Browse content similar to 20/11/2015. Check below for episodes and series from the same categories and more!
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Hey! So glad you could make it. | 0:00:27 | 0:00:29 | |
We're so excited! | 0:00:29 | 0:00:30 | |
You don't have to go in to work today if you don't feel up for it. I can cover for you. | 0:00:32 | 0:00:38 | |
Wow. | 0:00:38 | 0:00:40 | |
Somebody should really let them know they're moving in with a murderer. | 0:00:40 | 0:00:43 | |
Hey, Dad, I made that for you. | 0:00:45 | 0:00:46 | |
Cheers. | 0:00:46 | 0:00:47 | |
-You all right? -Yeah. | 0:00:49 | 0:00:51 | |
Other than the fact I got put on my bottle by an old man. | 0:00:51 | 0:00:54 | |
Good dig, to be fair. Think my pride's stinging more than me nose. | 0:00:54 | 0:00:57 | |
I think you did the right thing. | 0:00:57 | 0:00:59 | |
Don't let Linda hear you say that. She's got the right zig with me. | 0:00:59 | 0:01:02 | |
That's the understatement of the year! | 0:01:02 | 0:01:04 | |
L, it's Billy Mitchell. Can't take the geezer seriously. What was I supposed to do? | 0:01:04 | 0:01:08 | |
You should've told me what was going on as soon as you knew. | 0:01:08 | 0:01:11 | |
But then you didn't tell me you were seeing Shirley, either. | 0:01:11 | 0:01:13 | |
Look, we're supposed to be a team. | 0:01:13 | 0:01:15 | |
-Course we're a team. -Then why am I always the last to know? | 0:01:15 | 0:01:18 | |
Are you seriously going to act like nothing happened? | 0:01:22 | 0:01:25 | |
I'm not trying to excuse it. | 0:01:25 | 0:01:26 | |
OK? But she was trying to mess with your head. | 0:01:26 | 0:01:29 | |
-Don't let her. -This is textbook denial. You don't want to believe that Ronnie has lost the plot, so | 0:01:29 | 0:01:33 | |
-you're convincing yourself that she wouldn't have gone through with it. -She wouldn't have. | 0:01:33 | 0:01:37 | |
You don't believe that. I know you don't. | 0:01:40 | 0:01:42 | |
-Otherwise you wouldn't have told me about Carl. -I wish I hadn't now. | 0:01:42 | 0:01:45 | |
And what happened with Carl was very, very different. | 0:01:45 | 0:01:48 | |
-Yeah, well, it looked pretty similar from where I was standing. -She's my sister, all right? | 0:01:48 | 0:01:52 | |
And I know exactly what she is and is not capable of. | 0:01:52 | 0:01:55 | |
Well, I'm not sure that I'd be brave enough to make that call. | 0:01:55 | 0:01:58 | |
Especially now she's got a house full of kids. | 0:01:58 | 0:02:01 | |
I can't be doing with this. I'm going out. | 0:02:01 | 0:02:04 | |
Have you seen Fatboy this morning yet? | 0:02:12 | 0:02:15 | |
No, my morning has been blissfully idiot-free, thanks. Why? | 0:02:15 | 0:02:20 | |
I don't know, I just reckon you're going to see an attitude adjustment when you do. | 0:02:20 | 0:02:25 | |
I thought I told you not to get involved, Vincent. | 0:02:25 | 0:02:27 | |
Behave yourself. You know I couldn't let that slide, could I? | 0:02:27 | 0:02:31 | |
You ain't seen Fatboy, have you? | 0:02:31 | 0:02:33 | |
No. | 0:02:33 | 0:02:34 | |
Cos normally he's at the car lot around this time. | 0:02:35 | 0:02:39 | |
That's very, very strange. All right, thanks, Marie. See you later. | 0:02:39 | 0:02:42 | |
What have you done, Vincent? | 0:02:43 | 0:02:45 | |
I'll pop your tea down there, all right? | 0:02:48 | 0:02:50 | |
Listen, there's a great dress in there. Page seven. | 0:02:50 | 0:02:53 | |
Have a look at it when you're done. | 0:02:53 | 0:02:54 | |
I'm sick of looking at dresses. | 0:02:54 | 0:02:56 | |
Everybody gets like that, love. | 0:02:56 | 0:02:58 | |
Eventually you'll find the perfect one. Then everything will be worth it. | 0:02:58 | 0:03:02 | |
I don't think anything could feel perfect right now, Mum. | 0:03:02 | 0:03:04 | |
It's Mick Carter. There's been a change of plan. | 0:03:04 | 0:03:07 | |
