Browse content similar to 12/05/2014. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
DOOR OPENS | 0:00:26 | 0:00:28 | |
I've just clocked off. | 0:00:28 | 0:00:29 | |
I thought I'd pop in and see you before I head home. | 0:00:29 | 0:00:33 | |
KNOCK AT DOOR | 0:00:41 | 0:00:42 | |
Ain't got any hot water at the flat. | 0:00:45 | 0:00:48 | |
You seen this? | 0:00:48 | 0:00:49 | |
No. Why, what's happened now? | 0:00:49 | 0:00:52 | |
Have a butcher's. | 0:00:52 | 0:00:53 | |
Gets messier by the week. | 0:00:59 | 0:01:01 | |
Can't help wondering who else is caught up in this. | 0:01:01 | 0:01:04 | |
Wait. Lola said all this? | 0:01:06 | 0:01:08 | |
Silly girl. Still... everyone's got their price. | 0:01:08 | 0:01:12 | |
Poor Peter. | 0:01:15 | 0:01:18 | |
It's all lies. I never said any of that stuff, you know. | 0:01:18 | 0:01:20 | |
I told you not to go anywhere near this, didn't I? | 0:01:20 | 0:01:23 | |
Yes, I know. But I only said school drop-out to businesswoman. | 0:01:23 | 0:01:25 | |
They love all that stuff, don't they? | 0:01:25 | 0:01:27 | |
And that's all you said? | 0:01:27 | 0:01:29 | |
Well... Lo... | 0:01:29 | 0:01:31 | |
All right, I might've said that she likes a drink. | 0:01:31 | 0:01:34 | |
But only to show 'em how well she's done with her businesses and that. | 0:01:34 | 0:01:37 | |
I can't believe this. | 0:01:37 | 0:01:38 | |
I was only trying to help Peter. | 0:01:38 | 0:01:40 | |
Well, now you've made things ten times worse, ain't ya?! | 0:01:40 | 0:01:43 | |
What am I going to tell him, Pops? | 0:01:43 | 0:01:45 | |
DOOR OPENS | 0:01:45 | 0:01:46 | |
I'll see you later, yeah? Yeah. | 0:01:49 | 0:01:51 | |
Can you put that away for me? | 0:01:51 | 0:01:52 | |
Yep. | 0:01:52 | 0:01:53 | |
You better think of something sharpish. | 0:01:57 | 0:02:00 | |
So let me get this straight. You went to my station? | 0:02:03 | 0:02:06 | |
Well, I know what you boys are like. No time for sustenance. | 0:02:06 | 0:02:10 | |
What did they say? | 0:02:10 | 0:02:12 | |
They said they'd never heard of you. | 0:02:12 | 0:02:13 | |
Well, can you blame them? | 0:02:13 | 0:02:15 | |
You could've been anyone. | 0:02:16 | 0:02:18 | |
I welcomed you into my house... | 0:02:19 | 0:02:21 | |
This is madness. And what do you do? You lie through your teeth. | 0:02:21 | 0:02:23 | |
How many times? I am not lying. | 0:02:23 | 0:02:26 | |
Who are you? | 0:02:26 | 0:02:28 | |
I'm Detective Constable Charlie Cotton. | 0:02:28 | 0:02:31 | |
I don't believe you. | 0:02:31 | 0:02:33 | |
Please. You've got to listen to me... | 0:02:33 | 0:02:35 | |
No. No, I'm done listening and I'm done with your lies. | 0:02:35 | 0:02:37 | |
Go on, get out! | 0:02:37 | 0:02:39 | |
All my life I've been taken for a fool. | 0:02:39 | 0:02:41 | |
Well, not no more. Go on. | 0:02:41 | 0:02:44 | |
Go. | 0:02:45 | 0:02:47 | |
Are you eating again? | 0:03:01 | 0:03:02 | |
Growing boy, ain't I? | 0:03:04 | 0:03:06 | |
MUSIC: "Misty Blue" by Dorothy Moore | 0:03:06 | 0:03:08 | |
This is a song, ain't it? | 0:03:08 | 0:03:10 | |
Summer of '76 if I remember rightly. | 0:03:10 | 0:03:12 | |
Me and you in my mum's front room. | 0:03:12 | 0:03:14 | |
We'd bunked off school. | 0:03:14 | 0:03:15 | |
Probably. Come here. | 0:03:15 | 0:03:19 | |
You are so embarrassing. | 0:03:27 | 0:03:29 | |
It's called being in love, darling. | 0:03:29 | 0:03:31 | |
TEXT MESSAGE ALERT | 0:03:31 | 0:03:33 | |
Aren't you going to get that? | 0:03:33 | 0:03:36 | |
It's just probably someone trying to sell me insurance. | 0:03:36 | 0:03:38 | |
All right, Liam? Do you want me to take you to school today? | 0:03:38 | 0:03:41 | |
I've got to go that way to see a man about a motor. | 0:03:41 | 0:03:44 | |
Nah. You're all right. You're always moaning about getting the bus. | 0:03:44 | 0:03:47 | |
