Browse content similar to 17/08/2012. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Excuse me. | 0:00:58 | 0:01:00 | |
I've come about a murder. | 0:01:02 | 0:01:04 | |
He'll have gone to the police. He's stupid enough. | 0:01:06 | 0:01:09 | |
Don't you dare tell me to wait here. | 0:01:09 | 0:01:11 | |
Heather Trott. | 0:01:17 | 0:01:20 | |
I know that name. | 0:01:20 | 0:01:22 | |
Ben Mitchell. | 0:01:22 | 0:01:24 | |
This gentleman believes he has information | 0:01:26 | 0:01:28 | |
regarding the death of Heather Trott, Ma'am. | 0:01:28 | 0:01:32 | |
Who you trying to get back at now? Your dead mother? | 0:01:35 | 0:01:40 | |
HORN BLARES | 0:01:45 | 0:01:48 | |
What about the car?! | 0:01:57 | 0:01:59 | |
I was passed over for promotion thanks to your last episode. | 0:02:01 | 0:02:05 | |
Look, I ain't lying, all right? I know who did it. | 0:02:05 | 0:02:09 | |
Is this really all you can think of to get daddy's attention!? | 0:02:09 | 0:02:13 | |
No. It's got... It's got nothing to do with him! | 0:02:13 | 0:02:16 | |
It's always him! | 0:02:16 | 0:02:18 | |
Everything OK? | 0:02:21 | 0:02:23 | |
Nothing I can't handle. | 0:02:23 | 0:02:26 | |
It's Ben, right? What can we help you with? | 0:02:26 | 0:02:29 | |
What you going to do, bust him out? | 0:02:35 | 0:02:40 | |
I'm this close to doing you for wasting police time! | 0:02:41 | 0:02:45 | |
Tell me. | 0:02:45 | 0:02:46 | |
I, uh. | 0:02:49 | 0:02:50 | |
DOOR OPENS | 0:02:50 | 0:02:52 | |
Oh great, now they're all here! | 0:02:52 | 0:02:54 | |
-What's he said? -Nothing. Yet. | 0:02:54 | 0:02:57 | |
Good. Well, stop wasting their time. Come on, home. Home. | 0:02:57 | 0:03:01 | |
He obviously came here for a reason. Ben? | 0:03:01 | 0:03:04 | |
Think long and hard before you speak because I swear. | 0:03:04 | 0:03:07 | |
-Come on. Home. Now. -Tell them. | 0:03:07 | 0:03:09 | |
I killed Heather Trott. | 0:03:15 | 0:03:17 | |
That's priceless. | 0:03:20 | 0:03:21 | |
You've got to stop doing this. He's not well is he? | 0:03:21 | 0:03:26 | |
-He's been threatening to do this all day. -No! | 0:03:26 | 0:03:29 | |
He's obsessed. With this place, with the nick. | 0:03:29 | 0:03:31 | |
-Ever since he got out. -That's not true. | 0:03:31 | 0:03:33 | |
This is your fault, you know that? | 0:03:33 | 0:03:35 | |
You sent him down. You screwed him up. | 0:03:35 | 0:03:37 | |
It's down to me to pick up the pieces and give him some sort of life. | 0:03:37 | 0:03:40 | |
-I did this! -So, what you going to do? You going to arrest him? | 0:03:40 | 0:03:43 | |
Give him the attention he wants? | 0:03:43 | 0:03:45 | |
-Because that's what this is all about. -Phil! -What?! | 0:03:45 | 0:03:48 | |
Please! Please! | 0:03:48 | 0:03:51 | |
Come on, let's get you home. Come on. | 0:03:52 | 0:03:55 | |
Wait! | 0:03:55 | 0:03:57 | |
Ben Mitchell, I'm arresting you on suspicion of the murder of Heather Trott. | 0:03:57 | 0:04:00 | |
You do not have to say anything but it may harm your defence | 0:04:00 | 0:04:03 | |