I'm going to need that ready for today. | 0:03:07 | 0:03:10 | |
Oi, what you doing? | 0:03:34 | 0:03:37 | |
SHE TUTS | 0:03:37 | 0:03:39 | |
I remember a time when burglars at least had the decency to wait | 0:03:39 | 0:03:44 | |
until after dark. | 0:03:44 | 0:03:46 | |
Yeah, I told Mrs Branning I was going to check her security arrangements. | 0:03:46 | 0:03:51 | |
Very community spirited of you. | 0:03:51 | 0:03:54 | |
I'll make sure I tell her what a thorough good job you've done. | 0:03:54 | 0:03:58 | |
No, there's no need to bother her with all that. | 0:03:58 | 0:04:02 | |
Course - my memory ain't what it was. | 0:04:02 | 0:04:06 | |
Especially after a little drink. | 0:04:07 | 0:04:10 | |
HE SIGHS | 0:04:14 | 0:04:17 | |
Not that little. | 0:04:18 | 0:04:20 | |
-This couldn't have worked out any better, you know. -Great, innit? | 0:04:48 | 0:04:52 | |
-DOORBELL I'll get that. -Thank you. | 0:04:52 | 0:04:55 | |
-You do understand why this is for the best, though, don't you, Billy? -Yeah, course, course I do. | 0:04:56 | 0:05:01 | |
I just wouldn't want it to be for ever. | 0:05:01 | 0:05:04 | |
One step at a time, yeah? | 0:05:04 | 0:05:06 | |
-Yeah, all right. -Roxy's here. | 0:05:06 | 0:05:08 | |
-Hi, Rox. -Hey. | 0:05:08 | 0:05:10 | |
I see you've got a house full. | 0:05:13 | 0:05:14 | |
Yeah, well, it doesn't make any sense to leave all the rooms empty, does it? | 0:05:14 | 0:05:17 | |
Roxy, the kids are over the moon. | 0:05:17 | 0:05:19 | |
-And, Janet, you love your new bedroom, don't you? -Yes. | 0:05:19 | 0:05:21 | |
We're taking them up Walford Primary later - meet the teachers. | 0:05:21 | 0:05:25 | |
And, Will, you're looking forward to going back to school | 0:05:25 | 0:05:27 | |
and it makes sense really, putting Janet on the list to transfer. | 0:05:27 | 0:05:30 | |
And Kamil's starting as well, so he ain't going to be the only newbie. | 0:05:30 | 0:05:33 | |
Well, I'm sure you'll love it. Amy does. | 0:05:33 | 0:05:35 | |
-Auntie Ronnie, you're an angel. -Aw! | 0:05:35 | 0:05:39 | |
Is that what you are? You're an angel? | 0:05:39 | 0:05:42 | |
Right, I think maybe we should go upstairs and get unpacked, eh? | 0:05:42 | 0:05:45 | |
-Yeah, yeah. Come on, then, kids. -Come on, boy. -Come on, darling. | 0:05:45 | 0:05:48 | |
Are you going to go up and see your room? | 0:05:48 | 0:05:50 | |
-See you in a minute. See you, lovely. -Come on, up you go. | 0:05:50 | 0:05:53 | |
I can't work you out. | 0:05:58 | 0:05:59 | |
Oh, come on, Roxy. You know full well I didn't try and kill Dean. | 0:05:59 | 0:06:02 | |
What, cos you're so good at it that if you really wanted to kill him, he'd already be dead? | 0:06:02 | 0:06:06 | |
No. Because you know me, don't you? | 0:06:06 | 0:06:08 | |
Before there was anyone else, there was always me and you. | 0:06:08 | 0:06:11 | |
We know what the other one is thinking, we finish each other's sentences. | 0:06:11 | 0:06:15 | |
-We make each other's lives a misery. -Roxy, look. I'm an idiot, all right? | 0:06:15 | 0:06:18 | |
I'm overprotective, I'm stubborn, I'm impulsive. | 0:06:18 | 0:06:21 | |
But I am not a cold-blooded killer. | 0:06:22 | 0:06:24 | |
Give me one good reason I should believe that. | 0:06:27 | 0:06:30 | |
Because, Roxy, it would tear me apart if you didn't. | 0:06:30 | 0:06:33 | |
All right. | 0:06:40 | 0:06:41 | |
All right. | 0:06:43 | 0:06:44 | |
Fatboy? | 0:06:49 | 0:06:50 | |
You can come out. | 0:07:04 | 0:07:06 | |
How's the moving going, Honey? You all settled in now? | 0:07:20 | 0:07:23 | |
Yeah, getting there. Just thought I'd pop out for some breakfast, actually. | 0:07:23 | 0:07:27 | |
Thank you. | 0:07:27 | 0:07:28 | |
I just hope Ronnie likes ketchup. | 0:07:28 | 0:07:29 | |
Oh, I'm sure she does. | 0:07:29 | 0:07:30 | |
Don't get too comfy at Ronnie's, will you, Honey? | 0:07:36 | 0:07:39 | |
