Browse content similar to 28/09/2012. Check below for episodes and series from the same categories and more!
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FAINT SHOUTS AND THUDDS | 0:00:32 | 0:00:35 | |
SHOUTS CONTINUE | 0:00:38 | 0:00:40 | |
WIND HOWLS | 0:00:46 | 0:00:50 | |
DOOR UNLOCKS | 0:01:28 | 0:01:30 | |
Hey! We thought we'd let you sleep. | 0:01:39 | 0:01:41 | |
I had to drop Amy at nursery anyway. | 0:01:41 | 0:01:43 | |
We went to the shops to get eggs for brekky breakfast, didn't we? | 0:01:43 | 0:01:47 | |
Yes, we did. Oh, you were low on foil. So I got you some, | 0:01:47 | 0:01:49 | |
but they didn't have any. So I got you clingfilm, actually. | 0:01:49 | 0:01:53 | |
Who's the postcard from? | 0:01:54 | 0:01:56 | |
-Amira. -Ahh! | 0:01:56 | 0:01:58 | |
-Mummy. -Yes, Mummy. Mummy's in Rome. Paris first, now Rome. | 0:01:58 | 0:02:02 | |
-Glamorous Mummy, travelling the world. -Yeah. -Yeah. | 0:02:02 | 0:02:05 | |
She says she misses you very much and can't wait to see you. | 0:02:05 | 0:02:08 | |
-Babe, we should try Rome for our honeymoon. -Yeah. | 0:02:08 | 0:02:10 | |
Hey, where you going? Slow down. | 0:02:10 | 0:02:12 | |
-You don't open up for hours yet. -I know, but... -No buts. | 0:02:12 | 0:02:15 | |
It's a local curry house, not some multinational conglom...thingy. | 0:02:15 | 0:02:19 | |
-Conglomerate. -Whatever. | 0:02:19 | 0:02:21 | |
It's not "whatever" though, is it? It's me trying to provide for my family. | 0:02:21 | 0:02:25 | |
Don't shout. | 0:02:25 | 0:02:26 | |
I'm not shout... | 0:02:26 | 0:02:28 | |
I'm not shouting. I'm sorry. | 0:02:30 | 0:02:32 | |
I just didn't sleep much. | 0:02:34 | 0:02:35 | |
I'm not surprised. | 0:02:35 | 0:02:37 | |
You're going to have to slow down, Sy. | 0:02:38 | 0:02:40 | |
I can't slow down. | 0:02:40 | 0:02:42 | |
-I used to be good at this. -And you still are. | 0:02:44 | 0:02:47 | |
But providing for your family isn't just about money. | 0:02:47 | 0:02:50 | |
This is the good life. | 0:02:50 | 0:02:52 | |
Try enjoying it. | 0:02:54 | 0:02:55 | |
Please don't guilt-trip me. | 0:02:56 | 0:02:58 | |
I'm not guilt-tripping you, I is truth-tripping you. | 0:02:58 | 0:03:01 | |
CHRISTIAN CHUCKLES | 0:03:01 | 0:03:03 | |
Look, it was Tam's fault the business went down, not yours. | 0:03:03 | 0:03:06 | |
All right? it's not worth killing yourself over. It's his mess. | 0:03:06 | 0:03:10 | |
-What we going to do now? Huh? -Horse. | 0:03:12 | 0:03:14 | |
-ROXY: -Michael? | 0:03:17 | 0:03:19 | |
Michael, do you want your eggs poached or scrambled? | 0:03:21 | 0:03:24 | |
Michael! | 0:03:26 | 0:03:27 | |
Um...excuse me. There's a, um... | 0:03:41 | 0:03:44 | |
There's a delivery guy downstairs and he wants your signature. | 0:03:44 | 0:03:47 | |
Why can't you sign for it? | 0:03:47 | 0:03:49 | |
Well, he said he wants the manager's signature, | 0:03:49 | 0:03:51 | |
because of duplicate copies or something? I don't know. | 0:03:51 | 0:03:53 | |
I ain't the manager, am I? | 0:03:53 | 0:03:55 | |
-Well, -I -ain't the manager. | 0:03:55 | 0:03:56 | |
But if you're open to discussion on a promotion, then I'm sure we can make this happen. | 0:03:56 | 0:04:00 | |
Or not. | 0:04:00 | 0:04:01 | |
You know... | 0:04:07 | 0:04:08 | |
You know, I would go with the rouge, you know. | 0:04:10 | 0:04:13 | |
You know, it's classy. It's the word of amor, as they say in Spain. | 0:04:13 | 0:04:16 | |
And you know what, Philly Boy? | 0:04:16 | 0:04:17 | |
You... You are a ladies man. Just like Fats, you know. | 0:04:17 | 0:04:21 | |
Do you mind if I call you Phil...ly...Boy? | 0:04:21 | 0:04:23 | |
OK. | 0:04:23 | 0:04:24 | |
Er...Mr Mitchell? | 0:04:32 | 0:04:33 | |
You still here? | 0:04:33 | 0:04:34 | |
