Browse content similar to 07/06/2013. Check below for episodes and series from the same categories and more!
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Yeah, looking good. It'll come off nice and easily, won't it? Not going to snag or nothing? | 0:00:29 | 0:00:33 | |
I've got someone important coming to do this. | 0:00:33 | 0:00:36 | |
I now declare Ian Beale @ Le Square open. | 0:00:36 | 0:00:39 | |
Sorry. You get the idea, don't you? | 0:00:41 | 0:00:44 | |
-I've kept them all busy, Dad. -Good lad. Did you get the black pepper? | 0:00:49 | 0:00:52 | |
-Yeah, the receipt's by the till. -Steak knives? -Sorted. -Jean? -Flat out in the kitchen. | 0:00:52 | 0:00:56 | |
Right, come on people, let's keep busy. | 0:00:56 | 0:00:58 | |
So, what do you think? | 0:00:58 | 0:01:00 | |
-Looks good. -Is there anything else you need doing? | 0:01:00 | 0:01:03 | |
If there was, I think it's too late now, don't you? | 0:01:03 | 0:01:05 | |
Right in two hours we're going to have punters coming through the doors. | 0:01:05 | 0:01:08 | |
Let's make sure we're ready, OK? Come on, keep busy. | 0:01:08 | 0:01:11 | |
And you, this is your fault, you and your marker pen. | 0:01:11 | 0:01:13 | |
Toilet. | 0:01:13 | 0:01:15 | |
-Your dad's here. -You all right? | 0:01:26 | 0:01:28 | |
Well, I just wanted to pass by and wish you luck. | 0:01:28 | 0:01:31 | |
It's a waitress job, Dad. | 0:01:31 | 0:01:33 | |
Yeah well, you just do your best, don't you? | 0:01:33 | 0:01:35 | |
That's all anyone can ever ask of you. | 0:01:35 | 0:01:38 | |
I better not get sacked for being late, then. | 0:01:38 | 0:01:40 | |
Right, I'll see you down there later, yeah? | 0:01:40 | 0:01:42 | |
-What, you're coming? -Yeah. | 0:01:42 | 0:01:44 | |
With Kirsty? | 0:01:44 | 0:01:46 | |
No, no, she's got to work. | 0:01:46 | 0:01:48 | |
Why? Are you going? | 0:01:48 | 0:01:50 | |
Yeah, that was the plan. | 0:01:50 | 0:01:52 | |
We're really proud of you, you know. Aren't we? | 0:01:55 | 0:01:58 | |
Yeah. | 0:01:58 | 0:01:59 | |
End of the day, no-one can sort my life out except for me. | 0:01:59 | 0:02:02 | |
See you later. | 0:02:04 | 0:02:05 | |
See you later. | 0:02:05 | 0:02:06 | |
See you. | 0:02:06 | 0:02:08 | |
And she's definitely taking Scarlett, you say? | 0:02:12 | 0:02:14 | |
Yes, and she wants me to go with her as well. | 0:02:14 | 0:02:16 | |
-Why the change of heart? -I don't know. | 0:02:18 | 0:02:21 | |
She must have realised that she hasn't been fair to Scarlett. | 0:02:21 | 0:02:24 | |
It's what you wanted. | 0:02:24 | 0:02:26 | |
She just wants to make a go of things. | 0:02:27 | 0:02:30 | |
Why now, though? | 0:02:30 | 0:02:31 | |
Does it really matter why? She wants you there, | 0:02:32 | 0:02:35 | |
with her and Scarlett. That is what matters. | 0:02:35 | 0:02:38 | |
Balloons, branded napkins. You're really going for it. | 0:02:46 | 0:02:49 | |
It's a Beale opening, OK? No half measures. | 0:02:49 | 0:02:51 | |
Jean says lemons - segments or slices with the salmon? | 0:02:51 | 0:02:54 | |
Segments. | 0:02:54 | 0:02:56 | |
-Segments. -Thanks! > | 0:02:56 | 0:02:58 | |
I've got some mail here and a card. | 0:02:58 | 0:03:00 | |
Thanks. | 0:03:00 | 0:03:01 | |
Oh, must have picked this up by mistake. | 0:03:02 | 0:03:05 | |
-Where's Lauren - not turned up yet? -I told her to come in later. | 0:03:05 | 0:03:08 | |
Well she'd better be on time. | 0:03:10 | 0:03:12 | |
I'll take my chances. | 0:03:12 | 0:03:13 | |
