Browse content similar to 21/05/2012. Check below for episodes and series from the same categories and more!
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# Hey, little sister | 0:00:47 | 0:00:49 | |
# What have you done? | 0:00:49 | 0:00:52 | |
# Hey, little sister Who's the only one... # | 0:00:54 | 0:00:56 | |
Oi, oi. | 0:00:56 | 0:00:58 | |
MUFFLED MUSIC CONTINUES | 0:00:58 | 0:01:01 | |
# It's a nice day for a white wedding... # | 0:01:07 | 0:01:10 | |
What on earth are you doing? | 0:01:12 | 0:01:15 | |
Practising for the wedding. Be careful of my record. | 0:01:15 | 0:01:17 | |
-You're not playing that at the wedding. -Yeah. Billy Idol. Legend. | 0:01:17 | 0:01:21 | |
Ian, I'm not so sure, you know. It's meant to be a first dance. | 0:01:21 | 0:01:24 | |
I don't even think I'd know how to dance to that. | 0:01:24 | 0:01:26 | |
Not without a pole. | 0:01:26 | 0:01:28 | |
-That's enough. -And why is there a for sale sign outside the house? | 0:01:28 | 0:01:31 | |
Because the house is for sale? I did tell you. | 0:01:31 | 0:01:34 | |
-I didn't think you meant it. -Well, now you know I do, OK? | 0:01:34 | 0:01:37 | |
The Registry Office had a cancellation for Friday. | 0:01:37 | 0:01:40 | |
The estate agent's lining up viewings. Things are coming together. | 0:01:40 | 0:01:43 | |
I'm in the middle of my exams. This is one of the most important times of my life. | 0:01:43 | 0:01:47 | |
Why are you doing this to me?! | 0:01:47 | 0:01:48 | |
Lucy, it's not all about you, OK? | 0:01:48 | 0:01:51 | |
It's about all of us. Me and Mandy'll be married Friday. | 0:01:51 | 0:01:56 | |
The estate agent will have sold the house, | 0:01:56 | 0:01:58 | |
we'll ALL be moving onto bigger and better things. OK? | 0:01:58 | 0:02:01 | |
I don't understand. What is the rush? | 0:02:01 | 0:02:03 | |
-What is so urgent that you have to jeopardise my future? -There is no rush. OK? | 0:02:03 | 0:02:07 | |
There is no panic. Tell you what, it is like the great man said, OK? | 0:02:07 | 0:02:12 | |
Nice day to start again. | 0:02:12 | 0:02:14 | |
-I was not gawping, all right? -If it's being flaunted... | 0:02:16 | 0:02:19 | |
It's not being flaunted, is it? | 0:02:19 | 0:02:21 | |
-HE SIGHS -While the Kat's away... | 0:02:21 | 0:02:23 | |
Michael, Kat's not away, is she? | 0:02:23 | 0:02:26 | |
She's not living it large in Marbella, tanning herself day after day, is she? | 0:02:26 | 0:02:29 | |
She's looking after her dad. Her sick dad. | 0:02:29 | 0:02:32 | |
-All right. -And Tommy. | 0:02:32 | 0:02:35 | |
-Listen to me. Could be worse, couldn't it? -It's worse. | 0:02:35 | 0:02:39 | |
Whoa, whoa, whoa. Where's the fire? | 0:02:39 | 0:02:41 | |
Up Mo's backside if she's not careful. She finished all the milk. | 0:02:41 | 0:02:44 | |
-Crying over spilt milk, eh? -Do I look like I'm crying? I'm going to get more. | 0:02:44 | 0:02:47 | |
Babe, listen. Don't worry about it. Take some from the pub's store. | 0:02:47 | 0:02:51 | |
Can't have a young girl going hungry, can we? | 0:02:51 | 0:02:54 | |
-Sorry, I've got it. -No, no, I'll get it. | 0:02:55 | 0:02:57 | |
HE CHUCKLES | 0:02:57 | 0:02:59 | |
Thanks. | 0:03:03 | 0:03:05 | |
-Alfie? -Jean, you've got a habit of sneaking up on people, darling. | 0:03:08 | 0:03:11 | |
I didn't mean to sneak. This came for you. | 0:03:11 | 0:03:13 | |
Jean, what you doing, sweetheart? | 0:03:13 | 0:03:15 | |
This is my personal credit card statement. | 0:03:15 | 0:03:18 | |
I know I opened it by mistake. I'm so sorry. | 0:03:18 | 0:03:21 | |
You've missed a payment, Alfie. | 0:03:21 | 0:03:23 | |
Yeah, don't worry about it. I'll take care of it. | 0:03:23 | 0:03:25 | |
You shouldn't miss payments, Alfie. The interest... | 0:03:25 | 0:03:28 | |
