Browse content similar to 10/06/2013. Check below for episodes and series from the same categories and more!
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So, what about girls? Come on. You're a Beale. | 0:00:24 | 0:00:29 | |
There's always a girl. | 0:00:29 | 0:00:31 | |
Peter? | 0:00:31 | 0:00:32 | |
Sit yourself down. Me and Bobby are in charge this morning. | 0:00:32 | 0:00:35 | |
Do you know, I could seriously get used to this. | 0:00:35 | 0:00:38 | |
-Where's Luce? -She's upstairs. She'll be down in a minute. | 0:00:40 | 0:00:43 | |
And is everything all right between you two now? | 0:00:43 | 0:00:45 | |
Yeah, everything's fine. I told you. Come on. | 0:00:45 | 0:00:48 | |
I want to hear about you. What did you get up to? | 0:00:48 | 0:00:51 | |
Ketchup. | 0:00:51 | 0:00:52 | |
What do you want to know? | 0:00:54 | 0:00:56 | |
What you got up to, for a start. | 0:00:56 | 0:00:58 | |
Surfed a bit, hung out with my mates. Usual kind of stuff. | 0:00:58 | 0:01:01 | |
I bet there was a girl. There is bound to have been a girl involved. | 0:01:01 | 0:01:04 | |
There's going to be surfer chicks crying into their beach towels all over Devon as we speak. | 0:01:04 | 0:01:08 | |
Did he really just say that? | 0:01:08 | 0:01:10 | |
-Pull up a chair. -You're all right. | 0:01:11 | 0:01:14 | |
But we made breakfast. | 0:01:14 | 0:01:15 | |
Yeah, well, Marie's expecting me at the caf. | 0:01:15 | 0:01:17 | |
Since when did you work at the caf? You hate it there. | 0:01:17 | 0:01:20 | |
Are you going to tell him or am I? | 0:01:20 | 0:01:22 | |
-Shall I get rid of that for you? -Oh, do what you like. | 0:01:32 | 0:01:35 | |
Um, look, I was thinking... | 0:01:35 | 0:01:37 | |
Why don't I come to church with you on Sunday? | 0:01:37 | 0:01:39 | |
Oh, no. I'm never going to show my face there again. Never. | 0:01:39 | 0:01:42 | |
Come on, Mrs Branning. | 0:01:42 | 0:01:43 | |
You're a respectable, God-fearing woman, right? | 0:01:43 | 0:01:47 | |
Not some front for an international vice ring. | 0:01:47 | 0:01:49 | |
-KNOCKING ON DOOR -Oh, who's that? -I'll get it. | 0:01:49 | 0:01:52 | |
No, it's too late. The damage is done. | 0:01:52 | 0:01:55 | |
My reputation is in tatters. | 0:01:57 | 0:01:59 | |
You'll have to find yourself a new church. | 0:02:00 | 0:02:03 | |
Yes, that's what I'll have to do. | 0:02:03 | 0:02:05 | |
I'll have to find myself a new church where nobody knows me. | 0:02:05 | 0:02:08 | |
I'll, um, leave you to it, yeah? | 0:02:10 | 0:02:13 | |
KNOCKS ON DOOR | 0:02:16 | 0:02:18 | |
I can see you there, Alice, by the way, in the doorway. | 0:02:25 | 0:02:28 | |
-I hold you accountable, you know? -Michael, I can't stop. I'm sorry. | 0:02:28 | 0:02:31 | |
I hold YOU accountable. Look at you, you haven't even got the decency to come and face me. Huh? | 0:02:31 | 0:02:36 | |
She's my daughter, Alice. She's my daughter | 0:02:39 | 0:02:41 | |
and I have a right to know where she is! | 0:02:41 | 0:02:43 | |
Is that it? Is there any more? | 0:02:51 | 0:02:53 | |
Who knows? | 0:02:53 | 0:02:55 | |
That's everything I could find. | 0:02:55 | 0:02:57 | |
I can't even look at them. Can you put them in the recycling or something? | 0:02:58 | 0:03:02 | |
-All right. Out of sight, out of mind, eh? -I beg your pardon? | 0:03:02 | 0:03:05 | |
I'd keep a low profile, if I was you. | 0:03:05 | 0:03:07 | |
-If I was still living here... -Oh, here we go. | 0:03:07 | 0:03:10 | |
-Has anyone seen my pencil case? -It's going on right under your nose, Tan. | 0:03:10 | 0:03:13 | |
-Enough booze to stock an off-licence and you didn't even notice. -How dare you! How dare you! | 0:03:13 | 0:03:17 | |
Do you think I've got time to watch her 24/7, do you? | 0:03:17 | 0:03:19 | |
-I'm looking after three kids, in case you hadn't noticed. -When it suits her. | 0:03:19 | 0:03:23 | |
Not to mention trying to run my own business. | 0:03:23 | 0:03:25 | |
I don't see you helping. No, you're too busy. | 0:03:25 | 0:03:27 | |
Swanning about, playing happy families across the square. | 0:03:27 | 0:03:29 | |