Um, remember I said I have to leave a bit earlier today | 0:04:34 | 0:04:37 | |
to do the gig tonight? | 0:04:37 | 0:04:39 | |
I just wanted you to know that you're welcome to come... | 0:04:39 | 0:04:41 | |
and obviously you get a free ticket, innit. | 0:04:41 | 0:04:43 | |
All you got to do is just ask, yeah? | 0:04:43 | 0:04:45 | |
HE EXHALES | 0:04:48 | 0:04:50 | |
-QUIETLY: -Mr Mitchell? | 0:04:52 | 0:04:53 | |
WHAT?! | 0:04:53 | 0:04:54 | |
The delivery guy. Downstairs. He's a little bit angry. Just... | 0:04:54 | 0:04:57 | |
HE SIGHS | 0:04:57 | 0:04:58 | |
Yeah, he's great. He's great. He's got a killer left-jab on him. | 0:05:01 | 0:05:04 | |
You should definitely have a look at him. | 0:05:04 | 0:05:06 | |
All right. | 0:05:06 | 0:05:08 | |
Listen, I've got to go - there's someone on the other line. | 0:05:08 | 0:05:10 | |
Yep, cheers then. | 0:05:10 | 0:05:12 | |
Michael Moon. | 0:05:12 | 0:05:14 | |
Right. | 0:05:17 | 0:05:18 | |
So what does that mean? What are you saying? | 0:05:19 | 0:05:22 | |
-ROXY WHISPERS: -Michael? | 0:05:22 | 0:05:23 | |
-I tell you what, why don't you just... -Michael! | 0:05:23 | 0:05:26 | |
..do what you can do, yeah? And just get back to me. | 0:05:26 | 0:05:29 | |
All right, thanks. Cheers. | 0:05:29 | 0:05:30 | |
I took a guess. I went with scrambled. | 0:05:30 | 0:05:33 | |
-I'm not hungry. -Dippy eggs and soldiers? | 0:05:34 | 0:05:36 | |
-I'm not hungry. -Nobody's too old for dippy eggs... | 0:05:36 | 0:05:38 | |
SHUT UP! I'm not hungry! | 0:05:38 | 0:05:40 | |
SHE SCOFFS | 0:05:40 | 0:05:41 | |
So what was that? Is that joke, I don't get the punchline? | 0:05:43 | 0:05:46 | |
No, you're the punchline, Rox! | 0:05:46 | 0:05:47 | |
I don't want you coming into my house and making me eggs! | 0:05:47 | 0:05:50 | |
I don't want you buying me foil! | 0:05:50 | 0:05:52 | |
Sorry if I've done something to offend you, Michael. | 0:05:54 | 0:05:57 | |
I would appreciate it if you told me now. | 0:05:57 | 0:05:59 | |
All right. GET OUT! | 0:05:59 | 0:06:02 | |
Do you know what, it is like one step forward | 0:06:07 | 0:06:09 | |
and 20 steps back with you, Michael! | 0:06:09 | 0:06:12 | |
MICHAEL! OI! | 0:06:12 | 0:06:14 | |
-Fine. Make your own eggs. -SHE SIGHS | 0:06:16 | 0:06:19 | |
DOOR SLAMS | 0:06:30 | 0:06:32 | |
-Roxy? -No, Phil, not now. | 0:06:50 | 0:06:51 | |
Just one minute. Just come here, will you? | 0:06:51 | 0:06:54 | |
You don't fancy giving me a hand with this lot, do you? | 0:06:56 | 0:06:59 | |
No, funnily enough, I don't. | 0:06:59 | 0:07:00 | |
Jean signed for it. It's all been double-ordered. | 0:07:00 | 0:07:03 | |
-I ain't your skivvy, all right? -I'm not asking you to be. | 0:07:03 | 0:07:06 | |
I mean... You've got the experience, ain't you? | 0:07:06 | 0:07:09 | |
-You know how this place works, how the orders work. -What are you saying? | 0:07:09 | 0:07:12 | |
I'm asking you to come work for me... | 0:07:12 | 0:07:14 | |
I'm asking you to come and run this place. | 0:07:14 | 0:07:16 | |
What about Kat and Alfie? | 0:07:16 | 0:07:17 | |
Well, I don't see them, do you? | 0:07:17 | 0:07:20 | |
Er, excuse me... I saw... | 0:07:25 | 0:07:27 | |
-Come back. I saw that. -What? | 0:07:27 | 0:07:30 | |
Open it. | 0:07:30 | 0:07:31 | |
No. | 0:07:31 | 0:07:32 | |
It's not a question, Abi. Open the bag. | 0:07:32 | 0:07:34 | |
What's that? | 0:07:40 | 0:07:42 | |
What do you mean? | 0:07:42 | 0:07:44 | |
I thought you were stealing your dad's whisky. | 0:07:44 | 0:07:46 | |
I'm not Lauren, and I'm helping Lola. | 0:07:46 | 0:07:49 | |
You're helping...? Helping her what? | 0:07:49 | 0:07:51 | |
-Clean. Problem? -Yeah, there is a PROBLEM, actually. | 0:07:51 | 0:07:54 | |
My problem is that you should be concentrating on your schoolwork... | 0:07:54 | 0:07:57 | |