Can you do me a favour? Can you help Denise with the champagne as people are arriving? Thanks, love. | 0:03:13 | 0:03:18 | |
Listen up, everyone, we've got 75 minutes | 0:03:18 | 0:03:20 | |
until the punters are coming through the doors, OK. | 0:03:20 | 0:03:22 | |
Clock's ticking. We can do this, all right? | 0:03:22 | 0:03:24 | |
What are you doing? | 0:03:35 | 0:03:37 | |
Behaving like a thug? I brought you up better than that. | 0:03:37 | 0:03:41 | |
Look, we know he is behaving like a complete idiot | 0:03:41 | 0:03:44 | |
but you are not a kid any more, having a big old tantrum over a car. | 0:03:44 | 0:03:47 | |
It's got nothing to do with the car. | 0:03:47 | 0:03:49 | |
-Look at you. You couldn't run back to him fast enough, could you? -What? | 0:03:49 | 0:03:52 | |
-Was it a coincidence you turned up at the same time? -I went to him cos I was worried about what you'd do. | 0:03:52 | 0:03:56 | |
Oh, whatever. It's not about you and him lying to me, is it? No. | 0:03:56 | 0:03:59 | |
I knew you were going to get upset, OK? I was trying to protect you. | 0:03:59 | 0:04:02 | |
Who you trying to convince? I don't give a monkey's about him. | 0:04:02 | 0:04:05 | |
Do you want to know why I'm angry? Do you want to know? It's you. | 0:04:05 | 0:04:07 | |
You're letting him get back in your head. | 0:04:07 | 0:04:10 | |
At least the door still works. | 0:04:18 | 0:04:20 | |
He really went for it, didn't he? | 0:04:25 | 0:04:26 | |
I don't know what I'll be able to do with the bodywork. | 0:04:28 | 0:04:30 | |
But we can sort something out about the money. | 0:04:30 | 0:04:33 | |
Yeah, we will. | 0:04:33 | 0:04:34 | |
I want it back, | 0:04:34 | 0:04:36 | |
all of it. | 0:04:36 | 0:04:38 | |
We were supposed to be going on holiday with that money. | 0:04:38 | 0:04:41 | |
That's not my problem. | 0:04:41 | 0:04:43 | |
I won't count it. | 0:04:57 | 0:04:58 | |
I said segments. | 0:05:03 | 0:05:04 | |
I've done segments. | 0:05:04 | 0:05:06 | |
No, they're wedges. | 0:05:06 | 0:05:07 | |
Right, fine, fine, I'll cut them all again then. | 0:05:07 | 0:05:10 | |
You don't need to cut them all again. Just cut them thinner like this. See? | 0:05:10 | 0:05:13 | |
Maximise your profit. | 0:05:13 | 0:05:14 | |
By cutting thinner lemons? | 0:05:14 | 0:05:17 | |
How do you think all these TV chefs make their millions? | 0:05:17 | 0:05:19 | |
Oh, and you should get them terrines in the fridge before they go off, yeah? | 0:05:19 | 0:05:22 | |
I was just about to do that. | 0:05:22 | 0:05:24 | |
I'LL go off in a minute. | 0:05:26 | 0:05:27 | |
-Ice cream. -Done. | 0:05:28 | 0:05:30 | |
Smart chic or smart chic? | 0:05:34 | 0:05:36 | |
Smart chic. | 0:05:36 | 0:05:38 | |
So, is Michael still coming tonight? | 0:05:39 | 0:05:41 | |
Yeah, he's really looking forward to it - said he can't wait to see Scarlett. | 0:05:41 | 0:05:45 | |
Oh, good. No, it should be fun. | 0:05:45 | 0:05:47 | |
I thought you could wear it for the restaurant opening. | 0:05:52 | 0:05:55 | |
Right. Yeah, thanks. | 0:05:55 | 0:05:57 | |
Well, the girl in the shop... | 0:05:57 | 0:05:59 | |
I mean, I don't know what you'd like but... | 0:05:59 | 0:06:01 | |
I hope I got it right. | 0:06:01 | 0:06:02 | |
That's really nice. Isn't it, Mum? | 0:06:02 | 0:06:05 | |
Yeah, it is. Thanks. | 0:06:05 | 0:06:06 | |
You seemed quite down the other day, and I thought I'd cheer you up. | 0:06:06 | 0:06:09 | |
Yeah, well thank you. | 0:06:09 | 0:06:10 | |
Anyway, I look forward to seeing you in it. | 0:06:10 | 0:06:13 | |