Sorry? | 0:07:39 | 0:07:40 | |
There's nothing sadder than two people living apart | 0:07:40 | 0:07:43 | |
when they should be together. | 0:07:43 | 0:07:45 | |
I'm sure it'll all work out like it's meant to, Les. | 0:07:48 | 0:07:51 | |
Pam? | 0:08:00 | 0:08:01 | |
I'm sorry, Les. I just can't talk to you at the moment. | 0:08:07 | 0:08:11 | |
That's all right. | 0:08:13 | 0:08:15 | |
I'll go. | 0:08:16 | 0:08:17 | |
How was I meant to know that Dot weren't coming home? | 0:08:25 | 0:08:28 | |
So what's the plan, then? | 0:08:29 | 0:08:31 | |
You just going to stay in here for ever? | 0:08:31 | 0:08:33 | |
HE GROANS | 0:08:39 | 0:08:42 | |
You OK? | 0:08:59 | 0:09:01 | |
Yeah. I spoke to Ronnie. | 0:09:01 | 0:09:03 | |
And what did she say? | 0:09:04 | 0:09:07 | |
Exactly what I thought. | 0:09:07 | 0:09:08 | |
OK? She was just trying to put the frighteners on you. | 0:09:08 | 0:09:11 | |
She would never have gone through with it. | 0:09:11 | 0:09:13 | |
-And you believed her? -Yeah, I do. | 0:09:13 | 0:09:15 | |
Well, you might be able to live with yourself, but I'm not sure I can. | 0:09:15 | 0:09:19 | |
What's that supposed to mean? | 0:09:19 | 0:09:20 | |
It means, that unlike you, I have a conscience. | 0:09:20 | 0:09:24 | |
How am I going to live with myself if somebody else gets hurt? | 0:09:24 | 0:09:27 | |
You're being ridiculous! | 0:09:27 | 0:09:28 | |
It's not just me, is it? There's other victims. | 0:09:28 | 0:09:30 | |
Victims! Carl was a complete scumbag! | 0:09:30 | 0:09:33 | |
I'm not talking about Carl. | 0:09:33 | 0:09:35 | |
I'm talking about Charlie. | 0:09:35 | 0:09:37 | |
-Don't, Dean! Don't even go there. -No, we both thought it. We even spoke about it. | 0:09:39 | 0:09:44 | |
Then all of a sudden you just looked the other way. | 0:09:44 | 0:09:47 | |
-It wasn't like that. -No, it wasn't like that. Of course not. | 0:09:47 | 0:09:49 | |
Because you're no stranger to denial when your sister's concerned. | 0:09:50 | 0:09:54 | |
You've been doing it long enough. | 0:09:54 | 0:09:56 | |
You're still here. | 0:10:01 | 0:10:03 | |
Look, I just wanted to make sure that you was OK. | 0:10:03 | 0:10:07 | |
Look, you need to think very carefully about the story you're going to tell. | 0:10:07 | 0:10:11 | |
Neither of us come out looking like a hero. | 0:10:11 | 0:10:13 | |
Do you really think I want anybody to know about this? | 0:10:14 | 0:10:19 | |
KNOCK ON DOOR | 0:10:19 | 0:10:21 | |
Look, I'm serious. Donna can't know about this. | 0:10:21 | 0:10:24 | |
-Hey, Rox. -Have you got a minute? -I really need to get to... | 0:10:32 | 0:10:38 | |
-Vincent, hello. Nice to see you somewhere other than sniffing around my sister. -Do I sense jealousy? -No. | 0:10:38 | 0:10:42 | |
Listen, Rox, can this wait? Cos I am super late and I really need to... | 0:10:42 | 0:10:46 | |
Look, it'll take one minute. I just really need to know. | 0:10:46 | 0:10:49 | |
When was the last time you spoke to Charlie? | 0:10:49 | 0:10:52 | |
-DOT: -Arthur, are you in? | 0:10:52 | 0:10:56 | |
The milk's still on the step. It'll have gone off. | 0:10:56 | 0:10:59 | |
What on earth is going on here? | 0:10:59 | 0:11:02 | |
Sorry about all the mess, Mrs B, and the milk. | 0:11:02 | 0:11:05 | |
I've been running late recently. | 0:11:05 | 0:11:07 | |
Visitors, after a long journey. How nice. | 0:11:09 | 0:11:11 | |
We actually haven't had the pleasure, Mrs Branning. | 0:11:11 | 0:11:15 | |
I'm Vincent Hubbard. I've just moved into Number 1. | 0:11:15 | 0:11:18 | |
Dr Legg's old surgery. | 0:11:18 | 0:11:20 | |
We ain't had a decent doctor, not since Dr Legg left. | 0:11:20 | 0:11:23 | |
Well, I hope to be half the neighbour he was. But Roxy and I were just leaving. | 0:11:23 | 0:11:26 | |
Well, don't let me stop you. | 0:11:26 | 0:11:28 | |
Um, Dot, listen. I know that I'm probably the last person you want to see right now. | 0:11:28 | 0:11:33 | |
