Browse content similar to 27/11/2015. Check below for episodes and series from the same categories and more!
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HE SIGHS | 0:00:51 | 0:00:52 | |
HE GRUNTS | 0:00:56 | 0:00:58 | |
DOOR RATTLES | 0:01:05 | 0:01:08 | |
-PHONE RINGS -Sharon? | 0:01:11 | 0:01:13 | |
Sharon, is that you? | 0:01:16 | 0:01:17 | |
I'm sorry, sorry for drinking... | 0:01:20 | 0:01:23 | |
Sharon, the door's locked. | 0:01:26 | 0:01:28 | |
I have to do this, Phil. I have to make it stop. | 0:01:29 | 0:01:33 | |
All right? | 0:01:37 | 0:01:38 | |
All right? I'm actually quite looking forward to this hen do. | 0:01:38 | 0:01:43 | |
Very intrigued to see what Babe is like on tequila. | 0:01:44 | 0:01:46 | |
I think it's potentially quite dangerous. | 0:01:46 | 0:01:48 | |
Yeah. I'm thinking Raging Bull. SHE CHUCKLES | 0:01:48 | 0:01:51 | |
Um, listen... | 0:01:51 | 0:01:53 | |
Is your mum all right? | 0:01:55 | 0:01:57 | |
Because I thought, like, today will be like Pink-Fluff Central, so... | 0:01:57 | 0:02:01 | |
Yeah, she's fine. | 0:02:01 | 0:02:03 | |
Come on, give it to me. | 0:02:03 | 0:02:05 | |
All right. She's just worried about what Sharon's got planned. | 0:02:06 | 0:02:11 | |
She thinks it's going to be all jokes that she don't find funny. | 0:02:11 | 0:02:14 | |
What do you mean, jokes? | 0:02:14 | 0:02:16 | |
Like, strippers...outfits...props. | 0:02:16 | 0:02:20 | |
All the usual hen night cliches. | 0:02:20 | 0:02:23 | |
Them things with the wires on your head. | 0:02:23 | 0:02:26 | |
Anyway, I said to her that I'm with her | 0:02:26 | 0:02:28 | |
and I ain't going to let that happen, so... | 0:02:28 | 0:02:30 | |
-Cos you're a beaut. What are ya? -A beaut. | 0:02:30 | 0:02:32 | |
-SMOKE ALARM BEEPS Oh! -Ah! -Here we go. | 0:02:32 | 0:02:37 | |
I can hear me breakfast is ready. | 0:02:40 | 0:02:42 | |
It's all right, I quite like it burnt... | 0:02:42 | 0:02:47 | |
Or we can always have a bit of that. | 0:02:49 | 0:02:52 | |
Aunt Babe says it's for tonight. | 0:02:52 | 0:02:54 | |
Trifle? Very rock and roll! | 0:02:54 | 0:02:56 | |
We have to make sure this hen don't get out of hand. | 0:02:56 | 0:02:59 | |
What's that face for? Don't worry, the girls will look after ya. | 0:03:01 | 0:03:05 | |
You sure you don't want to work tonight? | 0:03:05 | 0:03:07 | |
On a hen? Girls only, ain't it? | 0:03:07 | 0:03:09 | |
I'd love to. I've got to check up the catering and that anyway, so... | 0:03:11 | 0:03:16 | |
I'll slip over to Sharon's later. | 0:03:16 | 0:03:18 | |
-See what she's got planned? All right? -Mm-hm. | 0:03:18 | 0:03:21 | |
Let's have a bang on that! Look! | 0:03:21 | 0:03:23 | |
Oi! Oi! | 0:03:23 | 0:03:26 | |
Bang on, innit? Bang on, that is, beautiful! | 0:03:26 | 0:03:30 | |
Beautiful! | 0:03:30 | 0:03:31 | |
BANGING AND CLATTERING | 0:03:34 | 0:03:38 | |
HE BREATHES HEAVILY | 0:03:46 | 0:03:49 | |
Ohhh... | 0:04:02 | 0:04:04 | |
Kim? Um... | 0:04:07 | 0:04:09 | |
Did you move something down here? A folder full of pictures? | 0:04:09 | 0:04:13 | |
Unless there were pictures of Peppa Pig...no. | 0:04:13 | 0:04:16 | |
Yeah, it's not important. Just a set list, and some music stuff. | 0:04:16 | 0:04:21 | |
Oh, Arthur? No, sorry, the artist formerly known as Fatboy? | 0:04:21 | 0:04:27 | |
He left it on his laptop here yesterday. | 0:04:27 | 0:04:29 | |
He was sat in here waiting for you for ages. | 0:04:29 | 0:04:31 | |
Now, where did I put it? | 0:04:31 | 0:04:32 | |
Because I did move it. I didn't want Pearl to dribble on it, | 0:04:32 | 0:04:36 | |
