Browse content similar to 17/06/2014. Check below for episodes and series from the same categories and more!
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You can't go on like this, Shirl. | 0:01:04 | 0:01:06 | |
Bottling it up, drinking yourself into oblivion. | 0:01:06 | 0:01:09 | |
I've been there, remember? | 0:01:09 | 0:01:10 | |
I told you, I don't want to talk about it. Not now, not ever. | 0:01:10 | 0:01:13 | |
Well, maybe... maybe I'd better have this conversation with Mick. | 0:01:13 | 0:01:17 | |
You wouldn't dare. | 0:01:19 | 0:01:20 | |
What do you want? | 0:01:25 | 0:01:27 | |
Repeat business, Ian. | 0:01:28 | 0:01:30 | |
Thought you of all people would appreciate that. | 0:01:30 | 0:01:33 | |
No. All right, that night was a one-off, OK? | 0:01:33 | 0:01:37 | |
It's not going to happen again, do you understand? | 0:01:37 | 0:01:40 | |
That's what they all say. | 0:01:40 | 0:01:42 | |
Sharon! | 0:01:56 | 0:01:57 | |
Sharon! | 0:01:59 | 0:02:00 | |
Sharon? | 0:02:02 | 0:02:03 | |
Sharon! | 0:02:04 | 0:02:05 | |
Seriously, I don't know where you put that. | 0:02:10 | 0:02:13 | |
Natural metabolism of youth, innit, Pops? | 0:02:13 | 0:02:15 | |
Well, you do know you're going to be ponying for England tomorrow, don't you? | 0:02:15 | 0:02:19 | |
Well... Oi, do you think we should wait for Johnny? | 0:02:19 | 0:02:23 | |
Sharon seemed really annoyed about them bouncers. | 0:02:23 | 0:02:25 | |
Just leave 'em to it. | 0:02:25 | 0:02:26 | |
No. His little face. What if she sacks him again? | 0:02:26 | 0:02:29 | |
Just turn it in. | 0:02:29 | 0:02:30 | |
No, I've got to ring him. | 0:02:30 | 0:02:32 | |
Hello, John. Have you still got your job? | 0:02:38 | 0:02:40 | |
Nance, it's Sharon. She's been attacked! | 0:02:40 | 0:02:44 | |
What? What you talking about? | 0:02:44 | 0:02:46 | |
She's... There's been a break-in. She's bleeding. | 0:02:46 | 0:02:50 | |
-Wait, wait, calm down. Are you all right? -What's happened? | 0:02:50 | 0:02:54 | |
No, come... | 0:02:54 | 0:02:55 | |
Yeah, ambulance. | 0:02:59 | 0:03:00 | |
It's The Albert Bar. Turpin Road, E20. | 0:03:00 | 0:03:05 | |
She's not moving and she's bleeding... | 0:03:05 | 0:03:07 | |
-Johnny! -Yeah. I don't know. She's breathing but... -You OK? -It's not... | 0:03:07 | 0:03:10 | |
-I don't know! -Give me the phone. | 0:03:10 | 0:03:12 | |
Calm down, calm down. Now what happened? | 0:03:12 | 0:03:16 | |
-I dunno. I heard this crash and... -She's not conscious. -You sure you're not hurt? | 0:03:16 | 0:03:19 | |
-Yeah. They didn't touch me. -Yeah, she's got a big cut on her head. | 0:03:19 | 0:03:23 | |
Listen, listen, lucky you was here, all right, son? Jump up, come on. | 0:03:23 | 0:03:26 | |
Yeah, OK. We need to stop the bleeding. | 0:03:26 | 0:03:29 | |
OK, well, then go and get a clean towel from the bar, baby. | 0:03:29 | 0:03:32 | |
I was wrecked that day. I didn't know what I was saying. | 0:03:32 | 0:03:34 | |
You expect me to believe that, eh? | 0:03:34 | 0:03:37 | |
And why the big secret, anyway? | 0:03:37 | 0:03:40 | |
-Just leave it, Phil. I mean it. -Shirley, I'm not judging you, am I? | 0:03:40 | 0:03:43 | |
After everything that's happened between us I still care about you, don't I? | 0:03:43 | 0:03:46 | |
Then go tell Sharon, cos I ain't worth it. | 0:03:46 | 0:03:49 | |
What are you talking about? I mean, having a kid when you're young... | 0:03:49 | 0:03:52 | |
it's hardly a crime, is it? | 0:03:52 | 0:03:54 | |
What about if you try to drown 'em in the bath? | 0:03:56 | 0:03:59 | |
What are you talking about? | 0:03:59 | 0:04:00 | |
After Mum had left, I tried... | 0:04:02 | 0:04:07 | |
