Browse content similar to 18/05/2012. Check below for episodes and series from the same categories and more!
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No, the bigger the better. | 0:00:25 | 0:00:28 | |
Yeah, I'll pop in later on, we'll get it all firmed up, yeah? | 0:00:29 | 0:00:32 | |
And, listen, I don't want no-one paying for anything. | 0:00:32 | 0:00:35 | |
Have you go that? All right. Cheers, bud. | 0:00:35 | 0:00:37 | |
Can we come out yet? | 0:00:37 | 0:00:40 | |
I should be revising! | 0:00:40 | 0:00:42 | |
All right. Close your eyes, girls. | 0:00:43 | 0:00:45 | |
Come on. | 0:00:45 | 0:00:47 | |
That's it. Stand there, keep them closed. And you, come on. | 0:00:47 | 0:00:50 | |
That's it, ladies, keep them closed. And...open! | 0:00:50 | 0:00:54 | |
-Oh! Pressies! -Pressies. | 0:00:54 | 0:00:58 | |
-Here, let me give you a hand. -No, I've got it. | 0:01:04 | 0:01:07 | |
Thank you. I've got it. | 0:01:09 | 0:01:11 | |
No! Don't open them. Just leave them. | 0:01:15 | 0:01:18 | |
Come and finish opening your presents, yeah? | 0:01:18 | 0:01:21 | |
Have you won the lottery or something? | 0:01:21 | 0:01:24 | |
I just wanted to do something nice. | 0:01:24 | 0:01:26 | |
I know that's hard to believe considering the mood I've been in. | 0:01:26 | 0:01:29 | |
Where's Bobby? | 0:01:29 | 0:01:31 | |
At...school. | 0:01:31 | 0:01:34 | |
After your performance yesterday, he couldn't wait to get there. | 0:01:34 | 0:01:37 | |
Have you even slept? | 0:01:37 | 0:01:40 | |
Last but not least... | 0:01:40 | 0:01:42 | |
Oh, Ian! Oh, this is amazing! | 0:01:47 | 0:01:52 | |
-Oh, thank you so much! -It's OK. | 0:01:52 | 0:01:55 | |
Don't forget your card. | 0:01:56 | 0:01:57 | |
Do I look like the sort of girl that opens the card before the presents? | 0:01:57 | 0:02:01 | |
-I've got to go. -You're leaving? | 0:02:01 | 0:02:03 | |
Yeah, but I'm leaving you in the knowledge that the best is yet to come. | 0:02:03 | 0:02:07 | |
It's study leave, not sleep leave. | 0:02:12 | 0:02:13 | |
I've been working. Upstairs. | 0:02:13 | 0:02:17 | |
Anyway, what's all this for? | 0:02:17 | 0:02:19 | |
I'm going round Hev's, to pack her stuff away properly. | 0:02:19 | 0:02:23 | |
Take what I can to the charity shop and give the keys back to Janine. | 0:02:23 | 0:02:28 | |
I need more tape. | 0:02:29 | 0:02:30 | |
It's good she's clearing everything out. | 0:02:31 | 0:02:34 | |
-It won't be worth anything unless you learn to live under the same roof as her. -I am. | 0:02:34 | 0:02:38 | |
Shirley? I was thinking maybe a bit later we could all go out for a curry or something? | 0:02:42 | 0:02:46 | |
Yeah. As long as he don't have a vindaloo. | 0:02:46 | 0:02:50 | |
Happy? | 0:02:52 | 0:02:53 | |
No. | 0:02:53 | 0:02:55 | |
We'll get there, though. | 0:02:55 | 0:02:56 | |
Dad, you promise Ian ain't going to say nothing? | 0:02:56 | 0:03:00 | |
I told you. It's over. | 0:03:00 | 0:03:02 | |
Yeah, but ain't you forgetting someone? | 0:03:02 | 0:03:05 | |
It's back to plain old Kimberley's Palace now, innit? | 0:03:26 | 0:03:30 | |
It's like an arrow through my heart, you know. | 0:03:30 | 0:03:32 | |
Ooh, or a javelin. | 0:03:32 | 0:03:34 | |
-What you smirking at? -Don't have a go at her. | 0:03:34 | 0:03:36 | |
Last thing you need is to be slung in front of a judge on trademark infringement. | 0:03:36 | 0:03:41 | |