I just don't want a lift, all right! | 0:03:47 | 0:03:49 | |
What was all that about? TEXT MESSAGE ALERT | 0:03:49 | 0:03:51 | |
Search me. | 0:03:51 | 0:03:52 | |
Someone's popular. | 0:03:52 | 0:03:54 | |
Um, why don't you and Sonia take your mum up town today? | 0:03:54 | 0:03:57 | |
Buy her something nice to wear for the wedding. | 0:03:57 | 0:03:59 | |
She's just come out the hospital. I'm fine. Honestly. | 0:03:59 | 0:04:01 | |
There y'are. Tina and Kat can cover, can't they? | 0:04:01 | 0:04:05 | |
Uh-uh, we can't. | 0:04:05 | 0:04:06 | |
Yes, you can. Take it. | 0:04:06 | 0:04:10 | |
I want you to make sure she don't come back without anything to wear. | 0:04:11 | 0:04:14 | |
All right? | 0:04:14 | 0:04:16 | |
Bacon flavour. Ta-ta. | 0:04:16 | 0:04:17 | |
Come on then. 'Fess up. | 0:04:24 | 0:04:25 | |
What're you talking about? | 0:04:25 | 0:04:26 | |
I'm more of a dog person myself. | 0:04:26 | 0:04:28 | |
Not guilty. | 0:04:29 | 0:04:31 | |
Is this one of Roxy's? | 0:04:31 | 0:04:32 | |
I like to think she has a bit more style. | 0:04:32 | 0:04:35 | |
What is it? | 0:04:35 | 0:04:36 | |
It's a cat. | 0:04:36 | 0:04:37 | |
Jake... | 0:04:41 | 0:04:42 | |
I wouldn't bother. He didn't come home last night. | 0:04:42 | 0:04:46 | |
SHE LAUGHS | 0:04:46 | 0:04:47 | |
See you later. | 0:04:47 | 0:04:49 | |
Hardly the World Cup, is it? | 0:04:58 | 0:05:00 | |
Eurovision's always been me and Johnny's thing. | 0:05:00 | 0:05:02 | |
Winds me up, all that Eurovision. | 0:05:02 | 0:05:04 | |
1997. Katrina And The Waves. | 0:05:04 | 0:05:07 | |
Do you remember I let Johnny stay up and watch it? | 0:05:07 | 0:05:09 | |
Remember it? Me and Nancy had to go | 0:05:09 | 0:05:10 | |
and watch Match Of The Day in your mother's bedroom. | 0:05:10 | 0:05:14 | |
I see that Lucy Beale's in the paper again. Look. | 0:05:14 | 0:05:18 | |
Poor girl. They any closer to finding who did it yet? | 0:05:18 | 0:05:21 | |
Don't look like it. | 0:05:21 | 0:05:22 | |
Mind if I pop up and see the invalid? | 0:05:24 | 0:05:26 | |
Yeah. Knock yourself out. | 0:05:26 | 0:05:28 | |
If he gives you any grief you just give him a quick slap, all right? | 0:05:28 | 0:05:31 | |
What if we know him, Mick? | 0:05:35 | 0:05:36 | |
Don't be so stupid. | 0:05:36 | 0:05:38 | |
He could be out there on that market and we're none the wiser. | 0:05:38 | 0:05:41 | |
Here, what was that...that song? | 0:05:41 | 0:05:45 | |
The one where the treacles ripped their little skirts off? | 0:05:45 | 0:05:49 | |
Bucks Fizz. Making Your Mind Up. | 0:05:49 | 0:05:51 | |
Winner in 1981. Ah. | 0:05:51 | 0:05:53 | |
MUSIC: "Making Your Mind Up" by Bucks Fizz | 0:05:56 | 0:05:58 | |
SHE KNOCKS ON DOOR | 0:06:08 | 0:06:09 | |
What're you doing here? | 0:06:11 | 0:06:12 | |
You want to open that window. Get some fresh air in. | 0:06:12 | 0:06:15 | |
Don't fuss, woman. | 0:06:15 | 0:06:17 | |
Right. Stew in your own juices for all I care. | 0:06:17 | 0:06:20 | |
Oh, come on. | 0:06:20 | 0:06:22 | |
I got you a little present. To thank you for the loan. | 0:06:26 | 0:06:29 | |
I wish I hadn't bothered now. | 0:06:29 | 0:06:31 | |
Got myself a nice little flat across the square. | 0:06:31 | 0:06:34 | |
I would have said, pop in... | 0:06:34 | 0:06:36 | |
HE LAUGHS | 0:06:38 | 0:06:41 | |
You wily old goat! | 0:06:41 | 0:06:42 | |
Is this you, Shirley Carter? Ramming coins in? | 0:06:46 | 0:06:49 | |
What you going on about? | 0:06:49 | 0:06:50 | |
Vandals, the lot of you. Sometimes I wonder why I bother. | 0:06:50 | 0:06:52 | |
Don't have a pop at me, Dot. | 0:06:52 | 0:06:54 | |
I'm only here because Linda's machine's broken down. | 0:06:54 | 0:06:56 | |
If it's a service wash you're after you'll have to come back tomorrow. | 0:06:58 | 0:07:01 | |
I'm involved in an investigation at work which requires me | 0:07:05 | 0:07:08 | |