I tried to keep it together but I couldn't hack it. | 0:04:09 | 0:04:12 | |
And then one day I just snapped. | 0:04:13 | 0:04:16 | |
That's the type of person you're talking to here. | 0:04:17 | 0:04:20 | |
What happened? | 0:04:21 | 0:04:22 | |
Shirley, what happened?! | 0:04:28 | 0:04:32 | |
Mick was about one... | 0:04:36 | 0:04:38 | |
And we'd been doing some painting and it got everywhere. | 0:04:40 | 0:04:43 | |
You know what kids are like. | 0:04:43 | 0:04:45 | |
And I put him in the bath... | 0:04:48 | 0:04:50 | |
tried to clean him up... | 0:04:50 | 0:04:52 | |
I didn't know what I was doing until Dad burst in and dragged him out. | 0:04:54 | 0:04:58 | |
You held him underwater? Your own son? | 0:05:00 | 0:05:04 | |
I never meant to! | 0:05:04 | 0:05:06 | |
I never wanted that. | 0:05:06 | 0:05:09 | |
It was just... | 0:05:12 | 0:05:14 | |
in that one moment...that one moment... The taps were running... | 0:05:14 | 0:05:19 | |
he was screaming... | 0:05:19 | 0:05:21 | |
When we got to the hospital, Dad wouldn't let me see him. | 0:05:26 | 0:05:29 | |
That's when they took him into care? | 0:05:32 | 0:05:35 | |
No, not at first. | 0:05:35 | 0:05:38 | |
But things were never the same after that. | 0:05:41 | 0:05:43 | |
They came back to the house, they saw Dad's empty bottles | 0:05:45 | 0:05:51 | |
and what a mess I was in. | 0:05:51 | 0:05:53 | |
And it was only a matter of time before they took Mick and Tina away. | 0:05:54 | 0:05:58 | |
Shirl, that was... It's over 30 years ago. | 0:06:00 | 0:06:03 | |
You can't keep torturing yourself about it. | 0:06:03 | 0:06:05 | |
I have to look at him | 0:06:05 | 0:06:07 | |
every single day, knowing that I can't really be his mum. | 0:06:07 | 0:06:11 | |
Then maybe I deserve that. | 0:06:17 | 0:06:19 | |
SIREN WAILS | 0:06:24 | 0:06:26 | |
'Hi, this is Ian Beale. | 0:06:38 | 0:06:40 | |
'Leave a message and I'll call you back as soon as I can.' | 0:06:40 | 0:06:42 | |
I like what you've done with this place. | 0:06:45 | 0:06:48 | |
Last time I was round here, this was just some old tat-shack, weren't it, eh? | 0:06:48 | 0:06:53 | |
Straight down to business, then? | 0:06:55 | 0:06:57 | |
Just take it and go, all right? | 0:06:57 | 0:06:59 | |
Stay away from me and stay away from the Square. Do you understand? | 0:06:59 | 0:07:02 | |
What, charming as ever? Ain't you even going to offer me a drink? | 0:07:02 | 0:07:06 | |
How about something to eat? I'm starving. | 0:07:06 | 0:07:08 | |
Are you serious? | 0:07:08 | 0:07:10 | |
Don't tell me you've got that nice big kitchen back there | 0:07:10 | 0:07:14 | |
just for show? | 0:07:14 | 0:07:15 | |
Just so that we're clear, all right? Good Friday never happened. | 0:07:15 | 0:07:19 | |
You've got to stop punishing yourself. It ain't healthy. | 0:07:22 | 0:07:27 | |
How old was you back then, anyway? | 0:07:27 | 0:07:29 | |
-14, going on 15. -No wonder you couldn't cope. | 0:07:29 | 0:07:34 | |
It's no excuse, is it? | 0:07:34 | 0:07:37 | |
And what about the dad? Where was he in all this? | 0:07:37 | 0:07:39 | |
He'd long gone. | 0:07:39 | 0:07:41 | |
And your old man. I mean, he never... | 0:07:41 | 0:07:43 | |
-No, nothing like that. Is that what you think? -I don't know, do I? | 0:07:47 | 0:07:52 | |
Do you remember the first time you fell in love? | 0:07:56 | 0:07:58 | |
Yeah, you do, I can tell. | 0:07:59 | 0:08:01 | |
Andy was his name. | 0:08:03 | 0:08:05 | |
Little bit older than me. | 0:08:06 | 0:08:07 | |
Good looking, nothing complicated. | 0:08:09 | 0:08:12 | |
One of three blokes that really ever meant anything to me. | 0:08:12 | 0:08:15 | |