if you do not mention when questioned something which you later rely on in court. | 0:04:03 | 0:04:06 | |
Anything you do say may be given in evidence. | 0:04:06 | 0:04:08 | |
You should be at home really, it's past your curfew. | 0:04:14 | 0:04:17 | |
No, I should be at my parenting course. | 0:04:17 | 0:04:19 | |
I got until ten on Mondays. | 0:04:19 | 0:04:20 | |
When they find out you're not there they'll do you for staying out. | 0:04:20 | 0:04:23 | |
You're such a worrier. | 0:04:23 | 0:04:25 | |
See, you do need walking home. | 0:04:25 | 0:04:26 | |
No I don't! That's the geezer's job. | 0:04:26 | 0:04:29 | |
Right, this is how it all starts, yeah? | 0:04:29 | 0:04:31 | |
One minute you're making fun of me about walking me home, | 0:04:31 | 0:04:33 | |
the next, I'm ironing pants | 0:04:33 | 0:04:34 | |
and you're fixing carburettors down the garage. | 0:04:34 | 0:04:37 | |
What's wrong with that?! | 0:04:37 | 0:04:38 | |
I'll be finished round here! Even Ben'd have a go at me for that! | 0:04:38 | 0:04:42 | |
Quite like the thought of you ironing my pants. | 0:04:42 | 0:04:47 | |
What's wrong? | 0:04:47 | 0:04:49 | |
I dunno. | 0:04:50 | 0:04:52 | |
Now you don't say a word until Ritchie gets here. | 0:04:53 | 0:04:56 | |
-I don't want Ritchie. -You're having Ritchie! | 0:04:56 | 0:05:00 | |
I'm going to stay here. Make sure that he sees Ritchie. | 0:05:04 | 0:05:07 | |
He actually did it. | 0:05:07 | 0:05:10 | |
Now get home. Get rid of that photo frame. | 0:05:12 | 0:05:15 | |
Get it as far away from the house as you possibly can. | 0:05:16 | 0:05:19 | |
Well, go on. What are you waiting for? | 0:05:21 | 0:05:23 | |
You ain't saying a word to him until he's seen my brief. | 0:05:26 | 0:05:29 | |
I can assure you | 0:05:29 | 0:05:30 | |
that all legal procedures will be properly observed. | 0:05:30 | 0:05:33 | |
Do you want a game of poker instead? | 0:05:37 | 0:05:39 | |
DOORBELL RINGS | 0:05:43 | 0:05:45 | |
Sorry I was so long. | 0:05:50 | 0:05:52 | |
Every doorway and street corner's got too many memories here. | 0:05:52 | 0:05:55 | |
-How's he doing? -He's all right. Still alive. | 0:05:55 | 0:05:58 | |
-Why what's happened? -Nothing. | 0:05:58 | 0:06:00 | |
Denny, are you all right, baby? Are you OK? | 0:06:00 | 0:06:02 | |
He's fine! I couldn't get a word out of him. | 0:06:02 | 0:06:04 | |
-Can I have another biscuit, please? -Course you can, yeah. | 0:06:04 | 0:06:07 | |
-They're in the kitchen. Go on. -Good boy. | 0:06:07 | 0:06:10 | |
How was Ian? | 0:06:12 | 0:06:14 | |
It doesn't say much for the community round here, letting him get like that. | 0:06:14 | 0:06:17 | |
One minute he was getting married, the next minute he was just gone. | 0:06:17 | 0:06:21 | |
-I suppose things can fall apart quickly like that, can't they? -Yeah. | 0:06:21 | 0:06:25 | |
-I weren't talking about you. -Look, thanks for babysitting, Max. | 0:06:26 | 0:06:29 | |
It's all right. What did we say, five pound an hour? | 0:06:29 | 0:06:33 | |
You want to rate yourself higher than that. Minimum wage at least. | 0:06:33 | 0:06:35 | |
