Browse content similar to 24/05/2012. Check below for episodes and series from the same categories and more!
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THEY GIGGLE | 0:00:36 | 0:00:39 | |
You were doing a good job, then. | 0:00:43 | 0:00:46 | |
HE LAUGHS | 0:00:50 | 0:00:52 | |
What's funny? | 0:00:52 | 0:00:53 | |
It's amazing how you become like your parents, innit? | 0:00:53 | 0:00:56 | |
I was just about to tell you to use a glass. | 0:00:56 | 0:01:00 | |
No. | 0:01:00 | 0:01:02 | |
Good run? | 0:01:02 | 0:01:03 | |
Yeah, yeah, it was good for thinking. | 0:01:03 | 0:01:05 | |
And what d'you come up with? | 0:01:05 | 0:01:07 | |
It might be nice to have dinner tonight. | 0:01:07 | 0:01:09 | |
I'm not doing anything this evening, that'd be very nice, Tyler, | 0:01:09 | 0:01:12 | |
thank you. | 0:01:12 | 0:01:13 | |
Yeah. Yeah, funny. | 0:01:13 | 0:01:14 | |
No, I meant me and Whit - romantically. | 0:01:14 | 0:01:17 | |
Are you saying that my presence isn't conducive to romance? | 0:01:17 | 0:01:21 | |
No... No, I'm not saying that. It's just, it might... | 0:01:21 | 0:01:24 | |
-HE LAUGHS -I'm only joking! | 0:01:24 | 0:01:25 | |
I'll be out your way, son, don't worry. | 0:01:25 | 0:01:29 | |
Yeah, well, that's my offer. 40 below the asking price. | 0:01:31 | 0:01:35 | |
And I can pay cash. | 0:01:35 | 0:01:37 | |
I'm sure that that will appeal to Mr Beale, | 0:01:37 | 0:01:41 | |
given that he doesn't seem to have any. | 0:01:41 | 0:01:44 | |
Dad. | 0:01:50 | 0:01:52 | |
Shhh! | 0:01:52 | 0:01:54 | |
-How's Mandy? -She's asleep. | 0:01:54 | 0:01:57 | |
Has she said anything? About yesterday? | 0:01:57 | 0:02:00 | |
No. I think cancelling everything, it was like a reflex action... | 0:02:00 | 0:02:03 | |
So what now? | 0:02:03 | 0:02:05 | |
Well, it's up to all of us to help her get through it, isn't it. | 0:02:05 | 0:02:08 | |
You're not thinking of going ahead with the wedding? | 0:02:08 | 0:02:11 | |
Dad, her mum has just... | 0:02:11 | 0:02:12 | |
Look, it's a decent way to celebrate her life, OK. | 0:02:12 | 0:02:15 | |
And you're going to make a fantastic bridesmaid. | 0:02:15 | 0:02:17 | |
Just don't mention it to her when she wakes up. Let her... You know. | 0:02:17 | 0:02:21 | |
Are you having a laugh? It's 8 o'clock in the morning! | 0:02:25 | 0:02:28 | |
Erm, I'm doing this to pass my exams. | 0:02:28 | 0:02:30 | |
Oh, "Pass my exams." Live a little. | 0:02:30 | 0:02:33 | |
-What, like you? -Oh, you're so good. | 0:02:33 | 0:02:35 | |
Look at that - Ian Beale. He wants me to put everything back on. | 0:02:35 | 0:02:39 | |
They must have sorted things out, then. | 0:02:39 | 0:02:41 | |
How do you sort out a dead mum that quick? | 0:02:41 | 0:02:43 | |
What? | 0:02:44 | 0:02:46 | |
Well, a bit of consideration. Mandy must be devastated. | 0:02:46 | 0:02:49 | |
Yeah, your best-man speech is going to be a real tear-jerker then(!) | 0:02:49 | 0:02:53 | |
Shut up, Lauren. | 0:02:53 | 0:02:54 | |
You're just put out cos me and Jay won the TV-remote wars last night. | 0:02:54 | 0:02:59 | |
You got exams today? | 0:03:00 | 0:03:02 | |
English and Science. | 0:03:02 | 0:03:04 | |
-Feeling OK about them? -What?! | 0:03:05 | 0:03:07 | |
Dad, I ain't slept a wink. | 0:03:07 | 0:03:09 | |
Last night, I spoke to Lola, | 0:03:09 | 0:03:10 | |
she was, you know, telling me how Ian had this mad look in his eyes | 0:03:10 | 0:03:12 | |
when he threw her out the chippy. | 0:03:12 | 0:03:14 | |
-You know, like a zombie. -Well, I'll sort it. | 0:03:14 | 0:03:16 | |
He could send us down for this. | 0:03:16 | 0:03:18 | |
I'll sort it, OK? One way or another. | 0:03:18 | 0:03:20 | |
SHE GASPS Tyler, stop it! | 0:03:24 | 0:03:27 | |
I'm late for work! Don't make me bring the pain. | 0:03:27 | 0:03:29 | |
All right, all right. Guess who's got a free house tonight... | 0:03:29 | 0:03:33 | |
Er... Let me guess. Must be someone I know, or you wouldn't bother asking. | 0:03:33 | 0:03:36 | |
-Oh, OK. -Tamwar? -All right, all right. | 0:03:36 | 0:03:38 | |
I guess I'll have to invite someone else | 0:03:38 | 0:03:40 | |
-for a beautiful, candle-lit dinner for two, then. -Oh, really? | 0:03:40 | 0:03:43 | |
See you later. Don't bring Tamwar. | 0:03:45 | 0:03:47 | |
I won't. | 0:03:47 | 0:03:48 | |
There you are! Have you been avoiding my minions? | 0:03:48 | 0:03:51 | |
Because it's tantamount to avoiding me. | 0:03:51 | 0:03:53 | |
No, I've been busy with work and Tyler. | 0:03:53 | 0:03:56 | |
-OK, so have you given it much thought? -What? | 0:03:56 | 0:03:58 | |
