... look at that. | 0:30:38 | 0:30:40 | |
Look at that. Did you send that? | 0:30:40 | 0:30:42 | |
Did you? No, you didn't. | 0:30:42 | 0:30:44 | |
That was him. That is what he's about. He is twisted! | 0:30:44 | 0:30:47 | |
No, you are twisted, all right... | 0:30:47 | 0:30:50 | |
You're just like Dad. | 0:30:50 | 0:30:52 | |
Open your eyes, Roxy. | 0:30:54 | 0:30:57 | |
He is just like Dad. | 0:30:57 | 0:30:59 | |
I am the one who loves you. | 0:30:59 | 0:31:01 | |
Please believe me. I swear it. | 0:31:01 | 0:31:04 | |
I swear it to you, on Danielle's grave. | 0:31:04 | 0:31:07 | |
Ronnie, please just go, OK. Just go. | 0:31:07 | 0:31:09 | |
Wherever it is you're running to, | 0:31:09 | 0:31:12 | |
just run away, OK, put all of this behind you. | 0:31:12 | 0:31:16 | |
I never, never want to see you again. | 0:31:16 | 0:31:20 | |
OK. Just go. | 0:31:20 | 0:31:22 | |
Go! | 0:31:25 | 0:31:27 | |
Greg? | 0:31:42 | 0:31:43 | |
Hello? | 0:31:45 | 0:31:46 | |
Oh, hello, love. I thought you were going to court. | 0:32:19 | 0:32:23 | |
I went to the salon. I was looking for you. | 0:32:24 | 0:32:26 | |
Oh, yeah, I had to do a bit of shopping. | 0:32:26 | 0:32:29 | |
What's wrong? | 0:32:29 | 0:32:31 | |
Nothing. | 0:32:32 | 0:32:34 | |
There's obviously something up, darling. Why don't you tell me what's wrong? | 0:32:34 | 0:32:38 | |
What's this? | 0:32:44 | 0:32:47 | |
That's a...that's a key for the salon. I've had to get the locks changed. | 0:32:48 | 0:32:53 | |
Dad has the exact same key. | 0:32:55 | 0:32:57 | |
Eh? What are you talking about? | 0:32:57 | 0:32:59 | |
Dad, just now. I saw him. He has the exact same key. | 0:32:59 | 0:33:03 | |
He can't have, can he? You must have got it wrong. Well, they all look all the same, keys. | 0:33:05 | 0:33:10 | |
-The amount of times I get my keys mixed up, honestly. -No, they both have that on it. | 0:33:10 | 0:33:14 | |
20A. Where's 20A, Mum? | 0:33:14 | 0:33:15 | |
I've told you. It's the salon. | 0:33:15 | 0:33:17 | |
Mum, what have you done? | 0:33:18 | 0:33:20 | |
Ssh. Mummy's here. Mummy's here, it's all right. | 0:34:07 | 0:34:11 | |
Kat, you might want to think about getting changed. We've got to be in court in 45 minutes. | 0:34:11 | 0:34:16 | |
-I ain't going nowhere till the police get here. -< Michael! | 0:34:16 | 0:34:19 | |
What is she doing here? | 0:34:20 | 0:34:22 | |
-That was quick. -All right? Ronnie came to see me. | 0:34:25 | 0:34:29 | |
Do you know what she did? Your sister. Your precious sister. | 0:34:29 | 0:34:33 | |
-Yeah, all right, Kat, thank you, I've heard. -I'm going to see if the police are here, all right? | 0:34:33 | 0:34:38 | |
-She said she was tricked. -KAT SCOFFS | 0:34:39 | 0:34:43 | |
She said she was tricked to come to the playground. | 0:34:43 | 0:34:45 | |
-She said I texted her, telling her to be there. -We've heard her lies and don't believe her. | 0:34:45 | 0:34:50 | |
-So I checked my phone. Nothing. -See? | 0:34:50 | 0:34:52 | |
Then she showed me hers. And there is a text from me to her, | 0:34:52 | 0:34:57 | |
