Browse content similar to 17/08/2012. Check below for episodes and series from the same categories and more!
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It's the police. | 0:00:42 | 0:00:43 | |
You need to stop worrying about what he's saying | 0:00:48 | 0:00:51 | |
and concentrate on what you're going to say. | 0:00:51 | 0:00:54 | |
He thinks he's making things right. | 0:00:54 | 0:00:57 | |
But getting put away, it don't make you an hero, it makes you a mug. | 0:00:57 | 0:01:01 | |
People think, don't they, that it'll cure them. | 0:01:03 | 0:01:06 | |
Wash away their sins, like confession or something. | 0:01:06 | 0:01:09 | |
I never met an ex con who thinks that. | 0:01:11 | 0:01:13 | |
I expect he thinks he's doing the noble thing. | 0:01:13 | 0:01:15 | |
There's nothing noble in a six by four cell. | 0:01:15 | 0:01:18 | |
You need to stick to your story. | 0:01:21 | 0:01:23 | |
You met them at the garage. You went home for dinner. | 0:01:23 | 0:01:26 | |
And what about before I got there? | 0:01:27 | 0:01:29 | |
How could you know what happened before you got there? | 0:01:29 | 0:01:32 | |
He refused your help. Didn't want to see me. | 0:01:33 | 0:01:36 | |
You got to the garage at 7.20, | 0:01:37 | 0:01:40 | |
just like you said in your statement. | 0:01:40 | 0:01:42 | |
Whatever happened before... | 0:01:42 | 0:01:44 | |
happened before. | 0:01:44 | 0:01:45 | |
It was just me. Why's that so hard to believe? | 0:01:49 | 0:01:52 | |
Calm down, Ben. You've got what you want. We're listening. | 0:01:52 | 0:01:55 | |
I'm just saying. I was on my own. | 0:01:55 | 0:01:58 | |
As you're so keen to assert. | 0:02:00 | 0:02:01 | |
How long are they taking? Have they found anything yet? | 0:02:02 | 0:02:06 | |
"There were signs of a break-in when we entered the property." | 0:02:19 | 0:02:22 | |
Yeah, well, I roughed it up a bit, | 0:02:22 | 0:02:23 | |
you know, made it look like a burglary. | 0:02:23 | 0:02:25 | |
What made you do that? | 0:02:25 | 0:02:27 | |
That's a bit of a stupid question, innit? | 0:02:27 | 0:02:29 | |
I'm just trying to figure out how a frightened, | 0:02:29 | 0:02:32 | |
16-year-old boy had the presence of mind | 0:02:32 | 0:02:34 | |
to cover his tracks moments after killing a close friend. | 0:02:34 | 0:02:39 | |
Yeah, well, everything was sharp, you know, | 0:02:39 | 0:02:41 | |
it was like I was seeing it in HD. | 0:02:41 | 0:02:42 | |
Must have been the adrenaline or something. | 0:02:42 | 0:02:45 | |
So it just occurred to you to fake a burglary? | 0:02:45 | 0:02:47 | |
Yeah. | 0:02:47 | 0:02:49 | |
And when I done that, it occurred to me | 0:02:49 | 0:02:51 | |
that I needed to change my clothes. | 0:02:51 | 0:02:53 | |
So I went to the Arches and, well, Jay was there. | 0:02:53 | 0:02:55 | |
Ah, yes, Jay. Of course. Tell me about Jay. | 0:02:55 | 0:03:00 | |
Well, he was there... and he was working on a car. | 0:03:04 | 0:03:10 | |
Well, at least Jay was, Ben was holding the lamp. | 0:03:10 | 0:03:14 | |
It's about as technical as he can get. | 0:03:14 | 0:03:16 | |
But you've got all this in my statement, ain't you? | 0:03:16 | 0:03:19 | |
How did Ben seem? | 0:03:19 | 0:03:22 | |