As soon as I saw it, I thought it would be perfect for you. | 0:06:13 | 0:06:16 | |
Thank you. | 0:06:16 | 0:06:18 | |
I'll see you in a bit. | 0:06:18 | 0:06:19 | |
Yeah. See ya. | 0:06:19 | 0:06:21 | |
That's really nice of him. | 0:06:21 | 0:06:23 | |
Here y'are, you finish it. | 0:06:41 | 0:06:44 | |
What d'you reckon? A hundred quid for scrap? He came and he took his money back. | 0:06:45 | 0:06:49 | |
You must have thought about that before you threw your toys out your pram, eh? | 0:06:49 | 0:06:52 | |
Ian. Violinist's here. | 0:06:58 | 0:07:00 | |
-You're late. -What did she say? | 0:07:00 | 0:07:02 | |
Last night's brainwave. | 0:07:02 | 0:07:03 | |
Right, the agency explained, yeah? | 0:07:03 | 0:07:05 | |
-Dad? -Poppy, do me a favour, can you show him where he can set up and put all his stuff, yeah? | 0:07:05 | 0:07:09 | |
Right, last couple of minutes. Let's give it a push. | 0:07:09 | 0:07:11 | |
That extra money from Janine was meant to be for tiding you over, | 0:07:11 | 0:07:14 | |
not to be blown on some man playing the fiddle. | 0:07:14 | 0:07:16 | |
Lucy, it adds a touch of class, makes it into an event, so people are talking about it. | 0:07:16 | 0:07:20 | |
Look, trust me, it'll pay for itself, OK? | 0:07:20 | 0:07:22 | |
Right, now, just keep it going. | 0:07:22 | 0:07:23 | |
We're not like a Justin Bieber concert - we open on time. | 0:07:23 | 0:07:27 | |
So what, you lied to me, yeah? You knew it was my old man and you didn't say nothing? | 0:07:32 | 0:07:36 | |
You ruined our car and you ruined our holiday. | 0:07:36 | 0:07:38 | |
Hold on, why did you even take his money? | 0:07:38 | 0:07:40 | |
Oh, let me think, because it was for sale? | 0:07:40 | 0:07:42 | |
-You knew it'd hack me off! -Why did you smash the car up? | 0:07:42 | 0:07:44 | |
Because I was angry. Having my dad turn up out the blue like that. | 0:07:44 | 0:07:47 | |
-Do me a favour. -My dad turns up like that, you think it won't do my head in? -At least you've GOT a dad! | 0:07:47 | 0:07:52 | |
TOOLS CLATTER | 0:07:52 | 0:07:54 | |
Hope this bloke Lister's bringing along realises what a goldmine this place could be. | 0:07:59 | 0:08:03 | |
Ian, it'll be fine. | 0:08:03 | 0:08:04 | |
OK, OK. | 0:08:04 | 0:08:06 | |
Ten minutes to go. There's got to be something I've forgotten. There's got to be. | 0:08:06 | 0:08:09 | |
Ian, look at me. | 0:08:09 | 0:08:11 | |
OK, OK. | 0:08:11 | 0:08:12 | |
You're there. Everything is ready. | 0:08:12 | 0:08:15 | |
OK. | 0:08:15 | 0:08:16 | |
Toilet rolls? | 0:08:16 | 0:08:18 | |
Even the toilet roll. | 0:08:18 | 0:08:20 | |
Come here. | 0:08:20 | 0:08:22 | |
Go get 'em. | 0:08:24 | 0:08:25 | |
TIMER BEEPS | 0:08:32 | 0:08:35 | |
Right, I think we're pretty much there. | 0:08:38 | 0:08:41 | |
This place, it looks great. | 0:08:43 | 0:08:46 | |
It looks ready. | 0:08:46 | 0:08:48 | |
And you all look ready. | 0:08:48 | 0:08:49 | |
This is the start of a new era not just for me and my family, | 0:08:51 | 0:08:54 | |
but for all of us, OK? | 0:08:54 | 0:08:56 | |
And we ALL deserve this to work. | 0:08:56 | 0:09:00 | |
Right, and it will, OK? | 0:09:00 | 0:09:01 | |
It will if you put everything into it. So, good luck. | 0:09:01 | 0:09:06 | |
Do I have to do this? | 0:09:12 | 0:09:14 | |
Yes, because you didn't tell me about the snake, did you? | 0:09:14 | 0:09:16 | |
Now get yourself outside and enjoy yourself. | 0:09:16 | 0:09:19 | |
