Browse content similar to 26/11/2015. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
You work for the police? | 0:00:25 | 0:00:27 | |
In a roundabout way. | 0:00:27 | 0:00:28 | |
How long? | 0:00:30 | 0:00:32 | |
-Not here. -No, I asked you a question. | 0:00:32 | 0:00:34 | |
Five years. | 0:00:36 | 0:00:38 | |
Huh? Five years? | 0:00:38 | 0:00:39 | |
-You wait until now to tell me? -It's complicated. | 0:00:41 | 0:00:43 | |
Complicated!? You gave me the gun. | 0:00:43 | 0:00:47 | |
Keep your voice down. | 0:00:47 | 0:00:48 | |
Why? Are you scared of what they'll do to you? | 0:00:49 | 0:00:52 | |
Please, Blue Eyes. | 0:00:52 | 0:00:53 | |
Give me a chance to explain. | 0:00:54 | 0:00:55 | |
Show's over. Sorry. | 0:00:58 | 0:00:59 | |
So much for helping Ronnie. How long has he been like this? | 0:01:01 | 0:01:05 | |
I don't know. An hour, maybe. | 0:01:05 | 0:01:07 | |
What, and you didn't think to tell me? | 0:01:07 | 0:01:08 | |
-I thought we could sober him up. -He's a disgrace. | 0:01:08 | 0:01:10 | |
-Yeah, all right, Sal. -He's got no willpower. | 0:01:10 | 0:01:12 | |
He gets that from his father's side. | 0:01:12 | 0:01:14 | |
It's bad enough Ronnie being arrested. | 0:01:14 | 0:01:16 | |
I don't want no-one thinking my husband's a drunk. | 0:01:16 | 0:01:18 | |
Just get him out of here, please. | 0:01:18 | 0:01:20 | |
Come on, Phil. Come on! | 0:01:20 | 0:01:22 | |
Fats. | 0:01:25 | 0:01:27 | |
Come on. Spill. | 0:01:28 | 0:01:29 | |
What's going on with Vincent and Ronnie? | 0:01:31 | 0:01:34 | |
I don't know. | 0:01:34 | 0:01:36 | |
I don't know what it is with him and that damn family. | 0:01:36 | 0:01:38 | |
Everywhere I turn there's a Mitchell lurking about. | 0:01:38 | 0:01:40 | |
Sorry, Kimmy. I can't help you. | 0:01:40 | 0:01:43 | |
All right. Hey, what were you doing in the house earlier? | 0:01:43 | 0:01:46 | |
I told you. I was, erm... | 0:01:46 | 0:01:48 | |
I was leaving Vincent my set list for tonight. | 0:01:48 | 0:01:51 | |
Any idea why the safe was left open? | 0:01:51 | 0:01:53 | |
Vincent must have been in a rush. | 0:01:54 | 0:01:56 | |
All right. Look, if you hear of anything, | 0:01:56 | 0:01:58 | |
you come straight to me, all right? | 0:01:58 | 0:02:00 | |
Looks like someone's had a skinful. | 0:02:05 | 0:02:07 | |
Yeah, well, we're taking him home. | 0:02:07 | 0:02:09 | |
I remember his father being carried out of a bar just like this one. | 0:02:09 | 0:02:12 | |
Face and knuckles bleeding. But that was Eric Mitchell for you. | 0:02:12 | 0:02:16 | |
-Claudette Hubbard. -You know each other? | 0:02:16 | 0:02:19 | |
Sal and Peggy used to drink in a club I worked at. | 0:02:19 | 0:02:22 | |
It wasn't drinks she was selling. | 0:02:22 | 0:02:24 | |
Now, now, we're respectable ladies, remember. | 0:02:24 | 0:02:26 | |
You were always a two-bit trollop. | 0:02:26 | 0:02:28 | |
From what I remember you and your sister never did have much class. | 0:02:28 | 0:02:31 | |
This from a woman who slept with every man from here to Bow. | 0:02:31 | 0:02:35 | |
How is Harold? Give him my love, won't you? | 0:02:35 | 0:02:37 | |
Come on, Sal, let's go, come on. | 0:02:37 | 0:02:39 | |
You want to be careful. | 0:02:40 | 0:02:41 | |
His father was pretty handy with his fists. | 0:02:41 | 0:02:44 | |
I can handle him. | 0:02:44 | 0:02:45 | |
Yeah, that's what Peggy used to say. | 0:02:45 | 0:02:47 | |
-Billy? -Hey. | 0:02:51 | 0:02:53 | |
-How is he? -He's fine. I've just got him off to sleep. | 0:02:55 | 0:02:59 | |
What happened with the police? | 0:02:59 | 0:03:00 | |
-Everything's fine. -They just let you go? | 0:03:00 | 0:03:02 | |
Could you make yourself scarce, please? | 0:03:02 | 0:03:04 | |
Myself and Ronnie have got some things we need to talk about. | 0:03:04 | 0:03:06 | |