But I really need to talk to you about Charlie. | 0:11:33 | 0:11:35 | |
Alone. | 0:11:37 | 0:11:38 | |
Well, that's them all sorted. The kids are buzzin'. | 0:11:41 | 0:11:45 | |
No need for us to share a room any more. | 0:11:45 | 0:11:47 | |
Not that I haven't enjoyed our Morecombe and Wise routine. | 0:11:47 | 0:11:51 | |
Look, Billy. | 0:11:51 | 0:11:53 | |
You mustn't give up on Honey. | 0:11:56 | 0:11:57 | |
You must do everything you can to get her back where she belongs. | 0:11:59 | 0:12:03 | |
Les. | 0:12:03 | 0:12:05 | |
Just because you really, really want something, | 0:12:06 | 0:12:09 | |
doesn't mean it's ever going to happen. | 0:12:09 | 0:12:11 | |
They've got space over there. | 0:12:11 | 0:12:13 | |
Ronnie can offer them a proper family home. | 0:12:13 | 0:12:16 | |
Whereas all I've got is Eric and Ernie, innit? | 0:12:16 | 0:12:19 | |
Les, I didn't mean it that way. | 0:12:19 | 0:12:21 | |
No, no, no, you're quite right. | 0:12:21 | 0:12:24 | |
It's high time you got your home back. | 0:12:24 | 0:12:26 | |
No, no, look. | 0:12:26 | 0:12:28 | |
There's no rush, OK? | 0:12:28 | 0:12:31 | |
We might as well enjoy each other's company a bit longer. | 0:12:31 | 0:12:35 | |
At least till Honey and Pam see the light. | 0:12:35 | 0:12:37 | |
I never meant to stay two nights, | 0:12:41 | 0:12:43 | |
only she's such a tonic, that granddaughter of mine. | 0:12:43 | 0:12:46 | |
Oh, she is a lovely girl, Dotty - I mean, Kirsty. | 0:12:46 | 0:12:50 | |
Dot, look, I just need to know how Charlie's getting on in Ireland. | 0:12:50 | 0:12:54 | |
I think the best thing you can do for Charlie and your sister is to leave them be. | 0:12:54 | 0:12:58 | |
I don't want to get in touch with him, I just really need to know he's OK. | 0:12:58 | 0:13:02 | |
Well, I don't think that mother of his can be the easiest | 0:13:02 | 0:13:05 | |
of patients but he must be dealing with it, | 0:13:05 | 0:13:07 | |
otherwise he'd be back here, wouldn't he? | 0:13:07 | 0:13:10 | |
-You getting me his number? -No, I just thought you might like a biscuit with your tea. | 0:13:10 | 0:13:14 | |
No, Dot, honestly - I've taken up enough of your time already. | 0:13:14 | 0:13:17 | |
Anyway, I've got what I came for. | 0:13:17 | 0:13:19 | |
Why don't you ask your sister? | 0:13:19 | 0:13:21 | |
She's the one what keeps me up-to-date. | 0:13:21 | 0:13:24 | |
You have spoken to him yourself, haven't you? | 0:13:26 | 0:13:29 | |
No, I've asked Ronnie to get him to phone me, cos he must have lost | 0:13:29 | 0:13:32 | |
his phone, changed his number. Just like a man, he's thoughtless. | 0:13:32 | 0:13:39 | |
So basically getting married is about being thankful for what | 0:13:39 | 0:13:41 | |
you've got, even if it's not quite what you wanted? | 0:13:41 | 0:13:44 | |
Mick Carter is all you've ever wanted | 0:13:44 | 0:13:46 | |
since you were 14 years old. | 0:13:46 | 0:13:47 | |
So you can give over with that kind of talk! | 0:13:47 | 0:13:50 | |
Are you and him going to give each other the cold shoulder all day? | 0:13:54 | 0:13:57 | |
He ain't giving me the cold shoulder. He just don't want me to see the gift. | 0:13:57 | 0:14:00 | |
What gift? | 0:14:00 | 0:14:02 | |
He knows that he's hurt me, which means there'll be a gift. | 0:14:02 | 0:14:05 | |
Wow, two visits in one day. | 0:14:07 | 0:14:09 | |
I must have really messed up this time. | 0:14:09 | 0:14:10 | |
Yeah. I hope not, Ron. | 0:14:10 | 0:14:12 | |
Well, go on, then. What is it? | 0:14:15 | 0:14:16 | |
I need to know what happened to Charlie. | 0:14:18 | 0:14:21 | |
You know what happened. He left. | 0:14:22 | 0:14:24 | |
Just like that? Without a thought for Matthew? | 0:14:24 | 0:14:27 | |
I don't know. You'd have to ask him. | 0:14:29 | 0:14:31 | |
