Browse content similar to 16/06/2014. Check below for episodes and series from the same categories and more!
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There we go. | 0:00:26 | 0:00:28 | |
How much extra booze did you buy? | 0:00:30 | 0:00:32 | |
Well, better to over-order than under. | 0:00:32 | 0:00:35 | |
Besides, it's not like it's going to go off, is it? | 0:00:35 | 0:00:38 | |
No, but this lot will, won't it? And, er... | 0:00:38 | 0:00:40 | |
..what is one of these? | 0:00:41 | 0:00:43 | |
A lychee. They go in a Martini. | 0:00:43 | 0:00:45 | |
If you say so. | 0:00:45 | 0:00:47 | |
You know, I've got a really good feeling about tonight. | 0:00:47 | 0:00:50 | |
I reckon this is going to put the Albert well and truly on the map. | 0:00:50 | 0:00:53 | |
Yeah, it's going to be great. Proud of you. | 0:00:53 | 0:00:55 | |
Aw, you big old softie, Phil Mitchell. Give us a kiss. Mwah! | 0:00:55 | 0:00:59 | |
Listen, thanks for your support, yeah? | 0:00:59 | 0:01:02 | |
I'm sorry I've got to go back to work when you've only just got back. | 0:01:08 | 0:01:13 | |
No, don't be silly, Ian. It's your job. | 0:01:13 | 0:01:15 | |
And besides, I've got loads of trashy telly to catch up on. | 0:01:15 | 0:01:18 | |
You need to talk to Emma, Dad, cos they won't listen to me. | 0:01:23 | 0:01:26 | |
What? I told the investigating officer what the cabbie said - | 0:01:26 | 0:01:29 | |
that Jake was too drunk to get out the taxi, let alone... | 0:01:29 | 0:01:32 | |
Hold on, Peter. We went over this at the weekend. | 0:01:32 | 0:01:34 | |
Yeah, I know, but the point is... he said he'd look into it, | 0:01:34 | 0:01:36 | |
but it was just a brush-off - I could tell. | 0:01:36 | 0:01:39 | |
So you need to call Emma. Because we can't just give up, can we? No. You need to calm down. | 0:01:39 | 0:01:43 | |
I swear, if I hear that one more time today... | 0:01:43 | 0:01:46 | |
All right, OK, fine. All right, I will call Emma. | 0:01:46 | 0:01:49 | |
You promise? | 0:01:49 | 0:01:50 | |
PHONE VIBRATES | 0:01:50 | 0:01:52 | |
I've, er... I've got to get to the restaurant. | 0:01:52 | 0:01:56 | |
Oh, Ian, can I book a table for two later, please? | 0:02:01 | 0:02:05 | |
Thought I'd treat Dot - about half seven? Yeah, yeah. Fine. | 0:02:05 | 0:02:08 | |
Don't let your mother catch you doing that in here, she'll get the right hump. | 0:02:12 | 0:02:15 | |
2-1 was a joke, Pop. I don't understand what happened. | 0:02:15 | 0:02:18 | |
I'll tell you what happened. Balotelli happened. | 0:02:18 | 0:02:20 | |
I reckon I should be in Brazil. My country clearly needs me. | 0:02:20 | 0:02:23 | |
Yeah, well, we could be out on Thursday. | 0:02:23 | 0:02:26 | |
But, listen, keep the faith, keep the faith. | 0:02:26 | 0:02:28 | |
I got the faith! On your head. Go on, go on! | 0:02:28 | 0:02:30 | |
Get hold of that! SHE LAUGHS | 0:02:30 | 0:02:32 | |
Right, boys, before the fun starts, | 0:02:34 | 0:02:36 | |
I want to make sure we're on the same page. | 0:02:36 | 0:02:38 | |
Now, try and keep a low profile, yeah? | 0:02:38 | 0:02:41 | |
And there's some rules - | 0:02:41 | 0:02:42 | |
no drinking, no smoking, no flirting... | 0:02:42 | 0:02:45 | |
No heavy petting? | 0:02:45 | 0:02:46 | |
No heavy petting? | 0:02:46 | 0:02:46 | |
PHIL CHUCKLES | 0:02:46 | 0:02:48 | |
And no manhandling unless strictly necessary, OK? Thank you. | 0:02:48 | 0:02:51 | |
Listen, boss. You know we're happy to help out, | 0:02:55 | 0:02:58 | |
but we've got birds at home yakking in our ears an' all. | 0:02:58 | 0:03:00 | |
What you saying? | 0:03:01 | 0:03:03 | |
Well, what's the deal here? | 0:03:03 | 0:03:04 | |
I mean, is this a regular thing or just a one-off? | 0:03:04 | 0:03:08 | |
Thursdays, Fridays, Saturdays and any special events like tonight. | 0:03:08 | 0:03:11 | |