Fine. | 0:03:22 | 0:03:23 | |
You'd just been released from custody | 0:03:23 | 0:03:25 | |
after he lied to put you there and he seemed fine? | 0:03:25 | 0:03:29 | |
I'd be terrified if you were my dad. | 0:03:29 | 0:03:31 | |
Well, I wouldn't have a son like you. | 0:03:31 | 0:03:33 | |
I asked you how he seemed. | 0:03:35 | 0:03:36 | |
He said sorry. That he wanted to sort things out. | 0:03:39 | 0:03:42 | |
That he wanted us to be a proper family again. | 0:03:42 | 0:03:44 | |
I said sure. And he was relieved. | 0:03:44 | 0:03:47 | |
No, he didn't seem like he'd just killed someone. | 0:03:47 | 0:03:50 | |
But he could have done. | 0:03:50 | 0:03:52 | |
It took you...an hour to get there after you'd been released. | 0:03:52 | 0:03:57 | |
When was the last time you used a bus? | 0:03:57 | 0:03:59 | |
Still, you didn't get there till 7.20. | 0:03:59 | 0:04:02 | |
-He could have done it before. -He was with Jay. | 0:04:02 | 0:04:05 | |
Oh, that's right. He was with Jay. | 0:04:05 | 0:04:09 | |
What do you mean, what did we talk about? | 0:04:12 | 0:04:14 | |
I mean just that. You'd just left Heather's body. | 0:04:14 | 0:04:18 | |
Her child was asleep in his bed. You must have been terrified. | 0:04:18 | 0:04:22 | |
Didn't Jay notice you acting strangely? | 0:04:23 | 0:04:25 | |
No. | 0:04:26 | 0:04:27 | |
He didn't wonder why you needed to change clothes? | 0:04:27 | 0:04:31 | |
Change clothes? | 0:04:31 | 0:04:32 | |
Yes. That's why you went to the garage, right? | 0:04:32 | 0:04:35 | |
Yeah, yeah, yeah. | 0:04:35 | 0:04:36 | |
Right. So, what did he say when you started to change clothes? | 0:04:36 | 0:04:40 | |
Nothing. | 0:04:42 | 0:04:43 | |
He didn't think it odd? | 0:04:43 | 0:04:45 | |
As my client said, Jay was busy working on the car. | 0:04:47 | 0:04:51 | |
Now, according to your statements taken on that night, you were working on it together. | 0:04:53 | 0:04:58 | |
Look, Jay's not important, all right? It was just me! I did it. Not him. | 0:04:58 | 0:05:02 | |
Why would I think he'd done it? | 0:05:02 | 0:05:05 | |
I came back to the only place I knew, | 0:05:09 | 0:05:11 | |
banging on Phil Mitchell's door in my wedding dress. | 0:05:11 | 0:05:14 | |
I just didn't know how I was going to get Denny back, you know. | 0:05:14 | 0:05:18 | |
How long does it take to go to the loo, eh? | 0:05:18 | 0:05:21 | |
He's all right. So, what now? | 0:05:21 | 0:05:23 | |
Hmm? Oh, Kimberly's Palace? Apparently it's OK. | 0:05:23 | 0:05:28 | |
You do remember that you invited us to the pub? | 0:05:29 | 0:05:32 | |
Join us. If you trust your husband anywhere near me. | 0:05:32 | 0:05:36 | |
I thought you liked them the right side of 30. | 0:05:36 | 0:05:39 | |
Go back to your friends, Jack. | 0:05:41 | 0:05:43 | |
They're not my friends. | 0:05:43 | 0:05:45 | |
See, that's my family and I'm stuck with them, ain't I? | 0:05:45 | 0:05:47 | |
You're not stuck with me. | 0:05:47 | 0:05:49 | |
No. I'm sitting here because I want to sit here. | 0:05:49 | 0:05:54 | |
Where's Bobby's games? | 0:06:21 | 0:06:24 | |
We had to sell most of them. To buy food. | 0:06:24 | 0:06:28 | |