KNOCK ON DOOR | 0:03:42 | 0:03:44 | |
KNOCKING CONTINUES | 0:03:44 | 0:03:46 | |
I've just been round the launderette. | 0:03:59 | 0:04:02 | |
And you weren't there. Again. | 0:04:02 | 0:04:03 | |
You watched the DVD yet? | 0:04:06 | 0:04:07 | |
No. I haven't had the time. | 0:04:07 | 0:04:11 | |
I'm just going round Hev's. Pack a few things up. | 0:04:11 | 0:04:14 | |
I thought there might be something you'd like to keep? | 0:04:15 | 0:04:18 | |
Perhaps another time. | 0:04:18 | 0:04:20 | |
There ain't going to be another time, Dot. This is it. | 0:04:20 | 0:04:23 | |
Well, I'm very happy you're in a place where you can throw her life in a box. | 0:04:23 | 0:04:29 | |
Do you really think I want to do this? | 0:04:29 | 0:04:31 | |
And why ain't you at work? | 0:04:33 | 0:04:35 | |
Some time today. | 0:04:38 | 0:04:40 | |
Sorry. That's £2.80. | 0:04:40 | 0:04:43 | |
I've just given you a fiver. | 0:04:43 | 0:04:44 | |
-TILL OPENS -No fivers in there. | 0:04:44 | 0:04:46 | |
-Well I've paid you. -Here, I'll get it. | 0:04:46 | 0:04:50 | |
Wait. You're owed wages from The Arches. | 0:04:53 | 0:04:58 | |
Well, it's your money, you've earned it. | 0:04:59 | 0:05:01 | |
You either pick it up or it'll go into petty cash. | 0:05:01 | 0:05:04 | |
Have you seen my exam timetable? | 0:05:10 | 0:05:13 | |
You know, I don't mean to boast or anything, | 0:05:14 | 0:05:17 | |
but I reckon I got more presents than you and Bobby. | 0:05:17 | 0:05:20 | |
Do you reckon there's money in that card? | 0:05:22 | 0:05:24 | |
What does it say? | 0:05:34 | 0:05:36 | |
All right? | 0:05:37 | 0:05:39 | |
So I've drawn up a short list of bands. | 0:05:40 | 0:05:45 | |
I reckon we need to have a magician for the kids. They like that after the speeches. | 0:05:45 | 0:05:48 | |
I meant what I said. I don't want to get married. | 0:05:48 | 0:05:51 | |
Don't be ridiculous, we're having a baby together. | 0:05:51 | 0:05:54 | |
Yes, and your little swimmers have done their job, and you're done. | 0:05:54 | 0:05:59 | |
You're just feeling...hormonal. PMT. That'll be it. | 0:05:59 | 0:06:03 | |
-Really? -Yeah, yeah, you're a beautiful expectant mother. | 0:06:03 | 0:06:06 | |
Look at you. You've just got to embrace it. | 0:06:06 | 0:06:08 | |
Exactly. Look at me. | 0:06:08 | 0:06:10 | |
People won't know if it's a bride walking down the aisle, all right, | 0:06:10 | 0:06:13 | |
or Heather Trott's second coming. | 0:06:13 | 0:06:16 | |
You should lay off the carbs, then. | 0:06:16 | 0:06:18 | |
Were there any other diet tips? | 0:06:20 | 0:06:23 | |
-What's that? -The last of what I owe you. | 0:06:26 | 0:06:29 | |
I'd prefer it if you took back my criminal conviction. | 0:06:29 | 0:06:32 | |
It was benefit fraud not genocide. | 0:06:32 | 0:06:34 | |
Ray has got today off. So not only am I events manager, but I'm also head chef. | 0:06:34 | 0:06:40 | |
So not today, Mo Harris. Not today. | 0:06:40 | 0:06:44 | |
You took the fine, this is your due. Oh, I'll leave it upstairs. | 0:06:44 | 0:06:47 | |
-What's she flapping for? -She's having a bit of an off day. It's a five or a six, all right. | 0:06:48 | 0:06:53 | |
Sorry, Patrick. The fish smelt a bit fishy so I've done you corn beef hash instead. | 0:06:56 | 0:07:01 | |
You are so good to me. | 0:07:01 | 0:07:03 | |
Easy, Patrick, easy. | 0:07:03 | 0:07:07 | |