Sound good? | 0:03:11 | 0:03:13 | |
Sweet. | 0:03:13 | 0:03:14 | |
And any problems - I'm the one to deal with, all right? | 0:03:14 | 0:03:17 | |
What's all this? | 0:03:27 | 0:03:28 | |
Delivery for Dean - right in the way of everything. | 0:03:28 | 0:03:31 | |
How come he's having it all sent here? | 0:03:31 | 0:03:32 | |
Apparently we're sitting around waiting for his stuff to turn up, whereas Dean - he's a busy boy. | 0:03:32 | 0:03:37 | |
Hold on, let me shift some of these. | 0:03:37 | 0:03:39 | |
HE GROANS Oh, Johnny, stop. | 0:03:39 | 0:03:42 | |
You'll do yourself an injury. Mick! | 0:03:42 | 0:03:44 | |
No, put it down. Your dad'll do it. | 0:03:44 | 0:03:47 | |
Look, shift this lot, would you? | 0:03:47 | 0:03:48 | |
Is this Dean's stuff? Mm. | 0:03:48 | 0:03:50 | |
Cor! What's he got in here - gold? Mick! | 0:03:51 | 0:03:54 | |
All right, Shirl, get him on the dog. We're not a delivery service. | 0:03:54 | 0:03:57 | |
Careful! | 0:03:57 | 0:03:58 | |
Right, I'm going to shoot off, then. All right, love. | 0:04:00 | 0:04:02 | |
If you get some time, | 0:04:02 | 0:04:04 | |
I've been practising my cocktail-making skills... | 0:04:04 | 0:04:06 | |
Careful! Left a bit. | 0:04:06 | 0:04:07 | |
Hey. I just popped by to collect my wages from the other night. PHONE CHIMES | 0:04:17 | 0:04:22 | |
Ian? | 0:04:22 | 0:04:24 | |
Yeah, right. Er... | 0:04:24 | 0:04:26 | |
yeah, your wages. | 0:04:26 | 0:04:27 | |
Your burgers could do with a flip. Yeah. | 0:04:27 | 0:04:29 | |
I know, I know. Where's that waiter when you need him? | 0:04:33 | 0:04:37 | |
Ian? My wages? | 0:04:37 | 0:04:39 | |
Can't you see I'm busy? | 0:04:39 | 0:04:41 | |
What table? One. | 0:04:43 | 0:04:46 | |
Ta-da! | 0:04:55 | 0:04:57 | |
Very nice. So, where are you taking me? | 0:04:57 | 0:05:00 | |
Well, I, er... | 0:05:01 | 0:05:03 | |
thought we might stay home and watch a DVD. | 0:05:03 | 0:05:06 | |
What? | 0:05:08 | 0:05:10 | |
So you know when I forgave you | 0:05:10 | 0:05:12 | |
for taking money off my sister to date me? | 0:05:12 | 0:05:17 | |
I don't think you realise you weren't off the hook, OK? | 0:05:17 | 0:05:19 | |
You've got a lot of making up to do, sunshine, and let me give you a little hint - | 0:05:19 | 0:05:23 | |
a night in, in front of the telly, | 0:05:23 | 0:05:25 | |
with a can of lager and a DVD is not going to cut it. | 0:05:25 | 0:05:28 | |
OK? | 0:05:31 | 0:05:32 | |
Right, I want you to focus on the top four, | 0:05:36 | 0:05:38 | |
so don't over-complicate it. | 0:05:38 | 0:05:40 | |
And remember - keep it interactive and fun. | 0:05:40 | 0:05:43 | |
Er, not ALL fun, you. | 0:05:43 | 0:05:45 | |
PHONE RINGS | 0:05:45 | 0:05:47 | |
Hello. | 0:05:48 | 0:05:50 | |
Well, no, you're due in half an hour - you can't cancel now! | 0:05:52 | 0:05:55 | |
Yeah, well, fine. But I'll be keeping your deposit. | 0:05:57 | 0:05:59 | |
What? | 0:06:01 | 0:06:02 | |
OK. | 0:06:05 | 0:06:06 | |
That was the hen party. | 0:06:08 | 0:06:10 | |
They've cancelled cos the bride's been dumped. | 0:06:10 | 0:06:12 | |
Couldn't even lose my rag. So you don't know if anyone's coming to this event? | 0:06:12 | 0:06:18 | |
Everybody loves cocktail making, don't they? | 0:06:18 | 0:06:21 | |
It'll be fine, Sharon. Be fine. | 0:06:21 | 0:06:24 | |
And you got the boys keeping an eye on things. | 0:06:24 | 0:06:26 | |
Right, two Old Schools with chips, one Veggie with salad. | 0:06:33 | 0:06:36 | |
You decided to hang about, then? | 0:06:38 | 0:06:38 | |
Yeah, I just got caught up, you know, at the counter. | 0:06:38 | 0:06:42 | |
You know how it is. | 0:06:42 | 0:06:43 | |
HE CLEARS THROAT Ian... | 0:06:43 | 0:06:45 | |
MASOOD CLAPS | 0:06:45 | 0:06:47 | |
One Veggie with chips. | 0:06:47 | 0:06:49 | |
No. Salad. No chips? | 0:06:49 | 0:06:51 | |