so I put it out of the way. | 0:04:36 | 0:04:37 | |
DOOR RATTLES | 0:04:37 | 0:04:39 | |
What? | 0:04:39 | 0:04:41 | |
Dad? Dad, you all right? | 0:04:41 | 0:04:43 | |
Could you take Denny to school? He's waiting downstairs. | 0:04:43 | 0:04:47 | |
Yeah, what about Phil? | 0:04:47 | 0:04:48 | |
This hasn't been locked all night, Sharon? | 0:04:48 | 0:04:50 | |
-I can hear him groaning in there. -He's sobering up. | 0:04:50 | 0:04:53 | |
Ain't this what Gavin did to him, shut him up in a room? | 0:04:53 | 0:04:55 | |
You can't just lock someone up! | 0:04:55 | 0:04:57 | |
You want to live under this roof? My husband. My rules. | 0:04:57 | 0:05:00 | |
My way. | 0:05:00 | 0:05:02 | |
Thanks, Dee. | 0:05:03 | 0:05:05 | |
Shrimpy tells me that one's got a thing for older women. | 0:05:12 | 0:05:15 | |
Hm! | 0:05:15 | 0:05:16 | |
You dark horse! | 0:05:19 | 0:05:21 | |
It was ages ago. | 0:05:22 | 0:05:24 | |
Still counts. | 0:05:24 | 0:05:25 | |
-It was just a fling, all right? -Mm. | 0:05:25 | 0:05:27 | |
Fancy a night out? | 0:05:27 | 0:05:29 | |
Kush and Shabs are back later. Meet us at the Vic? | 0:05:29 | 0:05:33 | |
Nah, not in the mood. | 0:05:33 | 0:05:34 | |
You're not still upset about that copper stuff, are you? | 0:05:34 | 0:05:37 | |
At least it's not Chelsea in that police cell. | 0:05:37 | 0:05:40 | |
It might as well be. | 0:05:40 | 0:05:42 | |
He's her brother. | 0:05:42 | 0:05:44 | |
You've got a son? | 0:05:44 | 0:05:46 | |
No. Jordan was Chelsea's half-brother. | 0:05:46 | 0:05:49 | |
He's... He's not really family at all. He's an ex's kid. | 0:05:49 | 0:05:52 | |
A bad...bad ex. | 0:05:52 | 0:05:55 | |
And a bad, bad kid, by the sound of it. | 0:05:56 | 0:05:59 | |
Oh, no, no. He was, um... | 0:05:59 | 0:06:00 | |
a lovely little boy, really. He was an innocent, beautiful kid. | 0:06:00 | 0:06:04 | |
And he needed me. | 0:06:04 | 0:06:06 | |
He's Lucas's. | 0:06:07 | 0:06:09 | |
The psycho that locked you in the cellar? | 0:06:09 | 0:06:11 | |
I've been dying to get the details on this. What happened? | 0:06:11 | 0:06:15 | |
Wow. I thought MY ex was bad, but... | 0:06:28 | 0:06:31 | |
Yeah. | 0:06:31 | 0:06:32 | |
Killer for a dad, addict for a mother. | 0:06:32 | 0:06:36 | |
Then there was Jordan. | 0:06:36 | 0:06:38 | |
Just this innocent little kid. | 0:06:38 | 0:06:41 | |
And I loved him. | 0:06:41 | 0:06:43 | |
So where's he been? | 0:06:43 | 0:06:45 | |
He went to stay with his Aunt Gloria. | 0:06:45 | 0:06:47 | |
You know, I thought it was for the best | 0:06:47 | 0:06:50 | |
for him to be around his family. | 0:06:50 | 0:06:52 | |
Not heard from him for ages and... | 0:06:52 | 0:06:54 | |
I simply thought that must have meant he was happy. | 0:06:54 | 0:06:57 | |
You've got some phone calls to make. I'll cover your shift. | 0:06:59 | 0:07:02 | |
-You what? -One-time-only offer. | 0:07:02 | 0:07:05 | |
A tabard does nothing for your figure. | 0:07:05 | 0:07:07 | |
Aren't you meant to be covering your stall? | 0:07:07 | 0:07:09 | |
I covered Shrimpy for a couple of hangovers last week - | 0:07:09 | 0:07:12 | |
it's payback time. | 0:07:12 | 0:07:13 | |
You mean this? | 0:07:13 | 0:07:15 | |
Mm-hm. Go on. Make those calls. | 0:07:15 | 0:07:19 | |
Find out what happened to that boy you loved. | 0:07:19 | 0:07:21 | |
Thank you. | 0:07:21 | 0:07:22 | |
I welcomed you into my family. Helped you. | 0:07:23 | 0:07:27 | |
I helped you! | 0:07:27 | 0:07:28 | |
Wait! No, please! I didn't do nothing, man. | 0:07:28 | 0:07:31 | |
The problem is, Arthur... | 0:07:31 | 0:07:34 | |
I know what scares you. | 0:07:34 | 0:07:36 | |