And you and him...? | 0:08:18 | 0:08:19 | |
First time for everything, ain't there? | 0:08:21 | 0:08:23 | |
We had a laugh until I found out he got me into trouble. | 0:08:23 | 0:08:27 | |
And you didn't ever think about, you know...getting rid? | 0:08:27 | 0:08:30 | |
Well, 'course I did. But I was just a kid. | 0:08:30 | 0:08:33 | |
I didn't know what I was doing. It was the '70s. Nobody did. | 0:08:33 | 0:08:36 | |
By the time I got my head round it, Mum had cottoned on. | 0:08:36 | 0:08:41 | |
And Dad, after his old man died, | 0:08:41 | 0:08:43 | |
he wasn't out of the pub long enough to notice. | 0:08:43 | 0:08:46 | |
But for nine months? You're telling me he never knew? | 0:08:46 | 0:08:49 | |
Mum come up with a bright idea. | 0:08:49 | 0:08:52 | |
This cock and bull story that they needed some time apart. | 0:08:52 | 0:08:54 | |
I don't know. I never asked. | 0:08:54 | 0:08:56 | |
We ended up in some grotty little caravan site in the middle of nowhere. | 0:08:56 | 0:09:02 | |
With Aunt Babe and a chemical toilet. | 0:09:02 | 0:09:05 | |
And I swear it rained every single miserable day. | 0:09:05 | 0:09:10 | |
Until we got back. | 0:09:13 | 0:09:15 | |
And Dad had the son he always wanted. | 0:09:17 | 0:09:20 | |
And me and Tina had a little baby brother. | 0:09:20 | 0:09:24 | |
And nobody ever asked any questions. | 0:09:24 | 0:09:26 | |
No, nothing was said. We just carried on. | 0:09:26 | 0:09:29 | |
Aunt Babe and Mum took over and I'd grab a bottle of that, | 0:09:29 | 0:09:33 | |
go down the park and drink to forget. | 0:09:33 | 0:09:36 | |
And Mick? He don't know any of this? | 0:09:36 | 0:09:39 | |
No. And he's not going to. | 0:09:39 | 0:09:43 | |
Why? Why keep on lying? | 0:09:43 | 0:09:45 | |
Because he would never forgive me. | 0:09:45 | 0:09:48 | |
All these years. Haven't you wanted to tell him? | 0:09:48 | 0:09:51 | |
Of course I have. | 0:09:51 | 0:09:53 | |
But the longer it went on, the harder it got. | 0:09:53 | 0:09:56 | |
Once he was taken into care, that was it, I'd lost him. | 0:09:56 | 0:10:01 | |
Blimey. | 0:10:01 | 0:10:02 | |
Shirl, you're both adults now, you're living in the same place. | 0:10:02 | 0:10:05 | |
You could set the record straight any time. | 0:10:05 | 0:10:08 | |
Too late. 37 years too late. | 0:10:08 | 0:10:12 | |
Well, don't you think it's time you said something? | 0:10:12 | 0:10:16 | |
What, so he can see what a train wreck of a mother he's got? | 0:10:16 | 0:10:19 | |
That's right, poor old Shirl, always playing the martyr, ain't you? | 0:10:19 | 0:10:21 | |
Well, he's not going to thank me, is he? Would you? Would anyone? | 0:10:21 | 0:10:24 | |
Shirley, you're his mum. | 0:10:24 | 0:10:25 | |
So what? Look at Carly and Deano. | 0:10:25 | 0:10:29 | |
Fat lot of good I did them. | 0:10:29 | 0:10:30 | |
And don't even get me started on Jimbo. | 0:10:30 | 0:10:32 | |
Mick, he never had the chance for me to screw up his life. | 0:10:33 | 0:10:38 | |
He's come through it all clean. Good. Pure. | 0:10:38 | 0:10:41 | |
Perfect. | 0:10:41 | 0:10:43 | |
-Well, don't you think he deserves to know the truth? -No. | 0:10:43 | 0:10:47 | |
Cos I don't want to ruin what we've got now. | 0:10:47 | 0:10:50 | |
This stays between us. | 0:10:50 | 0:10:52 | |
SIREN APPROACHES | 0:10:55 | 0:10:56 | |
There's got to be something in here. | 0:10:58 | 0:11:00 | |
-Phil? -Sharon? Sharon? | 0:11:00 | 0:11:03 | |
-Don't move. -Right, listen, it's going to be OK. Just try not to move, please, yeah? | 0:11:03 | 0:11:07 | |
-Good girl. -All right, thank you, the ambulance is here. | 0:11:07 | 0:11:09 | |
-Right, come on, lively. Lively. -Phil... | 0:11:09 | 0:11:11 | |