Yeah. Two chips with the Old Schools. | 0:06:51 | 0:06:54 | |
Ian...you can't serve those. Why not? | 0:06:56 | 0:06:58 | |
Cos they're burnt. They wanted 'em well done. | 0:06:58 | 0:07:00 | |
Yeah, not cremated. I'm the chef! Ian, just look at them! | 0:07:00 | 0:07:04 | |
Ow! | 0:07:08 | 0:07:10 | |
Er, just tell the customers they're going to have to wait. | 0:07:10 | 0:07:13 | |
Ian... | 0:07:15 | 0:07:17 | |
why don't you take a bit of time out? | 0:07:17 | 0:07:20 | |
I'm fine, all right? I just need a plaster. | 0:07:20 | 0:07:22 | |
Just go round the block. Get some fresh air. I'll cover you. | 0:07:22 | 0:07:25 | |
PHONE RINGS Thank you. | 0:07:25 | 0:07:28 | |
Is that it? Everything there? | 0:07:42 | 0:07:44 | |
Checking, aren't I? | 0:07:44 | 0:07:45 | |
So, you going to give me a discount when I let you cut my hair? | 0:07:47 | 0:07:50 | |
I don't think that's a good idea. You, me and a pair of scissors? | 0:07:50 | 0:07:53 | |
Listen, just so we're clear - | 0:07:55 | 0:07:57 | |
I'm only sticking around cos this is too good an opportunity for me to pass up. | 0:07:57 | 0:08:02 | |
SHE SIGHS | 0:08:06 | 0:08:08 | |
There's not enough passing customers. | 0:08:10 | 0:08:12 | |
We're not getting any footfall. | 0:08:12 | 0:08:14 | |
There'll be other chances. | 0:08:14 | 0:08:16 | |
Oh, Johnny, not now - I really don't fancy a drink. | 0:08:16 | 0:08:19 | |
They're not for you - they're promotional. If punters won't come to us, we'll go to them. | 0:08:19 | 0:08:22 | |
That is not a bad idea. Not just a pretty face, eh? | 0:08:22 | 0:08:26 | |
Curtis, you do the same. | 0:08:26 | 0:08:28 | |
And remember, tell them it's a cocktail-making evening, all right? Yeah, course. | 0:08:28 | 0:08:31 | |
He's quite smart, that boy, ain't he? | 0:08:31 | 0:08:34 | |
Yeah. Giving away free booze? Watch out, Einstein. | 0:08:34 | 0:08:36 | |
Look, if you're bored, why don't you leave me to it? | 0:08:36 | 0:08:39 | |
I ain't bored. Unless you don't want me here? | 0:08:39 | 0:08:43 | |
MASOOD: Ian. | 0:08:51 | 0:08:52 | |
Look, I'm sorry. I can't find the extra burger buns. | 0:08:54 | 0:08:57 | |
HE SIGHS | 0:08:57 | 0:08:59 | |
What? | 0:08:59 | 0:09:00 | |
I forgot to order them. | 0:09:00 | 0:09:02 | |
Right, OK. | 0:09:02 | 0:09:04 | |
I-I'm a mess. I'm completely out of control. | 0:09:04 | 0:09:07 | |
I can't keep on top of things. It's all right. It's just a bit of bread. | 0:09:07 | 0:09:09 | |
I can get some more from the Minute Mart. No, it's not that. | 0:09:09 | 0:09:12 | |
It's Peter, it's the investigation, it's work, | 0:09:12 | 0:09:15 | |
it's Denise, it's... | 0:09:15 | 0:09:16 | |
All right, OK. | 0:09:16 | 0:09:17 | |
No. I don't know... | 0:09:17 | 0:09:19 | |
I don't know what I'm supposed to be feeling from one minute to the next, all right? | 0:09:19 | 0:09:23 | |
I mean, what am I supposed to do? | 0:09:23 | 0:09:26 | |
How am I supposed to live normally? | 0:09:26 | 0:09:28 | |
How are things between you and Denise, since...? | 0:09:31 | 0:09:33 | |
All right, sorry - none of my business. | 0:09:33 | 0:09:35 | |
She's home. | 0:09:38 | 0:09:39 | |
Which, to be honest, I was dreading, | 0:09:39 | 0:09:42 | |
and then she walked through the door and it gave me a bit of hope. | 0:09:42 | 0:09:45 | |
That's good, isn't it? | 0:09:45 | 0:09:47 | |
Yeah. But then this morning, it's like we're strangers again. | 0:09:47 | 0:09:50 | |
Have you talked to her? | 0:09:50 | 0:09:52 | |
OK, look, why don't you let me run the restaurant tonight? | 0:09:54 | 0:09:57 | |
You've only worked there one night. | 0:09:57 | 0:09:59 | |
Yeah, well, I've worked kitchens before. | 0:09:59 | 0:10:01 | |
Besides, you've only got 12 orders. | 0:10:01 | 0:10:04 | |
I think I'll survive. | 0:10:04 | 0:10:05 | |
You go and talk to Denise. | 0:10:05 | 0:10:07 | |