Well, I have a free period, so you can chill out. | 0:07:57 | 0:08:00 | |
No, I won't "chill out", dude. | 0:08:00 | 0:08:01 | |
-Oh, you are so embarrassing. -Abi! | 0:08:01 | 0:08:03 | |
Abi, free periods were designed for you to catch up with your schoolwork, all right? | 0:08:03 | 0:08:07 | |
They're not for you to go hanging around with...ASBO Annie | 0:08:07 | 0:08:10 | |
and whatever other waifs and strays her kind associate with. | 0:08:10 | 0:08:13 | |
"Her kind"? You are such a snob! | 0:08:13 | 0:08:15 | |
I'm not a snob. I resent that. | 0:08:15 | 0:08:18 | |
Abi! | 0:08:19 | 0:08:20 | |
Abi. Don't you walk away from me, young lady. | 0:08:20 | 0:08:24 | |
Dad, Mum's being a proper snob. | 0:08:24 | 0:08:26 | |
Max! | 0:08:26 | 0:08:28 | |
Oi, any time you feel like chipping in? | 0:08:28 | 0:08:31 | |
Abs, yeah, listen to your mum, will you? | 0:08:32 | 0:08:34 | |
Right, ready? | 0:08:37 | 0:08:38 | |
Listen to me. I am loaning you that money, OK? | 0:08:38 | 0:08:40 | |
and you will return it to me once it turns a healthy profit. | 0:08:40 | 0:08:43 | |
-And what if I can't turn a profit? -Syed, then... | 0:08:43 | 0:08:45 | |
Hello. | 0:08:45 | 0:08:47 | |
I thought you'd be at work. | 0:08:47 | 0:08:49 | |
I had holiday to take. You staying? | 0:08:49 | 0:08:51 | |
-Your mother's got samosas in the kitchen. -No, no, no, he was just going. | 0:08:51 | 0:08:54 | |
Came to check on his mother. Bathroom won't clean itself. | 0:08:54 | 0:08:58 | |
Fun holiday(!) | 0:08:58 | 0:08:59 | |
Mm. | 0:08:59 | 0:09:00 | |
When I finish here, I am going to the bank. | 0:09:03 | 0:09:05 | |
-No. -And then I am giving you that money. | 0:09:05 | 0:09:08 | |
This is as much about protecting Tamwar as it is about you. Agreed? | 0:09:08 | 0:09:12 | |
Ma... | 0:09:12 | 0:09:13 | |
Roberts, you heard of him? Coach Roberts. | 0:09:14 | 0:09:17 | |
He's got a chain of barbers over the East End. No? | 0:09:17 | 0:09:20 | |
Well, anyway, 5K he's offering. | 0:09:20 | 0:09:22 | |
For merchandising, for logos. You know, ringside stuff. | 0:09:22 | 0:09:24 | |
Right. And what does he want? | 0:09:24 | 0:09:26 | |
Kudos, I suppose. He always bangs on about family, this geezer. | 0:09:26 | 0:09:29 | |
-He made good, wants to give back. -Why are we getting involved now? | 0:09:29 | 0:09:32 | |
"Why now?" Why not now? | 0:09:32 | 0:09:33 | |
What do you want me to do about it? | 0:09:33 | 0:09:35 | |
-I want you to schmooze him. -Oh... | 0:09:35 | 0:09:37 | |
I want you to put on that famous Branning charm. | 0:09:37 | 0:09:39 | |
-Go on, like you're laying on that bit of fluff you got. -Yeah? | 0:09:39 | 0:09:42 | |
Well, you say that to Sharon's face, go on, I'll give you the 5K myself. | 0:09:42 | 0:09:45 | |
You all right, Jack? You all right, Michael? | 0:09:45 | 0:09:47 | |
You all right, mate? Hello. | 0:09:47 | 0:09:48 | |
-Cup of tea and an orange juice, please. -Yeah. | 0:09:48 | 0:09:51 | |
-You seen the left foot on him? -Yeah? | 0:09:51 | 0:09:53 | |
Yeah, he's like Ramos, Iniesta and Messi all rolled into one, ain't ya? | 0:09:53 | 0:09:56 | |
-Oi, where's your patriotism? -I lost that after Italia '90. | 0:09:56 | 0:09:59 | |
That's when you lost your barnet, weren't it? So why ain't he at school? | 0:09:59 | 0:10:02 | |
Well, he's "ill". Ain't you, eh? Not well. | 0:10:02 | 0:10:05 | |
"Ill"? Yeah, not too ill to play football though. | 0:10:05 | 0:10:08 | |
-See ya. -See ya. | 0:10:09 | 0:10:10 | |
See ya later. | 0:10:10 | 0:10:11 | |
Abs, what are you doing here? | 0:10:14 | 0:10:16 | |
I thought you were meant to be studying? | 0:10:16 | 0:10:19 | |
This is part of studying. It's a...social outreach programme. | 0:10:19 | 0:10:22 | |