-No. Vincent! Don't lock me up again, man. -You don't want to be locked in the dark? | 0:07:36 | 0:07:39 | |
-No. No, please, Vincent. -Like the walls are closing in on you? -No! | 0:07:39 | 0:07:43 | |
-It's like being buried alive! -No. No! -I gave it to Ronnie, all right? | 0:07:43 | 0:07:48 | |
I gave it to Ronnie! I'm sorry, man! I'm sorry. | 0:07:48 | 0:07:50 | |
HE ROARS ANGRILY | 0:07:50 | 0:07:52 | |
I should have known you'd mess this up. | 0:08:00 | 0:08:03 | |
Ron! You're out! They let you go. | 0:08:04 | 0:08:08 | |
Yeah. There was a lack of evidence. | 0:08:09 | 0:08:12 | |
Which I suppose means I didn't do it, right, Dean? | 0:08:12 | 0:08:15 | |
I'm so sorry, OK? The minute the police came, I... | 0:08:15 | 0:08:18 | |
-You what? What did you do? -I regretted it. | 0:08:18 | 0:08:21 | |
Did you? I can see who you ran to for comfort. | 0:08:21 | 0:08:24 | |
Look, Roxy, I was trying to protect you, OK? I still am. | 0:08:25 | 0:08:28 | |
So just come with me. | 0:08:28 | 0:08:30 | |
It's you she needs protecting from. | 0:08:30 | 0:08:32 | |
Maybe we'll give the police some more evidence. | 0:08:32 | 0:08:34 | |
You really want to take me on, Dean? | 0:08:34 | 0:08:36 | |
Ron...Just leave us alone, OK? Come on. | 0:08:36 | 0:08:40 | |
-I should be helping Dad. -Yeah, he's always there for you, ain't he? | 0:08:45 | 0:08:47 | |
Treating him like an animal. | 0:08:47 | 0:08:49 | |
This is what alcoholics do. It's Lauren all over again. | 0:08:49 | 0:08:52 | |
-Every day, everything about them. -But she overcome it, didn't she? | 0:08:52 | 0:08:55 | |
Once she'd dragged us all down with her. | 0:08:55 | 0:08:58 | |
Sharon knows what she's doing. She's been there, hasn't she? | 0:08:58 | 0:09:00 | |
Just leave her to it. | 0:09:00 | 0:09:02 | |
What? When did she get out? | 0:09:02 | 0:09:03 | |
How did you manage that? | 0:09:03 | 0:09:05 | |
It doesn't matter. Where's Phil? | 0:09:05 | 0:09:07 | |
-He's...He's ill. -No. He's drunk. He's out of control. -What? | 0:09:07 | 0:09:09 | |
-You stupid... -She would have found out anyway. | 0:09:09 | 0:09:12 | |
Well, how bad is he? | 0:09:12 | 0:09:14 | |
That's not Phil in there. | 0:09:14 | 0:09:15 | |
He don't care about us, his family. All he cares about is the bottle. | 0:09:15 | 0:09:18 | |
Sharon's locked him in his room to sober him up. | 0:09:18 | 0:09:22 | |
The honeymooners have boarded their flight. | 0:09:22 | 0:09:24 | |
Oh, does that mean they're going to stop posting photos of everything they're eating? | 0:09:24 | 0:09:28 | |
Oh, look, it's a stuffed aubergine. In soft focus. | 0:09:28 | 0:09:31 | |
Hey, Stacey! Will you join us tonight at the Vic? | 0:09:31 | 0:09:33 | |
For what? | 0:09:33 | 0:09:35 | |
The honeymooners are returning, with tales of vegetables. | 0:09:35 | 0:09:37 | |
They'll be tired. They won't want loads of people there. | 0:09:37 | 0:09:40 | |
Don't be silly. They'll both be really pleased to see you there. | 0:09:40 | 0:09:43 | |
You ain't bailing, are ya? | 0:09:45 | 0:09:46 | |
No, I've...I've got a bug, Mick. that's why I didn't call. | 0:09:46 | 0:09:49 | |
I've asked Jane if she'd have the girls over. | 0:09:49 | 0:09:52 | |
Listen, don't worry, all right? | 0:09:52 | 0:09:53 | |
We'll get the place exactly how you wanted it. | 0:09:53 | 0:09:56 | |
You're going to whack them trotters up and fight this bug. | 0:09:56 | 0:09:58 | |
Tonight, you're going to be brand-new, yeah? | 0:09:58 | 0:10:00 | |
-Cheers. -Good girl! | 0:10:00 | 0:10:03 | |
Ah, um... | 0:10:16 | 0:10:17 | |