Why are you doing this? | 0:10:08 | 0:10:10 | |
Er... | 0:10:11 | 0:10:13 | |
Well, you know. I went off on one about Jane | 0:10:13 | 0:10:15 | |
and I said some horrible things. | 0:10:15 | 0:10:17 | |
Yeah, but you were angry. | 0:10:17 | 0:10:18 | |
Yeah, but I want to make it up to you - properly. | 0:10:18 | 0:10:21 | |
Go on, go. | 0:10:25 | 0:10:26 | |
Oh! Looks like you guys have had a long day. | 0:10:38 | 0:10:40 | |
Why not let your hair down and come to one of our mixing classes? | 0:10:42 | 0:10:45 | |
Try one - it's totally free. | 0:10:45 | 0:10:48 | |
The bar's just over there, you know - the Albert. | 0:10:48 | 0:10:51 | |
Is this what the lady wants? Aw, is it free? That's right. | 0:10:51 | 0:10:53 | |
Put it back. Put it back. No, thanks. | 0:10:53 | 0:10:56 | |
I want a slap-up meal - full price this time - | 0:10:56 | 0:10:58 | |
and the best bottle of wine they have. Let's go. Come on. | 0:10:58 | 0:11:01 | |
ANTIQUES SHOW PLAYS ON TV DOOR CLOSES | 0:11:01 | 0:11:04 | |
What're you doing back? | 0:11:04 | 0:11:06 | |
Restaurant was quiet, so... So you just shut up? | 0:11:07 | 0:11:11 | |
No, Masood's taken over for me. | 0:11:11 | 0:11:14 | |
Really? I didn't know you hired him. | 0:11:14 | 0:11:16 | |
You OK? | 0:11:18 | 0:11:19 | |
Yeah. | 0:11:21 | 0:11:22 | |
Actually, er... | 0:11:35 | 0:11:36 | |
..no. TV SWITCHES OFF | 0:11:38 | 0:11:40 | |
Um... | 0:11:40 | 0:11:42 | |
I thought we needed some time. | 0:11:43 | 0:11:45 | |
Denise, I'm... | 0:11:48 | 0:11:49 | |
I'm really pleased you came home. | 0:11:49 | 0:11:52 | |
Oh, well, course I did. I was always going to. | 0:11:52 | 0:11:55 | |
Were you? | 0:11:55 | 0:11:56 | |
Look, I-I know it hasn't been easy for you | 0:12:00 | 0:12:02 | |
and, look, it would have been easier for you to stay away but... | 0:12:02 | 0:12:06 | |
..you didn't, all right? You came back and... | 0:12:07 | 0:12:10 | |
..that means a lot to me. | 0:12:12 | 0:12:13 | |
I didn't think that you'd care either way. | 0:12:15 | 0:12:18 | |
Let's set a date. What?! | 0:12:22 | 0:12:23 | |
Get married. But... | 0:12:25 | 0:12:28 | |
do you think that this is really the right time? | 0:12:28 | 0:12:30 | |
Nothing's right at the moment. | 0:12:32 | 0:12:34 | |
Let's make the most of the good things. | 0:12:37 | 0:12:39 | |
Need a hand, Dean? Nah, you're all right, pal. | 0:12:48 | 0:12:51 | |
Well done. You struggled a bit, didn't you, babe? | 0:12:51 | 0:12:54 | |
Oi, it's dead in here. | 0:12:54 | 0:12:56 | |
Shall we go and embarrass Johnny in front of Curtis the barman? | 0:12:56 | 0:12:59 | |
Yeah. What do you reckon, L? | 0:12:59 | 0:13:00 | |
You going to miss the footie? | 0:13:00 | 0:13:02 | |
No big games tonight. So, fancy it? | 0:13:02 | 0:13:05 | |
Nah. | 0:13:05 | 0:13:06 | |
All that faffing about with cocktail shakers - poncey, if you ask me. | 0:13:06 | 0:13:09 | |
Shut up! You love a good cocktail. | 0:13:09 | 0:13:11 | |
Not when Sharon's getting the profits. | 0:13:11 | 0:13:14 | |
Think I've got an 'ead coming on. | 0:13:14 | 0:13:16 | |
Oh. | 0:13:16 | 0:13:17 | |
You OK? | 0:13:17 | 0:13:18 | |
Yeah, course. You go if you like. | 0:13:18 | 0:13:20 | |
Promise I won't get off me nut. | 0:13:22 | 0:13:24 | |
Knock-knock. All right? | 0:13:24 | 0:13:26 | |
I went to the restaurant but Masood said you were here. Yeah, come and sit yourself down. | 0:13:26 | 0:13:29 | |
We're, er, starting to plan the wedding. | 0:13:29 | 0:13:32 | |
What, you're... You're going ahead with that? | 0:13:34 | 0:13:36 | |
Well, yeah. Won't be till next year or nothing. I mean, | 0:13:36 | 0:13:39 | |
these things take a while to plan properly. | 0:13:39 | 0:13:41 | |
Right. Have you called Emma? | 0:13:41 | 0:13:44 | |
Look, I'll do it in the morning. | 0:13:45 | 0:13:47 | |