-All right, well, why don't you get me a number for him, yeah? Have you got one? -No, not on me. | 0:14:31 | 0:14:35 | |
You'd have to get it off Dot. | 0:14:35 | 0:14:36 | |
Try again, Ron. | 0:14:39 | 0:14:40 | |
There are some very small flats with very large price tags in here. | 0:14:43 | 0:14:47 | |
Look at this one. We bury people in bigger boxes! | 0:14:47 | 0:14:51 | |
I can't believe it's come to this. | 0:14:51 | 0:14:53 | |
You know, Nan's looking much happier on her stall. | 0:14:53 | 0:14:55 | |
I was sure you two would sort things out. | 0:14:55 | 0:14:57 | |
Yeah, but I've got to face facts. It isn't going to happen. | 0:14:57 | 0:15:00 | |
However much I want it to. | 0:15:00 | 0:15:03 | |
I'm sorry, Grandad. You don't deserve to lose your home. | 0:15:04 | 0:15:07 | |
Bricks and mortar don't make a home, son. | 0:15:07 | 0:15:11 | |
People do. | 0:15:11 | 0:15:13 | |
I lost my home the minute I lost your grandmother. | 0:15:13 | 0:15:18 | |
Which means I'll still be homeless even when I've found a place to live. | 0:15:18 | 0:15:23 | |
You're acting like you think I've done something to Charlie. | 0:15:23 | 0:15:26 | |
Well, have you? Cos that's how you deal with problems, isn't it? | 0:15:26 | 0:15:29 | |
-You either pay them off, or you kill them off. -Oh! | 0:15:29 | 0:15:32 | |
Look, fine. | 0:15:33 | 0:15:35 | |
Fine. You're asking me, did I want to hurt him? | 0:15:35 | 0:15:38 | |
Then yes, I wanted to hurt him. | 0:15:38 | 0:15:41 | |
The least he could do, after what you both did, | 0:15:41 | 0:15:44 | |
was to leave me and Matthew in peace. | 0:15:44 | 0:15:46 | |
What have you done, Ronnie? | 0:15:48 | 0:15:50 | |
Thanks, Hel. | 0:15:53 | 0:15:55 | |
PHONE RINGS | 0:15:55 | 0:15:57 | |
Ronnie. | 0:15:59 | 0:16:01 | |
All right, tell me what happened. | 0:16:01 | 0:16:03 | |
All right, all right, I'll sort it. | 0:16:07 | 0:16:09 | |
I will sort it. | 0:16:09 | 0:16:11 | |
Come on, then, let's have it. | 0:16:12 | 0:16:15 | |
-What? -You've obviously been to get me a present, which is meant | 0:16:15 | 0:16:18 | |
to make me forget everything. Am I right? | 0:16:18 | 0:16:22 | |
-Yeah. -It ain't going to work this time. | 0:16:22 | 0:16:25 | |
OK, so you probably...well, you definitely won't want to see what it is, then. | 0:16:25 | 0:16:30 | |
Course you do. | 0:16:32 | 0:16:33 | |
Fine, what is it? | 0:16:35 | 0:16:37 | |
-You got me a wedding dress? -No, I got you THE wedding dress. | 0:16:43 | 0:16:47 | |
Just after we started seeing each other, your mum went out | 0:16:48 | 0:16:51 | |
and we bunked off school and we spent the afternoon at yours. | 0:16:51 | 0:16:56 | |
I remember. | 0:16:56 | 0:16:57 | |
D'you, erm, remember what we did? | 0:16:57 | 0:17:00 | |
Course I do. | 0:17:02 | 0:17:03 | |
No, no, no - that was nice, but... | 0:17:03 | 0:17:07 | |
No, it was just before that. | 0:17:07 | 0:17:09 | |
-I made you watch Charles and Di's wedding on VHS. -Mmm. | 0:17:11 | 0:17:15 | |
And you described to me the exact dress you would have worn | 0:17:15 | 0:17:20 | |
if you'd have got married then. | 0:17:20 | 0:17:23 | |
You didn't? | 0:17:23 | 0:17:24 | |
I know I don't always show it, | 0:17:26 | 0:17:29 | |
but I've listened to every word you've ever said since we met. | 0:17:29 | 0:17:33 | |
-Who were you on the phone to? -Vincent. | 0:17:42 | 0:17:45 | |
Oh, Vincent. I might have known he had something to do with it. | 0:17:45 | 0:17:49 | |
What now? | 0:17:49 | 0:17:51 | |
We wait. | 0:17:51 | 0:17:52 | |
This better not be one of your stupid games, Ronnie. | 0:17:53 | 0:17:56 | |
PHONE RINGS | 0:17:56 | 0:17:58 | |
Well, who is it? | 0:17:58 | 0:17:59 | |
You wanted to know the truth. | 0:18:01 | 0:18:03 | |
There's no backing out now. | 0:18:04 | 0:18:06 | |
Hello? | 0:18:10 | 0:18:11 | |
Charlie! | 0:18:14 | 0:18:15 | |
Charlie. | 0:18:17 | 0:18:20 | |