It was either this or the weekly shop. All right? | 0:03:28 | 0:03:30 | |
-Does Kat know? -Kat's not here! | 0:03:30 | 0:03:32 | |
I'll take care of it. It'll be fine. | 0:03:32 | 0:03:35 | |
I was 13 when this came out in 1982. | 0:03:41 | 0:03:44 | |
D'you know what, I didn't just like Billy Idol, right? | 0:03:44 | 0:03:47 | |
I wanted to be Billy Idol. | 0:03:47 | 0:03:50 | |
There was this girl at school, Sally Bateman. | 0:03:50 | 0:03:52 | |
Thinking about it, she looked a bit like your mum. | 0:03:52 | 0:03:56 | |
-I didn't half have the hots for her... -Dad. | 0:03:56 | 0:03:59 | |
I always reckoned I was going to marry Sally Bateman, | 0:03:59 | 0:04:02 | |
and Billy Idol was going to be play White Wedding at our wedding. | 0:04:02 | 0:04:07 | |
-Why are you telling me this? -Dunno. | 0:04:07 | 0:04:09 | |
Everything just seemed simpler back then. Cooler. | 0:04:09 | 0:04:15 | |
Is that what you want? To be cool? | 0:04:15 | 0:04:18 | |
No. | 0:04:18 | 0:04:20 | |
Nah, not any more. | 0:04:20 | 0:04:22 | |
What do you want, then? | 0:04:22 | 0:04:24 | |
I want to be happy. | 0:04:25 | 0:04:28 | |
I want to be safe. | 0:04:28 | 0:04:30 | |
You know, running away isn't going to make you happy. | 0:04:30 | 0:04:33 | |
Who says I'm running away? | 0:04:34 | 0:04:36 | |
The for sale sign. This marriage. | 0:04:36 | 0:04:39 | |
Leaving home, your business, friends and family. | 0:04:39 | 0:04:43 | |
The business will still be here and my family's coming with me, OK? | 0:04:43 | 0:04:47 | |
Yeah? What about Ben? Your brother. Remember? | 0:04:47 | 0:04:50 | |
What about Ben? He's made his choices, all right? | 0:04:50 | 0:04:52 | |
What is that supposed to mean? | 0:04:52 | 0:04:54 | |
Ben's a Mitchell, OK? He's not part of this family. He's... | 0:04:54 | 0:04:57 | |
We're leaving. He's staying. OK? | 0:04:59 | 0:05:02 | |
And that's all there is to it. | 0:05:02 | 0:05:04 | |
Look, I know this all happened a bit quick but... | 0:05:04 | 0:05:08 | |
And I know I've been... I haven't been myself lately. | 0:05:08 | 0:05:11 | |
I've been getting really stressed. And that needs to stop. | 0:05:11 | 0:05:15 | |
And Friday, it will. OK? You'll understand. | 0:05:15 | 0:05:18 | |
I've got my Business Studies exam. | 0:05:18 | 0:05:20 | |
Well, it was supposed to be breakfast in bed | 0:05:23 | 0:05:26 | |
but seeing as you're up, you've got eggs, bacon, toast... | 0:05:26 | 0:05:29 | |
Who stole my beans?! > | 0:05:29 | 0:05:31 | |
-Which one of you tea-leaves...? -All right, look. It wasn't her. It was me. | 0:05:33 | 0:05:37 | |
How was I supposed to know they was your beans? | 0:05:37 | 0:05:40 | |
You label your beans? | 0:05:40 | 0:05:41 | |
-I label all my foodstuffs. -Why? | 0:05:41 | 0:05:44 | |
Because when I was in the.... | 0:05:44 | 0:05:46 | |
To stop scavengers like you nicking 'em. | 0:05:46 | 0:05:48 | |
-That's mine! -Not according to the tin. | 0:05:48 | 0:05:51 | |
OK, the beans are yours. The rest's ours, yeah? | 0:05:51 | 0:05:55 | |
-You happy now? -Yeah. | 0:06:00 | 0:06:03 | |
You're not going to let him get away with that, are you? | 0:06:04 | 0:06:07 | |
-He said what? -That you made your own choices. That you're a Mitchell. | 0:06:09 | 0:06:13 | |
I don't know. He was acting really weird. | 0:06:13 | 0:06:14 | |
Ian's never really played with a full deck, has he? | 0:06:14 | 0:06:17 | |
No, I mean manic. Bringing the wedding forward, | 0:06:17 | 0:06:20 | |
-selling the house. -What? Why? | 0:06:20 | 0:06:22 | |
He said we're moving away. | 0:06:22 | 0:06:25 | |
Said he's got no friends or family left here. | 0:06:25 | 0:06:27 | |
I've never seen him like this. Mandy's wound him up so tight, | 0:06:27 | 0:06:30 | |