only I didn't send it. | 0:34:57 | 0:35:00 | |
You took my phone. You had it, didn't you? | 0:35:00 | 0:35:03 | |
-You're the only one that could've done this. -What? | 0:35:03 | 0:35:07 | |
-She's telling the truth. You did this. -Don't be ridiculous. | 0:35:09 | 0:35:12 | |
-Did you put the locket in there? -No... | 0:35:12 | 0:35:15 | |
Did you lie about her being outside the Vic? | 0:35:15 | 0:35:18 | |
No. No, she's just having you on. | 0:35:18 | 0:35:21 | |
She's playing with me? So what's that, then? What's that? I didn't write that. | 0:35:21 | 0:35:25 | |
I didn't write that. You did, didn't you, Michael? Huh? | 0:35:25 | 0:35:28 | |
Didn't you?! | 0:35:29 | 0:35:31 | |
Yeah. | 0:35:31 | 0:35:34 | |
-So...you're admitting it?! -Yeah. | 0:35:37 | 0:35:40 | |
I am. | 0:35:40 | 0:35:42 | |
And I'll tell you why. Because she would have got off. | 0:35:42 | 0:35:46 | |
You don't know what Jack was like when he was Old Bill. He was crooked. | 0:35:46 | 0:35:49 | |
He was completely bent. | 0:35:49 | 0:35:51 | |
-And he was shelling out all this money for this fancy QC. -I -needed to be sure. | 0:35:51 | 0:35:55 | |
By setting up my sister?! By making out she wanted to snatch Tommy? | 0:35:55 | 0:35:59 | |
Yeah. What, her going free, that's your idea of justice, is it? | 0:35:59 | 0:36:03 | |
-Did you really do this? -Yeah. | 0:36:03 | 0:36:05 | |
Yeah, it's important that she pays. She pays for what she did to our kid. | 0:36:05 | 0:36:10 | |
By sending her to prison? By doubling her sentence? | 0:36:10 | 0:36:13 | |
She's twisted, she's damaged goods. | 0:36:13 | 0:36:17 | |
-She had to go. -You shut up. You shut up. -Roxy... | 0:36:18 | 0:36:22 | |
I'm damaged goods, Michael. | 0:36:22 | 0:36:24 | |
Should I be locked up as well? | 0:36:24 | 0:36:26 | |
It's yours, innit? | 0:36:27 | 0:36:29 | |
Is that yours? Everything that she did to you written down there. Plain as day. | 0:36:29 | 0:36:34 | |
The police are here. Downstairs with Alfie. | 0:36:39 | 0:36:41 | |
She took our kid. | 0:36:41 | 0:36:43 | |
Let's finish her for good. | 0:36:43 | 0:36:46 | |
Look, Ronnie, where are you? | 0:37:00 | 0:37:02 | |
There's police at the Vic. | 0:37:02 | 0:37:05 | |
-Leave me alone! -Just get back here now, will you? | 0:37:05 | 0:37:07 | |
-Come on, hear me out, eh? Hear me out... -Michael, did you not hear me? | 0:37:07 | 0:37:11 | |
I said leave me alone. | 0:37:11 | 0:37:13 | |
-I had to do it. She's a monster. -She's my sister. | 0:37:13 | 0:37:15 | |
Your sister? She's used you. | 0:37:15 | 0:37:17 | |
Your whole life, she's used you. NOW is your time. | 0:37:17 | 0:37:21 | |
She don't love you. I'm the only one. I'm the only one, me, the one who loves you. | 0:37:21 | 0:37:25 | |
-You came on to her, didn't you? -No, no. -You tried to kiss my sister? -No. No, I didn't, I didn't. | 0:37:25 | 0:37:30 | |
She'd do anything, she'd say anything to keep us apart. | 0:37:30 | 0:37:33 | |
-She's jealous. -No, no... -She's bang into me. | 0:37:33 | 0:37:37 | |