You have no idea how happy I am to hear your voice. | 0:18:20 | 0:18:23 | |
Excuse me, can I have one of those in a size ten, please? | 0:18:23 | 0:18:27 | |
-You're a bit less stressed now, then? -Was I stressed? | 0:18:27 | 0:18:30 | |
I haven't seen you brick it like that | 0:18:30 | 0:18:31 | |
since Mum caught you upstairs with Leanne Stevens. Remember? | 0:18:31 | 0:18:34 | |
Yeah, that weren't pretty. | 0:18:34 | 0:18:38 | |
-Where is Fatboy? -He's at work. | 0:18:38 | 0:18:41 | |
You know that boy goes on like a girl, innit, | 0:18:41 | 0:18:43 | |
giving me the silent treatment just because he's wounded. | 0:18:43 | 0:18:46 | |
You must have really upset him. Cos I ain't never seen Fatboy quiet. | 0:18:46 | 0:18:49 | |
OK, well, look, thank you for calling. | 0:18:53 | 0:18:55 | |
I'm glad you're OK. | 0:18:55 | 0:18:56 | |
All right. Bye. | 0:18:58 | 0:19:00 | |
He's well, in case you're interested. | 0:19:05 | 0:19:09 | |
And he still wants a divorce, so that should put a smile on your face. | 0:19:09 | 0:19:14 | |
Do you know what, Ron? An hour ago I thought that knowing Charlie was alive... | 0:19:14 | 0:19:18 | |
I thought it would make everything OK. | 0:19:18 | 0:19:20 | |
And now? | 0:19:20 | 0:19:21 | |
He's scared of you, Ron. | 0:19:23 | 0:19:24 | |
The father of your child is so scared of you, | 0:19:25 | 0:19:28 | |
he doesn't even want to set foot in the country. | 0:19:28 | 0:19:30 | |
Really? Good. So what? | 0:19:30 | 0:19:32 | |
So, Charlie might still be alive but you, Veronica - | 0:19:33 | 0:19:40 | |
you still need help. | 0:19:40 | 0:19:42 | |
Look, man. I already told you, all right, | 0:19:47 | 0:19:49 | |
I ain't going to say anything. | 0:19:49 | 0:19:51 | |
You know, Lee ain't even in this afternoon, so I can't even tell him. | 0:19:51 | 0:19:54 | |
That look on your face when I opened the cupboard door. | 0:19:54 | 0:19:57 | |
I've seen it before. | 0:19:57 | 0:19:58 | |
So? | 0:19:59 | 0:20:01 | |
Every time a new foster kid arrived at ours. | 0:20:01 | 0:20:03 | |
That was the look he wore. | 0:20:06 | 0:20:08 | |
Like he didn't know whether he was going to be greeted with a hug or a fist. | 0:20:08 | 0:20:12 | |
Yeah, well, I bet it didn't take long to figure out which one you had on offer. | 0:20:12 | 0:20:15 | |
I told you, I'm not the bad guy, not all the time. | 0:20:15 | 0:20:18 | |
See you, you see me as a thug. But those kids? | 0:20:18 | 0:20:22 | |
They saw me as the guy that told them | 0:20:22 | 0:20:23 | |
that everything was going to be all right. | 0:20:23 | 0:20:26 | |
Then made sure it WAS. | 0:20:26 | 0:20:28 | |
But hey, I'm not the only one who has different sides to them, am I? | 0:20:28 | 0:20:33 | |
How d'you work that one out? | 0:20:33 | 0:20:35 | |
The Fatboy I'm used to would've been up in my grill the second | 0:20:35 | 0:20:38 | |
that door opened. | 0:20:38 | 0:20:39 | |
Yeah, well... It's not like I slept, did I? | 0:20:39 | 0:20:42 | |
You know, and I was in that cupboard in the dark the whole night, all right? | 0:20:42 | 0:20:47 | |
So when I came out, my eyes had to adjust to the light. | 0:20:47 | 0:20:50 | |
Give it up, Fatboy. | 0:20:50 | 0:20:52 | |
Know when you've been read. | 0:20:53 | 0:20:55 | |
Are you wearing it? | 0:20:59 | 0:21:00 | |
Yeah, but you can't come in. | 0:21:00 | 0:21:02 | |
It's bad luck to see me in it before the wedding day. | 0:21:02 | 0:21:05 | |
Well, I think we've had our fair share of bad luck, baby. Don't you? | 0:21:05 | 0:21:11 | |
THEY LAUGH | 0:21:11 | 0:21:14 | |
It would've been perfect in 1981. | 0:21:16 | 0:21:19 | |
No. No, I don't think that dress would ever be perfect. | 0:21:19 | 0:21:22 | |
At least it's put a smile on your face! | 0:21:24 | 0:21:26 | |
I don't see enough of them any more. | 0:21:26 | 0:21:28 | |
I know I've got to do better, L. | 0:21:29 | 0:21:31 | |