Try telling the wife that. | 0:06:35 | 0:06:38 | |
Honestly, it's like working in a poor house here. | 0:06:38 | 0:06:40 | |
Lucky to get a bowl of gruel in the morning. | 0:06:40 | 0:06:44 | |
DOOR OPENS | 0:06:44 | 0:06:45 | |
Hello, darling, sorry I'm late. Stupid client who just. | 0:06:45 | 0:06:49 | |
You all right, babe? This is. | 0:06:50 | 0:06:52 | |
Sharon. Hi. | 0:06:52 | 0:06:54 | |
Are you wearing my clothes? | 0:06:54 | 0:06:55 | |
Uh. Yeah. Thanks. | 0:06:55 | 0:06:58 | |
Oh, yeah, she had to change. | 0:06:58 | 0:07:00 | |
Why? | 0:07:00 | 0:07:02 | |
Out of a wedding dress. | 0:07:02 | 0:07:04 | |
-I did a runner. From the altar. -What, into my wardrobe? | 0:07:04 | 0:07:07 | |
Well, I didn't think it was that special. | 0:07:07 | 0:07:09 | |
Probably what your fiance's thinking right now. | 0:07:09 | 0:07:11 | |
Phil?! Shirley?! | 0:07:21 | 0:07:25 | |
Jay? Has there been a break in? | 0:07:46 | 0:07:52 | |
Are you even listening to me? | 0:07:57 | 0:07:59 | |
Don't touch that! | 0:08:03 | 0:08:05 | |
If there has been a break in there'll be finger prints, won't there? | 0:08:05 | 0:08:08 | |
Well, has anything been taken? | 0:08:08 | 0:08:11 | |
Dunno, I ain't looked yet. I want Lexi out of here now, though. | 0:08:11 | 0:08:14 | |
Since when do you tell us what to do? | 0:08:14 | 0:08:15 | |
-There might be someone in here! -If there is you'll need all the help you can get! | 0:08:15 | 0:08:19 | |
-I'm not joking! Get out! -All right, fine. Deal with it yourself. | 0:08:19 | 0:08:23 | |
This is Mike Sommers, duty solicitor. | 0:08:47 | 0:08:50 | |
You sure you don't want your dad's hot shot lawyer? | 0:08:50 | 0:08:53 | |
Can we just start? | 0:08:53 | 0:08:55 | |
The appropriate adult's just arrived. We'll interview him later. | 0:08:55 | 0:08:58 | |
OK. | 0:08:58 | 0:09:00 | |
I just want to make a statement. Do you hear me? | 0:09:00 | 0:09:03 | |
We'll talk when I'm ready | 0:09:04 | 0:09:06 | |
and to be honest I've got real police work to be getting on with. | 0:09:06 | 0:09:10 | |
But I can prove I killed her though! | 0:09:10 | 0:09:12 | |
Shirl, I don't know what's happened here. | 0:09:34 | 0:09:38 | |
Ben's gone down the police station. To turn himself in. | 0:09:47 | 0:09:52 | |
What? What for? | 0:09:52 | 0:09:54 | |
You tell me. | 0:10:00 | 0:10:02 | |
Have we not got any kids? | 0:10:05 | 0:10:07 | |
Oscar's at a friends, Lauren's out. | 0:10:07 | 0:10:09 | |
I hope you've noticed Abi hasn't been around lately. | 0:10:09 | 0:10:12 | |
Don't get any ideas. I want my own dress. | 0:10:14 | 0:10:17 | |
Expensive bit of kit, that is. | 0:10:17 | 0:10:19 | |
-So? -Well you've had a right result, ain't ya? Swapping yours for that. | 0:10:19 | 0:10:22 | |
-That's worth a few quid, that is. -She'll be back for it. | 0:10:22 | 0:10:25 | |
Get your elbows off. | 0:10:25 | 0:10:26 | |
-You were well harsh on her. -What?! | 0:10:28 | 0:10:30 | |
I come into my house to find some blonde stood there, | 0:10:30 | 0:10:33 | |