-I think I have a right to know what's going on, don't you? -Just go. | 0:03:06 | 0:03:10 | |
It's fine, I'll take him upstairs. | 0:03:10 | 0:03:13 | |
Ronnie, just so you know. I will be looking for somewhere else to live. | 0:03:13 | 0:03:16 | |
You don't have to do that. | 0:03:16 | 0:03:17 | |
I think we do. | 0:03:17 | 0:03:18 | |
Honey! | 0:03:20 | 0:03:21 | |
Your badge. | 0:03:27 | 0:03:29 | |
I want to see it. | 0:03:29 | 0:03:31 | |
-I don't have a badge. -Why not? | 0:03:31 | 0:03:33 | |
Because I work more behind the scenes. | 0:03:33 | 0:03:35 | |
Behind the scenes? What the hell does that mean? | 0:03:35 | 0:03:38 | |
-That's it, Vincent. You're out of time. -Where're you going? | 0:03:40 | 0:03:42 | |
I'm going to go and tell Sharon who her business partner is. | 0:03:42 | 0:03:45 | |
-You can't. -Why not? | 0:03:45 | 0:03:47 | |
If Phil finds out what's going on, you could blow this whole thing. | 0:03:47 | 0:03:50 | |
Blow what? | 0:03:50 | 0:03:51 | |
Do you know what? I am tired of talking in riddles. | 0:03:51 | 0:03:54 | |
I'm an informant. | 0:03:54 | 0:03:55 | |
You said you were in the police! | 0:04:01 | 0:04:04 | |
I said I had connections. | 0:04:04 | 0:04:05 | |
I don't believe this. | 0:04:07 | 0:04:10 | |
You're a grass? | 0:04:10 | 0:04:11 | |
You say the police came to the house and arrested her? | 0:04:15 | 0:04:18 | |
Yeah, that's right. | 0:04:18 | 0:04:20 | |
And is there any truth to these claims? | 0:04:20 | 0:04:22 | |
I'll take that as a maybe. | 0:04:24 | 0:04:26 | |
What's going to happen to her? | 0:04:26 | 0:04:28 | |
That depends on whether she's clever enough to cover her tracks. | 0:04:28 | 0:04:32 | |
Have you got him? | 0:04:33 | 0:04:34 | |
Come on. Come on, Phil. | 0:04:34 | 0:04:37 | |
-What's up with him? -He's drunk. | 0:04:37 | 0:04:39 | |
There's no point trying to get any sense out of him. | 0:04:39 | 0:04:42 | |
Where shall I put him? | 0:04:42 | 0:04:43 | |
Stick him at the kitchen table. I'll worry about him later. | 0:04:43 | 0:04:46 | |
-I'm fine, see? -Get him out of my sight, Billy. | 0:04:46 | 0:04:48 | |
-PHONE RINGS -I can't believe he's done this to us again, Ben. | 0:04:50 | 0:04:53 | |
It's not his fault, though, is it? | 0:04:53 | 0:04:54 | |
It's your dad messing with his head. | 0:04:54 | 0:04:56 | |
That was a colleague of mine. | 0:04:59 | 0:05:01 | |
There's no record of Ronnie being taken into custody. | 0:05:02 | 0:05:06 | |
So where is she? | 0:05:06 | 0:05:07 | |
Your guess is as good as mine. | 0:05:07 | 0:05:09 | |
My dad had a record as long as his arm. | 0:05:12 | 0:05:14 | |
I knew if I didn't do anything about it I'd end up just like him. | 0:05:14 | 0:05:19 | |
So, I enrolled at Hendon. | 0:05:19 | 0:05:22 | |
I've heard it all now. | 0:05:23 | 0:05:25 | |
I stuck at it for a few months but I was never cut out to be a copper. | 0:05:25 | 0:05:29 | |
So I gave up. | 0:05:30 | 0:05:31 | |
I started working the doors on a few clubs. | 0:05:33 | 0:05:36 | |
I was young, got mixed in the wrong crowd. | 0:05:36 | 0:05:40 | |
Money laundering, drugs - you name it. | 0:05:40 | 0:05:43 | |
I was raking it in. | 0:05:43 | 0:05:44 | |
Then one night there was a raid on one of the clubs | 0:05:46 | 0:05:49 | |
and I was the fall guy. | 0:05:49 | 0:05:51 | |
You got arrested? | 0:05:52 | 0:05:54 | |
I was looking at at least six years, till they offered to cut me a deal. | 0:05:54 | 0:05:58 | |
-To become a grass? -I prefer intelligence-gatherer. | 0:05:59 | 0:06:02 | |
SHE SCOFFS | 0:06:02 | 0:06:03 | |
I was their eyes and ears on the ground. | 0:06:04 | 0:06:07 | |
It's amazing who you get to meet in this line of work. | 0:06:07 | 0:06:10 | |
Does anyone else know? | 0:06:10 | 0:06:11 | |
No. And they can't either. | 0:06:11 | 0:06:13 | |