Grandma's contribution. | 0:10:17 | 0:10:19 | |
It's me mum's hen do tonight. | 0:10:21 | 0:10:23 | |
You're more than welcome to come if you want. There'll be food and that. | 0:10:23 | 0:10:27 | |
The spectre at the feast? | 0:10:27 | 0:10:29 | |
Look, I can...leave the barrel store door open if you want. | 0:10:30 | 0:10:34 | |
At least it's warmer and drier in there. | 0:10:34 | 0:10:37 | |
But only if you want... | 0:10:37 | 0:10:39 | |
I'm sorry I left you so long. | 0:10:57 | 0:10:59 | |
Phil, you understand. I'm trying to help you. | 0:11:02 | 0:11:07 | |
-Are you stupid?! -PLATE SMASHES | 0:11:10 | 0:11:12 | |
Are you stupid?! | 0:11:12 | 0:11:14 | |
Where did you get that? | 0:11:18 | 0:11:19 | |
You're drunk! | 0:11:19 | 0:11:21 | |
Oh! Oh! She worked it out. | 0:11:21 | 0:11:25 | |
NO! | 0:11:25 | 0:11:27 | |
SHE GRUNTS | 0:11:27 | 0:11:28 | |
LOCK TURNS | 0:11:31 | 0:11:33 | |
HAMMERING ON DOOR | 0:11:33 | 0:11:36 | |
Sharon! | 0:11:36 | 0:11:37 | |
Sharon! Open the door! | 0:11:37 | 0:11:39 | |
HAMMERING CONTINUES | 0:11:39 | 0:11:42 | |
Answers. | 0:11:43 | 0:11:44 | |
I'm on your side, Ronnie. | 0:11:45 | 0:11:47 | |
Are you sure about that? | 0:11:47 | 0:11:49 | |
I'm not going to hurt you. | 0:11:49 | 0:11:51 | |
Phil's accounts, his log book, pictures of me and my son. | 0:11:53 | 0:11:56 | |
I thought you said you were a small-time grass. | 0:11:56 | 0:11:59 | |
Look, it's... | 0:11:59 | 0:12:00 | |
It's not what do you think. | 0:12:01 | 0:12:03 | |
You...bring me the answers - the truth. | 0:12:03 | 0:12:07 | |
Or I'll be doing something with this. | 0:12:08 | 0:12:11 | |
Er, yeah... Um, we got a problem. | 0:12:20 | 0:12:24 | |
-HAMMERING -Open the door! | 0:12:25 | 0:12:28 | |
You've hurt me. Don't you care? | 0:12:28 | 0:12:31 | |
I need a drink! | 0:12:31 | 0:12:32 | |
And I need you to stop. For me. | 0:12:32 | 0:12:35 | |
For our marriage. | 0:12:35 | 0:12:37 | |
You can't keep me locked up in 'ere. | 0:12:37 | 0:12:39 | |
I have to. Look at what you are. | 0:12:39 | 0:12:42 | |
Oh, what are YOU? What are you? | 0:12:42 | 0:12:44 | |
You are the reason I drink. | 0:12:44 | 0:12:47 | |
SHE SOBS | 0:12:47 | 0:12:49 | |
Oh, and now...now she cries. | 0:12:49 | 0:12:52 | |
Stop it! This is the booze talking. | 0:12:52 | 0:12:55 | |
I know you love me. | 0:12:55 | 0:12:57 | |
You think I care, eh? | 0:12:57 | 0:12:59 | |
Has ANYONE ever cared? | 0:12:59 | 0:13:01 | |
SOBBING CONTINUES | 0:13:01 | 0:13:02 | |
I only got you for one thing, and you ain't even any good at that! | 0:13:02 | 0:13:05 | |
-HAMMERING -Open the door! Sharon! | 0:13:05 | 0:13:09 | |
I'd call her a problem. A big problem. | 0:13:11 | 0:13:14 | |
I will deal with her. | 0:13:14 | 0:13:15 | |
Well, if you don't, I will. | 0:13:17 | 0:13:20 | |
Lind, have you got Nancy's bridesmaid dress yet? | 0:13:42 | 0:13:44 | |
It's lemon, innit? Big puffed skirt. | 0:13:44 | 0:13:47 | |
No, thank you! These legs don't do skirts. | 0:13:47 | 0:13:50 | |
Ta-da. | 0:13:50 | 0:13:52 | |
I got you a veil! And it flashes! | 0:13:52 | 0:13:55 | |
Oh, lovely! | 0:13:55 | 0:13:57 | |
Oh, thanks, Nance! | 0:13:57 | 0:13:59 | |
Oh, wow, look at that! You should wear it on the day! | 0:13:59 | 0:14:02 | |
All right? | 0:14:02 | 0:14:04 | |
All right, then... Let's drink up. The Vic's next! | 0:14:04 | 0:14:07 | |
Yay! | 0:14:07 | 0:14:09 | |
-BEN: -'I don't believe it!' | 0:14:10 | 0:14:11 | |
She's gone to a hen party? | 0:14:11 | 0:14:14 | |
Ordered us not to touch the door. | 0:14:14 | 0:14:18 | |
I'm going to break the door down. | 0:14:18 | 0:14:20 | |