-Does anyone care that I've got an exam this morning? -Sorry. | 0:03:29 | 0:03:32 | |
Yes. Um, sorry. | 0:03:32 | 0:03:34 | |
What you looking for? | 0:03:34 | 0:03:35 | |
Forget it. | 0:03:37 | 0:03:38 | |
Pure Maths. She's been up half the night revising. | 0:03:39 | 0:03:43 | |
Not that either of you two would have noticed. | 0:03:43 | 0:03:46 | |
So what are we going to do? | 0:03:54 | 0:03:55 | |
Just go. | 0:03:57 | 0:03:58 | |
-No, don't be like that. -Go, yeah? Cos you said it yourself. | 0:03:58 | 0:04:01 | |
-This is all my fault, right? So I will deal with it. -Fine. | 0:04:01 | 0:04:04 | |
I wouldn't be surprised if Janine was halfway to Morocco already. | 0:04:04 | 0:04:07 | |
-Poor Scarlett. -I know, it's awful. | 0:04:09 | 0:04:11 | |
There he is. Our resident gangster. | 0:04:11 | 0:04:13 | |
P-Dog! What you doing, man? Nice to see you. | 0:04:13 | 0:04:17 | |
I'm Poppy, by the way. | 0:04:17 | 0:04:19 | |
-This is the wifey. -Peter Beale. | 0:04:19 | 0:04:22 | |
Nice to meet you. Wait a minute. | 0:04:22 | 0:04:24 | |
Are you and Luce...? Yeah, it's all in the cheekbones, ain't it? | 0:04:24 | 0:04:28 | |
Listen, I was thinking we should get the old gang together this lunchtime. Whit, Mercy... | 0:04:28 | 0:04:32 | |
Mercy's long gone, bruver. | 0:04:32 | 0:04:34 | |
-What about Lauren? -Um, yes. Yes, she's still around. | 0:04:34 | 0:04:37 | |
-Yeah? What does she do? -Don't worry about her, bruv. What about Devon? | 0:04:37 | 0:04:42 | |
And more importantly, what was her name and when do I get to meet her? | 0:04:42 | 0:04:46 | |
-We'll catch up at lunch, yeah? -All right. Nice one. | 0:04:46 | 0:04:48 | |
See you in a bit. | 0:04:48 | 0:04:49 | |
Luce, Dad's not a thief. | 0:04:52 | 0:04:53 | |
Look. He took my money which makes him a thief in my eyes. | 0:04:53 | 0:04:57 | |
You're running his caf for him. It's still his business. | 0:04:57 | 0:04:59 | |
No. It stopped being his business the moment he walked out | 0:04:59 | 0:05:02 | |
-and left me and Bobby to fend for ourselves. -He wasn't well. | 0:05:02 | 0:05:05 | |
He's still not well. You don't get better overnight. | 0:05:05 | 0:05:07 | |
-See you in bit, yeah? -Er, that's £1.50. | 0:05:13 | 0:05:16 | |
-You what? -£1.50 for the doughnut. | 0:05:16 | 0:05:20 | |
Right. Yeah. Luce? Luce? | 0:05:20 | 0:05:21 | |
Luce, will you sort out your little assistant, yeah? He's getting his pinny in a twist. | 0:05:21 | 0:05:25 | |
-Oh. It's fine, Peter. -We've got a bit of...an agreement. | 0:05:25 | 0:05:29 | |
See you in a bit, Luce. | 0:05:31 | 0:05:33 | |
-That's just Joey. -I don't care who he is. | 0:05:35 | 0:05:37 | |
Someone needs to put him in his place. | 0:05:37 | 0:05:38 | |
It's a bit late to start playing the protective brother, isn't it? | 0:05:38 | 0:05:42 | |
I'm sorry for dragging you here, Vicar. | 0:05:44 | 0:05:47 | |
-I am rather pressed for time. -Mrs Branning... | 0:05:47 | 0:05:50 | |
I expect that you and the committee have been very busy, | 0:05:50 | 0:05:54 | |
what with my goings-on, my fraternising with fallen women. | 0:05:54 | 0:05:58 | |
But just let me say... | 0:05:58 | 0:05:59 | |
"Let he who is without sin cast the first stone." | 0:06:01 | 0:06:05 | |
That is John, chapter eight... | 0:06:05 | 0:06:07 | |
Verse seven. No-one has any reason to question your conduct, Mrs Branning. | 0:06:07 | 0:06:13 | |
You are and always will be one of our most trusted parishioners. | 0:06:13 | 0:06:19 | |
What about Ms Quinn? She's always had it in for me. | 0:06:19 | 0:06:23 | |
-I'm afraid she's had to tender her resignation as curate. -What? | 0:06:23 | 0:06:27 | |
For reasons I... | 0:06:27 | 0:06:29 | |
would rather not go on about. | 0:06:29 | 0:06:31 | |
Oh. | 0:06:31 | 0:06:33 | |
What about the post of church warden? | 0:06:33 | 0:06:35 | |
I would say filling that vacancy is more critical than ever. | 0:06:35 | 0:06:41 | |
Oh, Vicar, I knew you'd come round to it. | 0:06:41 | 0:06:44 | |
It means I shall have to shift my shifts around but... | 0:06:44 | 0:06:48 | |