Oh, that reminds me. I found these on the bathroom floor. | 0:07:07 | 0:07:12 | |
Nearly broke me neck. | 0:07:12 | 0:07:13 | |
-Well, don't look at me. -They're not mine, are they? | 0:07:13 | 0:07:16 | |
It won't happen again. | 0:07:18 | 0:07:19 | |
Kat's going to love this, ain't she? | 0:07:20 | 0:07:23 | |
Keep it down. She's my mate and I'm doing her a favour. How many times I got to tell you? | 0:07:23 | 0:07:26 | |
Mo, how's Charlie getting on? | 0:07:26 | 0:07:29 | |
Better. That's why I'm back - to keep an eye on Casanova. | 0:07:29 | 0:07:33 | |
-Oh, shut up! -MOBILE RINGS | 0:07:33 | 0:07:36 | |
Oh. Shirley? | 0:07:36 | 0:07:38 | |
Is this some sort of sick joke? | 0:07:43 | 0:07:45 | |
What? | 0:07:45 | 0:07:46 | |
Cindy was your first wife. | 0:07:48 | 0:07:50 | |
The other day you're accusing me of sleeping with Phil, | 0:07:59 | 0:08:03 | |
yesterday you're biting Lucy and Bobby's head off, and today this. | 0:08:03 | 0:08:06 | |
Do you even love me anymore? | 0:08:08 | 0:08:10 | |
I've had a lot on my mind lately, all right? | 0:08:10 | 0:08:13 | |
Well, that makes two of us. | 0:08:13 | 0:08:15 | |
Look, it was meant to be a surprise, OK? | 0:08:16 | 0:08:17 | |
But if you want the truth, you might as well know now. | 0:08:17 | 0:08:20 | |
Know what? | 0:08:20 | 0:08:21 | |
-I've been planning a party for you. -What party? | 0:08:21 | 0:08:24 | |
-I'm throwing a surprise party for you tonight. -I get a party? -Yeah. | 0:08:24 | 0:08:29 | |
Please tell me you haven't. | 0:08:29 | 0:08:31 | |
Oh, come on, Dot, this is not like you at all. | 0:08:34 | 0:08:37 | |
-I've never known you miss a day off work. -It's unheard of. | 0:08:37 | 0:08:40 | |
What is this, the Spanish Inquisition? | 0:08:40 | 0:08:43 | |
But it's not healthy, man, | 0:08:43 | 0:08:45 | |
you moping around in your dressing gown like this. | 0:08:45 | 0:08:47 | |
I am not moping and I am not missing work. | 0:08:47 | 0:08:50 | |
I'm taking a day off, which is a very different proposition. | 0:08:50 | 0:08:54 | |
If you're having a day's leave, come to the Vic and have a drink. | 0:08:54 | 0:08:57 | |
You know very well that I never touch alcohol, | 0:08:57 | 0:09:00 | |
except on special occasions. | 0:09:00 | 0:09:02 | |
-Ooh, look! -What? | 0:09:02 | 0:09:04 | |
Another flying pig darts across the pink skies of Walford. | 0:09:04 | 0:09:10 | |
I will not tolerate sarcasm in me own home. | 0:09:10 | 0:09:13 | |
Lucy, you've got the wrong end of the stick. You really have. | 0:09:15 | 0:09:20 | |
I'm not broke. Far from it. | 0:09:20 | 0:09:22 | |
How are you planning on paying my tuition fees? | 0:09:22 | 0:09:24 | |
With bread and butter? My future for her. Thanks(!) | 0:09:24 | 0:09:28 | |
I hope you're not talking about me. | 0:09:28 | 0:09:30 | |
You're overdrawn on all your accounts. All your credit cards are maxed out. | 0:09:30 | 0:09:33 | |
Luce, Luce, OK, listen, I'm a businessman. | 0:09:33 | 0:09:37 | |
I've just moved stuff around, I've invested. | 0:09:37 | 0:09:40 | |
You don't have to worry about money. | 0:09:40 | 0:09:41 | |
There's more than enough for your tuition fees and for all of us. | 0:09:41 | 0:09:44 | |
Happy now? Drama queen. | 0:09:44 | 0:09:48 | |
So why have you been acting so weird? | 0:09:48 | 0:09:51 | |
Cos I'm a dad. That's my job! | 0:09:51 | 0:09:52 | |