I do not believe you, all right? I do not believe you! | 0:37:37 | 0:37:40 | |
You walk away from me, I'm going to have serious doubts about you and me, all right? | 0:37:40 | 0:37:44 | |
-Well, I tell you something, yeah? Don't bother, OK? Cos we're finished. -Where's Ronnie? | 0:37:44 | 0:37:50 | |
Jack, it was him. It was him. He set her up. | 0:37:50 | 0:37:52 | |
Nah, nah, mate. You're well shot. | 0:37:52 | 0:37:54 | |
-Where is she? Where's she gone? -I think I know. | 0:37:59 | 0:38:02 | |
Come on, Carol. We got to get a place to see Ronnie, | 0:38:28 | 0:38:31 | |
-so she know we're there, that we're supporting her... -What do you reckon? | 0:38:31 | 0:38:35 | |
Her QC's top drawer. If I was a betting man, I'd say she'd get away with a bit of therapy. | 0:38:35 | 0:38:39 | |
Well, let's hope so. For Jack's sake. | 0:38:39 | 0:38:42 | |
Ah, Ronnie. Just in time. You OK? | 0:38:54 | 0:38:56 | |
-Yep. -This is Mr Granger, your counsel. | 0:38:56 | 0:38:59 | |
-Hello. -He'd like a quick word. | 0:38:59 | 0:39:01 | |
-Lauren, it happened a couple of times. That's all. -Once, you said! | 0:39:08 | 0:39:13 | |
Twice. Twice. That is it. | 0:39:13 | 0:39:15 | |
I promise you. I promise. Your dad wanted it to be something more. He wanted to get this flat. | 0:39:15 | 0:39:22 | |
It's silly, he was dreaming, and I said no. I told him it's a mistake and it's over. And that's it. | 0:39:22 | 0:39:27 | |
-That's it? Like it's nothing?! -Yeah, because it was. It was nothing. It don't matter. | 0:39:28 | 0:39:33 | |
You... You're saying it doesn't matter? | 0:39:33 | 0:39:35 | |
The woman that was cheated on, you saw what it did to us, | 0:39:35 | 0:39:38 | |
-to me, Abi? -I know, and that is exactly why it's never going to happen. | 0:39:38 | 0:39:42 | |
-So what, do you love him, then? Do you want to get back with him? -No. No, of course I don't. I just... | 0:39:42 | 0:39:49 | |
I... | 0:39:49 | 0:39:51 | |
I'm so ashamed. | 0:39:51 | 0:39:53 | |
Oh, Lauren... | 0:39:53 | 0:39:55 | |
I don't blame you for hating me, all right, but I just... | 0:39:58 | 0:40:03 | |
I didn't know what I was doing. | 0:40:04 | 0:40:06 | |
It was him, weren't it? Did he take advantage of you? | 0:40:09 | 0:40:13 | |
No. No, it wasn't like that. | 0:40:13 | 0:40:15 | |
I know him, Mum. He caught you at a vulnerable moment and he got in there. | 0:40:15 | 0:40:19 | |
-Just like he did with Stacey. -No. | 0:40:19 | 0:40:21 | |
-He did this TO you. He wants to mess everything up again, Mum. -Babe, that's not fair. -So, it was you? | 0:40:21 | 0:40:27 | |
He didn't make the first move? | 0:40:27 | 0:40:29 | |
It's not that simple, Lauren. | 0:40:30 | 0:40:32 | |
TANYA SIGHS | 0:40:32 | 0:40:34 | |
-He ain't going to get away with it. -Lauren, where are you going? | 0:40:34 | 0:40:38 | |
No, Lauren. No, please listen. You cannot tell anyone, please. Not Greg. Not Vanessa. | 0:40:38 | 0:40:43 | |
No-one. Do you understand? It was a mistake, all right? | 0:40:43 | 0:40:46 | |