I'm very happy to accept the post. | 0:06:48 | 0:06:51 | |
I'm sorry? | 0:06:51 | 0:06:53 | |
Well, that is what you've come here for, isn't it? | 0:06:53 | 0:06:56 | |
I was hoping you might be able to read for us this Sunday. | 0:06:56 | 0:06:59 | |
-You always did have a way with Deuteronomy. -Thank you. | 0:07:00 | 0:07:03 | |
I'm so sorry, Mrs Branning. | 0:07:03 | 0:07:05 | |
I didn't mean to get your hopes up. | 0:07:05 | 0:07:08 | |
It's just the committee still feels | 0:07:08 | 0:07:10 | |
that that role is best suited to, um... | 0:07:10 | 0:07:14 | |
How can I say it? Some fresh blood. | 0:07:14 | 0:07:17 | |
A younger person, you mean? | 0:07:17 | 0:07:19 | |
Well, perhaps it's just as well, | 0:07:19 | 0:07:21 | |
you know, what with the post containing a lot of secretarial work | 0:07:21 | 0:07:24 | |
and writing. I mean, it could play havoc with my fibrositis. | 0:07:24 | 0:07:28 | |
-Hey. I've been thinking... -Whatever it is, I don't want to hear it. | 0:07:35 | 0:07:39 | |
The last thing I need is getting caught up in another domestic. | 0:07:39 | 0:07:41 | |
You fix the damage on that motor and I'll still take it off your hands. | 0:07:41 | 0:07:46 | |
Why have you changed your mind? | 0:07:46 | 0:07:47 | |
-I just need a spare set of wheels for work. -And that's all, is it? | 0:07:47 | 0:07:50 | |
-I just want to talk to my son, that's all. -Oh, here we go again. | 0:07:50 | 0:07:54 | |
You put a good word in and the money's yours. | 0:07:54 | 0:07:57 | |
-Ah. William. -Not now, Michael. | 0:08:03 | 0:08:05 | |
I've got enough on my plate sorting out stuff for your ex-missus. | 0:08:05 | 0:08:08 | |
Very good. So she's been in contact? | 0:08:08 | 0:08:10 | |
Yeah, course she has. I'm Executive Director of Operations. | 0:08:10 | 0:08:14 | |
That place would collapse without me. | 0:08:14 | 0:08:16 | |
Clearly. | 0:08:16 | 0:08:18 | |
-Where is she, Billy? -I didn't ask. | 0:08:18 | 0:08:20 | |
-She abroad? -Michael, I'm not her keeper. | 0:08:20 | 0:08:22 | |
She can come and go as she pleases, as long as I get paid every Friday. | 0:08:22 | 0:08:26 | |
I don't reckon she'll be home any time soon though. | 0:08:26 | 0:08:28 | |
You say that because...? | 0:08:28 | 0:08:29 | |
Because it sounded like she was getting her affairs in order. | 0:08:29 | 0:08:33 | |
If I know Janine, she'll be halfway to the Caribbean by now. | 0:08:33 | 0:08:37 | |
I could've sworn I had some self-raising flour in here. | 0:08:42 | 0:08:45 | |
Is now really a good time to start baking? | 0:08:48 | 0:08:51 | |
It's for Abi, isn't it? | 0:08:51 | 0:08:52 | |
Just a little treat, you know, for when she gets back from sixth form. | 0:08:52 | 0:08:55 | |
-What about Lauren? -Yep, I'll deal with her later. | 0:08:55 | 0:08:57 | |
What are you going to say to her that you ain't said a hundred times before? | 0:08:57 | 0:09:02 | |
-So you think this is all my fault as well, do you? -I never said that. | 0:09:02 | 0:09:05 | |
-You don't have to. It's written all over your face. -She needs help. | 0:09:05 | 0:09:08 | |
-And I'm going to give it to her. -Professional help. | 0:09:08 | 0:09:11 | |
-Oh, right, so you're the expert now, are you? -Yes, I am, as it happens. | 0:09:11 | 0:09:15 | |
You know what the real problem is? | 0:09:15 | 0:09:18 | |
-Me. I've been too soft on her, haven't I? -Rubbish. | 0:09:18 | 0:09:20 | |
Yes, I have. I have. I've let her get away with far too much for too long. Well, it stops today. | 0:09:20 | 0:09:24 | |
Don't come down too hard on her or you'll make matters worse. | 0:09:24 | 0:09:29 | |
How can things get any worse, Mum? | 0:09:29 | 0:09:31 | |
All I'm saying is, don't go in all guns blazing... | 0:09:31 | 0:09:36 | |
or else you risk losing her for good. | 0:09:36 | 0:09:39 | |
-Hello, Dot. -Hello. | 0:09:42 | 0:09:44 | |
You're a Butcher, aren't you? By some means or another. | 0:09:44 | 0:09:47 | |
Hardly. I mean, vaguely, by marriage. | 0:09:47 | 0:09:50 | |