he's all over the place, arranging the wedding. | 0:06:30 | 0:06:32 | |
-You've got to do something. Talk some sense into him. -Me? | 0:06:32 | 0:06:36 | |
Yeah, you're his brother! In fact, you're his best man, aren't you? | 0:06:36 | 0:06:39 | |
Yeah, well, I don't think so. I dunno. Not any more, anyway. | 0:06:39 | 0:06:43 | |
Why not? What is going on between you two? | 0:06:43 | 0:06:47 | |
You said it yourself. | 0:06:47 | 0:06:48 | |
Mandy's got him not knowing whether he's coming or going. | 0:06:48 | 0:06:51 | |
But I'll have a word with him. | 0:06:51 | 0:06:54 | |
-Let him know what a big mistake he's making. -Thank you. | 0:06:54 | 0:06:57 | |
What are you going to do? | 0:06:59 | 0:07:01 | |
Whatever it takes. | 0:07:01 | 0:07:03 | |
People find out that Ian's leaving, they'll start asking questions. | 0:07:03 | 0:07:06 | |
We can't have people asking questions, can we? | 0:07:06 | 0:07:08 | |
It's just a missed payment. Alfie'll sort it. | 0:07:09 | 0:07:11 | |
It's not just that though. | 0:07:13 | 0:07:15 | |
We've missed a few bills. | 0:07:15 | 0:07:17 | |
He didn't even have enough money for the weekly shop. | 0:07:19 | 0:07:21 | |
Will there be some money coming through from my investment? | 0:07:22 | 0:07:26 | |
No, no. That's a long term thing, Jean. You need to... | 0:07:26 | 0:07:29 | |
That's a 'big picture' type deal, know what I mean? | 0:07:29 | 0:07:31 | |
I don't care about big pictures, I just want to help. | 0:07:31 | 0:07:34 | |
He's just missed a few bills. It's not the Greek national debt. | 0:07:34 | 0:07:37 | |
Slight overreaction. Why don't you just chuck in for the weekly shop? | 0:07:37 | 0:07:41 | |
Well, I would but all my money's in the investment. | 0:07:41 | 0:07:44 | |
Well, just have to get another job then. | 0:07:46 | 0:07:50 | |
-Tide us over temporarily. -That's a good idea. | 0:07:50 | 0:07:52 | |
And now there's a for sale sign out front. | 0:07:58 | 0:08:00 | |
Wonder what he's planning to do with the caff. | 0:08:00 | 0:08:03 | |
I should probably call Jane. | 0:08:04 | 0:08:06 | |
It's him, isn't it? | 0:08:07 | 0:08:09 | |
-Who is who? -The man you're mooning over. | 0:08:09 | 0:08:12 | |
-I'm not mooning over anyone. -Yeah, right. | 0:08:12 | 0:08:14 | |
So, what do you say to a nice night in? | 0:08:14 | 0:08:17 | |
What, as opposed to a murder scene? | 0:08:17 | 0:08:18 | |
Oh, how many times can I say I'm sorry? | 0:08:18 | 0:08:21 | |
I've got Sasha tonight. | 0:08:21 | 0:08:23 | |
I was thinking about the three of us. We could watch a couple of DVDs. | 0:08:23 | 0:08:26 | |
What, like a snuff movie, yeah? | 0:08:26 | 0:08:28 | |
That depends. Do they find Nemo in a shallow grave? | 0:08:28 | 0:08:32 | |
Oh, come on, Ray. I'm trying here. | 0:08:33 | 0:08:35 | |
You'll have to try harder than DVDs on a school night. | 0:08:35 | 0:08:37 | |
Do you reckon a guy and girl can ever be just friends? | 0:08:38 | 0:08:41 | |
-Hello, Sally, meet Harry. -I'm being serious. | 0:08:41 | 0:08:44 | |
Yes, guys can be friends with girls. It's just really hard. | 0:08:44 | 0:08:49 | |
Especially if one person isn't trying as much as the other. | 0:08:49 | 0:08:51 | |
I'm trying. | 0:08:51 | 0:08:53 | |
I saw you this morning, in your nightie. | 0:08:53 | 0:08:56 | |
Oh, come on, Rox. It's not fair. | 0:08:56 | 0:08:59 | |
Not to you and not to him. Someone's going to get hurt. | 0:08:59 | 0:09:04 | |
Wait, he put his name on a can of beans?! | 0:09:07 | 0:09:09 | |
Not even just his beans. The weirdo labels everything. I checked. | 0:09:09 | 0:09:13 | |
Please tell me my brother defended your honour? | 0:09:13 | 0:09:15 | |
My honour? He didn't even defend the beans! | 0:09:15 | 0:09:18 | |