slagging my clothes off, my husband gawping at her. | 0:10:33 | 0:10:36 | |
I wasn't gawping at her! | 0:10:36 | 0:10:37 | |
Yes you were. Falling over yourself to help her. | 0:10:37 | 0:10:40 | |
Have you got enough salt there? You haven't even tasted this yet. | 0:10:40 | 0:10:43 | |
I said to Phil I'd do her a favour, didn't I. | 0:10:43 | 0:10:46 | |
Since when did you owe Phil favours? | 0:10:46 | 0:10:47 | |
All she had was that dress and a hungry kid. | 0:10:47 | 0:10:50 | |
If you'd stopped and thought about it you might have seen, mightn't you? | 0:10:50 | 0:10:54 | |
-Seen what? -How pathetic she looked. | 0:10:54 | 0:10:57 | |
-Sharon! -Hiya. | 0:11:12 | 0:11:14 | |
-Welcome home. -Pops! We've got to go! | 0:11:14 | 0:11:16 | |
Look everyone it's Sharon! | 0:11:16 | 0:11:18 | |
Sharon! | 0:11:20 | 0:11:22 | |
Suppose things have moved on a bit, eh? | 0:11:22 | 0:11:25 | |
-Can I get you a drink? -Pops, we've got to go! Jay? The break in? Come on. | 0:11:25 | 0:11:28 | |
-Sorry, Sharon. -Don't worry, Bill. Another time. -Yeah. | 0:11:28 | 0:11:32 | |
Come on, Denny. | 0:11:32 | 0:11:34 | |
Let's get you a lemonade, eh? | 0:11:34 | 0:11:36 | |
Oi, are you listening to me or what? I don't care what he's said, | 0:11:40 | 0:11:44 | |
I ain't having my boy represented by one of them muppets. | 0:11:44 | 0:11:46 | |
Hit my window again and we'll have problems. | 0:11:46 | 0:11:49 | |
This is getting a little frequent for my liking. | 0:11:49 | 0:11:52 | |
-He's in there with one of them duty solicitors. -Why? | 0:11:52 | 0:11:55 | |
-I don't know, you need to get in there. -Not much I can do if he doesn't want me. -Are you joking? | 0:11:55 | 0:11:59 | |
Calm down or you'll be in a cell. What's he saying? | 0:11:59 | 0:12:01 | |
He's in there telling them he's a murderer, and you want me to calm down? | 0:12:01 | 0:12:04 | |
We should at least talk about this. | 0:12:10 | 0:12:12 | |
Look, it's commendable that you want to tell the truth | 0:12:14 | 0:12:17 | |
but there are ways of telling the truth. | 0:12:17 | 0:12:19 | |
If I'd wanted a proper lawyer I'd have got my dad's, all right? | 0:12:19 | 0:12:24 | |
Right, at last! | 0:12:24 | 0:12:26 | |
This is Mary Smith your appropriate adult. Mary. | 0:12:26 | 0:12:30 | |
TAPE BLEEPS | 0:12:33 | 0:12:36 | |
Interview commencing at 21:47. | 0:12:37 | 0:12:40 | |
Walford Police Station on Monday August 13th. | 0:12:40 | 0:12:43 | |
Those present: myself, DS Crisp, DCI Marsden, Ben Mitchell, | 0:12:43 | 0:12:47 | |
Mike Summers, duty solicitor and Mary Smith, appropriate adult. | 0:12:47 | 0:12:52 | |
Where do you want to start? | 0:12:52 | 0:12:53 | |
Let's go back to the night in question. | 0:12:53 | 0:12:55 | |
I remember your psych report. | 0:12:55 | 0:12:57 | |
That passage about your upbringing. | 0:13:00 | 0:13:02 | |
Little or no emotional integration with parents. | 0:13:02 | 0:13:06 | |
It's always because they weren't hugged enough. | 0:13:07 | 0:13:10 | |
And what's that got to do with anything? I killed her. | 0:13:10 | 0:13:13 | |