Not that you'd know it the amount I see of them. | 0:09:50 | 0:09:52 | |
But then that's what happens to you when you get older. | 0:09:52 | 0:09:55 | |
You become invisible. People look straight through you. | 0:09:55 | 0:09:58 | |
Do they? The lesbian? | 0:09:58 | 0:10:01 | |
-Diane. -What about her? -I need her contact details. | 0:10:01 | 0:10:04 | |
The only Diane I know ain't a lesbian, she's a Butcher. | 0:10:04 | 0:10:08 | |
Anyway, I don't know where she is. | 0:10:08 | 0:10:10 | |
I don't keep an address book no more | 0:10:10 | 0:10:12 | |
cos I was only crossing out the names | 0:10:12 | 0:10:14 | |
-so there didn't seem to be no point. -Thank you, Dot. Informative as ever. | 0:10:14 | 0:10:18 | |
-Diane. -Who? | 0:10:21 | 0:10:22 | |
Nothing. | 0:10:22 | 0:10:23 | |
Don't I recognise you? | 0:10:25 | 0:10:27 | |
-Hello, Dot. -Oh, Peter. How good to see you back! | 0:10:27 | 0:10:30 | |
-Just catching up with a few friends before I go back. -That's nice. | 0:10:30 | 0:10:34 | |
Listen, you know Dad better than anyone, don't you? | 0:10:34 | 0:10:37 | |
I remember Kath and Pete bringing him home from the hospital when he was a little baby. | 0:10:37 | 0:10:41 | |
-Does he seem all right to you? -Well, he's better than he was. | 0:10:41 | 0:10:44 | |
It's just I've got Luce telling me one thing, Dad something else. | 0:10:44 | 0:10:47 | |
Well, Ian never did get everything right. | 0:10:47 | 0:10:49 | |
You've only got to look at his wedding photographs to see that. | 0:10:49 | 0:10:52 | |
But there's one thing he did get right... | 0:10:52 | 0:10:55 | |
and that was you children and he loves all of you. | 0:10:55 | 0:10:58 | |
Oh, go on. | 0:11:00 | 0:11:02 | |
Get off to your chums. You don't want to be hanging around | 0:11:02 | 0:11:04 | |
with an old woman. | 0:11:04 | 0:11:06 | |
You'll outlive us all, Dot. | 0:11:06 | 0:11:07 | |
I hate Mondays, don't you? | 0:11:12 | 0:11:14 | |
Nothing to look forward to, is there? | 0:11:16 | 0:11:18 | |
-Like camping trips or anything like that. -Spit it out, bruv. | 0:11:19 | 0:11:23 | |
-Well, your dad... -Moving on. | 0:11:24 | 0:11:26 | |
He wants to buy the car back off us. | 0:11:26 | 0:11:28 | |
-All you've got to do is repair what you busted, that's all. -Forget it. | 0:11:28 | 0:11:32 | |
I'm sick of this. Why should I miss out because you hate him? | 0:11:32 | 0:11:35 | |
It's June. Most people are making plans for their summer. | 0:11:35 | 0:11:39 | |
What am I doing? Changing some poxy spark plugs, that's what. | 0:11:39 | 0:11:42 | |
Why aren't you at work? | 0:11:46 | 0:11:48 | |
Poppy's covering for me. | 0:11:48 | 0:11:49 | |
I could hardly leave you on your own, could I? | 0:11:51 | 0:11:54 | |
I know it looks bad but... | 0:11:54 | 0:11:56 | |
there's at least a year's worth in there. | 0:11:56 | 0:11:59 | |
-Is that right? -Yeah. | 0:11:59 | 0:12:01 | |
Most of it's from when we had that party when Fats was DJ-ing. | 0:12:01 | 0:12:04 | |
So don't stress. You've don't have to worry about me. | 0:12:04 | 0:12:08 | |
I'd like to believe you, Lauren. Really, I would. | 0:12:08 | 0:12:11 | |
Did I show you what my college lent me? | 0:12:11 | 0:12:14 | |
They want me to do this video diary. | 0:12:16 | 0:12:18 | |
A day in the life of Lauren Branning. | 0:12:18 | 0:12:20 | |
I know I wasn't taking it seriously before, but I'm really getting into my course. | 0:12:20 | 0:12:24 | |
Really? Are you? | 0:12:24 | 0:12:26 | |
Yeah. I told you, didn't I? You don't have to worry about me | 0:12:26 | 0:12:29 | |
cos I'm going to start sorting myself out. | 0:12:29 | 0:12:31 | |
Where are you going? | 0:12:31 | 0:12:33 | |
I need to start recording. | 0:12:35 | 0:12:36 | |
No. I don't want you going out. | 0:12:36 | 0:12:38 | |
-You want me to do well with this assignment, don't you? -Well, yes, of course I do. | 0:12:38 | 0:12:42 | |
Well, then. Besides, what trouble can I really get into with this thing? | 0:12:42 | 0:12:46 | |
Right. Go on then. | 0:12:49 | 0:12:52 | |
Say something to the camera. | 0:12:53 | 0:12:56 | |