to use an alias. | 0:07:08 | 0:07:10 | |
For all intents and purposes Charlie Cotton doesn't exist. | 0:07:10 | 0:07:13 | |
For the time being, at least. | 0:07:13 | 0:07:15 | |
That's as much as I can tell you. | 0:07:15 | 0:07:17 | |
Don't mind me. I'm just rinsing my smalls. | 0:07:19 | 0:07:22 | |
Mr Papadopoulos, he don't pay me to stand around gossiping. | 0:07:22 | 0:07:25 | |
Listen. You can call my boss if you don't believe me. | 0:07:25 | 0:07:28 | |
I could've sworn I had my mobile. | 0:07:32 | 0:07:35 | |
It doesn't matter what I say, does it? | 0:07:37 | 0:07:39 | |
You've made your mind up. | 0:07:41 | 0:07:42 | |
I'll put the kettle on, shall I? | 0:07:47 | 0:07:49 | |
When you've done that... | 0:07:49 | 0:07:50 | |
you can help me work this here contraption. | 0:07:50 | 0:07:53 | |
Here you go. | 0:07:59 | 0:08:01 | |
Have you seen Jake? No, not since last night. Are you and him...? | 0:08:01 | 0:08:05 | |
No. You could do a lot worse, you know. He's a nice bloke. | 0:08:05 | 0:08:08 | |
Talk of the devil. | 0:08:08 | 0:08:10 | |
I'm sorry I'm late, Teen. | 0:08:10 | 0:08:11 | |
I had a few things I needed to sort out. | 0:08:11 | 0:08:13 | |
TEXT MESSAGE ALERT | 0:08:20 | 0:08:22 | |
Anyone would think you was trying to ignore me. | 0:08:30 | 0:08:32 | |
This has got to stop. How many more times? | 0:08:32 | 0:08:34 | |
All right, David? | 0:08:34 | 0:08:36 | |
Sonia. Ain't you going up town with your mum? | 0:08:36 | 0:08:39 | |
I'm on my way now. | 0:08:39 | 0:08:41 | |
Oh, sorry. This is Terry's ex, Nikki. | 0:08:41 | 0:08:43 | |
Nikki, Sonia. Bianca's sister. | 0:08:43 | 0:08:45 | |
You all right? | 0:08:45 | 0:08:47 | |
See ya. | 0:08:49 | 0:08:50 | |
Right. Max'll be wondering where I am. | 0:08:50 | 0:08:52 | |
TEXT MESSAGE ALERT | 0:08:52 | 0:08:55 | |
Ian... | 0:09:00 | 0:09:01 | |
Have you seen this? | 0:09:01 | 0:09:02 | |
Seen what? | 0:09:02 | 0:09:04 | |
OK, let's not go jumping to any conclusions. | 0:09:04 | 0:09:07 | |
How can she say all these things? | 0:09:07 | 0:09:10 | |
You got any idea how hard it is to see her name dragged | 0:09:10 | 0:09:12 | |
through the mud? | 0:09:12 | 0:09:14 | |
If I were you, I'd go for the full English. I cook it myself | 0:09:19 | 0:09:22 | |
so if you don't like it you can have your money back. OK, fine. | 0:09:22 | 0:09:24 | |
Lauren. | 0:09:24 | 0:09:26 | |
I just wanted to say thank you for not going to the police. | 0:09:28 | 0:09:32 | |
My head was all over the place last time I saw you. | 0:09:34 | 0:09:37 | |
You know me, better than anyone. | 0:09:37 | 0:09:39 | |
You know I could never do anything to hurt her. | 0:09:39 | 0:09:42 | |
I'm going to go. | 0:09:42 | 0:09:43 | |
'You've reached DC Summerhayes. Leave a message.' | 0:09:53 | 0:09:55 | |
It's Lauren Branning. | 0:09:57 | 0:09:58 | |
I came in on Friday and made a statement about Jake Stone. | 0:09:58 | 0:10:01 | |
I just... I was just wondering what's happening. | 0:10:02 | 0:10:06 | |
You're not exactly sitting on a fortune, | 0:10:16 | 0:10:18 | |
are you, in that house of yours? I mean, what've you got? | 0:10:18 | 0:10:20 | |
A couple of old prayer books and a funny old tea set. | 0:10:22 | 0:10:25 | |
That's Royal Albert. That was left to me by my Auntie Gwen. | 0:10:25 | 0:10:28 | |
Either way. It's not worth pretending to be a copper for. | 0:10:28 | 0:10:31 | |
MOBILE RINGS | 0:10:31 | 0:10:33 | |
How do we stop that? | 0:10:35 | 0:10:36 | |
Here. | 0:10:38 | 0:10:39 | |
What do you want this for? | 0:10:39 | 0:10:41 | |
I want to send one of those text letters, you know what the | 0:10:41 | 0:10:46 | |
young 'uns send all the time. | 0:10:46 | 0:10:48 | |
Who to? | 0:10:48 | 0:10:49 | |
Charlie's ma. | 0:10:49 | 0:10:51 | |
Dorothy Branning, you little minx. | 0:10:53 | 0:10:55 | |
And what exactly do you want to say in this text message? | 0:10:56 | 0:10:58 | |