Look, honestly, everything's fine, OK. Cross me heart. | 0:09:54 | 0:09:56 | |
Right. OK. Well, I've got to revise. | 0:09:58 | 0:10:01 | |
Listen, I've got a few things I need to go and sort out. Can you hold the fort for me? | 0:10:04 | 0:10:10 | |
Yeah, seeing as you're making it so worth my while. | 0:10:10 | 0:10:14 | |
I tell you what, this party is going to be the biggest party ever. | 0:10:14 | 0:10:19 | |
See you later. | 0:10:20 | 0:10:21 | |
FRONT DOOR OPENS | 0:10:21 | 0:10:23 | |
I'll have that key back too please. | 0:10:24 | 0:10:28 | |
You need to get ready. | 0:10:28 | 0:10:29 | |
-I've got you an appointment with a top body specialist person. -Oh. | 0:10:29 | 0:10:33 | |
-Michael, literally, please stop talking to me. -I'm serious. | 0:10:33 | 0:10:36 | |
He's worked with all the big names. He manages pregnancy weight. | 0:10:36 | 0:10:39 | |
Stretch marks. He loves stretch marks, this bloke. | 0:10:39 | 0:10:42 | |
-Harley Street, he's a top geezer. -Harley Street? | 0:10:42 | 0:10:46 | |
Yeah, I got you a cancellation. | 0:10:46 | 0:10:48 | |
So, you know, if you're worried about...being a fat bird, | 0:10:48 | 0:10:53 | |
he'll sort you out. Yeah? | 0:10:53 | 0:10:57 | |
He's not here. | 0:11:01 | 0:11:03 | |
-You two sorted now? -Yeah, yeah, course. | 0:11:03 | 0:11:07 | |
Good. Well, listen, tonight, the Vic, nine o'clock. | 0:11:07 | 0:11:10 | |
It's going to make one of P Diddy's parties look like a coffee morning in Richmond. | 0:11:10 | 0:11:14 | |
-Right. Can I have a cup of tea, please? -Sure. | 0:11:14 | 0:11:17 | |
-Can I sit? -No. | 0:11:24 | 0:11:26 | |
-How's life at the Brannings', then? -Well, it weren't ever permanent. | 0:11:31 | 0:11:34 | |
Jay, I don't know why you didn't come back when Dad said. | 0:11:34 | 0:11:37 | |
He ain't drinking now. It's better. | 0:11:37 | 0:11:39 | |
Jay, what do you want me to do to make it right, eh? | 0:11:42 | 0:11:45 | |
-Cos, I mean, I'll do anything. -I think that you've done enough. | 0:11:45 | 0:11:48 | |
Yeah. So much for being brothers, eh? | 0:11:50 | 0:11:53 | |
All right. Wait. | 0:11:53 | 0:11:55 | |
Your dad still owes me wages. Can you get them for me? | 0:12:00 | 0:12:04 | |
You know, when my school had asbestos, yeah, | 0:12:05 | 0:12:10 | |
I was out with my mates, having fun. | 0:12:10 | 0:12:13 | |
If someone killed you, right here, right now, | 0:12:14 | 0:12:19 | |
they would flee the scene with tiny nail particles | 0:12:19 | 0:12:22 | |
which would ultimately betray them to forensics. | 0:12:22 | 0:12:25 | |
Listen, don't even joke about that, | 0:12:25 | 0:12:27 | |
not after they bumped off Heather Trott. | 0:12:27 | 0:12:29 | |
They haven't found her killer yet, have they? | 0:12:29 | 0:12:32 | |
Is death the only thing you're interested in? | 0:12:32 | 0:12:35 | |
I told you, I'm going to be a forensic scientist when I'm older. | 0:12:35 | 0:12:38 | |
You wouldn't rather be famous? | 0:12:38 | 0:12:41 | |
Her flat is just round the corner, isn't it? | 0:12:41 | 0:12:43 | |
-Don't even think about it. -What, are you scared? | 0:12:43 | 0:12:47 | |
Dad. Jay's come to collect his wages. | 0:12:52 | 0:12:55 | |
I thought it might be the belt or the alternator. | 0:13:00 | 0:13:04 | |
-Sounds like the water pump. -Seemed all right to me. But why don't you take a look? | 0:13:04 | 0:13:09 | |