There's no turning back now. | 0:09:20 | 0:09:22 | |
It's just a shame Peter's not here to see it and enjoy it. | 0:09:22 | 0:09:26 | |
Yeah, well, I'm sure he'll come and see it one day | 0:09:26 | 0:09:29 | |
and when he does, he'll be proud of you, as we all are. | 0:09:29 | 0:09:33 | |
OK? | 0:09:33 | 0:09:34 | |
Hope you've got a trader's licence for that. | 0:09:38 | 0:09:41 | |
Step inside. Fresh fruit and veg. | 0:09:41 | 0:09:43 | |
Locally... Locally produced. | 0:09:43 | 0:09:47 | |
That's the one, yeah. Fruit and veg, right, Bobby? | 0:09:47 | 0:09:49 | |
-You're not going to start singing Consider Yourself, are you? -No. | 0:09:49 | 0:09:52 | |
You look lovely. | 0:09:52 | 0:09:53 | |
Here we go. Councillor Byford from the planning office. | 0:09:56 | 0:09:59 | |
Welcome to Ian Beale @ Le Square. | 0:10:00 | 0:10:03 | |
Would you care for some free bubbly, sir? | 0:10:05 | 0:10:08 | |
Oh, and for madam? | 0:10:08 | 0:10:10 | |
Look at you. | 0:10:10 | 0:10:11 | |
Never thought I'd see this day. Ian Beale giving out free booze. | 0:10:11 | 0:10:15 | |
Lauren, champagne, please, for Councillor Byford and his guest. | 0:10:15 | 0:10:19 | |
Right, ladies and gentlemen, | 0:10:20 | 0:10:22 | |
if I could just have your attention for a moment. | 0:10:22 | 0:10:24 | |
Please make sure you sample all the food tonight. | 0:10:24 | 0:10:27 | |
It's a little taster of what's on our menu. | 0:10:27 | 0:10:29 | |
Your investor friend, the guest of honour, where is he? | 0:10:29 | 0:10:33 | |
-He's parking the car. -Right, when he gets here, tell me, yeah? Cheers. | 0:10:33 | 0:10:37 | |
-All right, sis? -Thank you. | 0:10:38 | 0:10:41 | |
You all right? | 0:10:41 | 0:10:43 | |
He's got a bit of front, ain't he? | 0:10:43 | 0:10:45 | |
He was Jenna's best customer. | 0:10:45 | 0:10:46 | |
OK. OK, don't go upsetting him - he's very, very important to Ian. | 0:10:46 | 0:10:50 | |
As long as he stands out of my way. | 0:10:50 | 0:10:52 | |
Whit. There you go, free grub, dig in. | 0:10:52 | 0:10:55 | |
Oh, hello. | 0:10:55 | 0:10:56 | |
Poppy! | 0:10:56 | 0:10:57 | |
Pop... | 0:10:57 | 0:11:00 | |
Just the one glass of champagne for my sister. | 0:11:00 | 0:11:02 | |
I want her staying sober, don't I? | 0:11:02 | 0:11:04 | |
Ian. | 0:11:05 | 0:11:06 | |
Let me introduce the man who's going to be pulling your cord, so to speak. | 0:11:06 | 0:11:10 | |
Oh right, is he here? | 0:11:10 | 0:11:12 | |
Ian. Danny, Danny Pennant. | 0:11:12 | 0:11:14 | |
Pleasure to meet you. | 0:11:14 | 0:11:15 | |
Likewise. | 0:11:15 | 0:11:18 | |
Best food in Walford. Every dish horsemeat-free. | 0:11:18 | 0:11:21 | |
Tough crowd. | 0:11:23 | 0:11:25 | |
Beef. Ones on the left, without horseradish. | 0:11:28 | 0:11:31 | |
-Right. -Left. -Right. | 0:11:31 | 0:11:33 | |
I don't think we've got any tables left. | 0:11:44 | 0:11:47 | |
Do you know, I hate to say it | 0:11:47 | 0:11:48 | |
but I really think your dad might be on to something. | 0:11:48 | 0:11:51 | |
Yeah, well, once word gets out, you'll get your original money back and the extra loan. | 0:11:51 | 0:11:55 | |
-What latest loan? -The extra money. | 0:11:55 | 0:11:58 | |
I might think he's on to a winner | 0:11:58 | 0:12:00 | |
but I don't think I'd have ploughed any more money in. | 0:12:00 | 0:12:02 | |
No, it's an honour to have you here. | 0:12:05 | 0:12:07 | |
And like Bob - Robert - said, there's a champagne dinner for two any time you want it. | 0:12:07 | 0:12:12 | |
That's very kind. | 0:12:12 | 0:12:13 | |