I want to ask her if she'll meet me at my house, this afternoon, at 3pm. | 0:10:58 | 0:11:06 | |
And then put the address. | 0:11:06 | 0:11:08 | |
You sure about this? | 0:11:11 | 0:11:13 | |
I've got to know the truth, Shirley. | 0:11:13 | 0:11:16 | |
What if he isn't your grandson? | 0:11:16 | 0:11:18 | |
We'll cross that bridge when we come to it. | 0:11:18 | 0:11:21 | |
Done. | 0:11:21 | 0:11:23 | |
How d'you find her number? | 0:11:23 | 0:11:25 | |
It was under "M" for "Ma mobile", Dot. | 0:11:25 | 0:11:28 | |
Don't need to be a detective to work that one out. | 0:11:28 | 0:11:31 | |
So what do we do now? | 0:11:32 | 0:11:34 | |
We wait. | 0:11:34 | 0:11:36 | |
What for? | 0:11:36 | 0:11:37 | |
Until she texts back. | 0:11:37 | 0:11:39 | |
All this stress. I can feel it getting to my head. | 0:11:39 | 0:11:42 | |
I can feel one of my migraines coming on. | 0:11:42 | 0:11:45 | |
I know what you need... | 0:11:45 | 0:11:47 | |
I shouldn't, really. Are they menthol? | 0:11:47 | 0:11:49 | |
Yeah. | 0:11:49 | 0:11:51 | |
Oh, right, I've never had these. | 0:11:51 | 0:11:53 | |
There you are. Ta. | 0:11:53 | 0:11:55 | |
TEXT MESSAGE ALERT Oh, I don't think I like this. | 0:11:56 | 0:11:59 | |
Well, put it out then. You can have it... | 0:11:59 | 0:12:01 | |
She's text back. | 0:12:01 | 0:12:03 | |
What's she say? | 0:12:03 | 0:12:05 | |
You're about to meet your daughter-in-law. | 0:12:05 | 0:12:07 | |
Do you think they're all right up there? | 0:12:12 | 0:12:13 | |
How do you mean? | 0:12:13 | 0:12:15 | |
Well, that Cora, she's got a bit of a naughty look about her... | 0:12:15 | 0:12:18 | |
I feel sick. | 0:12:18 | 0:12:19 | |
And what with the old man's moody heart... | 0:12:19 | 0:12:21 | |
Oh, will you stop talking about your dad having sex? | 0:12:21 | 0:12:24 | |
Usual please, Lin. | 0:12:26 | 0:12:28 | |
Spending your ill-gotten gains? Come again? | 0:12:28 | 0:12:30 | |
That granddaughter of yours. | 0:12:30 | 0:12:32 | |
Making money off the back of that poor girl. | 0:12:32 | 0:12:34 | |
She never said half that stuff. They stitched her up. | 0:12:34 | 0:12:36 | |
It's Ian I feel sorry for. Having his daughter's memory soiled... | 0:12:36 | 0:12:39 | |
Well, at least it takes the heat off your boy, eh? | 0:12:39 | 0:12:42 | |
I beg your pardon? L... | 0:12:42 | 0:12:44 | |
No, no. If he's got something to say... | 0:12:44 | 0:12:45 | |
Billy's just upset. He didn't meant nothing by it. Did you, Bill? | 0:12:45 | 0:12:49 | |
No. Sorry. | 0:12:49 | 0:12:52 | |
It's true, though. I see 'em all out there pointing the finger. | 0:12:53 | 0:12:57 | |
Let them point. Our boy's done nothing wrong. | 0:12:57 | 0:12:59 | |
You try telling that to the likes of Billy Mitchell. | 0:12:59 | 0:13:02 | |
HOOTER BLARES | 0:13:02 | 0:13:04 | |
What's that?! | 0:13:04 | 0:13:05 | |
THEY LAUGH | 0:13:09 | 0:13:10 | |
What're you doing? Give us that here! | 0:13:11 | 0:13:15 | |
HOOTER BLARES | 0:13:15 | 0:13:16 | |
Mick! | 0:13:16 | 0:13:18 | |
Three hours I've been up here. | 0:13:18 | 0:13:20 | |
Not a peep out of any of you. | 0:13:20 | 0:13:22 | |
It'd serve you right if I'd been dead on the floor. | 0:13:22 | 0:13:24 | |
Chance'd be a fine thing. | 0:13:24 | 0:13:26 | |
Don't you think one foghorn's enough in this gaff? | 0:13:26 | 0:13:28 | |
Are you talking about me?! | 0:13:28 | 0:13:30 | |
I can't leave you two alone for a minute, can I? | 0:13:30 | 0:13:32 | |
Right, downstairs, the pair of you, where I can keep an eye on you. | 0:13:32 | 0:13:35 | |
I need to talk to you. It's important. | 0:13:45 | 0:13:47 | |
Before you say anything. I want to say I'm sorry. | 0:13:47 | 0:13:49 | |
For what I said. | 0:13:49 | 0:13:51 | |
All that stuff with Mr Jones. It just threw me. I know, it's fine. | 0:13:51 | 0:13:53 | |