I love you. | 0:12:56 | 0:12:57 | |
I'm not being funny or nothing, but how did Ian Beale end up | 0:12:58 | 0:13:01 | |
with three such beautiful kids? | 0:13:01 | 0:13:04 | |
You've got to see Peter, Alice. He is... | 0:13:04 | 0:13:07 | |
He's like a young Paul Newman. | 0:13:07 | 0:13:09 | |
-But he's not a patch on you, darling. -Oh, really? -Not a patch, no. | 0:13:11 | 0:13:14 | |
Can you stop touching me, please? Stop touching, seriously. P-dog! | 0:13:14 | 0:13:17 | |
What's going on, bruver? Come take a seat. | 0:13:17 | 0:13:19 | |
This is Alice. | 0:13:19 | 0:13:21 | |
Hi. Nice to meet you. | 0:13:21 | 0:13:23 | |
She is currently single and open to offers. | 0:13:23 | 0:13:26 | |
This is my brother, Joey. | 0:13:26 | 0:13:28 | |
Yeah, we've already met. | 0:13:28 | 0:13:29 | |
Yeah, best mates. | 0:13:29 | 0:13:31 | |
So, who are we missing? | 0:13:31 | 0:13:33 | |
Well, Whitney's at nursery and Lauren... | 0:13:33 | 0:13:35 | |
-Probably drunk in a gutter somewhere. -Luce. | 0:13:35 | 0:13:38 | |
-It's true, isn't it? -What's she talking about? | 0:13:39 | 0:13:41 | |
Nothing. So, listen, who's... Who's getting the first round, huh? | 0:13:41 | 0:13:45 | |
-You. -So, six pints of tap water then, yeah? | 0:13:45 | 0:13:48 | |
You all right, guys? | 0:13:56 | 0:13:58 | |
-Hey. -I got Fats' text. | 0:13:58 | 0:14:01 | |
Who's looking for me? | 0:14:01 | 0:14:03 | |
Behind you. | 0:14:03 | 0:14:04 | |
Peter! | 0:14:10 | 0:14:11 | |
You all right? It's lovely to see you. | 0:14:11 | 0:14:14 | |
How have you been? | 0:14:14 | 0:14:16 | |
Yeah. Yeah, better for seeing you. | 0:14:16 | 0:14:18 | |
What's the deal with them two? | 0:14:18 | 0:14:20 | |
They used to go out when they were, like, 12. | 0:14:20 | 0:14:22 | |
Why do you care? | 0:14:24 | 0:14:26 | |
I don't. | 0:14:27 | 0:14:28 | |
Lucy, there's a problem at the restaurant. | 0:14:31 | 0:14:33 | |
Two delivery guys are screaming blue murder. | 0:14:33 | 0:14:35 | |
Your dad's nowhere to be found. | 0:14:35 | 0:14:37 | |
I'll go. | 0:14:37 | 0:14:38 | |
You are coming back though, yeah? | 0:14:38 | 0:14:40 | |
Hiya. Where's Jay? | 0:14:45 | 0:14:47 | |
He had to pop out for some spare parts. You all right though, cuz? | 0:14:47 | 0:14:51 | |
-How was the exam? -I cannot wait until they're over. | 0:14:51 | 0:14:54 | |
The sooner I get out of that house and away from my family, the better. | 0:14:54 | 0:14:57 | |
Oh, did I tell you that Bernadette's parents are lending us | 0:14:57 | 0:15:01 | |
their camping stove? Yeah, yeah. So all we've got to do is bring some food with us. | 0:15:01 | 0:15:05 | |
-Look, Abs... -And a tent. We are near the beach, aren't we? | 0:15:05 | 0:15:08 | |
Cos me and Lola have got to do some serious shopping. | 0:15:08 | 0:15:10 | |
Are you all right? | 0:15:14 | 0:15:16 | |
Yeah. | 0:15:16 | 0:15:18 | |
I'll see you later then. | 0:15:19 | 0:15:20 | |
Cheers. | 0:15:26 | 0:15:27 | |
Is everything all right? | 0:15:32 | 0:15:34 | |
Yeah. | 0:15:34 | 0:15:35 | |
Janine's little touch. | 0:15:36 | 0:15:38 | |
Dad. Are you sure you're not taking on too much here? | 0:15:41 | 0:15:45 | |
What's your sister been saying? | 0:15:45 | 0:15:47 | |
She's worried about you. We both are. | 0:15:47 | 0:15:50 | |
I'm fine. OK? | 0:15:50 | 0:15:52 | |
I'm feeling the best I've felt in... | 0:15:52 | 0:15:54 | |
in months. I feel like I'm getting my life back together. | 0:15:54 | 0:15:57 | |
-Yeah, well, Lucy reckons that... -Lucy doesn't know everything. | 0:15:57 | 0:16:00 | |
She reckons that we'd have gone under if it wasn't for her. | 0:16:00 | 0:16:04 | |
She got me out of a hole, that's all. | 0:16:04 | 0:16:07 | |
Come on, Dad. | 0:16:07 | 0:16:08 | |
She swooped in when I was at my most vulnerable, OK? | 0:16:09 | 0:16:12 | |
-They were my businesses. She had no right to take them from me like that. -She was trying to help you. | 0:16:12 | 0:16:16 | |
No, she was trying to help herself. | 0:16:16 | 0:16:18 | |
Look, I don't blame her for what she did, OK? | 0:16:20 | 0:16:23 | |