Am I going mad? Peter... | 0:13:47 | 0:13:48 | |
No, seriously, am I living in some parallel universe where my sister hasn't just been murdered? | 0:13:48 | 0:13:53 | |
Look, I know what you're saying, OK... | 0:13:53 | 0:13:55 | |
I don't think you do, because all I can think about is finding out what happened that night. | 0:13:55 | 0:13:58 | |
And until I find out the truth - | 0:13:58 | 0:14:00 | |
until I know every little scrap of detail - | 0:14:00 | 0:14:03 | |
going to a wedding, it's not really on my radar. | 0:14:03 | 0:14:06 | |
Sorry(!) | 0:14:06 | 0:14:07 | |
Right. The Mojito is from South America. | 0:14:12 | 0:14:16 | |
Now, the trick is plenty of mint, plenty of ice, and, of course... | 0:14:16 | 0:14:20 | |
plenty of rum, right? CROWD MURMUR IN AGREEMENT | 0:14:20 | 0:14:23 | |
CROWD EXCLAIM | 0:14:25 | 0:14:27 | |
Flip it! | 0:14:27 | 0:14:28 | |
Oi-oi! Go on, my son! | 0:14:29 | 0:14:32 | |
Tom Cruise, eat your heart out. | 0:14:32 | 0:14:35 | |
So is this the usual crowd, then, | 0:14:35 | 0:14:36 | |
or should we expect more lads on the weekend? Weekend? | 0:14:36 | 0:14:39 | |
Yeah, Phil's booked us permanently - three nights a week. | 0:14:39 | 0:14:43 | |
I'll get back to you. OK. | 0:14:43 | 0:14:45 | |
I think about it too. | 0:15:05 | 0:15:06 | |
Sometimes when I... | 0:15:09 | 0:15:10 | |
When I can't sleep, I... | 0:15:12 | 0:15:14 | |
..imagine what happened. | 0:15:15 | 0:15:17 | |
Sometimes she's running away, she's... | 0:15:20 | 0:15:22 | |
crying for help. | 0:15:22 | 0:15:23 | |
Sometimes she's not even aware - she doesn't realise she's in danger. | 0:15:25 | 0:15:30 | |
Sometimes she just trips over. | 0:15:31 | 0:15:33 | |
I just... | 0:15:35 | 0:15:37 | |
play it over and over again. That's why we need to find out who did it. | 0:15:37 | 0:15:40 | |
No. | 0:15:40 | 0:15:42 | |
Don't you want any justice? | 0:15:42 | 0:15:44 | |
Peter, of course I do. | 0:15:44 | 0:15:45 | |
But don't you think the police, | 0:15:45 | 0:15:47 | |
with all their expertise and their training, | 0:15:47 | 0:15:50 | |
they're the best people to get us that? | 0:15:50 | 0:15:52 | |
They don't care like we do. They don't need it. Exactly. | 0:15:52 | 0:15:55 | |
We're too close, all right? How can we possibly see clearly? | 0:15:55 | 0:16:00 | |
They hadn't even spoken to the taxi driver. | 0:16:00 | 0:16:03 | |
Who knows what else they've missed? | 0:16:03 | 0:16:05 | |
Peter, I get it - | 0:16:05 | 0:16:06 | |
you feel powerless, you want to do something. | 0:16:06 | 0:16:09 | |
I feel exactly the same. | 0:16:09 | 0:16:10 | |
No, you don't. You can't. What - because I want to marry Denise? | 0:16:10 | 0:16:14 | |
I'm just trying to keep things together, for... | 0:16:15 | 0:16:19 | |
For you, for Bobby - and for me, I guess. | 0:16:19 | 0:16:22 | |
Because what's the alternative? | 0:16:24 | 0:16:26 | |
We fall apart? | 0:16:28 | 0:16:29 | |
I just want to know what happened. I just... | 0:16:29 | 0:16:31 | |
I want the person who did this... I know. | 0:16:31 | 0:16:35 | |
I know. | 0:16:35 | 0:16:36 | |
Look, I trust Emma. | 0:16:39 | 0:16:40 | |
She's been straight with us since this started. | 0:16:44 | 0:16:47 | |
If she gets a new lead, she'll follow it through. | 0:16:47 | 0:16:50 | |
Peter, just let her do her job, please. | 0:16:52 | 0:16:54 | |
Went all right, didn't it? | 0:17:08 | 0:17:10 | |
We're proud of you, boy, ain't we? Mm-hm. So, er... | 0:17:10 | 0:17:13 | |
what happened to Mum? | 0:17:13 | 0:17:14 | |
She had a major nutache. | 0:17:14 | 0:17:16 | |
She was proper pale, weren't she, when we left? Seriously. | 0:17:16 | 0:17:19 | |
Yeah, I bet she did. | 0:17:19 | 0:17:20 | |
Oi, Johnny. All right? | 0:17:22 | 0:17:24 | |
Two double rum and Cokes. | 0:17:24 | 0:17:25 | |