You're doing all right. | 0:21:31 | 0:21:32 | |
And now you can have your present, from the wedding fair. | 0:21:35 | 0:21:38 | |
Noisy, that dress, ain't it? | 0:21:40 | 0:21:42 | |
Oh. OK. | 0:21:42 | 0:21:44 | |
A pair of socks. | 0:21:45 | 0:21:47 | |
Yeah. Read what's on them. | 0:21:47 | 0:21:49 | |
"In case you get cold feet." | 0:21:50 | 0:21:52 | |
I don't need them. | 0:21:54 | 0:21:56 | |
So how about we look for a different dress and a different pair of socks, yeah? | 0:21:56 | 0:22:00 | |
Agreed. | 0:22:00 | 0:22:01 | |
Do you really think that if there was anything to say, that I'd say it to you? | 0:22:07 | 0:22:10 | |
So who are you going to say it to, then? Them lot out there? | 0:22:10 | 0:22:13 | |
They only care about you when you're cracking the funnies. Apart from Dot, maybe. | 0:22:13 | 0:22:18 | |
But I can't see you spilling your guts to her. | 0:22:18 | 0:22:20 | |
So I'm going to ask you once again, who did this to you? | 0:22:21 | 0:22:26 | |
It was my mum. | 0:22:33 | 0:22:34 | |
Do you know, ever since I can remember, | 0:22:40 | 0:22:43 | |
I've been weighed down by the feeling that | 0:22:43 | 0:22:45 | |
I've got to keep you safe and I am exhausted with it, Roxy. | 0:22:45 | 0:22:51 | |
Well, if you're exhausted with it, then stop doing it. | 0:22:52 | 0:22:57 | |
Yeah, if I'm making a mistake with Dean, then just let me make it. | 0:22:57 | 0:23:01 | |
-I can't do that. -I know. | 0:23:01 | 0:23:03 | |
I know you can't, because it's never really about protecting me. | 0:23:04 | 0:23:08 | |
It's about controlling me. | 0:23:08 | 0:23:10 | |
You know, I used to think it was when you lost Danielle. | 0:23:11 | 0:23:14 | |
-Then I thought it was about James. -Don't you dare bring them into this! | 0:23:14 | 0:23:18 | |
No, but I just thought, you know, when you had someone of your own | 0:23:18 | 0:23:22 | |
to really look after, maybe you'd let me go. | 0:23:22 | 0:23:25 | |
But you've got Matthew and you're still trying to pull my strings. | 0:23:25 | 0:23:29 | |
Is this where you tell me I'm just like Dad? | 0:23:29 | 0:23:32 | |
No. | 0:23:33 | 0:23:34 | |
Dad never killed anyone, did he? | 0:23:37 | 0:23:38 | |
SHE GASPS | 0:23:38 | 0:23:40 | |
You are unbelievable. | 0:23:41 | 0:23:44 | |
No, seriously, you are unbelievable. | 0:23:44 | 0:23:46 | |
St Roxanne? | 0:23:46 | 0:23:48 | |
Sitting up there on your high horse. | 0:23:48 | 0:23:50 | |
Do you not remember why I did to Carl what I did? | 0:23:50 | 0:23:52 | |
I had no choice. | 0:23:53 | 0:23:54 | |
And the only reason me and Charlie split up | 0:23:56 | 0:23:58 | |
is because YOU bedded him while I was still in hospital. | 0:23:58 | 0:24:01 | |
I'm not a saint. I never said I was a saint. | 0:24:01 | 0:24:04 | |
I make mistakes, I go for the wrong blokes | 0:24:04 | 0:24:07 | |
but so do a lot of people. | 0:24:07 | 0:24:09 | |
But what you do is different, Ron. | 0:24:11 | 0:24:13 | |
It's different, it's like a whole other level. | 0:24:13 | 0:24:15 | |
Look, it always has been. It always has been. | 0:24:16 | 0:24:19 | |
-Ever since we were kids. -Are you ever going to let me forget that? | 0:24:19 | 0:24:22 | |
No, no, I'm not. | 0:24:22 | 0:24:24 | |
Because I have to look at this in the mirror every single day. | 0:24:24 | 0:24:28 | |
Just a little reminder of how much you think of me. | 0:24:29 | 0:24:32 | |
I love you, you know that. | 0:24:32 | 0:24:34 | |
Nothing says "I love you" like a glass in my face. | 0:24:34 | 0:24:38 | |
-I'm sorry. -Just save it, Ronnie. | 0:24:38 | 0:24:40 | |
No, Roxy, I'm sorry, all right? I really am. | 0:24:40 | 0:24:43 | |
If I could turn back the clocks, I would, | 0:24:43 | 0:24:45 | |
because maybe that is where all of this started. | 0:24:45 | 0:24:48 | |
Where all of what started? | 0:24:52 | 0:24:54 | |
Your need to self-destruct. | 0:24:54 | 0:24:57 | |