It was just a stupid mistake. | 0:40:46 | 0:40:49 | |
I love Greg. | 0:40:49 | 0:40:50 | |
I love my life. | 0:40:50 | 0:40:52 | |
I don't want anyone getting hurt, darling. Not you, not Abi, not Oscar. | 0:40:52 | 0:40:57 | |
And you won't do it again? | 0:40:57 | 0:40:58 | |
Never. I swear to you. | 0:40:58 | 0:41:01 | |
I swear on my life. That is it. | 0:41:01 | 0:41:03 | |
I've just been going over your plea of mitigation. It's very persuasive. | 0:41:10 | 0:41:14 | |
Family history. Psychiatric report. The death of your child. | 0:41:14 | 0:41:18 | |
I think I can spin that into a pretty convincing narrative. | 0:41:18 | 0:41:21 | |
-You'd have to have a heart of stone not to understand. -Ronnie! | 0:41:21 | 0:41:24 | |
Mr Branning. > | 0:41:24 | 0:41:27 | |
Listen, can I get a couple of minutes with my wife, please? | 0:41:27 | 0:41:30 | |
I'm afraid not. We're running late as it is. | 0:41:30 | 0:41:32 | |
Two minutes. Tops. | 0:41:32 | 0:41:34 | |
It's very important. Please. | 0:41:34 | 0:41:36 | |
-Be quick. -Yeah, I will. Come on. | 0:41:36 | 0:41:38 | |
Why didn't you come back? | 0:41:44 | 0:41:45 | |
-What were you thinking? -I don't know, I don't know, I just... | 0:41:45 | 0:41:49 | |
Look, the car's outside. Bags are packed. Passports. Come on, let's go. | 0:41:49 | 0:41:53 | |
-Go where? -Down there. Get in the car. It's not too late. Come on. | 0:41:53 | 0:41:56 | |
-No. -Hang on, Ron. If you go in that court, anything can happen. | 0:41:59 | 0:42:02 | |
-I mean, do you want to risk that? -What's the alternative? -We run away together. Start a new life. Come on. | 0:42:02 | 0:42:08 | |
-It's not going to work. -Yeah, of course it is. | 0:42:11 | 0:42:14 | |
I'll get some money sent over. Roxy, can visit. | 0:42:14 | 0:42:17 | |
-And you think she's really going to want to do that? -Yeah, I do. She knows about Michael. -What? | 0:42:17 | 0:42:23 | |
Everyone knows about Michael. | 0:42:23 | 0:42:26 | |
We can go wherever you want. | 0:42:27 | 0:42:29 | |
Be together. Just me and you. Start again. Have a baby. It's a second chance. | 0:42:29 | 0:42:34 | |
-It's just a dream. -Why? | 0:42:36 | 0:42:38 | |
-Other people are happy. Why can't we be? -Because I did this, Jack. | 0:42:38 | 0:42:42 | |
I did this. I did it to Kat. | 0:42:42 | 0:42:44 | |
-I'm actually capable of that. -You were desperate. You weren't well. | 0:42:44 | 0:42:49 | |
It doesn't matter, Jack. I took him. | 0:42:49 | 0:42:51 | |
-You gave him back. -I took him. -You gave him back, Ron. -And that's enough? Is that enough? | 0:42:51 | 0:42:55 | |
That's my punishment? | 0:42:55 | 0:42:57 | |
We'll start our new lives together on a beach, sipping cocktails? Everything's going to be great?! | 0:42:57 | 0:43:02 | |
I am always going to know that I did this, Jack. | 0:43:04 | 0:43:07 | |
Now, I need to put this behind me... | 0:43:09 | 0:43:12 | |
and I can't do that if we just run. | 0:43:12 | 0:43:15 | |
We can't just run, Jack, it's not right. | 0:43:15 | 0:43:17 | |