Moving in! | 0:03:58 | 0:03:59 | |
Billy said that he'd left a message. | 0:03:59 | 0:04:01 | |
I thought Michael would be moving in? He's the dad. | 0:04:01 | 0:04:03 | |
And what is that supposed to mean? | 0:04:03 | 0:04:06 | |
Nothing. Nothing, it's just... | 0:04:06 | 0:04:07 | |
most girls would die to have some sharply dressed go-getter | 0:04:07 | 0:04:10 | |
in the house. | 0:04:10 | 0:04:11 | |
Oh, please, Michael is not moving in! | 0:04:11 | 0:04:13 | |
Look, is this a yes or a no? | 0:04:13 | 0:04:15 | |
Because if it's a no, can you please just say so. | 0:04:15 | 0:04:17 | |
Janine, it's going to be all right, OK? | 0:04:17 | 0:04:19 | |
You're going to cope. Mums always do. | 0:04:19 | 0:04:22 | |
Janine? I didn't mean anything... | 0:04:22 | 0:04:25 | |
No, I'm not accepting 40 below. | 0:04:26 | 0:04:30 | |
Well, this is London, right? | 0:04:30 | 0:04:32 | |
The prices go up. It's simple economics. | 0:04:32 | 0:04:34 | |
Well, you're the estate agent, not me. | 0:04:34 | 0:04:37 | |
Oh, Ian. Are you all right? | 0:04:38 | 0:04:40 | |
Tanya. | 0:04:40 | 0:04:41 | |
I just dropped in to see how Mandy's doing. | 0:04:41 | 0:04:43 | |
Yeah, she's asleep. | 0:04:43 | 0:04:44 | |
Max told me about her mum. It's crazy, we were only talking about her yesterday. | 0:04:44 | 0:04:48 | |
Has she ask you to be bridesmaid? | 0:04:48 | 0:04:50 | |
No. Why? She wouldn't, would she? | 0:04:50 | 0:04:52 | |
She must be distraught, poor girl. | 0:04:53 | 0:04:55 | |
Yeah, it's really knocked her for six. | 0:04:55 | 0:04:57 | |
But it's good that she's got something to focus on. | 0:04:57 | 0:05:00 | |
Oh, right. So, you're still going ahead with everything? | 0:05:00 | 0:05:03 | |
Only Max said she cancelled the venue. | 0:05:03 | 0:05:05 | |
Yeah, it's only a quick phone call. Easily done. | 0:05:05 | 0:05:07 | |
-Right, you think she'll be up to that tomorrow, do you? -Yeah. | 0:05:07 | 0:05:11 | |
Thanks for coming round. She'll really appreciate it. | 0:05:11 | 0:05:14 | |
OK, well, look, if you need us to take Bobby off your hands... | 0:05:14 | 0:05:16 | |
-Yeah, absolutely. She'll be touched. -You know where we are... -See you. | 0:05:16 | 0:05:21 | |
It's not my fault you've ended up the best man! | 0:05:21 | 0:05:24 | |
I told you not to go after him! | 0:05:24 | 0:05:26 | |
Here, look, let me make it up to you. I'll make amends. | 0:05:26 | 0:05:30 | |
Come out with me for a nice drink tonight, just the two of us, eh? | 0:05:30 | 0:05:32 | |
I want to give little Tyler and Whitney space. | 0:05:32 | 0:05:34 | |
-PHONE RINGS -Hold up, it's the venue. Hang on. Hello? Yeah. | 0:05:34 | 0:05:39 | |
What, the card was declined? | 0:05:39 | 0:05:41 | |
Yeah, well, you said the admin fee was only 50 quid! | 0:05:41 | 0:05:46 | |
And it was still declined, yeah? Hold up, hold up. | 0:05:46 | 0:05:48 | |
I've got to sort this out, Del, sorry. | 0:05:48 | 0:05:50 | |
Hang on, let me just grab the card for you. Hang on. | 0:05:50 | 0:05:53 | |
Well, good luck! | 0:05:53 | 0:05:55 | |
Yeah, I know I'm going to be very, very rich... | 0:05:55 | 0:05:57 | |
Wahey! It's just that I need some money now. | 0:05:57 | 0:06:01 | |
So I was wondering if you might have a word with Billy | 0:06:02 | 0:06:06 | |
and tell him that it was your fault I missed the interview yesterday. | 0:06:06 | 0:06:09 | |
Well, not your fault exactly... | 0:06:09 | 0:06:10 | |
Course I can. It's fine, it's fine. | 0:06:10 | 0:06:12 | |
-Just leave it with me. -Thanks. | 0:06:12 | 0:06:15 | |
I've seen Million Dollar Baby - the answer's no. | 0:06:16 | 0:06:18 | |
What? No, it's Janine, actually... | 0:06:18 | 0:06:21 | |
-Is she OK? -Why? | 0:06:21 | 0:06:23 | |
Well, she asked me to move in again earlier and I said no... | 0:06:23 | 0:06:26 | |
This is ridiculous. She'll have Billy living there before me! | 0:06:26 | 0:06:31 | |
-Aren't bridesmaids supposed to get new dresses? -I'm not sure about the red one, but the green one is OK. | 0:06:31 | 0:06:35 | |
-Can't I wear black? -No, you can't wear black. | 0:06:35 | 0:06:37 | |
It's not very sensitive, is it? The green one will be lovely. | 0:06:37 | 0:06:42 | |
How you doing, love? | 0:06:42 | 0:06:43 | |
What time is it? Why didn't you wake me? | 0:06:45 | 0:06:48 | |
Cos I thought you deserved to have a lie in, OK? | 0:06:48 | 0:06:50 | |
Now, come on. Come and sit yourself down. | 0:06:50 | 0:06:52 | |
Marie's going to cover the cafe, so we haven't got to worry about that. | 0:06:52 | 0:06:55 | |
Now, you just relax and I'll go and make you a nice cup of tea. | 0:06:55 | 0:06:59 | |