Like your dad killed Stella Crawford? What else did it say? | 0:13:15 | 0:13:19 | |
Oh, that you continually seek out your father's attention. | 0:13:19 | 0:13:24 | |
I used a picture frame. | 0:13:24 | 0:13:26 | |
It's sitting on the table in my living room. | 0:13:26 | 0:13:28 | |
Either through attempts to please or antagonise. | 0:13:28 | 0:13:31 | |
It's a big, heavy, metal frame, right? And I picked it up. | 0:13:31 | 0:13:37 | |
I picked it up and I hit her. I hit her on the left side of her face. | 0:13:37 | 0:13:40 | |
-I hit right there. -Then there was the bit about you having trouble | 0:13:40 | 0:13:43 | |
differentiating between real events and fantasies. | 0:13:43 | 0:13:48 | |
She just fell on her back. | 0:13:50 | 0:13:52 | |
You were at the scene! | 0:13:54 | 0:13:57 | |
You saw all of that! | 0:13:57 | 0:13:58 | |
What my colleague is trying to say is... | 0:13:58 | 0:14:01 | |
Forget me, this interview, | 0:14:01 | 0:14:03 | |
forget the fact the CPS aren't going to let you get away | 0:14:03 | 0:14:06 | |
with wasting our time again. | 0:14:06 | 0:14:07 | |
Forget your dad, and whatever messed up reason you have for revenge. | 0:14:09 | 0:14:14 | |
Your step-mum was devastated by Heather's death. | 0:14:16 | 0:14:20 | |
Now you want to drag it all up again, break her heart again. | 0:14:22 | 0:14:26 | |
And for what? | 0:14:28 | 0:14:30 | |
-You're a selfish... -I'm not. -..manipulative... | 0:14:31 | 0:14:34 | |
-Please! -..spoilt kid, | 0:14:34 | 0:14:36 | |
and if you had any decency you would stop this right now! | 0:14:36 | 0:14:40 | |
Yeah, but I did all this! | 0:14:40 | 0:14:42 | |
-Then tell us something you didn't read in the paper. Because right now... -There was a tea towel! | 0:14:42 | 0:14:46 | |
There was a tea towel that I put over her face! | 0:14:46 | 0:14:48 | |
Fibres from a towel were found on her face. | 0:14:50 | 0:14:53 | |
We didn't find anything matching in the flat though. | 0:14:53 | 0:14:56 | |
I wrapped the picture frame in it before I left, all right? | 0:14:56 | 0:14:59 | |
Is that something I could have read about in the newspaper? | 0:14:59 | 0:15:02 | |
You know, sometimes when it hit me | 0:15:03 | 0:15:06 | |
that Phil would never love me as much as I loved him... | 0:15:06 | 0:15:10 | |
..I knew it would be all right, because I had Hev. | 0:15:14 | 0:15:19 | |
I could see us growing old together, when all the men had gone. | 0:15:24 | 0:15:30 | |
And you do go. Die or leave. | 0:15:32 | 0:15:36 | |
We were going to be like Laurel and Hardy, | 0:15:38 | 0:15:42 | |
in our pjs tucked up in a big double bed. | 0:15:42 | 0:15:46 | |
No prizes for guessing which one was Hardy. | 0:15:49 | 0:15:52 | |
Never knew which was which. | 0:15:52 | 0:15:55 | |
Doesn't matter which was which. | 0:15:58 | 0:16:01 | |
They were a pair. | 0:16:01 | 0:16:02 | |
Don't punish me anymore. | 0:16:08 | 0:16:10 | |
I'd never do that! | 0:16:10 | 0:16:13 | |
Then tell me! | 0:16:13 | 0:16:14 | |
Ben said that he did it but I don't know. | 0:16:20 | 0:16:22 | |