Right. I'm going to check that with Sharon... | 0:17:25 | 0:17:27 | |
No, Phil said it was all right. Did he? | 0:17:27 | 0:17:30 | |
Yeah. Yeah, even so... | 0:17:30 | 0:17:34 | |
But trust me - that's not going to touch the sides. | 0:17:34 | 0:17:37 | |
So why don't you man up and just get us those drinks, yeah? | 0:17:37 | 0:17:40 | |
Yeah. Good man. | 0:17:40 | 0:17:43 | |
Can I have a word? | 0:17:46 | 0:17:47 | |
Your bouncers seem to think they're on a permanent contract. | 0:17:50 | 0:17:53 | |
I'm just protecting my investment - that's all. | 0:17:53 | 0:17:56 | |
Look, Phil, it's not that I'm not grateful for your backing, but... | 0:17:56 | 0:18:00 | |
I am a partner in this bar and I need you to respect that. | 0:18:00 | 0:18:04 | |
Look, why don't you go to the Vic, eh? | 0:18:04 | 0:18:07 | |
I mean, this clearly ain't your scene and, as you can see, | 0:18:07 | 0:18:10 | |
I've got it all under control. | 0:18:10 | 0:18:13 | |
Er, listen, I'm off. Let me know if there's any trouble, yeah? Course. | 0:18:18 | 0:18:22 | |
DOT: What's an Old School? | 0:18:23 | 0:18:25 | |
It's a type of burger. They all are. | 0:18:25 | 0:18:36 | |
Well, Ian used to be a proper chef. | 0:18:36 | 0:18:38 | |
Look - we ain't got no cutlery. Waiter! | 0:18:38 | 0:18:40 | |
You probably don't need any - it's a burger. | 0:18:40 | 0:18:43 | |
I ain't eating with my fingers. That ain't the way I was brought up. | 0:18:43 | 0:18:48 | |
Have you seen Ronnie lately? | 0:18:49 | 0:18:52 | |
Ronnie's a very busy lady. | 0:18:52 | 0:18:54 | |
Yes, well, have you called in on her? | 0:18:54 | 0:18:57 | |
Look, I know she can be distant | 0:18:59 | 0:19:02 | |
but you don't want to let it put you off. | 0:19:02 | 0:19:05 | |
Cos she's got a very big heart. | 0:19:05 | 0:19:10 | |
I suppose so. | 0:19:10 | 0:19:11 | |
Hmm. Cocktail night not float your boat? | 0:19:20 | 0:19:25 | |
How about I get you a Virgin Mary? Er...orange juice'll do. | 0:19:25 | 0:19:28 | |
Someone's grumpy. Not me. | 0:19:28 | 0:19:31 | |
OK. | 0:19:31 | 0:19:32 | |
Would you trust a man in skin-tight jeans? | 0:19:33 | 0:19:36 | |
Ah. The invasion of the hipsters. | 0:19:36 | 0:19:39 | |
Ponces. | 0:19:39 | 0:19:41 | |
Well, don't worry. You're safe here. | 0:19:41 | 0:19:43 | |
Just you and me. | 0:19:43 | 0:19:44 | |
Keep 'em coming. | 0:19:50 | 0:19:51 | |
You're not serving them alcohol, are you? | 0:19:52 | 0:19:55 | |
No. Nah, just Coke. | 0:19:55 | 0:19:56 | |
Good. | 0:19:56 | 0:19:57 | |
Shame. | 0:20:03 | 0:20:05 | |
What is? Could be quite fit if you were to dress better. | 0:20:05 | 0:20:08 | |
That's funny, cos you'd still be that ugly no matter what you wore. | 0:20:09 | 0:20:12 | |
See, that's the problem with girls these days - you all think you're better than everyone else. | 0:20:12 | 0:20:16 | |
Well, it's not exactly hard to be better than you, is it, mate? D'you want to leave her alone? | 0:20:16 | 0:20:21 | |
Why? What're you going to do about it, princess? | 0:20:21 | 0:20:23 | |
John, just leave it... Johnny? | 0:20:23 | 0:20:26 | |
He's bothering my sister. He's TRYING to. | 0:20:26 | 0:20:28 | |
What did I tell you about flirting with the customers? | 0:20:28 | 0:20:31 | |
She wishes! | 0:20:31 | 0:20:32 | |
There's alcohol in there. One little drink, Shazza. Keep your wig on. | 0:20:34 | 0:20:37 | |
It's Sharon. And I don't have to put up with this. | 0:20:37 | 0:20:40 | |
You're fired. Both of you. | 0:20:40 | 0:20:42 | |
I don't think Phil will be very happy about that - do you? | 0:20:44 | 0:20:47 | |
Well, he's not here, is he? Now, get out. | 0:20:47 | 0:20:50 | |
Sorry about him. It's fine. | 0:20:59 | 0:21:00 | |
Right, shall we go? | 0:21:02 | 0:21:04 | |
No, no, no, I'm not done. | 0:21:04 | 0:21:05 | |
Excuse me. Can we get the cocktail list, please? | 0:21:05 | 0:21:08 | |