You lying to me? | 0:10:24 | 0:10:25 | |
No. | 0:10:25 | 0:10:26 | |
"Social outreach programme"? | 0:10:32 | 0:10:36 | |
Nice one. | 0:10:36 | 0:10:38 | |
-So gullible. -Come on, hurry up. | 0:10:38 | 0:10:40 | |
We've got the B&B to do before lunch. Come on. | 0:10:40 | 0:10:42 | |
I can't believe you were looked over. | 0:10:43 | 0:10:45 | |
I can't believe YOU were looked over. | 0:10:45 | 0:10:47 | |
No, nobody knows this place better than you. | 0:10:47 | 0:10:50 | |
You know what? Supposedly she starts on Monday | 0:10:50 | 0:10:52 | |
and she's already on the payroll. I know! | 0:10:52 | 0:10:54 | |
You're the decorators, can't you bring the paint? | 0:10:54 | 0:10:58 | |
Well, I don't know, do I? | 0:10:58 | 0:11:00 | |
Oh, yeah, thanks a lot(!) Thanks. I'll do that. | 0:11:01 | 0:11:03 | |
HE SIGHS | 0:11:07 | 0:11:08 | |
I'm going out. Um... | 0:11:16 | 0:11:18 | |
If there's any problems, ring Roxy. Not me. | 0:11:18 | 0:11:21 | |
-Hello, Mum. -Argh! | 0:11:24 | 0:11:26 | |
Are you trying to give me a heart attack or something?! | 0:11:26 | 0:11:28 | |
I didn't mean to scare you, but I do want to run something by you. | 0:11:28 | 0:11:31 | |
-I can't. I need to get to the bank. -It's about Sy. | 0:11:31 | 0:11:33 | |
Has he changed his mind about your partnership? | 0:11:33 | 0:11:36 | |
No. But he is totally stressed out. | 0:11:36 | 0:11:38 | |
I don't know, I just thought things are so good between all of us, | 0:11:38 | 0:11:42 | |
it would be nice for us to get together, help take his mind off things. | 0:11:42 | 0:11:45 | |
And what exactly would this get-together entail? | 0:11:45 | 0:11:47 | |
Just a small, intimate gathering. | 0:11:47 | 0:11:50 | |
Break some bread, you know? | 0:11:50 | 0:11:51 | |
"Break some bread"? Is that some kind of gay metaphor? | 0:11:51 | 0:11:55 | |
No, it is not a "gay metaphor". Is Masood free or not? | 0:11:55 | 0:11:59 | |
Masood is free when I tell him he is free. | 0:11:59 | 0:12:01 | |
Secrets to a successful marriage - take note. | 0:12:01 | 0:12:04 | |
-Is that a yes? -Er... | 0:12:04 | 0:12:06 | |
Right, we need four of the beers. | 0:12:07 | 0:12:10 | |
Two ciders. | 0:12:10 | 0:12:12 | |
And one crate of... | 0:12:12 | 0:12:13 | |
No, TWO crates of Prosecco. | 0:12:14 | 0:12:17 | |
And coffee mornings - I think we're going to have to knock them on the head. | 0:12:17 | 0:12:20 | |
Joey! | 0:12:20 | 0:12:21 | |
Oh, you're not Joey. | 0:12:24 | 0:12:27 | |
I, er... I need your help. It's important. | 0:12:27 | 0:12:29 | |
What's happened? | 0:12:29 | 0:12:31 | |
Like I said, I need your help. | 0:12:33 | 0:12:34 | |
Look, I'm a bit busy right now. | 0:12:34 | 0:12:36 | |
Phil, wait. | 0:12:38 | 0:12:39 | |
You're going to owe me for this one. | 0:12:40 | 0:12:42 | |
HE CHUCKLES | 0:12:43 | 0:12:44 | |
Thank you. There you go. | 0:12:45 | 0:12:47 | |
Cheers. | 0:12:47 | 0:12:49 | |
Right, order 78. | 0:12:49 | 0:12:51 | |
Yeah, that's me. | 0:12:51 | 0:12:52 | |
Hi. | 0:12:52 | 0:12:54 | |
-Back again? -Back again. | 0:12:54 | 0:12:56 | |
Food that good, was it? | 0:12:56 | 0:12:57 | |
The food was OK. | 0:12:57 | 0:12:58 | |
Right. Well, enjoy. | 0:12:58 | 0:13:00 | |
Actually, now I'm here, do you mind if I eat in? | 0:13:01 | 0:13:04 | |
-Sure, yeah. I'll plate it up for you. -You do that. | 0:13:04 | 0:13:06 | |
Sorry? | 0:13:06 | 0:13:07 | |
I said, you do that. | 0:13:07 | 0:13:09 | |
Right. Well, take a seat. | 0:13:09 | 0:13:12 | |
Yeah. We'll put Ollie in with Ethan. | 0:13:17 | 0:13:20 | |
Give him a couple of rounds, | 0:13:21 | 0:13:22 | |
then we'll rotate him with the other boys. | 0:13:22 | 0:13:25 | |
Then we'll get Coach Roberts in here, ply him with Scotch. | 0:13:25 | 0:13:28 | |