What was I supposed to do? Look, it was the bloke's beans. He's got a point. | 0:09:18 | 0:09:22 | |
Tyler's labelling his food as well. | 0:09:22 | 0:09:24 | |
SHE CLUCKS LIKE A CHICKEN | 0:09:24 | 0:09:27 | |
I'm not a chicken, all right. I'm just waiting for the right time. | 0:09:27 | 0:09:31 | |
Lay a few ground rules, set him straight. | 0:09:31 | 0:09:33 | |
Well, listen, I'm not having him taking over that house. | 0:09:33 | 0:09:36 | |
He'll be labelling that TV next. | 0:09:36 | 0:09:38 | |
SHE CONTINUES CLUCKING | 0:09:38 | 0:09:39 | |
I'm sorry, I'm sorry. | 0:09:39 | 0:09:41 | |
12.30, Town Hall. That's it. | 0:09:41 | 0:09:43 | |
Brilliant. I'll see you then. Bye. | 0:09:43 | 0:09:46 | |
That's the photographer booked! | 0:09:46 | 0:09:47 | |
You're not still worried about Lucy, are you? | 0:09:50 | 0:09:53 | |
-Maybe she's got a point. -What, about Billy Idol? -No. | 0:09:54 | 0:09:58 | |
About the wedding and moving. | 0:09:58 | 0:10:01 | |
I mean, Ian, it's all happening so fast. | 0:10:01 | 0:10:04 | |
Are you running away? | 0:10:06 | 0:10:07 | |
What if I am, OK? | 0:10:11 | 0:10:13 | |
It's a big wide world out there and... | 0:10:13 | 0:10:15 | |
..maybe I've outgrown this place. | 0:10:17 | 0:10:19 | |
All the people I cared about, they're long gone. | 0:10:19 | 0:10:23 | |
There's nothing left for me here. Nothing but ghosts. | 0:10:23 | 0:10:27 | |
So, yeah, if I am running away... | 0:10:27 | 0:10:29 | |
..perhaps we're running away to a better place. | 0:10:30 | 0:10:32 | |
Once we're married, OK, everything will be fine. | 0:10:32 | 0:10:37 | |
Ian, I haven't even got a dress. | 0:10:38 | 0:10:40 | |
Tell you what, how about you take yourself into town, | 0:10:40 | 0:10:44 | |
go get yourself the sort of dress you've always dreamed of? | 0:10:44 | 0:10:48 | |
Might come to a little bit more than that, hun. | 0:10:48 | 0:10:50 | |
Yeah, it will, won't it? OK, tell you what, take this one. | 0:10:51 | 0:10:55 | |
You can remember the PIN, can't you? Usual one. | 0:10:55 | 0:10:58 | |
OK. | 0:10:58 | 0:10:59 | |
-See you. -Bye. | 0:11:02 | 0:11:04 | |
# It's a nice day for a white wedding... # | 0:11:10 | 0:11:13 | |
You forgot something, love? | 0:11:13 | 0:11:14 | |
(ALFIE) Yeah, I know. What colour is it? | 0:11:17 | 0:11:20 | |
No, no, no. That's not what I said. | 0:11:20 | 0:11:22 | |
You're not listening, that's not what I... | 0:11:22 | 0:11:24 | |
I'm not being useless, all right? | 0:11:25 | 0:11:28 | |
I just want to make a decision with you. | 0:11:28 | 0:11:30 | |
HE SIGHS | 0:11:30 | 0:11:32 | |
No, I know I'm not there. | 0:11:32 | 0:11:33 | |
But at the same time, you're not here, are you? | 0:11:33 | 0:11:36 | |
No, I'm not saying it's your fault. It's no-one's fault. | 0:11:37 | 0:11:40 | |
It's just a fact, that's all. Kat? | 0:11:40 | 0:11:43 | |
Kat? Kat? | 0:11:43 | 0:11:46 | |
Sorry. | 0:11:47 | 0:11:49 | |
Mo said you were here. I didn't mean to... | 0:11:50 | 0:11:54 | |
You know what, it's a bad time, I'll go. | 0:11:54 | 0:11:56 | |
Oi! You all right? | 0:11:58 | 0:12:00 | |
Yeah. I'm good. Never been better. | 0:12:03 | 0:12:05 | |
Ian, calm down, will you? I just want to talk to you. | 0:12:07 | 0:12:09 | |
Give me a call or send me a text or something. | 0:12:09 | 0:12:11 | |
-Just stay away from me. -I was asked to come by Lucy. -What?! | 0:12:11 | 0:12:14 | |
She thinks you're acting weird, like you've got something to hide. | 0:12:14 | 0:12:17 | |
I do. We all do, don't we? | 0:12:17 | 0:12:19 | |
-Which is why it's important to act normal. -Normal? | 0:12:19 | 0:12:21 | |
That's a laugh. What is normal about this? | 0:12:21 | 0:12:23 | |
Not pulling the plug on your life, on Lucy's. What are you thinking? | 0:12:23 | 0:12:27 | |