There you go, enjoy. My pleasure. | 0:12:13 | 0:12:15 | |
-Ian, thank you so much for doing this for her. -It's all right. Everyone deserves a second chance. | 0:12:17 | 0:12:22 | |
Mum, Mas is here. | 0:12:42 | 0:12:44 | |
Looks stupid, doesn't it? | 0:12:45 | 0:12:46 | |
No. | 0:12:46 | 0:12:47 | |
No, no, it's just a bit... | 0:12:47 | 0:12:50 | |
It's fine. | 0:12:50 | 0:12:51 | |
Yeah, yeah, yeah, if you're 21 and Asian. | 0:12:51 | 0:12:53 | |
-Dad. -Lucy, it's coming up to seven - we need to do the opening ceremony. | 0:13:29 | 0:13:33 | |
Can you make sure that everybody's got champagne? Thanks, love. | 0:13:33 | 0:13:36 | |
Look who's here. | 0:13:39 | 0:13:41 | |
Arranging to meet in public - is that to prevent any mess? | 0:13:41 | 0:13:45 | |
No, I just wanted you here. For Scarlett. | 0:13:45 | 0:13:47 | |
Why? | 0:13:47 | 0:13:49 | |
You'll see. | 0:13:49 | 0:13:50 | |
Say hello. | 0:13:50 | 0:13:52 | |
Ladies and gentlemen, | 0:14:02 | 0:14:03 | |
can I just have your attention for a couple of minutes, please. | 0:14:03 | 0:14:06 | |
I promise not to keep you from tasting the wonderful sample menu for too long, | 0:14:06 | 0:14:10 | |
cos that says far more about this place than any waffle from me. | 0:14:10 | 0:14:14 | |
Basically that just leaves us with a few thank yous. | 0:14:14 | 0:14:18 | |
A lot of people have helped get this place off the ground | 0:14:18 | 0:14:22 | |
and I'd like to say thank you to a certain few. | 0:14:22 | 0:14:25 | |
A special few. | 0:14:25 | 0:14:28 | |
To those who've backed us and invested in us, | 0:14:28 | 0:14:31 | |
both now and in the future, your trust and belief means everything. | 0:14:31 | 0:14:38 | |
To my waitresses - to Whitney, Poppy, Lauren. | 0:14:39 | 0:14:43 | |
You've been brilliant. | 0:14:43 | 0:14:44 | |
Thank you, thank you. | 0:14:44 | 0:14:46 | |
And to my family. | 0:14:46 | 0:14:48 | |
To Bobby. | 0:14:48 | 0:14:50 | |
To Lucy. | 0:14:50 | 0:14:52 | |
It's been... | 0:14:52 | 0:14:54 | |
It's been a long year. | 0:14:56 | 0:14:57 | |
But we're here now. | 0:14:57 | 0:14:59 | |
Now, my family's been associated with this part of London for a long time. | 0:15:00 | 0:15:06 | |
I mean, especially the market - my dad Pete, my grandparents Albert and Lou. | 0:15:06 | 0:15:10 | |
But this is a new chapter. So, thank you. | 0:15:10 | 0:15:16 | |
Oh, one last thing. | 0:15:17 | 0:15:19 | |
There's one person I nearly forgot to thank, actually. | 0:15:19 | 0:15:22 | |
Yeah, go on. | 0:15:23 | 0:15:25 | |
Without this person, none of this would have been possible. So... | 0:15:25 | 0:15:30 | |
Denise, | 0:15:30 | 0:15:32 | |
thank you for your support, you have been brilliant. | 0:15:32 | 0:15:36 | |
Here's a little token both for you and for Lucy. | 0:15:36 | 0:15:40 | |
Well done, mate. | 0:15:40 | 0:15:42 | |
Which basically only leaves one last thing to do, which is the opening ceremony. | 0:15:42 | 0:15:46 | |
Which Danny Pennant, a businessman of good standing in the City, | 0:15:46 | 0:15:49 | |
he's going to do for us | 0:15:49 | 0:15:51 | |
and officially open Ian Beale @ Le Square! | 0:15:51 | 0:15:54 | |
Thank you. | 0:15:54 | 0:15:55 | |
Danny, if you'd like to follow everybody outside. | 0:15:55 | 0:15:58 | |
TIMER BEEPS | 0:16:16 | 0:16:19 | |
Right, everyone's here. Danny? | 0:16:29 | 0:16:31 | |
Look at the size of that - what's that about? | 0:16:32 | 0:16:35 | |
Seriously. | 0:16:35 | 0:16:36 | |