Thank you. | 0:06:40 | 0:06:41 | |
What? That's it? | 0:06:42 | 0:06:43 | |
We need to investigate whether you were involved in a cover-up, | 0:06:43 | 0:06:46 | |
but you can't account for Ben's whereabouts at the time of the murder. | 0:06:46 | 0:06:49 | |
No, I never said that. | 0:06:49 | 0:06:50 | |
PHONE BEEPS | 0:06:50 | 0:06:52 | |
Excuse me a moment. | 0:06:57 | 0:06:59 | |
Hang on a sec, I never said that! I never said that! | 0:06:59 | 0:07:03 | |
I'm still waiting for an answer, Ben. | 0:07:07 | 0:07:11 | |
KNOCK AT THE DOOR | 0:07:13 | 0:07:15 | |
Yeah? | 0:07:15 | 0:07:16 | |
-For the benefit of the tape, DS Crisp has entered the room. -We're at the property now. | 0:07:16 | 0:07:20 | |
Finally! | 0:07:20 | 0:07:22 | |
They haven't found a picture frame. | 0:07:22 | 0:07:24 | |
I left it on the table! I swear! | 0:07:25 | 0:07:27 | |
Either you're lying and none of this is true, | 0:07:27 | 0:07:29 | |
or your family's hidden it, | 0:07:29 | 0:07:30 | |
which makes them an accessory to murder. | 0:07:30 | 0:07:32 | |
Nobody else knows about it. Nobody apart from me. | 0:07:34 | 0:07:37 | |
Interview suspended at 22.20. | 0:07:39 | 0:07:43 | |
I hope you're right. | 0:07:43 | 0:07:44 | |
Or you're going to end up taking everyone down with you. | 0:07:44 | 0:07:47 | |
So, what are you playing at? | 0:07:54 | 0:07:55 | |
-I'm just giving the girl some company. -Pfft! | 0:07:55 | 0:07:58 | |
GLASS SMASHES | 0:07:58 | 0:08:00 | |
-Oh! -Careful, darling! | 0:08:00 | 0:08:01 | |
Take that off. Oh, what have you done? | 0:08:01 | 0:08:03 | |
Here, have a tissue. | 0:08:03 | 0:08:04 | |
I got another one for you here. Look. | 0:08:04 | 0:08:08 | |
It's too big! | 0:08:08 | 0:08:10 | |
It's not too big. It's the fashion. | 0:08:10 | 0:08:11 | |
Everyone's wearing them too big now, aren't they, Max? | 0:08:11 | 0:08:15 | |
Yeah. | 0:08:15 | 0:08:16 | |
-Yeah, see? You look the part. -What you doing? | 0:08:16 | 0:08:18 | |
I poured my drink over him. | 0:08:18 | 0:08:20 | |
Well, you can't take this. It's far too big. | 0:08:20 | 0:08:23 | |
Go on, he can borrow it. | 0:08:23 | 0:08:25 | |
-You're supposed to wear them big, Mum. -I said give it back! | 0:08:25 | 0:08:28 | |
Come on, we've got to get to the B&B before it locks up. | 0:08:28 | 0:08:30 | |
Give the kid a break. | 0:08:30 | 0:08:31 | |
Excuse me? What do you know about my life, eh? | 0:08:31 | 0:08:33 | |
Listen, you've only just bought these drinks, ain't you? | 0:08:33 | 0:08:36 | |
Look, thanks for everything, you've been really kind. | 0:08:36 | 0:08:39 | |
Yeah, well, you're easy to be kind to. | 0:08:39 | 0:08:41 | |
Come on, Denny, it's just across the Square. | 0:08:41 | 0:08:44 | |
She's a piece of work, she is. | 0:08:44 | 0:08:45 | |
Sharon. | 0:08:45 | 0:08:47 | |
Look, Kim's place ain't all that. Come to mine. | 0:08:50 | 0:08:54 | |
I got a big telly, computer games. | 0:08:54 | 0:08:56 | |
Amazing! | 0:08:56 | 0:08:58 | |
-Look, we don't know you. -Look, just let me help. -Why? | 0:08:58 | 0:09:00 | |
Ain't like that. It's not safe out there. | 0:09:00 | 0:09:04 | |
It's late. | 0:09:04 | 0:09:05 | |
How do I know it's safe at yours? | 0:09:05 | 0:09:07 | |