Careful, Vincent. You almost sounded scared then. | 0:06:13 | 0:06:17 | |
You don't want to shout out about this, do you? | 0:06:17 | 0:06:19 | |
So why are you still doing it? | 0:06:19 | 0:06:21 | |
Because they didn't give me a choice, did they? | 0:06:21 | 0:06:23 | |
Anyway, there you have it. | 0:06:24 | 0:06:27 | |
Seems like we both have our secrets. | 0:06:27 | 0:06:30 | |
Except unlike you, I'm not a dead man walking. | 0:06:30 | 0:06:33 | |
You didn't have to do this, you know. | 0:06:37 | 0:06:39 | |
Any excuse for a bit of afternoon drinking. | 0:06:39 | 0:06:41 | |
Yeah. I'll tell you what, I'm going to drink to that. | 0:06:41 | 0:06:43 | |
Oh, yeah. | 0:06:43 | 0:06:44 | |
Oh, hey-oh, look what the cat dragged in. | 0:06:47 | 0:06:49 | |
Don't give me shade, Dee. | 0:06:49 | 0:06:51 | |
Shade? I should be lamping you one. | 0:06:51 | 0:06:54 | |
It's not like I haven't given you plenty of notice. | 0:06:54 | 0:06:56 | |
I'll tell you what. I'll get a little tent, shall I? | 0:06:56 | 0:06:59 | |
And I can move into the gardens. | 0:06:59 | 0:07:00 | |
Oh, no - I'll tell you what I can do. | 0:07:00 | 0:07:02 | |
I can go and ask Cora if I can bunk up with her down the allotment. | 0:07:02 | 0:07:06 | |
I'm just selling my half of the house. | 0:07:06 | 0:07:09 | |
It's absolutely fine. Absolutely fine. | 0:07:09 | 0:07:12 | |
I'll chop everything in half. | 0:07:12 | 0:07:14 | |
You should be grateful. | 0:07:15 | 0:07:17 | |
How, exactly? | 0:07:17 | 0:07:19 | |
You won't have to see the cellar every day, will you? | 0:07:19 | 0:07:22 | |
You know what? That's low, Kim. Even for you. | 0:07:22 | 0:07:24 | |
You can always come and stay with me. | 0:07:24 | 0:07:26 | |
I've got plenty of room. | 0:07:26 | 0:07:28 | |
Since when did you two become mates? | 0:07:28 | 0:07:30 | |
I am allowed to have my own friends, you know. | 0:07:30 | 0:07:32 | |
I suppose. | 0:07:32 | 0:07:33 | |
So, what did you want, anyway? | 0:07:35 | 0:07:37 | |
I'm looking for Vincent. | 0:07:37 | 0:07:39 | |
No. | 0:07:39 | 0:07:40 | |
Oh, don't tell me he's gone AWOL. Again. | 0:07:40 | 0:07:43 | |
You want to watch her, Carmen. | 0:07:43 | 0:07:45 | |
It's Carmel... Oh, what's the point? | 0:07:45 | 0:07:48 | |
She's a bitter woman. | 0:07:48 | 0:07:49 | |
Anything from Chelsea? | 0:07:54 | 0:07:56 | |
Nothing. | 0:07:56 | 0:07:58 | |
She would have contacted you if she was in trouble. | 0:07:58 | 0:08:01 | |
You're lucky, you know. Family on the doorstep... | 0:08:01 | 0:08:04 | |
Friends... | 0:08:04 | 0:08:06 | |
When Umar was around we used to do a lot of entertaining, you know. | 0:08:06 | 0:08:09 | |
Dinner parties, fondue evenings. | 0:08:09 | 0:08:12 | |
And then when we split up... | 0:08:14 | 0:08:16 | |
the phone just suddenly stopped ringing. | 0:08:16 | 0:08:20 | |
There's the girls at Pilates, of course, | 0:08:20 | 0:08:22 | |
but that's just a quick hello before class. | 0:08:22 | 0:08:25 | |
They're not friends. Not real ones, anyway. | 0:08:25 | 0:08:27 | |
Most nights it's just me and Craig. | 0:08:29 | 0:08:32 | |
Craig? | 0:08:32 | 0:08:34 | |
-My rumpy riser. -Oh. | 0:08:34 | 0:08:36 | |
Well, you've got me now. | 0:08:37 | 0:08:39 | |
To friendship. | 0:08:42 | 0:08:43 | |
New friendship. | 0:08:45 | 0:08:46 | |
Are you going to drink that coffee or what? | 0:08:51 | 0:08:53 | |
-Come and sit down. -I can't even look at you. | 0:08:55 | 0:08:57 | |
You said all that stuff with my dad was a one-off. | 0:09:00 | 0:09:03 | |
So why now? | 0:09:03 | 0:09:04 | |
HE SIGHS | 0:09:04 | 0:09:06 | |
You manage five years without a drop | 0:09:06 | 0:09:08 | |
and then suddenly you're back to where you started. | 0:09:08 | 0:09:11 | |
You know, I watched Ange practically drink herself to death | 0:09:13 | 0:09:17 | |