I was thinking about getting her as far away from here as possible. | 0:12:27 | 0:12:30 | |
I'd have thought that's what you wanted. | 0:12:30 | 0:12:32 | |
Oh, no. You... | 0:12:34 | 0:12:35 | |
You want me here so you can keep me under control, don't you? | 0:12:35 | 0:12:38 | |
Well, someone's got to, ain't they? Eh? Go back to your job. | 0:12:38 | 0:12:43 | |
Earn money. Take care of your family. And act normal. | 0:12:43 | 0:12:47 | |
Now, we had a deal, remember? | 0:12:47 | 0:12:50 | |
We don't want anyone asking any questions. | 0:12:50 | 0:12:52 | |
Cos you're in this as deep as anyone else. | 0:12:52 | 0:12:54 | |
Oh. £1,000. Cash. Interest compounded daily. | 0:13:05 | 0:13:10 | |
What was it you said on Saturday? Short term bridging loan? | 0:13:10 | 0:13:14 | |
A creditor might be a little bit nervous to see this. | 0:13:14 | 0:13:16 | |
Janine, you'll get your money, one way or another. | 0:13:16 | 0:13:18 | |
OK, well, I like the sound of "another." | 0:13:18 | 0:13:21 | |
Duvet covers. | 0:13:27 | 0:13:28 | |
-What? -Exactly. That's what me and Kat were arguing about. | 0:13:28 | 0:13:31 | |
Can you believe it? Duvet covers for Tommy. Ben 10 or In The Night Garden. | 0:13:31 | 0:13:36 | |
These are very important decisions, Alfie. | 0:13:36 | 0:13:38 | |
Tell me about it. You know, big decision to make. | 0:13:38 | 0:13:40 | |
THEY LAUGH | 0:13:40 | 0:13:43 | |
Not sure Kat sees it like that though. | 0:13:43 | 0:13:46 | |
You miss her, don't you? | 0:13:48 | 0:13:50 | |
You should go to them. | 0:13:53 | 0:13:56 | |
What, just pack up and go? I've got responsibilities. | 0:13:56 | 0:14:00 | |
At least that's what I keep telling myself. | 0:14:00 | 0:14:03 | |
Funny, you know, at times like this, the Slaters pull together as a family. | 0:14:03 | 0:14:08 | |
I'll never be a Slater. Not really. | 0:14:10 | 0:14:13 | |
But, you know, I do understand it. | 0:14:15 | 0:14:17 | |
It's just that, you know, at times like this, | 0:14:17 | 0:14:21 | |
I get lonely, miss my family, you know? | 0:14:21 | 0:14:24 | |
Yeah, I know. | 0:14:24 | 0:14:25 | |
PHONE RINGS | 0:14:28 | 0:14:30 | |
It's only Ian. I'll talk to him later. | 0:14:30 | 0:14:33 | |
SHE CLEARS THROAT | 0:14:33 | 0:14:34 | |
So what did you want? | 0:14:34 | 0:14:36 | |
I'm going to move out. | 0:14:39 | 0:14:40 | |
-What? -I know you said it's OK, I know you said it's OK but... | 0:14:40 | 0:14:43 | |
It's getting awkward with Mo and Jean and everything. | 0:14:44 | 0:14:47 | |
No, you don't have to do that, darling. Not on their account. | 0:14:47 | 0:14:50 | |
-All right, Alfie? -Hey, you all right? All right, girls? -Hiya. | 0:14:50 | 0:14:54 | |
Right. I should go. | 0:14:57 | 0:15:00 | |
Hey, listen. No, Rox. | 0:15:00 | 0:15:02 | |
How about tonight me and you go and get something to eat? | 0:15:02 | 0:15:04 | |
Maybe I dunno, grab a curry or something. Be lonely together, eh? | 0:15:04 | 0:15:08 | |
-Yeah, I'd really like that. -Yeah, me too. | 0:15:09 | 0:15:13 | |
-Catch you later then, yeah? -Bye. -See you later. Take care. | 0:15:13 | 0:15:17 | |
All right, Mush? Where's Tyler? | 0:15:17 | 0:15:19 | |
Gone to see a man about a label. | 0:15:20 | 0:15:23 | |
What I'm trying to say is that maybe for the good of the house, | 0:15:23 | 0:15:25 | |
we should all just try and muck in together. Yeah? | 0:15:25 | 0:15:28 | |
I mean, this whole labelling thing, it's a bit weird, innit? | 0:15:28 | 0:15:32 | |
Tell me, Tyler, are you aware of the term Top Dog? | 0:15:34 | 0:15:39 | |
-No. -Then let me enlighten you. | 0:15:39 | 0:15:42 | |
It's a prison term. It's how the hierarchy is set. | 0:15:43 | 0:15:47 | |
Who sleeps where. Who does what to whom. That sort of thing. | 0:15:47 | 0:15:51 | |