Oh, right, so first off you say I look like some crooked diamond dealer, | 0:09:07 | 0:09:11 | |
and now I look like a serial killer, do I? | 0:09:11 | 0:09:13 | |
Clearly, you need to work on your image. | 0:09:13 | 0:09:15 | |
Image? | 0:09:15 | 0:09:17 | |
I'm not the one walking round the streets with a kid, am I? | 0:09:17 | 0:09:19 | |
I didn't mean that. | 0:09:19 | 0:09:21 | |
Listen, my place ain't exactly the honeymoon suite, | 0:09:21 | 0:09:24 | |
but it's better than an hostel. | 0:09:24 | 0:09:26 | |
And if you don't trust me, take the keys, I'll stay at my brother's. | 0:09:26 | 0:09:30 | |
Please, Mum. | 0:09:32 | 0:09:34 | |
KNOCK AT THE DOOR | 0:09:40 | 0:09:42 | |
Shirley, I'm sorry about this. | 0:09:47 | 0:09:49 | |
Yeah, course you are. | 0:09:49 | 0:09:51 | |
Any idea why the object isn't where Ben tells us it is? | 0:09:51 | 0:09:54 | |
-Jay, I'm going to need you to come down to the station. -Why? | 0:09:57 | 0:10:00 | |
-What do you want to talk to him for? -Just routine. | 0:10:00 | 0:10:03 | |
If you'd like to go with one of my colleagues. | 0:10:03 | 0:10:05 | |
Why don't you and me have a little talk? | 0:10:14 | 0:10:16 | |
I was just looking. | 0:10:41 | 0:10:43 | |
You can have the soup, Dad. You're in my room. | 0:10:43 | 0:10:48 | |
But I'm not making the bed for you. | 0:10:48 | 0:10:50 | |
Well, what about my bed? | 0:10:51 | 0:10:52 | |
I'm in there with Joey. He'll be back later. | 0:10:52 | 0:10:57 | |
And I'm not cooking for you, either. | 0:11:02 | 0:11:03 | |
Sorry. | 0:11:10 | 0:11:12 | |
For what? Just don't make a noise when you come up. | 0:11:13 | 0:11:19 | |
You know why we're here? Ben's confessed to murdering Heather. | 0:11:30 | 0:11:34 | |
Must be a shock. Assuming you knew nothing about it. | 0:11:37 | 0:11:40 | |
What do you take me for? | 0:11:40 | 0:11:42 | |
Can't say I believe him. Ending a life, it's profound. | 0:11:44 | 0:11:50 | |
Has a profound effect. | 0:11:50 | 0:11:51 | |
I can't believe he could just sit round a dinner table with you all | 0:11:51 | 0:11:54 | |
and manage not to give himself away. | 0:11:54 | 0:11:56 | |
He's too fragile. | 0:11:56 | 0:11:58 | |
Don't let him fool you. | 0:11:59 | 0:12:00 | |
So you think he did it? Why? | 0:12:07 | 0:12:12 | |
He's just a little boy. | 0:12:12 | 0:12:14 | |
He's never been just a little boy, has he? | 0:12:14 | 0:12:16 | |
My colleague, DCI Marsden, wants to do him for wasting our time, | 0:12:16 | 0:12:20 | |
but I really don't think that's going to help. | 0:12:20 | 0:12:22 | |
So you're just going to let him go? | 0:12:22 | 0:12:25 | |
That's what we do with innocent people. | 0:12:25 | 0:12:28 | |
What about Heather? She was innocent. | 0:12:31 | 0:12:34 | |
Come on. We've done all we can here. | 0:12:34 | 0:12:36 | |
I said, what about Heather? | 0:12:36 | 0:12:37 | |
It gets easier, Shirley. | 0:12:41 | 0:12:43 | |
I promise. | 0:12:43 | 0:12:45 | |
You know, there's only one way that this will get easier. | 0:12:51 | 0:12:55 | |