-Job's a good 'un. -Yeah, whatever. | 0:13:28 | 0:13:30 | |
A bit of enthusiasm wouldn't go amiss, Jack. | 0:13:34 | 0:13:37 | |
Everything all right? | 0:13:37 | 0:13:38 | |
Why? | 0:13:40 | 0:13:41 | |
Well, I just bumped into Roxy on the way here. | 0:13:42 | 0:13:44 | |
How is she? | 0:13:44 | 0:13:45 | |
I think you know how she is. | 0:13:45 | 0:13:48 | |
Now, do you want to tell me what's going on? | 0:13:49 | 0:13:51 | |
-Jenny. -Mr Moon. | 0:13:51 | 0:13:54 | |
How are you? Come in, please. | 0:13:54 | 0:13:55 | |
-Jack Branning. Nice to meet you. -Hi. | 0:13:57 | 0:13:59 | |
So I take it that's my cue to leave then, yeah? | 0:14:01 | 0:14:04 | |
Nice meeting you. Speak to you in a bit. | 0:14:06 | 0:14:08 | |
-You all right? -Yeah. | 0:14:11 | 0:14:13 | |
Let me show you... | 0:14:15 | 0:14:16 | |
-See you again soon, yeah? -Thank you. Bye. | 0:14:17 | 0:14:19 | |
Get you a whisky? | 0:14:30 | 0:14:31 | |
Take a seat. | 0:14:31 | 0:14:33 | |
-Sorry if I bored you yesterday. -Ah, you didn't bore me. | 0:14:44 | 0:14:47 | |
-In fact, you made me feel better about my own life. -Charming(!) | 0:14:47 | 0:14:50 | |
No, seriously. | 0:14:50 | 0:14:52 | |
Nice to meet someone with drive and ambition. | 0:14:52 | 0:14:54 | |
Ah, the long road to success? | 0:14:54 | 0:14:56 | |
Feel like I've broken down on the M1. | 0:14:56 | 0:14:59 | |
Well, if your car breaks down, fix it. | 0:14:59 | 0:15:01 | |
If you can't fix it, hitch-hike. | 0:15:01 | 0:15:03 | |
Come for a drink with me. | 0:15:05 | 0:15:07 | |
I-I'm working. | 0:15:13 | 0:15:15 | |
Tonight? | 0:15:15 | 0:15:17 | |
I don't normally have to ask twice. | 0:15:22 | 0:15:24 | |
But first time for everything. | 0:15:26 | 0:15:27 | |
Guess who? | 0:15:38 | 0:15:39 | |
-CHRISTIAN LAUGHS -Easy tiger! | 0:15:39 | 0:15:41 | |
What are you doing here? | 0:15:41 | 0:15:43 | |
Well, that is charming, innit? | 0:15:43 | 0:15:44 | |
I'm here to say you have the night off. | 0:15:44 | 0:15:46 | |
Your rather dashing boyfriend is whisking you away for a little surprise. | 0:15:46 | 0:15:50 | |
You didn't book those tickets, did you? | 0:15:50 | 0:15:51 | |
-No, you said you didn't want to go. -I don't! | 0:15:51 | 0:15:55 | |
Besides which, I'm working tonight. | 0:15:55 | 0:15:57 | |
I'm Danny. I'm a regular. | 0:15:59 | 0:16:01 | |
-Good food, eh? -Yeah, well, the service is better. | 0:16:01 | 0:16:04 | |
Yeah, well not tonight, stud, because you are mine. | 0:16:04 | 0:16:07 | |
Before you start panicking, I've already arranged cover, | 0:16:07 | 0:16:10 | |
so you can just chill, OK? | 0:16:10 | 0:16:13 | |
Happy? | 0:16:13 | 0:16:15 | |
I bet he is. | 0:16:15 | 0:16:16 | |
See you, Danny. | 0:16:19 | 0:16:21 | |
JACK CLEARS HIS THROAT | 0:16:28 | 0:16:30 | |
No, thanks. | 0:16:30 | 0:16:31 | |
So, do you want to tell me who that fit blonde was? | 0:16:33 | 0:16:35 | |
She's just some bird doing a bit of business for me, that's all. | 0:16:37 | 0:16:40 | |
What, for the gym? | 0:16:40 | 0:16:42 | |
No. | 0:16:42 | 0:16:44 | |
Listen, you want to get here. You need to get here now. | 0:16:55 | 0:16:58 | |
I don't know, just something ain't right. | 0:16:59 | 0:17:01 | |
-All right, keep 'em closed. -Christian, I'm going to trip over. | 0:17:03 | 0:17:06 | |
Ready? Ta-da! | 0:17:06 | 0:17:08 | |
-Hey, what are you doing here? -Oh, nice to see you too, son(!) | 0:17:09 | 0:17:13 | |
No, I mean... Actually, that is what I mean. What are you doing here? | 0:17:13 | 0:17:16 | |
Christian thought it would be nice for all of us to spend time together. | 0:17:16 | 0:17:20 | |
I've got Ludo! | 0:17:20 | 0:17:21 | |
All right, sit down. Food's in the oven. | 0:17:21 | 0:17:24 | |
Where's Yas? | 0:17:24 | 0:17:25 | |
Oh, AJ'S got her and Kamil, we've got the night off. | 0:17:25 | 0:17:28 | |