It's fine. No, it's not. It was unforgivable. | 0:13:53 | 0:13:56 | |
Just forget about that. Forget about that and just listen to me... | 0:13:56 | 0:13:58 | |
Please, will you just hear me out? | 0:14:02 | 0:14:04 | |
After what they were saying about Lucy, | 0:14:04 | 0:14:06 | |
I just thought someone should tell them the truth about her, you know? | 0:14:06 | 0:14:09 | |
And then they started twisting everything I was saying into lies... | 0:14:09 | 0:14:13 | |
How much? | 0:14:13 | 0:14:14 | |
What? How much is my sister worth? | 0:14:14 | 0:14:16 | |
Go on. Tell me. | 0:14:18 | 0:14:19 | |
300. | 0:14:21 | 0:14:22 | |
No. Look, I was going to use the money to take you on holiday | 0:14:23 | 0:14:26 | |
to get you away from all of this for a bit. | 0:14:26 | 0:14:28 | |
Don't you dare pretend you did this for us. | 0:14:28 | 0:14:31 | |
Peter, please. | 0:14:31 | 0:14:33 | |
Do you know how hard it is for my dad just to get | 0:14:33 | 0:14:35 | |
out of bed in the morning? | 0:14:35 | 0:14:36 | |
He's had his heart ripped out, Lola. | 0:14:36 | 0:14:38 | |
And you're there just stamping all over it. | 0:14:38 | 0:14:40 | |
But I can explain to him, I was trying to... | 0:14:40 | 0:14:42 | |
No. You don't go anywhere near him. Do you understand? | 0:14:42 | 0:14:45 | |
Is there something else? | 0:14:46 | 0:14:48 | |
She never meant to hurt you. You do know that, don't you? | 0:14:56 | 0:14:58 | |
I don't want to talk about it. | 0:14:58 | 0:15:00 | |
She just got a little bit carried away. | 0:15:00 | 0:15:01 | |
Are we done here? Cos I've got customers. | 0:15:01 | 0:15:04 | |
I ain't got nothing in. | 0:15:11 | 0:15:13 | |
And my best china ain't been washed for weeks. | 0:15:13 | 0:15:15 | |
I dread to think what she'll think of this place. | 0:15:16 | 0:15:19 | |
She'll think it's a pig sty. | 0:15:19 | 0:15:21 | |
It doesn't matter what she thinks, Dot. | 0:15:21 | 0:15:23 | |
You need to know the truth. | 0:15:23 | 0:15:25 | |
Yes, you're right. I need answers. | 0:15:25 | 0:15:29 | |
I wasn't expecting company. | 0:15:30 | 0:15:33 | |
Don't worry. I ain't stopping. | 0:15:33 | 0:15:35 | |
That's a shame. I've just run a bubble bath. | 0:15:35 | 0:15:38 | |
Nikki, listen, darling. These texts, they've got to stop. All right? | 0:15:38 | 0:15:45 | |
In fact, I'd prefer it if you stayed away from me completely. | 0:15:45 | 0:15:48 | |
I love it when you get cross. | 0:15:48 | 0:15:51 | |
Not for me. It was only one little kiss we had. | 0:15:51 | 0:15:55 | |
It was more than that and you know it. | 0:15:57 | 0:15:58 | |
I love Carol. | 0:15:58 | 0:16:00 | |
Listen. I understand that you're childhood sweethearts. | 0:16:00 | 0:16:02 | |
But let's be honest. She is punching above her weight. | 0:16:02 | 0:16:05 | |
Hey, hey, hey... There you are, the flashy car dealer. | 0:16:05 | 0:16:07 | |
And there she is trudging down Bridge Street with her freezer shop. | 0:16:07 | 0:16:11 | |
Yeah, and I love her. She's a damn good woman. | 0:16:11 | 0:16:13 | |
So is my mum. | 0:16:13 | 0:16:15 | |
Doesn't mean that I want to spend the rest of my life with her. | 0:16:15 | 0:16:19 | |
You ain't got the first idea, OK? | 0:16:19 | 0:16:20 | |
What she's put up with all this year? | 0:16:23 | 0:16:25 | |
I'm telling you, that woman has more guts | 0:16:25 | 0:16:27 | |
and more determination than you or I put together. | 0:16:27 | 0:16:30 | |
You see? | 0:16:30 | 0:16:32 | |
I said me and you were cut from the same cloth. | 0:16:32 | 0:16:34 | |
You're missing the point. | 0:16:34 | 0:16:35 | |
Oh, come on, David. We both know what you really want. | 0:16:35 | 0:16:40 | |
And what's that? | 0:16:40 | 0:16:41 | |
Stay away from me... And stay away from my family. | 0:16:48 | 0:16:52 | |
Do you understand? | 0:16:52 | 0:16:53 | |