What are you looking at him for? I'm the one who's talking. | 0:13:09 | 0:13:12 | |
I just want me wages, Phil, all right? | 0:13:12 | 0:13:14 | |
-Jay! -Just leave him. -Yeah, well, what now, eh? | 0:13:16 | 0:13:19 | |
What is this place and why are we here? | 0:13:32 | 0:13:35 | |
My job isn't done. This baby's yours and mine. I want you to see that. | 0:13:35 | 0:13:38 | |
Well, I've already seen it. | 0:13:38 | 0:13:40 | |
The first two scans. | 0:13:46 | 0:13:48 | |
The scans that I weren't at? Those two scans? | 0:13:48 | 0:13:50 | |
-Are we keeping scores now? -Yeah, we are, yeah. Third time lucky. | 0:13:50 | 0:13:54 | |
Alfie, I went out with an American once. | 0:14:24 | 0:14:27 | |
He was a vegetarian, of all things. | 0:14:27 | 0:14:29 | |
Yeah. Mo, less of the bunny, all right? We've got a lot to do. | 0:14:29 | 0:14:32 | |
Nothing like a bit of notice, is there? What does he want, Vegas? | 0:14:32 | 0:14:35 | |
No, Roxy, Ian's a mate of mine, all right? | 0:14:35 | 0:14:37 | |
He's been through a tough time. I want to do something special for him. | 0:14:37 | 0:14:40 | |
-Looks a bit cheap, doesn't it? -Your mum didn't have a hand in designing it, did she? | 0:14:40 | 0:14:45 | |
I'm only doing this cos you ain't shut up about it. | 0:14:46 | 0:14:49 | |
Seriously, anyone would think you were the kid. | 0:14:49 | 0:14:51 | |
"Seriously, anyone would think you were the kid." | 0:14:51 | 0:14:54 | |
I was worried that if you took them, that would be it between us. | 0:15:06 | 0:15:10 | |
Listen, I'm not very good at this sort of thing. | 0:15:11 | 0:15:14 | |
Well, you know, you've been like a son to me | 0:15:14 | 0:15:17 | |
and a brother to Ben. | 0:15:17 | 0:15:18 | |
-Look what it's got me. -Everything that's happened, it's over. | 0:15:18 | 0:15:21 | |
There's nothing and no-one to worry about anymore. | 0:15:21 | 0:15:24 | |
Except you. | 0:15:24 | 0:15:25 | |
You're an alcoholic, violent bully | 0:15:27 | 0:15:31 | |
who was happy to let Andrew and then Billy take the rap for something that someone else did. | 0:15:31 | 0:15:35 | |
Your own cousin. | 0:15:35 | 0:15:37 | |
You won't understand until you have kids of your own. | 0:15:38 | 0:15:41 | |
-When you do, you realise you'll do anything for them. Anything. -At what cost? | 0:15:41 | 0:15:44 | |
Shirley. You. My health. | 0:15:44 | 0:15:48 | |
But I'm going to meetings again now and Shirley's come home. | 0:15:48 | 0:15:52 | |
But I'd do the same again for my boy and I'd do the same for you. | 0:15:52 | 0:15:55 | |
Listen, right now, Shirley's over at Heather's packing up her stuff. | 0:15:55 | 0:15:59 | |
She's taking it down the charity shop. The old bill ain't got a lead. No-one is going to be charged. | 0:15:59 | 0:16:03 | |
It's over. So, please, please, come back home. | 0:16:04 | 0:16:09 | |
You're a good kid. | 0:16:18 | 0:16:20 | |
I would offer you a cup of tea but we've run out of tea bags. | 0:16:23 | 0:16:27 | |
Cora was too busy and Rose forgot. | 0:16:27 | 0:16:30 | |
That's all right, I've got my caffeine hit here. | 0:16:30 | 0:16:32 | |
I was only coming round to tell you about the party. | 0:16:32 | 0:16:34 | |
Oh, I heard. It's the talk of the town. | 0:16:34 | 0:16:36 | |
I'll tell you what, no expense spared. | 0:16:36 | 0:16:39 | |
It is going to be a great night. A great night. | 0:16:39 | 0:16:41 | |