-Yeah, but who cares about what's right? -I -care! | 0:43:17 | 0:43:21 | |
I care because I want a clean start. | 0:43:22 | 0:43:25 | |
I want to put this behind me, and I need to feel some peace. | 0:43:25 | 0:43:29 | |
You ain't going to get that in here. No-one's going to give you peace. | 0:43:29 | 0:43:33 | |
-Jack, I've got to go. -What about me? | 0:43:39 | 0:43:42 | |
I love you, Ron. | 0:43:42 | 0:43:45 | |
You're my wife. | 0:43:45 | 0:43:46 | |
-I won't be able to go on without you. -Listen, it's not going to work, Jack. It's not going to work. | 0:43:48 | 0:43:54 | |
You can't just keep pushing and pushing until everything falls into place. | 0:43:56 | 0:44:00 | |
We've got this new life together, a baby - it's a dream. | 0:44:00 | 0:44:04 | |
It's a dream. It's a lovely dream, but it's just not true, Jack. | 0:44:04 | 0:44:08 | |
-It's not true, and you know it. -Don't talk like that... | 0:44:08 | 0:44:14 | |
Too much has happened, Jack. | 0:44:14 | 0:44:16 | |
Let me go. | 0:44:18 | 0:44:20 | |
Let me go... and let me go properly this time. | 0:44:22 | 0:44:26 | |
-Not just words. You've got to let me go. -I don't want to. | 0:44:26 | 0:44:30 | |
I love you, Ron. | 0:44:33 | 0:44:34 | |
I know. | 0:44:34 | 0:44:36 | |
Everything's going to be OK, Jack. Everything's going to be OK. | 0:44:36 | 0:44:41 | |
I've got to go. | 0:44:45 | 0:44:47 | |
-We really have to go. -Ron... -Roxy, come on. | 0:45:02 | 0:45:06 | |
Mrs Branning, we really have to go in! | 0:45:06 | 0:45:10 | |
-You've made some changes. -Yeah. | 0:45:43 | 0:45:45 | |
Why don't you take a seat? | 0:45:47 | 0:45:49 | |
-Are you Veronica Branning? -Yes. I am. | 0:46:33 | 0:46:37 | |
Max, it's me. | 0:46:40 | 0:46:42 | |
I saw Lauren and she knows... Just call me, will you? | 0:46:42 | 0:46:45 | |
DOOR CLOSES | 0:46:45 | 0:46:46 | |
< Tan? | 0:46:46 | 0:46:47 | |
Hey, here we go. | 0:46:47 | 0:46:49 | |
-Hello. -He has exhausted me. -Come here, you. Come here, give us a cuddle. | 0:46:49 | 0:46:55 | |
Give us a tighter cuddle, you. | 0:46:55 | 0:46:57 | |
I'd like to now read Kathleen Moon's victim impact statement. | 0:47:00 | 0:47:05 | |
No-one can imagine what's it like to lose your child, | 0:47:08 | 0:47:12 | |
especially when you've spent less than an hour with them. | 0:47:12 | 0:47:16 | |
I can only say that I didn't know any feeling could hurt so bad. | 0:47:16 | 0:47:21 | |
It was like my whole body ached. | 0:47:21 | 0:47:23 | |
Inside and out. My head, too. | 0:47:23 | 0:47:26 | |
My eyes. Every inch of me. | 0:47:26 | 0:47:29 | |
Me and Alfie could barely talk to each other. | 0:47:29 | 0:47:32 | |
We couldn't bear to look at his toys. | 0:47:32 | 0:47:34 | |
When we buried him in his tiny white coffin, I wanted to be dead too. | 0:47:34 | 0:47:40 | |
I wanted them to cover me in earth too. | 0:47:40 | 0:47:44 | |
And it didn't stop. It got worse, day after day. | 0:47:44 | 0:47:48 | |
I couldn't sleep. | 0:47:48 | 0:47:51 | |
Just pain and misery till I couldn't feel anything any more. | 0:47:51 | 0:47:56 | |