All the way to Stratford and we've come back completely empty-handed. | 0:16:58 | 0:17:01 | |
Did you see the price of that dress? | 0:17:01 | 0:17:02 | |
It cost more than my whole wardrobe put together. | 0:17:02 | 0:17:05 | |
It's all right, Dad's paying. That's not the point, darling. | 0:17:05 | 0:17:07 | |
There's more to a wedding than a nice frock. | 0:17:07 | 0:17:09 | |
She's still entitled to spoil herself. Course she is. | 0:17:09 | 0:17:12 | |
Perhaps we ought to send her, you know, another one of them | 0:17:21 | 0:17:24 | |
text letters. | 0:17:24 | 0:17:25 | |
Say there's been some dreadful mix-up. | 0:17:25 | 0:17:28 | |
KNOCK AT DOOR | 0:17:28 | 0:17:30 | |
You stay here. I'll get that. | 0:17:32 | 0:17:34 | |
You must be Yvonne. | 0:17:44 | 0:17:46 | |
That's right. | 0:17:46 | 0:17:47 | |
Where's Charlie? You better come in. | 0:17:47 | 0:17:49 | |
Go straight through. | 0:17:52 | 0:17:54 | |
Yvonne. This is Dot. | 0:18:01 | 0:18:03 | |
So, you're the famous Dot? | 0:18:06 | 0:18:08 | |
It's good to have a face to put to the name. | 0:18:10 | 0:18:13 | |
So where is he then? | 0:18:13 | 0:18:14 | |
Charlie? He ain't coming. | 0:18:16 | 0:18:19 | |
In fact, he don't know you're here. | 0:18:20 | 0:18:23 | |
DOORBELL RINGS | 0:18:29 | 0:18:30 | |
We need to speak with Jake Stone. | 0:18:33 | 0:18:34 | |
He's not in. Sorry. | 0:18:34 | 0:18:37 | |
We'd rather wait, if that's all the same with you. | 0:18:37 | 0:18:40 | |
How you doing, Mick, all right? Just an orange juice, please. | 0:18:50 | 0:18:53 | |
And whatever Lauren wants. | 0:18:53 | 0:18:55 | |
Lauren? | 0:18:55 | 0:18:56 | |
No, I'm not having nothing. | 0:18:58 | 0:18:59 | |
HE CLEARS THROAT | 0:19:03 | 0:19:05 | |
I see it didn't take you long to find a replacement. | 0:19:05 | 0:19:08 | |
Stan. Have you met Patrick? The gentleman who made me homeless. | 0:19:08 | 0:19:14 | |
Pull up a chair and join us. | 0:19:14 | 0:19:16 | |
I'd rather sit with my friends. | 0:19:16 | 0:19:17 | |
Have you seen the paper? | 0:19:21 | 0:19:23 | |
Nest of vipers, the lot of 'em. | 0:19:23 | 0:19:25 | |
Stan reckons the cops are hiding something. | 0:19:25 | 0:19:27 | |
What was that about the cops? | 0:19:27 | 0:19:29 | |
There's more to it than they make out. You mark my words. | 0:19:29 | 0:19:32 | |
Meaning what exactly? Not while there are ladies present. | 0:19:32 | 0:19:34 | |
You don't mean that she was...? | 0:19:34 | 0:19:36 | |
Oi, do you mind? This is Lauren's best mate we're talking about. | 0:19:36 | 0:19:38 | |
What about this fella they say she was knocking off on the side? | 0:19:38 | 0:19:42 | |
Not now, Stan. | 0:19:42 | 0:19:43 | |
They say he's local. So my guess is he lives around here. | 0:19:43 | 0:19:47 | |
It's all just gossip to you, ain't it? | 0:19:47 | 0:19:49 | |
A girl died, you know. | 0:19:49 | 0:19:50 | |
I can't do this. | 0:19:50 | 0:19:51 | |
Lauren... | 0:19:51 | 0:19:53 | |
What do you think this is, a game of Cluedo? | 0:19:53 | 0:19:56 | |
All right, Lauren? | 0:20:01 | 0:20:03 | |
Jake's agreed to stay at the cafe for a few weeks. | 0:20:03 | 0:20:05 | |
Any time. You've really done us a favour, mate. | 0:20:05 | 0:20:08 | |
Anything I can do to help just let me know, yeah? | 0:20:08 | 0:20:10 | |
Get away from him. Lauren? | 0:20:10 | 0:20:13 | |
Get away from him. Can you not hear me?! Get away from him! | 0:20:13 | 0:20:17 | |
Lauren? Lauren, what's the matter? Just calm down, will you? | 0:20:17 | 0:20:20 | |
What's the matter? | 0:20:21 | 0:20:23 | |
So which one of you two ladies stole my son's phone? | 0:20:29 | 0:20:33 | |
I'm afraid it were me. And I expect you're wondering why. | 0:20:33 | 0:20:36 | |
It did cross my mind, yes. | 0:20:36 | 0:20:38 | |
Cos I have to know. | 0:20:38 | 0:20:40 | |
Know what? | 0:20:40 | 0:20:41 | |
Who is he...? I'm sorry. You've lost me. | 0:20:41 | 0:20:44 | |