Have to go to McKlunky's after this. | 0:16:36 | 0:16:39 | |
I'm sorry about... | 0:16:40 | 0:16:42 | |
You don't have to be. | 0:16:42 | 0:16:44 | |
I do. I was stupid. | 0:16:44 | 0:16:46 | |
Let's just leave it and have a nice time. OK? | 0:16:46 | 0:16:49 | |
OK. | 0:16:49 | 0:16:50 | |
Ready when you are, Ian. | 0:16:50 | 0:16:52 | |
Right, I promise not to keep you from the food any longer than I have to, | 0:16:52 | 0:16:56 | |
so I'll hand you over to the man of the moment - Mr Danny Pennant. | 0:16:56 | 0:16:59 | |
Ladies and gentlemen, | 0:17:01 | 0:17:02 | |
I'm very honoured to be asked to conduct this opening | 0:17:02 | 0:17:05 | |
of what promises to be a tremendous restaurant | 0:17:05 | 0:17:08 | |
and a real asset to this part of London. | 0:17:08 | 0:17:10 | |
So without further delay, I formally declare Ian Beale @ Le Square... | 0:17:10 | 0:17:14 | |
-..open. -CHEERS AND GASPS | 0:17:15 | 0:17:18 | |
You have made me look an idiot. | 0:18:06 | 0:18:08 | |
Oh, no, Ian, you do that all by yourself. | 0:18:08 | 0:18:11 | |
You're supposed to be a silent partner. | 0:18:11 | 0:18:12 | |
-I'm not very good at being quiet. -You can't do this. -I already have. | 0:18:12 | 0:18:15 | |
I'm taking it down. | 0:18:15 | 0:18:17 | |
You do that and I will recall every single penny of my money. | 0:18:17 | 0:18:20 | |
This is my restaurant. This is Ian Beale @ Le Square. Ian Beale. | 0:18:20 | 0:18:23 | |
Fine, if you don't want Scarlett's name up there, then you buy me out or you shut up. | 0:18:23 | 0:18:26 | |
That might be sooner that you think. | 0:18:26 | 0:18:28 | |
Whatever. | 0:18:28 | 0:18:30 | |
I've ordered re-branded linens and menus - | 0:18:30 | 0:18:32 | |
they should be with us in the next few days. | 0:18:32 | 0:18:34 | |
We're also going to change the uniforms - this is a restaurant and not a brothel. | 0:18:34 | 0:18:38 | |
Ian, the councillor bloke says there's someone he'd like you to meet. | 0:18:38 | 0:18:41 | |
Come on, partner, don't neglect the guests. | 0:18:41 | 0:18:43 | |
So you like the sign? | 0:18:51 | 0:18:53 | |
Yeah. Yeah, I did. Nice touch. | 0:18:53 | 0:18:55 | |
Why the truce? | 0:18:55 | 0:18:57 | |
Well, we both want what's best for Scarlett. | 0:18:57 | 0:19:00 | |
We do. | 0:19:01 | 0:19:03 | |
She is the most important thing in the world to me. | 0:19:03 | 0:19:06 | |
And I want everybody to know that. | 0:19:06 | 0:19:08 | |
And I want you to know that. | 0:19:08 | 0:19:10 | |
So, here's to Scarlett and our daughter's future. | 0:19:10 | 0:19:16 | |
Scarlett. | 0:19:16 | 0:19:17 | |
Excuse me. Sorry. | 0:19:23 | 0:19:24 | |
-What is she playing at? Did you know about this? -No, course I didn't. | 0:19:25 | 0:19:28 | |
Right, then, that's it. It's got to come down. | 0:19:28 | 0:19:30 | |
No. It can't. If that comes down, she'll pull her money out. | 0:19:30 | 0:19:33 | |
Until I've got Danny to invest, she's got me where she wants me and there is nothing I can do about it. | 0:19:33 | 0:19:37 | |
I hadn't realised that Ian's not the boss. Danny Pennant. | 0:19:48 | 0:19:52 | |
I'm in investments. I work for a City firm | 0:19:52 | 0:19:53 | |
but I also do a lot of consultancy work on the side. | 0:19:53 | 0:19:56 | |
Property mainly. | 0:19:56 | 0:19:57 | |
A few select clients, put them with the right buyers. | 0:19:57 | 0:20:00 | |
I'd be happy to do a portfolio review for you. | 0:20:00 | 0:20:02 | |
See where we can trim the fat and increase the lean. | 0:20:02 | 0:20:05 | |