I've got to go and get him. | 0:11:11 | 0:11:13 | |
That's it. That's it. | 0:11:13 | 0:11:14 | |
You're all right. | 0:11:16 | 0:11:17 | |
-She's just down there. Round the front. -Round here, please. | 0:11:17 | 0:11:21 | |
-What's her name? -Sharon. | 0:11:21 | 0:11:23 | |
Can you hear me? | 0:11:23 | 0:11:24 | |
Listen, I'm not going to say anything to Mick, of course I'm not... | 0:11:27 | 0:11:31 | |
but if you need to talk, you know where I am, don't you? | 0:11:33 | 0:11:36 | |
And you know that you can tell me stuff if you need to? | 0:11:36 | 0:11:39 | |
Just because you're a big hard man | 0:11:39 | 0:11:41 | |
doesn't mean to say you can't let people in. | 0:11:41 | 0:11:44 | |
You're drunk. | 0:11:44 | 0:11:46 | |
And you're bald, but I'll be sober in the morning. | 0:11:46 | 0:11:49 | |
But seriously, you're a good listener when you want to be. | 0:11:49 | 0:11:52 | |
Means a lot. | 0:11:52 | 0:11:54 | |
Night. | 0:11:59 | 0:12:00 | |
Night. | 0:12:02 | 0:12:03 | |
Phil! Phil, I've been trying to find you. | 0:12:33 | 0:12:37 | |
What? | 0:12:38 | 0:12:40 | |
-It's Sharon. -What? | 0:12:40 | 0:12:42 | |
Do you think she'll be all right? | 0:12:42 | 0:12:44 | |
Let's hope so, eh? | 0:12:44 | 0:12:46 | |
Sharon! | 0:12:47 | 0:12:49 | |
-Sharon! -Phil! | 0:12:49 | 0:12:51 | |
She came round. She was talking. | 0:12:52 | 0:12:54 | |
-They got here lively. -What happened?! | 0:12:54 | 0:12:56 | |
-There was a break-in. -Well, what about the bouncers? | 0:12:56 | 0:12:59 | |
-She sent them home. -She what?! | 0:12:59 | 0:13:01 | |
That's all I know. | 0:13:01 | 0:13:03 | |
Where was you in all this, eh? | 0:13:04 | 0:13:06 | |
Listen, it weren't his fault. | 0:13:06 | 0:13:07 | |
I reckon he scared 'em off, didn't you? | 0:13:07 | 0:13:10 | |
She was asking for you. | 0:13:10 | 0:13:11 | |
Come on, I'll run you up the hospital. Come on. | 0:13:12 | 0:13:15 | |
It's all changed round here, ain't it, eh? | 0:13:23 | 0:13:25 | |
My old mum still knocking about? | 0:13:28 | 0:13:30 | |
Or have the fags finally finished her off? | 0:13:30 | 0:13:33 | |
Can you hurry up? You're not here for a chat. | 0:13:33 | 0:13:36 | |
What about Tanya? | 0:13:36 | 0:13:38 | |
You all still mates? | 0:13:38 | 0:13:40 | |
No. She doesn't live round here any more. | 0:13:40 | 0:13:42 | |
Funny how things work out, isn't it? | 0:13:42 | 0:13:44 | |
I mean, of all the kerbs in all of London, you had to crawl on to mine. | 0:13:46 | 0:13:51 | |
That night... it was a mistake, OK? | 0:13:52 | 0:13:55 | |
It was a moment of madness. | 0:13:56 | 0:13:58 | |
I had no idea you were going to be there. | 0:13:58 | 0:14:00 | |
Still couldn't resist though, could you? | 0:14:00 | 0:14:03 | |
Look, you've got to stop doing this, all right? | 0:14:04 | 0:14:06 | |
You can't keep calling all hours, all right? | 0:14:06 | 0:14:10 | |
After tonight, I never want to see you again. | 0:14:10 | 0:14:12 | |
You're breaking my heart, Ian. | 0:14:12 | 0:14:15 | |
Look, you've had your money... | 0:14:15 | 0:14:17 | |
Ian? Ian, are you in here? | 0:14:17 | 0:14:21 | |
-It's Denise! -I'm game if you are. | 0:14:21 | 0:14:25 | |
Get in the kitchen. Go. Get in the kitchen. | 0:14:25 | 0:14:28 | |
Coming, love... | 0:14:29 | 0:14:31 | |
What are you doing over here in the dark? | 0:14:36 | 0:14:38 | |
This is all my fault. | 0:14:42 | 0:14:44 | |
-Shut up. How is it your fault? -Sharon wouldn't have sent them... | 0:14:44 | 0:14:47 | |
she wouldn't have sent them bouncers home if I hadn't messed up. | 0:14:47 | 0:14:50 | |
Do me a favour. Them meat-heads had it coming all night. | 0:14:50 | 0:14:53 | |