About the funeral... | 0:06:59 | 0:07:00 | |
Ian, you can stick her in the allotment with the cabbages and carrots for all I care. | 0:07:00 | 0:07:04 | |
Right... | 0:07:04 | 0:07:06 | |
What about the wedding? | 0:07:06 | 0:07:07 | |
Ian... | 0:07:09 | 0:07:11 | |
I can't go through with it. Not tomorrow. | 0:07:12 | 0:07:14 | |
Yes, you can. | 0:07:14 | 0:07:16 | |
No, Ian, I just need a little bit of time. | 0:07:16 | 0:07:21 | |
I'm not saying never. I'm not. | 0:07:21 | 0:07:23 | |
Just a couple of weeks. | 0:07:23 | 0:07:25 | |
You're overreacting. | 0:07:25 | 0:07:27 | |
My mum has just died. | 0:07:27 | 0:07:30 | |
KNOCKING AT DOOR | 0:07:30 | 0:07:32 | |
All right, Ian. It's your card, mate, it's been rejected. | 0:07:37 | 0:07:40 | |
What do you mean it's been rejected? I only just got it! | 0:07:42 | 0:07:45 | |
-Ian, it wouldn't go through, mate. -What?! Oh, come with me. | 0:07:45 | 0:07:48 | |
What do you mean he said no? | 0:07:49 | 0:07:51 | |
All right, well, did you tell him that I offered to pay cash? | 0:07:51 | 0:07:54 | |
KNOCK AT DOOR | 0:07:54 | 0:07:55 | |
OK, in that case, revise my offer down by 10,000. | 0:07:55 | 0:08:00 | |
Yes, down. And then if he still says no, | 0:08:00 | 0:08:04 | |
you can tell him that the money I lent him at the weekend, | 0:08:04 | 0:08:07 | |
I would like back. Thank you. | 0:08:07 | 0:08:09 | |
You're not buying another place, are you? | 0:08:09 | 0:08:11 | |
What did you want? | 0:08:11 | 0:08:13 | |
That's very rude. I heard you were upset, yeah? | 0:08:13 | 0:08:15 | |
-But that was ten minutes ago... -Must be Whitney. | 0:08:15 | 0:08:18 | |
Yeah. She was worried. | 0:08:18 | 0:08:20 | |
Not worried enough to move in though, right? | 0:08:20 | 0:08:22 | |
Why would you even want her to? | 0:08:22 | 0:08:24 | |
Because I'm not going to let this baby get in the way of my business. | 0:08:24 | 0:08:27 | |
With the genes that baby's getting, | 0:08:27 | 0:08:29 | |
she'll be pulling a hostile takeover in months. | 0:08:29 | 0:08:31 | |
I'm being serious, Michael, all right? I've got to get on. | 0:08:31 | 0:08:34 | |
Well, listen, I'm not moving until you ask me to move in, OK? | 0:08:34 | 0:08:39 | |
Because you've asked every other no-mark in the Square. | 0:08:39 | 0:08:42 | |
So, whenever you're ready. In your own time. | 0:08:42 | 0:08:46 | |
Is that right, Ian? | 0:08:55 | 0:08:57 | |
Well, I guess that's it, mate, innit? | 0:08:59 | 0:09:02 | |
The money for the funeral - it must have come out the account. | 0:09:02 | 0:09:05 | |
Right. Must have been expensive, was it? | 0:09:05 | 0:09:08 | |
Lend it to me. | 0:09:08 | 0:09:09 | |
Come on, Max. Look, you know I'm good for it, OK? | 0:09:10 | 0:09:12 | |
I've got the caff, I've got the chippy, I've got the house... | 0:09:12 | 0:09:15 | |
I'll pay you back, it's just a cash-flow thing. | 0:09:15 | 0:09:18 | |
It's not that, it's not that, all right? | 0:09:18 | 0:09:20 | |
I ain't being funny, but it's Mandy, innit? | 0:09:20 | 0:09:22 | |
-You know, she's the one who's cancelled all this. -She's grieving! | 0:09:22 | 0:09:25 | |
Yeah, she still is. It ain't been 24 hours, Ian. | 0:09:25 | 0:09:27 | |
-She don't want to get married tomorrow... -She does want to! | 0:09:27 | 0:09:31 | |
She just doesn't realise it yet, OK? | 0:09:31 | 0:09:34 | |
If you don't want to be my best man, just say, | 0:09:36 | 0:09:38 | |
and I can find someone else. | 0:09:38 | 0:09:40 | |
Ian, I'm not saying that, all right? | 0:09:40 | 0:09:41 | |
Then help me! I tell you what, | 0:09:41 | 0:09:43 | |
we get the smaller room at the registry office, | 0:09:43 | 0:09:45 | |
we're not going to do any food or flowers or anything. | 0:09:45 | 0:09:48 | |
Just me, Mandy, you, Lucy and Bobby. It'll cost a couple of hundred quid. | 0:09:48 | 0:09:51 | |
I thought you said you wanted it to be a magical day? | 0:09:51 | 0:09:54 | |
It will be magical. Just seeing that ring on her finger. | 0:09:54 | 0:09:57 | |
Max, please, in 48 hours' time I could be stood on that deck, | 0:09:59 | 0:10:04 | |
sipping champagne, just watching the sunset go down. | 0:10:04 | 0:10:06 | |
And all this... This stuff with Mandy's mum and the money... | 0:10:06 | 0:10:11 | |
It'll all be in the past. | 0:10:11 | 0:10:12 | |
Please, Max. | 0:10:14 | 0:10:15 | |
You've got to help me get on that ship. With my wife. | 0:10:15 | 0:10:19 | |
Please. | 0:10:20 | 0:10:21 | |
Who else have you tried? Beale, have you tried Beale? | 0:10:23 | 0:10:26 | |