Your feelings of low self-esteem. | 0:24:58 | 0:25:00 | |
-Are you a psychologist now, are you? -There's got to be some reason for it, Roxy, | 0:25:00 | 0:25:04 | |
because I am telling you something, it is not normal. | 0:25:04 | 0:25:07 | |
It is not normal for you to set your sights on every single bloke | 0:25:07 | 0:25:10 | |
that your sister has. | 0:25:10 | 0:25:11 | |
It is not normal for you to want to end up with some low-life rapist. | 0:25:11 | 0:25:17 | |
ROXY GASPS | 0:25:25 | 0:25:27 | |
Listen to me. | 0:25:27 | 0:25:29 | |
The only reason you're with Dean is | 0:25:29 | 0:25:32 | |
because you think you're not worth more than that. | 0:25:32 | 0:25:36 | |
And the sad truth is, Roxanne, you're right. | 0:25:36 | 0:25:40 | |
SHE GASPS | 0:25:44 | 0:25:47 | |
FRONT DOOR CLOSES | 0:25:47 | 0:25:49 | |
She used to lock me in my room for hours, days at a time. | 0:25:49 | 0:25:54 | |
Not that I minded being locked up. | 0:25:56 | 0:25:58 | |
It was time away from her screaming in my face. | 0:25:58 | 0:26:02 | |
"Arthur, do this", or, "Arthur, you're useless", or, "You're just like your dad". | 0:26:02 | 0:26:06 | |
I liked the sound of the door being locked. | 0:26:07 | 0:26:11 | |
I never would have locked you in that cupboard if I'd known. | 0:26:11 | 0:26:14 | |
One day I had this idea, that I was never going to let her see me | 0:26:14 | 0:26:19 | |
break or cry again. | 0:26:19 | 0:26:22 | |
Instead I'd come back with, you know, a smile or a joke. | 0:26:22 | 0:26:25 | |
And you've been smiling and joking ever since. | 0:26:26 | 0:26:29 | |
You know what? I actually thought that you was going to kill me. | 0:26:33 | 0:26:38 | |
And now I'm talking to you like you're my psychiatrist. | 0:26:38 | 0:26:41 | |
It doesn't take a psychiatrist to know you're putting on a front. | 0:26:41 | 0:26:44 | |
A loud-mouthed fool of a front, too. | 0:26:44 | 0:26:47 | |
Well, I see why you've got so many friends. | 0:26:47 | 0:26:49 | |
You need to drop it. Let Arthur drive for a bit. | 0:26:49 | 0:26:53 | |
That guy doesn't exist no more. | 0:26:54 | 0:26:56 | |
He couldn't do a worse job than you're doing now. | 0:26:56 | 0:26:58 | |
You don't know nothing about me. | 0:26:58 | 0:27:00 | |
I know that you're stuck in here flogging motors | 0:27:00 | 0:27:02 | |
when you fancy yourself as a bit of a DJ. | 0:27:02 | 0:27:05 | |
Yeah, well, you've got to be a lot better than me to go pro. | 0:27:05 | 0:27:09 | |
No, you need to be brave enough to take a leap. | 0:27:09 | 0:27:12 | |
I can give you a go at The Albert full-time, if you want. | 0:27:12 | 0:27:15 | |
Are you offering me a job? | 0:27:18 | 0:27:19 | |
No, I'm offering Arthur a job. And he needs to show up. | 0:27:19 | 0:27:23 | |
Fatboy and his pain in the backside self can stay at home. | 0:27:24 | 0:27:28 | |
And you need to start paying Donna a bit more respect, too. | 0:27:28 | 0:27:31 | |
Why would you do that for me? | 0:27:33 | 0:27:35 | |
I told you. I'm not the guy that you think I am. | 0:27:35 | 0:27:38 | |
You were right about her. | 0:27:44 | 0:27:46 | |
Hey. Hey! | 0:27:46 | 0:27:48 | |
I'm just glad you can finally see her for what she is. | 0:27:51 | 0:27:54 | |
Now you can start to move on, yeah? | 0:27:56 | 0:27:58 | |
Not yet. | 0:28:00 | 0:28:01 | |
There's one last thing I've got to do. | 0:28:03 | 0:28:06 | |
Allow me to introduce Arthur. | 0:28:08 | 0:28:11 | |
The Albert's new resident DJ. | 0:28:11 | 0:28:13 | |
OK, but he looks a lot like Fatboy. | 0:28:14 | 0:28:17 | |
Yeah, well, things ain't always what they seem. | 0:28:17 | 0:28:20 | |
I ain't nothing like Fatboy. | 0:28:20 | 0:28:22 | |
-Yeah. -He ain't lying. | 0:28:22 | 0:28:24 | |
If it makes you feel better, I think you're doing the right thing. | 0:28:31 | 0:28:34 | |
She needs to be stopped. | 0:28:37 | 0:28:38 |