and I'm damned if I'm doing it twice. | 0:09:17 | 0:09:19 | |
Is it me? Is it something I did? | 0:09:21 | 0:09:23 | |
-Course not. -Then why, Phil, huh? | 0:09:23 | 0:09:25 | |
I don't know. | 0:09:27 | 0:09:30 | |
Is that the best you can do? "I don't know." | 0:09:30 | 0:09:33 | |
What do you want me to say? | 0:09:33 | 0:09:35 | |
I want you to tell me what's going on in here! | 0:09:37 | 0:09:39 | |
How else am I supposed to help you? | 0:09:39 | 0:09:41 | |
It won't happen again. | 0:09:43 | 0:09:45 | |
That's what Ange used to say. | 0:09:46 | 0:09:49 | |
The next day I'd find her face down on the kitchen floor. | 0:09:49 | 0:09:52 | |
I might as well head back to the office. | 0:09:52 | 0:09:55 | |
Still no word? | 0:09:55 | 0:09:56 | |
Whoever those blokes were, they weren't the Old Bill. | 0:09:56 | 0:09:59 | |
Ronnie's gone off with I don't know who. And what're you doing? | 0:10:02 | 0:10:07 | |
Oh, Phil, just get yourself to bed. I'll deal with it on my own. | 0:10:07 | 0:10:10 | |
I've had plenty of practice. | 0:10:10 | 0:10:12 | |
Need a hand, Buster? | 0:10:17 | 0:10:19 | |
No, I'm just window shopping. | 0:10:19 | 0:10:22 | |
Is Lee about? | 0:10:23 | 0:10:25 | |
Oh, yeah, he's inside. Pop in and say hello if you want. | 0:10:25 | 0:10:28 | |
No. | 0:10:28 | 0:10:30 | |
I don't want to disturb the lad. | 0:10:30 | 0:10:31 | |
Hey, Buster... | 0:10:33 | 0:10:35 | |
You know Vincent pretty well, right? | 0:10:35 | 0:10:37 | |
Yeah, our paths have crossed. | 0:10:39 | 0:10:42 | |
What do you make of him? | 0:10:42 | 0:10:44 | |
Well, whatever you've heard, multiply by 100. | 0:10:44 | 0:10:48 | |
The bloke's bad news. | 0:10:48 | 0:10:50 | |
I wouldn't trust him as far as I could throw him. | 0:10:50 | 0:10:53 | |
I still don't understand why I can't go to the police. | 0:11:03 | 0:11:06 | |
Because it's not just you you're putting in the frame, is it? | 0:11:06 | 0:11:09 | |
I gave you a gun. | 0:11:09 | 0:11:10 | |
-For protection. -Which was used to shoot Phil. | 0:11:10 | 0:11:13 | |
The gun is long gone. Jay and Ben sorted it. | 0:11:13 | 0:11:16 | |
What, and you trust those chimps, do you? | 0:11:16 | 0:11:18 | |
They start investigating you, | 0:11:18 | 0:11:20 | |
it's a matter of time before I'm implicated too. | 0:11:20 | 0:11:23 | |
Look, I'll keep your name out of it. | 0:11:23 | 0:11:24 | |
That makes no difference. | 0:11:24 | 0:11:26 | |
As far as they're concerned I work for them. | 0:11:26 | 0:11:28 | |
The minute they find out I tried to help you, my protection is gone. | 0:11:28 | 0:11:31 | |
That means I'm a dead man. | 0:11:31 | 0:11:34 | |
I know what it's like to grow up without an old man. | 0:11:34 | 0:11:36 | |
I don't want to put Pearl through that as well. | 0:11:36 | 0:11:38 | |
Look, it won't come to that. | 0:11:38 | 0:11:41 | |
Last week they fished a man out of the Thames. | 0:11:41 | 0:11:43 | |
That's what you get for being a grass. | 0:11:43 | 0:11:45 | |
You knew the risks when you took the job. | 0:11:45 | 0:11:47 | |
I put my neck on the line trying to help you, Ronnie. | 0:11:47 | 0:11:49 | |
Least you can do is return the favour. | 0:11:49 | 0:11:51 | |
-How? -Take the tickets and go. | 0:11:51 | 0:11:54 | |
Make a new life for yourself in Ibiza. | 0:11:54 | 0:11:56 | |
What about you? | 0:12:00 | 0:12:01 | |
I'll stay here and sort out this mess. | 0:12:04 | 0:12:06 | |
Look, the clock is ticking. | 0:12:09 | 0:12:11 | |
Soon enough the Old Bill will be coming here looking for you. | 0:12:11 | 0:12:15 | |
If you want to take the risk, | 0:12:15 | 0:12:17 | |
I suggest you say goodbye to Matthew now | 0:12:17 | 0:12:19 | |
cos the chances are you will not see him again. | 0:12:19 | 0:12:22 | |