Oh, come on, calm down, please. | 0:10:26 | 0:10:27 | |
No. You're asking all these different people to help you out | 0:10:27 | 0:10:30 | |
and I'm right here. | 0:10:30 | 0:10:31 | |
I've asked someone to help me with my baby, | 0:10:31 | 0:10:33 | |
I need someone to help with the baby, so I offered Whitney a job. | 0:10:33 | 0:10:36 | |
Whitney, that ex-pro... | 0:10:36 | 0:10:38 | |
-Stop. What about meal times? -What about meal times? | 0:10:38 | 0:10:40 | |
I can do meal times. I am available for meal times. | 0:10:40 | 0:10:43 | |
Yeah, I can come and sit round the table, I can eat dinner. | 0:10:43 | 0:10:46 | |
-What, like happy families? -Yeah. Just like on the telly, you know. | 0:10:46 | 0:10:49 | |
All sitting round, eating cornflakes. | 0:10:49 | 0:10:51 | |
-Oh, please! Don't you think it's just a bit drastic? -Drastic? | 0:10:51 | 0:10:54 | |
We're having a baby together and you're talking about drastic? | 0:10:54 | 0:10:57 | |
How about this, look, right... | 0:10:57 | 0:10:59 | |
Let's have dinner tonight. Just me and you. | 0:11:01 | 0:11:04 | |
And then I can stay. How about that? | 0:11:04 | 0:11:06 | |
And I can wake up in the morning, we could have breakfast. | 0:11:06 | 0:11:09 | |
Then I go to work. | 0:11:09 | 0:11:11 | |
But then I'd come back, we could have dinner again. | 0:11:11 | 0:11:13 | |
And then I stay again. See, there's a pattern emerging. | 0:11:13 | 0:11:15 | |
We could just do that ad infinitum. | 0:11:15 | 0:11:17 | |
So, like, you accidentally move in? | 0:11:17 | 0:11:20 | |
Yeah. Yeah, why stop now? | 0:11:20 | 0:11:23 | |
Go on, girl. | 0:11:23 | 0:11:24 | |
You know you'd love it. | 0:11:24 | 0:11:26 | |
I've been looking for you. What's this about you shutting the caff | 0:11:32 | 0:11:35 | |
-and going out in the street, shouting? -Billy. Buy my car. | 0:11:35 | 0:11:38 | |
Oh, yeah, like I can afford a new motor. | 0:11:38 | 0:11:40 | |
-Oi, oi, I'm talking to you. -500 quid. | 0:11:40 | 0:11:42 | |
Let me see, I've got... £2.70? | 0:11:42 | 0:11:45 | |
Oi, why are you doing this? | 0:11:46 | 0:11:48 | |
I'm going to do this without Max, or Ben, or anyone else. | 0:11:48 | 0:11:51 | |
-I can do it on my own. -Max? | 0:11:51 | 0:11:52 | |
Yeah, I'm going to be jetting off to paradise this time tomorrow. | 0:11:52 | 0:11:56 | |
That's not how it looks in the book, man! | 0:11:59 | 0:12:02 | |
Oh, what is that disgusting smell? | 0:12:02 | 0:12:04 | |
What's this? Extreme Cooking? | 0:12:04 | 0:12:07 | |
A couple of lugs of this, a drizzle of that - I've got vomit. | 0:12:07 | 0:12:09 | |
Oh, what are you doing?! | 0:12:09 | 0:12:11 | |
It says, look, the longer you cook it the better, | 0:12:11 | 0:12:13 | |
so I thought I'd start early... | 0:12:13 | 0:12:14 | |
No, what are you doing cooking chilli con carne for a young girl? | 0:12:14 | 0:12:18 | |
This is supposed to be a romantic meal. | 0:12:18 | 0:12:21 | |
Bit of fish. Light pasta dish. | 0:12:21 | 0:12:23 | |
She's a beautiful young woman, not a rugby prop forward. | 0:12:23 | 0:12:27 | |
How do you know so much about it then? | 0:12:27 | 0:12:29 | |
Common sense. | 0:12:29 | 0:12:30 | |
Oh, you amaze me, you really do. | 0:12:30 | 0:12:31 | |
I don't know how you've lasted this long. | 0:12:31 | 0:12:34 | |
Right, bin all this and we'll start from scratch. | 0:12:34 | 0:12:36 | |
Now, what shall we do? Something fancy... | 0:12:36 | 0:12:39 | |
Something she'll respond to. | 0:12:40 | 0:12:42 | |
And you know how to cook, do you? | 0:12:42 | 0:12:44 | |
When it's the difference between sitting in a cell for a ten stretch | 0:12:44 | 0:12:48 | |
or learning how to make lasagne, it ain't long before you're pinnied up | 0:12:48 | 0:12:51 | |
and standing in front of a cooker. | 0:12:51 | 0:12:52 | |
Well, do you want me to help you, or don't you? | 0:12:52 | 0:12:54 | |
I've got a poker game I could be organising. | 0:12:54 | 0:12:56 | |
Please, please, mate. Help me. | 0:12:56 | 0:12:58 | |
Good. Right. Let's get down the shops. | 0:12:58 | 0:13:01 | |
Now, you are the sous chef, | 0:13:01 | 0:13:03 | |
I am head chef, | 0:13:03 | 0:13:05 | |
which means that I am in charge, | 0:13:05 | 0:13:07 | |
and you are nothing but a maggot on the sole of my shoe. | 0:13:07 | 0:13:10 | |
-There's no change there then! -Well... Come on. | 0:13:10 | 0:13:13 | |
All right, Phil? | 0:13:17 | 0:13:19 | |
This about Jay? | 0:13:19 | 0:13:20 | |
-Ian. -Oh, right. | 0:13:20 | 0:13:23 | |
Don't bother kicking off, cos I'm done. | 0:13:23 | 0:13:25 | |
That's it. You know, I don't mind helping him out, | 0:13:25 | 0:13:28 | |