I should've stayed with her but I just... | 0:14:53 | 0:14:56 | |
-Drink that. -Nah. | 0:14:58 | 0:15:01 | |
The only ones to blame here are the scumbags who actually did it. | 0:15:01 | 0:15:05 | |
Just don't wake Mum and Grandad, yeah? | 0:15:05 | 0:15:08 | |
All right. More chance of waking a doped-up elephant. | 0:15:08 | 0:15:12 | |
I just know they'll think I'm weak and soft. | 0:15:12 | 0:15:15 | |
Like I can't look out for myself. | 0:15:17 | 0:15:19 | |
-Why? Why would they think that? -You know why. | 0:15:19 | 0:15:22 | |
John, you have nothing to be ashamed of tonight. You know that, don't you? | 0:15:24 | 0:15:28 | |
You try telling that to Mum. | 0:15:28 | 0:15:30 | |
She ain't even bothered showing her face again. | 0:15:30 | 0:15:33 | |
That's her loss. | 0:15:33 | 0:15:34 | |
Look, Nance, I just want to go get some sleep | 0:15:35 | 0:15:38 | |
and see how Sharon's doing in the morning. Please, yeah? | 0:15:38 | 0:15:41 | |
-All right. -Thank you. | 0:15:41 | 0:15:42 | |
What time do you call this? | 0:15:42 | 0:15:44 | |
Does nobody in this family know how to text? | 0:15:44 | 0:15:47 | |
So come on then, what's your excuse? | 0:15:47 | 0:15:49 | |
Johnny, what's happened? | 0:15:53 | 0:15:55 | |
It's getting on for midnight! When you didn't answer your phone, I didn't know what to think. | 0:15:56 | 0:16:01 | |
I was just sat here thinking about what Peter said... | 0:16:01 | 0:16:04 | |
and maybe he's right. | 0:16:04 | 0:16:06 | |
Oh, come here. | 0:16:06 | 0:16:08 | |
Hey, look, Peter will come around. | 0:16:09 | 0:16:12 | |
And you've got nothing to feel guilty about. | 0:16:12 | 0:16:14 | |
I know. I know. | 0:16:14 | 0:16:16 | |
OK. Look, after the trial, it'll get better. You'll see. | 0:16:16 | 0:16:21 | |
Look, I know nothing can bring Lucy back, | 0:16:21 | 0:16:24 | |
but once it's all over and Jake is in prison... | 0:16:26 | 0:16:29 | |
we can start to put Good Friday behind us, OK? | 0:16:31 | 0:16:33 | |
Come on. Let's get you home. | 0:16:36 | 0:16:38 | |
Look, I'll just clear this up first. | 0:16:38 | 0:16:40 | |
-Ian... -I'll be five minutes, promise. | 0:16:40 | 0:16:43 | |
Sharon Rickman. Where is she? | 0:17:02 | 0:17:05 | |
Do I have to find her myself? Or search the place... | 0:17:05 | 0:17:07 | |
-Phil... Phil, you've got to calm down. -Sharon. | 0:17:07 | 0:17:09 | |
I don't need to calm down. I need to find where Sharon is! | 0:17:09 | 0:17:12 | |
-Can I help? -Sharon Rickman. -I heard you. Are you family? | 0:17:12 | 0:17:14 | |
-Yeah. Well, as good as, yeah. -He's her other half. This is Phil Mitchell. | 0:17:14 | 0:17:18 | |
-Where is she? -She's been taken through to resus. | 0:17:18 | 0:17:20 | |
She has some internal injuries which we're investigating now.... | 0:17:20 | 0:17:24 | |
-How bad? -They're serious but we're working to find the best way to manage them. | 0:17:26 | 0:17:30 | |
We really are doing all we can for her. | 0:17:30 | 0:17:32 | |
She was talking though, right? I mean, that's a good sign, isn't it? | 0:17:35 | 0:17:39 | |
Yeah. And the ambulance guys were amazing. | 0:17:39 | 0:17:41 | |
And are you sure they didn't hurt you? | 0:17:41 | 0:17:43 | |
-Yeah! -Sit down, you're in shock. -He's not in shock, Mum. | 0:17:43 | 0:17:46 | |
-Look at him, he's shaking. -I'm not in shock! | 0:17:46 | 0:17:48 | |
-I'll make us all some hot chocolate. -Mum, just leave it. | 0:17:48 | 0:17:51 | |
-Mums fuss. It's what we do. -How many times? I'm fine. | 0:17:51 | 0:17:54 | |
I can't stop thinking about poor Sharon. I'm going to call your dad. | 0:17:54 | 0:17:57 | |