Don't worry. I won't let anyone hurt you. | 0:12:28 | 0:12:31 | |
SHE SNIFFS | 0:12:33 | 0:12:35 | |
No such thing as a quiet Mitchell lunch. | 0:12:37 | 0:12:39 | |
Now, I know Peggy wouldn't like me to say this, | 0:12:41 | 0:12:44 | |
but you're good for him. | 0:12:44 | 0:12:46 | |
Am I? | 0:12:46 | 0:12:47 | |
Be strong for him, Sharon. He needs you more than ever now. | 0:12:47 | 0:12:50 | |
I should have seen this coming. | 0:12:56 | 0:12:58 | |
He asked me to buy him some booze but I thought it was a one-off. | 0:12:59 | 0:13:03 | |
Ben, there's nothing you or me could have done. Phil's an addict. | 0:13:03 | 0:13:07 | |
So what are we going to do? | 0:13:07 | 0:13:09 | |
We try and help him. | 0:13:09 | 0:13:11 | |
How? | 0:13:11 | 0:13:13 | |
By doing whatever we can to keep him sober. | 0:13:13 | 0:13:15 | |
-What about Ronnie? -I can't be dealing with that right now. | 0:13:17 | 0:13:20 | |
But what if she's in trouble? | 0:13:20 | 0:13:21 | |
She'll just have to fight her own battles for once. | 0:13:21 | 0:13:24 | |
Phil's got enough to deal with. | 0:13:24 | 0:13:25 | |
All right? | 0:13:33 | 0:13:34 | |
I've been looking all over for you. | 0:13:40 | 0:13:42 | |
What're you doing? | 0:13:44 | 0:13:45 | |
You made your choice, Billy. | 0:13:47 | 0:13:50 | |
Oh, come on, Hon. | 0:13:50 | 0:13:51 | |
Phil was drunk. I couldn't just leave him, could I? | 0:13:51 | 0:13:54 | |
You know, I have spent the past ten years playing second fiddler | 0:13:54 | 0:13:57 | |
to the Mitchells. I'm not putting myself through it again. | 0:13:57 | 0:14:01 | |
So where does that leave us? | 0:14:01 | 0:14:02 | |
That's up to you. | 0:14:03 | 0:14:05 | |
Hon? | 0:14:05 | 0:14:06 | |
Oh, hello! Can I speak to Sergeant Kenny Morris, please? | 0:14:11 | 0:14:15 | |
Yeah, well, just put me through to the voicemail, then. | 0:14:18 | 0:14:21 | |
Hi, it's Denise Fox. | 0:14:24 | 0:14:26 | |
I just wanted to apologise for that whole mother thing earlier. | 0:14:27 | 0:14:33 | |
It's just my friend Carmel, | 0:14:33 | 0:14:34 | |
she just gets herself a little bit overexcited and she... | 0:14:34 | 0:14:38 | |
Sorry. Listen to me rambling away here. | 0:14:38 | 0:14:41 | |
All I wanted to say is that I know that you're just doing your job | 0:14:42 | 0:14:47 | |
and if your hands are tied then I understand. | 0:14:47 | 0:14:51 | |
It's just, I hope that whoever it is that's in trouble, | 0:14:52 | 0:14:56 | |
they get all the help they need. | 0:14:56 | 0:14:58 | |
Thank you. | 0:14:59 | 0:15:01 | |
Why don't we go out after this? | 0:15:03 | 0:15:05 | |
Oh, no. I'm not really in the mood. | 0:15:05 | 0:15:08 | |
What you need is a new project, | 0:15:08 | 0:15:11 | |
and it just so happens that interiors are my forte. | 0:15:11 | 0:15:15 | |
-I don't know. -Oh, go on, think about it. | 0:15:16 | 0:15:19 | |
It's your chance to put a mark on that place, | 0:15:19 | 0:15:22 | |
get rid of your sister's dodgy furnishings. | 0:15:22 | 0:15:25 | |
I was thinking a feature wall, maybe of the Manhattan skyline. | 0:15:25 | 0:15:29 | |
-Manhattan? -Yeah! | 0:15:29 | 0:15:31 | |
-Come on, it'd be a whole new you. -How? | 0:15:31 | 0:15:33 | |
I'm on a zero hours contract - | 0:15:33 | 0:15:35 | |
I ain't got a penny to my name, have I? | 0:15:35 | 0:15:37 | |
What you need is a bit of positive thinking. | 0:15:37 | 0:15:40 | |
I learnt all about it after my separation. | 0:15:40 | 0:15:44 | |
Right, what you do is you write down all the negative things | 0:15:44 | 0:15:48 | |
in your life and then you burn it. | 0:15:48 | 0:15:50 | |
And then what happens? | 0:15:51 | 0:15:53 | |
You're just left with the positives. | 0:15:53 | 0:15:55 | |
Oh, yes. | 0:15:55 | 0:15:57 | |
I may be here some time. | 0:15:57 | 0:15:58 | |