Whether he still has them at the end of the night is another matter. | 0:17:28 | 0:17:31 | |
-That reminds me, I wanted to show you Yasmin's room. -Yes. | 0:17:31 | 0:17:34 | |
-Syed, take this. -Mum, what are you doing? | 0:17:34 | 0:17:37 | |
-Syed, now please. -I told you, I don't want it. | 0:17:37 | 0:17:40 | |
-Syed, just take it! -Mum, no. | 0:17:40 | 0:17:42 | |
-Nice, isn't it? -Yeah, it's great! | 0:17:42 | 0:17:43 | |
So what can I do to help? | 0:17:43 | 0:17:45 | |
-Zee, come and have a look at this. -OK. | 0:17:45 | 0:17:48 | |
Sy, we have waited a hell of a long time for your parents | 0:17:53 | 0:17:56 | |
to even feel comfortable enough to be in this house for dinner. | 0:17:56 | 0:17:59 | |
Yet here they are. | 0:17:59 | 0:18:01 | |
So, please, make an effort. | 0:18:01 | 0:18:03 | |
-I'm fine. -Well, tell your face that, eh? | 0:18:03 | 0:18:06 | |
-What you doing here? -I called her. | 0:18:13 | 0:18:15 | |
-Why don't you turn around and do one? -OK, I told you. | 0:18:15 | 0:18:18 | |
-What do you think you're playing at? -Where's Scarlett? -In the office. | 0:18:18 | 0:18:21 | |
-You've left her in the office?! -Yeah, I left her in the office. | 0:18:21 | 0:18:24 | |
What's it got to do with you? She's a baby. | 0:18:24 | 0:18:26 | |
Look, he's here, he's here. | 0:18:26 | 0:18:28 | |
Coach Roberts? Hello. | 0:18:28 | 0:18:30 | |
-All right, son? -Yeah great. Legend. | 0:18:30 | 0:18:32 | |
-Jack Branning, my business partner. -Nice to meet you. | 0:18:32 | 0:18:35 | |
Nice place you've got. | 0:18:35 | 0:18:36 | |
Yeah, and these are two of our brightest prospects | 0:18:36 | 0:18:38 | |
-Ain't they, Jack? -Yeah, they are. Yeah. | 0:18:38 | 0:18:40 | |
So why don't you do me a favour and jog on. Very good. | 0:18:40 | 0:18:45 | |
Why don't I give you a guided tour? | 0:18:45 | 0:18:46 | |
Babe, give it a break, will you? You're giving me an earache. | 0:18:51 | 0:18:54 | |
Why? Cos I don't want my daughter hanging out with the wrong crowd? | 0:18:54 | 0:18:57 | |
What do you want me to do? Go over to her and tell her she can't go out? | 0:18:57 | 0:19:00 | |
Well, yeah, if that's what it takes. | 0:19:00 | 0:19:03 | |
I want you to do SOMETHING. | 0:19:03 | 0:19:04 | |
-Abi, say goodnight. -What? | 0:19:12 | 0:19:14 | |
You're going to have dinner with me and your mum. | 0:19:14 | 0:19:17 | |
-We're only talking. -Yeah, chill out, man. | 0:19:17 | 0:19:19 | |
If I want your input, I'll ask for it. | 0:19:19 | 0:19:21 | |
-I'm not hungry. -It weren't a question. | 0:19:21 | 0:19:23 | |
-Dad! -Come on. -Get off me! You're embarrassing me. | 0:19:23 | 0:19:26 | |
Mum, tell him. | 0:19:26 | 0:19:27 | |
Sorry, darling. | 0:19:27 | 0:19:28 | |
Come on, sit down. | 0:19:28 | 0:19:30 | |
Have a bit of respect, will you? For me and your mum. | 0:19:30 | 0:19:33 | |
Well, they're my friends. | 0:19:33 | 0:19:34 | |
Yeah, you want to start looking for some new ones, don't you? | 0:19:34 | 0:19:37 | |
This is so unfair. I didn't do anything. | 0:19:37 | 0:19:40 | |
"Social outreach programme"? You think I was born yesterday? | 0:19:40 | 0:19:43 | |
Oh, hello. You look like you've been having fun. | 0:19:45 | 0:19:47 | |
Oh, don't you start. | 0:19:47 | 0:19:49 | |
I've spent the best part of the day looking at 50 shades of white. | 0:19:49 | 0:19:52 | |
Right, I think I owe you a drink. | 0:19:52 | 0:19:53 | |
Nah, I best get back to Denny. Ian's baby-sitting. | 0:19:53 | 0:19:56 | |
Have one. It's on the house. | 0:19:56 | 0:19:58 | |
-No, I shouldn't. -Oh, go on. -But I will. | 0:19:58 | 0:20:00 | |
Do you want a hand taking this lot upstairs first? | 0:20:00 | 0:20:02 | |
No, there's more in the motor. I'll get Max to give me a hand. | 0:20:02 | 0:20:05 | |