but I'm not going to lend him money. | 0:13:28 | 0:13:29 | |
I just want to know what he said to you. | 0:13:29 | 0:13:31 | |
He said he needed a best man. Which is fine. | 0:13:31 | 0:13:33 | |
I don't mind picking up the phone, saying a few words, | 0:13:33 | 0:13:36 | |
but I ain't going to lend him money, Phil, not the state he's in. | 0:13:36 | 0:13:38 | |
Well, the last I heard Ben was his best man. | 0:13:38 | 0:13:40 | |
Well, he told me Ben had exams or something, I don't know. | 0:13:40 | 0:13:43 | |
Still, if Ben wants the job back, that's fine. | 0:13:43 | 0:13:45 | |
Well, how much short is he? | 0:13:45 | 0:13:46 | |
500. Not likely, is it? | 0:13:46 | 0:13:49 | |
Before you know it, you've given him your credit card | 0:13:49 | 0:13:52 | |
and he's flying her off to Disneyland | 0:13:52 | 0:13:54 | |
in a Minnie Mouse helicopter. | 0:13:54 | 0:13:56 | |
Phil, you ain't going to see that money back. | 0:13:56 | 0:13:58 | |
I don't care. I just want you to do your job properly | 0:13:58 | 0:14:00 | |
and then Ben can stop worrying about his brother. | 0:14:00 | 0:14:03 | |
Do me a favour, calm him down before he gets himself sectioned. | 0:14:03 | 0:14:06 | |
You're going to need more than this, Phil. For the car an' all that. | 0:14:06 | 0:14:10 | |
I'll sort the car. | 0:14:10 | 0:14:12 | |
I lost my mum. | 0:14:18 | 0:14:19 | |
So? What, you want to be best friends now, do you? | 0:14:21 | 0:14:25 | |
Dead Mums Brigade? | 0:14:25 | 0:14:27 | |
I was just saying... | 0:14:27 | 0:14:29 | |
-Right, I'm selling the car. -Stop selling everything! | 0:14:29 | 0:14:31 | |
-No, everything's falling into place. -I need to get out of here. | 0:14:31 | 0:14:34 | |
No. You can't. I've got a surprise for you, OK? An announcement. | 0:14:34 | 0:14:38 | |
-What? -It deserves a bit of ceremony, OK. | 0:14:38 | 0:14:40 | |
Everything's got to be perfect, hasn't it? | 0:14:40 | 0:14:42 | |
So, I'm going to go get us a curry and a bottle of wine. | 0:14:42 | 0:14:45 | |
Look, I promise you, everything's got to be perfect, all right? | 0:14:45 | 0:14:48 | |
Just stay there, yeah? Have you got any money? | 0:14:48 | 0:14:51 | |
I thought you'd sold the car? | 0:14:51 | 0:14:53 | |
Make sure she doesn't leave. | 0:14:53 | 0:14:55 | |
Potato rosti. Sounds well-posh. | 0:14:57 | 0:14:58 | |
Yeah, and all you've done is fry up a couple of potatoes. | 0:14:58 | 0:15:02 | |
I'm amazed they had you doing this inside, mate. | 0:15:02 | 0:15:05 | |
Well, I met this guy, fellow con. | 0:15:05 | 0:15:07 | |
Quite a funny story, actually. | 0:15:07 | 0:15:08 | |
Oh, yeah? Go on. | 0:15:08 | 0:15:10 | |
Well, I'd been in about a year, right. | 0:15:10 | 0:15:14 | |
So I get a call up to the warden's office. | 0:15:14 | 0:15:16 | |
I walk in, he's looking at me, | 0:15:17 | 0:15:18 | |
he says, "I'm sorry, Branning, it's a Dear John." | 0:15:18 | 0:15:23 | |
Dear John? What's that? | 0:15:23 | 0:15:24 | |
It's a letter you get from your missus, | 0:15:24 | 0:15:26 | |
when she's informing you it's all over. | 0:15:26 | 0:15:28 | |
Oof! Ouch. | 0:15:28 | 0:15:29 | |
No greater ouch, mate. | 0:15:29 | 0:15:31 | |
There's nothing you can do about it on the inside. | 0:15:31 | 0:15:33 | |
You see, the screws, they all read your mail, | 0:15:33 | 0:15:36 | |
so he knew what to expect. | 0:15:36 | 0:15:37 | |
He's looking at me, he goes, | 0:15:37 | 0:15:39 | |
"Branning, you need the doctor." | 0:15:39 | 0:15:42 | |
Do you know what he gave me? | 0:15:42 | 0:15:45 | |
Three sleeping pills. Three sleeping pills for a broken heart. | 0:15:45 | 0:15:49 | |
Did she give a reason? | 0:15:49 | 0:15:51 | |
Pain of separation, she put it down to. | 0:15:51 | 0:15:54 | |
Should have tried it from my side! | 0:15:54 | 0:15:55 | |
Anyway, couple of days later, a geezer comes up to me. | 0:15:55 | 0:15:58 | |
Heard I'd had a Dear John. He'd had one the week before. | 0:15:58 | 0:16:02 | |
What, this is your chef mate, yeah? | 0:16:02 | 0:16:04 | |
Yeah. We used to sit in my cell, planning our escape. | 0:16:04 | 0:16:08 | |
How we were going to win our women back in an hail of bullets! | 0:16:08 | 0:16:12 | |
See? You can do romance! | 0:16:12 | 0:16:14 | |
And then we realised | 0:16:14 | 0:16:16 | |
that it was easier to have nothing on the outside. | 0:16:16 | 0:16:19 | |
And that's when he taught me how to cook. | 0:16:19 | 0:16:21 | |
Well, thank God for that, | 0:16:21 | 0:16:23 | |
because this salmon and rosti is going to go down a storm. | 0:16:23 | 0:16:26 | |