I don't trust him. Not like I trust you. | 0:16:22 | 0:16:25 | |
I know that Phil has been working on you both. | 0:16:26 | 0:16:29 | |
Making you think you're like Laurel and Hardy. Like you're a pair. | 0:16:29 | 0:16:32 | |
But you're not a pair. You are not like Ben. | 0:16:32 | 0:16:36 | |
You're kind. | 0:16:36 | 0:16:38 | |
No. | 0:16:38 | 0:16:40 | |
You've got a good soul. | 0:16:40 | 0:16:42 | |
I haven't! | 0:16:42 | 0:16:44 | |
You've got a heart. | 0:16:46 | 0:16:48 | |
-You've got a heart that loves. -I'm not! I am a bad person! | 0:16:48 | 0:16:54 | |
I am a bad person! | 0:16:54 | 0:16:57 | |
Just speak, Jay. | 0:16:57 | 0:17:00 | |
Just speak! | 0:17:00 | 0:17:01 | |
Jay! You in there? | 0:17:13 | 0:17:15 | |
If anyone's in there I got a baseball bat! | 0:17:16 | 0:17:19 | |
Shirl! Lola said there'd been a break in. | 0:17:25 | 0:17:30 | |
-No, everything's fine. -So I rushed round. | 0:17:30 | 0:17:33 | |
Now you can run straight back again. | 0:17:33 | 0:17:35 | |
Jay? You all right, son? | 0:17:37 | 0:17:40 | |
-Jay, what is it? -He's fine. -No he's not. | 0:17:40 | 0:17:43 | |
-Billy, will you just go, please? -I'm not going till I find out what's the matter with him. | 0:17:43 | 0:17:47 | |
-Billy seems to think you're royalty. -Compared to him I probably am. | 0:18:07 | 0:18:11 | |
-Let me buy you a drink. -That count as a chat up line round here? | 0:18:11 | 0:18:14 | |
-All right, suit yourself. -Look, I'm sorry. Sorry. It's a bad day. | 0:18:14 | 0:18:19 | |
Least you haven't got a broken leg. | 0:18:19 | 0:18:21 | |
Not in the diamond business are you? | 0:18:25 | 0:18:27 | |
No. | 0:18:27 | 0:18:28 | |
-Buy it off me anyway. -I've only got a couple of hundred quid on me. | 0:18:28 | 0:18:31 | |
That'll do. | 0:18:31 | 0:18:34 | |
Look if you need it that much I'll lend it you. | 0:18:34 | 0:18:36 | |
-I don't take charity. -I'm not a con man. | 0:18:36 | 0:18:40 | |
Look just take the ring, please! | 0:18:42 | 0:18:44 | |
You never know when you might need it. | 0:18:44 | 0:18:47 | |
-What's wrong, Jay? -It's five minutes to your curfew. Just get home, yeah? | 0:18:49 | 0:18:54 | |
-He's right, Lo. You should get back. -Only if you come with me. | 0:18:54 | 0:18:57 | |
I ain't going until I get some answers. | 0:18:57 | 0:19:00 | |
D'you remember the night Heather died, Bill? | 0:19:09 | 0:19:12 | |
Yeah. | 0:19:12 | 0:19:14 | |
I had food poisoning. | 0:19:14 | 0:19:16 | |
I was upstairs and you came in. | 0:19:20 | 0:19:22 | |
Yeah, you was in a right old state. | 0:19:23 | 0:19:26 | |
You said I was your boy. | 0:19:28 | 0:19:29 | |
Yeah. Always. | 0:19:31 | 0:19:33 | |
And you'll always be like a dad to me. | 0:19:37 | 0:19:40 | |
And I'll tell you. | 0:19:44 | 0:19:47 | |
I want to tell you, but right now... I need to talk to Shirley. Please. | 0:19:50 | 0:19:55 | |
If they have to talk. | 0:20:00 | 0:20:02 | |
I trust you. | 0:20:13 | 0:20:15 | |
Oh, you're so good at that. | 0:20:25 | 0:20:28 | |
What? | 0:20:28 | 0:20:30 | |