# If that horse and cart falls down | 0:13:40 | 0:13:43 | |
# You'll still be the sweetest little boy in town | 0:13:43 | 0:13:48 | |
# So hush little baby, don't you cry | 0:13:48 | 0:13:53 | |
# Your daddy loves you and so do I. # | 0:13:54 | 0:13:59 | |
Thanks for talking me into this. | 0:14:13 | 0:14:15 | |
Thanks for trusting me. | 0:14:15 | 0:14:17 | |
Well, you're easy to trust. Want a nightcap? | 0:14:17 | 0:14:22 | |
Shirl? Shirl, what were the police doing here? | 0:14:23 | 0:14:28 | |
Shirl, what have you done to Jay? | 0:14:28 | 0:14:30 | |
I knew I shouldn't have left him here. | 0:14:30 | 0:14:32 | |
It's Ben. Ben! | 0:14:34 | 0:14:38 | |
What? | 0:14:39 | 0:14:40 | |
Ben's a murderer. | 0:14:42 | 0:14:44 | |
That night. Jay said he had food poisoning. | 0:14:48 | 0:14:53 | |
He didn't. | 0:14:53 | 0:14:54 | |
He'd just watched Ben kill Heather. | 0:14:55 | 0:14:58 | |
Ben says he murdered her. | 0:15:11 | 0:15:13 | |
Now, according to your statement, taken on that night, | 0:15:15 | 0:15:19 | |
you were with him. | 0:15:19 | 0:15:20 | |
So that puts you at the scene of the crime as well. | 0:15:23 | 0:15:25 | |
No. No it doesn't! Cos I was at the Arches, | 0:15:25 | 0:15:28 | |
working on a car. | 0:15:28 | 0:15:29 | |
Jay... | 0:15:30 | 0:15:31 | |
..Phil only cares about getting his son off, and the only thing | 0:15:33 | 0:15:37 | |
he hasn't tried yet is pointing the finger at you. | 0:15:37 | 0:15:40 | |
Do you really think he won't resort to that? When he gets desperate? | 0:15:43 | 0:15:47 | |
We stick together. We're family. | 0:15:47 | 0:15:50 | |
PHONE BEEPS | 0:15:55 | 0:15:56 | |
Interview suspended at 23.03. | 0:16:05 | 0:16:08 | |
We've got the picture frame. It's with forensics now. | 0:16:19 | 0:16:22 | |
I really thought he was lying. | 0:16:23 | 0:16:25 | |
We might not get anything off it after all this time. | 0:16:25 | 0:16:29 | |
If we don't there's nothing to stop Ben retracting his statement. | 0:16:29 | 0:16:32 | |
There's no way he acted alone. | 0:16:32 | 0:16:33 | |
-Killed her then sat round the dinner table with his family. -You think the dad? | 0:16:33 | 0:16:37 | |
Who else? | 0:16:37 | 0:16:39 | |
Phil can soak up our questions forever. | 0:16:39 | 0:16:40 | |
Let's focus on the boys. They're not cut out for this. | 0:16:40 | 0:16:44 | |
Do you think I'll ever see my house again? | 0:16:48 | 0:16:50 | |
There's no point in dwelling on that. | 0:16:52 | 0:16:55 | |
It's funny. I keep trying to picture it but... | 0:16:57 | 0:17:00 | |
it's all a blur. | 0:17:00 | 0:17:02 | |
Well? Did you find it? | 0:17:09 | 0:17:11 | |
MACHINE BUZZES | 0:17:12 | 0:17:14 | |
BUZZING STOPS | 0:17:19 | 0:17:21 | |
Interview commencing at 23.06 at Walford police station on August 13th. | 0:17:21 | 0:17:24 | |
Those present are myself DS Crisp, Ben Mitchell, Mike Sommers, | 0:17:24 | 0:17:27 | |
duty solicitor, and Mary Smith, appropriate adult. | 0:17:27 | 0:17:29 | |
Was Shirley and Jay there? Are they all right? | 0:17:29 | 0:17:31 | |
You've gone round to Heather's. You think she's dropped you in it. | 0:17:31 | 0:17:34 | |
Things get nasty. Phil comes in, after your blood. | 0:17:34 | 0:17:37 | |
You found it. | 0:17:38 | 0:17:39 | |
Maybe you've killed her. | 0:17:39 | 0:17:41 | |