There you go. | 0:16:26 | 0:16:28 | |
It'll be done soon and then I'm off to the dogs. | 0:16:28 | 0:16:31 | |
Dogs? I thought you was going poker? | 0:16:31 | 0:16:33 | |
Yeah, poker. | 0:16:34 | 0:16:35 | |
-Think I got the shakes. -Let me do it, then... | 0:16:39 | 0:16:41 | |
I'm joking! | 0:16:41 | 0:16:42 | |
Did you get on it last night? | 0:16:43 | 0:16:45 | |
You are going to look so beautiful. | 0:16:46 | 0:16:48 | |
Tyler's going to do himself a mischief when he sees you. | 0:16:48 | 0:16:51 | |
Shut up! | 0:16:51 | 0:16:52 | |
Don't wiggle about, cos I'm going to ruin it. | 0:16:52 | 0:16:55 | |
Well, hurry up. I know you want a drink at the Vic. | 0:16:55 | 0:16:59 | |
I like it. | 0:16:59 | 0:17:00 | |
KNOCKING AT DOOR | 0:17:03 | 0:17:06 | |
All right, Max? | 0:17:08 | 0:17:10 | |
-You all right, Mandy? Come in. -Thanks. | 0:17:10 | 0:17:13 | |
Tanya's still at work, I think. She'll be back soon. | 0:17:13 | 0:17:16 | |
I'm... I'm sorry, you know, for your loss. | 0:17:18 | 0:17:22 | |
Have I lost something? | 0:17:22 | 0:17:24 | |
I'm always doing that. | 0:17:24 | 0:17:26 | |
My purse... | 0:17:26 | 0:17:29 | |
car keys... | 0:17:29 | 0:17:30 | |
You know, anything that's not physically attached to me... | 0:17:30 | 0:17:34 | |
-SHE SOBS -I'm so sorry. | 0:17:34 | 0:17:36 | |
It's all right. Come here. Come here. | 0:17:36 | 0:17:40 | |
Dad, we're just popping out... | 0:17:40 | 0:17:43 | |
-Come on, Mandy, it's all right. -I'm so sorry. | 0:17:46 | 0:17:48 | |
It's OK, it's all right. Come here. | 0:17:48 | 0:17:51 | |
DOOR OPENS | 0:17:51 | 0:17:53 | |
-How'd they go? -All right. | 0:17:55 | 0:17:58 | |
I dunno, I missed out a couple of questions. | 0:17:58 | 0:18:00 | |
-Well, at least they're over. -What about Ian? | 0:18:00 | 0:18:03 | |
Well, Max is best man, so hopefully it'll keep him in line. | 0:18:03 | 0:18:06 | |
-Why Max? -He trusts him, I dunno. | 0:18:06 | 0:18:09 | |
It's always Max. Everywhere I look. | 0:18:09 | 0:18:11 | |
Well, maybe he'll sort his head out. | 0:18:11 | 0:18:14 | |
Yeah, maybe he can't. | 0:18:14 | 0:18:16 | |
I mean, what if... I dunno... | 0:18:16 | 0:18:19 | |
But what if he makes a call when he's safe on the other side of the world? | 0:18:19 | 0:18:22 | |
Stop making up all these fantasies, will you? You're as bad as Ian. | 0:18:22 | 0:18:27 | |
-Is that mine? -Yep. | 0:18:27 | 0:18:28 | |
I forgot my wallet, you'll have to stick it on the tab. | 0:18:28 | 0:18:30 | |
You still owe me for the sandwich you didn't let me finish yesterday! | 0:18:30 | 0:18:33 | |
-What was that worth - a quid? Stick it on the tab. -Oi, hang on! -It's all right. I'll get it. | 0:18:33 | 0:18:37 | |
Oi! | 0:18:42 | 0:18:44 | |
What's all that about? | 0:18:45 | 0:18:47 | |
She wanted a curry. She hasn't eaten all day. | 0:18:47 | 0:18:49 | |
We need to talk. Cos I ain't having you sailing off and running away. | 0:18:49 | 0:18:52 | |
-I told you. This time tomorrow I'll be gone. -You ain't going anywhere. | 0:18:52 | 0:18:55 | |
-You ain't going on no cruise, and you ain't selling your house. -You can't tell me what to do! | 0:18:55 | 0:18:59 | |
-Me and you, we had a deal, yeah? -Her mum died, OK? | 0:18:59 | 0:19:02 | |
If I can't convince her to marry me, | 0:19:02 | 0:19:04 | |
to come on this honeymoon and make a fresh start, then it is over! | 0:19:04 | 0:19:07 | |
Now, that might suit you, | 0:19:07 | 0:19:09 | |
but if it is over, then I have got nothing to live for, OK? | 0:19:09 | 0:19:12 | |
Do you understand me? | 0:19:12 | 0:19:14 | |
-Ian, mate, just calm down, yeah.? -Mate?! -Just take it easy. | 0:19:14 | 0:19:16 | |
You've taken on too much, just put something off... | 0:19:16 | 0:19:19 | |
I haven't taken on too much, it's my life! | 0:19:19 | 0:19:21 | |
-What about our life? -You haven't got a life, you threw it away! -Just leave him alone. | 0:19:21 | 0:19:24 | |
You might think I'm the one who's cracking up, but it's not, OK? | 0:19:24 | 0:19:27 | |
It's you two that are cracking up. | 0:19:27 | 0:19:28 | |
So don't worry about me, just worry about each other. | 0:19:28 | 0:19:32 | |
Phil, please! Phil! Please, Phil! | 0:19:32 | 0:19:34 | |
You're just itching to talk, aren't you? It's just bursting out of you! | 0:19:34 | 0:19:37 | |
No! I'm not the one who does that, am I? | 0:19:37 | 0:19:39 | |
Now, Ben... Ben is your brother, yeah? | 0:19:39 | 0:19:41 | |
And me, I'm like a step-dad. So you and me, | 0:19:41 | 0:19:44 | |
we're like family, really, aren't we, yeah? | 0:19:44 | 0:19:46 | |