The way you saw them off. | 0:20:30 | 0:20:32 | |
Just like you did at the table, pretending you had food poisoning. | 0:20:34 | 0:20:38 | |
And Heather was dead in her flat! | 0:20:39 | 0:20:41 | |
It wasn't like that! They just pulled me along. | 0:20:44 | 0:20:50 | |
You let me go over there! | 0:20:52 | 0:20:54 | |
You let me find her! | 0:20:56 | 0:20:58 | |
Listen, I was gone. I was completely gone. | 0:21:03 | 0:21:07 | |
They showed me a direction and I just took it. | 0:21:07 | 0:21:11 | |
You got her blood on your hands like him! | 0:21:11 | 0:21:13 | |
Listen. Heather wouldn't give him the money. | 0:21:13 | 0:21:17 | |
I tried to stop him, but it all happened so fast, all right? | 0:21:17 | 0:21:21 | |
I ran... I ran to the Arches. | 0:21:21 | 0:21:22 | |
Ben and Phil turned up there, they said we were family. | 0:21:22 | 0:21:26 | |
They said we was just like family, right. Now look! | 0:21:26 | 0:21:29 | |
I've lost Heather. I've lost you. | 0:21:29 | 0:21:31 | |
I've lost absolutely everybody and I just can't get it out of my head. | 0:21:31 | 0:21:35 | |
Yeah, and I hope it never goes. | 0:21:35 | 0:21:37 | |
I hope it stays in there forever. | 0:21:37 | 0:21:41 | |
Police'll be here in a minute. | 0:21:45 | 0:21:48 | |
They're going to come looking for that. | 0:21:53 | 0:21:55 | |
You know Phil told me to get rid of it? | 0:21:56 | 0:21:59 | |
Asked me to protect you two. | 0:21:59 | 0:22:02 | |
I thought Ben had already given himself up? | 0:22:02 | 0:22:06 | |
Yeah, but without that, he's just another lying kid, | 0:22:06 | 0:22:09 | |
like he's always been. | 0:22:09 | 0:22:11 | |
What are you going to do? | 0:22:14 | 0:22:16 | |
-I've thought about it. -The answer's still no. | 0:22:21 | 0:22:24 | |
You see a ring has two values don't it? | 0:22:24 | 0:22:26 | |
How much you pay for it and how much it means. | 0:22:26 | 0:22:28 | |
I know John spent thousands on this. | 0:22:28 | 0:22:31 | |
-In terms of what it means, 200 is about right. -Take it somewhere in the morning. | 0:22:31 | 0:22:34 | |
-Look, we need somewhere to stay tonight! -So let me lend it you. | 0:22:34 | 0:22:37 | |
I will not start my new life on the scrounge. | 0:22:37 | 0:22:39 | |
Thank you. | 0:22:48 | 0:22:50 | |
I wouldn't give this to anyone you care about. | 0:22:51 | 0:22:54 | |
it doesn't have a good track record. | 0:22:54 | 0:22:57 | |
All right, bruv? | 0:23:05 | 0:23:07 | |
You're not, are you? | 0:23:07 | 0:23:09 | |
You don't know when you're beaten, do you? | 0:23:09 | 0:23:11 | |
-What did she want? -Nothing. You're late. | 0:23:11 | 0:23:13 | |
Yeah, well, blame the chef. Dinner took ages. | 0:23:13 | 0:23:16 | |
You can cook your own, next time. | 0:23:16 | 0:23:18 | |
Tracey, I'll have bangers and mash twice, a lemonade, a G&T, | 0:23:18 | 0:23:22 | |
and the name of a good bed and breakfast. | 0:23:22 | 0:23:25 | |
They're going to believe me now, right? | 0:23:29 | 0:23:32 | |
They'll have to investigate. | 0:23:32 | 0:23:35 | |