And all this time, Ronnie Branning seemed happy and content with her new baby | 0:47:56 | 0:48:01 | |
and didn't even bother to hide it. | 0:48:01 | 0:48:05 | |
It seemed like she enjoyed it. | 0:48:05 | 0:48:07 | |
Like she was gloating. | 0:48:07 | 0:48:09 | |
Once, I cried. | 0:48:09 | 0:48:12 | |
I cried in front of her and I'm sure I saw her smiling. | 0:48:12 | 0:48:16 | |
-No, no, this is not fair. -Sit down. -This is not fair, OK? | 0:48:16 | 0:48:19 | |
If you interrupt, I'll have you taken into custody for contempt. | 0:48:19 | 0:48:23 | |
My sister wouldn't laugh at you. She wouldn't laugh at you. | 0:48:23 | 0:48:26 | |
-Her baby died as well. -This is your last warning. -She was miserable with what she did. | 0:48:26 | 0:48:30 | |
-I'm finding you in contempt. -You know that, Kat. You know that. -Take her down. | 0:48:30 | 0:48:35 | |
Fine. | 0:48:35 | 0:48:38 | |
This ain't right, and you know it. | 0:48:39 | 0:48:41 | |
Please continue. | 0:48:54 | 0:48:55 | |
She flaunted her baby in front of us day after day until, finally, | 0:49:01 | 0:49:07 | |
when she knew she was going to be caught, | 0:49:07 | 0:49:09 | |
she just gave him back like a borrowed toy. | 0:49:09 | 0:49:14 | |
I've missed all of those months of my baby's life. | 0:49:14 | 0:49:17 | |
Sometimes I look at him, and I think I don't know him at all. | 0:49:17 | 0:49:21 | |
When he's crying, I think he's crying for her. | 0:49:21 | 0:49:26 | |
I can't let my child out of my sight. | 0:49:26 | 0:49:28 | |
A minute and I'm nervous. | 0:49:28 | 0:49:31 | |
We have locks on the doors. | 0:49:31 | 0:49:32 | |
Locks everywhere. I keep him close all day and all night. | 0:49:32 | 0:49:38 | |
She done that to us. | 0:49:39 | 0:49:41 | |
And even now we've got him back, it's only just begun. | 0:49:42 | 0:49:47 | |
DOOR OPENS | 0:50:01 | 0:50:03 | |
SHE MOUTHS | 0:50:07 | 0:50:09 | |
Your Honour, you will appreciate that my client pleaded guilty at the first opportunity. | 0:50:22 | 0:50:28 | |
She is full of remorse, and also has suffered tremendously herself. | 0:50:28 | 0:50:33 | |
Only one hour prior to Veronica Branning taking Tommy Moon, she lost her own baby. | 0:50:33 | 0:50:39 | |
He was only a day old. | 0:50:39 | 0:50:41 | |
Mrs Branning was alone, her husband Jack away, working to support his new family. | 0:50:41 | 0:50:47 | |
-I'm sure we can all imagine the terrible impact of such a loss. -Stop! | 0:50:47 | 0:50:51 | |
Stop, I don't want him to say any more. | 0:50:53 | 0:50:55 | |
-Sorry, Your Honour. If I could just speak to my client... -No, I've changed my mind. | 0:50:55 | 0:51:00 | |
My client is in a very vulnerable state. | 0:51:01 | 0:51:03 | |
I don't want anything said. I don't want any excuses made. | 0:51:03 | 0:51:09 | |
There aren't any excuses for what I did. | 0:51:11 | 0:51:14 | |
Very well. | 0:51:14 | 0:51:16 | |
Unless you have anything else for us, Mrs Bartlett... | 0:51:16 | 0:51:20 | |
No, Your Honour. | 0:51:20 | 0:51:22 | |