Nice of me to offer(!) | 0:20:05 | 0:20:06 | |
Right, well, I need the little girls' room. | 0:20:06 | 0:20:09 | |
So G&T, please. Double. | 0:20:09 | 0:20:11 | |
I know what you're doing. | 0:20:16 | 0:20:17 | |
Done it before myself. | 0:20:17 | 0:20:19 | |
Oh, I'm sure it'll look lovely, | 0:20:19 | 0:20:20 | |
fresh coat of paint and all that, you know. | 0:20:20 | 0:20:23 | |
But it doesn't hide the fact, does it? | 0:20:23 | 0:20:25 | |
What fact? | 0:20:25 | 0:20:27 | |
That you're on your own. Just like me. | 0:20:27 | 0:20:30 | |
This kid here, this Ethan - he's got a great jab on him. | 0:20:37 | 0:20:39 | |
And that's what we want to do, you know? | 0:20:39 | 0:20:41 | |
We want to get a bit of money and bring young talent in... | 0:20:41 | 0:20:45 | |
so we want to get you on the firm if you'd be interested. | 0:20:45 | 0:20:47 | |
Yeah, definitely. That's something we can talk about, yeah. | 0:20:47 | 0:20:51 | |
Very sharp. | 0:20:52 | 0:20:54 | |
Excuse me. | 0:20:54 | 0:20:55 | |
What you doing? Oi, what you doing? | 0:20:56 | 0:20:58 | |
-Seriously, what is your problem? -You are. | 0:20:58 | 0:21:00 | |
Yeah, I kind of guessed that. Do you mind telling me why? | 0:21:00 | 0:21:03 | |
Don't take my kid from under my nose, twice in a day. | 0:21:03 | 0:21:05 | |
Is that what this is about? | 0:21:05 | 0:21:06 | |
Cos I took Scarlett to the shops? Get a grip! | 0:21:06 | 0:21:09 | |
Runs in the family, don't it? | 0:21:09 | 0:21:11 | |
You... Pathetic. | 0:21:14 | 0:21:15 | |
Don't turn your back on me! Oi! Oi! I'm talking to you. | 0:21:17 | 0:21:20 | |
-Ssh! -Michael... | 0:21:20 | 0:21:22 | |
..do you want to calm down? | 0:21:23 | 0:21:24 | |
SCARLETT CRIES | 0:21:28 | 0:21:30 | |
Do you know what? | 0:21:33 | 0:21:35 | |
I am an absolute sucker for a happy ending. | 0:21:35 | 0:21:38 | |
Ugh. Sentimental tripe. That's what that was. | 0:21:38 | 0:21:42 | |
What about the bit with the boy playing the drums? | 0:21:42 | 0:21:45 | |
That was powerful stuff. | 0:21:45 | 0:21:47 | |
Boy playing the drums? That was not powerful! | 0:21:47 | 0:21:49 | |
That was drums and boy. Bang, bang. | 0:21:49 | 0:21:52 | |
Masood... | 0:21:52 | 0:21:54 | |
have you been crying? | 0:21:54 | 0:21:56 | |
No, of course I haven't been crying. | 0:21:56 | 0:21:57 | |
Oh, you're such a girl. | 0:21:57 | 0:21:59 | |
Just pass the tissues, will you? | 0:21:59 | 0:22:01 | |
Yes, of course, baby diddums. | 0:22:01 | 0:22:02 | |
We j'adore that movie, don't we? | 0:22:04 | 0:22:06 | |
-Yeah. -Well, one OK-ish scene. | 0:22:06 | 0:22:08 | |
Which one? | 0:22:08 | 0:22:09 | |
You know, when she goes up to the bedroom and she's all like, | 0:22:09 | 0:22:12 | |
"Oh, I need to cry. No, I'm not going to cry. Oh, I need to cry. | 0:22:12 | 0:22:15 | |
"No, no I'm a really strong woman." | 0:22:15 | 0:22:16 | |
Oh! Cry already! | 0:22:16 | 0:22:18 | |
-That's our favourite scene. Isn't it, babe? -Yeah. | 0:22:18 | 0:22:20 | |
OK... | 0:22:20 | 0:22:21 | |
who's for Ludo? | 0:22:21 | 0:22:23 | |
-Me! -Yes, me! | 0:22:23 | 0:22:24 | |
Actually, I'm pretty tired. | 0:22:24 | 0:22:27 | |
Well, OK then. We don't have to. | 0:22:27 | 0:22:28 | |
What about another movie? | 0:22:28 | 0:22:30 | |
-I'll just go to bed. -Actually, Zee, we should be getting home. | 0:22:30 | 0:22:33 | |
-What?! I'm having fun. -It's getting late. | 0:22:33 | 0:22:35 | |
It's not getting late, Masood. | 0:22:35 | 0:22:37 | |
OK, fine. You crybaby. | 0:22:37 | 0:22:40 | |
I'll show you out. | 0:22:41 | 0:22:43 | |
-What is wrong with you? -Nothing. | 0:22:43 | 0:22:45 | |
Come on, Zee. | 0:22:45 | 0:22:46 | |
Listen, thanks for coming over, yeah? We had a really good time. | 0:22:46 | 0:22:49 | |