He'd have rung if there was any news, wouldn't he? | 0:17:57 | 0:18:00 | |
-What are you all still doing up? -There was a break-in at The Albert. | 0:18:02 | 0:18:06 | |
Mick had to give Phil a lift up the hospital. | 0:18:06 | 0:18:08 | |
-Here you are. -Cheers. | 0:18:13 | 0:18:16 | |
Still no news, I take it? | 0:18:17 | 0:18:19 | |
No. Just waiting. | 0:18:19 | 0:18:21 | |
Linda called. She said they're all thinking of you and Sharon. | 0:18:22 | 0:18:26 | |
She said she'd slip round, go and see Dennis, | 0:18:27 | 0:18:29 | |
see if he's all right if you want. | 0:18:29 | 0:18:31 | |
No, there's no sense in waking him. | 0:18:31 | 0:18:34 | |
Sure? | 0:18:34 | 0:18:36 | |
No. | 0:18:36 | 0:18:38 | |
Jay's looking after him. | 0:18:38 | 0:18:40 | |
Might as well leave 'em until we know something. | 0:18:40 | 0:18:43 | |
You know some people hate the smell of hospitals, don't they? | 0:18:45 | 0:18:49 | |
Disinfectant or whatever it is. | 0:18:49 | 0:18:51 | |
But me, it just reminds me of when my kids were born. | 0:18:53 | 0:18:56 | |
Little Nancy, coming out kicking and screaming. Proper little fighter. | 0:18:56 | 0:19:01 | |
Johnny... | 0:19:01 | 0:19:02 | |
we was in and out of that neo-natal for weeks, | 0:19:02 | 0:19:05 | |
never knew if he was going to make it. | 0:19:05 | 0:19:09 | |
-Kids, who'd have 'em, eh? -Yeah. | 0:19:09 | 0:19:13 | |
Don't get me wrong, living with Shirl | 0:19:16 | 0:19:18 | |
and having everyone wrapped round me under the same roof... | 0:19:18 | 0:19:21 | |
I've never been happier. | 0:19:21 | 0:19:23 | |
Suppose what I'm trying to say is - that smell, | 0:19:23 | 0:19:26 | |
it reminds me that this place is where people save lives. | 0:19:26 | 0:19:32 | |
It's where miracles happen. | 0:19:32 | 0:19:33 | |
-Mr Mitchell? -Yeah, what's happening? -Follow me and we can talk somewhere more private. | 0:19:35 | 0:19:39 | |
I don't need somewhere private. I just need to know how Sharon is. | 0:19:39 | 0:19:42 | |
She's stable for now but there's still some concern. | 0:19:42 | 0:19:44 | |
-We suspect she may have ruptured her spleen. -Can I see her? | 0:19:44 | 0:19:47 | |
She's unconscious from the anaesthetic she was given in resus. | 0:19:47 | 0:19:50 | |
We're preparing to take her into surgery. | 0:19:50 | 0:19:52 | |
PHONE BEEPS | 0:19:54 | 0:19:56 | |
Right, your taxi's here. I told it to wait on George Street. | 0:19:56 | 0:19:59 | |
Cost a fortune at this hour. | 0:20:00 | 0:20:02 | |
-I've only got twenties. -Perfect. | 0:20:05 | 0:20:07 | |
Make sure you're not seen. | 0:20:09 | 0:20:11 | |
I'm so sorry about Lucy, by the way. | 0:20:11 | 0:20:13 | |
Doesn't bear thinking about. | 0:20:15 | 0:20:18 | |
Her last night on earth while you and me were... | 0:20:18 | 0:20:21 | |
Yeah. Biggest mistake of my life. | 0:20:21 | 0:20:24 | |
And one that I will have to live with. | 0:20:24 | 0:20:26 | |
You don't have to worry. | 0:20:26 | 0:20:29 | |
I won't breathe a word. | 0:20:29 | 0:20:31 | |
-Thank you. -It's not something you'd want getting out. | 0:20:33 | 0:20:36 | |
Especially given the circumstances. | 0:20:36 | 0:20:38 | |
No. I appreciate that. | 0:20:38 | 0:20:39 | |
We'll say the same amount tomorrow then, shall we? | 0:20:41 | 0:20:44 | |
What? | 0:20:45 | 0:20:46 | |
Well, what would Denise think if she knew where you really were? | 0:20:47 | 0:20:51 | |
-Never mind Peter. -Now, hold on a minute. | 0:20:51 | 0:20:53 | |
I can make it the end of the week, or whenever. I'm easy. | 0:20:53 | 0:20:56 | |
-You can't do this. -Just chill, man. Sounds like you're getting off cheap. | 0:20:56 | 0:21:01 | |
Just the way you like it. | 0:21:03 | 0:21:04 | |