Then I'll proceed to sentencing. | 0:51:22 | 0:51:26 | |
I know. I know what you been doing with Mum. Yeah, she told me. | 0:51:30 | 0:51:34 | |
-Look, Lauren... -No, I don't want to hear you talk. | 0:51:39 | 0:51:43 | |
From now on, I'm living with Mum all the time. | 0:51:43 | 0:51:47 | |
I don't want to see you. I don't want to hear your voice. | 0:51:47 | 0:51:50 | |
You come near her again, you touch her, | 0:51:50 | 0:51:53 | |
then I'll get a car, I'll wait till it's dark | 0:51:53 | 0:51:57 | |
and this time, I'll make sure I don't miss. | 0:51:57 | 0:52:01 | |
This is a case involving a mother who has lost her child, | 0:52:06 | 0:52:11 | |
and while her personal circumstances are tragic, | 0:52:11 | 0:52:14 | |
to deprive another family of their newborn child | 0:52:14 | 0:52:19 | |
in such a manipulative way and for a prolonged period of time | 0:52:19 | 0:52:25 | |
means that realistically there is only one sentence which is appropriate... | 0:52:25 | 0:52:30 | |
..immediate custody. | 0:52:31 | 0:52:34 | |
Having taken into account the mitigating factors, the reports, | 0:52:34 | 0:52:39 | |
the personal circumstances, | 0:52:39 | 0:52:42 | |
the least sentence that I can impose is three years. | 0:52:42 | 0:52:47 | |
Take her down. | 0:52:53 | 0:52:55 | |
No, wait, wait. This ain't right. | 0:52:55 | 0:52:58 | |
Look, Ronnie, those things I said to you - I was upset, I was really upset. | 0:52:58 | 0:53:03 | |
I don't want her to go to prison. I don't. I thought I did but I don't. | 0:53:03 | 0:53:07 | |
I'm afraid that's not up to you to decide, Mrs Moon. | 0:53:07 | 0:53:10 | |
You can't take her! She's lost her baby! | 0:53:10 | 0:53:13 | |
She's like me, she lost her baby. The only difference is, I got mine back. | 0:53:13 | 0:53:17 | |
Ronnie... | 0:53:18 | 0:53:20 | |
Ronnie... Ronnie, I don't want this. | 0:53:20 | 0:53:23 | |
Ronnie, you were right. | 0:53:23 | 0:53:26 | |
Me and you, we are the same. | 0:53:26 | 0:53:29 | |
I forgive you. | 0:53:30 | 0:53:31 | |
I forgive you. | 0:53:33 | 0:53:35 | |
KEYS JANGLE | 0:53:50 | 0:53:52 | |
-This way, Veronica. -Ron... -Roxy. | 0:54:20 | 0:54:23 | |
Roxy, listen to me. Listen to me. I'm fine, I'm fine. | 0:54:23 | 0:54:28 | |
Everything's going to be OK, I promise you. | 0:54:28 | 0:54:30 | |
Please, can you just give us a minute? Please? | 0:54:30 | 0:54:34 | |
-What am I going to do without you? -Listen to me. | 0:54:36 | 0:54:41 | |
Listen to me, you don't need me. You don't need me. | 0:54:41 | 0:54:45 | |
The truth is... the truth is, it's been you. | 0:54:45 | 0:54:48 | |
It's been you who's been looking after me all of these years, and you don't need me any more. | 0:54:48 | 0:54:54 | |
-I do. -You don't. -We need each other. | 0:54:54 | 0:54:57 | |
-Mitchell sisters. -BOTH: Together for ever. | 0:54:57 | 0:55:01 | |
-I love you. -I love you. | 0:55:08 | 0:55:09 | |
DOOR SLAMS SHUT | 0:55:28 | 0:55:31 | |
Subtitles by Red Bee Media Ltd | 0:56:52 | 0:56:55 | |
E-mail subtitling@bbc.co.uk | 0:56:55 | 0:56:59 |