She... She was doing what she thought was right at the time. | 0:16:23 | 0:16:26 | |
I'm better now. I'm back. | 0:16:28 | 0:16:30 | |
I'm finally going to show Walford what Ian Beale's really capable of. | 0:16:30 | 0:16:35 | |
-If that means I've got to borrow against the chippie or the cafe, then so be it. -You took the money? | 0:16:35 | 0:16:39 | |
It was mine to take. | 0:16:39 | 0:16:40 | |
So, what's this film about, Lauren? | 0:16:46 | 0:16:49 | |
My life. | 0:16:49 | 0:16:50 | |
It's going to be short then. | 0:16:50 | 0:16:52 | |
Come on, girls. Play nicely, yeah? | 0:16:52 | 0:16:54 | |
So, whose round is it then? | 0:16:56 | 0:16:57 | |
Actually, I've got to get back to work so I'm going to go. | 0:16:57 | 0:17:00 | |
Yeah. And I've got to find my boy Alfie. | 0:17:00 | 0:17:02 | |
What? Can you please just stay? Just one drink? | 0:17:02 | 0:17:06 | |
Yeah, course, baby. | 0:17:06 | 0:17:08 | |
I'm just going to go do a thing. and I'll be back, all right? | 0:17:08 | 0:17:11 | |
I don't suppose you could maybe lend me a fiver? | 0:17:20 | 0:17:23 | |
After having my fingers burnt last time? I don't think so. | 0:17:23 | 0:17:28 | |
Hello, Dot. Don't usually see you here this time of day. | 0:17:35 | 0:17:38 | |
No, Sharon, but I've had a trying morning. | 0:17:38 | 0:17:41 | |
I didn't fancy going home just yet. | 0:17:41 | 0:17:44 | |
Anything I can help with? | 0:17:44 | 0:17:46 | |
-Can you turn the clock back? -Sorry? | 0:17:46 | 0:17:48 | |
Just ignore me. I'm babbling on here. | 0:17:49 | 0:17:53 | |
What's brought all this on? | 0:17:53 | 0:17:55 | |
Well, it's the vicar. He thinks I'm past it. | 0:17:55 | 0:17:58 | |
And he's right. | 0:17:58 | 0:18:00 | |
I'm a silly fool. No point in deluding myself. | 0:18:00 | 0:18:03 | |
Now, you listen to me. | 0:18:03 | 0:18:05 | |
I don't know what he's been saying but let me tell you a few facts about Dot Branning, shall I? | 0:18:05 | 0:18:09 | |
She's got more spunk, more spirit in her than anyone I've ever met. | 0:18:09 | 0:18:14 | |
So the bones ache a bit more than they used to, | 0:18:15 | 0:18:17 | |
but the fire, the fight... | 0:18:17 | 0:18:20 | |
-that don't just go away, does it? -Oh, Sharon. | 0:18:20 | 0:18:23 | |
Alice. Could I have a word? | 0:18:30 | 0:18:32 | |
I haven't heard from Janine. And if I had, I'd have told you first, OK? | 0:18:36 | 0:18:39 | |
OK. I'm not here to talk about Janine. I'm here to say sorry... | 0:18:39 | 0:18:43 | |
for being revolting | 0:18:43 | 0:18:44 | |
and just talking to you so badly in the street | 0:18:44 | 0:18:48 | |
and for shouting at you. | 0:18:48 | 0:18:49 | |
You're caught up in the middle of this and it's not fair. | 0:18:49 | 0:18:52 | |
Thank you. | 0:18:52 | 0:18:53 | |
You're welcome. | 0:18:53 | 0:18:54 | |
So... | 0:18:55 | 0:18:57 | |
we're cool, yeah? Can we be friends? | 0:18:57 | 0:19:00 | |
Yeah. Friends. | 0:19:00 | 0:19:02 | |
Friends. | 0:19:02 | 0:19:03 | |
OK. | 0:19:03 | 0:19:04 | |
We could hug if you wanted to? | 0:19:06 | 0:19:08 | |
-You want a hug? -Yeah, let's have a hug. | 0:19:08 | 0:19:10 | |
-Come on, let's have a hug. -OK. | 0:19:10 | 0:19:12 | |
I'm not adverse to human contact completely. | 0:19:12 | 0:19:15 | |
OK. See you. | 0:19:17 | 0:19:19 | |
See you. | 0:19:19 | 0:19:20 | |
There you go. Not on the menu, but especially for you... | 0:19:31 | 0:19:34 | |
-prawns and lemon butter. -Cheers. | 0:19:34 | 0:19:37 | |
-You think I was too hard on Lucy, don't you? -It's not that. | 0:19:46 | 0:19:49 | |
All right then. What is it? | 0:19:49 | 0:19:51 | |
I should have come back sooner. | 0:19:52 | 0:19:55 | |
It's all right, you weren't to know. | 0:19:55 | 0:19:56 | |
Yeah, but I did. | 0:19:56 | 0:19:58 | |
At least some of it. I just... | 0:19:58 | 0:20:01 | |
I didn't know how bad it got. I just buried my head in the sand, | 0:20:01 | 0:20:05 | |
like I always do. | 0:20:05 | 0:20:06 | |
If you don't think about it then it never really happened, did it? | 0:20:06 | 0:20:09 | |