Well, if I need anything trimming I'll let you know. | 0:20:06 | 0:20:11 | |
Mr Masood. | 0:20:15 | 0:20:16 | |
There's a face I wasn't expecting to see. | 0:20:16 | 0:20:18 | |
I don't know what rock you've crawled out from under | 0:20:18 | 0:20:21 | |
but you better get back there. | 0:20:21 | 0:20:24 | |
Good to see you too. | 0:20:24 | 0:20:26 | |
One more person to thank. | 0:20:30 | 0:20:32 | |
Just one more person. | 0:20:34 | 0:20:37 | |
There's some more glasses there. | 0:20:40 | 0:20:42 | |
No, not there. Put them in the washer. | 0:20:42 | 0:20:44 | |
I'm a waitress, not a washer-upper. | 0:20:44 | 0:20:47 | |
Jean. | 0:20:51 | 0:20:53 | |
Ian says, "How are you getting on with dessert?" | 0:20:53 | 0:20:55 | |
I'm going as fast as I can. | 0:20:55 | 0:20:58 | |
What are you doing? What are you playing at? | 0:20:58 | 0:21:00 | |
Perks of the job, Whitney. | 0:21:00 | 0:21:02 | |
-Ian has given you a second chance - you were going to blow it. -No, I'm not, Whitney, all right? | 0:21:02 | 0:21:06 | |
I'm doing my job. I'm serving Ian's very special guest. | 0:21:06 | 0:21:10 | |
I'm going to prove to him - I'm going to prove to all of you - | 0:21:10 | 0:21:14 | |
that I'm a very responsible person. | 0:21:14 | 0:21:15 | |
If you don't mind, I've got work to do. | 0:21:17 | 0:21:21 | |
One more person to thank. | 0:21:31 | 0:21:35 | |
Yeah I'd like to check my balance, please. | 0:21:40 | 0:21:42 | |
-Right, I'm going to make a move. -Are you going back to the house? | 0:21:42 | 0:21:45 | |
Well, no, I've got somewhere else to go on to. | 0:21:45 | 0:21:47 | |
-Right. -Excuse me, excuse me. | 0:21:49 | 0:21:51 | |
-Gin and tonic? -I ordered a vodka. | 0:21:54 | 0:21:56 | |
-Yeah, well, this is a gin. -Is there a problem? | 0:21:56 | 0:21:58 | |
Yes, Ian, this man obviously doesn't even know what he's ordered. | 0:21:58 | 0:22:02 | |
-He definitely ordered vodka. -It's fine. I'll have the gin. | 0:22:02 | 0:22:05 | |
No, it's not a problem. Lauren, could you please get me a vodka and tonic for Mr Pennant? Now. | 0:22:05 | 0:22:09 | |
-You do it. -What? | 0:22:09 | 0:22:11 | |
I have given him what he ordered. | 0:22:11 | 0:22:14 | |
Come here. Look, I'm... | 0:22:14 | 0:22:16 | |
-Max, would you get her out of here, please? -Lauren, come on. | 0:22:20 | 0:22:23 | |
I've got people to serve. | 0:22:23 | 0:22:24 | |
No, you're fired. Whitney, can you get me a vodka and tonic, please? | 0:22:24 | 0:22:28 | |
Joey, tell them, I'm not even drunk. | 0:22:28 | 0:22:30 | |
Lauren, out. Out. | 0:22:30 | 0:22:31 | |
What's the matter? Are you happy now, are you? | 0:22:32 | 0:22:35 | |
-It's nothing to do with me. -It's always something to do with you. | 0:22:35 | 0:22:38 | |
-We haven't been together for ages. -Well, keep it that way. | 0:22:38 | 0:22:40 | |
You think this is a one-off, do you, yeah? She's just got better at hiding it. | 0:22:40 | 0:22:44 | |
Thank you, Whitney. There you go, Mr Pennant. | 0:22:44 | 0:22:46 | |
Can you get me a bottle of champagne as well, please? | 0:22:46 | 0:22:49 | |
-Yes. -It's fine. | 0:22:49 | 0:22:50 | |
No, if there's any cleaning bills, anything like that, please send me the bills. | 0:22:50 | 0:22:54 | |
As you can see, this restaurant is a great investment. | 0:22:54 | 0:22:56 | |
And any investment in it will be a fantastic return. | 0:22:56 | 0:22:59 | |
No, I'm not looking to invest. | 0:22:59 | 0:23:01 | |
Yeah, but Robert said... | 0:23:01 | 0:23:03 | |