No, you're not! | 0:14:20 | 0:14:22 | |
Maybe this isn't our battle. Tough love. | 0:14:22 | 0:14:26 | |
That's what Phil always says, innit? | 0:14:26 | 0:14:28 | |
Where are you going? | 0:14:29 | 0:14:31 | |
I'm hungry. Ain't you? Chip shop? | 0:14:31 | 0:14:33 | |
Go on then! | 0:14:37 | 0:14:39 | |
-MUSIC POUNDS -Started without me? | 0:14:41 | 0:14:43 | |
-You made it! -Course I did. | 0:14:43 | 0:14:45 | |
Go on then! Do you like it? Have a look. | 0:14:45 | 0:14:49 | |
SHE LAUGHS No! | 0:14:49 | 0:14:52 | |
Tonight, you are Linda Peacock. Back to being a teenager again. | 0:14:52 | 0:14:55 | |
Back to the '90s. | 0:14:55 | 0:14:56 | |
When you and Mick first met. | 0:14:56 | 0:14:58 | |
Yeah! I think you blanked me the first few times we met. | 0:14:58 | 0:15:01 | |
-Sorry. -It's all right, I got you in the end. | 0:15:01 | 0:15:04 | |
So, the jukebox is set to the '90s. | 0:15:04 | 0:15:06 | |
We've got a bit of Britney, Spice Girls. | 0:15:06 | 0:15:08 | |
-Loads of Gary Barlow. Is that all right? -Oh, I love Take That. | 0:15:08 | 0:15:10 | |
And Gary loves YOU. | 0:15:10 | 0:15:13 | |
Right, ladies, let's get these shots down. | 0:15:13 | 0:15:16 | |
Rude not to. | 0:15:16 | 0:15:18 | |
Ooh, I love a shot. | 0:15:18 | 0:15:19 | |
Right, ladies, a toast. | 0:15:19 | 0:15:22 | |
Yeah, to "we get so drunk we ain't ladies no more"! | 0:15:22 | 0:15:25 | |
To Linda. | 0:15:25 | 0:15:26 | |
ALL: Linda! | 0:15:26 | 0:15:28 | |
Sharon, your ear! | 0:15:31 | 0:15:33 | |
Cheap earrings. Should insist on diamonds. | 0:15:33 | 0:15:35 | |
Champers? | 0:15:35 | 0:15:36 | |
Champagne, please. | 0:15:38 | 0:15:40 | |
HEAVY BREATHING | 0:15:41 | 0:15:43 | |
HE BANGS BOTTLE DOWN | 0:15:54 | 0:15:57 | |
HE BANGS DOOR | 0:15:57 | 0:15:58 | |
HE SIGHS | 0:15:58 | 0:15:59 | |
MUSIC: Relight My Fire by Take That | 0:15:59 | 0:16:02 | |
WHOOPING | 0:16:05 | 0:16:07 | |
Oh, Linda! | 0:16:11 | 0:16:13 | |
Congratulations! Oh, it's Wedding Central! | 0:16:14 | 0:16:18 | |
-I know! -You're going to be a beautiful bride. | 0:16:18 | 0:16:21 | |
An old one, but thanks. | 0:16:21 | 0:16:23 | |
Old? You're kidding? | 0:16:23 | 0:16:24 | |
If they did my school days as a theme, we'd all be in black and white. | 0:16:24 | 0:16:29 | |
Oh, stop it! | 0:16:29 | 0:16:31 | |
Well, he certainly didn't stint on the ring. | 0:16:31 | 0:16:33 | |
Just like Diana's. | 0:16:33 | 0:16:35 | |
Oh, I loved her. | 0:16:35 | 0:16:36 | |
I had my hair cut like hers in the '90s. | 0:16:36 | 0:16:38 | |
But I could never get it to flick. | 0:16:38 | 0:16:40 | |
Heeeey! You OK? | 0:16:40 | 0:16:42 | |
Oh, it's lovely. Mmmmwah! | 0:16:42 | 0:16:45 | |
You know, I'd forgotten how cute you were | 0:16:45 | 0:16:47 | |
when I first fell in love with you. | 0:16:47 | 0:16:49 | |
Excuse me! Excuse me! | 0:16:49 | 0:16:51 | |
-There's actually no snogging between stags and hens. -All right. | 0:16:51 | 0:16:56 | |
SHE GASPS I'll be Lulu! | 0:16:56 | 0:16:58 | |
Mind, lip-synch, darling. Make sure you lip-synch, darling! | 0:16:58 | 0:17:04 | |
BAWLS TUNELESSLY: # You gotta be strong enough to walk on through the night | 0:17:07 | 0:17:10 | |
# There's a new day on the other side | 0:17:10 | 0:17:14 | |
# You gotta have hope in your soul | 0:17:14 | 0:17:19 | |
# To keep on walkin' # | 0:17:19 | 0:17:21 | |
WORDLESS WAILING | 0:17:21 | 0:17:24 | |
Never mind. | 0:17:26 | 0:17:27 | |
HE BREATHES HEAVILY | 0:17:32 | 0:17:35 | |
MUSIC: Mambo No 5 By Lou Bega | 0:17:47 | 0:17:50 | |
It's lively in here tonight, innit? Is Linda about? | 0:17:59 | 0:18:01 | |