Just stick down anything that jumps into your head. | 0:15:58 | 0:16:01 | |
No matter how small. | 0:16:01 | 0:16:03 | |
-PHONE RINGS -Oh! | 0:16:03 | 0:16:05 | |
Chelsea. | 0:16:05 | 0:16:07 | |
Oh, hi, darling. | 0:16:07 | 0:16:09 | |
Yeah, no, I tried calling you but... | 0:16:09 | 0:16:12 | |
It's just, I hadn't heard from you in a while and... | 0:16:12 | 0:16:16 | |
Yeah. | 0:16:16 | 0:16:17 | |
I'll tell you what, darling, why don't you Skype me later? | 0:16:17 | 0:16:21 | |
Aww! I love you too, darling. | 0:16:21 | 0:16:24 | |
All right, bye-bye. | 0:16:24 | 0:16:26 | |
You see? What did I tell you? | 0:16:26 | 0:16:28 | |
Positive energy. | 0:16:28 | 0:16:30 | |
Yeah, but if it's not Chelsea, it's not Libby... | 0:16:30 | 0:16:33 | |
Who is it? | 0:16:33 | 0:16:35 | |
Do you know, I think you should put this police business to bed. | 0:16:35 | 0:16:39 | |
If it was that important, | 0:16:39 | 0:16:41 | |
whoever it is would have contacted you, wouldn't they? | 0:16:41 | 0:16:44 | |
I suppose. | 0:16:44 | 0:16:46 | |
What have you got on that list? | 0:16:46 | 0:16:48 | |
Here you are. | 0:16:48 | 0:16:50 | |
Right, OK. | 0:16:50 | 0:16:51 | |
So, now all we need to do now is to get rid of that negative energy. | 0:16:53 | 0:16:58 | |
All gone. From now on it's all about looking forwards. | 0:17:06 | 0:17:10 | |
Looking forwards. | 0:17:12 | 0:17:14 | |
You sure you don't want me to drop you to the airport? | 0:17:16 | 0:17:20 | |
It's too risky. | 0:17:20 | 0:17:22 | |
Then let me call you a taxi. | 0:17:22 | 0:17:23 | |
Make sure he takes you straight there. | 0:17:23 | 0:17:26 | |
You know you're making the right decision, don't you? | 0:17:26 | 0:17:29 | |
Well, you would say that. | 0:17:29 | 0:17:31 | |
This way there's no chance of your secret getting out. | 0:17:31 | 0:17:34 | |
-That's not what this is about. -Isn't it? | 0:17:34 | 0:17:36 | |
It's about Matthew growing up with his mother. | 0:17:36 | 0:17:38 | |
SHE SIGHS | 0:17:38 | 0:17:40 | |
So what happens to you now? | 0:17:41 | 0:17:43 | |
I'll keep my head down and build a good life for my family. | 0:17:45 | 0:17:48 | |
So I guess this is it for us. | 0:17:50 | 0:17:51 | |
We had a good run, didn't we, Blue Eyes? | 0:17:53 | 0:17:55 | |
I just wish things could've been different. | 0:17:57 | 0:17:59 | |
Different how? | 0:17:59 | 0:18:01 | |
You know what I mean. | 0:18:01 | 0:18:02 | |
No-one gets me like you do. | 0:18:03 | 0:18:05 | |
Look, I've got a plane to catch. | 0:18:06 | 0:18:08 | |
At least give me something to remember you by. | 0:18:08 | 0:18:11 | |
I should get back to packing. | 0:18:20 | 0:18:22 | |
If ever you need me, I'm only ever one phone call away, yeah? | 0:18:25 | 0:18:29 | |
Vincent. | 0:18:31 | 0:18:32 | |
Thank you for everything. | 0:18:34 | 0:18:36 | |
We're a team. We work together. | 0:18:37 | 0:18:40 | |
Honey, I... | 0:18:53 | 0:18:54 | |
I'm so sorry I've put you through all of this. | 0:18:56 | 0:18:59 | |
I've got to go and pick up my kids. | 0:18:59 | 0:19:01 | |
Did you really kill a man, Ronnie? | 0:19:07 | 0:19:09 | |
It was self-defence, OK? He tried to rape me. | 0:19:12 | 0:19:15 | |
-Then you should've gone to the police. -I know. | 0:19:16 | 0:19:19 | |
I know that. | 0:19:19 | 0:19:20 | |
I was trying to protect Roxy | 0:19:22 | 0:19:24 | |
and I would do it again if I thought it would keep her safe. | 0:19:24 | 0:19:28 | |
Can you understand that? | 0:19:28 | 0:19:29 | |
So what happens to Roxy now? | 0:19:33 | 0:19:35 | |
I'll deal with my sister. | 0:19:38 | 0:19:40 | |
There's no point looking upset. | 0:19:46 | 0:19:48 | |
It's over now. | 0:19:49 | 0:19:50 | |
She's my sister, Dean. | 0:19:52 | 0:19:53 | |
Not any more she's not. | 0:19:54 | 0:19:56 | |
From now on you won't have anything else to do with her. | 0:19:57 | 0:20:00 | |