She's joking. No, she's not. | 0:21:08 | 0:21:10 | |
Well, I'VE had enough. | 0:21:11 | 0:21:13 | |
Oh, yeah? Costing you a bit, is it? | 0:21:14 | 0:21:17 | |
Listen, my idea of a good night out | 0:21:17 | 0:21:19 | |
is not watching you getting completely drunk. | 0:21:19 | 0:21:21 | |
No? Was it easier to just grit your teeth and take the money? | 0:21:21 | 0:21:25 | |
I thought you understood. I mean, I... | 0:21:25 | 0:21:27 | |
SHE SIGHS | 0:21:27 | 0:21:29 | |
Listen, Roxy, you need to let it go - otherwise we don't stand a chance. | 0:21:29 | 0:21:33 | |
All right, yes. I know, all right? | 0:21:34 | 0:21:36 | |
It's just, every time I think of Ronnie, my blood boils. | 0:21:36 | 0:21:39 | |
Maybe you should be having this conversation with her. | 0:21:39 | 0:21:43 | |
I know she's intense, but... | 0:21:43 | 0:21:45 | |
I think she was trying to make you happy. | 0:21:45 | 0:21:48 | |
In her own way. SHE CHUCKLES | 0:21:48 | 0:21:50 | |
What? Cos a date with you | 0:21:50 | 0:21:52 | |
is guaranteed to put me in a good mood, is it? | 0:21:52 | 0:21:54 | |
All right. I'll talk to her. | 0:21:56 | 0:21:58 | |
Dot! How nice to see you. | 0:22:01 | 0:22:04 | |
Ian. Charlie brought me here for a surprise. | 0:22:04 | 0:22:08 | |
I never knew that burgers could be so posh. | 0:22:08 | 0:22:11 | |
Yeah, but next time you're getting your own chips. | 0:22:11 | 0:22:13 | |
One or two of yours'll do me. | 0:22:13 | 0:22:15 | |
Are you all right, Ian? | 0:22:16 | 0:22:18 | |
Only Mr Maz-mood, he said that you'd gone home early. | 0:22:18 | 0:22:23 | |
Yeah, I'm... I'm feeling better. | 0:22:23 | 0:22:25 | |
Right. Right, come on. Let's get you home - it's nearly 11. | 0:22:25 | 0:22:28 | |
What? Is it that late? | 0:22:28 | 0:22:30 | |
I thought it was much earlier than that! | 0:22:30 | 0:22:32 | |
Night, Dot. Night. | 0:22:32 | 0:22:34 | |
You take care of yourself. | 0:22:36 | 0:22:37 | |
Night, mate. Goodnight. | 0:22:38 | 0:22:40 | |
Everything OK? | 0:22:44 | 0:22:45 | |
Yeah. | 0:22:45 | 0:22:47 | |
Well, one broken sideplate, | 0:22:47 | 0:22:50 | |
one mixed-up order, but we avoided a full-scale riot, so good, I think. | 0:22:50 | 0:22:55 | |
How are things your end? | 0:22:55 | 0:22:57 | |
Yeah, I'm... | 0:22:57 | 0:22:58 | |
I'm getting there. | 0:22:58 | 0:22:59 | |
Listen, I... | 0:23:01 | 0:23:03 | |
I should have said this earlier, all right? | 0:23:03 | 0:23:06 | |
I'm sorry about what happened between me and Jane. | 0:23:06 | 0:23:09 | |
How would you feel about coming and working here permanently? | 0:23:12 | 0:23:16 | |
Really? Yeah. | 0:23:16 | 0:23:17 | |
You've proved yourself. | 0:23:18 | 0:23:20 | |
Yeah. That'd be great. Yeah? | 0:23:20 | 0:23:23 | |
Thanks. | 0:23:23 | 0:23:24 | |
Thanks for coming. See you again soon, I hope. Here, boy. That's for you. | 0:23:28 | 0:23:31 | |
See you later, sausage. Bye. | 0:23:31 | 0:23:34 | |
Sharon, can I have a quick word? Yeah. | 0:23:34 | 0:23:37 | |
You won't be too hard on my brother, will you? | 0:23:37 | 0:23:39 | |
He loves this job. He loves you - he proper looks up to you. He's always banging on about you. | 0:23:39 | 0:23:43 | |
Come on, Nance. Let's do the slips, please. See ya. Bye. See you later on. Thanks, Shal. | 0:23:43 | 0:23:47 | |
Steffi, Curtis, you can get off now. | 0:23:47 | 0:23:51 | |
Good job, tonight. Cheers. | 0:23:51 | 0:23:52 | |
Night, guys. Speak later, yeah? | 0:23:52 | 0:23:55 | |
Johnny... | 0:23:56 | 0:23:57 | |
..could I have a word with you? Yeah. | 0:23:59 | 0:24:01 | |
Sharon, you know, I just wanted to say again that I'm sorry. | 0:24:01 | 0:24:04 | |
I know I was totally irresponsible. | 0:24:04 | 0:24:06 | |
No, it's, er, nothing to do with that. | 0:24:06 | 0:24:09 | |
How do you fancy being my bar manager? | 0:24:09 | 0:24:11 | |