She's over there. In about 1992. | 0:18:01 | 0:18:04 | |
Whoo! You're back! Well, come join us! It's my hen! | 0:18:05 | 0:18:10 | |
Your hen? Billy didn't tell me! | 0:18:10 | 0:18:12 | |
Come and have a drink. Look who's here! | 0:18:12 | 0:18:14 | |
Oh! you're back! | 0:18:19 | 0:18:21 | |
Welcome back! | 0:18:23 | 0:18:24 | |
How was it? You look happy! | 0:18:26 | 0:18:29 | |
It's because we are happy. | 0:18:29 | 0:18:31 | |
I hope you weren't expecting a quiet drink. | 0:18:31 | 0:18:34 | |
It's Linda's hen. | 0:18:34 | 0:18:36 | |
-Is it? Congratulations, Linda! -Oh! And you two. | 0:18:36 | 0:18:39 | |
Two weeks now. They said it wouldn't last. | 0:18:39 | 0:18:41 | |
So go on, was the honeymoon perfect? | 0:18:41 | 0:18:44 | |
Cos I saw you had some lovely lunches. | 0:18:44 | 0:18:47 | |
Yeah, it was all right. | 0:18:47 | 0:18:48 | |
I was going to go with "magical". | 0:18:48 | 0:18:50 | |
Aw! Look at them, Sharon! All in love. | 0:18:50 | 0:18:54 | |
We wish you the longest and most wonderful of marriages. | 0:18:54 | 0:18:58 | |
Don't we, girls? | 0:18:58 | 0:18:59 | |
ALL: Yeah! | 0:18:59 | 0:19:00 | |
LIGHTER CLICKS REPEATEDLY | 0:19:15 | 0:19:17 | |
MUSIC: Baby One More Time By Britney Spears | 0:19:27 | 0:19:31 | |
You've got bigger, hasn't she? | 0:19:36 | 0:19:38 | |
Is everything OK? | 0:19:40 | 0:19:42 | |
Yeah, yeah, Martin can't wait. | 0:19:42 | 0:19:44 | |
Anyone for trifle? | 0:19:44 | 0:19:46 | |
-Not going already? -Got to get back to my babies. | 0:19:48 | 0:19:50 | |
Look, I hope the day goes well. | 0:19:50 | 0:19:52 | |
I threw up the first time I tried to marry Billy. | 0:19:52 | 0:19:54 | |
I'd have done that an' all. | 0:19:54 | 0:19:55 | |
Food poisoning. | 0:19:55 | 0:19:57 | |
Anyway, when you find someone who loves you to the moon and back, | 0:19:57 | 0:20:00 | |
you keep 'em. | 0:20:00 | 0:20:01 | |
Thanks, bye! | 0:20:01 | 0:20:03 | |
Is it different being married? | 0:20:04 | 0:20:06 | |
-Is it all better? -Yeah! Course. | 0:20:06 | 0:20:08 | |
Is he the wind beneath your wings? | 0:20:08 | 0:20:11 | |
-You OK, Sharon? -Yeah. Yeah, course. | 0:20:11 | 0:20:14 | |
Don't know how lucky you are, someone loving you. | 0:20:14 | 0:20:17 | |
Forsaking all others. | 0:20:17 | 0:20:19 | |
Linda, look, I think I'd better go. | 0:20:19 | 0:20:21 | |
What, now? | 0:20:21 | 0:20:22 | |
-Yeah. Sorry, I've got this bug... -Big bug called Phil, is it? | 0:20:22 | 0:20:26 | |
Sharon? | 0:20:26 | 0:20:27 | |
Upstairs. | 0:20:28 | 0:20:30 | |
-All right? -All right, boy? | 0:20:34 | 0:20:36 | |
I might as well hook the tequila up to the beer pumps, | 0:20:36 | 0:20:39 | |
the way they're necking it down. What are you doing here anyway? | 0:20:39 | 0:20:42 | |
I saw Cora earlier, bless her. | 0:20:42 | 0:20:45 | |
I said she could kip down here. | 0:20:45 | 0:20:46 | |
If that's all right with you? It's not much warmer, but... | 0:20:46 | 0:20:49 | |
Yeah, it's fine. Surprised she accepted. | 0:20:49 | 0:20:53 | |
Well, she didn't. She bit my head off, actually. | 0:20:53 | 0:20:55 | |
But you never know... | 0:20:55 | 0:20:57 | |
Well, it ain't always easy accepting you need help, you know? | 0:20:57 | 0:21:02 | |
Just make sure you don't leave this place unsecured tonight, right? | 0:21:02 | 0:21:06 | |
All right. | 0:21:06 | 0:21:08 | |
WOMEN UPSTAIRS # I'm getting married in the morning | 0:21:08 | 0:21:11 | |
# Ding-dong the bells are gonna chime | 0:21:11 | 0:21:15 | |
# Pull out the stopper let's have a whopper... # | 0:21:15 | 0:21:19 | |
I thought Phil's drinking was all in the past. | 0:21:19 | 0:21:21 | |