And betraying your family is the ultimate. | 0:19:46 | 0:19:48 | |
Betraying your family | 0:19:48 | 0:19:50 | |
is crossing the line. Do you understand me? | 0:19:50 | 0:19:53 | |
I won't... I won't. | 0:19:55 | 0:19:58 | |
I just... | 0:19:58 | 0:20:00 | |
want to get married. | 0:20:00 | 0:20:02 | |
It's all I've got left. | 0:20:04 | 0:20:05 | |
Come on, then. I'll walk you round there. | 0:20:18 | 0:20:20 | |
I quite like being a chaperone. | 0:20:20 | 0:20:21 | |
Ha! I'd say more "personal taxi". | 0:20:21 | 0:20:24 | |
Oi! | 0:20:24 | 0:20:26 | |
Look at you, smiling from ear to ear. | 0:20:26 | 0:20:29 | |
Well, I just... | 0:20:29 | 0:20:32 | |
I never thought I'd get here again. | 0:20:32 | 0:20:34 | |
What, Albert Square? | 0:20:34 | 0:20:36 | |
No. You know the... | 0:20:36 | 0:20:38 | |
You know the butterfly feeling in your tummy? | 0:20:38 | 0:20:41 | |
SHE SNORTS | 0:20:41 | 0:20:43 | |
And I have come a long way from all that stuff with Rob. | 0:20:43 | 0:20:48 | |
Yeah, it's about time someone made a fuss of you, | 0:20:48 | 0:20:51 | |
cos you're all right. | 0:20:51 | 0:20:52 | |
Oh, I'm all right, am I? | 0:20:52 | 0:20:54 | |
Yes. You really are. | 0:20:54 | 0:20:56 | |
THEY GIGGLE | 0:20:59 | 0:21:01 | |
Ah, just the man. | 0:21:01 | 0:21:03 | |
If you've come to tell me I'm on washing-up duty, I've clocked off. | 0:21:03 | 0:21:06 | |
No, no, no, I've had a word with her. Won't happen again. | 0:21:06 | 0:21:08 | |
I appreciate that. Thanks, Michael. | 0:21:10 | 0:21:12 | |
That's all right, Billy. I like you. That's why I wanted to have a word. | 0:21:12 | 0:21:15 | |
Oh, yeah? | 0:21:15 | 0:21:17 | |
Yeah. When you bring someone in to any business, | 0:21:17 | 0:21:19 | |
everything they do, EVERYTHING, reflects on you, yeah? | 0:21:19 | 0:21:23 | |
If they're great, everybody loves you. If they're terrible... | 0:21:23 | 0:21:27 | |
I know it's unfair, but that's just the deal of being a worker bee. | 0:21:28 | 0:21:32 | |
Now I'm a big fan of you, Billy, like I said. | 0:21:32 | 0:21:35 | |
And that's why I don't want Janine blaming you | 0:21:35 | 0:21:39 | |
if someone else messes up. | 0:21:39 | 0:21:40 | |
You need to ask yourself the serious question, | 0:21:40 | 0:21:42 | |
"Do I feel comfortable having someone like Jean..." | 0:21:42 | 0:21:45 | |
"..represent me?" Yeah? | 0:21:47 | 0:21:50 | |
Sorry, sorry, sorry. I'm at sixes and sevens today! | 0:21:50 | 0:21:54 | |
Oh! That's better, right, OK. | 0:21:55 | 0:21:58 | |
I'm sorry, I dunno why I came here... | 0:21:58 | 0:22:01 | |
It's all right. Don't be silly, it's fine. | 0:22:01 | 0:22:05 | |
What was it, you didn't want to be alone? | 0:22:05 | 0:22:07 | |
Probably too late for that. | 0:22:09 | 0:22:12 | |
You grow up a certain way, don't you? | 0:22:12 | 0:22:14 | |
Yeah, yeah. Yeah, I guess you do, yeah. | 0:22:15 | 0:22:18 | |
How can you cry for someone you hate? | 0:22:20 | 0:22:23 | |
Mandy, look it ain't really my place to say but, you know, | 0:22:23 | 0:22:27 | |
maybe all this is, you know, a chance to move on, innit. | 0:22:27 | 0:22:30 | |
I need a lot of time to think. | 0:22:32 | 0:22:34 | |
Well, you know, you'll get that on the cruise, won't you? | 0:22:34 | 0:22:38 | |
-What cruise? -The honeymoon. | 0:22:40 | 0:22:42 | |
I weren't meant to say anything. Ian managed to sort the tickets out. | 0:22:42 | 0:22:46 | |
I think you're going the day after tomorrow. | 0:22:46 | 0:22:48 | |
Right. So that's what the big announcement's all about. | 0:22:48 | 0:22:53 | |
Yeah, well, sounds like you could do with a break. | 0:22:53 | 0:22:56 | |
And you ain't got to worry about the funeral, | 0:22:56 | 0:22:58 | |
that's all taken care of. | 0:22:58 | 0:23:00 | |
Who's taken care of it? | 0:23:00 | 0:23:02 | |
Well, Ian has. | 0:23:02 | 0:23:03 | |
But I told him, I told him not to bother. | 0:23:03 | 0:23:05 | |
Well she needs burying, don't she? | 0:23:05 | 0:23:07 | |
She's my mum, Max! Not yours. | 0:23:10 | 0:23:13 | |
Not Ian's. She's mine. | 0:23:13 | 0:23:16 | |
And if I say let her rot in them allotments, then just let her rot! | 0:23:16 | 0:23:19 | |
Your rosti does not look like Mussolini. | 0:23:23 | 0:23:25 | |
You don't even know who Mussolini is. | 0:23:25 | 0:23:26 | |
Yeah, but it's a potato, ain't it! | 0:23:26 | 0:23:29 | |
Your boy's been cooking up a storm! | 0:23:33 | 0:23:35 | |
You look beautiful. | 0:23:35 | 0:23:37 | |
Thanks. | 0:23:37 | 0:23:38 | |
Please, madam. | 0:23:38 | 0:23:40 | |
Three plates. | 0:23:42 | 0:23:43 | |