I did come to the launderette but you weren't there. | 0:16:41 | 0:16:43 | |
Why does everybody keep going on about that? | 0:16:43 | 0:16:45 | |
I'm entitled to a day off, aren't I, a little break? | 0:16:45 | 0:16:48 | |
-Why don't you sit down? -No, I'm fine. I am perfectly fine. | 0:16:48 | 0:16:51 | |
I tell you what, Dot, why don't you be fine sat down? Come on. There you go. | 0:16:51 | 0:16:55 | |
You're grieving. It's normal. | 0:16:55 | 0:16:57 | |
Yes, well, with Pat, you see, it was sudden but she'd had her life. | 0:16:57 | 0:17:01 | |
Whereas Heather, her life was only just beginning. | 0:17:01 | 0:17:05 | |
Oh, that poor girl. I can't stop thinking about it. | 0:17:05 | 0:17:08 | |
You know, it keeps going round and round in my head, like a wheel, spinning. | 0:17:08 | 0:17:12 | |
Why don't you go see a doctor or a grief counsellor? | 0:17:12 | 0:17:14 | |
I mean, I used to love going into that launderette, but now I dread it. | 0:17:14 | 0:17:17 | |
Cos every time, it's just a reminder. | 0:17:17 | 0:17:21 | |
Why don't you get away? You know, have a break? | 0:17:21 | 0:17:24 | |
What? And leave Jim in a home? I couldn't. I couldn't possibly. | 0:17:24 | 0:17:29 | |
Did Phil come and see you yesterday? | 0:17:29 | 0:17:32 | |
Cos I had a word with him. It's wrong the way he treats you. | 0:17:32 | 0:17:34 | |
Dot, don't worry, that's all sorted. | 0:17:34 | 0:17:37 | |
Listen, your Jim - Dot, he's in good hands. | 0:17:38 | 0:17:43 | |
And if I was you? Up and gone in a flash. Just get away. | 0:17:43 | 0:17:46 | |
Yeah, but you're needed here. | 0:17:46 | 0:17:49 | |
I mean, have you made it up with him? | 0:17:49 | 0:17:51 | |
-Who? -Your brother. | 0:17:51 | 0:17:54 | |
Ben. He's lost a very dear friend too. He needs you. | 0:17:54 | 0:17:57 | |
He was telling me how much he was looking forward to performing his duties at your forthcoming nuptials. | 0:17:57 | 0:18:03 | |
Oh, he's my best man! | 0:18:03 | 0:18:05 | |
Yeah, and a fine one he'll make. | 0:18:05 | 0:18:07 | |
You hadn't forgotten it, had you? | 0:18:09 | 0:18:11 | |
It just squiggles. I can't see nothing. | 0:18:22 | 0:18:25 | |
So paternal(!) | 0:18:25 | 0:18:26 | |
Don't worry, that's the 2D imaging. Now we're high-tech. | 0:18:26 | 0:18:30 | |
We're going 4D. | 0:18:30 | 0:18:31 | |
-JANINE GASPS -There we are. How's that? -Oh. | 0:18:33 | 0:18:36 | |
You can actually see its little face. It looks like a real baby. | 0:18:38 | 0:18:43 | |
It is a real baby. | 0:18:43 | 0:18:45 | |
Is it a boy or girl? | 0:18:45 | 0:18:46 | |
-I thought you said you didn't want to know? -No, please. | 0:18:48 | 0:18:50 | |
I can't keeping calling it "it". I need to know. | 0:18:50 | 0:18:53 | |
-I can give you a few minutes? -All right. Shall we? | 0:18:53 | 0:18:56 | |
Yeah, OK, we need to know. | 0:18:56 | 0:18:58 | |
OK, let's have a look, then. | 0:18:58 | 0:18:59 | |
So what do you think, Cluedo? | 0:19:05 | 0:19:08 | |
Winston, tufty head down the market, reckons that it was a robbery that went wrong. | 0:19:08 | 0:19:12 | |
And then bang, bang, bang... | 0:19:12 | 0:19:15 | |
She was battered to death with bullets by a hooded man. | 0:19:15 | 0:19:19 | |
Blood and brains were everywhere. Urgh! | 0:19:19 | 0:19:23 | |
I can see why you want to get into all this. Gives a real rush, innit? | 0:19:23 | 0:19:28 | |