Oh! Been celebrating? | 0:20:09 | 0:20:12 | |
You don't know the half of it. | 0:20:12 | 0:20:13 | |
Everything all right? | 0:20:13 | 0:20:15 | |
No, not really. | 0:20:15 | 0:20:16 | |
Sometimes life has a habit of slapping you in the face. | 0:20:16 | 0:20:19 | |
Yeah, I suppose that's what keeps us on our toes. | 0:20:19 | 0:20:23 | |
Something to kick against, ain't it? | 0:20:23 | 0:20:25 | |
I'm not sure I've got any more fight in me. | 0:20:25 | 0:20:27 | |
Sharon... | 0:20:29 | 0:20:30 | |
Ronnie! | 0:20:30 | 0:20:32 | |
-Ronnie, I thought... -It's fine. It's fine. Everything's sorted. | 0:20:33 | 0:20:36 | |
-What about those men? -I know. | 0:20:36 | 0:20:37 | |
Look, I'm going to have to go away for a while. | 0:20:37 | 0:20:40 | |
-Where? -It doesn't matter. Just tell Phil not to worry. | 0:20:40 | 0:20:44 | |
It's over. | 0:20:44 | 0:20:45 | |
Hey, Mrs B. | 0:20:51 | 0:20:52 | |
Hello. Look, I've just finished knitting this for little Matthew. | 0:20:52 | 0:20:58 | |
It's a toy, a little donkey. | 0:20:58 | 0:21:00 | |
Aww, he's going to love that. | 0:21:00 | 0:21:02 | |
That boy, he's a gift from God to me. | 0:21:02 | 0:21:06 | |
Well, here's another one. Only it's from me. | 0:21:06 | 0:21:09 | |
Why? It ain't my birthday! | 0:21:09 | 0:21:11 | |
No, it's to celebrate you getting your job back at the launderette. | 0:21:11 | 0:21:14 | |
Oh, I can't wait. I shall feel like my old self again. | 0:21:14 | 0:21:18 | |
Oh, how lovely! What is it? | 0:21:18 | 0:21:21 | |
-It's a cigarette case. -Oh! | 0:21:21 | 0:21:24 | |
Oh, how posh! | 0:21:24 | 0:21:26 | |
I heard from Carol this morning. | 0:21:26 | 0:21:29 | |
She's in Germany - she's having a lovely time. | 0:21:29 | 0:21:31 | |
She says that she's thinking of staying for Christmas with Liam. | 0:21:31 | 0:21:35 | |
Well, I better get the supper on. | 0:21:35 | 0:21:39 | |
Oh, Mrs B, I'm not really hungry. | 0:21:39 | 0:21:41 | |
You must eat. If you're going to be disc-jockeying around the clock | 0:21:41 | 0:21:45 | |
you'll need all your strength. | 0:21:45 | 0:21:47 | |
I mean, you never know, you might be the next Tony Blackburn. | 0:21:47 | 0:21:50 | |
Mrs B... | 0:21:52 | 0:21:53 | |
What if you found something? | 0:21:53 | 0:21:56 | |
Something that could cause a lot of trouble. | 0:21:56 | 0:21:59 | |
What sort of trouble? | 0:21:59 | 0:22:00 | |
Big trouble. | 0:22:01 | 0:22:02 | |
Well... | 0:22:04 | 0:22:05 | |
You do what you think is right. | 0:22:05 | 0:22:08 | |
How I do know what's right? | 0:22:08 | 0:22:10 | |
You don't need me to tell you. | 0:22:10 | 0:22:13 | |
You already know the answer. | 0:22:13 | 0:22:15 | |
I'm afraid we've got a strict under-80s policy. | 0:22:23 | 0:22:27 | |
I haven't come here for a drink. | 0:22:27 | 0:22:30 | |
I'd love to stand and chat but I've got work to do. | 0:22:30 | 0:22:32 | |
You think you've got everyone fooled, don't you? | 0:22:32 | 0:22:35 | |
The doting mother, the grandmother... | 0:22:35 | 0:22:38 | |
What do you want, Sal? | 0:22:38 | 0:22:40 | |
..except I know the truth. | 0:22:40 | 0:22:41 | |
I can remember that night. | 0:22:42 | 0:22:44 | |
Are you threatening me? | 0:22:45 | 0:22:47 | |
I'd watch your back if I were you, | 0:22:47 | 0:22:49 | |
because one day you'll slip up. | 0:22:49 | 0:22:52 | |
And when you do, everyone will see you for what you really are. | 0:22:52 | 0:22:55 | |
I doubt that very much. | 0:22:56 | 0:22:58 | |
I don't forgive easily. | 0:22:58 | 0:23:00 | |
And I certainly don't forget. | 0:23:00 | 0:23:03 | |
SHE SIGHS | 0:23:11 | 0:23:13 | |
I need another drink. | 0:23:24 | 0:23:25 | |
Just to take the edge off. | 0:23:27 | 0:23:28 | |
Sharon, please. | 0:23:30 | 0:23:32 | |
I'm not going through with this again. | 0:23:35 | 0:23:38 | |