You still trust me? | 0:24:12 | 0:24:14 | |
If it wasn't for you, tonight would have been a total flop. | 0:24:14 | 0:24:18 | |
You know, you're bright. You've got good ideas. | 0:24:18 | 0:24:20 | |
You just need to wise up a bit, but I can teach you that. | 0:24:20 | 0:24:24 | |
So long as you hold back on any more impromptu private parties, OK? | 0:24:24 | 0:24:27 | |
Yeah. Er, oh, th... | 0:24:27 | 0:24:31 | |
I think we can do better than that, don't you? | 0:24:31 | 0:24:33 | |
Come here, sweetheart, give us a hug. Come here. | 0:24:33 | 0:24:36 | |
THEY CHUCKLE | 0:24:39 | 0:24:40 | |
Did Mick say you could have a lock-in? | 0:24:45 | 0:24:47 | |
You'd better ring him - Phil can be a bit of a beast on the OJs. | 0:24:48 | 0:24:52 | |
They're not back yet, then? | 0:24:52 | 0:24:54 | |
Send out a search party, shall I(?) Just cos you never cared about anyone more than yourself, | 0:24:54 | 0:24:58 | |
don't criticise me for having normal feelings. | 0:24:58 | 0:25:00 | |
Stuck-up cow. | 0:25:02 | 0:25:04 | |
If only she knew, eh? | 0:25:05 | 0:25:07 | |
Knew what? | 0:25:08 | 0:25:10 | |
I'm going to get SO much chicken. | 0:25:18 | 0:25:20 | |
SHE CHUCKLES What are you doing?! | 0:25:20 | 0:25:22 | |
MICK: All right, Nance. We've had enough aggro for one night, haven't we? | 0:25:22 | 0:25:26 | |
HE CLEARS HIS THROAT | 0:25:41 | 0:25:42 | |
You putting off the inevitable? | 0:25:47 | 0:25:49 | |
Going back to Stepford. | 0:25:51 | 0:25:52 | |
She obviously doesn't make you happy. Oh, happy? | 0:25:54 | 0:25:56 | |
Happy? And you're the expert, are you? | 0:25:56 | 0:25:58 | |
You can't keep pretending, Shirl. | 0:26:01 | 0:26:03 | |
Goodnight, Phil. | 0:26:07 | 0:26:08 | |
We ain't done talking yet. | 0:26:10 | 0:26:11 | |
Seeing as you have trouble picking up the phone... | 0:26:28 | 0:26:30 | |
just thought I'd make it easy for you. | 0:26:30 | 0:26:32 | |
Drop by. | 0:26:34 | 0:26:35 | |
You know, I love this bar. | 0:26:36 | 0:26:39 | |
Might sound stupid, but... | 0:26:39 | 0:26:41 | |
when I'm here, I'm happy. Like myself. | 0:26:41 | 0:26:44 | |
I don't think it's stupid. | 0:26:45 | 0:26:47 | |
I get it. | 0:26:47 | 0:26:48 | |
You do? Yeah. | 0:26:48 | 0:26:51 | |
You know, it's not just about being someone's mum or someone's wife. | 0:26:51 | 0:26:56 | |
If I can make a go of this, | 0:26:57 | 0:27:00 | |
well, I know I can stand on my own two feet. | 0:27:00 | 0:27:02 | |
Er... | 0:27:03 | 0:27:06 | |
are you and Phil all right? | 0:27:06 | 0:27:08 | |
What do you mean? Nothing. I shouldn't pry. | 0:27:08 | 0:27:11 | |
No, no, no, no, it's fine. | 0:27:11 | 0:27:13 | |
Well, I'm probably being paranoid, but... | 0:27:14 | 0:27:17 | |
there's a part of me that thinks he wants to see me fail. | 0:27:17 | 0:27:20 | |
Oh, know the feeling! | 0:27:20 | 0:27:22 | |
Your mum? | 0:27:22 | 0:27:23 | |
Yeah. I just... | 0:27:23 | 0:27:26 | |
You know, I wish I could make her proud of me. You will. | 0:27:26 | 0:27:29 | |
I just wanted to say thanks for this opportunity. | 0:27:30 | 0:27:33 | |
I ain't going to let you down. You'd better not. | 0:27:33 | 0:27:36 | |
Well, we did good tonight. Yeah. | 0:27:36 | 0:27:38 | |
To the Albert. To the Albert! | 0:27:38 | 0:27:40 | |
I'm going to run upstairs and grab my coat. OK. | 0:27:46 | 0:27:49 | |
SHE SIGHS HAPPILY | 0:27:51 | 0:27:53 | |
JOHNNY CLIMBS STAIRS | 0:27:53 | 0:27:56 | |
BANGING | 0:27:56 | 0:27:57 | |
MAN SPEAKS FOREIGN LANGUAGE CRASHING | 0:27:59 | 0:28:03 | |
HE GRUNTS | 0:28:14 | 0:28:15 | |
No! No! | 0:28:15 | 0:28:17 | |
INTRUDERS GRUNT | 0:28:22 | 0:28:25 | |
Brand-new celebs in this kitchen. | 0:29:08 | 0:29:15 | |
They are nervous. Nervous. | 0:29:18 | 0:29:21 | |
They are nervous. Ken's just frying some lettuce. | 0:29:21 | 0:29:24 |