Charlie. Who is he? | 0:20:44 | 0:20:46 | |
He's my son. He's your grandson. Why are you even asking me this? | 0:20:47 | 0:20:53 | |
How did you meet Nick? | 0:20:53 | 0:20:55 | |
Would someone like to tell me what's going on? | 0:20:55 | 0:20:57 | |
Why don't you just answer the question? | 0:20:57 | 0:20:59 | |
How did you meet Nick? | 0:20:59 | 0:21:01 | |
Right...he was fresh out of borstal. And me... | 0:21:02 | 0:21:07 | |
I was too daft to know any better. | 0:21:07 | 0:21:10 | |
All my friends thought he looked like Joe Strummer. | 0:21:10 | 0:21:13 | |
Who? | 0:21:13 | 0:21:14 | |
From The Clash. Oh. | 0:21:14 | 0:21:16 | |
Look, it doesn't matter. | 0:21:16 | 0:21:19 | |
So why hasn't Dot ever met you? | 0:21:19 | 0:21:21 | |
They'd had a falling out apparently. | 0:21:21 | 0:21:24 | |
He said it was something to do with a family allowance book. | 0:21:24 | 0:21:26 | |
Look, is Charlie Nick's son? | 0:21:28 | 0:21:31 | |
Yes! He was a happy accident. | 0:21:31 | 0:21:36 | |
We got married, but Nick couldn't settle down. | 0:21:36 | 0:21:40 | |
And since then it's just been me and Charlie. | 0:21:41 | 0:21:45 | |
It's always just been me and him... | 0:21:45 | 0:21:47 | |
until you came along, that is. | 0:21:47 | 0:21:49 | |
You know what? | 0:21:51 | 0:21:52 | |
I have better things to do than sit around being interrogated. | 0:21:52 | 0:21:56 | |
Please... | 0:21:56 | 0:21:57 | |
And I'll tell you another thing... | 0:21:57 | 0:22:00 | |
Charlie hasn't stopped talking about you since Nick's funeral. | 0:22:00 | 0:22:03 | |
But it seems you're not the sweet little lady he thinks you are. | 0:22:03 | 0:22:07 | |
No. Please? Don't go. | 0:22:09 | 0:22:12 | |
What's happened? | 0:22:18 | 0:22:20 | |
They want to speak to Jake. | 0:22:20 | 0:22:22 | |
What about? I don't know. They won't tell me anything. | 0:22:22 | 0:22:25 | |
Oi. You can't come in here without a warrant. | 0:22:25 | 0:22:27 | |
We just want to ask Mr Stone a few questions, that's all. | 0:22:29 | 0:22:32 | |
Do you know what this is? | 0:22:32 | 0:22:33 | |
This is a violation of our human rights. | 0:22:33 | 0:22:36 | |
It's all right, Tina. | 0:22:36 | 0:22:38 | |
I've got nothing to hide. | 0:22:41 | 0:22:42 | |
I'm not saying Charlie's perfect. But he's a good boy at heart. | 0:22:45 | 0:22:49 | |
So he really is a police officer? | 0:22:49 | 0:22:51 | |
I hope so. | 0:22:51 | 0:22:53 | |
Otherwise I'd like to know what else he's been doing | 0:22:53 | 0:22:55 | |
for the past ten years. | 0:22:55 | 0:22:57 | |
When did you last see my Nick? | 0:22:57 | 0:23:01 | |
Over 30 years ago. | 0:23:02 | 0:23:05 | |
He might have had his demons. But deep down... | 0:23:05 | 0:23:09 | |
there was something good. | 0:23:09 | 0:23:12 | |
DOOR OPENS | 0:23:12 | 0:23:14 | |
Grandma? | 0:23:14 | 0:23:16 | |
In here. | 0:23:16 | 0:23:17 | |
Right. Out, you lot. I'm doing the cooking tonight. | 0:23:28 | 0:23:30 | |
Since when? Since when do I need a reason to spoil my beautiful fiancee? | 0:23:30 | 0:23:34 | |
Right then. Where's your outfit? | 0:23:34 | 0:23:37 | |
We didn't get it. | 0:23:37 | 0:23:39 | |
Eh? Why not? It was 500 quid. | 0:23:39 | 0:23:41 | |
And? | 0:23:41 | 0:23:42 | |
And it's just a waste of money. | 0:23:42 | 0:23:44 | |
Will you tell her? | 0:23:44 | 0:23:45 | |
No, I'm not. She can get married in a pair of old curtains | 0:23:45 | 0:23:47 | |
for all I care and look lovely. Right, I'm off. | 0:23:47 | 0:23:49 | |
See you later. Well, go on then. Put your feet up. | 0:23:49 | 0:23:52 | |
I've got your favourite for afters. | 0:23:52 | 0:23:54 | |
I could get used to this. Sonia. | 0:23:54 | 0:23:56 | |
Won't be long. | 0:23:56 | 0:23:58 | |
Start washing those, will you, mate? | 0:23:58 | 0:23:59 | |
What's up with you? | 0:24:01 | 0:24:03 | |