Now, it's called Top Dog because that's how it works in nature, | 0:15:51 | 0:15:56 | |
amongst wolves and such. It's very important to have structure. | 0:15:56 | 0:16:00 | |
To know who's boss. Otherwise, it's just chaos. | 0:16:00 | 0:16:04 | |
It's nothing personal, but it's how the pack leader, that's me, | 0:16:04 | 0:16:09 | |
keeps the bitch, that's you, in check. | 0:16:09 | 0:16:13 | |
Now I choose to mark my hierarchy by labelling my foodstuffs. | 0:16:13 | 0:16:18 | |
But there are other ways I can mark my territory. | 0:16:19 | 0:16:22 | |
We'll keep the labels, eh? | 0:16:25 | 0:16:26 | |
Yeah. Let's keep the labels, mate. | 0:16:26 | 0:16:30 | |
You looking for work? Only Janine could do with another cleaner. | 0:16:35 | 0:16:39 | |
Janine? | 0:16:39 | 0:16:40 | |
Yeah. At Butcher's Joints. I'm Executive Director of Operations. | 0:16:40 | 0:16:45 | |
I don't think so, Billy. Me and that woman hardly get on. | 0:16:45 | 0:16:49 | |
Yeah, you and most people round here. | 0:16:49 | 0:16:51 | |
We've all had run-ins with her, including myself. | 0:16:51 | 0:16:54 | |
But Michael, he'll put in a good word for you. Won't you, Michael? | 0:16:54 | 0:16:57 | |
I've got plenty of options. | 0:16:57 | 0:17:00 | |
Yeah, Alfie? Listen, do me a favour. | 0:17:00 | 0:17:02 | |
Give us a call about the wedding as soon as possible. Bye. | 0:17:02 | 0:17:05 | |
I know you and her have got history. | 0:17:07 | 0:17:09 | |
But I also know how hard it is out there at the moment. | 0:17:09 | 0:17:11 | |
I'd be your line manager, Jean. Just let me do all the talking | 0:17:11 | 0:17:14 | |
and hopefully you won't deal with her at all. | 0:17:14 | 0:17:17 | |
Come on, Jean. I'm desperate here. | 0:17:17 | 0:17:19 | |
Let me guess, having put the wedding off, Dad decided to soften the blow? | 0:17:27 | 0:17:31 | |
Put the wedding off? I've just bought the dress! | 0:17:31 | 0:17:36 | |
By the way, your dad wants us to meet him tonight in the caff. | 0:17:36 | 0:17:40 | |
Some sort of family summit. | 0:17:40 | 0:17:42 | |
DOOR SLAMS | 0:17:42 | 0:17:44 | |
I don't get it. What does he mean by marking his territory? | 0:17:44 | 0:17:47 | |
Don't dwell on it, bruv. | 0:17:47 | 0:17:49 | |
What can we do? I don't want to go back there in his "territory". I won't do it. | 0:17:49 | 0:17:52 | |
We'll make our own territory. | 0:17:54 | 0:17:56 | |
You're leaving? Why? | 0:17:59 | 0:18:01 | |
Why do you think? Mandy. | 0:18:01 | 0:18:05 | |
I hate her. | 0:18:05 | 0:18:07 | |
I hate her hair. I hate her nose. | 0:18:07 | 0:18:09 | |
I hate her lopsided, cutesy, little smile. | 0:18:09 | 0:18:13 | |
-I just want to scratch her eyes out. -Hey, whoa! | 0:18:13 | 0:18:17 | |
I mean, I don't get it. | 0:18:17 | 0:18:18 | |
I know you don't want to leave. cos that's rubbish, innit? | 0:18:18 | 0:18:21 | |
Why does Mandy get to you so much? | 0:18:21 | 0:18:23 | |
Do you think she's trying to take your mum's place or something? | 0:18:23 | 0:18:27 | |
Are you kidding? No-one can replace my mum. | 0:18:27 | 0:18:30 | |
My dad's tried hard enough. | 0:18:30 | 0:18:31 | |
Not even my mum could replace my mum. He just doesn't love her. OK? | 0:18:31 | 0:18:34 | |
-He can't. -Why? | 0:18:34 | 0:18:37 | |
Cos I'm not going to let him. | 0:18:37 | 0:18:38 | |
Karaoke? > | 0:18:40 | 0:18:42 | |
-Yuck. -Wendy houses? | 0:18:42 | 0:18:44 | |
-She's 13, not three. -You're not helping. | 0:18:44 | 0:18:47 | |
Look, I don't want to do anything. And I can't. I've got to practise. | 0:18:47 | 0:18:51 | |
-What for? -Dance recital. | 0:18:51 | 0:18:53 | |
-You like dancing? -I love it. | 0:18:53 | 0:18:56 | |
-She's really good at it. -Why didn't you say so? | 0:18:56 | 0:18:58 | |