Sasha, what you crying for? | 0:19:30 | 0:19:32 | |
Don't leave me on my own here! | 0:19:34 | 0:19:36 | |
-Dad! -Sasha! | 0:19:39 | 0:19:41 | |
Hey. What's wrong? What happened? | 0:19:41 | 0:19:44 | |
What have you done to my daughter? | 0:19:44 | 0:19:46 | |
If you don't take something, you're going to regret it. | 0:19:47 | 0:19:52 | |
It just don't feel the same without her here. | 0:19:52 | 0:19:55 | |
Nothing's the same. | 0:19:56 | 0:19:58 | |
But we've got to get used to different. | 0:19:59 | 0:20:02 | |
What you going to have, then, Dad? | 0:20:18 | 0:20:20 | |
I reckon I might have a peshwari naan or definitely a chapatti. | 0:20:20 | 0:20:23 | |
I might even have some rice. | 0:20:23 | 0:20:25 | |
All right? | 0:20:30 | 0:20:31 | |
Make sure you save some room for sundae at your party. | 0:20:55 | 0:20:58 | |
Why don't we just ditch this and head over there now? | 0:20:58 | 0:21:01 | |
No, I just want to spend some time the two of us. | 0:21:01 | 0:21:04 | |
I know I've been a nightmare lately. | 0:21:04 | 0:21:07 | |
-The nightmare's over, OK? -Too many of them energy drinks. | 0:21:07 | 0:21:11 | |
What is it? What's wrong? | 0:21:20 | 0:21:22 | |
Nothing. It's a bit hot. | 0:21:23 | 0:21:26 | |
-What, a korma? -This table all right for you? -Fine, thanks. | 0:21:26 | 0:21:29 | |
-Some poppadoms, please. -Sure. | 0:21:29 | 0:21:31 | |
Yeah, and, please, if he orders a vindaloo give him a masala. | 0:21:31 | 0:21:35 | |
Why do you keep looking over? | 0:21:37 | 0:21:38 | |
I'm... No... I don't. | 0:21:40 | 0:21:42 | |
Poppadoms for the Addams family, please. | 0:21:45 | 0:21:49 | |
Are you going to eat that? | 0:21:49 | 0:21:51 | |
I need some air. I'll be two minutes. | 0:21:53 | 0:21:57 | |
So paint for the nursery. Pink? | 0:22:01 | 0:22:04 | |
Oh! Um... No. | 0:22:04 | 0:22:07 | |
This little lady is going to be more independent woman than pink pushover, thank you very much. | 0:22:07 | 0:22:12 | |
We'll discuss it and get back to you. | 0:22:12 | 0:22:14 | |
Oh, will you? | 0:22:14 | 0:22:16 | |
You still want to get married? | 0:22:16 | 0:22:19 | |
More than you'll ever know. | 0:22:19 | 0:22:21 | |
Let's do it, then, Daddy. | 0:22:22 | 0:22:25 | |
CRIES OF SURPRISE FROM INSIDE | 0:22:51 | 0:22:54 | |
BELL RINGS Listen up, folks! If I could have your attention, please. Thank you. | 0:22:58 | 0:23:02 | |
As you're all aware, half of Walford is down. Sadly, no power. | 0:23:02 | 0:23:06 | |
And due to health and safety regulations, | 0:23:06 | 0:23:09 | |
I'm afraid I'm going to have to ask you all to leave | 0:23:09 | 0:23:11 | |
until we're up and running again. ALL GROAN | 0:23:11 | 0:23:13 | |
Stop whinging, stop moaning. Come on, everybody. Everybody out. Come on, let's go. | 0:23:13 | 0:23:17 | |
That includes you, Cora. Come on, chop, chop! All out. Let's go. | 0:23:17 | 0:23:20 | |
Now, listen to me. This pub would have been doing business during the Blitz, | 0:23:20 | 0:23:25 | |
serving pints the night the Berlin Wall fell | 0:23:25 | 0:23:30 | |
and flogging pork scratchings the day Diana died. | 0:23:30 | 0:23:33 | |
-Now, come on, do your duty, my man. -Yeah! | 0:23:33 | 0:23:37 | |
Yeah. Grandad, look, it's a party. | 0:23:37 | 0:23:40 | |
Just bolt the doors and call it a lock-in. | 0:23:40 | 0:23:42 | |
-Come on, Alf, play the game, mate. -Come on, Alfie. | 0:23:42 | 0:23:45 | |