I'll catch you next time, Ian. | 0:21:11 | 0:21:12 | |
Well, we was on the phone to the ambulance people, | 0:21:20 | 0:21:22 | |
but Dad was in there in, like, full action man mode. | 0:21:22 | 0:21:25 | |
I'm so proud of you three. | 0:21:25 | 0:21:27 | |
He was the one who chased 'em off. He should get all the glory. | 0:21:27 | 0:21:30 | |
-That's my sausage. -It weren't like that. | 0:21:30 | 0:21:32 | |
Don't be so modest. If you hadn't been there to see them off, | 0:21:32 | 0:21:35 | |
Lord knows what might've happened. | 0:21:35 | 0:21:37 | |
-PHONE RINGS -Sorry, I've still got your phone. It's unknown. | 0:21:37 | 0:21:40 | |
Shall I answer it? | 0:21:40 | 0:21:42 | |
Hello? | 0:21:42 | 0:21:44 | |
I can't imagine what it must've been like. | 0:21:47 | 0:21:50 | |
I worry about your brother halfway round the world | 0:21:50 | 0:21:52 | |
-when something like this happens on your own doorstep. -It's OK. | 0:21:52 | 0:21:55 | |
-After poor Lucy Beale... makes you think, don't it? -It's all right. | 0:21:55 | 0:21:58 | |
At least you're all right. You should get danger money for riding to the rescue. | 0:21:58 | 0:22:02 | |
-Look at you... -MUM! Can you please just leave it? Please! | 0:22:02 | 0:22:04 | |
That was the police. They're round The Albert now. | 0:22:10 | 0:22:14 | |
Well? What did they say? | 0:22:14 | 0:22:16 | |
They're going to come here and ask us some questions. | 0:22:16 | 0:22:19 | |
Fine. | 0:22:19 | 0:22:20 | |
-Sharon! -You need to wait here. | 0:22:59 | 0:23:01 | |
-I just want to talk to her. -We have to get her up to theatre. It'll be at least a few hours. | 0:23:01 | 0:23:05 | |
-Sharon, I'm here for you, all right? Sharon! -Mr Mitchell, please. -She's in good hands. | 0:23:05 | 0:23:09 | |
Just let them do what they've got to do. | 0:23:09 | 0:23:10 | |
Listen, I'm not being funny or anything, all right, but why don't you get off? | 0:23:10 | 0:23:14 | |
-What, leave you climbing the walls? -I'm fine, OK? | 0:23:14 | 0:23:16 | |
Thanks for what you did, but I can deal with this on my own. | 0:23:16 | 0:23:19 | |
-You're all right, Mick. I've got this. -What you doing here? | 0:23:19 | 0:23:23 | |
I thought you could use a mate. | 0:23:23 | 0:23:26 | |
You better get back. Johnny's really shook up. | 0:23:26 | 0:23:30 | |
If you need anything, Phil, you just let me know, yeah? | 0:23:32 | 0:23:36 | |
Get back to your boy, Mick. | 0:23:36 | 0:23:38 | |
We'd closed up for the night. I'd gone upstairs to get my coat... | 0:23:48 | 0:23:52 | |
Were the front doors locked? | 0:23:52 | 0:23:54 | |
-Yeah. I think so. I dunno. -Can't this wait till the morning? You can see he's shattered. | 0:23:54 | 0:23:59 | |
It's best if we can get as much detail as possible while it's fresh in your mind. | 0:23:59 | 0:24:03 | |
It was kind of all over before I knew it, really. | 0:24:03 | 0:24:05 | |
How many of them were there? | 0:24:07 | 0:24:09 | |
It was dark. | 0:24:10 | 0:24:11 | |
Take your time. Try to remember. | 0:24:12 | 0:24:15 | |
I don't know. Three, maybe. | 0:24:19 | 0:24:21 | |
What did they look like? | 0:24:23 | 0:24:24 | |
Uh...it's all a bit of blur. I can't really think straight. | 0:24:25 | 0:24:28 | |
Maybe tomorrow, eh? | 0:24:28 | 0:24:30 | |
The sooner we can get a description, the better. | 0:24:30 | 0:24:33 | |
I didn't see... | 0:24:35 | 0:24:37 | |
-How about what they were wearing? -I don't know! | 0:24:39 | 0:24:41 | |
You must've caught a glimpse... | 0:24:41 | 0:24:43 | |
I don't know, cos I was upstairs, all right? | 0:24:43 | 0:24:45 | |
When Sharon was down there, getting battered half to death... | 0:24:45 | 0:24:48 | |