Listen, you're looking at the former Under-17s National Bogling champion. | 0:18:58 | 0:19:04 | |
Hey, you want to nail that dance recital, you are in the right place. | 0:19:04 | 0:19:08 | |
Put some music on, Mr DJ. Let's get this party started! | 0:19:08 | 0:19:12 | |
Yeah! | 0:19:12 | 0:19:14 | |
You're going to do it, then? | 0:19:15 | 0:19:17 | |
Yep. I've got an interview with Billy tomorrow. | 0:19:17 | 0:19:20 | |
You despise Janine, with good reason. | 0:19:20 | 0:19:23 | |
I went to the Job Centre today. It was full. | 0:19:24 | 0:19:28 | |
Young people. | 0:19:30 | 0:19:32 | |
Old people. | 0:19:32 | 0:19:34 | |
Mums. Dads. | 0:19:34 | 0:19:37 | |
Sick. Healthy. | 0:19:39 | 0:19:41 | |
Disabled. | 0:19:42 | 0:19:44 | |
And the girl behind the counter, she was doing her best | 0:19:46 | 0:19:49 | |
but you could see in her eyes that... | 0:19:49 | 0:19:52 | |
You don't have to respect your employer. | 0:19:54 | 0:19:57 | |
-But you have to respect yourself. -Hm. | 0:19:58 | 0:20:01 | |
Anyway, when my investment comes through it will give me | 0:20:03 | 0:20:07 | |
the greatest of joys to tell Janine where she can shove her job. | 0:20:07 | 0:20:11 | |
You look nice, babe. | 0:20:15 | 0:20:16 | |
Thank you. Do you think I should maybe dress down a bit? | 0:20:16 | 0:20:19 | |
Depends on what you're trying to achieve. | 0:20:19 | 0:20:22 | |
Rox, he doesn't love you, all right? He's told you that. | 0:20:22 | 0:20:25 | |
What he's told me and what he means are two very different things. | 0:20:25 | 0:20:28 | |
OK? I offered to move out and he asked me to stay. | 0:20:28 | 0:20:32 | |
There's something there, Christian, I know it. | 0:20:32 | 0:20:35 | |
-Ooh! -All right, Jean? -Don't you look nice? | 0:20:38 | 0:20:41 | |
-Alfie, I've... -No. Me first. | 0:20:41 | 0:20:44 | |
Jean, I want to apologise for the way I spoke to you this morning. | 0:20:44 | 0:20:47 | |
It was bang out of order. I've just... | 0:20:47 | 0:20:49 | |
Just got a lot on my mind at the moment, you know. | 0:20:49 | 0:20:51 | |
I know. That's why I'm getting another job | 0:20:51 | 0:20:53 | |
to help with the housekeeping. | 0:20:53 | 0:20:55 | |
-No, no, sweetheart. You don't have to do that. -Yes, I do. | 0:20:55 | 0:20:58 | |
You know, Jean, you have got one big heart, you have. | 0:21:00 | 0:21:04 | |
-So do you. -See you later. | 0:21:04 | 0:21:06 | |
Alfie? | 0:21:06 | 0:21:08 | |
Kat misses you terribly, you know. | 0:21:08 | 0:21:12 | |
I know you think us Slaters are a tight bunch | 0:21:12 | 0:21:15 | |
but she's there for them. What she needs is you. | 0:21:15 | 0:21:20 | |
Are you ready to order? | 0:21:32 | 0:21:34 | |
I think I'm going to leave it another five minutes. | 0:21:35 | 0:21:38 | |
CARTOON PLAYS | 0:21:42 | 0:21:44 | |
'..3% in the last 13 weeks. Total sales increased 5%. | 0:21:50 | 0:21:55 | |
'Retail like-for-like sales at its North American unit... | 0:21:55 | 0:21:59 | |
It's interesting, Gillian, talking about retailers expanding abroad...' | 0:21:59 | 0:22:02 | |
You'll never guess who I had a visit from. Uncle Phil! | 0:22:20 | 0:22:23 | |
There's a surprise. | 0:22:23 | 0:22:25 | |
I went to see Ben. I was upset and Phil offered to help. | 0:22:25 | 0:22:29 | |
Both me and Phil, right, when we talked about it this morning, | 0:22:29 | 0:22:33 | |
want what's best for our families. | 0:22:33 | 0:22:36 | |
Selling the house, our family home, is that what's best? | 0:22:36 | 0:22:38 | |
Leaving your businesses and dragging your kids away from their friends | 0:22:38 | 0:22:42 | |
-is what's best? -Lucy, just calm down. | 0:22:42 | 0:22:44 | |
After everything we've been through, after what you've built here, | 0:22:44 | 0:22:48 | |
you're just going to throw it away to marry her? | 0:22:48 | 0:22:51 | |