Am I the sheriff in this town, or am I the sheriff? | 0:23:45 | 0:23:49 | |
Let's have a lock-in! CHEERING | 0:23:49 | 0:23:53 | |
Take one of these and return for your free meal. Really sorry about this. | 0:23:53 | 0:23:57 | |
All right, cheers. | 0:23:57 | 0:23:59 | |
-Have you seen Ian? -Have I seen...? -Ian. -No. | 0:23:59 | 0:24:03 | |
Sorry. | 0:24:03 | 0:24:06 | |
Excuse me, guys, we really have to close up. | 0:24:08 | 0:24:11 | |
-So I can put it in a doggy bag for you if you want? -Do I look like a dog to you? -No. | 0:24:11 | 0:24:15 | |
No. It's...for the food. | 0:24:15 | 0:24:18 | |
You knew it was the water pump, didn't you? | 0:24:29 | 0:24:32 | |
Yeah. | 0:24:32 | 0:24:33 | |
Phil... | 0:24:33 | 0:24:36 | |
Here you are, mate. | 0:24:36 | 0:24:38 | |
Who let you have the vindaloo? | 0:24:45 | 0:24:47 | |
Yeah, don't worry, he's on the sofa tonight. | 0:24:47 | 0:24:49 | |
-To us. -To us. -To us. -To us. | 0:24:51 | 0:24:55 | |
ALL: # Drove my Chevy to the levee but the levee was dry | 0:24:56 | 0:25:01 | |
# Them good old boys were drinking whisky and rye | 0:25:01 | 0:25:05 | |
# Sayin' this'll be the day that I die | 0:25:05 | 0:25:09 | |
# This'll be... # | 0:25:09 | 0:25:10 | |
Patrick, I think you'd better come and see this. | 0:25:10 | 0:25:13 | |
Ian, it's Alfie. Where are you, mate? Everyone's waiting. Give me a shout when you're on your way over. | 0:25:15 | 0:25:20 | |
Hurry up. Bye. | 0:25:20 | 0:25:22 | |
It's a lock-in. | 0:25:24 | 0:25:27 | |
Alfie, I'll have a double. | 0:25:27 | 0:25:29 | |
Just tell me what's happened. | 0:25:29 | 0:25:30 | |
Look, I just don't want to talk about it, OK? I'm in pieces. | 0:25:30 | 0:25:34 | |
Oh, free food! | 0:25:35 | 0:25:38 | |
Dorothy! | 0:25:43 | 0:25:44 | |
Dot? | 0:25:46 | 0:25:48 | |
What's all this? | 0:25:50 | 0:25:51 | |
Well, I've got to get away. Suddenly it hit me - | 0:25:51 | 0:25:56 | |
the misery, people dying, moving away. | 0:25:56 | 0:26:00 | |
So I asked Jack if he'd keep a look out, you know, for Jim. | 0:26:00 | 0:26:03 | |
-Where you going? -Well, I've told you I've got to get away. | 0:26:03 | 0:26:06 | |
So I'm going to go and stay with Sandy, me daughter-in-law | 0:26:06 | 0:26:10 | |
and spend time with my little Dotty. | 0:26:10 | 0:26:13 | |
You can't leave. Who's going to make the tea in the morning? | 0:26:13 | 0:26:18 | |
I think it's a fantastic idea. Go, man. | 0:26:18 | 0:26:20 | |
Go and recharge your batteries. | 0:26:20 | 0:26:23 | |
What about me? | 0:26:23 | 0:26:25 | |
What about you? | 0:26:25 | 0:26:27 | |
You can't leave me again. | 0:26:27 | 0:26:28 | |
I never did leave you. It was you what left me, | 0:26:28 | 0:26:32 | |
taking my Charlie with you. | 0:26:32 | 0:26:33 | |
Oh, Dot. | 0:26:33 | 0:26:36 | |
That's enough, Rose Elizabeth. I ain't going to the North Pole. | 0:26:36 | 0:26:40 | |
Bye. | 0:26:42 | 0:26:43 | |
Where are you? Pick up! | 0:26:47 | 0:26:49 | |
Ian? | 0:26:54 | 0:26:55 | |
Ian, what you doing? | 0:26:58 | 0:27:00 | |
Ian, stop it. You're scaring me. | 0:27:01 | 0:27:03 | |
We need to leave. | 0:27:05 | 0:27:07 | |
Leave where? | 0:27:07 | 0:27:08 | |
Here. Straight after the wedding we're going to leave, | 0:27:08 | 0:27:11 | |
and we can never, ever come back. | 0:27:11 | 0:27:13 | |
Subtitles by Red Bee Media Ltd | 0:27:41 | 0:27:44 |