Well, how bad is he? I saw your ear, Sharon. | 0:21:23 | 0:21:26 | |
It was an accident. | 0:21:26 | 0:21:28 | |
It was the drink, not him. | 0:21:28 | 0:21:29 | |
When he sobers up, we'll be fine. | 0:21:29 | 0:21:31 | |
You can't live your life like this. | 0:21:31 | 0:21:33 | |
That's marriage, Linda. | 0:21:33 | 0:21:36 | |
Well, MY marriage. | 0:21:36 | 0:21:37 | |
Why didn't you tell me? | 0:21:37 | 0:21:39 | |
Cos I was ashamed. | 0:21:39 | 0:21:41 | |
Everyone thinks we're some big love story. | 0:21:43 | 0:21:46 | |
And look what we really are. | 0:21:48 | 0:21:49 | |
HE SHUDDERS | 0:21:49 | 0:21:51 | |
You're right. | 0:21:56 | 0:21:58 | |
I... | 0:22:02 | 0:22:03 | |
The police... | 0:22:07 | 0:22:08 | |
We're taking down the Mitchells. | 0:22:11 | 0:22:13 | |
My family? | 0:22:14 | 0:22:16 | |
You kill for them, they shop you. | 0:22:17 | 0:22:21 | |
I saved you last night - where were they? | 0:22:21 | 0:22:23 | |
Roxy was with her lover, | 0:22:23 | 0:22:25 | |
Phil was drinking at my bar. | 0:22:25 | 0:22:27 | |
They left you to rot. | 0:22:27 | 0:22:30 | |
It's about time you stopped protecting them. | 0:22:30 | 0:22:32 | |
You want to be careful leaving your door on the latch. | 0:22:32 | 0:22:36 | |
There's some dodgy people around. | 0:22:36 | 0:22:37 | |
Who is this? | 0:22:37 | 0:22:39 | |
Is this another one of your goons? | 0:22:39 | 0:22:41 | |
Detective Sergeant Craig Pike. | 0:22:41 | 0:22:44 | |
I'm part of a team investigating | 0:22:44 | 0:22:47 | |
organised crime groups in East London. | 0:22:47 | 0:22:49 | |
Vincent here has been feeding us information on your family. | 0:22:49 | 0:22:54 | |
Primarily your cousin, Phillip Mitchell. | 0:22:54 | 0:22:57 | |
So this is nothing to do with Carl White? | 0:22:58 | 0:23:01 | |
The White family have been part of our investigation, | 0:23:01 | 0:23:04 | |
but we're not really bothered about what your sister says happened. | 0:23:04 | 0:23:07 | |
In fact, my department want the murder squad | 0:23:07 | 0:23:10 | |
to stay out of this altogether. | 0:23:10 | 0:23:13 | |
But once they start digging... they don't stop. | 0:23:13 | 0:23:16 | |
Murder investigations tend to attract publicity. | 0:23:17 | 0:23:21 | |
And we don't want your cousin getting spooked. | 0:23:22 | 0:23:25 | |
Think about the bigger picture here, Miss Mitchell. | 0:23:25 | 0:23:29 | |
And keep your mouth shut. | 0:23:31 | 0:23:32 | |
And what if I don't? | 0:23:33 | 0:23:35 | |
Then I'll make sure you get sent to prison... | 0:23:35 | 0:23:37 | |
..for a very long time. | 0:23:38 | 0:23:40 | |
Do the right thing, Ron. | 0:23:42 | 0:23:44 | |
I can't believe you bottled everything up. | 0:23:49 | 0:23:52 | |
We're friends, here for each other. | 0:23:52 | 0:23:54 | |
Only I haven't been, have I? | 0:23:54 | 0:23:56 | |
Linda, I'm sorry about the dress shopping, about lying to Mick, but... | 0:23:57 | 0:24:02 | |
I was scared I couldn't paint on a smile forever, you know? | 0:24:02 | 0:24:04 | |
Well, you don't have to with me. You can tell me anything. | 0:24:04 | 0:24:08 | |
There's more? | 0:24:10 | 0:24:12 | |
Sharon, you're scaring me. What is it? | 0:24:13 | 0:24:16 | |
My dad... | 0:24:17 | 0:24:18 | |
What? | 0:24:18 | 0:24:20 | |
I found him. | 0:24:20 | 0:24:22 | |
Oh, that's wonderful! Why didn't you say? | 0:24:22 | 0:24:26 | |
So have you met him? Who is he? | 0:24:26 | 0:24:28 | |
Sharon? | 0:24:30 | 0:24:31 | |
Turns out my happily-ever-after don't exist. | 0:24:34 | 0:24:37 | |
I'm sorry I'm late. | 0:24:43 | 0:24:44 | |