No, no, I help people invest. I'm not an investor myself. | 0:23:03 | 0:23:07 | |
Right, right, right. So you could help me find some investors? | 0:23:07 | 0:23:11 | |
-What, for this place? -Yeah. | 0:23:11 | 0:23:12 | |
I don't think so. | 0:23:12 | 0:23:14 | |
I'll take that, thank you. | 0:23:17 | 0:23:18 | |
Hang on, hang on. | 0:23:26 | 0:23:28 | |
-So we're cool, yeah? That means I can start seeing Scarlett? -Start? | 0:23:30 | 0:23:34 | |
Yes, start. So I can come over tomorrow? | 0:23:34 | 0:23:37 | |
That depends. | 0:23:37 | 0:23:39 | |
-On what? -On if I ever come back. Drive, please. | 0:23:39 | 0:23:42 | |
Thank you, Alice, for being so informative. | 0:23:42 | 0:23:46 | |
What have you done? | 0:23:49 | 0:23:50 | |
She said everything was OK. She said she wanted you to see Scarlett. | 0:23:51 | 0:23:54 | |
-What have you done? -I told her... | 0:23:54 | 0:23:56 | |
everything. But I... She said it was OK. | 0:23:56 | 0:23:59 | |
-She wanted you at the restaurant. -Where is she going? -I don't know. I swear I don't know. | 0:23:59 | 0:24:03 | |
If I don't see my daughter again, I will destroy you. | 0:24:08 | 0:24:12 | |
Glass of water there, Lauren. We'll talk about it in the morning, yeah? | 0:24:26 | 0:24:29 | |
I'm not even that drunk, Dad. | 0:24:29 | 0:24:32 | |
Can you get out now? | 0:24:33 | 0:24:35 | |
Can you get out now, Dad? | 0:24:38 | 0:24:40 | |
Dad, can you just get out my room? | 0:24:40 | 0:24:42 | |
GLASS CLINKS | 0:24:42 | 0:24:44 | |
Where's Jean? We really need to get these desserts out there. | 0:25:04 | 0:25:06 | |
She's out front. Some people wanted to thank her. | 0:25:07 | 0:25:11 | |
Oh, right. | 0:25:11 | 0:25:12 | |
I had a letter from the bank today. About my business account. | 0:25:14 | 0:25:17 | |
I'm going to go and find Jean, we need to get these out. | 0:25:17 | 0:25:20 | |
I phoned them. I didn't realise that the caff and the chippy | 0:25:20 | 0:25:23 | |
were buying quite so much stuff recently. | 0:25:23 | 0:25:26 | |
Designer cutlery, branded napkins, violinists. | 0:25:26 | 0:25:29 | |
-Lucy, please, I can explain. -You've been stealing from me. | 0:25:29 | 0:25:31 | |
-No, it's not like that. -And you know what? You must have forged my signature. | 0:25:31 | 0:25:35 | |
Because the bank said that cheques have been cashed. | 0:25:35 | 0:25:38 | |
Did you really think I wouldn't notice? | 0:25:38 | 0:25:40 | |
Love, I had to do something, OK. | 0:25:41 | 0:25:43 | |
I had to make sure that we got here. | 0:25:43 | 0:25:45 | |
-You wanted this to work. We both did. -You stole from me. | 0:25:45 | 0:25:47 | |
No, no, no. I didn't steal from you, OK? | 0:25:47 | 0:25:50 | |
I've borrowed it - that's all. | 0:25:50 | 0:25:52 | |
And I will pay you back from the profits from the restaurant | 0:25:52 | 0:25:54 | |
and I'll pay you back plenty on top, I promise. | 0:25:54 | 0:25:57 | |
You lied. And I actually thought I could trust you again. | 0:25:57 | 0:26:00 | |
You can trust me. | 0:26:00 | 0:26:02 | |
No, Dad. No, I can't. I can never, ever, trust you. | 0:26:02 | 0:26:06 | |
All that rubbish - the next chapter, a Beale empire, moving on. | 0:26:06 | 0:26:10 | |
Dad, you are never, ever, going to move on. You're going to keep going round in pathetic circles. | 0:26:10 | 0:26:14 | |
Is this a private fight or should I open the door so everyone can hear? | 0:26:14 | 0:26:17 | |
Peter! | 0:26:19 | 0:26:20 | |
Subtitles by Red Bee Media Ltd | 0:26:39 | 0:26:42 |