I sat upstairs and hid. | 0:24:48 | 0:24:50 | |
I think that's enough for tonight, don't you? | 0:24:52 | 0:24:55 | |
We'll leave it there for now. | 0:24:55 | 0:24:57 | |
But we'd better speak to your daughter too, if that's OK? | 0:24:57 | 0:25:00 | |
Yeah, course. She's downstairs. | 0:25:00 | 0:25:03 | |
HE SOBS | 0:25:03 | 0:25:05 | |
I'm sorry. | 0:25:08 | 0:25:11 | |
I'm sorry. | 0:25:11 | 0:25:12 | |
-Thought you hated these places. -I do. But I owe you. | 0:25:19 | 0:25:22 | |
How you holding up? | 0:25:24 | 0:25:25 | |
I'm not the one in surgery, am I? | 0:25:27 | 0:25:28 | |
Still. Must be rough, though. | 0:25:29 | 0:25:31 | |
Look, Phil, you and Mick, you... | 0:25:34 | 0:25:37 | |
Do you know what, Sharon is fighting for her life in there, | 0:25:38 | 0:25:41 | |
-so right now I couldn't give a monkey's about your little secret, OK? -Yeah. Sorry. | 0:25:41 | 0:25:45 | |
So what happened at The Albert? Couple of dodgy punters? | 0:25:46 | 0:25:50 | |
How the hell would I know? I was too busy listening to your life story, weren't I? | 0:25:50 | 0:25:53 | |
-Oh, so this is my fault? -No, it's mine. | 0:25:53 | 0:25:55 | |
What do you mean? | 0:25:58 | 0:25:59 | |
It's all right, they've gone. | 0:26:09 | 0:26:12 | |
Mum, I tried. I tried to tell you. | 0:26:12 | 0:26:15 | |
You didn't have to lie to us. | 0:26:15 | 0:26:16 | |
I didn't lie! Everybody just assumed. | 0:26:16 | 0:26:19 | |
Mum, if I could go back... | 0:26:20 | 0:26:21 | |
We'll have none of that. You did what anyone would've done. | 0:26:21 | 0:26:25 | |
Yeah. Not Dad or Lee or Nancy. | 0:26:27 | 0:26:29 | |
No, they would have gone down there and taken 'em all on. | 0:26:29 | 0:26:32 | |
And who raised the alarm in the first place, eh? You did. That's what matters. | 0:26:32 | 0:26:36 | |
Yeah, but what if... Mum, what if she dies? | 0:26:36 | 0:26:41 | |
That is not going to happen, you hear me? | 0:26:41 | 0:26:44 | |
I wanted to do something... you know, wanted to go down there and help her... | 0:26:44 | 0:26:47 | |
I know, sausage. I know. It's OK. | 0:26:47 | 0:26:49 | |
I don't want another Lee to worry about. | 0:26:51 | 0:26:54 | |
I'd rather my little boy kept himself out of harm's way. | 0:26:55 | 0:26:59 | |
What does that mean? | 0:26:59 | 0:27:01 | |
There's no shame in staying out of trouble. | 0:27:01 | 0:27:04 | |
We both know you've got more sense than to go flying in with your fists. | 0:27:04 | 0:27:10 | |
-You know, I knew you'd be like this. -What? What've I said? | 0:27:10 | 0:27:13 | |
Mum, I left Sharon to die down there, do you not get that? | 0:27:13 | 0:27:16 | |
She's laid up in that hospital cos of me! | 0:27:16 | 0:27:18 | |
Pipe down, pipe down, you'll wake the old boy up. | 0:27:18 | 0:27:21 | |
Now what's the agg? | 0:27:21 | 0:27:22 | |
Well, go on, then, tell him. | 0:27:22 | 0:27:24 | |
Tell him how proud we must be to have this coward in the family. | 0:27:24 | 0:27:28 | |
Johnny... | 0:27:29 | 0:27:32 | |
You can't blame yourself. | 0:27:38 | 0:27:40 | |
You weren't to know what was happening. | 0:27:40 | 0:27:43 | |
-What if she don't make it? -She will. | 0:27:43 | 0:27:45 | |
What if she don't? | 0:27:45 | 0:27:47 | |
Stop worrying about that, and worry about finding | 0:27:47 | 0:27:49 | |
the low-lifes that did it and making them pay. | 0:27:49 | 0:27:52 | |
-I can't do that. -Why? | 0:27:52 | 0:27:53 | |
Cos I'm the one... | 0:27:57 | 0:27:59 | |
I'm the one who sent them over there in the first place. | 0:28:00 | 0:28:03 | |
What? | 0:28:03 | 0:28:05 | |
They was... | 0:28:05 | 0:28:08 | |
They was only meant to scare her. | 0:28:08 | 0:28:10 |