Maybe there's a struggle and he's killed her. | 0:17:41 | 0:17:43 | |
Either way, he knows. | 0:17:43 | 0:17:44 | |
No! | 0:17:44 | 0:17:45 | |
Now, he's been around. Acts fast. | 0:17:45 | 0:17:47 | |
Fakes a robbery while you're still trying to work out | 0:17:47 | 0:17:50 | |
what's just happened to the rest of your life. | 0:17:50 | 0:17:52 | |
No. I did it. | 0:17:52 | 0:17:53 | |
He gets you through it. His idea of good parenting, no doubt. | 0:17:53 | 0:17:58 | |
The only thing I don't get is, you can finally bring him down, | 0:17:58 | 0:18:01 | |
only this time, you're protecting him. | 0:18:01 | 0:18:03 | |
No! No! No, I ain't, all right? Just ask Jay, all right? | 0:18:03 | 0:18:06 | |
It was me! | 0:18:06 | 0:18:08 | |
Why would Jay know? | 0:18:10 | 0:18:11 | |
I can see you want to talk. | 0:18:14 | 0:18:16 | |
Come on, the story's ridiculous. | 0:18:19 | 0:18:21 | |
Ben kills Heather, | 0:18:23 | 0:18:24 | |
sees you five minutes later and you don't notice anything odd about him? | 0:18:24 | 0:18:28 | |
He's not upset. He's not agitated. | 0:18:28 | 0:18:31 | |
You don't notice him change out of any bloody clothes. | 0:18:31 | 0:18:34 | |
I was working on a car. | 0:18:34 | 0:18:36 | |
I thought you were working on it together? Which is it? | 0:18:36 | 0:18:40 | |
We was working on it together. | 0:18:42 | 0:18:44 | |
But he says he wasn't. He says he found you there. | 0:18:45 | 0:18:49 | |
Jay, come on. | 0:18:51 | 0:18:53 | |
You know I'm not asking you to grass him up? | 0:18:55 | 0:18:57 | |
Ben's already told us what happened. | 0:18:59 | 0:19:01 | |
I'm beginning to think you're more involved in this | 0:19:06 | 0:19:08 | |
than Ben's letting on. | 0:19:08 | 0:19:09 | |
Are you telling me that Jay did this? | 0:19:11 | 0:19:14 | |
Jay will get the Arches. Get married. | 0:19:15 | 0:19:19 | |
Abi. Or maybe Lola. | 0:19:21 | 0:19:24 | |
He'll have kids. He'll have it all. | 0:19:25 | 0:19:30 | |
He deserves it. He's good. | 0:19:31 | 0:19:34 | |
He didn't do this. And neither did my dad. | 0:19:39 | 0:19:42 | |
I did all this. | 0:19:43 | 0:19:45 | |
You're an unreliable witness. | 0:19:47 | 0:19:49 | |
Even with the frame, I'm not putting this before the CPS... | 0:19:49 | 0:19:52 | |
Do you need someone else, then? | 0:19:52 | 0:19:54 | |
-You need someone else to back me up? -Yes. | 0:19:54 | 0:19:57 | |
Let me talk to Jay. | 0:19:57 | 0:19:59 | |
I'm not going to do that. | 0:19:59 | 0:20:01 | |
At least let me get a message to him? | 0:20:01 | 0:20:02 | |
I can't, no. | 0:20:02 | 0:20:05 | |
Interview suspended at ten minutes past midnight. | 0:20:15 | 0:20:19 | |
I'm going to get DCI Marsden for a quick coffee. | 0:20:19 | 0:20:22 | |
Thank you. | 0:21:08 | 0:21:10 | |
For your client. | 0:21:35 | 0:21:37 | |
You should have seen the bridal suite we were staying in tonight. | 0:22:02 | 0:22:05 | |
It had floor to ceiling windows overlooking the river. | 0:22:05 | 0:22:09 | |
This fire place that came out the floor and... | 0:22:09 | 0:22:12 | |
this big tropical fish tank. It was beautiful. | 0:22:12 | 0:22:16 | |
You know, when we booked it, | 0:22:16 | 0:22:18 | |