Thank you for having us. Mwah! | 0:22:49 | 0:22:51 | |
-Didn't we, Sy? -Yeah. | 0:22:51 | 0:22:53 | |
-What was all that about? -I don't know. | 0:22:56 | 0:22:58 | |
Why are we being ushered out? | 0:22:58 | 0:23:00 | |
-Is it because of what I said about the film? -No. | 0:23:00 | 0:23:02 | |
That boy can be so sensitive sometimes. | 0:23:02 | 0:23:04 | |
OK. Thank you for the lovely evening. Goodnight. | 0:23:04 | 0:23:06 | |
Listen, you tell him, Christian. Sort him out. | 0:23:06 | 0:23:08 | |
-Goodnight. -Goodnight. | 0:23:08 | 0:23:10 | |
What? | 0:23:17 | 0:23:18 | |
I thought you had everything you ever wanted. | 0:23:18 | 0:23:21 | |
Can't you at least pretend to be happy. | 0:23:21 | 0:23:24 | |
I am. | 0:23:24 | 0:23:25 | |
I'm going to bed. | 0:23:26 | 0:23:28 | |
Make sure you lock up when you're done. | 0:23:53 | 0:23:57 | |
You sure you're going to be all right with him? | 0:23:57 | 0:23:59 | |
Yeah, I'll be fine, thanks. Go on, go. | 0:23:59 | 0:24:01 | |
What do you want? | 0:24:11 | 0:24:12 | |
Well, believe it or not, Michael, I'm actually worried about you. | 0:24:14 | 0:24:19 | |
How touching(!) | 0:24:19 | 0:24:21 | |
OK. All right. Fine. See you later. | 0:24:22 | 0:24:25 | |
Eight days. | 0:24:26 | 0:24:28 | |
She left the country eight days ago. | 0:24:31 | 0:24:35 | |
I don't know where she's gone. | 0:24:35 | 0:24:37 | |
They found her car at Heathrow. | 0:24:40 | 0:24:42 | |
She...left these. | 0:24:45 | 0:24:48 | |
The rings. | 0:24:48 | 0:24:49 | |
But that's not all she's left, is it? | 0:24:52 | 0:24:55 | |
Look... | 0:24:57 | 0:24:58 | |
Me... I understand me. | 0:24:59 | 0:25:02 | |
You know, I know... I know about me. | 0:25:04 | 0:25:06 | |
But how can you do that? How can you leave someone like that? | 0:25:08 | 0:25:12 | |
What kind of person does that? | 0:25:12 | 0:25:14 | |
Look... | 0:25:19 | 0:25:20 | |
Michael, listen, I'm... | 0:25:20 | 0:25:23 | |
I don't know. | 0:25:23 | 0:25:25 | |
It's OK. You... | 0:25:25 | 0:25:27 | |
You're not the first person in the world to be a single parent, are you? | 0:25:27 | 0:25:31 | |
I guess at least you know now. | 0:25:33 | 0:25:35 | |
You know for certain she's gone and she's not coming back, is she? | 0:25:36 | 0:25:39 | |
Hm? | 0:25:39 | 0:25:40 | |
Michael. | 0:25:42 | 0:25:43 | |
You're not alone with this, OK? | 0:25:44 | 0:25:47 | |
Oi, you've got me. | 0:25:47 | 0:25:49 | |
You've got family. You've got people who really want to help you. | 0:25:50 | 0:25:54 | |
And you...have got Scarlett, Michael. | 0:25:56 | 0:25:59 | |
Today. | 0:26:04 | 0:26:06 | |
Today, you... | 0:26:06 | 0:26:07 | |
You took...my baby away. | 0:26:09 | 0:26:12 | |
And you didn't... And... | 0:26:13 | 0:26:15 | |
And then you brought her back. | 0:26:16 | 0:26:18 | |
I know and I'm sorry, I didn't mean to scare you. | 0:26:18 | 0:26:22 | |
Yeah, you don't understand. I didn't care. | 0:26:22 | 0:26:24 | |
I was relieved. | 0:26:28 | 0:26:29 | |
I was relieved that she'd gone. | 0:26:31 | 0:26:33 | |
And I was DISAPPOINTED... | 0:26:35 | 0:26:37 | |
..when you brought her back. | 0:26:39 | 0:26:42 | |
Ooh! That's hardcore. I'm a monster. | 0:26:42 | 0:26:45 | |
Michael. | 0:26:52 | 0:26:54 | |
Michael, you get up NOW and you hold her. Get up. | 0:26:54 | 0:26:58 | |
Get up. | 0:26:58 | 0:27:00 | |
Michael. | 0:27:00 | 0:27:02 | |
Get up. | 0:27:02 | 0:27:03 | |
-What? -Take her. | 0:27:30 | 0:27:31 | |
-SCARLETT CRIES -Michael? -Just take her. -Michael! | 0:27:31 | 0:27:33 | |
Michael, what are you doing? | 0:27:33 | 0:27:35 | |
Michael? Michael! | 0:27:35 | 0:27:38 | |
CRYING CONTINUES | 0:27:38 | 0:27:39 | |
Michael! | 0:27:39 | 0:27:40 | |
Subtitles by Red Bee Media Ltd | 0:28:12 | 0:28:15 |