I know. You know what? | 0:24:03 | 0:24:05 | |
You and Nikki. I saw you. | 0:24:05 | 0:24:07 | |
I can't believe you took my phone. | 0:24:10 | 0:24:12 | |
I'm sorry, Dot. He has his father's temper. | 0:24:12 | 0:24:15 | |
I'm sorry, but I just had to be sure. | 0:24:15 | 0:24:17 | |
How many times do I have to say it? | 0:24:17 | 0:24:19 | |
I'm a man of my word. | 0:24:19 | 0:24:21 | |
I would never lie to you. | 0:24:21 | 0:24:23 | |
Do forgive me. | 0:24:23 | 0:24:24 | |
You've got the makings of a great copper, you know that? | 0:24:26 | 0:24:29 | |
Let's just forget today ever happened, yeah? | 0:24:29 | 0:24:32 | |
Come on. I should drive you home. | 0:24:32 | 0:24:34 | |
I don't know what you must think of me. | 0:24:34 | 0:24:36 | |
Don't you worry, Dot. | 0:24:36 | 0:24:38 | |
I've a feeling you and me are going to get along just fine. | 0:24:38 | 0:24:41 | |
I've got some chops, you know... | 0:24:41 | 0:24:43 | |
if you'd like to pop in later. | 0:24:43 | 0:24:46 | |
Seven o'clock, yeah? | 0:24:46 | 0:24:47 | |
Seven o'clock. | 0:24:47 | 0:24:48 | |
See you later. | 0:24:48 | 0:24:49 | |
Bye. Bye, Yvonne. | 0:24:49 | 0:24:52 | |
Bye. | 0:24:52 | 0:24:53 | |
That was a close call. Do you think she bought it? | 0:24:58 | 0:25:01 | |
Just be more careful in future. | 0:25:01 | 0:25:03 | |
What did you do that for? | 0:25:06 | 0:25:08 | |
I was going to take it back later. | 0:25:08 | 0:25:10 | |
It gave me a start seeing her there. | 0:25:14 | 0:25:16 | |
It's strong, isn't it, the family resemblance? | 0:25:16 | 0:25:20 | |
You did sort everything, didn't you? | 0:25:20 | 0:25:21 | |
It's all taken care of. | 0:25:21 | 0:25:23 | |
He's not going to hurt you again. | 0:25:23 | 0:25:25 | |
They asked me where you were Good Friday. | 0:25:28 | 0:25:30 | |
What did you tell them? | 0:25:31 | 0:25:33 | |
That I hadn't seen you. What was I supposed to say? | 0:25:33 | 0:25:35 | |
I want my kitchen back. | 0:25:38 | 0:25:41 | |
I'm going to have to ask you all to leave the flat immediately. | 0:25:41 | 0:25:44 | |
You can't do this! This is now a crime scene. | 0:25:44 | 0:25:46 | |
We've got rights too, you know. | 0:25:46 | 0:25:48 | |
Just do what the officer says. | 0:25:48 | 0:25:49 | |
Jake Stone. | 0:25:49 | 0:25:51 | |
I'm arresting you on suspicion of the murder of Lucy Beale... | 0:25:51 | 0:25:54 | |
I've done nothing wrong. | 0:25:57 | 0:25:58 | |
You don't have to say anything, anything you do say may be | 0:25:58 | 0:26:00 | |
taken down and used against you as evidence in a court of law. | 0:26:00 | 0:26:03 | |
Are you all right? | 0:26:14 | 0:26:16 | |
What was all that about before? | 0:26:16 | 0:26:18 | |
Peter, you just need to stay away from Jake. | 0:26:18 | 0:26:20 | |
POLICE SIRENS BLARE I mean it. | 0:26:20 | 0:26:23 | |
Why? What's he done? | 0:26:23 | 0:26:25 | |
You know I had to confiscate a foghorn from him, don't you? | 0:26:36 | 0:26:39 | |
Is that right? Look at him. The old dog. | 0:26:39 | 0:26:42 | |
Steady, Mick. Anyone would think you were enjoying having him around. | 0:26:42 | 0:26:46 | |
Oi. There's a load of Old Bill just pulled up outside your Tina's flat. | 0:26:46 | 0:26:49 | |
Where is he? Peter! | 0:26:55 | 0:26:57 | |
Just let me in there! | 0:26:57 | 0:26:59 | |
What's happened? | 0:26:59 | 0:27:01 | |
Teen. You all right? They've gone and arrested him. | 0:27:02 | 0:27:05 | |
Who? | 0:27:05 | 0:27:06 | |
It's him, Dad. He killed Lucy! | 0:27:07 | 0:27:09 | |
No... Come here! Come here! | 0:27:09 | 0:27:10 | |
Just leave it! They've got him. They've got him. No! | 0:27:10 | 0:27:13 | |
You tell them, Lauren! You tell them I didn't do it. | 0:27:14 | 0:27:18 | |
You know me, Lauren. You know I could never do this. | 0:27:18 | 0:27:21 | |
Get off me! Tell them! | 0:27:21 | 0:27:23 | |
SIREN BLARES | 0:27:34 | 0:27:37 |