You don't love her. He doesn't love you. | 0:22:51 | 0:22:54 | |
And how do you know that? | 0:22:54 | 0:22:56 | |
Because she's not Mum! | 0:22:56 | 0:22:57 | |
-What's this got to do with your mum? -It's always got to do with Mum. | 0:22:57 | 0:23:01 | |
Even that girl you were blabbering on about... | 0:23:01 | 0:23:04 | |
Sally? | 0:23:04 | 0:23:06 | |
Sally Bateman. She looked like Mum. No surprise. | 0:23:06 | 0:23:08 | |
Everyone you've ever loved kind of looked like Mum. | 0:23:08 | 0:23:11 | |
She's the closest of the lot. | 0:23:11 | 0:23:14 | |
I do not look like Cindy Beale. | 0:23:14 | 0:23:16 | |
No, you're right. You're just a pale imitation. | 0:23:16 | 0:23:19 | |
-Lucy, that's enough, all right? -It's not your fault, Mandy. | 0:23:19 | 0:23:21 | |
No-one will ever measure up. But you don't want to, do you? | 0:23:21 | 0:23:25 | |
-You're waiting for the right moment to run away. -Oh, shut up! | 0:23:25 | 0:23:28 | |
You'll bleed Dad dry until there's nothing left then move on to the next. | 0:23:28 | 0:23:32 | |
The pathetic thing is you pretend that you can change. | 0:23:32 | 0:23:35 | |
-At least my mum was honest. -You know what... | 0:23:35 | 0:23:38 | |
-Stay there. -No. -Stay there. Bobby, wait by the door, please. | 0:23:38 | 0:23:41 | |
Now. | 0:23:42 | 0:23:44 | |
Come here. I know what you're playing at. | 0:23:45 | 0:23:48 | |
I'm trying to help you. I'm trying to help us. | 0:23:48 | 0:23:51 | |
You know what, you are so like your mum sometimes, it scares me. | 0:23:51 | 0:23:55 | |
In a good way? | 0:23:56 | 0:23:59 | |
Your mum was a lying, cheating, murderous slapper | 0:23:59 | 0:24:04 | |
who would do whatever it took to get her own way. | 0:24:04 | 0:24:07 | |
Is that "in a good way"? | 0:24:07 | 0:24:09 | |
Now, you take Bobby home | 0:24:10 | 0:24:11 | |
and don't you ever pull a stunt like that again. | 0:24:11 | 0:24:14 | |
Mo, you seen Alfie? | 0:24:22 | 0:24:23 | |
-Not since he left. -Left? | 0:24:23 | 0:24:26 | |
He's gone to see Kat and Tommy, and about time too. | 0:24:26 | 0:24:30 | |
Ah, that reminds me. | 0:24:30 | 0:24:32 | |
He left you this. | 0:24:34 | 0:24:36 | |
OK, Sasha! Dance recital take one! | 0:24:49 | 0:24:53 | |
MUSIC: "Poker Face" by Lady Gaga | 0:24:53 | 0:24:55 | |
Good, ain't she? | 0:24:55 | 0:24:57 | |
She's...original. | 0:24:57 | 0:25:00 | |
TUMBLING AND CRASHING | 0:25:02 | 0:25:03 | |
It's OK. I'm not hurt! | 0:25:03 | 0:25:06 | |
What you doing awake, young lady, huh? | 0:25:06 | 0:25:09 | |
What is it, love? | 0:25:28 | 0:25:30 | |
Do you know, I can only remember being truly happy once as a child. | 0:25:33 | 0:25:40 | |
One memory. Isn't that pathetic? | 0:25:43 | 0:25:46 | |
Depends on the memory. | 0:25:46 | 0:25:48 | |
It was Easter. She made pancakes with syrup. | 0:25:49 | 0:25:53 | |
And we ate the lot. We were laughing and throwing stuff at each other. | 0:25:54 | 0:25:59 | |
Thing is, like... Why that time? | 0:26:02 | 0:26:06 | |
You know, why only that time? | 0:26:06 | 0:26:09 | |
When we're married, it'll be pancake and syrup every day. | 0:26:11 | 0:26:16 | |
Promise? | 0:26:16 | 0:26:17 | |
I have to. It's all I have. | 0:26:17 | 0:26:21 | |
And no-one can take it away from me, not now. | 0:26:23 | 0:26:25 | |
Cheers. | 0:26:30 | 0:26:32 | |
Hi. This is Mandy Salter. | 0:26:34 | 0:26:36 | |
My fiance, Ian Beale, made a booking with you. | 0:26:36 | 0:26:38 | |
I'm sorry, there's been a mix-up and we have to cancel the Registry Office for Friday. | 0:26:38 | 0:26:42 | |
Feel free to offer it to someone else. Thank you. | 0:26:42 | 0:26:46 | |
Whatever it takes. | 0:26:54 | 0:26:56 | |
Subtitles by Red Bee Media Ltd | 0:27:06 | 0:27:09 |