we lay on the bed and somehow, it just seemed...wrong. | 0:22:18 | 0:22:23 | |
Ugly. | 0:22:23 | 0:22:25 | |
Like all that beauty had shone a light on us, and shown us up. | 0:22:25 | 0:22:29 | |
That's when I knew it was over. | 0:22:29 | 0:22:31 | |
You just got post-wedding blues. | 0:22:31 | 0:22:33 | |
There was no wedding, was there? I remain unmarried. Single. | 0:22:34 | 0:22:40 | |
You know, I can take things going wrong, | 0:22:41 | 0:22:44 | |
I just don't want to spend my wedding night on my own. | 0:22:44 | 0:22:48 | |
You sure this won't shine a light on us? | 0:22:51 | 0:22:53 | |
You were there, weren't you? You saw him murder her. | 0:23:01 | 0:23:04 | |
Bet you were scared. Just carried along. | 0:23:06 | 0:23:08 | |
All right, just stop. | 0:23:08 | 0:23:10 | |
Look what it's done to you. | 0:23:12 | 0:23:13 | |
I didn't kill her. | 0:23:16 | 0:23:18 | |
Either we charge you both, jointly, with her murder... | 0:23:20 | 0:23:23 | |
..or you do what Ben wants you to do. | 0:23:26 | 0:23:29 | |
Do you know Laurel and Hardy? | 0:23:43 | 0:23:45 | |
-I don't follow. -It's not a difficult question, is it? | 0:23:45 | 0:23:48 | |
Of course I do. | 0:23:48 | 0:23:50 | |
What one was the fat one and what one was the thin one? | 0:23:53 | 0:23:56 | |
Does it matter? | 0:23:58 | 0:23:59 | |
Sharon? | 0:24:29 | 0:24:30 | |
Uniform. | 0:24:57 | 0:24:59 | |
-Yeah, I thought you could start off by cleaning the fryers. -Thank you. | 0:25:01 | 0:25:05 | |
He's here with the contracts, so you can sign over the businesses. | 0:25:09 | 0:25:12 | |
If you could just sign here... | 0:25:16 | 0:25:19 | |
..here and here. | 0:25:21 | 0:25:24 | |
I don't have a choice. | 0:25:26 | 0:25:28 | |
I know. | 0:25:29 | 0:25:32 | |
It's OK. | 0:25:32 | 0:25:34 | |
Here... | 0:25:44 | 0:25:47 | |
and here. | 0:25:47 | 0:25:48 | |
Here you are. Shirl. Here you are. | 0:25:57 | 0:26:00 | |
DOOR OPENS | 0:26:02 | 0:26:04 | |
Are the boys back? The old bill wouldn't tell me anything. | 0:26:04 | 0:26:08 | |
You tried to make me protect my best mate's murderer. | 0:26:08 | 0:26:12 | |
What have you done to me? | 0:26:15 | 0:26:17 | |
Come on, son. | 0:26:43 | 0:26:44 | |
Ben Mitchell... | 0:27:07 | 0:27:08 | |
Is Jay here? Is Jay Mitchell here? | 0:27:08 | 0:27:11 | |
..you will be charged with one count of murder for the murder | 0:27:11 | 0:27:15 | |
of Heather Trott on the 22nd March, 2012, at 57A Turpin Road, Walford... | 0:27:15 | 0:27:20 | |
which is counter to common law. Do you understand the charge? | 0:27:20 | 0:27:24 | |
You are not obliged to say anything, | 0:27:24 | 0:27:26 | |
but anything you do say may be given in evidence.... | 0:27:26 | 0:27:29 | |
Look, I just need to know. | 0:27:43 | 0:27:45 | |
Is he coming to court an' all? | 0:27:45 | 0:27:47 | |
DS Crisp. Oi! They're taking me to court. | 0:27:58 | 0:28:03 | |
But they ain't telling me where Jay is. | 0:28:03 | 0:28:05 | |
He's been charged with perverting the course of justice and bailed. | 0:28:08 | 0:28:11 | |
He did what I asked? He backed me up? | 0:28:14 | 0:28:18 | |
You're on your own now. | 0:28:22 | 0:28:24 | |
Subtitles by Red Bee Media Ltd | 0:29:05 | 0:29:09 |