There was me hanging out with my mates | 0:20:09 | 0:20:11 | |
while you were going through all that. | 0:20:11 | 0:20:14 | |
Peter, it wouldn't have made a difference if you were here or not, OK? | 0:20:14 | 0:20:18 | |
I was a mess. | 0:20:20 | 0:20:22 | |
It's probably better that you weren't here, | 0:20:22 | 0:20:24 | |
because you remember me how I was. Lucy on the other hand... | 0:20:24 | 0:20:27 | |
-Forget about Lucy. -No. She had it harder than everyone else. | 0:20:27 | 0:20:30 | |
-She should've helped you, Dad. -She tried. | 0:20:30 | 0:20:33 | |
By taking everything you had? | 0:20:33 | 0:20:35 | |
We're going to get it back, Dad. | 0:20:35 | 0:20:37 | |
And I'm going to help you. | 0:20:37 | 0:20:38 | |
Was you serious about the car? | 0:20:47 | 0:20:50 | |
It's a good motor, right? | 0:20:50 | 0:20:52 | |
I worked on it myself. | 0:20:52 | 0:20:53 | |
Maybe we can go for a test drive some time? | 0:20:59 | 0:21:03 | |
Look, let me tell you something, yeah? | 0:21:03 | 0:21:04 | |
This don't change nothing. | 0:21:04 | 0:21:06 | |
Soon as this is done, I want you gone from here. | 0:21:06 | 0:21:09 | |
Do you understand what I'm saying to you? | 0:21:09 | 0:21:11 | |
-Smile for the camera, Grandma Dot! -It's time you went home. | 0:21:20 | 0:21:23 | |
Urgh! Seriously. | 0:21:23 | 0:21:25 | |
Right, listen, | 0:21:25 | 0:21:26 | |
which one of you is going to buy me a drink, | 0:21:26 | 0:21:29 | |
-and then you can be in my video? -That's enough. I'm taking you straight home to your mother. | 0:21:29 | 0:21:34 | |
You cannot tell me what to do! Why don't you go back to the launderette | 0:21:34 | 0:21:37 | |
and do whatever it is you actually do there, and stop hassling me?! | 0:21:37 | 0:21:40 | |
-Lauren... -It's all right, Arthur. | 0:21:40 | 0:21:41 | |
I'm used to dealing with worse drunkards than her. | 0:21:41 | 0:21:44 | |
I'm not drunk. | 0:21:44 | 0:21:46 | |
Can you just tell her, please? I'm not even drunk! | 0:21:46 | 0:21:49 | |
Go home. Sober up | 0:21:49 | 0:21:51 | |
and try to behave like a proper young lady for once. | 0:21:51 | 0:21:55 | |
Oh, Vicar. | 0:22:06 | 0:22:08 | |
Oh, I'm sorry that you had to witness that little performance. | 0:22:08 | 0:22:13 | |
On the contrary. It was quite the eye-opener. | 0:22:13 | 0:22:15 | |
-Mrs Branning. -Yes? | 0:22:17 | 0:22:18 | |
I think myself and the committee have done you a disservice. | 0:22:18 | 0:22:24 | |
That's just the kind of fighting spirit | 0:22:24 | 0:22:26 | |
we need for an ambassador of St Cuthbert's. | 0:22:26 | 0:22:29 | |
An ambassador? | 0:22:29 | 0:22:31 | |
We would be honoured to have you as the church warden. | 0:22:31 | 0:22:35 | |
Obviously I'd have to consult with the committee, | 0:22:35 | 0:22:37 | |
-but that's just a formality at this stage. -Oh, Vicar. | 0:22:37 | 0:22:40 | |
Your first job being the rather pressing subject of the church roof. | 0:22:40 | 0:22:46 | |
Oh, the repairs, yes. What, get up a fund, you mean? | 0:22:46 | 0:22:49 | |
How much do we need? | 0:22:49 | 0:22:51 | |
Roughly 8,000. | 0:22:51 | 0:22:53 | |
But if anyone can pull it off, you can. | 0:22:53 | 0:22:57 | |
OK, you can open them. | 0:23:01 | 0:23:03 | |
Ta-da! There you go. What do you think? | 0:23:03 | 0:23:08 | |
I know it feels like we've been neglecting you a bit lately... | 0:23:08 | 0:23:11 | |
That's because you have. | 0:23:11 | 0:23:13 | |
Yeah. Well, from now on that's all going to change. | 0:23:13 | 0:23:16 | |
-DOOR OPENS -I promise you. -Is it a phone? | 0:23:16 | 0:23:19 | |
We're in here, Lauren. It's a calculator. | 0:23:19 | 0:23:21 | |
I thought it was quite good. | 0:23:21 | 0:23:23 | |
Don't give up the day job! | 0:23:23 | 0:23:25 | |
You're the artist, Lauren. Tell us. What do you think? | 0:23:25 | 0:23:27 | |
I tell you what I think - | 0:23:27 | 0:23:29 | |
I think Grandma Dot should be locked up. That's what I think. | 0:23:29 | 0:23:33 | |
I give up. | 0:23:33 | 0:23:34 | |
Why are you staring at me? | 0:23:34 | 0:23:37 | |