-If the picture frame is where you say... -It's there. | 0:23:35 | 0:23:39 | |
What it comes down to now is... | 0:24:07 | 0:24:09 | |
..whether I love you all more than I hate you all. | 0:24:11 | 0:24:15 | |
If I'd seen him pick it up I'd have stopped him, I swear to you. | 0:24:16 | 0:24:20 | |
She trusted you. | 0:24:20 | 0:24:22 | |
She let you into her flat. | 0:24:24 | 0:24:25 | |
The last time we were together we had a fight. | 0:24:28 | 0:24:30 | |
So did we. | 0:24:32 | 0:24:34 | |
Well...Ben did. | 0:24:34 | 0:24:37 | |
So just before she died, everyone was angry at her? | 0:24:37 | 0:24:40 | |
The last words she said. | 0:24:45 | 0:24:48 | |
What were they? | 0:24:50 | 0:24:52 | |
I can't remember. | 0:24:56 | 0:24:59 | |
I only remember the weird things. | 0:25:03 | 0:25:06 | |
Like the police in McKlunky's. | 0:25:06 | 0:25:08 | |
I think about how big their hands were. | 0:25:10 | 0:25:13 | |
Just like my dad's hands when I were little. | 0:25:16 | 0:25:18 | |
I want my dad. | 0:25:22 | 0:25:24 | |
Mum! | 0:25:35 | 0:25:38 | |
Well if you didn't take such big mouthfuls I wouldn't have to do this, would I? | 0:25:38 | 0:25:41 | |
Please! | 0:25:41 | 0:25:43 | |
There you go, baby! | 0:25:43 | 0:25:44 | |
Will John ever come back? | 0:25:49 | 0:25:52 | |
Now my dinner looks a bit like you, don't it? | 0:25:52 | 0:25:57 | |
-No it doesn't! -I'm starving(!) -Stop it! | 0:25:57 | 0:26:00 | |
I'd be balling my eyes out if my wedding day ended up like this. | 0:26:02 | 0:26:05 | |
Yeah. He was rich though, weren't he? | 0:26:05 | 0:26:07 | |
She was probably only in it for the money. | 0:26:07 | 0:26:09 | |
Yeah, easy come, easy go. Women like that turn my stomach. | 0:26:09 | 0:26:12 | |
-Oi, Sharon ain't like that. -You've only known her five minutes! | 0:26:12 | 0:26:16 | |
So, you ready for me to buy you that drink yet? | 0:26:21 | 0:26:24 | |
That doesn't look like me, does it? | 0:26:24 | 0:26:27 | |
Nah, nowhere near as handsome. | 0:26:27 | 0:26:29 | |
See, Mum? | 0:26:29 | 0:26:31 | |
A gin and tonic for me and a lemonade for Denny. | 0:26:31 | 0:26:34 | |
-Where's my boy? -We're still interviewing him. -He's lying. | 0:26:38 | 0:26:41 | |
Even so, we need to talk to you too. | 0:26:41 | 0:26:44 | |
We've heard enough to call your alibi into question. | 0:26:44 | 0:26:47 | |
Listen, I've given you my statement. I've got nothing to add to that. | 0:26:47 | 0:26:51 | |
-Now get your hands off me. -If we find any evidence to suggest you knew about this we'll arrest you. | 0:26:51 | 0:26:56 | |
-Just get your hands off me, I said. -Phil! | 0:26:56 | 0:26:59 | |
It's them. | 0:27:15 | 0:27:17 | |
You going to give it to them? | 0:27:21 | 0:27:23 | |
-KNOCKING -Police! Open the door! > | 0:27:23 | 0:27:27 | |
Just tell me! | 0:27:29 | 0:27:30 | |
KNOCKING | 0:27:30 | 0:27:32 | |
Police. Open up! Open the door! > | 0:27:32 | 0:27:36 | |
KNOCKING | 0:27:36 | 0:27:38 | |
Open up! Police! > | 0:27:40 | 0:27:43 | |
KNOCKING | 0:27:45 | 0:27:49 | |
Subtitles by Red Bee Media Ltd | 0:27:54 | 0:27:57 |