Careful, they're hot, them. | 0:23:43 | 0:23:45 | |
Yeah, I thought there was plenty of food, so, you know, I asked Derek. | 0:23:45 | 0:23:49 | |
Yeah, right, right. | 0:23:49 | 0:23:52 | |
You know what, it's always the way, innit. | 0:23:52 | 0:23:56 | |
You do the cooking and you lose your appetite. | 0:23:56 | 0:23:59 | |
No, there's plenty of food to go round, right, Ty? | 0:23:59 | 0:24:01 | |
Yeah. Yeah, I mean you've done most of the work, mate. | 0:24:01 | 0:24:04 | |
Nah. | 0:24:04 | 0:24:06 | |
I'll grab mine later. | 0:24:06 | 0:24:08 | |
Right, so it's just us then. | 0:24:16 | 0:24:18 | |
Yep. | 0:24:18 | 0:24:20 | |
So, I guess we can switch the romance back on now then, yeah? | 0:24:20 | 0:24:23 | |
-Tell Mandy I'm dishing up. Just got to lay the table. -She's gone. | 0:24:29 | 0:24:33 | |
What? | 0:24:33 | 0:24:35 | |
You booked a funeral? | 0:24:35 | 0:24:37 | |
It's OK, you haven't left... | 0:24:37 | 0:24:38 | |
When I asked you, I asked you not to? | 0:24:38 | 0:24:41 | |
-He was trying to help. -Don't! | 0:24:41 | 0:24:43 | |
Lucy, just don't. Not with this, all right? | 0:24:44 | 0:24:47 | |
So what, you think that was going to work, did you? | 0:24:47 | 0:24:50 | |
Put her in the ground. | 0:24:50 | 0:24:51 | |
Just sweep her under the carpet and everything goes away? | 0:24:51 | 0:24:54 | |
No. No, that's not how I saw it in my head, no. | 0:24:54 | 0:24:58 | |
Mandy, what I thought, right, was, I'd get us a nice curry | 0:24:58 | 0:25:01 | |
and a bottle of wine, | 0:25:01 | 0:25:03 | |
I'd set the table nicely, light some candles and then... | 0:25:03 | 0:25:07 | |
Then I'd give you these. | 0:25:08 | 0:25:10 | |
Look, I just thought that if we could get married, OK, | 0:25:12 | 0:25:15 | |
and we can get on the plane, | 0:25:15 | 0:25:18 | |
a couple of hours, you'd be in paradise. | 0:25:18 | 0:25:21 | |
Look, there'd be no more caff, no more chippy, | 0:25:22 | 0:25:25 | |
no more Albert Square, no more being laughed at. | 0:25:25 | 0:25:27 | |
And I thought, once you were on that ship, | 0:25:30 | 0:25:32 | |
you'll have time to relax and think and... | 0:25:32 | 0:25:36 | |
maybe you'd realise then that what your mum said was wrong, OK? | 0:25:36 | 0:25:41 | |
She's the one who couldn't be loved. | 0:25:41 | 0:25:45 | |
She's the one who's messed up. | 0:25:45 | 0:25:48 | |
She wanted it to be you, but it's not you, is it? | 0:25:48 | 0:25:53 | |
It can't be you. Because... | 0:25:53 | 0:25:56 | |
Because I love you. | 0:25:56 | 0:25:59 | |
Look, I just thought that, once we'd buried her, OK... | 0:25:59 | 0:26:03 | |
..you could start to look forward, instead of always looking back. | 0:26:05 | 0:26:09 | |
But I don't know how I feel about what's happened. | 0:26:10 | 0:26:14 | |
You don't need to know how you feel about all that. | 0:26:15 | 0:26:19 | |
You just need to know how you feel about me. | 0:26:19 | 0:26:22 | |
Um... | 0:26:27 | 0:26:28 | |
why don't you set the table for dinner and I'll go and get changed. | 0:26:28 | 0:26:32 | |
Here she is! My new flatmate. | 0:26:39 | 0:26:41 | |
Hello. | 0:26:41 | 0:26:43 | |
Hello. How about a celebratory bitter lemon? | 0:26:43 | 0:26:45 | |
Lovely, thank you. | 0:26:45 | 0:26:46 | |
A celebratory bitter lemon? | 0:26:46 | 0:26:48 | |
We're moving in together. | 0:26:48 | 0:26:51 | |
Michael, that woman is not a nice woman. | 0:26:51 | 0:26:54 | |
She's the mother of my unborn child, Jean. | 0:26:55 | 0:26:58 | |
Well, I've got some news. | 0:27:01 | 0:27:04 | |
Billy gave me the job! | 0:27:04 | 0:27:06 | |
So what you said worked. | 0:27:06 | 0:27:09 | |
He said, us worker bees have to stick together. | 0:27:09 | 0:27:12 | |
I'm in your debt! | 0:27:12 | 0:27:14 | |
-There you go. -Thank you. | 0:27:18 | 0:27:21 | |
I'm going to need a photo of you. | 0:27:21 | 0:27:23 | |
What for? | 0:27:23 | 0:27:25 | |
My wallet. | 0:27:25 | 0:27:26 | |
SHE CHUCKLES | 0:27:28 | 0:27:30 | |
Well, he certainly knows how to make a girl feel special, doesn't he? | 0:27:43 | 0:27:47 | |
Oh, yeah, he's upstairs, emptying a bottle of aftershave | 0:27:47 | 0:27:50 | |
all over himself, as we speak. | 0:27:50 | 0:27:52 | |
You know, it's going to be so nice, | 0:27:52 | 0:27:55 | |
not having you around on this honeymoon. | 0:27:55 | 0:27:58 | |
I'm not going to let you marry my dad. | 0:27:59 | 0:28:01 | |
Oh, I'm going to marry him. | 0:28:03 | 0:28:05 | |
Just to ruin your day. | 0:28:05 | 0:28:06 | |
All set? | 0:28:08 | 0:28:09 | |
Mm-hm. | 0:28:09 | 0:28:10 | |
Subtitles by Red Bee Media Ltd | 0:28:16 | 0:28:19 |