Get out of my sight! | 0:23:37 | 0:23:38 | |
What? Are we not... I thought we was having cake? No? | 0:23:38 | 0:23:41 | |
Just go, Lauren, I can't even look at you. | 0:23:41 | 0:23:43 | |
-Out! -What is it with everyone today? | 0:23:43 | 0:23:45 | |
Lauren, just go to bed. | 0:23:45 | 0:23:47 | |
Do you know what? | 0:23:47 | 0:23:50 | |
Stuff the lot of you! | 0:23:50 | 0:23:52 | |
So what if they saw you fall over? | 0:24:00 | 0:24:03 | |
Look, what you've got to do is get back up again | 0:24:04 | 0:24:08 | |
and show the older kids what you're really made of. | 0:24:08 | 0:24:11 | |
OK. Go on. Get changed. | 0:24:11 | 0:24:13 | |
-You all right, Bobby? -He'll live. | 0:24:13 | 0:24:15 | |
-You know, I really don't get you. -Get what? | 0:24:19 | 0:24:23 | |
How you can be a real cow one minute and then... | 0:24:23 | 0:24:26 | |
And then what? What's he said? | 0:24:26 | 0:24:29 | |
I bet he's filled your head with a load of rubbish. | 0:24:29 | 0:24:31 | |
I don't want to take sides. I just want things back to how they were. | 0:24:31 | 0:24:35 | |
-Yeah, well, it's too late. -Is it? | 0:24:35 | 0:24:37 | |
Why are you really here? | 0:24:38 | 0:24:40 | |
I told you. To sort out this mess. | 0:24:40 | 0:24:41 | |
There's more to it than that. | 0:24:41 | 0:24:43 | |
I'm your twin, remember. I know you better than anyone. | 0:24:43 | 0:24:47 | |
Why can't you just give Dad one last chance? | 0:24:47 | 0:24:48 | |
-I've already said it's too late. -But it wasn't yours to take. | 0:24:48 | 0:24:52 | |
You know where I was when you were surfing | 0:24:52 | 0:24:53 | |
-and sleeping with my best mate? -Luce, that was a year and a half ago. | 0:24:53 | 0:24:57 | |
I was stuck here holding Bobby while he cried himself to sleep every night. | 0:24:57 | 0:25:00 | |
So don't you dare come in here and start throwing your weight around! | 0:25:00 | 0:25:03 | |
I gave Dad his chance. | 0:25:03 | 0:25:05 | |
And he blew it. | 0:25:05 | 0:25:08 | |
Janine? | 0:25:12 | 0:25:14 | |
-What are you doing? -What does it look like? | 0:25:14 | 0:25:17 | |
How did you get... | 0:25:17 | 0:25:19 | |
-You took my key, didn't you? -Yep, I did. | 0:25:19 | 0:25:22 | |
All that talk of us being friends was just... | 0:25:22 | 0:25:25 | |
Michael, you need to go! | 0:25:25 | 0:25:27 | |
I'm not leaving till I find out where my daughter is! | 0:25:27 | 0:25:29 | |
You can't be here. Please, can you just leave... | 0:25:29 | 0:25:32 | |
Don't touch me, girl! | 0:25:32 | 0:25:34 | |
Why are you flinching? Do you think I'm going to hit you? | 0:25:35 | 0:25:38 | |
Why are you flinching? | 0:25:38 | 0:25:40 | |
Please, can you just go? | 0:25:40 | 0:25:42 | |
Please. | 0:25:42 | 0:25:43 | |
Don't start crying. | 0:25:43 | 0:25:44 | |
I just don't want to get in any more trouble, OK? | 0:25:44 | 0:25:47 | |
Please, Michael. | 0:25:47 | 0:25:49 | |
I...just want to know where my daughter is. | 0:25:49 | 0:25:51 | |
That's all. | 0:25:53 | 0:25:54 | |
She should be here with her father. | 0:25:56 | 0:25:58 | |
All right? | 0:26:13 | 0:26:15 | |
I heard you were back. | 0:26:17 | 0:26:18 | |
Listen. Lauren - | 0:26:22 | 0:26:24 | |
she don't need another boy messing about with her head. | 0:26:24 | 0:26:27 | |
So do me a favour and stay away from her. | 0:26:29 | 0:26:32 | |
MOBILE PHONE RINGS | 0:26:36 | 0:26:38 | |
I told you to stop calling. So leave me alone, all right?! | 0:26:42 | 0:26:45 | |
What are you doing lurking behind the door? | 0:26:59 | 0:27:02 | |
I'm checking the lock. | 0:27:02 | 0:27:03 | |
What for? | 0:27:03 | 0:27:04 | |
Well, I took your advice, Mum. | 0:27:04 | 0:27:06 | |
I gave her a chance and she threw it back in my face, | 0:27:06 | 0:27:08 | |
so I'm doing it my way now. | 0:27:08 | 0:27:10 | |
What're you talking about? | 0:27:10 | 0:27:12 | |
From now on she doesn't leave this house, unless one of us is with her. | 0:27:12 | 0:27:16 | |
You can't keep her locked up. | 0:27:16 | 0:27:18 | |
Watch me. | 0:27:19 | 0:27:20 | |
Subtitles by Red Bee Media Ltd | 0:27:33 | 0:27:35 |