I can't. | 0:23:38 | 0:23:39 | |
You think I want to be back here? | 0:23:42 | 0:23:44 | |
You think this is easy for me? | 0:23:45 | 0:23:49 | |
Then talk to me. | 0:23:52 | 0:23:53 | |
I don't know what's happening to me, Sharon. | 0:23:58 | 0:24:00 | |
-Sometimes... -HE SIGHS | 0:24:02 | 0:24:05 | |
Sometimes I think I'm on top of it and then... | 0:24:05 | 0:24:08 | |
Then what? | 0:24:09 | 0:24:11 | |
And then I'm back in that room, playing his stupid games. | 0:24:11 | 0:24:16 | |
We can get you help. | 0:24:16 | 0:24:17 | |
I don't need help. | 0:24:20 | 0:24:21 | |
I need a drink. | 0:24:21 | 0:24:23 | |
Well, you won't find any in this house. | 0:24:24 | 0:24:26 | |
-HE SHOUTS: -Ben! | 0:24:27 | 0:24:29 | |
And don't go asking him neither. | 0:24:29 | 0:24:30 | |
Sharon, just get me a drink, please. | 0:24:30 | 0:24:33 | |
No. | 0:24:33 | 0:24:35 | |
All right, I'll get it myself. | 0:24:35 | 0:24:37 | |
No. | 0:24:37 | 0:24:39 | |
No, I will not let you do this. | 0:24:39 | 0:24:41 | |
Sharon, Sharon! | 0:24:43 | 0:24:45 | |
Sharon, what are you doing? | 0:24:45 | 0:24:47 | |
Sharon! Sharon! | 0:24:47 | 0:24:49 | |
Sharon, please! | 0:24:49 | 0:24:51 | |
Sharon, open the door. | 0:24:51 | 0:24:53 | |
Please, I just want a drink. | 0:24:53 | 0:24:56 | |
I just want a drink. | 0:24:56 | 0:24:58 | |
Mrs Fox... | 0:25:01 | 0:25:02 | |
I really shouldn't be here. This is strictly off the record. | 0:25:04 | 0:25:07 | |
-Of course. -It was never my intention to worry you. It's just... | 0:25:07 | 0:25:11 | |
Well, he wasn't in a good way. | 0:25:11 | 0:25:13 | |
He? | 0:25:13 | 0:25:14 | |
You said he. | 0:25:15 | 0:25:16 | |
Did I? | 0:25:16 | 0:25:18 | |
Who is it? | 0:25:18 | 0:25:19 | |
I can't give you his name. It's more than my job's worth. | 0:25:19 | 0:25:22 | |
-But he gave you my address? -That's right. | 0:25:22 | 0:25:24 | |
-Was he young or old? -Mrs Fox... | 0:25:25 | 0:25:27 | |
Miss. You're obviously worried about him or you wouldn't be here. | 0:25:27 | 0:25:32 | |
He got into a fight. There was a knife involved. | 0:25:32 | 0:25:35 | |
Where is he now, then? | 0:25:36 | 0:25:38 | |
He was bailed and released pending an investigation. | 0:25:38 | 0:25:42 | |
He was agitated and got into a bit of a state. | 0:25:42 | 0:25:45 | |
Kept going on about his father being in prison. | 0:25:45 | 0:25:47 | |
Jordan? | 0:25:50 | 0:25:52 | |
Someone needs to do something before that kid gets into real trouble. | 0:25:52 | 0:25:57 | |
What's wrong? | 0:26:04 | 0:26:05 | |
She was in the bar earlier. | 0:26:06 | 0:26:08 | |
Who was? | 0:26:08 | 0:26:09 | |
Peggy's sister Sal. | 0:26:09 | 0:26:11 | |
I want this sorted, Vincent. | 0:26:12 | 0:26:14 | |
-It will be. -When? | 0:26:14 | 0:26:15 | |
-Just a few more weeks. -It better be. | 0:26:15 | 0:26:17 | |
I don't know how much more of that family I can take. | 0:26:17 | 0:26:20 | |
I said I've got it in hand. | 0:26:20 | 0:26:21 | |
What was so important earlier? | 0:26:23 | 0:26:25 | |
Nothing for you to worry yourself about. | 0:26:27 | 0:26:29 | |
Yeah, it's me. Don't worry. | 0:26:44 | 0:26:46 | |
Ronnie Mitchell's on a one-way ticket out of here. | 0:26:46 | 0:26:49 | |
All right, Fats? | 0:26:51 | 0:26:52 | |
Erm... | 0:26:52 | 0:26:54 | |
There's something I need to show you. | 0:26:54 | 0:26:56 | |
-We're actually just going. -I found it at Vincent's. | 0:26:56 | 0:26:59 | |
-What were you doing there? -That doesn't matter, all right? | 0:26:59 | 0:27:01 | |
Please just look at it. | 0:27:01 | 0:27:03 | |
Ronnie, what does he want with your family? | 0:27:15 | 0:27:18 | |
I don't know. | 0:27:18 | 0:27:19 | |
So this is why he wanted me gone. | 0:27:21 | 0:27:23 | |
He's after my family. | 0:27:25 | 0:27:27 |