So go on. Did you speak to this Gloria? | 0:24:44 | 0:24:47 | |
She hasn't seen Jordan in years. No-one has. | 0:24:47 | 0:24:50 | |
And no-one knows what's happened to him. | 0:24:50 | 0:24:52 | |
My long-lost Dad. This hero I'd been dreaming of. | 0:24:54 | 0:24:58 | |
Well...turns out he's a monster. | 0:24:58 | 0:25:01 | |
No wonder why Den didn't want me to know him. | 0:25:01 | 0:25:04 | |
Sharon, this is huge. Right, I'm calling off the hen. | 0:25:04 | 0:25:08 | |
No. | 0:25:08 | 0:25:09 | |
We need to talk properly. | 0:25:09 | 0:25:10 | |
Linda, you can't leave your hen party. | 0:25:10 | 0:25:12 | |
What's more important? You sat there, ear half torn off, | 0:25:12 | 0:25:15 | |
-all this happening. -I'm fine. And in the morning, Phil will be fine. | 0:25:15 | 0:25:19 | |
So please, go downstairs. | 0:25:19 | 0:25:20 | |
I can't leave you like this! | 0:25:20 | 0:25:21 | |
Just cover for me. | 0:25:21 | 0:25:23 | |
And say what? | 0:25:23 | 0:25:24 | |
I've gone back to my perfect husband and...my perfect life. | 0:25:24 | 0:25:28 | |
-Sharon? -Please, Linda. | 0:25:28 | 0:25:30 | |
Stay here? All right? So that I know you're safe. | 0:25:30 | 0:25:33 | |
So that we can talk tomorrow. | 0:25:33 | 0:25:35 | |
OK. | 0:25:35 | 0:25:37 | |
I'm here, all right? Team Sharon. | 0:25:37 | 0:25:40 | |
I can get you through anything. | 0:25:40 | 0:25:42 | |
Then get through that door before my cover's blown, yeah? | 0:25:42 | 0:25:45 | |
So, the start of married life? Be so happy! | 0:25:59 | 0:26:03 | |
Yeah, we will. | 0:26:03 | 0:26:04 | |
We're going to be OK. | 0:26:04 | 0:26:06 | |
Yeah, well, look after her for me. | 0:26:06 | 0:26:08 | |
She may be old and married, but she's still my little girl. | 0:26:08 | 0:26:11 | |
Meri duniya. | 0:26:11 | 0:26:13 | |
Aw, you're my world too. A girl always needs her dad. | 0:26:13 | 0:26:17 | |
Well, I suppose I'd better carry you over the threshold now. | 0:26:17 | 0:26:19 | |
I dunno... Two weeks of holiday eating... | 0:26:19 | 0:26:22 | |
First rule of marriage, you never, ever mention weight. Ever. | 0:26:22 | 0:26:25 | |
No, Kush! What are you doing? No! | 0:26:25 | 0:26:27 | |
Oh, no, I'm falling down! No, I'm all right. | 0:26:27 | 0:26:31 | |
-I got a bad back. -Yes, always. | 0:26:32 | 0:26:35 | |
Er...Gavin? | 0:26:53 | 0:26:55 | |
Dad... | 0:26:56 | 0:26:57 | |
It's Sharon... | 0:26:59 | 0:27:00 | |
Oh, look at her! | 0:27:13 | 0:27:16 | |
I'd better walk this lightweight home, ain't I? Look at it! | 0:27:16 | 0:27:21 | |
Baby? | 0:27:21 | 0:27:22 | |
Mick... | 0:27:22 | 0:27:24 | |
Yeah! | 0:27:24 | 0:27:25 | |
Bedtime, baby, yeah? | 0:27:25 | 0:27:28 | |
Ohhh... Is Sharon OK? Did you get her a blanket? | 0:27:28 | 0:27:31 | |
Yeah, she's lovely. She's lovely. | 0:27:31 | 0:27:33 | |
Everyone's had a wonderful night, eh? | 0:27:33 | 0:27:36 | |
Yeah, wonderful! | 0:27:36 | 0:27:37 | |
Bless you. Come here. | 0:27:37 | 0:27:39 | |
Ohhh! | 0:27:39 | 0:27:41 | |
Ahhh.... I love you, Mick Carter. | 0:27:41 | 0:27:43 | |
Aw, yeah? I love you, Linda Peacock. | 0:27:43 | 0:27:47 | |
I always have... | 0:27:48 | 0:27:50 | |
-I always will. -SHE GIGGLES | 0:27:50 | 0:27:52 | |
BANGING ABOVE | 0:28:08 | 0:28:09 | |
SHARON! | 0:28:13 | 0:28:15 | |
SHARON! I KNOW YOU'RE THERE! | 0:28:16 | 0:28:18 | |
FETCH ME A DRINK! | 0:28:19 | 0:28:21 | |
I NEED A DRINK! | 0:28:21 | 0:28:23 | |
Come to tell me you love me again, have ya? | 0:28:31 | 0:28:33 | |
SHUDDERING BREATH | 0:28:49 | 0:28:51 | |
Here's to our marriage. | 0:28:51 | 0:28:53 | |
HE EXHALES | 0:29:03 | 0:29:05 |